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16 мар 2018
Video Premiere: CREMATORY's 'Salvation'
Like all great rock bands, CREMATORY has based its success on the creativity of a well-rehearsed songwriting team. With Germany's leading gothic metal act, it's drummer Markus Jüllich in collaboration with the producer of each individual album that's kept the group's compositions on course for more than 25 years. At the same time, Markus Jüllich has enough experience to know that the band's evolvement depends on fresh ideas and new influences. So, by enlisting guitarists Tosse Basler and Rolf Munkes and, soon after, bassist Jason Mathias he has ensured that the band has remained contemporary and diverse ever since their 2016 release "Monument", reaping the fruits his efforts on "Oblivion".
"In particular, the sound and the selection of songs reflect the impact our three new band members have had," comments Markus Jüllich. "Tosse is a fantastic rhythm guitarist who adds even more diversity to the material with his clean vocals, and our lead guitarist Rolf enhances the record with his solos. Jason has added lots of drive to the deep frequencies, which is why we've consciously opted for a loud mix of the bass parts."
Along with Markus's wife Katrin (keyboards and samples) and vocalist Felix Stass, the three new additions are important factors that ensure that CREMATORY find themselves in a contemporary and forward-looking position in 2018.
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"Salvation", the new video from German metallers CREMATORY, can be seen below. The song is taken from the band's upcoming album, "Oblivion", which will be released on April 13.
Like all great rock bands, CREMATORY has based its success on the creativity of a well-rehearsed songwriting team. With Germany's leading gothic metal act, it's drummer Markus Jüllich in collaboration with the producer of each individual album that's kept the group's compositions on course for more than 25 years. At the same time, Markus Jüllich has enough experience to know that the band's evolvement depends on fresh ideas and new influences. So, by enlisting guitarists Tosse Basler and Rolf Munkes and, soon after, bassist Jason Mathias he has ensured that the band has remained contemporary and diverse ever since their 2016 release "Monument", reaping the fruits his efforts on "Oblivion".
"In particular, the sound and the selection of songs reflect the impact our three new band members have had," comments Markus Jüllich. "Tosse is a fantastic rhythm guitarist who adds even more diversity to the material with his clean vocals, and our lead guitarist Rolf enhances the record with his solos. Jason has added lots of drive to the deep frequencies, which is why we've consciously opted for a loud mix of the bass parts."
Along with Markus's wife Katrin (keyboards and samples) and vocalist Felix Stass, the three new additions are important factors that ensure that CREMATORY find themselves in a contemporary and forward-looking position in 2018.
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In fact, the band went one step further on "Oblivion": while Markus Jüllich and producer Kristian Bonifer were busy working on the basics of their new recording at the Kohlekellerstudio, Stefan Glass, Dirk Riegner and Walter Stobbe were asked to contribute additional input to the creative process.
"Dirk comes from the indie genre and helped to add an important new nuance to the characteristic CREMATORY approach," Markus Jüllich explains. "Stefan Glass is a specialist for orchestral arrangements and Walter Stobbe is a real riff virtuoso on the guitar." The result is thoroughly compelling as well as ingenious. CREMATORY's unmistakable style manifests itself on programmatic numbers such as "Ghost Of The Past" and "Revenge Is Mine", but also on the anthemnic "Wrong Side" and the melancholy title track. The Stefan Glass-inspired orchestral arrangements can be heard on the dark opener "Salvation" as well as on "Until The Dawn", "Blessed" and "For All Of Us". Walter Stobbe's penchant for heavy metal features on "Cemetary Stillness" and on the album's impressive finale, "Demon Inside".
CREMATORY has rarely sounded as multi-faceted and timeless as on "Oblivion". The group's classic trademarks, such as Felix Stass's deep growls, are still present, at the same time new influences emphasise their great commercial potential. Markus Jüllich says: "So far we've had a special motto to set the direction of each of our albums, but 'Oblivion' simply combines all our strengths and experience. Over the years we've learned to blend different styles into the typical CREMATORY sound without ever losing sight of the importance of playing in a way that benefits our music. The motto 'less is more' applies to our compositions 100 percent. CREMATORY songs never lose themselves in exaggerated effects but always go the whole hog. That's partly due to the fact that we've remained very much down to earth."
