Norwegian gothic metal veterans Trail Of Tears continue their triumphant return with a captivating lyric video for their new single, "Blood Red Halo".  The track follows the release of the title track, "Winds Of Disdain", from their forthcoming EP of the same name, arriving on May 24, 2024 via The Circle Music.


"Blood Red Halo" delves deeper into the emotional landscape explored on "Winds Of Disdain."  A haunting melody intertwines with Ailyn Giménez García's (ex-Sirenia) soaring vocals and Ronny Thorsen's signature growls, weaving a tale of loss and resilience. The lyric video perfectly complements the song's atmosphere, with stark visuals that capture the essence of Trail of Tears' signature gothic aesthetic.


"We're thrilled to share 'Blood Red Halo' with our fans," says Ronny Thorsen.  "This song represents another facet of the emotions we're pouring into our new music. The lyric video adds another layer of depth to the story, and we can't wait for everyone to experience the full EP."




"Blood Red Halo" further cements Trail of Tears' return to form. Fans can expect a powerful and dynamic exploration of the band's signature sound on the upcoming Winds Of Disdain EP.


Winds Of Disdain marks the band's first release in over 10 years and signifies a new chapter for Trail Of Tears. They have signed a multifaceted deal with The Circle Music, which will see the release of the Winds Of Disdain EP, a full-length album, and vinyl reissues of all seven of their previous albums, starting with their iconic 1998 debut Disclosure in Red.


“We are finally ready to share the results of our work since first announcing our return back in 2020,” says Ronny Thorsen, Trail Of Tears founder and vocalist. “We're excited to share our first new single and lyric video with you - and hopefully seeing you out there in concert, soon!”


Formed in 1997, Norwegian gothic metallers Trail Of Tears quickly gained acclaim with their debut album Disclosure in Red and relentless touring alongside bands like Tristania and Cradle of Filth. Over the next decade, they released a string of successful albums, each showcasing their blend of dark melodies, soaring vocals, and heavy riffs. The band also saw lineup changes, with founding member Ronny Thorsen remaining a constant.


Despite critical and commercial success, Trail Of Tears went on hiatus in 2013. However, 2020 saw a resurgence for the band. Thorsen spearheaded a reformation, bringing together both original members and long-time collaborators, completed by Ailyn Giménez García (Sirenia).


Pre-order Winds Of Disdain EP here. Digital pre-saves here





Tracklisting:


"Winds Of Disdain"
"Take These Tears"
"No Colours Left"
"Blood Red Halo"


"Blood Red Halo" video:





"Winds Of Disdain" lyric video:





Lineup:


Ronny Thorsen - vocals
Ailyn Giménez García - vocals
Runar Hansen - guitars
Nicolay Jørni Johnsen - guitars and programming
Endre Moe - bass


(Photo - Nat Enemede)

DREAM THEATER's John Petrucci has completed laying down the guitar tracks for the band's sixteenth studio album. The upcoming effort will mark the progressive metal legends' first LP since drummer Mike Portnoy's return to the group last October.

Earlier today (Wednesday, May 1),Petrucci shared a video message in which he said in part (as transcribed by BLABBERMOUTH.NET): "I'm here to tell you that I'm actually officially done recording all of the guitars for what we will for now call DT16, the latest DREAM THEATER album.

"I'm so happy with how the guitars came out. Our extraordinary, talented engineer Jimmy T [James Meslin] and I, we set out to create and capture what we call the Mount Rushmore of guitar tones. I think we did it. It's up to you guys to decide. But anyway, we had so much fun recording the guitar."

Petrucci continued: "I wanna nerd out for a second. So, in striving to get there, and with Mike Portnoy rejoining the band, we decided we'd kind of look back a little bit. So we contacted our longtime friend and engineer Doug Oberkircher, who recorded DREAM THEATER classic albums such as 'Images And Words', 'Scenes From A Memory', 'Six Degrees Of Inner Turbulence', 'Train Of Thought'. And it turns out that Doug still had the original Neve preamps that he used to record the guitars on those records. And so we contacted Doug and we acquired the preamps, and, man, we got all the gank, all the aggression, but it still sounds really warm, smooth top end, expressive, layered. It's like a T-Rex made out of chocolate cake lit on fire. [Laughs]

"Anyway, it came out great," John added. "So I can't wait for all of you to hear that."

Last month, DREAM THEATER announced the European leg of its "40th Anniversary Tour 2024 - 2025". The trek — presented as "An Evening With Dream Theater" — is the first outing since Portnoy's return.

The European leg of DREAM THEATER's "40th Anniversary Tour 2024 - 2025" consists of stops in 23 cities and kicks off on October 20 and runs through November 24.

Portnoy co-founded DREAM THEATER in 1985 with Petrucci and bassist John Myung. Mike played on 10 DREAM THEATER albums over a 20-year period, from 1989's "When Dream And Day Unite" through 2009's "Black Clouds & Silver Linings", before exiting the group in 2010.

Mike Mangini joined DREAM THEATER in late 2010 through a widely publicized audition following the departure of Portnoy. Mangini beat out six other of the world's top drummers — Marco Minnemann, Virgil Donati, Aquiles Priester, Thomas Lang, Peter Wildoer and Derek Roddy — for the gig, a three-day process that was filmed for a documentary-style reality show called "The Spirit Carries On".

Last month, DREAM THEATER singer James LaBrie was asked by Rolling Stone magazine why he and his bandmates wanted Portnoy to return. He said: "I think we had to return the band back to its strongest form." Petrucci added: "It wasn't one singular thing; it was sort of a series of life events that caused an organic conclusion. We all talked about it. It was like, 'Yeah, this makes sense right now.'" Keyboardist Jordan Rudess chimed in: "There's so many factors involved, and each of us has our particular relationships. And it was just a moment when everything seemed to come together, and we went, 'You know what? Let's do this. Now's the time.'" Myung concurred, saying: "It was a collective moment of certainty."

Asked if he was surprised when he was invited back into the band, Portnoy said: "Before the Covid pandemic, if you had asked me or any of these guys, 'Was a reunion in the cards?' I probably would've said I doubted that it could happen. I think if the lockdown hadn't happened, you guys probably would've been on tour, and I would've been on tour with one of my 48 bands. But once we were all locked down, John asked me to play on his solo album. Then, from there, Jordan, John, and myself did the LIQUID TENSION EXPERIMENT album. And then I did John's tour. So there were just these series of events of reconnecting us — not only on a musical level but also on a personal level for many years prior to that.

"All of our families are friends," he continued. "And my daughter and John's daughter shared an apartment together for many, many years. And John Myung lives right down the block from me, and his wife's at my house every night. There was just a series of events both personally and musically that started to feel like, 'Well, maybe this really is in the cards. Maybe this is the right time.'"

Asked if they see this reunion as healing a fractured band, Portnoy said: "I don't want to be over-philosophical about it, but as we're all getting older. Here we are in our 50s and 60s. You start to think of the reality of, 'How much time do we have left?' I would hate it if this were to become a Roger Waters-PINK FLOYD or Peter Gabriel-with-GENESIS situation where the fans want it, but it never happens."

Petrucci added: "When Mike left the band, it was traumatic for all of us. We had to figure out how we were going to move our career forward. And those years that went by, they were also healing years because you don't just have something like that happen, and all of a sudden, you're all best buddies a week later. There's some trauma there that had to heal. Thirteen years was enough time for that to happen and be, like, 'Hey, you know what, man? We love each other like we're brothers.'"

Former JOURNEY singer Steve Perry has recorded a new version of the band's song "It Could Have Been You" with THE EFFECT, the group featuring Trevor "Trev" Lukather (son of TOTO's Steve Lukather) on guitars, Nic Collins (son of Phil Collins) on drums and Steve Maggiora (TOTO) on keyboards.

Perry announced his collaboration with THE EFFECT in a social media post on Tuesday (April 30). He wrote: "In 1986 the JOURNEY 'Raised On Radio' record was released and in it was a song I've always felt was a diamond in the rough.

"I've known Trevor Lukather since he was 9 years old and he is a very gifted musician. One day we were talking about his new band, THE EFFECT… He surprisingly mentioned 'It Could Have Been You' is one of his favorite tracks from that record, I told him I felt the same. I then said, why don't you record it? He asked if I would sing on it if they did, I said... 'Of course my most precious!'

"I must say, singing on their powerful track brought out a vocal experience in me from years ago ! So now... Releasing on May 7th on all socials and streaming is a very powerful reimagined version of, 'It Could Have Been You' by... THE EFFECT. Have a listen!"

In the fall of 2018, Perry made his long-awaited return with the release of "Traces", the legendary musician's first new album in 25 years. The LP's personal expression of love, inspiration and renewal resonated with both critics and fans around the world, thrilled to have their "voice of a generation" making new music once again.

Two years later, Steve released "Traces (Alternative Versions & Sketches)" via Fantasy Records. On that LP, Perry revisited several of his favorite tracks, stripping away the grand production touches, taking the songs down to their essence. Presented acoustic and raw (including some in sketch form),tracks like "Sun Shines Gray", "No Erasin'", "No More Cryin'" and "Most Of All" took on new and richer meaning.

Perry's first solo album in more than two decades, "Traces", was released in October 2018 via Fantasy Records (a division of Concord Records/UMG). He credited his late girlfriend, psychologist Kellie Nash, who died more than 11 years ago, with helping him want to sing again; she'd made him promise he wouldn't go back into isolation when she passed.

In 2019, Perry told "The Jim Brickman Show" that the response to "Traces" had been "really great. It's been an interesting experience to release a record in this age that we live in. Meaning, it's such a different landscape… Now we're streaming, now we've got everything… all this stuff. And so it's been such an interesting experience to release music into the new landscape of what it all means. We're streaming, we're still selling some on iTunes…. Nobody sells records anymore; everybody's streaming. But I didn't do this to sell records. If people wanna own it and take it with them, then that's beautiful. But if you wanna listen to it, that's also beautiful, 'cause all I wanted to do — and I said this to many of my friends… The reason I make music again was, number one, to keep a promise that I wouldn't go back into isolation. And number two, I wanted to just see if I was viable as a songwriter, singer, arranger, mixer, producer. I wanted to see if I could even remotely do some sort of creative involvement with all that. And in the beginning, it was challenging, because of the new technologies. But now I've embraced the living crap out of all of it. I have a great studio."

Perry dated Nash for nearly two years before she died in December 2012 after being diagnosed with breast cancer. He mourned for two years, and then began recording again.

Upon its release, "Traces" was met with wide acclaim and tremendous excitement from fans and critics all over the world. The album entered the Billboard 200 Albums chart at No. 6, Perry's highest debut as a solo artist and earned the Rock And Roll Hall Of Famer his best-ever chart entries in the U.K., Germany, Canada and Japan.

Perry reunited with JOURNEY for the first time in years as they were inducted into the Rock And Roll Hall Of Fame in April 2017. The iconic singer appeared onstage with his former bandmates as they each gave speeches, but did not perform with the group later in the event.

In 1986 the Journey “Raised on Radio” record was released and in it was a song I’ve always felt was a diamond in the...

Posted by Steve Perry on Tuesday, April 30, 2024

Eloy Casagrande has released the first statement as a member of SLIPKNOT.

The former SEPULTURA drummer, whose addition to SLIPKNOT was officially announced on Tuesday (April 30),took to his social media today to share a photo of him in wearing his SLIPKNOT mask and outfit, and he included the following message: "It's an exciting moment. Unthinkable until then. There is nothing to lose, there is nothing to win. There is just living. We're here as one.

"Thank you SLIPKNOT for trusting me. Thanks all the maggots and fans around the world.

"See you on the road. Here comes more pain."

SLIPKNOT made its first festival appearance of 2024 Saturday night (April 27) as one of the headliners of Sick New World in Las Vegas, Nevada. The show marked SLIPKNOT's second performance with Casagrande.

Prior to Sick New World, SLIPKNOT played an intimate show Thursday night, April 25 at Pappy + Harriet's in Pioneertown, California.

For both the Pappy + Harriet's and Sick New World gigs, SLIPKNOT adopted a classic look, bringing back the 1999 red jumpsuits and elements of their early masks into their modern versions, tying into the fact that SLIPKNOT is celebrating its 25th anniversary this year.

After parting ways with Jay Weinberg last November, SLIPKNOT teased fans with a hint about a new drummer nearly two months ago, posting a photo of a single broken drumstick online with the caption "Rehearsal."

The band explained in a statement that the split with Weinberg was a creative decision. Jay followed up with a statement of his own, saying that he was "heartbroken and blindsided" by his dismissal.

Weinberg has since joined SUICIDAL TENDENCIES and INFECTIOUS GROOVES.

Casagrande abruptly quit SEPULTURA three months ago, shortly before he was supposed to begin rehearsals for the band's recently launched 40th-anniversary farewell tour.

"February 6th, a few days prior to the first rehearsal, drummer Eloy Casagrande informed the band that he was leaving SEPULTURA to pursue a career in another project," the band said in a statement.

