In a new interview with the Today's Boondoggle podcast, former MEGADETH bassist David Ellefson spoke about the band's announcement that MEGADETH's upcoming LP will be the band's last. The Dave Mustaine-led outfit will also embark on a farewell tour in 2026. Asked if he would return to MEGADETH if Mustaine called him and asked him to take part in the band's final tour, Ellefson said (as transcribed by BLABBERMOUTH.NET): "Yeah, of course I would. I mean, I didn't ever think I should not be there now. You know what I mean? [Laughs] So, now with that said, look, there's some shit we'd have to kind of hash through, but look, it was like the last time [in 2010 when I rejoined MEGADETH]. [Prior to that] we didn't talk for — I don't know — four or five years, three or four years, and then [MEGADETH's drummer at the time] Shawn Drover gets us both on the phone. It was, like, a two-minute conversation. I throw a bass in my car, I drive across the desert to San Diego, we plug in, play 'Symphony Of Destruction'. It was like we just played yesterday. It sounded amazing. It immediately sounds like MEGADETH. And it was kind of like we just looked at each other and it was, like, 'Why did we not talk for the last five years?' You know what I mean? It's so silly."

Ellefson went on to say that "it's always some outside forces that pull [Dave and me] apart. It's never really me and him. If it were up to me and him, we'd probably be playing together. But there's always outside influences and advisors and all this bullshit. And so the reality of it is, when Dave and I hang, it's usually pretty chill. It really is. But, look, he's got his own band now. I'm not in that band, and that's his band, so I'm not here to go carving up his group, you know what I mean? But if, look, if he made the call, given it was a friendly environment, which I'm sure it would be, why wouldn't I? You know what I mean? MEGADETH was my band too. It's my lifetime of work as well."

Earlier in the month, Ellefson was asked by the Rock 'N' Blues Experience podcast with host Tim Caple if it was a shock to him to hear that MEGADETH was calling it quits. David said: "I knew about it. Obviously, I'm in the business, so I knew about it, which — it was a little shocking. I've known Dave as a workhorse. All things good, bad or indifferent about Dave, he's a pretty fucking tough mule, man. I mean, he's gotten out there and sang and played despite all the odds. And I will give him that. He definitely never backed down to a challenge."

Ellefson continued: "I remember there was a comment some years ago — we were playing a festival in Mexico, and his wife, Pam, had looked over at me, and with him sitting right next to me, [she] goes, 'The old horse is slowing down.' [Laughs] And that was a big gig. It was [with] JUDAS PRIEST and SCORPIONS… And I remember when she said it, it was kind of, like, we are getting up there a little bit, but then I look at the SCORPIONS, and fucking Rudolf Schenker, that guy comes up and hugs you like a Rock 'Em Sock 'Em Robot. You're, like, 'What the fuck did they put in the water in his house?' This guy's well into his 70s, and it's, like, 'Aargh.' Like, Jesus, man. The SCORPIONS are impenetrable; they're strong, like Iron Man."

David added: "I haven't talked to Dave now in four years, so I have no idea the reason or anything about it other than they made their announcement."

Asked what he thinks would happen if he just picked up the phone and called Mustaine, Ellefson said: "Well, even if I had his number — I don't know; he might have changed his number since I [last] talked [to him]. No, but I know what you mean.

"Look, he removed me from the group, so it's not my place to call him to go back," David continued. "I put it out there — I did something on my podcast, I floated it out there and said, hey, look, if it were to be, I'd be up for it. I think it'd be cool. Having just watched what happened in Birmingham [at the 'Back To The Beginning' event] where everybody got together —not only did we get to say goodbye to [BLACK SABBATH], they got to say goodbye to us. And I think that's just as important.

"Dave's closing up shop on MEGADETH, and he's doing it for him, obviously, for his reasons. I think in a perfect world there would be at least a moment where maybe some of, if not all of, the rest of us got a chance to say goodbye as well," Ellefson added. "I think that's a takeaway from Birmingham, is that there's a moment for everybody to just put everything aside and go, 'You know what? That was a fucking good run, man.' And take the final bow together on some level."

Ellefson's ELLEFSON-SOTO bandmate Jeff Scott Soto, who was also part of the interview, chimed in: "I'm sorry, I have to interject here. I absolutely agree with you, David, that it would be a lovely way for it to end or go out is to have the surviving members of this legendary band all together, at least for one more hurrah. But as far as I'm concerned, MEGADETH, you guys [Ellefson and Mustaine] are the Joe Perry and Steven Tyler of this band. And to end this whole legacy without one or the other, to me, is wrong. And I'll put it right here. You can clickbait and Blabbermouth it all you want, Dave Mustaine, you need to call David Ellefson and you need to put him as part of the end — if this is truly the end and you're calling it a wrap, you need to include David at some point, even if it's one show, one song, something like that. To me, that's the true closure. That's the real way to actually close the book on MEGADETH. They have to at least include David, to include Chris Poland and all the others, Jeff Young, all the others that have been involved. That, to me, would be the ultimate farewell, sayonara, all of the above. That needs to happen, as far as I'm concerned. You need to get the Lennon and McCartney, the Joe Perry and the Steven Tyler of this band together for one final hurrah. That's how I see it."

Ellefson previously discussed his reaction to MEGADETH's farewell tour last month in a special episode of his video podcast "The David Ellefson Show". Asked for his "thoughts" on MEGADETH "calling it quits", Ellefson said: "There's a lot, 'cause, of course, it brings up years and years of thoughts, feelings, emotions, some great, some not so great. I always say these gold records on the wall — which, the only reason I have 'em up is 'cause we have a podcast [laughs]; it just makes for a good backdrop — but I look at 'em, 'Countdown [To Extinction]', 'Peace Sells', 'Beavis And Butt-Head', 'Rust In Peace', they all have a story in 'em. And some of the stuff in the '90s were better stories — the band was cohesive, the management was consistent, the music, I think, was collaborative. We went to new heights, we explored new territory that you could only dream of doing, Grammy nominations, festivals, the world for touring was really opening up everywhere. So, really great stuff. In the middle of it, of course, and around it was addictions, rehabs, canceled tours, lost finances in the millions. And so for things to sort of flush out the way that they did with now me not being part of the final farewell of something I started, as one can imagine, [it's] probably not something I'm super happy about. And saying that while still being grateful for all that it was, because I think at some point you have to find a path through it because this is reality."

Referencing Mustaine's debilitating injury in 2002 that caused severe nerve damage to his left arm and hand, and rendered him unable to play the guitar for a while, Ellefson continued: "Look, I feel like Dave Mustaine ended our friendship in 2001, and that was it. And he ended it very loudly, very publicly. He personally signed his name to it. He said we would never play music together again. And that's it. That is it. So from there on, I, I moved on. And I learned from 2002, with the career-ending nerve damage to his arm, and then two years later there's a new album with a new band and new financial terms and I'm not part of it and lawsuits to settle business matters, and just all the things go, there's a whole story there of a lot of this stuff. I was out, then suddenly I was back, and it was great. And he and I tried to mend fences, as I think we did. He was generous to me. Things were good.

"Clearly MEGADETH is a Mustaine family-run business," Ellefson added. "And it started that way, I think, probably a little while after I came back to the band [in 2010]. 'Cause when I came back to the band, it was not — it was Dave. And I kind of became the good friend to Dave. I knew him and he knew me in a way that no one else could. Dave had his friends before me growing up in California, but I've certainly known him one of the longest of most anybody on the planet, at least from inner workings of a band kind of thing. So, as bands go though, there can be tensions, there are all those things. Certainly what was made clear to me in 2004 is, 'Hey, it's a new day. It's a new way. Dave's in charge. It's not gonna be what it was. It's not gonna be collaborative.' [Former MEGADETH drummer] Shawn Drover always used to remind me of that. He goes, 'Dude, those days when of us all getting in a room and writing a record, dude, those days are long gone.' In fact, I remember when I came back and we were doing the 'Th1rt3en' album after about a year on the road, Dave asked me, he said, 'Oh, I'd like to have you write.' I said, 'You know what? No. Why don't you write the songs? I'll play bass for you. Let's just keep it clean. Keep it simple. Let's not even blur the lines.' And that's why I did other musical things. I did the ELLEFSON solo records and various other things to just have a little… I [thought], 'Let me take my creative stuff over there.' I knew in no way was that ever gonna sort of trump the brand, if you will, be bigger than the MEGADETH brand, yet it was a way to have a little creative outlet on the side, kind of get my yayas without interfering with MEGADETH. 'Cause I knew — look, we got it back together. Let's keep it clean, let's keep it simple. Let's just do that. And I think every time we tried to write, it was always a sore spot. It was problematic. And I was, like, 'Oh, I wish we weren't even going down this road.' Now, of course, everybody wants their name on the record, everybody wants to feel some of the financial windfall. And how things are split financially doesn't always have to how they're split with the credits and stuff like that.

