In a new interview with Global News journalist Adam Wallis, JUDAS PRIEST singer Rob Halford pointed to metal fans' acceptance of his sexuality as evidence of metal's capacity to be a place where all are welcome. "It's broad based," he said (as transcribed by BLABBERMOUTH.NET). "It's not just in music. It's everywhere. It's in every walk of life. When I was a younger person particularly, but through the early metal years, yeah, there was a there was a lot of homophobia and pushback and bigotry, so much so that I really had to hide myself, I had to hide my identity within the band. The whole point of getting from that place of having to hide to now being able to step out and be who you are, particularly in the metal scene, because the metal community loves and takes care of our own, that's the advantage.

"I used to be terribly lonely because of having to live a double life," he continued. "So this whole business of being embraced and feeling not alone and feeling part of a group of people that are all feeling the same way is really, again, special and unique to the metal world."

Less than three years ago, Halford, who publicly declared his homosexuality back in 1998 during an appearance on MTV News, reflected on what it was like to be a closeted man in the 1980s while so many other rock musicians at the time dipped their toes into the glittery waters of glam androgyny.

"When you think about the glam rock movement, what it was, specifically, two bands that really pushed that for me were MÖTLEY CRÜE and POISON — and, to some effect, CINDERELLA, maybe some WINGER, L.A. GUNS," he told Ultimate Classic Rock. "There was a lot of stuff coming through at that moment in the glam rock era. And definitely Sebastian [Bach, then-SKID ROW singer], you know, when guys looked like girls. And that worked. And I could never quite figure that out, because of the homophobic stuff that was going on in the '80s. And there's all these guys with makeup on, looking ... I have to watch my words here, but you know what I'm saying? Looking in a specific way, that everybody else is like, 'Yeah, man, they're really hardcore,' and all that kind of stuff. And then me as a closeted gay man, it's like, 'Am I missing something here? How am I not able to come out for fear of losing my career and my band, but these guys are going out there looking like they do, and everybody's falling over them?' Not everybody, but, you know, just the general perception of the imagery was just, everybody has to look that way. Everybody has to dress that way. It [was] a remarkable time in heavy metal and rock to think about in a broader sense."

He continued: "And I love those guys. While we're talking, I must get the message across that I love those guys. I love their music, I love what they achieved and everything. They're very, very important. And maybe there was a sense of opportunity within the LGBTQ community because these guys were there then, doing what they did. Maybe they opened a little tiny chink in the door for acceptance. Because a lot of guys used to go to the shows looking like that. One of my friends here in Phoenix in the '80s used to put the makeup on and the hair and everything. They would look like that, and then they'd go out to see those bands. So in terms of the anthropological aspect, the social connection between looking like that and it being cool and accepted without any pushback was quite remarkable. It's a really interesting part of that time in heavy metal. And I include myself — not entirely, in that respect, but if you look at [PRIEST's] 'Turbo' [album], you look at the way that we're looking, look at the way Glenn's [Tipton, PRIEST guitarist] got his hair and Ken's [K.K. Downing, then-PRIEST guitarist] got his hair, we were all in that same melting pot, really. The '80s was a remarkable time for metal, glam rock, rock, whatever you want to call it. The visual presentation was extraordinary."

Three and a half years ago, Downing confirmed during an appearance on MACHINE HEAD frontman Robb Flynn's "No Fuckin' Regrets With Robb Flynn" podcast that he, the other members of the group and PRIEST management knew about Halford's sexuality and were accepting, although Rob at the time was advised to be discreet given the macho hetero nature of the metal world.

"We always knew Rob was gay," K.K. said. "Because the thing is back in the days — in the '60s and particularly early '70s, when everything was still kind of behind closed doors and stuff like that — people felt a bit more comfortable around us because we would hang around in groups and gangs and we would always know that that guy is different to us and that girl is different."

According to K.K., Rob's sexuality didn't matter to him and the rest of PRIEST. "The main thing is… Obviously, to me, Rob being gay, apart from [having] a great voice, I thought Rob was gonna stay in the band forever, and he's obviously gonna be theatrical, he's gonna be obviously articulate with words — and he was; he was all of that," Downing said. "Sensitivities and all of that, and the showmanship — so all of these ingredients [were] great attributes to have as a frontman. And I proved to be right."

K.K. also touched upon the revelation in Halford's recent "Confess" autobiography that the singer spent much on his time on the road in the 1980s and early 1990s "cruising" for one-night stands in gay bars, public restrooms, and other gay meeting places. Asked by Flynn if he was aware that Rob was doing it, K.K. said: "Yeah. Absolutely. My eyes have seen a lot. [Laughs] Even in the mid-'70s, if you come off stage and Rob's in the shower with one of the crew and stuff doing things. I mean, it is what it is. You don't have to go in there until it's over and whatever. It is what it is. 'Cause Rob had to put up with lots of things from us. It's the same thing — no different… It's the same thing — fair's fair. We're all there in the van. We're ready to go. 'Okay. Where's fucking Dave? Okay. He's in there still with a girl. Somebody go and get him.' We need to go. We need to get to the gig or from the gig. And these things happen. It's rock and roll. A lot of things were put down to rock and roll because it was rock and roll in those days."

Elsewhere in the interview, Downing talked about Halford's efforts to maintain the image of heterosexuality in the media — most notably through PRIEST's studs-and-black leather biker outfits, which defined the look of the heavy metal genre for years to come — even while living a secret, double life as a closeted gay man.

"In all fairness to Rob, Rob was a team player," K.K. said. "He knows that his image and the way that he was in the day and everything, it appealed to guys [and] it appealed to girls. And he was cool with that. The same with me, because your audience is your audience. We had so many people that did have an awareness, obviously, back in the day. But we are entertainers and we're performers. But [we had] a great belief in the music and the image and just everything around it. I still had immense pride in Rob as a great frontman and entertainer and a great vocalist. And he played the part as well, equally, as we thought we did in the macho, macho that wasJUDAS PRIEST. Because we'd done the outfit, the leather and the studs, and I think anything to do with anything else ancillary — sexuality or anything — was just not a part… it wasn't on the stage. In Rob's mind, maybe it was here and there, but, to us, it was so ferocious and full-on, delivering up this music in the way that we did it, to me, I felt so proud of all of the bandmates. Because we'd done the uniform, and it was unique at the time, and it was such a powerful feeling. 'Cause we were getting off on that, what we had. The audience could sense it, I think. And that's why we were never afraid to play with any band, because we had the uniform that nobody else could put on at the time."

In "Confess", which came out in September 2020, Halford detailed the struggle of being gay while writing about how he and his bandmates started attracting groupies as PRIEST became more commercially successful. "Well, I didn't," Halford clarified. "None of our fans knew that I was gay at this point, of course. If any misguided girls made a play for me, I could politely brush them off. But if I wanted some action on the road — and I really, really did — how the hell was I supposed to go about it? For straight blokes, the ritual was easy. They could invite a girl to come backstage. Would you like a drink? Would you like to come to our hotel? Would you like to see my room? I couldn't do any of that."

Halford continued: "If I fancied a guy in the crowd, how did I go about it? What were the chances of him being gay (or, if he was, of admitting it)? What if I got it wrong, made a misjudged pass and got a smack in the mouth? And, of course, the overriding fear that was to limit my existence for decades: What if it got out that I was gay, fans didn't want anything to do with a band fronted by a queer, and it killed JUDAS PRIEST stone dead? PRIEST was the most important thing in my life, and even if I were willing to sacrifice it for my sexuality — which I wasn't — I simply couldn't do it to Ken [K.K.], or Glenn [Tipton] or Ian [Hill]. It wouldn't be fair on them. It was my problem, not theirs."

Rob also wrote about how PRIEST came to adopt its iconic leather look, saying: "The biggest myth about this new stage gear is that I had somehow masterminded the image as a cover and a vent for my homosexuality — that I was getting a thrill from dressing on stage as I'd like to dress in the street, or the bedroom. This is utter bollocks. I had no interest in S&M, domination or the whole queer subcult of leather and chains. It just didn't do it for me. My sexual preference was for men, sure, but I was — and still am — pretty vanilla. I've never used a whip in the boudoir in my life. Or, have I? Hang on, let me think for a minute…"

In 1998, Halford became the first metal icon to announce he is gay during an MTV interview, despite knowing about his sexuality since he was 10.

Unleashing their latest album Grotesque on Gore House Productions this past November, UK death grinders Foetal Juice have a new playthrough from bassist Lewis Bridges for the closing track "Gruesome". In this song, the bass plays almost a solo over the intro riff where Lewis gets to flex his bass playing guns to the world.