Casagrande joined SEPULTURA 13 years ago as the replacement for Jean Dolabella.

In February 2020, SEPULTURA singer Derrick Green told Australia's Everblack Media that Casagrande had had "a tremendous impact" on the group since he joined in 2011. "It's undeniable because he's such a strong force," he said. "He loves playing metal music. He's one of the most talented drummers I've ever seen, honestly. That power is consistent from beginning to the end. It really has rubbed off on all of us to really push ourselves further. He's such a perfect match for the band. He really is always influencing us in so many ways to really go beyond — above and beyond."

SLIPKNOT's latest album "The End, So Far", arrived in August 2022. It marked the band's the last full-length LP before the departure of both keyboardist Craig Jones, who left the group in June 2023, and Weinberg.

SLIPKNOT photo credit: Jonathan Weiner

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A post shared by Eloy Casagrande (@eloycasagrande)



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Joe Lynn Turner says that he is "finally living" his" truth" after dropping the hairpiece he had worn since the age of 14 after being diagnosed with alopecia at three years old.

The former RAINBOW and DEEP PURPLE singer, who turned 72 eight months ago, went public with his new look in August 2022 in a series publicity images released to promote his latest solo album, "Belly Of The Beast". In a press release for the LP, Joe said that he started wearing the wig to deal with "emotional and psychological damage from cruel bullying in school."

In a recent interview with VRP Rocks, Joe was asked why now was the right time to finally ditch the wig after all these years. He said (as transcribed by BLABBERMOUTH.NET): "I guess it's like a fine wine — not before it's time. Everything is timing. It was an open secret. It wasn't like a big deal. I mean, wearing hair — how many people wear hair out there? Unbelievable. And I won't mention any names, now that I'm here in the truth, but it was time for me to just say, to hell with all that — to hell with it.

"I had amazing support and love, of course, from my wife and family and people around me. And they just said, 'Look, you actually look good.' They go, 'A lot of guys can't do this look,' they said. 'But you actually look more badass.' So I said, 'Okay. That's a step in the right direction — more badass.'

"People said, 'Well, was it because you did a metal album?' And I said, 'Well, no, but it coincided,'" he explained It kind of came in like an apex, like when things things come together, so to speak. It just happened that the timing was right. But it was the right thing to do at the right time because I felt comfortable.

"You have to understand — this was not a decision that I made. This was because I was born completely with heads of hair and the whole bit, but I had an autoimmune deficiency. And I won't get into that and why, 'cause it's gonna upset some people, but that's what happened. And during the days when everybody was coming up with THE BEATLES, everybody had to have the hair. So what did I do? I went out and got the wigs. Boom, boom, boom. And it worked. I mean, there were still some people didn't understand I wore a wig. So it worked pretty good. But I never tried to say no. And I had people like my brother Glenn [Hughes] defending me and stuff. One time somebody was saying, 'How about that guy with the wig?' And Glenn was ready to bust him; he was ready to hit him. I said, 'Glenn, this guy's an idiot. Just let it go.' But when you have that kind of love, support and understanding from people you admire — family, friends, compadres — come on, man. So I had to do it. I just said, 'You know, it's time. I'm 70 years old. What am I waiting for?

"I'm really used to it now. I'm really enjoying it. It's a freedom. It's a truth. In my opinion, in a world of lies, I'm finally living my truth. I think that was an important personal message for me. If I'm gonna speak the truth on 'Belly Of The Beast', I'm going to be the truth. So here we are, people. Like it or not, this is me. And I think some people still don't have the courage to do that. Okay. I understand. I'm not judging them. Not at all. But I just felt, for me, I had to be an example. And the love and support I got from the fans out there, it was overwhelming. It absolutely made me cry one night. I was just like tearing up talking to my wife, looking at all these great comments and just saying… She said, 'See, they love you even more.' And I went, 'You're so right. When you're down to earth, when you're real, they love you even more.' And a lot of people said, 'Boy, that's bravery. That's courage.' Of course, you had a few guys saying, like, 'What's the big deal?' Hey, look, pal, what's the big deal? If it happened to you, it would be a big deal. It's all relative. It's all subjective. And it was a big deal for 60-something years. It was a big deal — hiding in plain sight."

Asked if it was a relief to finally let it go and be himself, Joe said: "Oh, man. Shower, everything. So easy to get dressed. Boom. You know what I mean? [Laughs] Really cool. I mean, for me, it's like such a burden is lifted — psychologically, physically, optically.

"I had people… For example, when I get hired sometimes for these big private parties, one guy said, 'My people know you with the hair. Could you put the hair on?' 'Yeah, that'll be another 10 thousand dollars, but I'll put the hair on.' And I would do it, because it's costuming," he explained.

"Everybody out there is costumed. You know what I mean? I think that was Glenn's — yeah, that was one of his remarks. He said, 'Look, it's like Shakespeare said. The world is a stage. We're all actors. Everybody has a costume. Everybody. And that was a costume. So what's the big deal? Look at KISS. They did it right from the beginning… But I'll tell you what: for me? Freeing? Yes. Validating? Yes. Relieving? Yes. All of those words — all of the above and more."

Turner previously discussed his alopecia battle in a November 2022 interview with Metal Talk. At the time, he said: "I lost my hair at three years old, and I'm in the medical books because of that. People who get alopecia totalis, or whatever that type of alopecia is, usually get it in their thirties to forties. Men and women. So at three years old, that was remarkable. I found a doctor when I was nineteen, and he started to give me a certain type of steroid injections, and I started to grow facial hair and body hair. I also had a moustache and beard for a while, which didn't look very good. They actually put me on display at the Mayo Clinic in New York, where all these doctors came in with their clipboards, taking notes to see how he did this because it was medical history at that point. Nowadays, they actually have a drug or something that will grow hair, but the side effects are supposed to be a little dangerous, and I'm too old for that. I don't need that. I like the way I look. I'm comfortable with it now.

"As far as the people I've worked with, when I walked in to audition for RAINBOW, Ritchie Blackmore and Roger Glover were at the board at the studio," he continued. "One of the first things Ritchie said to me was, 'Do you take your hair off to wash it or do you leave it on?' And I said, 'Either way.' So he said, 'All right. Fair enough, Get in there and sing.' And, obviously, I got the job. So I guess that answers one question of how other people took it. Nobody, at least the people that I worked with, seemed bothered at all. In fact, they were very protective in a way. I'll never forget one time when Glenn Hughes and I were with HTP [HUGHES TURNER PROJECT], we were on the road, and there was one bully, you know, and he was giving me some kind of shit. I mouthed off to him and everything else, but Glenn just got in the way and said to him, 'Look, I'll kick your fucking ass if you don't leave him alone.' And I was, like, 'Wow. Hey, Glenn, you don't have to do all that, you know? I've been fighting my battles for years.' But I was really impressed, and I love him. To this day, we're great friends.

"So, my people loved it, but there were a few haters out there that were always mocking me, making fun of me," Turner revealed. "For them, it was never really about the singing, the writing or anything. It was always about the wig, the hair, you know. [Laughs] I think it says more about them than it does me. I mean, they must have some pathetic lives to make fun of someone who's not in control of this issue. You know, it's not like I chose it.

"Anyway, it made me stronger. As the press release says, I think it made me wiser. It also made me more determined, focused, and angry. But anger is a good tool if you use it right. It's a motivator. And I think it motivated me, too, to try to rise higher than the rest. So in a way, the curse was a blessing."

Turner also discussed his decision to drop the wig in an interview in September 2022 with the "Rock Of Nations With Dave Kinchen And Shane McEachern" podcast. At the time, he said: "It's absolutely liberating. First of all, I'll give a little background. It was an open secret. It wasn't like I was trying to fool people or ever denied it or anything. In fact, I never thought it was that important, but certain, shall we say haters, or whatever, these bigots, these bullies, they would always take a shot at me, which I always thought they were just pretty jealous, really, to be honest with you. And then it said more about them than it does me. That's not my kind of people. What about the music? That's what's important."

He continued: "I knew this was on my so-called bucket list before I was gonna leave this planet. And while we were making this record, I started to feel, 'Something has to happen.' And my partner, wife, co-manager — she's amazing — she just said, 'Now's the time, man.' And I said, 'You know, you're right.' Even though I was trepidatious about it — of course, she would know naturally I would be a little fearful, because you're putting your foot in an unknown territory — she said, 'You know what? Once you're yourself, people love you more.' And she was damn well right. Once you're yourself, people love you more, because you come out and say, 'This is me. I've got nothing to hide. I've got nothing to prove. Take your shots. Do what you've gotta do. And hey, by the way, here's the record. Now what?'"

Alopecia areata is a disease that happens when the immune system attacks hair follicles and causes hair loss. Hair follicles are the structures in skin that form hair. While hair can be lost from any part of the body, alopecia areata usually affects the head and face. Hair typically falls out in small, round patches about the size of a quarter, but in some cases, hair loss is more extensive. Most people with the disease are healthy and have no other symptoms.

Alopecia became a topic of discussion in the mainstream media in March 2022 when actor Will Smith slapped comedian Chris Rock at the Oscars ceremony. Will's wife, the 52-year-old actress Jade Pinkett Smith, experienced hair loss due to alopecia and has always openly shared her struggle. The confrontation took place after Rock made a joke, calling Pinkett Smith "G.I. Jane" in reference to her bald head, which she has previously explained is due to alopecia. The shocking incident saw Will storm on stage to hit Chris following the offending comment before returning to his seat and yelling "keep my wife's name out of your fucking mouth" shortly before he collected his best actor gong for his role in "King Richard".

A few hours after Joe first posted his new photos on social media, fellow ex-RAINBOW singer Graham Bonnet took to his Facebook page to share one of the images and he wrote in an accompanying message: "Hi all. Graham here. I'm posting this photo of my friend Joe Lynn Turner because I was moved to tears today when I saw it.

"Joe exemplifies the meaning of rockstar. His bravery is staggering. This industry is ruthless (especially in our genre),particularly when it comes to hair. I still hear the tale about Ritchie Blackmore posting a guard at my hotel door to keep me from getting a haircut. BTW, that never happened, although he was so pissed when I did visit the barber.

"But I digress...... I don't know if Joe will see this but I want him to know how proud I am of him and how moved I was at his honesty.

"You have blazed a trail today, Joe. If you are reading this, I want you to know that I never realized what a beautiful man you were until I saw this photo."

Joe was the singer of RAINBOW between 1980 and 1984 and he sang on the album "Difficult To Cure", which featured the band's most successful U.K. single, "I Surrender".

During Turner's time with RAINBOW, the band had its first USA chart success and recorded songs that helped define the melodic rock genre.

1990 saw Turner reunited with RAINBOW leader Ritchie Blackmore in a reformed DEEP PURPLE for the "Slaves And Masters" album.

Photo credit: Agata Nigrovskaya

“I'm Not Done Yet” is the new single from acclaimed metal musician Masaki Murashita and is set to release on May 17.  This epic, blistering single is offering a complex approach to melodic harmonies while still retaining an aggressive stance and showcasing a virtuosic performance. 


Murashita exploded onto the scene to showcase his ability to provide scorching riffs, powerful songwriting, and aggressive vocal style through his modern thrash band Hemoptysis in 2007.  Their debut full length, Misanthropic Slaughter was met with major critical praise from a variety of critics. After their demise, he formed a self-titled solo project, releasing the debut EP Inescapable Damnation in 2015.


“I'm Not Done Yet”, ensures the wait for new music has been worth it by including two big names in the scene:  Kevin Talley (Suffocation, Six Feet Under, Chimaira) on drums and Rodney Mcglothlin (Voice Of Dissent) on bass. Blackened death elements edged with layered melodies add to a dynamic composition that continues to push Murashita’s sound further.  

In a new interview with El Planeta Del Rock, Evan Seinfeld was asked if there are any plans for the reunited classic lineup of BIOHAZARD to release new music in the not-too-distant future. The bassist/vocalist responded (as transcribed by BLABBERMOUTH.NET): "We just begin writing. We're working on our process on a couple of really cool songs, and when something is special enough and we are excited about it, I imagine we'll release a single before release an album, but there's a full-length album in the works. That's the mission… We wanna go into the studio and really lock ourselves down, like we used to do in the '90s, and spend some time really [making a strong album]. For us, it's not about one song, one song. Making an album is still something that we care about."

He continued: "I know it's not the popular [way of doing things]. How many people buy new albums by artists and listen to the whole album from beginning to end? Young people don't really ingest music like that so much. But BIOHAZARD is about authenticity. We do what we do, and we're gonna make the best album we can make in 2024, and hopefully get it out by the end of the year."

Last month, Evan explained to Battleline Podcast how the classic lineup of BIOHAZARD managed to come back together last year for a series of festival appearances and headlining shows. He said: "I left the band in 2012, and the other guys toured around [with a replacement bassist/vocalist] for like about two years, three years after that, but that was 10 years ago. They hadn't played together in 10 years, and nobody was really talking to anybody. And it wasn't something that I was even thinking about. I was going through the airport and my drummer, Danny [Schuler], who I've known since I'm 12 years old, his brother, Richie Schuler, from East 94th Street in Canarsie [Brooklyn], who was also a drummer, who also I used to play with, I hear his voice, 'Yo, Evan.' I turn around. It's Richie Schuler, Danny's brother. I'm in the airport changing planes somewhere, coming back from Los Angeles to Tulum, to Mexico. And I love Richie. We started talking."