"There's a weird thing in bands that how things are financially split… If you're a founding member of a band, to some degree you should be entitled to a piece of every everything and all of it, basically, 'cause it wouldn't exist if you weren't there," David noted. "And that deal got changed in 2004. That immediately changed the landscape. It changed my feelings about it. It drew us into a legal dispute — rightfully so. And no one wins in lawsuits, to some degree, yet sometimes they have to happen because things need to be done the way they need to be done. And I guess the good news for me is financially it landed certainly much better for me, and getting paid directly for my sources rather than… 'Cause sometimes that's what happens, is money goes through the channels of the organization and sometimes people don't get paid. So that needed to happen, and I'm glad I went through the process. It's not a fun process — I didn't sleep for nine months because of it — but that's when I had my little band F5 and I was trying to at least kind of keep my nose creatively involved in some stuff.

"So, there's a lot of history here with this band. This band started with a resentment. It started with a 'fuck you', Dave's sort of revenge against [his former band] METALLICA. And it wasn't entirely that. I mean, that gets a little blown out of proportion. To some degree, Dave was his own artist away from METALLICA. He had 'Mechanix' and some songs before METALLICA, and he certainly wrote songs after. So I think that that's a little unfair to paint that entirely on Dave that MEGADETH was just this revenge toward METALLICA. It may have been often fueled by it, but how could it not be? He was not a founding member of METALLICA. He was there for, as I always call it, a year and a half in the life of METALLICA. And [he] certainly changed the course of what they did. But they went on and had their own successes.

"But, look, for Dave to call it quits or to retire, I should say… Farewell… I don't even know if he's retiring. He's just basically saying MEGADETH's over… Would I like to be a part of it? Yeah, of course. Who wouldn't?" he admitted. "I'm a founding member of it. I'm a 30-plus-year member of it. Is that gonna happen? Who knows? It's too early to tell. I don't know what they have planned. I have no idea what it is. They just made an announcement about it. Do I think there should be some sort of farewell that everybody gets to participate in? I mean, look, [the] 'Back To The Beginning' [concert in Birmingham] with BLACK SABBATH. Look, they made nice. They brought all four of BLACK SABBATH['s original members]. They brought everybody back. You had [former Ozzy Osbourne guitarist] Jake [E. Lee]. Now, was everybody there? No. There were some key people — Bob Daisley — some people that weren't there. But for the most part, they brought a lot of the people back. And just speaking of BLACK SABBATH, they brought the original, the core four back, and they said goodbye. Not only did they say goodbye, everybody got to say goodbye to them. And I think when you're doing a farewell, that's important, that you get to say goodbye and everybody gets to say goodbye to you. I think that that's an important part of it. But that's me. I'm not in the band anymore. I have no say in it. So that's just me. That's just one guy with an opinion, quite honestly."

After podcast co-host Joshua Toomey opined that "everyone that was ever in MEGADETH should also be able to say their farewell too" and be part of the celebrations in some way, Ellefson said: "Well, I strongly stand against the notion that MEGADETH was only Dave Mustaine, 'cause it wasn't. And everybody knows that. So, if Dave needs to retire, wants to retire, I get it. I understand. He's given a lot. It's taken a lot out of him. It's taken certainly a toll on him, as anyone can imagine. So, look, God bless you, brother. If you're done, this is it, you wanna go do something else with your life, spend time with your family, just not play guitar, I get it. I mean, dude, believe me, I'm 60. There's some days I just kind of go, 'God, really? Should I write another album, another song? Do I really wanna go on stage?' And the answer always comes back to yes, I do. So I do. So I can't speak for him, and I'm not gonna speak for him. But, look, again, I haven't talked to the guy now in four and a half years, so I have no idea what his reasoning is, what the thinking is behind it.

"Someone made a point, they said we're all fans of MEGADETH music, even if we're not maybe fans of a particular lineup of the band, or we're not fans of certain members of the band, we still all love MEGADETH music," he continued. "And I thought, okay, I'm down with that. I can get behind that."

Referencing Mustaine's decision to fire Ellefson in May 2021 after sexually tinged messages and explicit video footage involving the bassist were posted on Twitter, David said: "It's unfortunate that things landed between me and Dave where they did, because as I said right from the beginning, they didn't have to. And I made it very clear on the phone call when they were firing me that they didn't have to do that. It was unnecessary. Whatever those circumstances are were nothing to be feared. We can move on. But whatever. They made their decision, so let the chips fall where they may. I don't really even like going back to that period of time, because I felt like there was a lot leading up to that stuff behind the scenes, conversations that Dave and I were having about things that maybe we just weren't agreeing on. And that's okay. You can agree to disagree. You don't have to agree on everything.

"[OVERKILL singer] Bobby Blitz said something really good to me when I was touring with OVERKILL," Ellefson added. "'Cause he said he and D.D. [Verni, OVERKILL bassist], they're the boss. They run OVERKILL, they run the band. And he said, 'No matter how we go into the room with separate ideas, we come out as one voice.' And I thought, 'Man, that's a great way to put it.' And I always felt like Dave and I did that. No matter what we felt like when we got in the room, we leave this room as one voice. And Dave being the leader, Dave being the self-appointed voice of the group, let him have that voice. So I always felt like I stood behind that. I was unified with him. Whether I agreed with it or not, you get on board with it and that's what it is, and you go with that. And look, for the most part, Dave's way worked pretty good. I wasn't there to defy that."

Mustaine and the rest of MEGADETH have yet to reveal the final album's title, release date or the band's remaining tour dates.

In a press release announcing MEGADETH's final album and farewell tour, Mustaine thanked fans for their commitment and love while celebrating the band's impact on the music world.

"There's so many musicians that have come to the end of their career, whether accidental or intentional," Mustaine said. "Most of them don't get to go out on their own terms on top, and that's where I'm at in my life right now. I have traveled the world and have made millions upon millions of fans and the hardest part of all of this is saying goodbye to them."

He continued. "We can't wait for you to hear this album and see us on tour. If there was ever a perfect time for us to put out a new album, it's now. If there was ever a perfect time to tour the world, it's now. This is also a perfect time for us to tell you that it's our last studio album. We've made a lot of friends over the years and I hope to see all of you on our global farewell tour.

"Don't be mad, don't be sad, be happy for us all, come celebrate with me these next few years. We have done something together that's truly wonderful and will probably never happen again. We started a musical style, we started a revolution, we changed the guitar world and how it's played, and we changed the world. The bands I played in have influenced the world. I love you all for it. Thank you for everything."

The follow-up to 2022's "The Sick, The Dying… And The Dead!" will be released via Mustaine's Tradecraft imprint on Frontiers Label Group's new BLKIIBLK label, and is expected next year.

Fans can register for early access to exclusive information and offers surrounding the upcoming final album on MEGADETH's web site. Pre-orders for the LP will start on September 25. The initial run of farewell tour dates will also be announced later this year.

For its final album, MEGADETH is once again working with Chris Rakestraw, a producer, mixer and engineer who previously worked on MEGADETH's last two LPs, the aforementioned "The Sick, The Dying... And The Dead!" and 2016's "Dystopia".

Ellefson was in MEGADETH from the band's inception in 1983 to 2002, when the group briefly broke up because Mustaine suffered severe nerve damage that left him unable to play. After Mustaine reformed MEGADETH with an all-new lineup in 2004, Ellefson sued his former bandmate for $18.5 million, alleging that Mustaine still owed him substantial merchandise and publishing royalties. In January 2005, the case was dismissed in court, and five years later, Ellefson rejoined MEGADETH.

Back in October 2022, Mustaine once again said that he was the sole founding member of MEGADETH. The guitarist/vocalist made the comment in an interview with LifeMinute to promote "The Sick, The Dying... And The Dead!". While discussing the MEGADETH "sound", the now 63-year-old musician said: "There's a misnomer that there were two people that founded MEGADETH. I was the founder; I was the only one in the beginning. There was a bass player before who just was… who just left. So it's been my vision. When I got kicked out of METALLICA, I got kicked out of METALLICA; no one else was with me on the bus coming home."