Lews Bridges adds about the song:


"This one is where we have really experimented with a clean intro. This is something we have never done before but really enjoyed it when bands like Entombed have done it on albums. The clean intro is influenced by the film Lobster Man From Mars and we just thought it would be good to try a build a song up like that for one. After the intro we wanted it to go straight in as abrupt as we could make it. So, 6/8 blast it was. We wanted the song to be a sort of one after the intro but also make it incredibly groovy with skipping triplets on the guitars and a wandering bass. We are really happy with how this song turned out."







Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.


Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they've ever done before. It's a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.


A relentless barrage of blast beats, horror and gore that will have you questioning your sanity, “Grotesque” is recommended for fans of Cannibal Corpse, Deicide, and Vomitory.


They comment on the new album: "Everything seems to have worked amazingly on “Grotesque.” It turned out far better than we ever imagined it would. Everyone has brought their A-game to the table with this one. Then Chris Fielding (Producer) put the cherry on the top with the outstanding mixing/mastering. He really has made this album sound incredible. Due to the lockdowns during Covid, Ryan, who is the main songwriter/Guitarist, has churned out hundreds of riffs and song ideas, which has meant we could be a lot more selective with choosing the final ideas than we would normally be able to. This has really helped us to find the best riffs and ideas to use on this album.


We always write the next song as if it has to be better than the last song we wrote. This really pushes us to impress one another when it comes to our individual parts. When we recorded the last album, Lewis had only been in the band for 2 months and pretty much had to copy the guitar parts with his bass lines. On Grotesque, he has really come into his own. The bass lines have added so much to each song as it’s not just the same as the guitar riffs.


With Foetal Juice, we push each other as far as we can to get the best out of each member. This is mainly because individually, we are all really difficult to impress, so when we have to impress one another, it really takes you to the next level of performance/writing.


We are so proud of everything about this album, from the artwork and songwriting to the performance, recording, and mastering. Even if no one likes it like we do, we can all hold our heads up high with this one.”


Order (Cassette / CD / Digital) here.





"Ghoul Amongst The Mouldering Dead" video:





"Legion Of The Grotesque":





"Two Bongs Don't Make A Right":





(Photo - Karen Carley)

During an appearance on the Appetite For Distortion podcast, IRON MAIDEN singer Bruce Dickinson was asked if there are different sides of his personality that he applies to the various projects that he is involved or if it all "part of the same same guy". He responded (as transcribed by BLABBERMOUTH.NET): "No, it all comes out of the same pot. Yeah, just like like any guy… I suppose, really, I'm like a — if I was gonna make an analogy, it would be like you take me out of the fridge and I'm stone cold and you put me on the cooker and you heat me up to a certain temperature and you go, 'Oh, yeah, that looks like MAIDEN temperature there,' and you put a dollop in the bowl and it's MAIDEN world. And then, at the end of that, you put MAIDEN back in the pot and it goes back to its normal kind of tepid, boring, ordinary state, which is me when I'm not running around doing stuff."

He continued: "I like pictures, analogies and things like that. I explain things a lot in those terms, which is the same way I write songs and music and things. So I like to say that the way I approach a [show at a] club and then a theater and then an arena and then some mega stadium where you can't even see the last person in the audience because they're so far away — how do you project your personality, if you like, over those different distances? And I said, well, it's kind of like having like a party balloon that is you, so you're the deflated little party balloon, but you get into a club and you go — you don't have to inflate the balloon very much to touch the back of the club, 'cause everybody can see you. And you inflate it a bit more for the theater, and then the arena is, like, 'Oh, a bit more effort going on there.' And then the big one is the big festival, and you don't realize how hard you've been inflating this giant balloon until you walk off at the end and you're just absolutely exhausted. And you think, 'Why is that?' Because you've been pushing out all this energy to try and fill this vast space. But the problem with all that is that you're now walking around with a balloon the size of Texas around your head. So you need to somehow go [and get the air out of the balloon], and the balloon just deflates. And you've gotta do that after the show, because if you don't do that, you won't be able to get through any doorway in the Western world. Because your balloon is too big.

"Everybody's got a little balloon, and everybody's capable of inflating it," Dickinson explained. "It's just that my job is doing it to a ridiculous extent. And so I treat that balloon as kind of almost in the third person. I'm, like, 'Okay. The big balloon is out there, but that's not really a state to exist in, in the real world.' So I try and deflate it at the end of the show and be quiet and just run away somewhere into a dark corner and hide. But that's how I deal with that, and that's how I hope I've retained some semblance of sanity in what can be a very toxic environment for people."

After playing two warm-up shows at the Whisky A Go Go in West Hollywood, California, Dickinson officially kicked off his first solo tour in more than 20 years on Monday, April 15 at The Observatory in Santa Ana, California.

As was the case with the two Whisky A Go Go shows, the IRON MAIDEN singer was joined at The Observatory by his current backing band, featuring Dave Moreno (drums),Mistheria (keyboards) and Tanya O'Callaghan (bass),alongside the group's latest additions, Swedish guitarist, songwriter and multi-platinum-credited producer Philip Näslund and Swiss session and touring guitarist Chris Declercq (who played on Dickinson's "Rain On The Graves" single). Bruce's longtime guitarist and collaborator Roy "Z" Ramirez is not part of the touring lineup.

Prior to the April 12 Whisky A Go Go show, Bruce last performed with his solo band on in August 2002 at the legendary Wacken Open Air festival in Germany.

Dickinson's latest solo album, "The Mandrake Project", arrived on March 1 via BMG.

Bruce and Roy recorded "The Mandrake Project" largely at Los Angeles's Doom Room, with Roy doubling up as both guitarist and bassist. The recording lineup for "The Mandrake Project" was rounded out by Mistheria and Moreno, both of whom also featured on Bruce's last solo studio album, "Tyranny Of Souls", in 2005.

Dickinson made his recording debut with IRON MAIDEN on the "Number Of The Beast" album in 1982. He quit the band in 1993 in order to pursue his solo career and was replaced by Blaze Bayley, who had previously been the lead singer of the metal band WOLFSBANE. After releasing two traditional metal albums with former MAIDEN guitarist Adrian Smith, Dickinson rejoined the band in 1999 along with Smith.

Former SKID ROW singer Sebastian Bach has released a new song called "(Hold On) To The Dream". The track is taken from his upcoming solo album, "Child Within The Man", due on May 10 via Reigning Phoenix Music.

"An album more than 10 years in the making," according to Bach, "Child Within The Man" was recorded in Orlando, Florida; produced and mixed by Michael "Elvis" Baskette; engineered by Jef Moll, assistant engineered by Josh Saldate and mastered by Robert Ludwig of Gateway Mastering. Bach wrote or co-wrote all the album's 11 tracks and sang all lead and backing vocals.

"Child Within The Man" features guest appearances from John 5 (MÖTLEY CRÜE, ROB ZOMBIE, MARILYN MANSON),Steve Stevens (BILLY IDOL) and Orianthi (ALICE COOPER, MICHAEL JACKSON) — who all co-wrote their respective tracks with Bach — and two tracks co-written with ALTER BRIDGE's Myles Kennedy ("What Do I Got to Lose?" and "To Live Again"). Devin Bronson (guitars),Todd Kerns (bass) and Jeremy Colson (drums) round out the players on the album. The album will be available on jewelcase CD, cassette, and double LP in a variety of colour options.

"I have been putting out records since the year 1989," Sebastian says. "Thank YOU for 35 years of Bach N' Roll…all leading up to 'Child Within The Man'! If you like the records I have put out in the past, I can GUARANTEE that you will enjoy the new album. THIS is the kind of Rock N' Roll that keeps you young ! Can't wait for you all to crank up 'Child Within The Man' — a magical elixir to the Fountain of Youth! Gone Wild! Forever! It's all one big song! TURN IT UP!"

In an interview with "Whiplash", the KLOS radio show hosted by Full Metal Jackie, Sebastian spoke about the inspiration for the "Child Within The Man" title. He said: "Well, my wife calls me man-child. That's kind of been a theme for me my whole career. I bring a youthful energy to the stage when I get up there. People are smiling and excited and hooting and hollering. But the line 'child within the man' is a line of one of the songs on the record. And I scream it like bloody murder. And it kept haunting me. "

Sebastian also talked about the "Child Within The Man" artwork, which holds special meaning since it was designed by Bach's father, noted visual artist David Bierk.

"I have a lot of my dad's artwork," Bach said. "He's no longer alive. And we all, all of his kids, we got a lot of his art when he passed away. And I unrolled a roll of paintings that I knew had the SKID ROW 'Subhuman Race' painting in it, and I wanna take care of it and make sure it's preserved. But in that roll was this painting that I remember my dad doing of me when I was 10 in a field next to this beat-up old Cadillac car in the field and then behind the car, it's Jesus ascending into heaven, and I'm running next to the car. It looks like an album cover. And then he also did a painting of me from Circus magazine, the first centerfold of me on stage at Giants Stadium. He did a gigantic painting of that, like 12 feet high. And so the cover is gonna be me running as a child into me on stage as a man, and it's child within the man. And it just reminds me of the '70s, like child in time, and it just reminds me of a good '70s album cover. And the fact that I can bring back a painting from the year 1978 and make it into artwork in 2023, 2024, that's really mind-blowing to me."