He continued: "It's one of those things like… I was so living in my ego that I was attached to a bunch of resentment about a bunch of things that were a bunch of stories that I made up in my head about thinking how other people should react to things…. I didn't even remember anymore what the real reason was the band wasn't together anymore. But I ran into Richie, and he said, 'My brother would love to hear from you.' And I thought to myself, 'We were like best of friends, all of us at one time, and my life's a lot different now.' And I picked up the phone and called Danny, and we just started talking. It wasn't about putting the band back together. I wanted to reconnect with my brothers.

"If I hadn't been working on myself and learning that resentment only hurts you, only hurts me… If I got a beef with you, you don't necessarily know it. I'm carrying it around like a boulder in my backpack, weighing me down.

"A band is hard — it's a bunch of egomaniacs with low self-esteem. It's a bunch of guys who are fighting to get to the top together and fighting with each other for every inch of creativity, input of stardom, of fame, of contribution, of acknowledgement. People wanna be seen, people wanna be acknowledged, and when you're doing it in a group setting, not everybody gets the same out of it. Everybody might put in the same. And it's complicated, but right about the time I ran into Billy [Graziadei, guitar/vocals] and I got on the phone with Bobby [Hambel, guitar]. I actually talked to Bobby first during the pandemic. He called me out of the blue and we had a really cool conversation, but there was no intention behind it. And somebody started a rumor that we were putting the band back together because people had seen us talking. And next thing I know, I run into Andy Gould and Paul Gargano, the band's managers… Andy used to manage Rob Zombie for 25, 27 years, and he used to manage LINKIN PARK — big bands. PANTERA he worked on. And Andy said, 'There's this incredible opportunity right now for an iconic metal band with all its original members, that everybody's really good shape and got their chops up. You guys can really make some impact on the scene.'"

Seinfeld added: "We got together in a room, we broke some bread, we had a rehearsal. It sounded incredible. It was revitalized. It needed to go away for 10 years for everyone to get rejuvenated and excited about it. The fans are hungry. We just did a huge European tour, and if you look at my Instagram, there's a shot from this festival in Poland with 600,000 people. To stand on a stage in front of that many people and have them like chanting or jumping, it's another level of experience. I don't know that I ever appreciated it… I now have a huge amount of appreciation for everything I do. I have gratitude and a positive mindset. It doesn't matter if I'm sitting in my house or if I'm on a big stage, I tend to appreciate everything more, and that's a gift, man."

The first reunion gig from Graziadei, Hambel, drummer Schuler and Seinfeld took place on May 26, 2023 at the Milwaukee Metal Fest at The Rave/Eagles Ballroom in Milwaukee, Wisconsin.

Last August, BIOHAZARD confirmed that it was working on material for a new studio album.

"The inspiration's coming from these shows," Bobby told Le Coin Metal in an interview. "Being back together, celebrating and doing all these shows, it's great. We're having a good time, but now we're getting the vibe from the crowd and we're feeling it, and it's getting in our bones. We're getting that hunger and the ideas are starting to come out off of these shows."

Added Billy: "For me, it's kind of cool because the other reason I did [my solo project] BILLYBIO is because there was no BIOHAZARD, and the songs that I would've been showing these guys just [ended up] BILLYBIO songs. So being back with these guys is, like… It's cool to have another outlet for my music."

In 2022, Graziadei said in an interview that there had been "talk" about putting BIOHAZARD back together.

The group, which is acknowledged as one of the earliest outfits to fuse hardcore punk and heavy metal with elements of hip-hop, had been out of the public eye since Scott Roberts left the band eight years ago.

Roberts, who played guitar on BIOHAZARD's 2005 album "Means To An End", rejoined the group in June 2011 as the replacement for Seinfeld. Scott fronted BIOHAZARD for nearly five years before exiting the band in February 2016.

In an August 2020 interview with the "Aftershocks" podcast, Roberts said that he left BIOHAZARD because he "wasn't happy" anymore. "There was one guy that I wasn't getting along with very well, and it made touring not fun anymore for me," he said. "My reason to stick around was to make a new record that was great and I'd be proud of and all that stuff, and then it became kind of clear that wasn't gonna happen, so I was, like, 'What am I doing it for?' So I quit."

Seinfeld made his last recorded appearance with BIOHAZARD on 2012's "Reborn In Defiance" album, which marked the first LP featuring the band's original lineup in 18 years.

Graziadei is currently a member of POWERFLO, which also features Christian Olde Wolbers (FEAR FACTORY),Sen Dog (CYPRESS HILL) and Rogelio Lozano (DOWNSET).

Billy's solo project, BILLYBIO, released a new album, "Leaders And Liars", in March 2022 via AFM Records.

The Rolling Stones began their ’24 Hackney Diamonds Tour on April 28 in Houston, TX. An official recap video of the show is available below.





The 18-song set that featured a mix of greatest hits, fan favorites, and songs off the new album, including the live debut of "Mess It Up", reports Katrina Nattress of iHeart.




Other notable selections were the first US performance of "Out Of Time", the fan-voted song “Beast Of Burden” and the Keith Richards-fronted “Little T&A”, which hadn't been played live since 2016.


The Rolling Stones 4/28/24 Setlist at NRG Stadium:


"Start Me Up"
"Get Off Of My Cloud"
"Rocks Off"
"Out Of Time" 
"Angry"
"Beast Of Burden" 
"Mess It Up" 
"Tumbling Dice"
"You Can’t Always Get What You Want"
"Little T&A" 
"Sympathy For The Devil"
"Gimme Shelter"
"Honky Tonk Women"
"Miss You"
"Paint It Black"
"Jumpin’ Jack Flash"
"Sweet Sounds Of Heaven"
"(I Can’t Get No) Satisfaction"

















Remaining dates:


May
2 - Jazz Fest - New Orleans, LA
7 - State Farm Stadium - Glendale, AZ
11 - Allegiant Stadium - Las Vegas, NV
15 - Lumen Field - Seattle, WA
23 - Metlife Stadium - East Rutherford, NJ
26 - Metlife Stadium - East Rutherford, NJ
30 - Gillette Stadium - Foxboro, MA


June
3 - Camping World Stadium - Orlando, FL
7 - Mercedes-Benz Stadium - Atlanta, GA
11 - Lincoln Financial Field - Philadelphia, PA
15 - Cleveland Browns Stadium - Cleavland, OH
20 - Empower Field at Mile High - Denver, CO
27 - Soldier Field - Chicago, IL


July
5 - BC Place - Vancouver, BC
10 - SoFi Stadium - Los Angeles, CA
17 - Levi’s Stadium - Santa Clara, CA

Megadeth wrapped up their Latin American leg of the Crush The World Tour on April 27 in Monterrey, Mexico. Check out a recap video of the event below:





Megadeth is bringing its iconic live show to North America with a 33-city, nationwide tour, Destroy All Enemies, produced by Live Nation, this fall including stops in Los Angeles, Las Vegas, Boston, St. Louis and many more. Tickets for all dates will be on sale Friday at 10 AM, local time with an exclusive presale for the Cyber Army/Megadeth Digital underway at Megadeth.com.




Bringing along Mudvayne and All That Remains, the tour begins in Rogers, Arkansas on August 2 and runs throughout the month before wrapping in Nashville, Tennessee on September 28. Performing classic hits from Rust In Peace, Countdown To Extinction and more, the tour also brings Dave Mustaine and bandmates back to North America to perform their latest studio album The Sick, The Dying… And The Dead! Featuring some of Mustaine’s strongest-ever songwriting, the tour offers an equally ambitious live performance that delivers on all fronts.


"Our 'Crush The World' tour has been a tremendous experience for the four of us,” shared Dave Mustaine. “We are all playing tight, and that has made it possible for me to really focus on solos and singing, we are playing more songs than ever before, and we are closer to each other, onstage AND off. I'm excited to see Mudvayne, and All That Remains. Join us as we DESTROY ALL ENEMIES.”


The North American jaunt comes on the heels of a highly anticipated and successful stint in Latin America wrapping this month and starting back up in Europe this summer. With stops in Peru, Chile, Argentina, Brazil and México and forthcoming dates in Sweden, Italy, France, Germany and more, the band’s global appeal and lasting impact is more apparent than ever as continued calls for international touring are demanded.


Megadeth, alongside founder and frontman Dave Mustaine, are renowned for their unparalleled energy and mastery on stage. In 2023, the Grammy-Award winning band dominated arenas and festivals, reaffirming its status as one of heavy metal's most formidable live acts. Megadeth enjoyed sold-out shows and critical acclaim on the latest run of the Crush The World Tour captivating audiences and showcasing the latest and greatest hits.


For more information and to purchase tickets to the Destroy All Enemies Tour, visit Megadeth.com.





Destroy All Enemies US tour dates:


August
2 - Rogers, AR - Walmart AMP
3 - Houston, TX - 713 Music Hall
5 - Albuquerque, NM - Isleta Amphitheatre
6 - Denver, CO - Ball Arena
8 - Phoenix, AZ - Talking Stick Resort Amphitheatre
9 - Los Angeles, CA - YouTube Theater
10 - Concord, CA - Toyota Pavilion at Concord
12 - Auburn, WA - White River Amphitheatre
13 - Bend, OR - Hayden Homes Amphitheater
16 - Las Vegas, NV - Bakkt Theatre at Planet Hollywood
17 - Salt Lake City, UT - Maverick Arena*
20 - Irving, TX - The Pavilion at Toyota Music Factory
21 - Austin, TX - Germania Insurance Amphitheater
23 - Macon, GA - Atrium Health Macon Amphitheater*
24 - West Palm Beach, FL - IThink Financial Amphitheatre


September
3 - Tinley Park, IL - Credit Union 1 Amphitheatre
5 - Huntington, WV - Marshall Health Network Arena*
6 - Charlotte, NC - PNC Music Pavilion
7 - Raleigh, NC - Coastal Credit Union Music Park at Walnut Creek
9 - Reading, PA - Santander Arena*
10 - Albany, NY - MVP Arena*
11 - Boston, MA - Leader Bank
13 - Bethel, MY - Bethel Woods Center For The Arts
14 - Wantagh, NY - Northwell Health at Jones Beach Theater
15 - Richmond, VA - Virginia Credit Union Live!*
17 - Cincinnati, OH - Riverbend Music Center
18 - Pittsburgh, PA - Stage AE
20 - Noblesville, IN - Ruoff Music Center
21 - Clarkston, MI - Pine Knob Music Theatre
24 - Minneapolis, MN - The Armory
26 - St Louis, MO - Hollywood Casino Amphitheatre STL
27 - Southaven, MS - Bankplus Amphitheater at Snowden Grove*
28 - Nashville, TN - Nashville Municipal Auditorium       


* non Live Nation dates 

Canadian heavy rock/metal band Thunderor has released their new video/single “Get ‘Em Counted” starring pro wrestling champ Clash Kincade. The video is out now and the single will be available on digital platforms on May 3. 


“This is a really fun tune about pro wrestling and stars my brother Remy aka Clash Kincade. We had a blast shooting this and I’m happy to say that the song really doesn’t sound like anything else out there that I can think of haha, I hope people enjoy it as much as we do.” comments vocalist and drummer JJ Tartaglia.


Formed in 2020 by Skull Fist band members JJ Tartaglia and Jonny Nesta, Thunderor delivers hook-driven anthems to the caliber that has come to be expected by a Canadian power trio. Since 2019, drummer JJ Tartaglia has felt a calling, one which grew stronger each day. Being a member of several prominent metal bands over the last decade, the time had come to take his quest even further. He would share a vision, a feeling… a message he could deliver only with his voice.




Fueled by his passion for adventure, JJ began to work on drum arrangements and piano pieces that would become the skeletons of the Thunderor songs. Fall of 2021, would see the release of the 1st single "How We Roll", immediately garnering a worldwide audience. The debut album "Fire It Up" was released in 2022 via Boonsdale Records, charting at #1 on Earshot’s National Loud Chart in Canada. The band has already toured throughout Canada, Europe, Mexico, and South America supporting major acts such as Airbourne, Enforcer, Night Demon, and more.





European dates:


May
1 – Natz-Schabs, Italy – Putzer Bikerfest
2 – Stuttgart, Germany – Schwarzer Keiler
3 – Bilzen, Belgium – South Of Heaven
4 – Gladbeck Metal Open Air, Germany
5 – Breda, Netherlands – Sound Dog
6 – Hamburg, Germany – Logo
7 – Berlin, Germany – Reset Club
8 – Leipzig, Germany – Black Label
9 – Lichtenfels, Germany – Paunchy Cats
10 – Vienna, Austria – Escape
11 – Maribor, Slovenia - Gustaf Pekarna
12 – Caneva, Italy – Meskio Bar 

In a new interview with Riff X's "Metal XS", ACCEPT guitarist Wolf Hoffmann was asked if he misses any of the former members who have left the band at some point during ACCEPT's nearly five-decade career. He responded (as transcribed by BLABBERMOUTH.NET): "In a way, I miss all of them, to be honest. I have no animosity towards anybody, and especially Peter [Baltes, bass] left a few years ago, and I really miss him as a person, as a friend very much because we had fantastic times together.