Mustaine's comments came nearly seven years after he implied in an interview with the Cape Girardeau, Missouri radio station Real Rock 99.3 that Ellefson was not a founding member of the band because, he said, "MEGADETH was already in its formative phase long before I even knew David Ellefson." Ellefson later said that he was "technically" a founding member of MEGADETH because he was "in the room" the day MEGADETH decided to change its name from the previous working moniker of FALLEN ANGEL at the suggestion of the band's then-guitarist Greg Handevidt.

In February 2016, just a month after his original remarks were published on BLABBERMOUTH.NET, Mustaine was asked by Ticketmaster what it means to have a longtime collaborator like Ellefson back in the band after so many lineup changes. He responded: "David and I have been friends for a long time, even during the lawsuit. I had made it clear that I loved him, and I loved his family. I said that the truth would come out and that it was very unfortunate. The lawsuit was dismissed, I forgave him, and we got back in business again. It's been fun ever since."

He continued: "There's a couple web sites out there that don't like me and they're trying to twist some of my words around about David Ellefson being in the band or not being in the band, or being a founding member or not being a founding member. And that shit don't matter, because it's a gossip web site. The truth is, me and Dave are partners, we make good music together, he's in MEGADETH, we're going on tour. Hopefully people will know when they see him on stage and not think he's somebody else. [Laughs]"

In February 2016, Ellefson was asked by Cranked Up Live about Mustaine's comments to Real Rock 99.3 where the MEGADETH leader implied that Ellefson was not a founding member of the band. Ellefson said: "Well, it's interesting… Yeah, I did see [the article on BLABBERMOUTH.NET]. And it's interesting. The headline was very misleading and was obviously meant… It was very inflammatory. It was meant to be a hamburger bomb thrown over into the middle of our campaign. And I think I saw it as that. So, again, open the story, read it. They didn't even say that. They didn't even say what the headline says. That headline was misconstrued.

"Now, look, when Dave came home from METALLICA, he had another bass player, kind of a kid he was almost teaching how to play bass, and another guitar player he had been working with a little bit, and a singer, named Lor. And those were kind of the first people that, I think, in April and May of 1983 that Dave was just kicking some ideas around [with], seeing if he could get anything going. But the day me and my friend Greg Handevidt knocked on Dave's door and asked him where to buy some cigarettes and beer, that was the day that there was a unity that moved forward, because me, Greg, Dave, that singer Lor and our drummer Dijon Carruthers, who helped create a lot of the lyrics and the concept of 'Black Friday' on the 'Peace Sells' record, that was… we were the group that were rehearsing for a few weeks, working on these new songs Dave was writing. And one day we came back to… I think it was me and Greg's apartment… And it was Greg who suggested… We were talking about band names, and Greg suggested… There was a name kicking around, FALLEN ANGEL, that I think Dave… That was kind of working title that he had. But he had a song called 'Megadeth', which was later retitled to become 'Set The World Afire'. And it was my friend Greg who suggested, 'I think we should call the band MEGADETH.' And it was decided that day, so, I mean, technically, whoever was in the room that day was a founding member of MEGADETH. And, again, I don't know why there has to be so much importance on that. I know, I was there. And quickly, all those other members either scattered or were let go, and within a month or so, it was me and Dave standing next to each other — Dave and Dave of this new group called MEGADETH.

In a new interview with Jeff Gaudiosi of MisplacedStraws.com, OVERKILL bassist D.D. Verni was asked about the progress of the songwriting sessions for the band's follow-up to their latest album, "Scorched", which came out in April 2023 via Nuclear Blast. He said:  "We are demoing stuff right now. We probably have maybe nine or 10 songs kind of scratched out that I gave to Blitz [OVERKILL singer Bobby Ellsworth] a little while ago. Usually the process is I'll demo everything up musically [and] then I'll give it to Blitz. He'll spend some time with it and kind of do his thing with them. Then we get everybody together, kind of that. So I gave it to Blitz maybe not too long ago."

As for a possible release date for the new OVERKILL album, Verni said: "I would think next year, for sure. Just when will it be — spring? Will it be fall? Somewhere in there. But [in] '26 [there] will definitely be a new OVERKILL record."

In August 2024, OVERKILL confirmed Jeramie Kling as the group's new drummer. Kling joined the veteran New Jersey thrash metal outfit as the replacement for Jason Bittner, who announced his exit from OVERKILL earlier that month.

A founding member of THE ABSENCE, Kling appeared on VENOM INC.'s second album, 2022's "There's Only Black", and has played with such acts as FORE, RIBSPREADER, GOREGÄNG and NECROMANCING THE STONE. He was also briefly affiliated with the reunited Florida death metal band MASSACRE, which led to the formation of INHUMAN CONDITION, alongside Terry Butler (OBITUARY, ex-DEATH) and Taylor Nordberg (DEICIDE). In addition to being a drummer, Kling is a recording engineer, producer and live sound engineer.

Bittner joined OVERKILL in 2017 and played drums on the band's last two studio albums, 2019's "The Wings Of War" and the aforementioned "Scorched".

Last November, Jason admitted to "Reckless" Rexx Ruger of Pod Scum that he "hadn't been happy" in OVERKILL "for, like, two fucking years. It wasn't a surprise that I quit. I'd been dissatisfied for a long time, but I'm a team player. I don't like to leave things. I love the guys personally. So I just kind of just hung in there, but I was not happy where I was career-wise, let's say, within the confines of that band. I wasn't a bandmember. And that's the main thing for me to keep doing this at this point in my lifetime." He added that he felt he wasn't "being paid fairly" for his time" but clarified that there was "no animosity" and called his decision to leave "just a business thing." He explained: "I can play five shows with SHADOWS FALL and make more money than playing 30 with OVERKILL."

In September 2024, Verni told Capital Chaos TV about Bittner's departure: "We kind of knew that that was coming. He had told us a while ago that he was just kind of burned out on too many things and had his hands in too many pots. So I think we kind of knew that was coming."

OVERKILL played its first concert with Kling on August 30, 2024 at the Posada Rock festival in Câmpulung Muscel, Romania.

In a new interview with George Dionne of KNAC.COM, former ACCEPT singer David Reece was asked if there are any plans for a second album with IRON ALLIES, his collaborative project with fellow ex-ACCEPT member Herman Frank (guitar). He said (as transcribed by BLABBERMOUTH.NET): "Nah. Herman and I kicked off on the right foot, but partnerships are partnerships, and then I soon realized it was no longer a partnership.

"There's a weird thing with that whole ACCEPT family — excluding [original ACCEPT singer] Udo [Dirkschneider], I must say — and I know why," he explained. "It was created by the old management, which was really good at dividing everyone and pitting everybody against each other. Really evil. And the only one that wasn't part of that dark side was Udo. We're good friends now, since '88. I could call him today, if he's home, talk to him and his boy. But some of that, it created a distrust of everybody around. And that's how managers keep control. They cause this dissension of getting everybody freaked out so they can basically make you do what they want. And I've noticed in a lot of those guys, in those outsiders that are doing their own thing, that's still there. You still hear about it. And I started feeling that."

Circling back to his current relationship with Frank, Reece added: "He writes great riffs [with his long-running band] VICTORY. It's funny 'cause when he came here and said, 'If we do this [IRON ALLIES project], it's gonna be heavy metal,' and blah, blah, blah, blah, blah, blah, blah, blah. But if you look at VICTORY, it's kinda like [Reece's] BANGALORE CHOIR; it's more of a pop-rock band. And he's happy. He's got a great singer. Gianni's [Pontillo] great, and I wish him well. But no, I don't wanna work with the guy. I mean, I don't hate him. I just don't want that unease. I wanna be happy. I wanna focus on what I'm doing and not worrying about, 'Oh, God, things are cool today,' and then you walk into rehearsal and it's not cool. I mean, screw that, dude."

Back in October 2024, Herman was asked by Dionne about the possibility of a second album from IRON ALLIES. He said: "We will see. I'm always working. I do have my own project, Herman Frank, and I'm writing for other people, so I'm quite sure that IRON ALLIES will have a second album, for sure. We've played on a couple of festivals — [Belgium's] Graspop [Metal Meeting] is one of the biggest festivals all in Europe — and we have been in Czech and stuff like that, in Switzerland and Germany. So I guess it was a good start. And I do love David's voice. That kind of gives a different shape, different style into rock/metal or metal/rock. It's not the typical classic metal or rock singer screaming. He's singing. He knows how to sing. And I do love his lyrics. So, yeah, for sure."