"Child Within The Man" track listing is as follows:

01. Everybody Bleeds
02. Freedom (featuring John 5)
03. (Hold On) To The Dream
04. What Do I Got To Lose?
05. Hard Darkness
06. Future Of Youth (featuring Orianthi)
07. Vendetta
08. F.U. (featuring Steve Stevens)
09. Crucify Me
10. About To Break
11. To Live Again

The album's first single, "What Do I Got To Lose?", was co-written by Sebastian, Kennedy and Baskette, the latter of whom also served as the track's producer.

In advance of the album's release, Bach will hit the road in 2024 for an international tour with dates in Latin and North America. The "What Do I Got To Lose?" tour is a mix of solo gigs and festival appearances that kicks off with an international run of performances in Brazil, Uruguay, Argentina, and Chile before North American shows in the U.S. and Mexico. The stateside tour gets underway May 10 in Jefferson, Louisiana before wrapping June 29 in San Diego, California.

Bach performed "What Do I Got To Lose?" live for the first time during his February 24 concert at Palace Theatre in St. Paul, Minnesota.

Bach released the official music video for "What Do I Got To Lose?" in December. The clip was directed by Jim Louvau and Tony Aguilera. For the video, which shows Bach cruising through the desert in a convertible and performing with a full band, Sebastian was joined by his former SKID ROW bandmate, drummer Rob Affuso. The clip also features an appearance by actor and comedian Craig Gass and Sebastian's wife Suzanne, who plays a scantily clad car wash attendant.

Bach hasn't released a full-length disc since "Give 'Em Hell", which came out in March 2014. Like its predecessor, 2011's "Kicking & Screaming", the disc was released through Frontiers Music Srl, the Italian label which specializes in what's commonly called AOR, a term that once signified a popular radio format ("album-oriented rock") but nowadays applies to acts whose airplay is marginal.

Photo credit: Jim Louvau

CREED played its second concert in 12 years on Saturday (April 20) as the headliners of the Summer Of '99 cruise. Fan-filmed video can be seen below (courtesy of Fake Fan).

The band's lineup of Scott Stapp, Mark Tremonti, Brian Marshall and Scott Phillips performed two shows during the cruise, which is traveling from Miami to the Bahamas between April 18 and April 22. Presented by Sixthman, the "Summer Of '99" cruise lineup also includes performances by 3 DOORS DOWN, BUCKCHERRY, TONIC, FUEL, VERTICAL HORIZON, THE VERVE PIPE, TANTRIC and NINE DAYS, among others.

CREED's second concert consisted of 17 songs and included the new additions of "Beautiful", "Pity For A Dime" and "Inside Us All", which were not performed two days earlier.

CREED's setlist for the April 20 show was as follows:

01. Bullets
02. What If
03. Beautiful
04. Torn
05. My Own Prison
06. Pity For A Dime
07. Are You Ready?
08. Never Die
09. Faceless Man
10. Say I
11. Inside Us All
12. Rain
13. What's This Life For
14. One Last Breath
15. My Sacrifice
16. With Arms Wide Open
17. Higher

CREED will perform aboard a second cruise, the "Summer Of '99 And Beyond", traveling from Florida's Port Canaveral to Nassau from April 27 to May 1. A full-fledged tour, also dubbed "Summer Of '99" tour, produced by Live Nation, will kick off on July 17 and will run through September 28.

In a recent interview with Ryan McCredden of the I-Rock 93.5 radio station, CREED frontman Scott Stapp spoke about the fact that younger generations of fans have discovered the group's music in the 12 years since he and his bandmates played their last concert. He said: "Yeah, a hundred percent. And the analytics don't lie. We've started seeing, in late 2020, CREED beginning to go viral on TikTok, Instagram and then Facebook. And then it just seemed like every two or three months… The first couple months in 2021, we went viral again, and it just kept happening every two or three months. And then you look at the analytics, and you realize that when you look at the numbers, it's three generations. And now it's gotten down into high school kids. And so, what a gift and what a blessing. And I do not take that for granted. I understand how rare that that is. And I think I can speak for all of CREED, because we've had these conversations in private, that it's something we definitely understand is a gift, it's rare and we're not taking it for granted and we're just so grateful and appreciative that this has happened. And I think we're in the nurture phase of this whole thing and not taking a single bit of it for granted and just want to just share how grateful we are and fortunate we are that all these years later [so many people are discovering our music."

Stapp went on to discuss the overwhelmingly positive response to the announcement of CREED's first shows together in 12 years.

"I learned this from Mark [Tremonti, CREED guitarist] the other day in a Guitar World interview that we did together," Scott said. "One thing about Mark, and I hope he doesn't get mad at me for sharing, but he's always in touch with our long-term agent from day one, Ken Fermaglich at UTA. He started with us when we were doing clubs and nobody was showing up, and he's still our agent today. And Mark checks in with him to get analytics and get numbers. And Ken shared with him that right now we are bigger in terms of sales and how things are moving than we were at our peak in 2001, 2002, which blows my mind. It still doesn't seem that way to me, but Mark made a comment. He goes, 'Oh, well, you'll see it when you step out and there's 25,000 people in front of you.' And I said, 'Don't scare me, man.' It's been a long time since I've stepped in front of an audience that big."

When McCredden suggested that "the social media world of TikTok and Instagram" played a huge part in generating interest in a CREED reunion tour, Stapp said: "I've learned in my journey in sobriety and in recovery that… I believe in God and I believe that God has a plan. And looking at this from a thousand-foot perspective, it just all just seems, to me, without a doubt that God's had a hand in it. And I'm just grateful that I'm included on the ride and I'm just not gonna take a moment for granted and [I'm gonna] try to deliver every night and give the fans what they're asking for."

Stapp, whose road to sobriety kicked off in 2014 after issues with drugs and drinking, along with thoughts of suicide, credited his recovery with providing him with the necessary tools to reach new heights with his CREED bandmates. "Absolutely," he said. "In my experience, that's the only way you really learn. And, really, you have no other option. You have to get back up, no matter what you do and deal with the consequences, of course, but learn from it and grow. And one thing I'm looking at when I reflect back on my career is it kind of happened in reverse. With CREED, it was instant. It was first single 'My Own Prison', within 11 months, we're in arenas. But then there's been this 15-year drought for me where I went all the way back as a solo artist playing in small clubs and just duking it out, sweating it out in clubs and bars for over a decade. I mean, man, since 2005 or [2006]. So, I mean, we're talking 17, 18 years. So, it's happened in reverse, and I think that's how it needed to happen, because I think it really gave me a different perspective on how I wish I could have approached this from day one back in the day. But it is what it is, and I'm just gonna enjoy it now and be grateful for it."

CREED's enormous success is largely due to the prolific writing team of Stapp and Tremonti, who founded the band together in 1993. Their winning combination of driving guitar riffs, rousing hooks and introspective lyrics earned them legions of loyal fans around the world. Following the release of their first two albums, the four-piece — which also included bassist Brian Marshall and drummer Scott Phillips — became the first band ever to have seven consecutive No. 1 singles on Billboard's Hot Mainstream Rock Tracks. CREED's third album, "Weathered" (2001),also debuted at No. 1, and produced several popular singles, including Top Ten hits "My Sacrifice" and "One Last Breath". Though CREED announced its breakup in 2004, the band briefly reunited in 2009 to release "Full Circle". Heavier than their previous albums, "Full Circle" debuted at No. 2 on the Billboard 200, proving the incredible staying power of the band.

CREED disbanded in 2004 but reunited five years later for the aforementioned "Full Circle" LP and an extensive tour. Stapp has since toured and recorded as a solo artist, although he suffered a drug-related mental breakdown in 2014 and spent several years recovering from that.

METALLICA drummer Lars Ulrich's childhood home is on the market for 48 million Danish kroner, or about 6.85 million U.S. dollars.

The now-60-year-old Ulrich lived in the house, located on one of the small residential streets of Hellerup, the most fashionable part of the municipality of Gentofte, in eastern Denmark, with his parents Torben and Lene for 17 years until he moved to Los Angeles and launched METALLICA.

In a video showing Lars visiting his childhood house in Hellerup, he related stories about his upbringing, including his musical influences and initiation into drumming.

"That's where I spent 17 years, right in there," he said (as transcribed by BLABBERMOUTH.NET) while standing in front of the four-level home (see video below). "Up there on the balcony was my dad's playroom, where he sat and listened to Miles Davis and [John] Coltrane records. Copenhagen was sort of the hotbed of jazz music in Europe in the '60s… All the jazz musicians would come and hang out here, and a lot of the hippies, and that was his kind of environment away from tennis. When he was here chillin', that was kind of what he did, and hung with all these crazy cats."