"I always find it odd and strange that even though we might not be working together anymore, but why can't we stay friends?" he continued. "But that doesn't seem to be possible; I've never seen that happen, ever. It's a bit of a shame. Once somebody leaves the band, the hateful comments start and there's never anything positive to be said about anything. And I find that very, very sad. I wish it would be different.

"I've never seen anybody, even in another band, leave a band and then say, 'Oh, I guess I could have behaved differently. Maybe it was my mistake, too.' I've never, never heard that," Wolf added. "It's always [negative comments and complaining], and I try not to do that. I cherish the good old times."

Last October, Peter spoke to Jorge Botas of Portugal's Metal Global about his decision to exit ACCEPT in 2018 after spending more than three decades with the Hoffmann-led outfit. He said: "Everybody knows now. I did a lot of interviews, and I really don't wanna talk about it anymore, but basically we used to go up as a band, as friends and stuff, and then these things change business-wise and music-wise. And then it always seems that somebody wants all the influence. Once you're not involved anymore in the decision making, what's the point? I'm not interested in that. So I left."

He added: "In order to be creative and in a good spirit, you have to feel good about what you're doing. That's the number one reason you're doing it in the first place that you started. If you go back, when you were really little and how you started, it was just a love for music. You had no idea how good you were. If you ever had talent, that all didn't matter because you just worked hard on it, and that's where you ended up.

"I had a lot of fans write, 'Why did he leave the mighty ACCEPT and join the little U.D.O.?' And they just don't get it. It doesn't matter — it really does not matter."

In September 2023, former ACCEPT and current U.D.O. frontman Udo Dirkschneider told Robert Cavuoto of Metal Rules that he was "not surprised" to see Peter leave ACCEPT. "I knew what was coming up already a long time before it was official," Udo said. "But Peter did already some interviews [where he talked about it]. I don't wanna make any comments about this."

In June 2023, Baltes discussed his departure from ACCEPT in an interview with Rock And A Hard Place. The now-66-year-old bassist said: "I wasn't the happiest person in ACCEPT before. In my life, every day counts. When you reach my age, I wanna enjoy my life and I don't wanna do anything I don't like. I have that right now."

Asked if Udo's exit from ACCEPT was caused by the singer's disagreements with Wolf and Hoffmann's then-wife Gaby Hoffmann, who also managed ACCEPT for several decades, Peter said: "The problem was always between Wolf and his wife and Udo. I never had a problem with Udo. I guess [Udo] wasn't sophisticated enough. He was a blue-collar guy. He was a singer. It never worked out between them. They just hated each other.

"I said that in another interview a while ago, I said here we made the biggest mistake," he continued. "I was asked, actually, by Metal Hammer [what I thought] the worst ACCEPT album [was], and I said it must have been [1989's] 'Eat The Heat' [which featured David Reece on vocals], because we left our true destiny. The singer, which was the sound of the band, is gone, and we try with an American singer to sound like DEF LEPPARD. What a stupid idea there.

"I think in 2005 we did a reunion tour with Udo. But I kept in touch with Stefan [Kaufmann, former ACCEPT drummer], and through him with Udo. Wolf and Gaby always had their [spats with Udo] back and forth in the media, and I kept out of that."

Peter added: "I told the guys in the [later version of ACCEPT], because they all chimed in, 'Eff Udo,' this and that. And I'm thinking, 'Without Udo, you wouldn't be in this band. You're the singer now and you're drummer. You're all humping on Udo. You never met the man, first of all. You never said a word to him. It is so easy to judge somebody. Without him, you would be nowhere.'"

Asked if he felt like he was stuck in the middle between Hoffmann camp and Dirkschneider, Peter said: "Of course. You grow up together, and you have a band. Fans — people who follow a band — for them it's hard to fathom and understand what you're going through, because you spend half a lifetime together or even longer. And you trust people. And then trust is betrayed. And you think, 'Why? What is there to gain? A little bit more money? Power? Is that it?' And I guess that is what it is. Certain people need control; they can't let go. And if they don't have it, they're not happy."

Baltes also reflected on the Mark Tornillo era of ACCEPT, which began with the aforementioned "Blood Of The Nations" album and has produced five more LPs so far.

"In the end, when you mention ACCEPT albums, yeah, the first one was really good because that was stuff that mostly I had accumulated over the years," Peter said. "So Wolf and I wrote that first album together; that was killer. But after that, it was so predictable — it was the same riff; it's the same thing. So we were very divided. One side just wanted… I'll never forget that — he said, 'We can just do this and ride in the sunset together.' And I said, 'I think I have a different sunset in mind,' because I wanna be relevant with my music. I don't wanna just keep my fans happy and don't go anywhere else and just keep doing this. I wanna evolve; I wanna explore things. I come from a progressive background — EMERSON, LAKE & PALMER, things like this. So I was, like, 'This is the same stupid riff again, the same vocal line. Just another word.' I didn't wanna do it. [There were] too many things that were just bad — financial situations, trust issues, musical [ideas]. Everything was wrong. So that's why I left."

Baltes previously discussed his departure from ACCEPT in an interview with Finland's Chaoszine. At the time he said: "Well, it was… maybe the last two years, it started to go down. I didn't like it anymore. And I found out some things — I don't wanna elaborate — but I found out some things that are really not nice. I'd been together with Wolf my whole life, and that wasn't really necessary. Some people have to have all the control, and when it started going into the artistic control, then it really bothered me more. So I really wasn't into it anymore. And I was glad I did it, because it was 2018, and it was the last tour. And then corona happened anyway, so I got to record a lot of different albums. I played on Mick Mars's [MÖTLEY CRÜE] solo album. I did so many different things. And I was writing music for television and radio anyway, so I had two years of working [on] other stuff that I wasn't used to. And then, on the other hand, sitting at home for two years, when Udo called [and asked me to join U.D.O. and DIRKSCHNEIDER], that's why I took about five minutes to answer."

Peter's latest comments are similar to those he made in March 2023 in an interview with Scott Itter of Dr. Music. At the time, he said about his exit from ACCEPT: "The statement that came from the band literally five minutes after I announced that I'm leaving [back in November 2018], that I wanna spend more time with my family, well, that wasn't true. No, no. I was extremely unhappy. And I found out a few things. I'd been in the band forever, and I found out in the end, in this incarnation of ACCEPT, I wasn't even really a member; I was a hired gun. And it's these things that come out where you don't have any input, insight, and you start getting bitter. And there's no reason to, but somebody else's ego is just so big or whatever — two of 'em — that it just takes them there, and they just need to control everything and have everything and you name it. That's what got Udo out back then, and I think in the end it hit everybody. So I was the last one standing, but I couldn't stand it anymore. I needed happiness in my life, and there was no happiness there. It was just a dead horse. So I left after the tour. And in my case, it was the best I ever could have done."

Baltes also talked about what it was like to play bass for U.D.O., on the group's fall 2022 European tour after U.D.O.'s then-bassist Tilen Hudrap was hospitalized after the band's show in Munich, Germany.

"In retrospect, when I stepped on stage in Berlin [in September 2022] with Udo after so many years — the last time was 2005, I think — it was a moment that I can't even describe it," Peter said. "We went on stage first, and then Udo comes, and he starts singing. And the first note brought me back instantly to our days when we played little clubs. The man is such a legend, and his voice… And it's nothing to do with you're short, you're tall, you're fat, you're skinny, none of that — you're in shape or you're not — none of that matters to me, to him and the audience. [What is important is] when something is authentic. And that's what got me at that moment. I was, like, 'Man, this is the real deal.' I wasn't used to that; I wasn't. I totally forgot. And you can into this where you think, 'We've been doing this all our life.' No, we didn't. We played kind of like it, with people that kind of sound like it. But no. He's the real deal, and the power that comes out of his voice is second to none. Sheer power, meaning volume, power. Bruce Dickinson [IRON MAIDEN] has power. When he sings, you can see it — he has power. Some singers, they have power. And Ronnie [James Dio] had power. Udo has power. That's certain power that just captivates you in your ears, in your stomach, and you go with it."

Baltes was replaced in ACCEPT by Martin Motnik.

Three years ago, Hoffmann was asked by SiriusXM's "Trunk Nation With Eddie Trunk" if he had had a chance to talk to Peter since his departure from ACCEPT and if he had gotten clarification on why Baltes left the group. Wolf said: "No, man. That's kind of the sad part about it. He kind of made that decision alone, and we never really had a sitdown and a man-to-man talk that I was hoping we'd have. He just announced it to the world, and that was it, and at that point, it was almost too late. I have to respect his decision.

"I miss him very much, and I think he's always gonna be my buddy or whatever," Wolf continued. "But right now, we don't really have much in common. Because when somebody leaves the band, it's usually that we never really see them much again, as sad as it is. I wish we would, and maybe one day we will. But right now, we don't, really. But we didn't have any fights or anything. I can only speculate why he left the band, but I'd rather not."

Hoffmann was also asked if he was surprised to see Baltes working with Udo on some new music in 2020. He responded: "Yeah, I probably shouldn't say much about that. Again, I can only speculate what that was all about. At the end of the day, we do our thing, and everybody has to know for themselves what they wanna do. Yeah, let me not say as much about that as I can, please."

In January 2021, Hoffmann told Australia's Metal Mal that he was "a little bit heartbroken" when Baltes left ACCEPT. "I felt it was not only a sad day for ACCEPT, it was also a sad day for rock and roll, or heavy metal, in general, because I thought we were gonna be doing this until the sun goes down — I don't know; until forever," he said. "But he all of a sudden decided otherwise, and he made that decision, and that was it. And that's sad, but what can you do, man? I decided, along with everybody else, the show must go on, and we continue without him. So this is what we did. And here's the new album — without Peter. But it's still sad. I still miss him sometimes. It's just the way it is."

In November 2019, Hoffmann told Powermetal.cl that he no longer kept in touch with Baltes after the bassist exited the group a year earlier. "Unfortunately, when somebody leaves the band, they're always kind of out of sight, out of mind," Wolf explained. "It's very sad. I wish it wasn't that way, because we've been friends for so long. But the reality is I haven't really heard from him — even though I reached out a couple of times. He's almost like he wants to disappear or he wants to leave the music business altogether. It's sad and I still don't quite understand what really happened. But it is what it is, and we move on."

A new U.D.O. album, "Touchdown", featuring Baltes on bass, was released in August 2023 via Atomic Fire Records.

POWERMAN 5000 will release a new studio album, "Abandon Ship", on May 10 via Cleopatra Records. The LP's second single, "Dancing Like We're Dead", can be streamed below.

It's been four years since the release of POWERMAN 5000's previous album, "The Noble Rot", which spawned an underground neo-gothic sensation with "Black Lipstick". Now, bandleader Spider One continues his journey to the dark side of the dance floor with a fresh set of 10 original songs that will make "Abandon Ship" one of this year's most infectious industrial metal albums.

"Dancing Like We're Dead" evokes images of a postmortem rave-up, populated with severed heads and undertakers, riding a dark and gritty groove that's both chilling and infectious. With Spider One at the turntable, graves will rock and heads are gonna roll! Who said the afterlife would be a bore?

"Abandon Ship" track listing:

01. Invisible Man
02. 1999
03. Dancing Like We're Dead
04. Wake Up Take Up Space
05. The Company Loves Misery
06. Bloodsuckers
07. This Is A Life
08. GTFO
09. Places For People That Scream
10. The Last Chapter
11. Bombshell (revamped version) (bonus track)

With "1999", POWERMAN 5000 invites listeners on a thrilling journey to the glory days of apocalyptic paranoia, melding irresistible nostalgia with doomsday fatalism to create an end of the world dance club hit fueled by high-octane industrial metal. Frontman Spider One's diabolically creative mind takes center stage, delivering a sonic landscape that feels both familiar and audacious. This single promises to be a revelation for fans both old and new, already evidenced by the fact that the band has added it to their live set with extremely positive results!

"Abandon Ship" boasts nine additional all-new original tracks produced by Matt McJunkins of A PERFECT CIRCLE and EAGLES OF DEATH METAL fame. The album's CD edition includes a bonus track — a revamped version of POWERMAN 5000's explosive 2001 hit "Bombshell". This reimagined rendition is poised to reignite the fervor of fans worldwide, serving as a fitting addition to an already stellar lineup of tracks.