IRON ALLIES' debut album, "Blood In Blood Out", arrived in October 2022 via AFM Records.

When "Blood In Blood Out" was first announced, Frank said in a statement: "This record cannot be compared to anything David or I have produced in our past. It's at the same time standing on its own, while sounding like it came from the one and the same mold. You could say: the two of us have sought and found each other."

Although these two exceptional musicians had known each other for a very long time, sparks really started to fly during Frank's visit to Piacenza, Italy, where the American-born Reece has been living after marrying an Italian woman.

"We hit it off right away because David — like me — is not only an old warhorse, but a total music lover," Herman said. "It's only with this unswerving passion for music that you can last as long as we have in this shark tank.

"I love David's voice, that unique blend of metal, rock and blues. Also, he's an awesome lyricist and as a U.S.-American he obviously has a much greater range of vocabulary than non-English-speaking singers."

"In a way, 'Blood In Blood Out' is the motto of IRON ALLIES," Herman explained. "This band was formed as a blood brotherhood, and no one gets out of here without shedding blood.

"Blood In Blood Out" was recorded at Horus Sound Studio in Hannover, Germany with co-producer Arne Neurand. Joining Frank and Reece on the IRON ALLIES album, which was mixed and mastered by Dennis Ward, were drummer Francesco Jovino (U.D.O., PRIMAL FEAR, VOODOO CIRCLE, JORN),bassist Malte Burkert and rhythm guitarist Mike Pesin.

Frank said: "We left nothing to chance. All positions were perfectly cast."

In October 2021, Reece discussed his collaboration with Frank in an interview with the "Heavy Metal Mayhem" radio show. He said: "The ironic thing about Herman and I, we played festivals many times and not even met each other. And here we are, part of the same band and their history. And we would miss each other by, like, two minutes. We always wanted to see each other, but something came up [and] we never really got to meet. So Herman and I started talking, and we said, 'Yeah, let's put a band together. Who do you wanna get?' We talked to [drummer] Mike Heller from FEAR FACTORY a few times, and that didn't really work out. And then I said, 'I've got Francesco Jovino, dude, on my [solo] album. This guy is a beast.' So then we got the band together."

Regarding the musical direction of IRON ALLIES, Reece said: "It's got some of those elements of old [ACCEPT circa] 'Restless And Wild'. It's got Dave's voice — [as heard on my solo albums] 'Cacophony [Of Souls]' and 'Blacklist [Utopia]'. It's ripping shit, man. I'm really excited about it."

According to Reece, part of the motivation for putting IRON ALLIES together is the negative publicity surrounding their respective departures from ACCEPT. "They badmouth him, they badmouth me, there was this back-and-forth all the time, and then [Herman] said, 'You know what? Screw it. I'm gonna call David Reece,'" David explained. "And I'd never really talked to him. He just came down to Italy and we got to actually meet face to face. We went out to a great dinner, hung out for about six hours. He was just driving around Europe, relaxing, 'cause he had just finished another VICTORY album and his solo album, so he needed a break."

Herman joined ACCEPT in 1982 shortly before the release of the band's "Restless And Wild" album and exited the group for the first time after the arrival of 1983's "Balls To The Wall" LP.

When ACCEPT reunited for festival appearances in 2005, Herman handled second-guitar duties alongside founding axeman Wolf Hoffmann, with Stefan Schwarzmann sitting behind the kit.

Frank and Schwarzmann were involved in ACCEPT's comeback with singer Mark Tornillo and appeared on the reunited group's first three studio albums: 2010's "Blood Of The Nations", 2012's "Stalingrad" and 2014's "Blind Rage".

Five years ago, Herman told All That Shreds about his decision to exit ACCEPT in December 2014: "It was just time to leave the band. Let's put it this way: I wanted to do music the way I started to. I wanted to have my own band. I wanted my own music and just wanted to just play my own leads. Not to follow somebody's guitar. I was getting too old for it. It's fine to be a backup, but after a couple of years, it's time for a different thing."

Reece was recruited for ACCEPT's "Eat The Heat" LP in 1989 following the departure of Udo Dirkschneider. Reece's higher-pitched delivery was in sharp contrast to Dirkschneider's distinctive style, and overall, the album was a critical and commercial disappointment. Midway through the "Eat The Heat" tour, differences between the band and Reece had come to a head, leading to the altercation between the singer and bassist Peter Baltes in Chicago. By the end of 1989, ACCEPT had hung it up.

David spoke about the circumstances that led to his dispute with the bassist during an interview with Metalliluola. He explained: "Peter had told my girlfriend I was having an affair. And I asked him, 'Did you tell her?' And he said, 'Yes.' So I slapped him. That ended it. It was bad before that, the communication. Ticket sales weren't good. We were opening for W.A.S.P."

He continued: "I think they really thought that getting the American [singer] in, they were gonna break the United States. But ACCEPT aren't really huge in America, like [in Europe]. That's why they hired me — they wanted a change. And the tour was going kind of slow. We did a headline tour first in the States, [playing in the] clubs. That was good. And then we went out with W.A.S.P. and METAL CHURCH, and it was half[-filled] rooms. So they were feeling the stress of that, and the communication was bad. So it was building."

David went on to say that he is sorry for assaulting his former bandmate. "Peter and I are friends now," he said, adding that "it was a bad decision" that was made while he and the rest of the group were under "a lot of stress. Being in a band, it can be a lot of drama. He had no right to tell her, and I had no right to slap him. So, I regret it."

In a new interview with Dennis Wood of WOKW 102.9 FM's "Back To The 80s", VIXEN drummer Roxy Petrucci was asked what it means to her personally to "still be playing these great songs and connecting with fans all these years later." She responded (as transcribed by BLABBERMOUTH.NET): "It's who I am. It's not just what I do. I still have the enthusiasm. I still have the drive. I love the band. I love playing with these girls. We're having a great time. So I think because I love VIXEN, I love the music. I just love this band, and I wanna continue doing it. And as long as the fans wanna keep hearing it, I will do it till I can't — physically can't. But right now I'm still in fairly good shape, still got tons of energy and I'm gonna keep slamming those skins."

As for what it is like to see a whole new generation discovering VIXEN and 1980s rock in general, Roxy said: "Oh, it's awesome. We'll be playing these shows and sometimes we go out and do meet-and-greets, and there'll be people that say, they come out to the meet-and-greet and they're, like, 'We saw you with Ozzy [Osbourne] back in 1989. This is my daughter, and she's [been] introduced [to] you, and she loves you guys.' So we get a lot of that — a lot of that. A lot of college kids that are totally into the '80s now. Because the '80s, there's nothing like it. That music, the fun, the anthems — how can you not like that? Because people wanna hear it, young kids wanna hear it, and they're totally all about it now. And the people want it. They're coming to the shows. That is the test."

Petrucci went on to confirm that VIXEN does not use any backing tracks during the band's live performance. "Hell yeah. None of that. We don't do that. We don't need to," she said. "When you go see a band, you kind of want that rawness. When I go to a concert, I don't want them to sound just like the CD or the recording. I wanna hear some rawness. We give it to you. But the vocals are incredible. Yeah, Rosa [Laricchiuta, VIXEN singer] nails it every night, and Britt [Lightning, a.k.a. Brittany Denaro, VIXEN guitarist], Julia [Lage, VIXEN bassist] and Tyson [Leslie, VIXEN touring keyboardist], we all do backing vocals, and it's just there."

VIXEN's most recent release was the 2023 single "Red". It marked the group's sole studio recording with singer Lorraine Lewis, who was fired from VIXEN in May 2024 and replaced with Laricchiuta, a singer, songwriter, and performer from Montreal, Quebec.

Laricchiuta's hard rock project BLACK ROSE MAZE released its self-titled debut album in August 2020 via Frontiers Music Srl.

Rosa made her live debut with VIXEN on June 21 at the Honda Center in Anaheim, California alongside GREAT WHITE, SLAUGHTER and QUIET RIOT.

In January 2019, VIXEN recruited Lewis as its new lead singer following the departure of Janet Gardner.

Lewis had already performed with VIXEN in March 2018 in Durant, Oklahoma while Gardner was recovering from surgery.

Prior to Lewis's addition to VIXEN, Petrucci, bassist Share Ross and Lightning vowed to "expand upon the VIXEN legacy while remaining true to our musical roots."

Gardner, Petrucci and Ross are considered to be part of VIXEN's classic lineup, along with founding guitarist Jan Kuehnemund, who died of cancer in October 2013.

