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Black Sabbath

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28 июл 2025 : 
BILL WARD Reflects On BLACK SABBATH's Final Performance: 'I Just Wanted To Say Thanks To Everybody'

28 июл 2025 : 
OZZY OSBOURNE, BLACK SABBATH Streams Jump After Legendary Heavy Metal Singer's Death

21 июл 2025 : 
All-Female BLACK SABBATH Tribute Band BLACK SABBITCH To Release Live Album

18 июл 2025 : 
THE RED MOUNTAIN Pay Tribute To BLACK SABBATH With Crushing Reimagined Cover Of “N.I.B.”

18 июл 2025 : 
BLACK SABBATH’s “Back To The Beginning” Concert Raises $190 Million For Charity Partners

14 июл 2025 : 
BLACK SABBATH's Final Performance Was Livestreamed To More Than Five Million Fans Around The World

10 июл 2025 : 
TONY IOMMI Says BLACK SABBATH 'Could Have' Played Six Or Seven Songs At 'Back To The Beginning'

6 июл 2025 : 

6 июл 2025 : 

5 июл 2025 : 

4 июл 2025 : 
TONY IOMMI Says OZZY OSBOURNE Will 'Do Four Songs' At BLACK SABBATH's Final Concert: 'He's Singing Fine'

4 июл 2025 : 
VINNY APPICE Says He Wasn't Invited To Take Part In BLACK SABBATH's Final Concert

3 июл 2025 : 

1 июл 2025 : 
BLACK SABBATH Awarded Freedom Of The City Of Birmingham

29 июн 2025 : 
See First Photos Of Entire Reunited Original BLACK SABBATH Lineup

28 июн 2025 : 
BLACK SABBATH And OZZY OSBOURNE Titles Climb UK Charts Ahead Of Final Concert

27 июн 2025 : 

25 июн 2025 : 
See First Photo Of BLACK SABBATH From Rehearsals For 'Back To The Beginning: Ozzy's Final Bow'

21 июн 2025 : 
ANTHRAX/PANTERA's CHARLIE BENANTE On BLACK SABBATH's Final Performance: 'It's Gonna Be A Beautiful Thing To Witness'

18 июн 2025 : 
See Trailer For OZZY OSBOURNE And BLACK SABBATH's Final Show Livestream

16 июн 2025 : 

14 июн 2025 : 

11 июн 2025 : 
TONY IOMMI On BLACK SABBATH's Upcoming Final Concert: 'The Worrying Thing For Me Is The Unknown'

7 июн 2025 : 
OZZY OSBOURNE And BLACK SABBATH's Final Show 'Back To The Beginning' To Stream Worldwide

25 май 2025 : 
Keyboardist DON AIREY Recalls His First Session With BLACK SABBATH: 'They Had A Terrible Reputation'

23 май 2025 : 
GUS G. On BLACK SABBATH's Final Concert: 'It's The Biggest Heavy Metal Festival Ever Put Together'
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|||| 26 сен 2022

OZZY OSBOURNE Says '13' 'Wasn't Really A BLACK SABBATH Album'



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In a new interview with Stereogum, BLACK SABBATH singer Ozzy Osbourne reflected on the making of the band's final album, "13". Released in 2013, it was SABBATH's first LP in 35 years to feature Osbourne, guitarist Tony Iommi and bassist Geezer Butler. Asked if he still feels good about where "13" left things, he responded: "Not really, because, to be perfectly honest, I didn't really get a charge from the album. Although [producer] Rick Rubin is a good friend of mine, I wasn't really… I was just singing. It was like stepping back in time, but it wasn't a glorious period. Though Geezer [Butler, BLACK SABBATH bassist] did a lot of lyric writing for me, which he's very, very good at. It wasn't an earth-shattering experience for me."

As for whether BLACK SABBATH is "totally done" in his mind, Osbourne: "I would like to say it's completely done. I think it's time. The only thing I really regret, to be honest, is that Bill Ward [original BLACK SABBATH drummer] didn't play on the ['13'] album. It wasn't really a BLACK SABBATH album. I'm not saying that one day we might not all go in a room and come up with the perfect BLACK SABBATH album. But I'll say, ['13'] wasn't recorded the way BLACK SABBATH recorded records. We'd gone right back past the point where we took charge, back to when someone else had full control of our recording. Which we never did from 'Vol. 4' onwards."

This past April, Geezer spoke about Rubin's involvement with "13" during an appearance on SiriusXM's "Trunk Nation With Eddie Trunk" show. He said: "Some of [the '13' album] I liked, some of it I didn't like particularly. It was a weird experience, especially with being told to forget that you're a heavy metal band. That was the first thing [Rick] said to us. He played us our very first album, and he said, 'Cast your mind back to then when there was no such thing as heavy metal or anything like that, and pretend it's the follow-up album to that,' which is a ridiculous thing to think."

When host Eddie Trunk noted that many other artists who have worked with Rubin walked away from the experience feeling a bit underwhelmed, Butler said: "I still don't know what he did. It's, like, 'Yeah, that's good.' 'No, don't do that.' And you go, 'Why?' [And he'd say], 'Just don't do it.' I think Ozzy one day went nuts 'cause he'd done, like, 10 different vocals, and Rick kept saying, 'Yeah, that's great, but do another one.' And Ozzy was, like, 'If it's great, why am I doing another one?' He just lost it. And that's the way it was. Tony wasn't happy with some of the stuff he was trying to make him play. He was making Tony get 1968 amps — as if that's gonna make it sound like back in 1968. It's mad. But it's good for publicity and it's good for the record company. If you've got Rick Rubin involved, then it must be good, kind of thing."