In a 2023 interview with The Underground Australia, Spider One reflected on the release of POWERMAN 5000's latest album, "The Noble Rot", which came out at the height of the coronavirus pandemic in August 2020 via Cleopatra Records. He said: "I think that we had finished [the LP] before then, and we made the first video before the pandemic. So we were just gearing up for a normal situation, that we were gonna hit the road. I think we had a couple of tours booked to promote the record. And then everything stopped, and we figured, 'Oh, well,' like everybody else, 'Oh, whatever. We'll just postpone the tour for a couple of weeks and then we'll be back at it.' And then a couple of weeks turned into a couple of years. It was a very weird way to release a record, 'cause the normal way is you get out there on the road and you get feedback from fans and you get to play the songs. And that never really happened. But the record, stream-wise, was more successful than the one before it. So I think [the pandemic] allowed people to stay at home and maybe listen to more music and discover more things. So I don't look at it as a loss or anything like that. It was just a different scenario. Fortunately now we get to play some of those songs. And people know them more, so it all worked out."

Spider One previously discussed how he spent the downtime during the pandemic in an interview in December 2022 with Australia's Metal-Roos. At the time, he said: "Like everybody else, we were stuck home and didn't get to play for almost two years, or about two years. So it was strange. But it's interesting. I don't know. There used to be a time when there were these things called album cycles — you put an album out; you tour on that album for a year or whatever; and you release the singles. And there was sort of this standard way you did business. I feel like those days, at least for us, are over. I'll find Spotify activity will go up when we're doing nothing sometimes, or it'll go down when a new record [has come out]. There seems to be no real logic to the way things function anymore. So the inactivity didn't really hurt us, I don't think, in any way. Maybe it even helped us a bit. There were a lot of bands that were trying to do stuff and maybe went out a bit too early and their tours didn't do well. We really waited it out until we felt like people were comfortable with going out again. And ever since, everything's been just super successful. So it worked out fine. But, yeah, the record was sort of… I think everybody kind of feels like they had a lot album in those couple of years."

In May 2020, POWERMAN 5000 released its reimagining of the classic '80s new wave smash "We Got The Beat". "We Got The Beat" was originally made available in 1981 as part of THE GO-GO'S' multi-platinum debut album "Beauty And The Beat".

"Tonight The Stars Revolt!", POWERMAN 5000's second album, was released on July 20, 1999 by DreamWorks Records. It has sold over one million copies and achieved platinum status on the back of such hits as "Nobody's Real" and "When Worlds Collide". With cyberpunk imagery, catchy riffs, funky beats and rap rock vocals, POWERMAN 5000 bridged the gap between nu metal and industrial metal and packaged it up in a retro-science fiction B-movie aesthetic that separated them visually and musically from their peers.

Image courtesy of DeadMike.com

The official Gilby Clarke Reverb shop is now open for business. In the shop, you'll find beautiful guitars and other gear that Gilby Clarke has used over the course of his long career.

Clarke rose to acclaim in the hard rock scene, starting his career in the '80s as a guitarist in the Polygram Records band CANDY. Gilby then went on to form KILL FOR THRILLS, for which he was the main songwriter, singer, and guitarist. In 1991, during the "Use Your Illusion" tour, Clarke started playing live with GUNS N' ROSES after Izzy Stradlin left the band.

GUNS N' ROSES led into the beginning of a long, fruitful solo career that has still been peppered with excellent collaborations — SLASH'S SNAKEPIT, HEART and Nancy Sinatra are just some of the names that Clarke has also played with.

Now, the rocker is ready to part with some of the gear that's been used in these studios and on stages all over the world.

The official Gilby Clarke Reverb shop has a cache of beautiful gear the guitarist used in the studio and on tour with GUNS N' ROSES, HEART and more, including:

* A beautiful custom-made ESP Telecaster that was modeled after Clarke's own '68 Telecaster. Clarke used this guitar during the GUNS N' ROSES and SLASH'S SNAKEPIT years, as well as for his solo projects. It can be seen in the "Wild Horses" videos Clarke and Slash did together.

* A 1975 Gretsch White Falcon

* A 1970 Fender Telecaster Thinline

* Merch, including a few custom leather jackets. One lucky fan will also be able to snag a signed and framed show poster from the Oakland, California date of the GUNS N' ROSES/METALLICA stadium tour that Clarke was a part of.

You can view all of the gear available in the official Gilby Clarke Reverb shop.

Clarke replaced Stradlin in the GUNS lineup in 1991, during the "Use Your Illusion" tour, and stayed with the band for three years. After exiting GUNS N' ROSES, Clarke continued as a producer and solo artist, while also playing in SLASH'S SNAKEPIT, ROCK STAR SUPERNOVA, HEART and other acts.

Clarke, along with fellow GUNS N' ROSES members Slash, Duff McKagan, Steven Adler and Matt Sorum, played three "Appetite For Destruction" songs with Myles Kennedy at the band's Rock And Roll Hall Of Fame induction ceremony in April 2012 in Cleveland, Ohio, although Gilby himself was not inducted as part of the group. Kennedy, who handles lead vocals in Slash's solo band and ALTER BRIDGE, sang "Mr. Brownstone", "Sweet Child O' Mine" and "Paradise City", with "Use Your Illusion"-era member Sorum sitting behind the drum kit on "Brownstone" and the man he replaced in GN'R, Adler, pounding the skins for the other two songs.

In 2021, Clarke addressed his non-participation in GUNS N' ROSES' reunion tour, which features three-fifths of the group's classic lineup — singer Axl Rose, Slash and McKagan — during an interview with "The SDR Show". He said: "They didn't ask me to join the band; they asked me to come out and do [a guest appearance] with the band. And it just happened to be the day that I was in Chicago with my daughter. Her band was playing Lollapalooza [in July 2016]. And I'm actually her roadie. I don't think anybody would know how to tune the guitar if I wasn't there. Just kidding. But, yeah, it was just bad timing. I just said, 'Look, I think it's a great idea. I'm up for it. I just can't do it today.' And they literally asked me that day. And I never heard back from them after I said that."

Gilby also confirmed that he only had a week to learn the entire GUNS catalog when he first joined the band three decades ago. "That's true," he said. "They told me on a Monday, that 'You have the gig,' and the next week we were flying to Boston for our first show. And I literally had a week. And remember, this is before YouTube. I was glued to their records with the headphones on, trying to learn the catalog. And the last song I learned was a song called 'Estranged', which was a really long ballad piece. And if you listen to it, it's kind of one-dimensional guitar-wise — it really just features Slash. So I was listening to it, and I really couldn't figure out what I should do in that song. So I went to Dizzy [Reed, GUNS keyboardist]. I go, 'Hey, man, can you sit down with me, and let's work on 'Estranged'.' I go, 'I just wanna kind of figure it out.' And he goes, 'Oh, well, here's the music book.' And he handed me the music book. And I went, 'There's a music book? I just spent a week learning every note by ear when I could have just grabbed the freakin' music book…' I mean, I read charts — it would have taken me an hour. I was a little pissed off that I didn't ask. They could have offered it to me."

Clarke's latest solo album, "The Gospel Truth", was released in April 2021 via Golden Robot Records.

Gilby released his solo debut, "Pawnshop Guitars", in 1994.

NIGHTWISH keyboardist and main songwriter Tuomas Holopainen spoke to Kerrang! magazine about the symphonic metal veterans' upcoming album, "Yesterwynde". Due on September 20, 2024 via Nuclear Blast, it marks the band's tenth studio LP, following on from the release of "Human. :II: Nature." in 2020.

Regarding the album's first single, "Perfume Of The Timeless", which will arrive on May 21, Tuomas said: "When we had the first meeting with Nuclear Blast, talking about the new album and singles, I told them the first single will be a song called 'Perfume Of The Timeless' and it's eight and a half minutes long and the chorus comes in at 3:30. And they were, like, 'Perfect!' I think that has to do with the fact that we have a long legacy. You know, we can do whatever we want, and I do, but it says something that we can do that, when I heard that for Spotify it's good to have the vocals start after 15 seconds, or people skip it; they don't have the attention span anymore."

Asked if he had to adjust his writing style because "Yesterwynde" marks NIGHTWISH's first album since 2002's "Century Child" without bassist/vocalist Marko Hietala, Tuomas said: "No, it doesn't really change anything, except that now we had two voices instead of three, only Floor [Jansen, lead singer] and Troy [Donockley, multi-instrumentalist]. But that's it — it really didn't change much at all. And Jukka [Koskinen], the new bass player, is such a grounding personality that it's so easy to work with him. And his bass playing skills are tremendous, quite different from how Marko played the bass, which also brought a new spice into the music. So nothing but positive things to say about it all.

"There are many bands in the world that don't have a single original member anymore," he continued. "And I think it comes down to the fact that if the music is good, then that’s all that matters, in the end. Maybe for some people, certain bands are so holy that they can stand if they don't have certain members in it, even though the music would be good, but I don't really think like that. I just listen to the music, not the personnel behind it. That's all that matters to me."

Holopainen also addressed the fact that NIGHTWISH has no plans yet to tour in support of "Yesterwynde". The band previously explained that the reasons for the touring break were "personal" but unrelated to Jansen's then-pregnancy. (Jansen gave birth to her second child in October 2023.) Asked if it feels weird to be talking about an album that, for the first time, he won't be supporting on the road, Tuomas said: "No, it doesn't feel weird. It just feels right. But people shouldn't get worried. It's not the end of the band. We just signed a multi-record deal with Nuclear Blast, so there will be more music coming, definitely. But as far as shows, we're just gonna have a long breather now and see what happens. That's all I can say at the moment. We got our fair share in 2022 and 2023 when we did a lot of shows. So that helped."

"Yesterwynde" track listing:

01. Yesterwynde
02. An Ocean Of Strange Islands
03. The Antikythera Mechanism
04. The Day Of...
05. Perfume Of The Timeless
06. Sway
07. The Children Of 'Ata
08. Something Whispered Follow Me
09. Spider Silk
10. Hiraeth
11. The Weave
12. Lanternlight

In January, NIGHTWISH drummer Kai Hahto spoke about the band's upcoming follow-up to 2020's "Human. :II: Nature." album in an interview with Laureline Tilkin of Tuonela Magazine. He said: "At least it's not gonna be the same as 'Human. :II: Nature.', so… Probably, let's say that we go back to more heavy, heavier things on the new album, but also there's a lot of, again, new winds to blow, so to speak. So, different new elements. But, of course, it's still NIGHTWISH, but, of course, we brought back the big symphony orchestra again to the new upcoming tenth album. Yeah, it's gonna be exciting. And quite challenging music to play as well."

Earlier in January, Hahto told Chaoszine that "it look[ed] like" NIGHTWISH wouldn't play any shows in the next two or three years.

In December 2022, Holopainen said NIGHTWISH's upcoming follow-up to "Human. :II: Nature." would be the third part of a trilogy that began with 2015's "Endless Forms Most Beautiful" album. He told Metal Hammer: "I immediately knew after getting that album ['Endless Forms Most Beautiful'] done that, 'Okay, we have to do more songs about this, because there's so much more to explore and tell the world. We're not done with this.' And the same thing happened after 'Human. :II: Nature.'; we're still not done. So let's do one more. At least one more.

"In a way, [the next album] is the third part of a trilogy, which started with 'Endless Forms…' and then 'Human. :II: Nature.' There are some major surprises there again, but it feels like a natural continuation to 'Human. :II: Nature.'"

In September 2022, Tuomas was asked if NIGHTWISH's upcoming LP will once again be an exploration of evolutionary science, as was the case with the previous two releases. Tuomas said: "Yes and no. It sails on the same waters, but there's some new surprises there as well."

In August 2022, Tuomas told Rock Sverige that he spent "about a year" working on the music and lyrics for the next NIGHTWISH album.

Asked if he got any kind of inspiration from the pandemic, Tuomas said: "Yeah, lyrically there's a couple of things that reflects the pandemic, but not in the way you would expect."

"Human. :II: Nature." was released in April 2020. The follow-up to 2015's "Endless Forms Most Beautiful" was a double album containing nine tracks on the main CD and one long track, divided into eight chapters, on CD 2.

In August 2022, NIGHTWISH announced the addition of Jukka Koskinen (WINTERSUN) as an official member of the band. Koskinen, who made his live debut with NIGHTWISH in May 2021 at the band's two interactive experiences, had spent the previous year touring with NIGHTWISH as a session musician.

In November 2022, Jansen revealed that she was "cancer free" after undergoing surgery to have a tumor removed following a breast cancer diagnosis.

Photo credit: Tim Tronckoe (courtesy of Nuclear Blast)

Former MEGADETH guitarist Marty Friedman has released the official music video for "Dead Of Winter", the second single from his upcoming solo album, "Drama", due on May 17 via Frontiers Music Srl. The track features vocals by Chris Brooks from LIKE A STORM and marks Marty's first solo release featuring a vocalist.

The clip for "Dead Of Winter" stars Skylar Erna, Internet personality and daughter of Sully Erna from GODSMACK, and is available below.

About the track, Marty had this to say: "The lyrics of 'Dead Of Winter' as well as the story in the video, both sum up the way I would like people to feel about my music in general-- something that will be there to uplift you when the times are hardest and give you a tangible jolt of positivity to last until life inevitably smooths out."