Gardner contributed lead vocals to VIXEN's most commercially successful studio albums — "Vixen" (1988),"Rev It Up" (1990) and "Tangerine" (1998) — as well as the group's latest full-length release, 2018's live album "Live Fire".

Three and a half years ago, Ross announced that she was "taking a hiatus" from VIXEN. Her replacement is Lage, formerly of the Latin Grammy-nominated Brazilian rock group BARRA DE SAIA and wife of Richie Kotzen. Lage made her live debut with VIXEN on February 8, 2022 at the pre-Monsters Of Rock cruise concert at Magic City Casino in Miami, Florida.

Image credit: Tom deBlonk

In a new interview with the JJO Discover New Music Podcast, RISE AGAINST frontman Tim McIlrath was asked if he ever worried that he and his bandmates were injecting their political activism a little too deeply into their songwriting. He said (as transcribed by BLABBERMOUTH.NET): "I think we've been all opinion all the time. It's fused into what we do. We could be the no-opinion guys, but we'd need to start another band. RISE AGAINST came into the world like this. This is how we were birthed into this music scene. We were birthed screaming and raging, and talking about how we feel, and fighting for a level playing field and speaking out for equality and speaking out against racism and homophobia. And that even goes back to the scene that we were born into, which was the '90s punk and hardcore scene."

He continued: "'90s punk and hardcore is where I first heard the word 'sweatshop', first heard about climate change and the issues of environmental justice. So that was the kind of music fan I was. Politics were always like fused into it, whether it was massive bands like RAGE [AGAINST THE MACHINE] or smaller straight edge bands like EARTH CRISIS, there was always music that was speaking to me. And so when someone gave me a microphone when I came of age, this was already at the tip of my tongue. And so we didn't expect to [be played on] your radio station and [be embraced by] your fans and play overseas and get out of our basement in our garage. We weren't very careerist about it. It just kind of happened to us. But we never checked our politics at the door, 'cause we came from a scene where it was very accepted and maybe even normal to have music that was very political."

"Ricochet", RISE AGAINST's first new album in four years, came out on August 15 on Loma Vista Recordings. The LP was produced by Grammy winner Catherine Marks (BOYGENIUS, FOALS, MANCHESTER ORCHESTRA, ST. VINCENT) and mixed by Alan Moulder (NINE INCH NAILS, PARAMORE, QUEENS OF THE STONE AGE, THE KILLERS).

RISE AGAINST's most recent single from "Ricochet" was the LP's title track, which balances introspection with the incendiary, and offers righteousness without sanctimony as it chronicles our collective unravelling. "Ricochet" followed "I Want It All", "Prizefighter" and "Nod", hailed as a "particularly potent rallying cry for the moment" (Rolling Stone),and "the anthem we need right now" (Vice). Across the rest of the album, RISE AGAINST cover apocalyptic scenarios ("Black Crown"),false promises sold to the youth ("Gold Long Gone"),the necessity of resisting blind allegiance ("Soldier"),mental health ("Sink Like A Stone"),and the sensationalism of the algorithmic entertainment-industrial complex ("State Of Emergency"),all with a sense of optimism for real, lasting change.

Taking inspiration from one of their favorite literary works, Tim McIlrath and bandmates Joe Principe (bass/vocals),Zach Blair (guitar/vocals) and Brandon Barnes (drums) have absorbed the maxim that "in a time of deceit, telling the truth is a revolutionary act." The mantra has permeated RISE AGAINST's growing body of multi-gold and platinum hits, filling arenas, topping charts, breaking records and earning billions of streams while uniting millions of listeners in a necessary embrace of vital, progressive issues.

In the four years since 2021's "Nowhere Generation", the Chicago band's outspoken messages, bulletproof melodies and deep body of multi-gold and platinum hits have reached more fans than ever, uniting millions in a necessary embrace of vital, progressive issues. Whether they are singing about injustice, instability, environmentalism, animal rights or the way the social and economic decks have been stacked against the youth, RISE AGAINST continues to fill arenas, top charts, break records and earn billions of streams.

San Francisco Bay Area thrash metal pioneers EXODUS have tapped Mark Lewis, who has previously worked with MEGADETH, WHITECHAPEL, DEVILDRIVER and BAD WOLVES, among many others, to mix their new album for a tentative early 2026 release via Napalm Records.

The follow-up to 2021's "Persona Non Grata" will mark the first time in nearly three decades that an EXODUS album hasn't been mixed by Andy Sneap, who has acted as JUDAS PRIEST's producer and touring guitarist for more than seven years.

Earlier today, EXODUS guitarist Gary Holt — who is also a member of SLAYER — shared a photo of him with Sneap, and he included the following message: "ALWAYS awesome when I run in to my dear friend and long time collaborator @andysneap ! @judaspriest and @slayerbandofficial were rehearsing in the same city so we got to catch up over dinner!

"New @exodusbandofficial mix by @marklewis720 is almost done and it's ENORMOUS! Can't wait to unleash this beast! First album since 97 to mix with someone else, and it's crushing. Andy said it's time to venture out of our comfort zone and it's amazing. Mark has CRUSHED IT!"

EXODUS's upcoming LP will be the band's first since the departure of singer Steve "Zetro" Souza and the decision to bring Rob Dukes back.

In a recent interview with Chicago's Rebel Radio 92.5 FM as part of the station's 31st-anniversary celebration, Dukes praised the material on EXODUS's upcoming effort, saying: "It's killer. It's the best thing I've ever done with EXODUS. I thought [2010's] 'Exhibit B: [The Human Condition]' was probably some of my best work, and I think this tops it. It's so different than what we've done. We've added so many little different things that it's still EXODUS, but we've definitely stepped outside the box a little bit and tried a few different things and it worked well… It's fast. it's dark, it's awesome, man. It's gonna be a lot of fun to go play these songs live."

Souza joined EXODUS in 1986 after previously fronting the band LEGACY (which later became TESTAMENT). He remained in the band until their hiatus in 1993, but rejoined them for two years from 2002 to 2004. Dukes had joined EXODUS in 2005 (following Souza's departure) and remained until 2014, when Souza rejoined.

Dukes previously joined EXODUS in January 2005 and appeared on four of the band's studio albums — "Shovel Headed Kill Machine" (2005),"The Atrocity Exhibition... Exhibit A" (2007),"Let There Be Blood" (2008, a re-recording of EXODUS's classic 1985 LP, "Bonded By Blood") and "Exhibit B: The Human Condition" (2010).

EXODUS played its first concert with Dukes in nearly 11 years on April 5 at the Decibel Magazine Metal & Beer Fest: Philly at the Fillmore in Philadelphia, Pennsylvania.

This past June, Holt told longtime Serbian hard rock/heavy metal journalist Jadranka Janković Nešić that he and his EXODUS bandmates recorded 18 songs for their next studio album. He said: "It's [going to be released as] two totally separate records, but we kept writing and kept writing and we had so much material that we just [thought], let's work extra hard and so when it's time to start thinking about a [second] new album [after the first new one], we could relax a little bit. I wish we had 20 songs done [instead of 18], 'cause then we would have the next album done, and then I could go on vacation or something. I've never had one."

Holt went on to say that none of the songs EXODUS has recorded so far for the two upcoming albums are "fillers", or tracks that were included simply to add time. "They're all great," he claimed. "They're all amazing. There are 18 songs, and they're all totally awesome. It's hard to pick which ones [will end up on the first new album]. But we did it so we could work less later."

He continued: "We're getting older. I'm 61 years old. By the time we think about releasing the next album, that's gonna be three years [from now], so I'm gonna be that much older. And then I can go on vacation in between albums. Like I said, I've never gone on vacation. I've had vacations where I played guitar to be, but I've never gone on a vacation where I didn't have to play to be there.

"After the whole [second new] album [is done] and all, yeah, I'm gonna go [on vacation] somewhere," Holt added. "I don't know how not to work though. I'm a workaholic. My wife will have to tell me to shut the phone off. At home I relax, though. But at home where I live in the country, it's a lot of work living there in the woods. So, I'm working, but it's working on my house, and I like that. I live in the country, yeah. No city life for me anymore."

Regarding the musical direction of the new EXODUS material, Gary said: "It's 100 percent EXODUS and at times 100 percent different. There's some surprises on it. It's super heavy. There's some moments that are so fast. There's moments that are super slow. Just satanic, evil as fuck."

After Jadranka noted that EXODUS is a band that continues to release full-length albums and isn't putting out standalone singles like more artists are choosing to do nowadays, Holt said: "We write albums. We've never concerned ourselves with singles. That's why in the past some of our songs were 11 minutes long, 'cause we didn't care. A song's done when it's done. If it's three minutes, cool. If it's 11 minutes, that's cool too."