He admitted: "There wasn't anything typical about any of this. That's why when people like [METALLICA frontman James] Hetfield, and so on, sit there and talk about their childhoods and all this type of stuff, what went on in here was like a whole different universe."

Pointing out his "playroom", Lars said: "That window and that window and the two windows over, that's where I had my drums. That was the room where I had all my posters and the room where I had my stereo and all my records and all 700 posters of DEEP PURPLE right in there."

The beautiful, iconic property was built in 1907 and designed by the legendary architect Carl Brummer. It is located in the extremely attractive embassy quarter — right between Østerbro and Hellerup.

Ulrich played tennis professionally as a teenager and could have gone on to a career as a tennis star, but chose music instead.

METALLICA was formed when Ulrich, who had moved to Los Angeles, placed an ad in a local paper called the Recycler looking for other musicians to play with. The ad was answered by guitarists James Hetfield and Hugh Tanner of the band LEATHER CHARM.

METALLICA officially formed in October 1981 and the band's first recording was "Hit The Lights" for the compilation "Metal Massacre".

Bay Area DJ Ron Quintana came up with the group's name: he was debating between using "Metallica" and "Metal Mania" for the name of his radio show and Ulrich encouraged him to use "Metal Mania" so that he could use "Metallica" for his new band.

METALLICA's first full lineup — featuring Hetfield, Ulrich, guitarist Dave Mustaine and bassist Ron McGovney — played its first gig on March 14, 1982 at Radio City in Anaheim, California.

"Soul Offering", the second single from the forthcoming Vale Of Pnath album, Between The Worlds Of Life And Death, is out now on all major digital platforms. The official video can be be seen below.





Vale Of Pnath will release their new album, Between The Worlds Of Life And Death, on CD, vinyl, and digital formats on May 24th via Willowtip Records.




The band released the following statement concerning the new album:


"It’s been five years since our last release, Accursed. The EP really was a new avenue for the band as we leaned further toward a more blackened approach stylistically. Having more of a tech death background, this EP was a way to lead our fans into the next era. Between The Worlds Of Life And Death is an album that really is just a continuation of what we started with Accursed. It captures the band's core sound, but also brings a newer and bold take on this brand of metal. We want this to be the most approachable album we have made for metal fans. We want people to put this on and be sucked in immediately, yet keep coming back for more.” 


Between The Worlds Of Life And Death artwork and tracklisting:





"The Forgotten Path" (Intro)
"Silent Prayer"
"Soul Offering"
"Shadow"
"Uncertain Tomorrow"
"Beneath Ashen Skies"
"No Return, No Regret"
"Echoes Of The Past" (Interlude)
"Burning Light"





Vale Of Pnath will hit the road in May with co-headliners Abigail Williams, and special guests Summoning The Lich for a U.S. tour. Confirmed dates are as listed:


May
2 - Lawrence, KS - The Bottleneck
3 - St Louis, MO - Red Flag
4 - Milwaukee, WI - X-Ray Arcade
5 - Chicago, IL - Reggies Music Joint
7 - Cleveland , OH - No Class
8 - Nashville ,TN - The End
9 - Spartanburg, SC - Ground Zero
10 - Chapel Hill, NC - Local 506
11 - Birmingham, AL - LCY
13 - Austin, TX - Come And Take It Live
14 - Houston, TX - Secret Group
15 - Fort Worth, TX - Haltom Theater
17 - Colorado Springs, CO - The Black Sheep *
18 - Denver, CO - The Marquis Theater *
20 - Phoenix, AZ - The Underground *
21 - Las Vegas, NV - The Usual Place *
22 - San Diego, CA - Brick By Brick *
23 - San Luis Obispo, CA - Humdinger Brewing *
24 - Anaheim, CA - Chain Reaction *
25 - San Fransisco, CA - Neck Of The Woods *
26 - Sacramento, CA - Harlow’s *


* Dates with Summoning The Lich





(Tour poster design: Zac Shiffer. Band photo credit: Michelle Nisbit)


 

In a new interview with Metal Pilgrim, ACCEPT guitarist Wolf Hoffmann spoke about the fact that the band will celebrate its 50th anniversary in 2026. He said: "It's mind-blowing. If you would've told me that when I started this as a teenager that I would be still be doing this 50 years later, I [would have said], 'You're nuts. It's impossible. No.' But here we are."

Asked if ACCEPT plans to do anything extraordinary and special for the band's 50th anniversary, Wolf said: "Yes, because everybody's asking for it. You're not the first one. I mean, I've done a lot of interviews now for this album. Everybody wants to know what we're doing for the 50th anniversary. And I think we have to do something, but I haven't even thought about it yet. No, I honestly haven't."

He added: "A lot of fans also tell us we should do special shows with just playing some songs from the new era with [singer] Mark [Tornillo], because we've got so many great songs on these last six albums that we could definitely pull that off easily. That'd be a very unique show."

Asked if it feels like, because of the break ACCEPT had in the early 2000s before reforming with a new lineup, that he has been part of "almost two different bands", Hoffmann said: "Not for me, because I've been in both, and to me it's a continuation, just with different lineups and such. But it is definitely two different eras. I would definitely see that. And oddly enough, when I think about the old times that includes the the '70s, the '80s and the '90s, I think about a lot of ups and downs and breaks, and it's kind of all over the place, but the last six albums with Mark is almost like a straight line to me, in my mind. When we reunited and [2010's] 'Blood Of The Nations' came out, and ever since then it's been smooth sailing in a stylistic way and also success kind of way. It's been going really, really well, steady up and there was no left or right turns. It was really just going straight-forward."

Due on April 26 via Napalm Records, ACCEPT's new album, "Humanoid", was once again produced, recorded, mixed and mastered by critically acclaimed heavy metal producer Andy Sneap.

Fans can immerse themselves in the upcoming album on an interactive web site, where they can reprogram the robot that is featured on the album cover, and discover different parts of the album in the process. Pre-save "Humanoid" now to gain access to the web site here.

ACCEPT recently announced a massive European headline tour, with more than 20 shows across the continent for autumn 2024. This summer, ACCEPT will also return to some of the world’s most important rock and metal festivals, like Wacken Open Air, Hellfest and more, following their South American spring tour.

In February 2022, it was announced that ACCEPT had inked a worldwide deal with Napalm Records.

ACCEPT's latest album, "Too Mean To Die", came out in January 2021 via Nuclear Blast. The LP was the group's first without bassist Peter Baltes, who exited ACCEPT in November 2018. He has since been replaced by Martin Motnik. ACCEPT's lineup has also been expanded with the addition of a third guitarist, the aforementioned Philip Shouse, who originally filled in for Uwe Lulis during 2019's "Symphonic Terror" tour, before being asked to join the band permanently.

"Too Mean To Die" was recorded in Nashville with Sneap (JUDAS PRIEST, MEGADETH),who has been responsible for the studio sound of ACCEPT since 2010.

Tornillo joined ACCEPT in 2009 as the replacement for the band's original lead singer, Udo Dirkscheider. He can be heard on ACCEPT's last six studio albums, "Blood Of The Nations" (2010),"Stalingrad" (2012),"Blind Rage" (2014),"The Rise Of Chaos" (2017),"Too Mean To Die" (2021) and "Humanoid" (2024).

FOREIGNER's Mick Jones has expressed his excitement about finally being inducted into Rock And Roll Hall Of Fame.

On Sunday (April 21),it was revealed that FOREIGNER is among the 2024 inductees into the Rock And Roll Hall Of Fame.

The induction ceremony will be held on October 19 at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. It will air live on Disney+. An edited version will run on ABC at a later date, and will be available on Hulu the day after.

"I think it means more to me now than perhaps 20 years ago," Jones told Billboard. "I've had a great career, and this is like the whipped cream and cherry on top. It's something I will savor over the years. It's a great honor to be included amongst all these great artists that have been inducted over the years."

The 79-year-old Jones added that he will have no problems reuniting at the induction ceremony with original FOREIGNER frontman Lou Gramm, with whom he was inducted into the Songwriters Hall Of Fame with in 2013.

"On a personal level, I have no hard feelings toward Lou," Jones said. "We did perform together at the 40th-anniversary concert. It has been so many years now since Lou left FOREIGNER; I like to think that those ill feelings are in the past. There is power in letting go of hard feelings and getting on with your life. Why carry the burden of hard feelings? It serves nothing in the long run.

"I do plan to attend," Jones confirmed. "I'm sure my whole family will be there. As to whether I get up on stage and perform hasn't really been decided as yet. In some ways it might be nice just to be there to soak up the atmosphere and enjoy being inducted."