Recorded in Italy, "Drama" showcases Marty's unique touch, for the first time using both vintage and modern guitars, delivering a pure delight for lovers of music everywhere. From the captivating first single "Illumination", which can be streamed below, to the album's breathtaking "Mirage" and 10 other emotionally charged mini-symphonies, Marty paints atmospheric elements with a modern and exotic flair, promising an unforgettable musical experience.

Skylar and Sully Erna represent The Scars Foundation, a charity devoted to starting conversations about mental health to raise awareness about the issues facing so many people in our communities today.

With the rise of suicides, bullying, addiction, abuse, and so many other challenges, The Scars Foundation is dedicated to providing resources and tools to educate and empower people on a global level who struggle with these burdens.

"Drama" track listing:

01. Illumination
02. Song For An Eternal Child
03. Triumph (Official Version)
04. Thrill City
05. Deep End
06. Dead Of Winter
07. Mirage
08. A Prayer
09. Acapella
10. Tearful Confession
11. Icicles
12. 2 Rebeldes (Dead Of Winter) (Spanish version)
12. Mirage (Guitar Karaoke Version) (bonus track Japan)

Recording lineup:

Marty Friedman - Guitar
Wakazaemon - Bass
Gregg Bissonette - Drums
Mika Maruki - Piano, Keyboard & Synth
Hiyori Okuda - Cello
Miho Chigyo - Violin

Vocals on "Dead Of Winter": Chris Brooks (LIKE A STORM)
Vocals on "2 Rebeldes": Steven Baquero Vargas
Bass on "Mirage": Or Lubianiker
Rhythm guitar on "Thrill City": Naoki Morioka
Keys and synth on "Sanctuary": Takuro Iga
Drums on "Thrill City": Chargeeeeee

During the question-and-answer portion of last November's Rock 'N' Roll Fantasy Camp's "Metalmania III" in Los Angeles, Friedman spoke about his upcoming solo album. He said: "I've got 15 solo albums now, and each time I try to do something new and something I've never done before. I don't want ever to be heard as one of those guys, 'Ah, his early albums were great.' You know what I mean? I used to say that about my favorite guitarists — sadly — and I never wanted that to be said about me. So I'm always challenging myself on new stuff. On this new album that I'm about 70 percent done with, the closest thing I can relate it to is an album I had called 'Scenes' [1992], which I released quite a while ago. It was very dramatic and orchestral, and there was a lot of other type of instruments — violins, cellos and all that type of stuff. So it's more of a dramatic, orchestral concept. But everything that I've learned since that 'Scenes' album has just exponentially grown, so it's a much bigger scale. So if you like that 'Scenes' album at all, I think this one will be right up your alley."

Marty previously talked about his next solo LP in October 2023 in an interview with Chris Akin Presents. At the time, he said: "I've been recording my upcoming album for almost a year now. And it's gonna be finished by the end of the year, and it's gonna come out in the spring of 2024. And boy, it's an ambitious one. But, of course, I say that every time. But every time I have to top the one that was before it, so the task keeps getting more and more insane."

Asked what challenges and motivates him to keep pushing forward with his music, Marty said: "I'm not really so much into trying something that I haven't done for the sake of trying something I haven't done. I'm trying to impress me with something that I've never done before. It's not like I'm gonna suddenly wake up one day and say, 'Okay, I'm gonna be a rapper' or something. I do what I do and I have my musical vision and sound. I just try to do deeper things with it. I try to make more complex emotions, deeper emotions in the music, more interesting, melodic twists and turns, more adventurous things, things that I wasn't deep enough to do last year or two years ago, or five years ago, things that I couldn't hear back then, things that I can only hear because life has given me more experiences since then, and, of course, more musical experiences, and just to consciously be aware of stuff that I've already done and not repeat it. It's a natural challenge that I've been doing forever, and the hardest part is that blank sheet when I just start from zero. It's, like, 'How am I going to top that last thing that I just did? I worked my ass off. I'm completely done. I have nothing left. I've got zero.' And so that's the challenge. But now that I'm about 70, 80 percent done with this new record, I'm pretty confident with it. And I really am looking forward to letting everybody hear it."

In April 2023, Friedman told Justin Hunt of The Entertainment Outlet he "recorded about half" of his upcoming album in the summer of 2022. "I went over to Italy and I recorded about half of an album."

Regarding what fans can expect from his upcoming LP, Marty said: "I think it's gonna please a lot of people who liked my album 'Scenes', one of my earlier albums. It's kind of in that vein, but much more modern. And it's got all the things that I've added to my musical — I don't know how to say it — palette, or what I'm trying to do musically. It's basically a grown-up version of 'Scenes', really, so far. But I haven't finished it. It's taking a long time, but, you know, tender love and care. And it's coming along great."

Friedman went on to say that his early 2023 U.S. tour as the support act for QUEENSRŸCHE was a "perfect" way to inspire him to complete his new album. He explained: "This tour I'm playing really my most aggressive music with my most aggressive band. And that is perfect for my mentality for writing stuff like 'Scenes'. That's how 'Scenes' happened in the first place, because I was touring with MEGADETH like a maniac, and I was playing all this really, really heavy stuff every single night, and now I'm doing the exact same thing with my band. And so what I write is the complete opposite. So it's kind of like a really good creative time. And things are moving along really nice."

Marty's latest album, "Tokyo Jukebox 3", came out in April 2021 via The Players Club/Mascot Label Group. The record, which was made available in Japan in October 2020, is the third in a series that began with "Tokyo Jukebox" in 2009, and then "Tokyo Jukebox 2" following in 2011. The trilogy presents Friedman's inspired performances to Japanese repertoire he's chosen to cover.

Marty's presence in the world of music, the world of guitar and Japanese pop culture is mystifying, bizarre, and nothing short of inspiring. His first major impact in music was in the game-changing guitar duo CACOPHONY, which he founded with equally enigmatic and now-legendary guitarist Jason Becker. He then spent 10 years as lead guitarist in the genre-defining thrash metal act MEGADETH before moving to Tokyo due to his love for Japanese music, language, and culture.

Following his move, he landed a starring role for a new TV comedy "Hebimeta-san" ("Mr. Heavy Metal") and its spinoff, "Rock Fujiyama", which ran for six seasons and propelled him into the living rooms of Japan's mainstream. He has since appeared in over 800 TV shows, movies and commercials, including a two-year campaign with Coca-Cola for Fanta, authored two best-selling novels and was the first-ever foreigner to be appointed as an ambassador of Japan heritage and perform at the opening ceremony for the Tokyo Marathon in 2017, 2018, 2019 and 2022.

At the same time, Marty has continued his career in music with several solo albums in addition to writing and performing with the top artists in Japanese music, racking up countless chart hits, including a No. 1 with SMAP, two No. 2 songs with MOMOIRO CLOVER, a No. 2 with SOUND HORIZON — just to name a few.

TESTAMENT frontman Chuck Billy has confirmed that he and his bandmates have entered the studio to begin recording their long-awaited new album.

On April 28, TESTAMENT drummer Chris Dovas posted a photo of his drum kit in the recording studio and he captioned it, "It's happening". A day later, Billy shared Dovas's post and included the following message: "New Album Recording under way. Chris is killing it. Beware kiddos".

A few months ago, Chuck spoke to Michael Spedden of the 97 Underground radio station about TESTAMENT's recording and touring plans for the coming months, including a visit to the European continent in the summer. He said: "That's the norm. We usually go to Europe every summer. So right now we're on kind of a time restraint because we're working on a new record. We're writing it right now. And we have to get it done and record it before we leave in July. That's our goal. So right now we're working hard on that."

In January, TESTAMENT guitarist Alex Skolnick told Radioactive MikeZ, host of the 96.7 KCAL-FM program "Wired In The Empire", about the progress of the songwriting sessions for the band's follow-up to 2020's "Titans Of Creation" album: "Well, we got delayed a little bit by the fact that 2020 basically didn't exist [due to the coronavirus pandemic]. It's a year that went away. And then there was so much touring to make up for. And for about a year of that, we had Dave Lombardo [ex-SLAYER] on drums, which was fantastic. And he's become a great friend and a great musician, but he's also spread very thin in many different bands. And now we have Chris Dovas [playing drums with us]. And he's a guy old enough to be any of our sons. But he is just unbelievable. He really brings the right energy. I mean, he brings the energy that the music had in the early days. So, yeah, we've been working with him on new material. I know Eric's [Peterson, TESTAMENT guitarist] been getting together with him. Eric has been on the East Coast a couple of times and we've gotten together and hashed out material. So between their sessions and my sessions and the recordings that we have, there's a lot of sketches that are done on digital audio workstations. There's a lot — there's a lot of stuff. I made a list and there's almost a couple of dozen sketches that just need to be consolidated and arranged. [We have to] find the best parts, develop them a little more, add vocals, but it's definitely well on its way."

Skolnick went on to say that there is no set timetable for the release of the next TESTAMENT album. "You can't rush it," he explained. "I think this band learned very early on, you can't rush it. Like the times in the past that the band sort of rushed to put out a recording, it never felt completely satisfactory. So sometimes it takes longer than it should, but you can always count on a good result."

Last August, Dovas was asked by Pod Scum if it was "unnerving" to step into a group whose list of previous drummers includes such heavyweights as Lombardo and Gene Hoglan. He responded: "It was, especially at first because I knew that a lot of eyes were on me, and also I looked up to the band since I was a kid. Especially Lombardo and Gene — those are two of my favorite drummers right there. So to be put in that situation of taking over for them, I felt like I had a lot of responsibility and a lot of… I felt like I had something to prove a little bit, and I'm still practicing a lot and I just wanna do the best that I can do. Right now I'm not really nervous anymore because I've done two full tours with them now and we're working on the [new TESTAMENT] album and the friendship has been developing now and we all get along super well. They've welcomed me with open arms and it's been great and the fans have been great. I've been putting hours and hours of practice into it to make sure that I can do the best that I could do. And I look up to Dave and I look up to Gene as well, so, yeah, I just wanna play the songs well live and keep making the band sound good."

Asked what his role has been so far in the creative process for TESTAMENT's next album, Chris said: "I don't know exactly what I'm allowed and what I'm not allowed to share yet, but what you've seen publicly, though, right now is that Eric and I have been working on a lot of stuff together. And so it's been really cool to get into their brains, in a way, and how they write stuff. I'm used to people sending me tracks with scratch MIDI drums or programmed drums or something, and I've gotta put my drums to them and then hop on a Zoom call and we can edit things and move stuff around. But with them, Eric and I, he set a timer at one point for, like, 20 minutes and we would just jam random ideas. And then sometimes we'd make mistakes and stuff and that would be cool, and we could take that… It's very organic, though, and it's very involved, I guess. It's a different way of writing and I'm super excited to be a part of that method of writing. And I could see why they're so successful for all these years, now finally being a part of this current writing cycle, I guess."

In July 2023, Peterson said that he and Dovas had spent a few days working on material for TESTAMENT's next studio album. Eric shared a few photos on his Instagram and wrote in an accompanying message: "Had a very productive week with the kid! Mr. @chrisdovas and I worked up new 7 jam ideas ranging from thrash to nwobhm mixed in w/ black thrash to dark heavy hard rock blues…let's see what happens! super stoked so far!"

Dovas shared the same pictures on his social media and he added: "New TESTAMENT material in the works! Eric and I have been working hard all week on new ideas. Stoked so far!"

In a 2023 interview with Loud TV, Peterson said that the new TESTAMENT material is shaping up to be "fucking killer." He added: "I'm a fan. For me, I wouldn't release anything unless I'm a fan of what I'm doing. I have to get goosebumps. When I hear it, I'm, like, 'Yeah.' And then, of course, I play it for friends. A few of them go, 'Ehh.' But most of them go, 'Fuuuck!' Except Chuck — Chuck goes, 'Eh.' And then four years later, [he goes], 'That's the best song ever. Write more shit like that.' I'm, like, 'Yeah, but four years ago you said that sucked.'"

Peterson was also full of praise for Dovas, who officially joined the band last year as the replacement for Lombardo. Eric said: "When we were auditioning for new drummers, his video tape was the number one for me. And then, of course, Dave Lombardo called us, so we just kind of pushed everything aside; we said, 'Okay, we'll try Dave.' And when Dave was, like, 'Oh, I've got this show coming up. I've got this show coming up,' I went back to my [videos], [and I said], 'Oh, yeah, this guy.' I remember the other guys going, 'Let's call Paul Bostaph.' 'Let's call John Tempesta.' And, of course, they would probably do it, but with the stipulation of, like, 'I can only do this date,' 'I can only do this date.' I called Chris. He was, like, 'I'm in. I'll do everything.' And so we tried him, and were just, like, 'What?!' Perfect tempo. Everything correct — bam, bam. Very polite. Really nice guy. I can't say enough good things about him. He's just a really good drummer. He's 24; he's my son's age. Young blood back in TESTAMENT. For me, too, he loves black metal, so he was, like, [into] blast beats. But he also graduated from a school called Berklee. So, jazz… He's very fluent. He's not, like, 'Oh, I only know blast beats.' He knows blues… TESTAMENT's really diverse — we have ballads, we have rock songs, we have blast beats. That's just it — when he came to visit me before this tour, we were rehearsing for the tour but we would go back to my house at night, do some Jäger really late at night and just start jamming at my house. And the next morning we were, like, 'Woah!' Really cool shit. So I'm excited for the next record. It's gonna be killer."