Holt also once again opened up about Souza's departure and Dukes's return. Regarding what happened to cause Zetro's exit from EXODUS, Gary said: "Well, I don't wanna go into any details 'cause there's no bad blood. It's just we're all getting older and we want to be happy. And he was not happy. He was very unhappy. He was awesome on stage and awesome in the studio and awesome to the fans and there's no problem with that. And I loved his performance and his voice is as great as ever. But it's the time when you're not on stage when it became to where it's bringing everybody's spirits down. And this is a hard job to do when you're our age. Every single time I go to the airport to go on tour, I'm sad, 'cause I'm leaving my grandchildren and my kids and my wife and my house, and it's hard. But once I get out here [on tour], I'm with my brothers and I have fun. And if that part isn't fun anymore, then none of it's fun. Maybe on stage — maybe. But we're happy now. Rob's here and all five of us hang out and spend a lot of time together and we have a good time."

When Jadranka said that Rob was "the logical choice" to step in as EXODUS's singer for the band's next phase, Holt concurred. "I'm set in my ways," he explained. "I don't like change. So changing singers was never in my future plans. I don't like change at all. I'm stuck in my ways. And the idea of finding a new person who you don't know and you don't know if your personalities work, that was never an option for me. I mean, I could find someone half my age who's got tons of energy and [is] awesome and has got visible abs muscles and jumps off the top of the drum riser, but I might not have anything in common with him… [Hiring] some kid that's the same age as my youngest daughter, it would be weird. I'd feel like a father telling him to clean up his room all the time. [Laughs]"

EXODUS's next studio album is tentatively due around March 2026.

Although EXODUS rarely gets mentioned alongside the so-called "Big Four" of 1980s thrash metal — METALLICA, MEGADETH, SLAYER and ANTHRAX — the aforementioned "Bonded By Blood" LP inspired the likes of TESTAMENT, DEATH ANGEL, VIO-LENCE and many others to launch their careers and is considered one of the most influential thrash metal albums of all time.

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In a new interview with Jovan Ristić of Altnote, vocalist Tomi Joutsen of Finnish melancholic progressive metallers AMORPHIS weighed in on a debate about people using an A.I. (artificial intelligence) music generator as a tool to create melodies, harmonies and rhymes based on artificial intelligence (A.I.) algorithms and machine learning (M.L.) models. Tomi said (as transcribed by BLABBERMOUTH.NET): "Well, to be honest, I don't know how much the machines can do already. It's difficult, because, of course, everyone would like to hear band using real amplifiers, real guitars, real drums, real instruments, but nowadays I think most of people are using plugins and stuff like that out to everything. So it's not like totally pure art, if you think of it that way.

"I think computers and stuff, they can be a great inspiration, and if someone wants to do everything with computers and programs, it's okay for me," he explained. "But personally, I think that pure art, it's coming from people, not from the machines. I think what machines cannot do is create real emotions. They don't understand what it's like to feel, what it's like to really love or hate or suffer. So I think you need all of that, all of the emotions, if you want to bring something unique or true, and that's my opinion about it."

Followed by a Finnish headline run and a European arena tour alongside ARCH ENEMY, ELUVEITIE and GATECREEPER, AMORPHIS's new album, "Borderland", will become available in late September.

The follow-up to 2022's "Halo", "Borderland" was recorded in late 2024 and early 2025 at Hansen Studios in Ribe, Denmark with producer Jacob Hansen. The cover artwork was designed by Dutch artist Marald Van Haasteren (METALLICA, BLACK SABBATH, KVELERTAK, ALCEST).

Since forming in Helsinki in 1990, the Finnish sextet has fearlessly explored musical frontiers — from raw death metal roots to melodic, progressive and folk-tinged heavy rock, and far beyond. At every turn, AMORPHIS has expanded musical and lyrical boundaries without compromising their artistic identity.

AMORPHIS's fifteenth studio album marks both a continuation and a reinvention of the band's legacy. With acclaimed Danish producer Jacob Hansen (VOLBEAT, ARCH ENEMY, AMARANTHE) at the helm for the first time and a revitalized creative spark within the group, "Borderland" sees AMORPHIS fully embracing their melodic sensibilities while venturing into fresh, uncharted sonic landscapes.

AMORPHIS is:

Tomi Joutsen - vocals
Esa Holopainen - guitars
Tomi Koivusaari - guitars
Olli-Pekka "Oppu" Laine - bass
Santeri Kallio - keys
Jan Rechberger - drums & percussion

In a new interview with Chris Akin, JUDAS PRIEST drummer Scott Travis spoke about the recent passing of former JUDAS PRIEST drummer Les Binks. Asked how he and the PRIEST fans reacted to the news of Binks's death, Scott said (as transcribed by BLABBERMOUTH.NET): "Well, unfortunately, I never met the man. I wished I had met him when he was still with us, but I never had the privilege of meeting him. And to your point about fans, no one said anything to me personally about his passing, and I guess that's because he hadn't been in the band for so long. Obviously, I think he might've left the band in '79, maybe '80. I'm not sure. But that was a long time ago. So, like you said, sometimes fans, they have a short memory and they forget things."

Travis continued: "[Les has] always been a big influence of mine. And when I first heard JUDAS PRIEST, it was him with the band. In other words, it wasn't the Dave Holland version of PRIEST; it was the 'Unleashed In The East' album. And then I went back and listened to 'Stained Class' and the album 'Hell Bent For Leather'. Some people call it 'Killing Machine', but in America it was 'Hell Bent For Leather'. But anyways, I love his drumming. I think he just was so cool. He had such a good swing. He could play the double-bass stuff, the heavy metal stuff, but then he also, like I said, had the swing and had some of even little disco. He was doing a lot of cool stuff on the hi-hats, which we've tried to bring back in some of the newer songs on [PRIEST's latest album] 'Invincible [Shield]'."

Scott added: "It's never good when someone passes, a former bandmember. But it was a surprise. I can't even remember. I think we were on tour at the time. I'm not sure now. But, yeah, it's tough… I mean, honestly, it would've been Rob [Halford, PRIEST singer] and Ian [Hill, PRIEST bassist], who had a relationship with him at some point. But I don't even remember them saying or having any remorseful stories at the time. It had been a long time since he was in the band."

JUDAS PRIEST confirmed Binks's death in a statement shared in April 2025 on social media. A cause was not revealed, though a funeral notice said Binks died "peacefully at hospital in London."

Binks played drums on PRIEST's "Stained Class", "Hell Bent For Leather" (released as "Killing Machine" in the United Kingdom) and "Unleashed In The East" albums.

Following the release of "Unleashed In The East", Binks exited PRIEST and was replaced by ex-TRAPEZE member Dave Holland.

After leaving JUDAS PRIEST, Binks played with a number of other lesser-known bands, including LIONHEARTED, TYTAN and RAW GLORY. In the late 2010s, he began performing classic JUDAS PRIEST songs from his era in the band live.

Binks was inducted into the Rock And Roll Hall Of Fame in November 2022 along with some of the other former and current members of JUDAS PRIEST.

At the Rock And Roll Hall Of Fame induction ceremony, Halford, Hill, guitarists Richie Faulkner and Glenn Tipton plus Travis were joined by former members Binks and guitarist K.K. Downing for a performance of a medley of three PRIEST classics: "Breaking The Law", "Living After Midnight" and "Youve Got Another Thing Comin'".

ATREYU has shared a new single "Dead", marking the band's first release in nearly two years.

Known for its signature blend of crushing riffs, soaring melodies, and emotionally charged lyrics, ATREYU continues to push the boundaries of metalcore while staying true to the sound that has earned the band a devoted global following.

"Dead", recorded by Matthew Pauling, showcases ATREYU's relentless energy and musical evolution, offering both longtime fans and new listeners a powerful glimpse into the next chapter of the group's career.

ATREYU frontman Brandon Saller comments: "'Dead' asked the question I feel many ask. Do I matter? Would anyone actually notice if I was gone? Not speaking in the space of depression or suicidal thought, but more in the grand scheme of life. We all want and aspire to leave some sort of lasting legacy or impression, but do we really matter? I guess we all hope so."

ATREYU recently announced dates for its upcoming tour that begins November 4 in Mesa, Arizona and concludes December 11 in Pomona, California. The trek marks the 21st anniversary of ATREYU's 2004 album "The Curse". A true breakthrough moment for the band, "The Curse" delivered staples like "Bleeding Mascara", "Right Side Of The Bed" and "The Crimson", which are songs that helped cement ATREYU as one of the defining forces in the mid-2000s metalcore scene.