When FOREIGNER was first nominated for the Rock Hall in February, Gramm released a video message expressing his gratitude. In the one-minute clip, which was posted to Lou's social media, the 73-year-old singer said: "I'd like to thank the Rock And Roll Hall Of Fame for the honor of nomination. And I'd like to acknowledge Mick Jones for his courage as he faces Parkinson's. I'd like to thank my friends in the music and the acting industry for their support, especially over the last two or three weeks in helping us to receive the nomination. Now I've seen a lot of the videos and I've definitely been feeling the buzz. It's really exciting and it means a lot. It means a lot to me and all the guys in the band. Now [multi-instrumentalist] Ian McDonald and [bassist] Ed Gagliardi were vital contributing members of the early FOREIGNER, and I know they're somewhere in the hereafter fist pumping and cheering for this nomination."

Earlier that same month, Jones's stepson, Oscar-nominated producer/songwriter Mark Ronson enlisted Dave Grohl, Jack Black, Slash, RED HOT CHILI PEPPERS drummer Chad Smith and QUEENS OF THE STONE AGE frontman Josh Homme (along with Ronson himself) to create a video campaigning for FOREIGNER's Rock Hall bid.

"Yes, Mick is my stepdad and I love him more than anything," Ronson wrote in a message accompanying the video. "But I'm also a MEGA fan just like Dave, Jack, Slash, Chad and Josh… Enjoy this video and VOTE BABY VOTE!"

In the clip, Homme said: "You want to know what love is? Love is putting FOREIGNER in the Rock And Roll Hall Of Fame." Smith added: "I can't believe they’re not in already — oh my God."

"I've loved FOREIGNER since I got their debut record," Grohl said. "There's one drum riff that I have used in more than a few songs."

Black sang parts of FOREIGNER's "I Want To Know What Love Is" before pleading, "Hey, Rock And Roll Hall Of Fame, open the door! FOREIGNER's waiting outside. Let 'em in."

In his Instagram message, Ronson shared a brief history of FOREIGNER's influence, writing: "Everything that made me want to be a record producer came from being in the studio watching FOREIGNER make records. I'm still completely in awe of the sound of those first five albums. Guitars with swagger and bite. Heavy drums that groove like a mutha with the bass. Wide layers of synths. And then there’s that voice. And those songs. It's really crazy. It's also kind of crazy that this is the first time they've ever been on the ballot for the Rock N Roll Hall Of Fame — after 20 years of eligibility."

He added: "Fun Facts: FOREIGNER are the most played band on classic rock radio to not be in the hall of fame. They've been sung by our fave characters from the Simpsons, The Office, I, Tonya, Stranger Things and Wet Hot American Summer. They've been covered by Diana Ross and Mariah Carey (what the rock band can boast that??). They were sampled and turned into HOT FIRE by M.O.P. (remember that Cold As Ice joint?) and Tone-Loc who used them to concoct some Funky Cold Medina."

To be eligible for this year's ballot, each nominee's first single or album had to have been released in 1999 or earlier.

Eligible since 2002, FOREIGNER has had a huge number of rock hits, including "Cold As Ice", "Double Vision", "Hot Blooded", "I Want To Know What Love Is", "Juke Box Hero" and "Urgent", and has been nominated for three Grammy Awards, with no wins.

According to the Hall Of Fame, the FOREIGNER members that will get inducted include only the classic-era musicians Jones, Gramm, Dennis Elliott, Gagliardi, Al Greenwood, McDonald and Rick Wills. McDonald and Gagliardi died in 2022 and 2014, respectively.

Ozzy Osbourne has expressed his excitement about being inducted into Rock And Roll Hall Of Fame for the second time.

Earlier today, it was revealed that Ozzy is among the 2024 inductees into the Rock And Roll Hall Of Fame.

Ozzy, along with the rest of the original lineup of BLACK SABBATH, was inducted into the Rock Hall in 2006, but the legendary heavy metal singer will now be recognized for his solo career.

The induction ceremony will be held on October 19 at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. It will air live on Disney+. An edited version will run on ABC at a later date, and will be available on Hulu the day after.

Speaking to Billboard, the 75-year-old Osbourne said getting a second induction "feels big. I'm more than honored."

He went on to reflect on his solo career, saying: "With every new music venture there's always a certain amount of surprise that comes when you see the fans embrace it, because no one wants to make a record and have it flop. I feel like I was invited to a party in 1980, and it hasn't stopped. Not bad for a guy who was fired from his last band."

Ozzy's wife and manager Sharon Osbourne discussed his absence from the Rock And Roll Hall Of Fame as a solo artist during a recent appearance on "The Adam Carolla Show". Asked by host Adam Carolla how the nomination process works and whether she has to lobby to get Ozzy in as a solo artist, Sharon said: "There are people on the board, and the people on the board have to go in, and it has to be on their list, and it has to be on more than, I think, half of the votes. More than half."

Sharon went on to say that she doesn't like to "beg" anyone for anything. "I will never beg, and I will never ask for favors," she explained. "I've never asked anyone for a favor. So, my thing is fuck you if you don't realize that somebody really deserves to be here. And you don't recognize that? Then, see ya."

When Adam pressed Sharon about whether she has done "any lobbying" to get Ozzy into the Rock Hall, she said: "We went to a dinner last year for the people who had been inducted in last year. They invited us to the dinner and we went. And people were saying to Ozzy, 'Oh, you've been inducted in,' and we were, like, 'No, actually. We were just invited for the food, so we're here.' That's as near as we've got, but no."

Sharon added: "They know that Ozzy deserves to be there. They know he's been a solo artist. You've gotta be doing it for 25 years. He's been 43 years as a solo artist. He sold nearly a hundred million albums as a solo artist. So where is he? Induct him."

Artists are eligible to be inducted into the Rock Hall after at least 25 years have passed since their first record was released.

In 1999, Ozzy attempted to take BLACK SABBATH's name off the Hall Of Fame's nomination list that year, deeming the institution's nod "meaningless."

In an October 1999 letter to the Hall Of Fame, Osbourne said: "Just take our name off the list. Save the ink. Forget about us. The nomination is meaningless, because it's not voted on by the fans. It's voted on by the supposed elite for the industry and the media, who've never bought an album or concert ticket in their lives, so their vote is irrelevant to me." He added, "Let's face it, BLACK SABBATH has never been media darlings. We're a people's band and that suits us just fine."

Back in 2005, BLACK SABBATH guitarist Tony Iommi told Launch he was not happy that SABBATH had not yet been inducted into the Rock And Roll Hall Of Fame. "I'm pissed off about that," he said. "I think that's... you know, I don't normally go round blowing our own trumpet saying we are this and we are that. I'm not that kind of person but I really think we deserve... you know, to be in that. Because without us that kind of music wouldn't have existed. 'Cause a lot of bands that have sparked off from us wouldn't be around and there probably wouldn't be this king of music."

When BLACK SABBATH finally earned its induction in 2006, the band went in with LYNYRD SKYNYRD, Mike Davis and BLONDIE.

Legendary Ozzy guitarist Randy Rhoads was posthumously inducted into the Rock And Roll Hall Of Fame during the 2021 ceremony. Rhoads, who played in Ozzy's band more than four decades ago, received the Musical Excellence Award at the October 2021 event.

Ozzy Osbourne, FOREIGNER and Peter Frampton are among the 2024 inductees into the Rock And Roll Hall Of Fame. Other inductees in the Performer category are Mary J. Blige, Cher, DAVE MATTHEWS BAND, KOOL & THE GANG and A TRIBE CALLED QUEST.

Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield will be presented with the Musical Excellence Award; Alexis Korner, John Mayall and Big Mama Thornton will receive the Musical Influence Award; and Suzanne de Passe is getting the Ahmet Ertegun Award.

The induction ceremony will be held on October 19 at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. It will air live on Disney+. An edited version will run on ABC at a later date, and will be available on Hulu the day after.

"Rock & Roll is an ever-evolving amalgam of sounds that impacts culture and moves generations," John Sykes, chairman of the Rock & Roll Hall Of Fame Foundation, said in a statement. "This diverse group of inductees each broke down musical barriers and influenced countless artists that followed in their footsteps."

To be eligible for this year's ballot, each nominee's first single or album had to have been released in 1999 or earlier.

Ozzy, along with the rest of the original lineup of BLACK SABBATH, was inducted into the Rock Hall in 2006, but the legendary heavy metal singer will now be recognized for his solo career.

Artists are eligible to be inducted into the Rock Hall after at least 25 years have passed since their first record was released.

Even though artists are eligible for the Rock And Roll Hall Of Fame 25 years after the release of their first album or single, iconic hard rock and metal bands like IRON MAIDEN and MOTÖRHEAD have yet to be recognized by the institution, which inducted GUNS N' ROSES in that group's first year of eligibility.