Lombardo, who was the guest drummer on TESTAMENT's 1999 studio album "The Gathering", formally joined the long-running San Francisco Bay Area act in early 2022. The former SLAYER drummer is currently a member of the MISFITS, MR. BUNGLE, EMPIRE STATE BASTARD and SATANIC PLANET, among others. He also played with SUICIDAL TENDENCIES from 2016 up until 2020.

Prior to joining TESTAMENT as a full-time member, Dovas previously filled in for Lombardo on the first six dates of TESTAMENT's summer/fall 2022 leg of "The Bay Strikes Back Tour".

Photo credit: Stephanie Cabral

New Album Recording under way. Chris is killing it. Beware kiddos 🤘🏼

Posted by Chuck Billy on Monday, April 29, 2024

SLIPKNOT made its first festival appearance of 2024 Saturday night (April 27) as one of the headliners of Sick New World in Las Vegas, Nevada. The show marked SLIPKNOT's second performance with the group's new drummer, believed to be former SEPULTURA sticksman Eloy Casagrande.

According to Setlist.fm, SLIPKNOT's setlist was as follows:

01. People=Shit
02. Eyeless
03. Disasterpiece
04. Before I Forget
05. Custer
06. Psychosocial
07. The Heretic Anthem
08. Unsainted
09. Wait And Bleed
10. Duality
11. Spit It Out
12. Surfacing

Prior to Sick New World, SLIPKNOT played an intimate show Thursday night, April 25 at Pappy + Harriet's in Pioneertown, California.

For both the Pappy + Harriet's and Sick New World gigs, SLIPKNOT adopted a classic look, bringing back the 1999 red jumpsuits and elements of their early masks into their modern versions, tying into the fact that SLIPKNOT is celebrating its 25th anniversary this year.

At the Pappy + Harriet's gig, singer Corey Taylor said onstage mid-performance: "Tonight it doesn't matter where you came from, it doesn't matter when you were born. This year is 19-fucking-99. We're going to play you some songs from beyond that year, but goddamn it, it all started in '99 and it is starting again here tonight."

SLIPKNOT has yet to officially reveal the identity of its new drummer after parting ways with Jay Weinberg last November.

Fans have speculated that Weinberg's replacement is Casagrande, who abruptly left that band in early February, just days before the start of the Brazilian/American outfit's farewell tour.

A month and a half ago, SLIPKNOT teased fans with a hint about a new drummer, posting a photo of a single broken drumstick online with the caption "Rehearsal."

SLIPKNOT's latest album "The End, So Far", arrived in August 2022. It marked the band's the last full-length LP before the departure of both keyboardist Craig Jones, who left the group in June 2023, and Weinberg.

Speaking to NME about what SLIPKNOT has planned for 2024, founding member Shawn "Clown" Crahan said: "I'm ready to move on from what has been and move on to a world that I know needs to be. For instance, normally we'd have about two years on and one and a half years off — we're not doing that anymore.

"We're going back to basics," he added. "I'm ready to kick everybody in the face again. I'm ready to do a 100-person venue again. I'm ready to do a 500-person venue."

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FEAR FACTORY has recruited Ricky Bonazza (BUTCHER BABIES) to play bass for the band for the next few shows while FEAR FACTORY's regular four-stringer Tony Campos is busy touring with STATIC-X.

Bonazza made his live debut with FEAR FACTORY Saturday (April 27) at the Sick New World festival in Las Vegas, Nevada. Fan-filmed video can be seen below.

Prior to the Sick New World gig, Bonazza took to his social media to write: "Stoked and honored to be joining my friends in @fearfactory for these next few shows. I will be helping out on bass, stepping in for the great Tony Campos. Thanks @dinocazares @milo.silvestro and @petewebberdrums for the trust. Next stop @sicknewworld then off to Asia."

Earlier this year, FEAR FACTORY recruited SCATTERED STORM's Javier Arriaga to play bass on the veteran Los Angeles-based act's North American shows with MACHINE HEAD.

In a recent interview with Brutal Planet Magazine, FEAR FACTORY guitarist Dino Cazares spoke about the band's plans to make a new studio album in 2024. The effort will mark FEAR FACTORY's recording debut with the group's latest addition, Italian-born vocalist Milo Silvestro, whose addition to FEAR FACTORY was officially announced in February 2023.

"We've been working on stuff in between tours and stuff like that," Dino said. "We wanna try to get something out as soon as possible, but it may be it may be a little bit of a while because we have a lot of touring coming up — a lot. If you go to fearfactory.com and go to tour dates, you'll see it's getting filled up and filled up most of this year. I'm trying to stop at the end of June so we can go straight into the studio and start recording. But we're pretty much booked from now to the end of June, and it's gonna be a good six months."

Asked if he and his FEAR FACTORY bandmates are writing songs right now or if they are also working on music while on tour, Dino said: "A little bit of both… Sometimes it's kind of hard, especially for Milo, 'cause he's gonna be singing every night [while on the road]. So, he would only really be able to do stuff on the days off, or something like that, because you've gotta rest your voice. When we're touring as much as we do every day, playing every day, it's wear and tear on the vocals. That's the most sensitive thing. So we try to take it easy. But still, it's enough to get some ideas down and stuff like that."

Regarding whether Milo is a "good lyricist", Dino said: "Oh, yeah. He's got some other little projects that he works on and the lyrics are really good. So we're not gonna have any issues with that. That was one of the main things that a lot of people have been complaining — not complaining, but the Internet type of bitching. It was, like, 'Okay. Yeah, he could sing great live. He could do all the songs great live. But what's it gonna be like when he does the record? How's his lyrics gonna be? How's this gonna be?' Relax. It's all gonna be good. Don't worry."

Cazares went on to say that FEAR FACTORY fans can definitely expect to hear new music in 2024. "We've gotta at least put a single out before the end of the year," he said.

Last fall, Dino told Nyva Zarbano that Milo "brings obviously a freshness that FEAR FACTORY needed. The last singer that we had [Burton C. Bell], obviously he had a lot of vocal issues and he really couldn't sing or do any of this kind of heavy touring," he explained. "It just was a big setback for us. So bringing Milo into the band, obviously he's got a great voice, he's very talented, he's a multi-instrumentalist. He could play more than one instrument. The kid's very talented. Of course, the story is I found him on the Internet. He was releasing videos of him doing FEAR FACTORY covers and he was posting them on all the FEAR FACTORY fan sites. And I saw him there, and I was, like, 'Okay, that's really got my attention.' But we had many people audition, but he was the one that really stood out. And he's a huge fan of FEAR FACTORY. And he pretty much learned from listening to our older vocalist. So he learned a lot of his stuff. And so, I mean, if you close your eyes, you think it's the original singer."

In a separate interview with Australia's "Everblack" podcast, Cazares was asked if Silvestro was "getting more comfortable" with his position as the frontman of the long-running California metal act. Dino responded: "Oh, yeah. I mean, from the first day, we talked about a lot of stuff. Before the tour started, we rehearsed, and we were, like, 'Okay, these are the kind of things that we've done before. And I think you need to do this, this, this.' And he goes, 'Okay.' So then the first day [of the tour] comes, he just goes wild. And I'm, like, 'Oh, shit.' I was, like, 'Calm down.' I go, 'You don't need to go insane everywhere. Just focus on singing, focus on getting everything, giving the crowd all equal attention,' blah, blah. There's certain things you just gotta teach him a little bit, right? And so he pretty much nailed it the first day."

FEAR FACTORY played its first headlining concert with Silvestro and touring drummer Pete Webber on May 5, 2023 at the Whisky A Go Go in West Hollywood, California.

Earlier last year, FEAR FACTORY completed the "Rise Of The Machine" U.S. tour as the support act for STATIC-X marked the Cazares-led outfit's first run of shows with Silvestro and Webber.

Webber has been filling in for FEAR FACTORY's longtime drummer Mike Heller who is unable to play with the band due to "scheduling conflicts."

Last fall, FEAR FACTORY completed a European tour. The 44-date trek marked the band's first European shows since 2016. Joining them on this run were BUTCHER BABIES from the USA and IGNEA from Ukraine.

Stoked and honored to be joining my friends in @fearfactory for these next few shows 🔥😈🔥
I will be helping out on bass,...

Posted by Ricky Bonazza on Friday, April 26, 2024

We had a blast at @sicknewworld fest. @milo.silvestro is not in the picture because he jumped in the crowd and we had to...

Posted by Fear Factory on Saturday, April 27, 2024

Slash, the iconic, Grammy-winning guitarist and songwriter, spoke to Germany's Rock Antenne about his upcoming blues solo album "Orgy Of The Damned", which is due on May 17 via Gibson Records. The 12-track project features guest appearances by AC/DC's Brian Johnson, AEROSMITH's Steven Tyler, Iggy Pop, Chris Stapleton, THE BLACK CROWES' Chris Robinson, ZZ TOP's Billy F. Gibbons, BAD COMPANY's Paul Rodgers, Demi Lovato and Gary Clark Jr.Slash is backed on the album by prior collaborators Johnny Griparic (bass) and Teddy Andreadis (keyboards),as well as drummer Michael Jerome and singer/guitarist Tash Neal.

Regarding the inspiration for the "Orgy Of The Damned" album title, Slash said (as transcribed by BLABBERMOUTH.NET): "It's the only title I came up with. It was just because blues and rock and roll have always been considered taboo and devil's music and all that kind of stuff. And it's 'hide your kids from that.' And I wasn't raised to think that, but I know society at large has always had that kind of attitude towards it, but of blues especially. And so when I thought about having a collaborative thing with all these different artists doing a blues record — 'Orgy Of The Damned', right? It seems so obvious to me, and I actually Googled it to see if somebody else had already used it, but they hadn't."

When the interviewer suggested that it must have been a "logistical nightmare" getting all those guest musicians to appear on the LP, Slash said: "It's difficult. I mean, you basically just have to get on the phone, and if they say 'yes', then okay. So that's really the hardest part, is calling people up and asking the question and seeing if they'll do it. And I was fortunate doing this, because I picked songs that… What I would do is I'd have the song and then go, 'Okay, who should sing this?' And whoever came to mind as being the appropriate singer, I would call them up. But, fortunately, I picked the right song for them to sing and so they would identify with it automatically. And so then that would make them feel more obligated to get involved and sing it properly or whatever goes through one's mind. But it was great because all the different artists were so open to the material and it really meant something to them. So, what happened was the vocal delivery really came from the heart; they were really singing from a place of connecting with the material."

Asked if there was anybody he wanted to get to appear on the album but couldn't, Slash said: "Well, the biggest one, really, the one that bums me out was [late MOTÖRHEAD leader] Lemmy. That was because there was a moment there where [I thought], 'Fuck, man, Lemmy would be great.' And I still haven't gotten used to the fact that he's not here, 'cause I'm so used to him being there. So that was the big one. I try not to make a big deal out of it. There's some people that I couldn't contact until after the record was done. And then they showed up, and [I would tell them] the record's done already. But other than that, everybody that I thought of were there."

Although he grew up in England, Slash's American grandmother turned him on to the blues early on and he was immediately taken with B.B. King. At the same time, his parents raised him on a healthy diet of '60s British rock 'n' roll, from THE WHO to THE KINKS. Once he moved to Laurel Canyon, Slash found himself surrounded by rock and folk singers like Joni Mitchell, CROSBY, STILLS & NASH and Neil Young — all of whom eventually inspired his playing and songwriting. It wasn't until he began playing guitar himself that Slash realized all of his favorite musicians had been influenced by the same B.B. King blues records he'd listened to as a young kid.

"Orgy Of The Damned" encompasses a broad range of styles within the blues genre, veering from an upbeat, rowdy take on Robert Johnson's "Crossroads" to a plaintive, twanging rendition of T. Bone Walker's "Stormy Monday". Some of the songs, like STEPPENWOLF's "The Pusher", Charlie Segar's "Key To The Highway" and Albert King's "Born Under A Bad Sign", had been performed by SLASH'S BLUES BALL while others, like Stevie Wonder's "Living For The City", were longtime favorites for Slash. "Hoochie Coochie Man", written by Willie Dixon and made famous by Muddy Waters in 1954, showcases the in-the-moment nature and unrestrained energy of "Orgy Of The Damned", with ZZ TOP's Billy F. Gibbons stepping in on guitar and vocals. The group went into a rehearsal room in North Hollywood and began hashing out soulful, rollicking takes on the classic songs. Everything was played live in the room, with an emphasis on improvisation which resulted in a collection of dynamic, energized songs that are immediate, raw, and distinctly familiar.