ATREYU's riffs, hooks, melodies, and relentless energy remain a driving force in heavy music, with over a billion streams worldwide and a fanbase that keeps growing. The Southern California band recently wrapped a triumphant co-headlining U.S. run and tore through massive festivals like Download, Hellfest, Welcome To Rockville and Inkcarceration.

Since forming around the turn of the millennium, ATREYU has pushed well beyond their DIY roots — earning multiple RIAA gold records, Top 20 Billboard 200 debuts, and spots on major film and video-game soundtracks. Their latest album, "The Beautiful Dark Of Life" (2023, Spinefarm),debuted in the Top 10 on Billboard's Top Hard Rock Albums and has already racked up over 75 million streams, with singles like "Gone" and "Watch Me Burn" lighting up rock radio and flagship playlists like Spotify's "Volume" and Apple Music's "The Riff."

ATREYU is:

Brandon Saller - lead vocals
Dan Jacobs - guitar
Travis Miguel - guitar
Porter McKnight - bass/vocals

Photo credit: Sean Stiegeimeier

SLAYER performed last night (Thursday, September 18) at the Louder Than Life festival in Louisville, Kentucky. The show marked the reunited thrash metal pioneers' fourth full concert of 2025, following the band's appearances the 35,000-capacity Blackweir Fields in Cardiff, U.K., London, U.K.'s 45,000-capacity Finsbury Park, and the 100,000-capacity Festival D'été De Québec in Canada. SLAYER also helped celebrate BLACK SABBATH's incredible career by playing a six-song set at SABBATH's sold-out "Back To The Beginning" final concert on July 5 at Villa Park in Birmingham, England.

SLAYER was previously scheduled to play at the 2024 edition of the Louder Than Life festival in Louisville, but that performance was canceled due to severe weather.

The lineup for all of SLAYER's comeback shows in 2024 and 2025 is the same as the one which last toured in 2019: guitarist Kerry King and drummer Paul Bostaph, along with bassist/vocalist Tom Araya and guitarist Gary Holt.

SLAYER's setlist for the 2025 Louder Than Life festival was as follows, according to Setlist.fm:

01. South Of Heaven
02. Repentless
03. Disciple
04. Die By The Sword
05. Jihad
06. War Ensemble
07. Chemical Warfare
08. Reborn
09. Mandatory Suicide
10. Born Of Fire
11. Dead Skin Mask
12. Spirit In Black
13. Hate Worldwide
14. Seasons In The Abyss
15. Hell Awaits
16. 213
17. Postmortem
18. Raining Blood
19. Black Magic
20. Angel Of Death

Fan-filmed video can be seen below.

SLAYER's only U.S. East Coast performance of 2025 will take place this Saturday, September 20 at Hershey, Pennsylvania's 30,000-seat Hersheypark Stadium. The concert will be hosted by WWE superstar Damian Priest, a well-known "metalhead" and a longtime SLAYER fan. Priest's signature "finisher" is SLAYER's "South Of Heaven", and SLAYER's Kerry King provided guitar for Priest's "Rise For The Night" theme. Also scheduled to appear at the event are KNOCKED LOOSE, SUICIDAL TENDENCIES, POWER TRIP, CAVALERA (exclusively performing SEPULTURA's "Chaos A.D." album) and EXODUS (performing "Bonded By Blood" album).

In an interview with Australia's Metal Roos, King spoke about SLAYER's future plans, following the band's two festival appearances in September 2024 and October 2024 after a five-year hiatus. He said: "We're never gonna tour again. We're never gonna make a record again. Mark my word: we're never gonna make a record again, we're never gonna tour again. Because that was the last thing. We said [back in 2018], 'This is our final tour.' It took five years for us to come and say, 'Hey, here's a couple of shows, five-year anniversary.'"

Elaborating on the significance of SLAYER's comeback live performances more than four decades after the band's formation, Kerry said: "I think it's really cool. A lot of fans are into it. There's gonna be haters who say, 'Oh, they retired.' Yeah. Whatever. This is all about celebration. Say a kid was 10 years old when we retired. Now he's 15, 16. [It's his] first opportunity to see us. I think that's important."

King also touched upon the fact that SLAYER's reunion shows were announced just a couple of weeks after he went public with the details of his new solo band and debut solo album. He said: "The [SLAYER] announcement timing was not my favorite, but my band was doing its thing. The festivals SLAYER agreed to play, they wanted to release [the information about us playing there], they wanted to announce [it]. So, the timing wasn't in my favor, but everything went [as it did], and here we are in Australia [with my new band] kicking ass."

Kerry reflected on SLAYER's two reunion performances last fall — on September 22, 2024 at the Riot Fest in Chicago, Illinois and on October 10, 2024 at the Aftershock festival in Sacramento, California — during a separate interview with Brian Slagel, CEO of Metal Blade Records, for the "100 Songs That Define Heavy Metal" podcast. Regarding how he felt going into the Riot Fest gig, King said: "It's kind of like when we did the first 'Big Four' show, I said, 'This is gonna be really cool for the fans, and it'll be good to see the guys.' And that's about all I gave it. But then we actually played the show and a handful more shows, and I said, 'You know what? This is really cool for me.' And I didn't expect that. And I didn't expect that when we did the Chicago show [SLAYER at Riot Fest]. I went with the exact same idea. I'm, like, 'This is gonna be really cool for the fans, especially fans that were too young to see us.' And I hit the stage and I got goosebumps. I'm, like, 'This is way bigger than I ever gave it credit for.' … [And] we've got a lot of history in Chicago too, so for the reunion show to be there, it was pretty epic. And the response was over the top. It was way overwhelming."

King's debut solo album, "From Hell I Rise", came out in May 2024 via Reigning Phoenix Music.

In a new interview with Scott Itter of Dr. Music, legendary SLAYER drummer Dave Lombardo was asked if he has given any thought to the idea of writing his autobiography. Dave responded (as transcribed by BLABBERMOUTH.NET):  "I honestly don't know, 'cause I feel like I'm still writing it. I'm still doing it. I don't know. I don't feel like it's the right time. I've still got some steam in me."

After Itter suggested that Lombardo has so much to write about, given his long history with not only SLAYER but also with crossover pioneers SUICIDAL TENDENCIES, horror-punk icons MISFITS and the hardcore supergroup DEAD CROSS, among other projects, Dave concurred. "I've got so much shit to say [laughs] that I haven't said." He laughed again and added: "I'll give it a thought, but I don't see it happening anytime soon."

Lombardo was born in Havana, Cuba, relocating to Los Angeles when he was a mere two years old. He began playing drums as a teenager, and co-founded SLAYER (and created the band's logo) in 1981. Rolling Stone, in their list of the "100 Greatest Drummers Of All Time," dubbed him the "Cuban speed demon," Modern Drummer proclaimed him "The King", and Drummerworld gave him the title of "the godfather of double bass". Lombardo's eye-popping resume includes over 100 studio albums/recordings and includes both recorded and live stints with GRIP INC., FANTÔMAS, SLAYER, SUICIDAL TENDENCIES, VENAMORIS, MR. BUNGLE, MISFITS, John Zorn, TESTAMENT, EMPIRE STATE BASTARD and DEAD CROSS.

In a February 2025 interview with Drew Stone of The New York Hardcore Chronicles Live!, Lombardo was asked to reflect on his time with SLAYER. He said:  "I love it. I look back in retrospect and it's been amazing. How can you not? Shit happens, man. You have disagreements. Families argue. And so it is what it is. I'm happy to have been a part of such a legendary band, happy to have contributed to this genre that has loved me and supported me for my entire musical life."

He continued: "Like I said, shit happens, but it is what it is. I've been very fortunate that I've made a few friends along the way. And they've asked me to be in their bands. I've created several new bands or launched them, and still I feel there's so much more in me that I don't see it ending anytime soon. Until somebody pulls the plug, I'm still here, man. [Laughs]"

Lombardo was effectively fired from SLAYER after sitting out the group's Australian tour in February/March 2013 due to a contract dispute with the other bandmembers. He was later replaced by Paul Bostaph, who was previously SLAYER's drummer from 1992 until 2001.

Shortly after his dismissal, Lombardo said that he discovered that 90 percent of SLAYER's tour income was being deducted as expenses, including fees to management, costing the band millions and leaving them with about 10 percent to split four ways. While he and Tom Araya hired auditors to figure out what had happened, Lombardo said he was never allowed to see any of the information obtained.