Rock Hall rules state that artists become eligible a quarter century after their first records were released, but the Hall also claims that other "criteria include the influence and significance of the artists' contributions to the development and perpetuation of rock 'n' roll," which is, of course, open to interpretation.

Eligible for induction since 1999, KISS didn't get its first nomination until 2009, and was finally inducted in 2014.

DEEP PURPLE was eligible for the Rock Hall since 1993 but didn't get inducted until 2014.

JUDAS PRIEST received the Musical Excellence Award at the 2022 Rock Hall event.

Legendary Ozzy guitarist Randy Rhoads was posthumously inducted into the Rock And Roll Hall Of Fame during the 2021 ceremony. Rhoads, who played in Ozzy's band more than four decades ago, received the Musical Excellence Award at the October 2021 event.

In a new interview with Gruff Gushnowski of Stingray, Jeff Pilson was asked if being part of DOKKEN in the 1980s was as chaotic as it seemed to be and fans were led to believe by the media. The bassist responded (as transcribed by BLABBERMOUTH.NET): "Sometimes. Yeah, sometimes it was. But what's sad is that there was also a certain camaraderie and a certain energy that we had which you can see it if you ever watch our home video, which is called 'Unchain The Night' that we released in the late '80s. You can see the fun part of DOKKEN, 'cause I always think that that's underreported, is that we did have a lot of fun. Yes, there was chaos. Yeah, there was crazy egos — egos and drugs — on everybody's part, but there was also something very special, and, like I say, go watch the 'Unchain The Night' video and you'll see the fun part that kind of sustained us through most of it."

Hailing from Los Angeles, DOKKEN released a string of platinum albums throughout the 1980s, and toured the globe with the biggest names in hard rock and heavy metal, including VAN HALEN, AEROSMITH, METALLICA, SCORPIONS and KISS. The band had several hit singles on the Mainstream Rock and Billboard Hot 100 charts, and were all over MTV with their videos for "Breaking The Chains", "Alone Again", "Into The Fire", "In My Dreams", "It's Not Love", "Burning Like A Flame" and especially the theme from "Nightmare On Elm Street 3", "Dream Warriors", where the DOKKEN members starred alongside Freddy Krueger.

In October 2016, the classic lineup of DOKKEN — singer Don Dokken, guitarist George Lynch, Jeff and drummer Mick Brown — reunited to play the Loud Park festival in Japan. Fortunately for fans outside of Japan, cameras were there to capture the performance and Frontiers Music Srl issued "Return To The East Live 2016" in April 2018. In addition to the Japanese performance, the set featured footage from the classic lineup's only U.S. show in September 2016 at Badlands in Sioux Falls, South Dakota. The package also included a new song called "It's Another Day", the first DOKKEN track featuring the group's classic lineup since 1997's "Shadowlife", and two acoustic re-workings of classic tracks.

Since completing the Japanese reunion dates, DOKKEN has continued to perform with the group's current lineup — including bassist Chris McCarvill, guitarist Jon Levin and drummer BJ Zampa (HOUSE OF LORDS).

DOKKEN's 13th studio album, "Heaven Comes Down", came out last October via Silver Lining Music. The follow-up to 2012's "Broken Bones" was produced by Bill Palmer and Don Dokken and was mixed by Kevin Shirley (AEROSMITH, IRON MAIDEN).

In an October 2023 interview with Real Music With Gary Stuckey, Lynch addressed Pilson's comment that "egos" were the downfall of the band's classic lineup. Asked if he would agree with Pilson's observation, George replied:  "Oh, I wouldn't say 'egos', plural, no. Listen, everybody has an ego. Ego is a strange word. It can mean a lot of different things. There's, like, a blanket word that means — I don't know exactly what… I think I know what he means by that. But, yeah, without driving down that rabbit hole, I would say I think some of us had the best interest of everybody at heart and some of us — or less than some of us — had the interest of just themselves at heart. So that was really the struggle."

Fan-filmed video of OVERKILL's April 19 concert at The Metal Fest at Parque Bicentenario in Quito, Ecuador can be seen below.

In a recent interview with The Metal Podcast, David Ellefson spoke about the announcement that OVERKILL recruited him to play bass on the New Jersey thrash metal veterans' "Scorching Latin America 2024" tour. The former MEGADETH member is filling in for original OVERKILL bassist D.D. Verni, who is unable to make the shows as he is recovering from shoulder surgery.

Expressing the excitement about being asked to fill in for Verni, Ellefson said: "They're dear friends of mine. I haven't played with Derek [Tailer], the other guitar player, but it's funny, me and Dave Linsk [OVERKILL guitarist] actually wrote some songs together after a NAMM show 15 years ago maybe; it was a while ago. And he and Joe Comeau, who was the singer in ANNIHILATOR for a while, me, Dave Linsk, Joe Comeau and Jimmy DeGrasso [ex-MEGADETH drummer], they all came out here to Phoenix and we wrote a bunch of songs under a band name called ATOMIC 66. And they're great songs. Dave's been reluctant to put 'em out. I've gotta beat on him a little bit here this next month when we're together to put these songs out, if we just put them up digitally. They're fricking cool, man — super good. And then, of course, me and Blitz [OVERKILL singer Bobby Ellsworth], we've jammed METAL ALLEGIANCE all the time and me and [Jason] Bittner [OVERKILL drummer] have done clinics and stuff and jammed together. So, I'm excited about it."

Elaborating on his long personal friendship with the members of OVERKILL, Ellefson said: "It's funny, [MEGADETH] had OVERKILL on the 'Peace Sells' tour — OVERKILL was out with us in 1987 — so, yeah, we're all brothers from the same neighborhood. And I always said, look, if there's the 'Big Four', if you added EXODUS on the West Coast and OVERKILL on the East Coast, there's your 'Big Six' right there."

As for the challenge of learning the OVERKILL material over the course of several weeks, Ellefson said: "Look, I've gotta say, digging into these songs — they've got, what, 20 records out — consistently they have probably made the best, most consistently great albums out of all of us. And I mean, all of us. There's not a dud in the bunch, you know what I mean? They don't have a 'Risk' or a 'St. Anger' anywhere in their catalog. And EXODUS has got good stuff too, but I think OVERKILL, now that I'm really digging into it and really understanding it, it's just that. And D.D.'s amazing, man. Look, I may be David Ellefson, but I ain't no D.D. Verni, man. I mean, that guy, he's a masterful songwriter. His arrangements are killer and his parts are very clever and cool. And so, yeah, it's got my thrash chops up and it's an honor to just step in and help them out… Again, we're all buddies, we're brothers, and, look, I'm in a position and schedule allows for me to go do it. So, that's what it is."

Ellefson made his live debut with New Jersey thrashers OVERKILL on Thursday, April 11 at C3 Stage in Guadalajara, Mexico.

In a separate interview with Metal & Rock Zone, Ellefson stated about how he ended up being asked to fill in for Verni: "I got approached before the end of the year. It was just brought to my attention that D.D. was going to go through this surgery. They didn't know if he was gonna be better or not. So I was kind of put on alert that, 'Hey, we may need some help.' And we grew up together, OVERKILL and MEGADETH. I remember the 'Peace Sells' tour, OVERKILL was our direct support. So we've been good friends, all of us. And I always said, look, if there were gonna be two more added to the 'Big Four' [of 1980s thrash metal], it would be EXODUS in California and OVERKILL on the East Coast. So, to me, these are brothers in arms. So, when they hit me a few weeks ago about it, I said, 'Sure. Count me in if you need me to do it.'"

OVERKILL's 10-date "Scorching Latin America 2024" tour will wrap on April 28 in Sao Paulo, Brazil.

When Ellefson's addition to OVERKILL's touring lineup was first announced, OVERKILL singer Bobby "Blitz" Ellsworth said in a statement: "South, Central America and Mexico, with D.D. on the mend from surgery and the opportunity in front of us, where to go but back to the roots of THRASH! Please welcome Mr. David Ellefson to the OVERKILL, touring ranks this April 2024! 'David, can you help?' The answer: 'Yes, let's go!' We can't wait to see you guys! Horns up!"

Verni commented: "Bummed to not be able to thrash it up with our Latin America fans, but gotta get this wing workin!!....but who better than one of the great original thrash bass players, and old friend, David Ellefson to fill in."

Ellefson said: "It's an honor to fill in for my friend, the mighty D.D. Verni, as he takes time to heal up right now. OVERKILL always brings the fury and I'm looking forward to scorching Latin America with them!"

Ellefson was fired from MEGADETH nearly three years ago. MEGADETH leader Dave Mustaine ended up hiring TESTAMENT's Steve DiGiorgio to re-record Ellefson's bass parts on MEGADETH's latest album, "The Sick, The Dying… And The Dead!"