In an official documentary chronicling the making of the "13" album, Geezer was more complimentary about collaborating with Rubin, saying: "It's great with Rick Rubin in charge. He's got a great track record and he comes up with some great ideas. Some work, some don't, but it's worth trying."

When Iommi was asked about working with Rubin in a 2013 interview with Guitar Player magazine, he said: "It was fine once we got used to him. We didn't know how he was going to work, because through the writing period, we didn't see a lot of him. He'd say, 'Phone me up when you've got an idea and I'll come down.' So we'd have a track together and phone him up or e-mail him, and then he'd come down and say, 'Yeah, I like this part, but I don't like that part' or 'I like everything,' whatever it may be, and then he'd go. He was only there perhaps ten or 15 minutes at the most. We didn't know how he was going to approach recording. It was all a bit of a mystery to us… It's sort of left to the last minute, and then he throws it at you. He just pushes that much more, and that's difficult for a band like us. We've been around so long, it's hard to accept criticism from somebody we've never worked with. But we did, and it was good. It was really good. We might be working on a track, and he'd go, 'Oh no, it doesn't feel right. Try it again and try extending that part.' So we'd do it and then we'd be thinking to ourselves that it may be too long, but we'd do it anyway. And then he'd go, 'That doesn't feel right. Let's try another one.' And then he'd say, 'Okay I think we've got it, but do you want to just try another one?' So we would try another one, and he'd say, 'Okay, let's leave it now.' So we never knew exactly which one he was going to pick."

Asked in a 2021 interview with SPIN if he had learned anything from working with Rubin, Iommi quipped: "Yeah, I learned how to lie on the couch with a mic in my hand and say 'Next!' ... It was just different, the way he works. He wanted to find the original SABBATH sound. He said, 'Have you got your original amps?' I said, 'Rick, that was 50 years ago. Do you have any amps from 50 years ago? … I don't have them, they've blown up. They're gone long ago. I've got my own amps now.' He said, 'No, we need the old stuff.'

"So, I get to the studio, and there are 20 different bloody amps there. He goes, 'They're vintage amps.' I said, 'That doesn't mean they sound good; they're just old.' He went, 'Well, let's try them.' I tried them, and I didn't like any of them.

"So it was a bit of a backwards and forwards till he got used to me, and I got used to him, really," Iommi added. "But we did it, and the album was very basic. I'd done a lot of the songs from the last album in my studio at home. I thought the sound was better, to be honest. But there was more stuff involved; I put more instruments on it. He just wanted it very bare and very basic, which you know, was good."

Ward in May 2012 announced that he was declining to join his former SABBATH bandmates for its scheduled dates, as well as the recording of the new album, due to a contractual dispute. After SABBATH shot down Rubin's suggestion to replace Ward with Ginger Baker (CREAM) ("I thought, 'Bloody hell?'" Iommi told Rolling Stone magazine. "I just couldn't see that."),Rick suggested RAGE AGAINST THE MACHINE drummer Brad Wilk.




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26 сен 2022
не парься OZZY мы тоже не получили.....
26 сен 2022
"Я не говорю, что однажды мы не сможем собраться в одной комнате и придумать идеальный альбом BLACK SABBATH."

Оззи, старина, такой альбом уже давно придуман и записан. Он называется "Heaven and Hell".
27 сен 2022
Nord61, что там идеального? Унылое блеяние карлика?
27 сен 2022
WahrandPhain, с моей стороны было бы моветоном отвечать на столь толстый наброс. :D
28 сен 2022
Nord61, это не наброс а факты, дио попсарь и говнарь, это чистое пение, не рок ни в коем случае.
29 сен 2022
WahrandPhain, ну да, ну да. К примеру, "Jesus, Mary & The Holy Ghost", "After All (The Dead)" и "Eating The Cannibals" уж такая-то попса, почти уровня Ласкового Мая. Или даже Киркорова. xDDD
30 сен 2022
Nord61, попса разная бывает, не только в виде эстрады. Оффспринг, Слипкнот, Дио, Ирон Майден это тоже попса, правильная, приятная музыка, которая нравится большинству, безопасная и уютная.
26 сен 2022
Новость прям смердит жалобой в стиле "мы хотели с другом прыгать с гаража, но мамка позвала меня домой на обед. это, конечно, так и надо было, но мне не доставило удовольствия!".
27 сен 2022
Конечно, ибо все предыдущие альбомы с Саббат были записаны под кайфом.
27 сен 2022
Hellg, под этот альбом Оззи тоже упарывался
27 сен 2022
Альбом хороший, но конечно, продюсерский и явно "сделанный", а не "сотворенный". Но в общем, понятно, что Оззи и остальным не получилось помолодеть на 40 лет.
28 сен 2022
Одна песня тянет на нормальную - Pariah - и та в бонусах. Остальное - вымученная тягомотина в претензией на подобие.
28 сен 2022
Что бы от этой тягомотины получить удовольствие, надо быть махровым мазохистом...
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