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Opeth

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4 авг 2025 : 
Watch: OPETH Covers BLACK SABBATH's 'Solitude' In Honor Of OZZY OSBOURNE

23 июн 2025 : 

8 июн 2025 : 

5 июн 2025 : 
OPETH Shares Performance Video For 'Paragraph One' From 'The Last Will And Testament' Album

20 апр 2025 : 
MIKAEL ÅKERFELDT On OPETH's Musical Evolution: 'I Don't Believe In Staying True To The Roots'

15 апр 2025 : 
OPETH Guitarist FREDRIK ÅKESSON On His Debut Solo Album: 'I'll Do My Best To Finish It As Quickly As Possible'

29 мар 2025 : 
OPETH Wins Swedish GRAMMIS Award For 'The Last Will And Testament'

24 мар 2025 : 
OPETH Guitarist FREDRIK ÅKESSON's Debut Solo Album To Include Guest Appearance By SAXON's BIFF BYFORD

14 фев 2025 : 

22 янв 2025 : 
OPETH's FREDRIK ÅKESSON: 'As A Unit, We're Stronger Than Ever'

10 янв 2025 : 
OPETH's MIKAEL ÅKERFELDT Pays Tribute To HEAVY LOAD's RAGNE WAHLQUIST

9 янв 2025 : 
OPETH's MIKAEL ÅKERFELDT Pays Tribute To PAUL DI'ANNO: 'His Influence On Metal Music Cannot Be Understated'

24 дек 2024 : 
OPETH Unleashes "The Drapery Falls" Live At Bloodstock 2024; Official Pro-Shot Video Posted

17 дек 2024 : 
OPETH Performs "Deliverance" At Bloodstock 2024; Watch Official Pro-Shot Video

12 дек 2024 : 
OPETH Performs "Ghost Of Perdition" At Bloodstock 2024; Watch Official Pro-Shot Video

1 дек 2024 : 
OPETH's FREDRIK ÅKESSON On 'The Last Will And Testament': 'This Album Is Special To Me'

29 ноя 2024 : 
Watch OPETH's Epic Headline Set At Bloodstock 2024; Official Video

26 ноя 2024 : 
Watch: OPETH's MIKAEL ÅKERFELDT Takes You Through Entire 'The Last Will And Testament' Album

23 ноя 2024 : 
OPETH's FREDRIK ÅKESSON Says 'The Last Will And Testament' Album Is Another 'Step Forward'

10 ноя 2024 : 
OPETH's FREDRIK ÅKESSON Explains How Drummer WALTTERI VÄYRYNEN Landed Gig As Replacement For MARTIN 'AXE' AXENROT

8 ноя 2024 : 
OPETH Share "§1" Bass Playthrough Video

3 ноя 2024 : 
See OPETH Perform In Los Angeles During Fall 2024 North American Tour

31 окт 2024 : 
See OPETH Perform In Denver During Fall 2024 North American Tour

17 окт 2024 : 
MIKAEL ÅKERFELDT On IAN ANDERSON's Guest Appearance On New OPETH Album: 'It's Amazing That He's On Our Record'

8 окт 2024 : 
OPETH's ÅKERFELDT Says Growling Vocals 'Became An Asset' During Songwriting Process For 'The Last Will And Testament'

5 окт 2024 : 
OPETH - Special 25th Anniversary Edition Of Still Life Album Available On Double Black/Red Splatter Vinyl In November
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|||| 3 авг 2016

OPETH Guitarist Says 'Sorceress' is 'More Intense,' 'Darker' And 'Heavier' Than Previous Two Albums



zoom
Kaaos TV conducted an interview with guitarist Fredrik Åkesson of Swedish progressive metallers OPETH prior to the band's July 30 performance at the Qstock festival in Oulu, Finland. You can now watch the chat below. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET).

On his role in the songwriting process for OPETH's new album, "Sorceress":

Fredrik: "My role… Mike [guitarist/vocalist Mikael Åkerfeldt] wrote most of the songs, as usual, but we collaborated on one song called 'Strange Brew'. So I was trying to get some ideas in there. I was sitting at my house, recording ideas. And we have a rehearsal room, where we rehearse — it's like a warehouse room with a studio — and Mikael was sitting there, recording lots of demos. And he asked me down on a few occasions to record some guitar solos and get some feedback. It was a pretty quick, focused writing session, I would say. But, once again, Mikael wrote most of it. But we sat down a couple of times and worked on some stuff. There was one we didn't finish as well that we worked on. So it was nice to be involved a little bit.