In May 2022, MEGADETH announced bass player James LoMenzo as a permanent member of the band. LoMenzo was MEGADETH's bass player in the mid-2000s and initially stepped back in as a touring member for "The Metal Tour Of The Year".

Ellefson was in MEGADETH from the band's inception in 1983 to 2002, and again from 2010 until his latest exit.

During a recent appearance on "The Jasta Show", the video podcast hosted by HATEBREED frontman Jamey Jasta, BUCKCHERRY singer Josh Todd was asked to name a metal band that he "gets down with." He responded (as transcribed by BLABBERMOUTH.NET): "Oh, wow. I don't know. I mean, do you consider SLIPKNOT metal? I don't know. I really like SLIPKNOT. I really got into SLIPKNOT. I kind of missed the whole boat on them. And then I had a tech, a merch guy, actually; his name is Bubba. And he was really into SLIPKNOT. He was from Iowa. And I was, like, 'I don't know. I missed the whole thing. Tell me why it's great.' And he is, like, 'You've gotta watch 'Disasterpiece'.' So I watched it, and I was, like, 'Fuck, man. This is so incredible.' I really got invested in every aspect of how cool they were. I really liked the lyrics. It was very dangerous, in my opinion, and I hadn't seen a band that had really kind of intimidated me for a while. And when I saw the crowd react to them, it was like they had their own little planet that they were on, and they still do. And I just thought it was amazing. And I became an instant fan. And then I started really digging in deep to their first record. And I really like 'Iowa'; that's my favorite record. And then we got an opportunity to be on stage with them and DEEP PURPLE and us in Japan, and SLIPKNOT was headlining, and I got to be sidestage. And it was fucking just amazing."

Last November, BUCKCHERRY released a new holiday song called "Tell 'Em It's Christmas".

BUCKCHERRY previously released another holiday song, "Christmas Is Here", back in 2010.

BUCKCHERRY's latest album, "Vol. 10", came out in June 2023. The 11-song LP features 10 new BUCKCHERRY originals and, as a bonus track, a cover of the Bryan Adams classic "Summer Of 69". The album was produced by Marti Frederiksen and recorded at Sienna Studios in Nashville. The album was released in North America by Round Hill Records, in Japan by Sony Japan, and by Earache Records for the rest of the world.

Frederiksen previously produced 2021's "Hellbound" as well as BUCKCHERRY's fourth album, "Black Butterfly", and co-wrote "Sorry", among other songs, with the band.

In the summer of 2020, BUCKCHERRY recruited JETBOY's Billy Rowe as its new guitarist. He joined the group as the replacement for Kevin Roentgen, who left BUCKCHERRY in July of that year.

In 2019, BUCKCHERRY enlisted Francis Ruiz as its new drummer. He joined the group as the replacement for Sean Winchester, who exited BUCKCHERRY after laying down the drum tracks on "Warpaint".

FOO FIGHTERS frontman Dave Grohl has joined forces with ANTHRAX's Scott Ian and Charlie Benante to record a cover of the BAD BRAINS' 1982 classic "The Regulator". The resultant recording, which was laid down late last year at Grohl's Studio 606 in just two live takes, has been made available under G.B.I. (Grohl, Benante, Ian) banner for Record Store Day on April 20. The seven-inch single, limited to 6,000 copies, comes complete with cover art by Benante.

Proceeds from G.B.I.'s rendition of "The Regulator" will benefit BAD BRAINS singer Paul "H.R." Hudson, who has been suffering from an excruciating type of rare head affliction known as SUNCT headaches for the past decade.

The official music video for G.B.I.'s "The Regulator", which contains footage of the actual recording of the song, can be seen below.

Regarding how the project came together, Ian said: "ANTHRAX were recording our new album at 606 and the FOOs were there rehearsing at the same time. Dave had popped into the studio to hang and listen to what we were doing and we'd gone over to hear the FOOs rehearse. I texted Dave the next morning and said: 'Hey! Good to see ya the other day. Are you rehearsing today? I'll be there doing guitars. Wanna record a MINOR THREAT song? BAD BRAINS?' He replied immediately with the Spotify link for 'The Regulator'. I said I'd be there at 12:30 p.m. and he said, 'See you at 1.' It was that simple.

"We recorded at 606. Charlie and I asked Dave if he'd play drums and sing as well, he was in. Charlie plays bass and I'm on guitar. GBI.

"The spark to do this was to raise money for HR's healthcare. All the proceeds will be donated to him for that. And what better day to do it than Record Store Day? It helps Indie stores as well, win/win.

"We ripped 'Regulator' live in two takes, the way it should be! It was so much fun to get to play with Dave on drums and to hear his voice with my guitar! We're all such huge BAD BRAINS fans and have asked WWBBD? (What would BAD BRAINS do?) many times."

Record Store Day was conceived in 2007 at a gathering of independent record store owners and employees as a way to celebrate and spread the word about the unique culture surrounding nearly 1,400 independently owned record stores in the U.S. and thousands of similar stores internationally. The first Record Store Day took place on April 19, 2008. Today there are Record Store Day participating stores on every continent except Antarctica.

A Record Store Day participating store is defined as a brick-and-mortar retailer whose main primary business focuses on full-time, standalone physical store locations, with a major commitment to music retail, and whose company is independently owned, and not publicly traded. (In other words, we're dealing with real, live, physical, indie record stores — not online retailers or corporate behemoths).

Photo credit: Greg Caputo

Professor Reggie Almeida of the Gracie Barra Brazilian jiu-jitsu school in Spring Hill, Tennessee, who has been traveling with MEGADETH on the band's recent tours, has uploaded backstage and performance video of MEGADETH's April 6 concert at Arena 1 in Lima, Peru. The show marked the kick-off of the band's South American tour and the first time MEGADETH has played in Peru in 14 years. Check out the video below.

Finnish guitarist Teemu Mäntysaari joined MEGADETH last September after the band's longtime axeman Kiko Loureiro, announced earlier that month that he would sit out the next leg of MEGADETH's "Crush The World" tour in order to stay home with his children back in Finland. It was later revealed that Mäntysaari would continue to play guitar for MEGADETH for the foreseeable future, with Loureiro seemingly having no plans to return.

The 37-year-old Mäntysaari was born in Tampere, Finland and began playing guitar at the age of 12. In 2004, he joined the band WINTERSUN. He has also been a member of SMACKBOUND since 2015.

MEGADETH played its first concert with Mäntysaari on September 6, 2023 at Revel in Albuquerque, New Mexico.

Loureiro officially joined MEGADETH in April 2015, about five months after Chris Broderick's exit from the group.

Since its inception in 1983, MEGADETH has ascended from its raw thrash metal roots to become an unstoppable force in the heavy metal world. With founder Dave Mustaine at the helm, MEGADETH's journey has been marked by a penchant for pushing the boundaries of speed, technicality, and complexity in their music. Their groundbreaking album "Rust In Peace", released in 1990, is frequently cited as a seminal work in the thrash metal genre. Along with the critically acclaimed "Peace Sells... But Who's Buying?", it cemented MEGADETH's place in the annals of metal history.

Over four decades, the band's discography has earned numerous certifications, including platinum and multi-platinum awards, with albums like "Countdown To Extinction" and "Youthanasia" achieving widespread critical acclaim. 2016's "Dystopia" not only marked a high point with their first Grammy Award for "Best Metal Performance" after twelve nominations but also set the stage for their latest triumph, "The Sick, The Dying... And The Dead!" in 2022. MEGADETH's status as part of the "Big Four" of thrash metal underscores their trailblazing role in the genre, laying the groundwork for countless bands and musicians who have followed in their wake.

Legendary rockers HEART kicked off their "Royal Flush" world tour Saturday night (April 20) at the Bon Secours Wellness Arena in Greenville, South Carolina.

In addition to HEART's classic tracks, the setlist for the concert included some tracks from of Ann and Nancy Wilson's solo albums and a new song called "Roll The Dice". The latter cut was written with longtime collaborator Sue Ennis.

The current members of HEART feature Nancy Wilson (rhythm, lead and acoustic guitar, backing and lead vocals),Ann Wilson (lead vocals and flute),Ryan Wariner (lead and rhythm guitar),Ryan Waters (guitars),Paul Moak (guitars, keyboards and backing vocals),Tony Lucido (bass and backing vocals) and Sean Lane (drums and bike).

The setlist for the Greenville concert was as follows, according to Setlist.fm:

01. Bebe Le Strange
02. Never
03. Love Alive
04. Roll The Dice
05. Magic Man
06. This Is Now (ANN WILSON & TRIPSITTER song)
07. Little Queen
08. Straight On
09. Let's Dance (David Bowie cover)
10. These Dreams
11. Dog & Butterfly (acoustic)
12. Dreamboat Annie (acoustic)
13. Going To California (LED ZEPPELIN cover) (acoustic)
14. 4 Edward (Nancy Wilson song) (acoustic)
15. Drum Solo
16. Mistral Wind
17. Alone (I‐TEN cover)
18. What About Love (TORONTO cover)
19. Barracuda

Encore:

20. The Ocean (LED ZEPPELIN cover)
21. Crazy on You

Fan-filmed video can be seen below (courtesy of Greg Perry).