Which is exactly what CREMATORY's countless fans will be able to witness when the band embarks on its 15-show tour of Germany at the end of April. As Markus Jüllich aptly puts it: "Even if we know exactly what matters when you tour, we want to learn something new with every new concert."
"Oblivion" track listing:
01. Expectation (1:27)
02. Salvation (4:36)
03. Ghost Of The Past (3:59)
04. Until The Dawn (4:36)
05. Revenge Is Mine (4:50)
06. Wrong Side (4:12)
07. Stay With Me (4:13)
08. For All Of Us (4:06)
09. Immortal (3:32)
10. Oblivion (4:52)
11. Cemetary Stillness (4:50)
12. Blessed (4:02)
13. Demon Inside (4:06)
CREMATORY lineup:
Felix Stass - vocals
Rolf Munkes - guitar
Tosse Basler - guitar
Jason Mathias - bass
Markus Jüllich - drums
Katrin Jüllich - keyboards
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Видок у всех тоже атас какой-то.. певун этот с перекошенным ртом...
2. Потом это
3. Помрите со смеху
Рифф дж-дж-дж и клавиши попсовые сверху.
Единственный плюс -ножки клавишницы)
16 мар 2018, 21:35
Да ты гонишь, чувак. Вот ЭТО секси?? —
https://www.metal-archives.com/images/3/7/3/0/37301_artist.jpg?2251
Хорошее: Феликс, как всегда, харизматичный и яркий чел с крутым вокалом и уже ставшим фирменным адским немецким акцентом. Катрин - ну просто на фоне общего дерьмища приятно видеть знакомое лицо. Чистый вокал замечательный, ничуть не хуже того, что был раньше.
Плохое: вообще всё остальное. Жирный мерзкий Маркус больше похож на Ослика из "Алисы", взял бы хоть пример с Феликса да похудел, как-то даже не верится, что он сам эти партии записывал. Ноунеймовые гитаристы и басист реально выглядят, как ублюдки-говнари, насколько хорош чистый вокал гитариста, настолько отвратителен его внешний вид. Басист - ну вы поняли сами, слов даже нет, насколько это говёно.
Разве это та группа, увидев клипы которой (Tears of Time, потом Awake) лет 15-20 назад я просто офигел? Нет.
Я не в курсе, у Феликса нет случайно какого-нибудь стороннего проекта, где он играет с нормальными чуваками?:)
но все таки играет((
Феерическая лажа от некогда очень либмой группы. Обидно.
есть https://www.metal-archives.com/bands/Stass/3540430616
P.S. Клавишница у них трап, это давно известно.
P.S. Что такое "трап"? От "трапеции" или что это?
На фоне этого паноптикума, его эта мимика еблом в купе с желтыми зубами и образом Фестера из "Семейка Аддамс" - вобще заходит неимоверно!
Вот барабанщика как году в 90-м посадили на стульчик, он с таким лицом и сидит 😜
Не люблю обсирать, но это максимум банда второго эшедона. П скоро в третий перейдет.
И у них фанаты еще сто пудов есть.
там эмперор, тут кремат? Какая связь между уважением к одним и танце-попсовостью других? Кем пытаюсь показать? Шо то ты попутал, походу. невтему предьява.
Наслаждайся клипом.
После такого даже "Revolution" кажется ниебическим шедевром) Впрочем, что тут удивляться? Команда уже давно превратилась в унылое говно.
Вокалисту уважуха, что скинул лишний вес.
А без видео песня звучит не лучше и не хуже их последних альбомов. Разницы не увидел.
2. Потом это
3. Помрите со смеху
Теорема Эскобара же. Шо то копро, шо это дикое дерьмищще.
- Ваше видео - говно.
- Это видео говна.
- О, тогда недурно.