"I think everybody in the band contributes to the final product with their individual playing a lot. Everybody has a lot of freedom, going into the studio, to add on bass lines and drum fills and stuff like that. Martin Axenrot [drums] and Martín Méndez [bass], they have a lot of freedom to jam out and space out. Mikael makes really good demos, and we're, like, 'Oh, it sounds like an album,' when you listen to it, but then it's nice to hear that the final product takes it to another level."

On whether he sees each OPETH album as a natural progression from the record immediately before it:

Fredrik: "Yeah, I think we would like to… We wish it's like that. That's kind of the goal — to not repeat ourselves, especially for Mike, who writes the majority of the material. [The goal is to] always try to raise the [bar] and do something different from the one before. It's a bit what OPETH is about, I would say. Most of the albums, I think, are very different from each other. But maybe you can say this latest one relates a bit to the previous one, 'Pale Communion', and also 'Heritage'."

On how he would describe the musical direction of "Sorceress":

Fredrik: "I would say this one is a bit more heavy — a bit more progressive hard rock heavy. More direct, maybe, some songs. Some really catchy melodies, if you wanna put it that way. It's a bit more intense, I think, a bit darker and a bit heavier. Not going back to the death metal stuff, really, but still it's… some songs, I think, are the heaviest we've done, if you compare [the last] three albums.

"I think every song is very different from each other on the album. And I think there's a lot of songs, like the first single is gonna be [the] 'Sorceress' [title track]. I'm really looking forward to playing that live. It's a bit different for us; it's detuned and very heavy, chugging heavy. I think it's one of those albums — I've said this before, but I think, again, it's important — with the sequence of the album, you should listen from the top to the end. It's supposed to be like a little journey."

On whether OPETH had a clear direction in mind before beginning the songwriting process for "Sorceress":

Fredrik: "In a way, it turns out the way it turns out, but we talked a lot… In the beginning, Mikael was into doing something more doomy. I guess you can't really project what's gonna happen when you write, but we talked that we wanted it to be a bit heavier, some songs. And I think it is."

On how some OPETH fans still expect the band to incorporate some death metal growling into the new songs:

Fredrik: "We love that type of stuff, and we play it still — sixty percent of the show is from the older stuff, and it's a big part of the OPETH sound. It's not impossible that we'll do some kind of album like that again some day. It depends on Mike and what his vision is and what he feels like doing. So I can understand that. But once again, we're trying to do different albums. We've done nine albums with the growls. But I think still this music relates with the older stuff. There's a lot of similarities, stuff that is a bit similar. Just to put [the growling vocals] in there to satisfy that need would be kind of cheesy; it's not supposed to be there, and then it's gonna sound [forced]. I mean, Mikael screams a bit more on this one, but with the regular voice — it distorts a little bit more. But still, the element, like, more aggressive meets the more softer stuff, that yin and yang kind of thing, as it was before, with the growl and the clean vocals; that was kind of that thing, which is a very important part of the OPETH sound. But I think a lot of OPETH fans are open-minded and they enjoy both types of styles. I would like to think so."

"Sorceress" will be released on September 30 via OPETH's imprint label Moderbolaget Records through Nuclear Blast.

OPETH Guitarist Says 'Sorceress' is 'More Intense,' 'Darker' And 'Heavier' Than Previous Two Albums





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3 авг 2016
>> Но я считаю, что у большинства фэнов OPETH развит кругозор, и они наслаждаются обоими стилями.

ой вряд ли. я как ни зайду в комменты под темами об opeth, большинство орёт про то, что "раньше было лучше".
3 авг 2016
Спойлер всем у кого "травараньшебылазеленее" Death Metal'а не будет. Но уверен будет нереально крутой материал.
3 авг 2016
Black Sabbath от Opeth
3 авг 2016
В принципе, то, что я и думал относительно творческого процесса. Микаэль создает общую концепцию звучания альбомов, но цельными песни становятся, когда каждый из участников вносит свою лепту, что и заметно, так как у каждого есть своя манера, которую легко идентифицировать, если знать творчество группы. Партии Мендеза мне как басисту очень импонируют, в них он умело сочетает грув и мелодичность. И ещё очень нравится манера игры барабанщика. Вообще для меня Heritage стал таким себе альбомом в альбоме, так как (и это удивило меня самого) я при первом прослушивании больше обращал внимание на ударные, настолько они оказались красивыми и самобытными.
4 авг 2016
shakkanakkum, просто тем, кому не нравится новая музыка либо очень ограниченные люди, не принимающие новых идей, либо просто строят из себя хрен знает кого, а по ночам под одеялом новую музыку слушают:) есть ещё третий вариант: они вообще не фанаты, но надо же что-то сказать, както выделиться, вот они и поносят музыку
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