Last December, HEART played its first three concerts in more than four years — in Highland, California, at Greater Palm Springs in Palm Desert, California, and in Seattle, Washington.

Prior to HEART's December 27, 2023 show in Highland, the band's last performance took place in October 2019 in St. Paul, Minnesota.

"Royal Flush" features CHEAP TRICK as support on most of the North American leg, while SQUEEZE will open a handful of HEART's summer European dates. HEART will also join DEF LEPPARD and JOURNEY for summer stadium shows in Cleveland, Toronto and Boston and will make an appearance at the New Orleans Jazz And Heritage Festival on April 28.

Since HEART's formation in the early 1970s, the band has sold 35 million albums, including seven that made the Top 10, and notched 20 Top 40 singles. The band was inducted into the Rock And Roll Hall Of Fame in 2013.

In a recent interview with Billlboard, < Ann and Nancy Wilson said that they were hoping to work on new music in the near future.

"The thing that we really hope to achieve is to maybe write some more stuff together," Ann said. "We don't have plans for that right now. We don't really plan too far in the future; we're not calculating like that. We're just gonna do this tour and see what comes. But I think if a song comes out of a situation, it'll be a real good one, 'cause it'll be authentic. It's just a matter of me and Nancy getting our heads around that."

Nancy said that she has been going through some of the HEART demos and listening to unreleased material with an eye toward possibly reworking it for future release. "There's a couple unfinished things I'd like to finish off with Ann and [longtime collaborator] Sue [Ennis]," she said. "There's one really, really cool song called 'Sweet Deceiver', but the words were never right, so we never recorded it properly. I think I might want to finish that song; I've been trying to think of new chorus lyrics ever since I heard the demo. I would love to write some new stuff, too.

"If we have a song or two that comes out of HEART, that would be really great. These days, it's kind of like one song at a time, but you can still do a whole album, which is cool. I love albums," she added. "When I can put on an album in its entirety, in the sequence it was intended, that's the best to me."

English doom metal pioneers MY DYING BRIDE, who have just released their 15th studio album, "A Mortal Binding", have issued an official statement regarding the recent revelation that they were canceling all of their previously announced 2024 tour dates, including an appearance at this year's Maryland Deathfest.

Earlier today, MY DYING BRIDE's social media was updated with the following announcement: "The production of this latest album was arduous and challenging to such an extent that it has revealed fractures within the band. These tensions had already been observed during the creation of the previous 2 albums and were only exacerbated during the Covid period. Over the past few months, they have intensified, causing a profound sense of discontent among the band members. The resulting stress and the pervasive feeling of burnout, along with the physical and mental malaise it creates, necessitated a period of time off which unfortunately impacts on live shows.

"The reason for the lack of an official statement until now is because the band has truly hoped to resolve these internal issues and perform some shows this year while trying find a resolution in time to satisfy all parties involved. Sadly, this resolution is yet to be found.

"Regrettably, a lack of understanding and poor communication from our professional partners has resulted in an untimely and chaotic mess from which a recovery is challenging. However, the promoters have now been officially contacted and it is hoped that steps can be taken to minimise the impact on you all.

"We apologise for keeping you in the dark, but these are indeed challenging times."

In a recent interview with Lindsay C of This Day In Metal, MY DYING BRIDE guitarist Andrew Craighan stated about the band's 2024 concert cancelations: "Well, Maryland Deathfest, firstly, shouldn't have said [what they said in a statement announcing MY DYING BRIDE's withdrawal from the event], and they know that and have since apologized — well, privately apologized.

"We have some live problems, which we're — how best to say it? — massaging, I would say. They're not insurmountable. I don't have all the facts just yet, which means I don't wanna blab too much. But we're in talks with everybody who has the facts, and we will be putting out a statement, basically, that either will explain or at least calm people down as to what's going on.

"It's all a bit weird right now, so it's difficult to talk about — mainly because I don't wanna say anything out of turn and then everything you say will be used in evidence against you and all that," he added.

The follow-up to 2019's "The Ghost Of Orion", "A Mortal Binding" came out on April 19 via Nuclear Blast Records.

MY DYING BRIDE hired "The Ghost Of Orion" studio wizard Mark Mynett to produce, mix, and master "A Mortal Binding". The group holed up at Mynett's Mynetaur Productions (PARADISE LOST, ROTTING CHRIST) in Manchester, U.K., where they tracked the album consecutively from July to September 2023.

MY DYING BRIDE is:

Aaron Stainthorpe - vocals
Andrew Craighan - guitars
Lena Abé - bass
Shaun MacGowan - keyboards, violin
Neil Blanchett - guitars
Dan Mullins - drums

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On Friday, April 19 at 9:00 p.m., the ashes of MOTÖRHEAD's legendary frontman Lemmy Kilmister were enshrined at West Hollywood, California's famous Rainbow Bar & Grill on the Sunset Strip. Fans were also invited "to raise a very unique toast to Lemmy and MOTÖRHEAD with the unveiling of brand new Motörhead Whiskey," according to a social media post from the Rainbow. Check out video and photos below.

Back in November 2016, Rainbow Bar & Grill dedicated its patio to Lemmy and re-named it "Lemmy's Lounge." It was a fitting gesture from the Rainbow, as when Lemmy wasn't touring or recording, the majority of his waking hours were spent on said patio. There was already a life-size bronze statue immortalizing Lemmy at the Rainbow, which attracts fans from all over the world, and Lemmy's Lounge allows hardcore fans and casual patrons alike to sample the wares and atmosphere that Lemmy loved so much.

To celebrate Lemmy's Lounge, Roxy owner Nic Adler and Goldenvoice's Paul Tollett kindly agreed to allow the painting of a celebratory mural commemorating the life of Lemmy and MOTÖRHEAD on the side wall of the Roxy, opposite Lemmy's Lounge and statue.

According to Visit West Hollywood, Lemmy loved the Rainbow so much that he moved to West Hollywood to be closer to it. In the last two decades of his life, he was a daily fixture at the Rainbow whenever the band was not on tour, and he was often seen playing the bar's video poker machine.

Lemmy died on December 28, 2015 at the age of 70 shortly after learning he had been diagnosed with cancer.

MOTÖRHEAD had to cancel a number of shows in 2015 because of Lemmy's poor health, although the band did manage to complete the aforementioned European tour a couple of weeks before his death.

In June 2020, it was announced that Lemmy would get the biopic treatment. The upcoming film, "Lemmy", will be directed by Greg Olliver, who previously helmed the 2010 documentary of the same name, "Lemmy".

A custom-made urn containing Lemmy's ashes is on permanent display in a columbarium at Forest Lawn Cemetery in Hollywood, California.

In a 2015 interview with Kerrang! magazine, Lemmy was asked how it makes him feel when people call him a legend. He responded: "As long as they don't believe it, that's alright." He continued: "Who wouldn’t want a hero somewhere in their lives? And it might as well be me, 'cause I don't take the piss out of them for it, and I don't laugh at them because of it." But he added, "I'm not a legend. I never thought of myself as being special in particular. Maybe I make brilliant music, but that's about it."

As previously reported, Lemmy will be permanently memorialized at the Bloodstock Open Air festival in the United Kingdom. Some of Lemmy's ashes will be housed at Bloodstock — one of only a few places globally — in a unique urn, with the festival commissioning a bust of Lemmy to incorporate the ashes. Fans will be able to view the installation and pay tribute to Lemmy and his legacy in the RAM Gallery on site. Once the festival is over, the bust of Lemmy will move to Nottingham's Rock City venue, where fans will have access to the ashes; they will return each and every year to their primary home on the hallowed turf of Bloodstock at Catton Park.



Great to see many friends at the RAINBOW BAR AND GRILL last night enshrining Lemmy! Rainbow was packed with family and fans!

Official Motörhead ♠️🌈

Posted by Jessica Chase on Saturday, April 20, 2024

Lemmy Kilmister’s ashes enshrined at RAINBOW BAR AND GRILL tonight 🤘🏻🤘🏻 ♠️🤘🏻🤘🏻

Posted by April Mancuso on Saturday, April 20, 2024

RAISE A TOAST!
MOTÖRHEAD
LEMMY ♠️FOREVER
FRIDAY APRIL 19th @9pm

Please join us as we enshrine Lemmy’s Ashes at the...

Posted by RAINBOW BAR AND GRILL on Tuesday, March 19, 2024