As Slash was considering vocalists, he approached his old friend and collaborator Iggy Pop, who had long wanted to record a blues song. Pop suggested Lightnin' Hopkins's 1962 track "Awful Dream", a sparse, drawling number originally laid down on acoustic guitar. The duo decided to recreate that stripped back vibe and recorded their own languid, emotionally-resonate version sitting on two stools in Slash's studio.

Elsewhere on "Orgy Of The Damned", Demi Lovato lends her powerhouse voice to "Papa Was A Rollin' Stone", a fervent, soulful version of the 1972 single by THE TEMPTATIONS that Slash admired as a kid. Although the song veers more towards R&B, the guitarist wanted to give it his own impassioned spin. The album concludes with a soaring original instrumental number, "Metal Chestnut", penned specifically for "Orgy Of The Damned" by Slash.

The first single, "Killing Floor", features Johnson on vocals and Tyler on harmonica.

"Orgy Of The Damned" track listing:

01. The Pusher (feat. Chris Robinson)
02. Crossroads (feat. Gary Clark Jr.)
03. Hoochie Coochie Man (feat. Billy Gibbons)
04. Oh Well (feat. Chris Stapleton)
05. Key To The Highway (feat. Dorothy)
06. Awful Dream (feat. Iggy Pop)
07. Born Under A Bad Sign (feat. Paul Rodgers)
08. Papa Was A Rolling Stone (feat. Demi Lovato)
09. Killing Floor (feat. Brian Johnson)
10. Living For The City (feat. Tash Neal)
11. Stormy Day (feat. Beth Hart)
12. Metal Chestnut

Although Slash's upcoming LP will be his second under the "Slash" banner, he has released a handful of albums with his long-running band SLASH FEATURING MYLES KENNEDY & THE CONSPIRATORS, in which he is joined by ALTER BRIDGE frontman Myles Kennedy.

In February, Slash resumed touring with SLASH FEATURING MYLES KENNEDY & THE CONSPIRATORS.

SLASH FEATURING MYLES KENNEDY & THE CONSPIRATORS' latest album, "4", was released in February 2022 via Gibson Records in partnership with BMG.

"4" was Slash's fifth solo album and fourth overall with his band featuring Kennedy, Brent Fitz (drums),Todd Kerns (bass, vocals) and Frank Sidoris (guitar, vocals).

In a new interview with Scott Davidson of Chicago's Rebel Radio 92.5 FM, BLACK LABEL SOCIETY frontman Zakk Wylde confirmed that he and his bandmates are working on the group's next album. BLACK LABEL SOCIETY's twelfth studio LP will be the follow-up to "Doom Crew Inc.", which came out in November 2021 via MNRK Heavy (formerly eOne Music).

Regarding where BLACK LABEL SOCIETY is in the recording process right now, Zakk said (as transcribed by BLABBERMOUTH.NET): "Actually, when I get done talking to you, I'm going to [my studio] Black Vatican. I'm tracking some more stuff today right now. So during the times I'm home, I'll be doing some recording and stuff like that for the next album. I've gotta pick my spot for when I'm home. Then [I] can do some recording, and then, before you know it, we're back out on the road again."

In a separate chat with Metal Mayhem ROC, BLACK LABEL SOCIETY drummer Jeff Fabb stated about the band's next album: "I don't know exactly when it's gonna be released, but I heard some time in the new year. So I would assume that we're gonna tour it. So we're working on it right now. Actually. I'm about to go to [Zakk's] house in the next few days and finish up a few more songs that he wrote. And then, yeah, that's pretty much it. We've got that show in September and then I would assume that we're gonna hit the road at some point."

BLACK LABEL SOCIETY will headline Zakk's inaugural music festival, Berzerkus, on September 14, 2024 at Poconos Park in Bushkill, Pennsylvania. Berzerkus will be co-headlined by outlaw country music's Cody Jinks. Also scheduled to appear are CLUTCH, RIVAL SONS, BLACK STONE CHERRY, ZOSO (the ultimate LED ZEPPELIN experience),THE ATOMIC PUNKS (a tribute to early VAN HALEN) and THE IRON MAIDENS (the world's only all-female tribute to IRON MAIDEN).

Two and a half years ago, Wylde told the Morristown, New Jersey radio station 105.5 WDHA about the BLACK LABEL SOCIETY songwriting process: "The way it always goes, it's always the music first and then a melody. And then I've gotta find out something I wanna sing about. So then I'll write the lyrics. That's usually always the way it goes. And then, when it's all done, then the solos go on it. The painting's all done, and the solo is the frame that goes on the thing. So you can sit back and look at the whole thing. That's the way we pretty much always do it… I would just have a cup of coffee and just start writing riffs. You always get inspired by — for me, it's always Mount Riffmore, which is CREAM, MOUNTAIN, [LED] ZEPPELIN, [BLACK] SABBATH, DEEP PURPLE… If you're not getting inspired by the riffs those guys have created, it's just like… So I'll just go fishing and just start writing till you get to something you like."

Wylde formed BLACK LABEL SOCIETY in 1998 and has kept the band busy in between touring and recording with Ozzy Osbourne, whose backing group he first joined more than three and a half decades ago.

BLACK LABEL SOCIETY's "Order Of The Black" (2010) and "Catacombs Of The Black Vatican" (2014) both broke into the top five on the hard rock album charts.

Since first joining Ozzy, Zakk has played on all of the BLACK SABBATH singer's solo albums except for 2020's "Ordinary Man", including such classic efforts as "No More Tears" (1991),"Ozzmosis" (1995) and "Black Rain" (2007).

During an appearance on the "The Rich Roll Podcast", Tanya O'Callaghan, who is currently playing bass in Bruce Dickinson's solo band, spoke about what it has been like to share the stage with the IRON MAIDEN singer. She said (as transcribed by BLABBERMOUTH.NET): "Bruce is fascinating. He's a total polymath. He really is a fascinating person. He's an airline pilot. He flew MAIDEN on the plane. He's a commercial pilot. It's hard enough to travel and go and play a show. I can't even imagine having to fly your band. He's also a champion fencer. He's an avid reader and entrepreneur. He's a fascinating person and obviously a legendary singer. He's just a great guy. He's a great guy to work with."

She continued: "We did a tour last year doing the music of DEEP PURPLE with an 82-piece symphony orchestra, which is where we met and got along like house and fire. He's just good people. And then now he's decided to go and do his first solo tour in, I think, 18 or 19 years, because he's obviously been busy doing MAIDEN and life happening between all that. I think it was interesting for him to see what the feedback would be when he brought out a new [solo] album. And the MAIDEN fans, it's like the church of MAIDEN — they're so supportive. So [his] entire [solo] tour is almost sold out, which is really cool to see for him, because it's scary for any artist to put your own work out. But I can't even imagine when you're from such a big band."

Asked by interviewer Rich Roll how old Bruce is, Tanya said: "Uh, God, Bruce will murder me if I say this wrong. I don't know. I think he's in his early 60s, I guess. It's actually quite hard to guess. I don't know. But he's so childlike, it's great. Him, and his wife Leana is amazing as well, and they've got that very youthful — still happy to travel. He just loves playing, which is really nice to see, because a lot of artists kind of get burnt out and they get a bit sick of it all, but Bruce wants to be on the road. I mean, we're shoving this tour in between MAIDEN tours."

O'Callaghan is an Irish musician who joined WHITESNAKE in 2021 and toured with the David Coverdale-fronted outfit the following year. She also hit the road with Dickinson last year as part of a performance of Jon Lord's "Concerto For Group And Orchestra" on nearly a dozen dates in Europe and South America.

In addition to Dickinson and WHITESNAKE, Tanya has toured, recorded and written with legends such as Maynard James Keenan (TOOL, A PERFECT CIRCLE),Dee Snider (TWISTED SISTER),Steven Adler (GUNS N' ROSES),Nuno Bettencourt (EXTREME),THE RIVERDANCE, Orianthi, Michael Angelo Batio, Kevin Godley, Sharon Corr (THE CORRS) and David Grey, to name a few. She is also a speaker, writer and lifelong advocate and activist for animal, human, social and environmental issues.

The rest of Dickinson's solo touring band consists of Dave Moreno (drums) and Mistheria (keyboards),alongside the group's latest additions, Swedish guitarist, songwriter and multi-platinum-credited producer Philip Näslund and Swiss session and touring guitarist Chris Declercq (who played on Dickinson's "Rain On The Graves" single). Bruce's longtime guitarist and collaborator Roy "Z" Ramirez is not part of the touring lineup.

Roy played guitar on Dickinson's 1994 album "Balls To Picasso" and went on to produce, co-write and perform multiple instruments on Bruce's subsequent three solo albums, "Accident At Birth" (1997),"The Chemical Wedding" (1998) and "Tyranny Of Souls" (2005).

Californian drummer Moreno previously played on "Tyranny Of Souls" and has worked with BODY COUNT, Jizzy Pearl, Dizzy Reed and Steve Stevens, among others.

Italian keyboard wizard Mistheria has collaborated with an array of artists live and in the studio, including Rob Rock, Mike Portnoy, Jeff Scott Soto and Joel Hoekstra.

Dickinson's latest solo album, "The Mandrake Project", arrived on March 1 via BMG.

Bruce and Roy recorded "The Mandrake Project" largely at Los Angeles's Doom Room, with Roy doubling up as both guitarist and bassist. The recording lineup for "The Mandrake Project" was rounded out by Mistheria and Moreno, both of whom also featured on Bruce's previous solo studio album, "Tyranny Of Souls", in 2005.

Photo credit: John McMurtrie

BULLETBOYS have made a name for themselves with their loud guitars, boisterous vocals, and shredding solos. Now, the band is blazing a new trail as they join forces with SongVest, giving fans a chance to level up with an opportunity to invest in the music.

The band's current lineup features founding member, vocalist Marq Torien along with guitarist Ira Black (LIZZY BORDEN, METAL CHURCH, DOKKEN),bassist Brad Lang (Y&T) and drummer Fred Aching (POWERFLO). Teaming up with fan investment platform SongVest, the BULLETBOYS offer music lovers the ability to purchase fractional royalty shares in two new recordings. Melophiles who purchase various amounts of shares will unlock access to signed memorabilia, online experiences, and even a private acoustic performance.

"We wanted to offer our fans more than just another t-shirt and poster," explains Torien. "BULLETBOYS fans have been inspiring us for over 35 years, and 'Smooth Up' was the catalyst for all of that fandom. When we first engaged in a conversation with SongVest about our catalog, their CEO just said, 'Empower your fans with ownership. They've earned it.'"

In addition to a re-record of "Smooth Up", BULLETBOYS are also offering shares in their hard and heavy cover recording of Frida's 1982 hit "I Know There's Something Going On", a song that reached No. 1 in Belgium and Switzerland and peaked at No. 13 on the U.S. charts.

"I have been a longtime fan of ABBA and singer Frida and have always wanted to cover and put our twist on this song," shares Torien.

"Phil Collins produced the original song; I wanted to stay true to his drum sound and style. I feel like I achieved this in the production, and in the end, we also made it sound like a modern BULLETBOYS song," says Black.

Fans can currently reserve SongShares at this location. Reservations close on May 8 at 8 p.m. EDT, after which the SEC qualification process begins. Fans who reserve shares will have the first chance to purchase their SongShares, and if there are any shares left, they will go on sale to the general public.

"SongVest is excited to work with BULLETBOYS on these two songs," notes CEO Sean Peace. "Rock fans are some of the most diehard and activated, always looking for ways to connect with their favorite bands. SongVest allows the BULLETBOYS and their fans the ultimate ownership in the music they love."

SongVest is on a mission to democratize music investing. They are the first music marketplace to offer unprecedented access to purchase fractional shares of music royalties from your favorite artists. Learn more at www.songvest.com.

BULLETBOYS formed in 1988 at the very peak of the Los Angeles glam metal movement. As a collection of talented musicians, BULLETBOYS were able to quickly capture the attention of music fans around the world. Unlike other rockers of the day, the BULLETBOYS possessed more hard rock-blues fusion than pure hair metal. Thanks to comparisons to the likes of AEROSMITH and VAN HALEN, talent scouts came running and the band quickly received their first major label contract.

BULLETBOYS' self-titled debut was released in 1988 via Warner Bros. and peaked at number 34 on the Billboard 200. The album spawned two hit singles, a cover of the O'JAYS classic "For The Love Of Money" and "Smooth Up in Ya", both of which charted on the Mainstream Rock chart and saw regular airplay on MTV. BULLETBOYS went on to release two more albums, 1991's "Freakshow" and 1993's "Za-Za", before splitting up.

The new BULLETBOYS lineup made its live in January 2022 at RokIsland Fest in Key West, Florida.

In June 2022, BULLETBOYS released the official music video for its latest single, "Holy F*ck". The track, which was written by Black and Torien, produced and mixed by Black, and mastered by multi-Grammy Award-winning mastering engineer Howie Weinberg, was made available via Rock Avenue Records USA. The clip was co-produced and co-directed by Black and Arron Kinser from Studio Vista.