Lombardo released a statement in February 2013 saying he "was denied access to detailed information and the necessary backup documents." He added: "I was told that I would not be paid until I signed a longform contract which gave me no written assurance of how much or on what basis management would deduct commissions, nor did it provide me access to the financial budgets or records for review. It also forbade me to do interviews or make statements having to do with the band, in effect a gagging order."

Dave previously opened about his departure from SLAYER while taking questions from the audience in March 2014 in Belfast, Northern Ireland.

"I did my best to try to keep it together, but I couldn't go on, man," Dave said. "I had to step out, because you can't be shackled like that; nobody can take advantage of another person like that anymore. I did it for too many years, and I held my breath. Red flags kept going on in my books. It's, like, 'Really? I'm supposed to make more money? Why am I on the same salary? I'm making the exact same thing I've been making the past two years. And this is back in 2004. So I knew something was up. And I tried my best to work it out with the guys. I brought Tom into the picture. I had Tom in a hotel room with me talking to my attorney, and my attorney was telling him everything their management company had been doing to them for the past 30 freakin' years. And we had an accountant, a forensic accountant, ready to go in there and look at the stuff."

He continued: "Tom got bought out. Management flipped him over a couple of hundred grand — who knows how much? — and Kerry [King, SLAYER guitarist] as well, to keep quiet and go against Lombardo. So they turned their backs on me. And on the last day, when I'm at rehearsal with them — and I saved it all the way until the end — I said, 'Guys, we need a new business plan. You guys have been on the same business plan after 30 years. Now I'm an income participant. In other words, I 'm a percentage holder.' So if you're a percentage holder, you have the right, and you're contracted, as a percentage holder, you have the right to see where all the expenses are going. Because here you are getting paid off of net, and then out of 4.4 million dollars, the band gets 400 thousand dollars. Where's the four million? And that's just 2011. [The rest of the money went to] lawyers, accountant and the manager.

"For the past 30 years, they were doing that to the guys. And they took my information… I'll never forget the day…. I just said, 'Guys, look at this. This came from your accountant.' And it showed all the money. It wasn't showing where the money was going, it was just showing 'gross,' 'expenses,' 'net.' And out of that net, I made, on tour, in 2011, 67 thousand dollars. Kerry and Tom, that was about 114 thousand dollars they made on tour. So if you did about 60 shows, divide that up between 60 shows… Anybody have a calculator? No, not 60… Let's say about 90 shows per year: 30 in the spring, 30 in the summer and 30 shows in the winter, in the fall. So you break that up per show… Really? It's disgusting. I bust my ass up there playing drums. I mean, I am just sweating, I'm beat. And for the guy in the Hollywood Hills, for his facials, his manicures… No, I'm not gonna play for that. No."

Photo credit: Stephanie Cabral (courtesy of Adrenaline PR)

MIRADOR, the band co-founded by Grammy Award-winning GRETA VAN FLEET co-founder Jake Kiszka and IDA MAE's Chris Turpin, has just released its self-titled debut album via Republic Records.

"MIRADOR comes from a deep passion for rock 'n' roll, early folk, and country blues as well as folklore," says Turpin. "Our world lives in those traditions," Kiszka adds. "There's an unspoken mysticism. You can trace it back to the stories of meeting the devil at the crossroads, selling your soul, and losing your mind to the wind. MIRADOR definitely inhabits a lot of that. We're hyper aware of our lineage, so we can build our own future as a band. It's two guitar players from notable groups coming together to create a new mythology. As soon as we were in uncharted territory, we knew we were doing something right."

MIRADOR has also shares the music video for "Must I Go Bound" directed by Gus Black, Jake Kiszka and Chris Turpin and which was shot in Turpin's hometown of Bath.

MIRADOR comments: "'Must I Go Bound' is a song that draws inspiration from the worn pages of an old ballad book, reimagined, remembered, and retold through the lens of MIRADOR. It is a folkloric journey steeped in symbolism, with the protagonist lamenting a lost love.

"All of us wander the crossroads of our own making, tracing the paths not taken and imagining what could have been. We hope this song reminds people of that universal experience — that from despair comes hope, and from desertion comes redemption.

"Recorded live in Dave Cobb's intimate studio on the windswept shores of Savannah, Georgia, we stripped our sound back to its essence, using parlor guitars to evoke the timeless connection between European folk traditions and American roots music. We wanted our voices to find each other's in a song that felt like it could have been written a thousand years ago — a testament to the enduring power of love and loss.

MIRADOR is currently on the road and recently expanded its headlining U.S. tour to 31 dates due to popular demand. Tickets for all initial dates sold out immediately upon going on sale, and a second run of dates in larger venues were added in Nashville, New York City and Los Angeles, and new dates have been announced in New Orleans, Boston, Austin, Portland and more.

MIRADOR has the uncanny ability to conjure sky-shaking and boundary-bursting rock 'n' roll by invoking spirits of ancient myth, traditional folklore, and Delta-born blues in one concentrated musical incantation. Kiszka not only shares vocal and guitar duties with critically acclaimed co-vocalist and guitarist Turpin, but he also shines as a producer and songwriter, stepping out on his own. The group, filled out by Mikey Sorbello on drums and Nick Pini on bass and keys, stretches the limits of rock 'n' roll and showcases the band's myriad influences and uncompromising vision.

Kiszka and Turpin met in 2018 when IDA MAE opened for GRETA VAN FLEET during a sold-out three-night stand at the Fox Theatre in Detroit, Michigan. On the road, Kiszka and Turpin cemented their friendship by way of late-night jam sessions fueled by wine and a shared passion for everyone from Charley Patton, Muddy Waters and Lightnin' Hopkins to Martin Carthy, Bert Jansch and FAIRPORT CONVENTION.

"We were like long-lost brothers," says Kiszka. "After we wrote those songs, I realized we had a chemistry I'd never had with anybody but my own brothers. It was obvious we needed to do this."

The world got to know MIRADOR when they spent a month opening up GRETA VAN FLEET's "Starcatcher" world tour in arenas coast to coast throughout 2024. Galvanized by this nightly trial by fire, the band rolled right into a Savannah, Georgia studio with Grammy Award-winning producer Dave Cobb (Brandi Carlile, Chris Stapleton) and they cut "Mirador" live in barely two weeks.

"After four weeks on our first tour, we went to the studio," says Turpin. "By the time we got there, Dave harnessed a lot of the intensity and frenetic energy from the road." Kiszka adds, "if we didn't cut our teeth in the most intense circumstances, I don't think the record would have the same spirit."

"Feels Like Gold" introduces the album with rumbling guitars breaking like a wave against a it's towering chorus, "and it feels like gold." On "Fortune's Fate" a turbulent guitar groove tosses and turns before spilling over into an emotional crescendo, "there goes my shadow to the one I love." Elsewhere, "Heels Of The Hunt" launches forward on a rapid-fire drum roll, while wild riffs chase goosebump-inducing vocals through a bluesy haze. The finale "Skyway Drifter" opens with finger-picked accents before breaking open into a cathartic breakdown.

"For me, it would be beautiful if this is all-consuming for listeners — like when you see a movie at the cinema," Kiszka concludes. "We're trying to immerse people in the world of MIRADOR and where we're coming from. There's so much duality in the album: the humanity, the soul, the adventure, the tyranny, and the journey. It's a very important record for us, but also in terms of what has gone down in the world of rock 'n' roll today. We hope you feel like you belong to this place as much as we do."

Photo credit: Dean Chalkley

Mercury Studios will release DEF LEPPARD's "Diamond Star Heroes Live From Sheffield" on November 21. The show, recorded in 2023 in DEF LEPPARD's hometown of Sheffield at Bramall Lane during "The World Tour" with MÖTLEY CRÜE, will be available on Blu-ray+2CD, 4K UHD, 2CD and 2LP. Pressed on red, white and black splatter, the vinyl nods to the home kit colors of Sheffield United FC, who play their home matches at Bramall Lane. Additionally, the 4K UHD will be the band's first 4K release and includes "One Night Only Live At The Leadmill", previously released last year.

Marking the start of their co-headlining European tour with MÖTLEY CRÜE, this concert on May 22, 2023 in Sheffield, England served as a homecoming show for DEF LEPPARD, 47 years since the bands inception. Performing DEF LEPPARD's second-ever hometown stadium concert to a sold-out crowd of almost 40,000 fans, the Blu-ray+2CD and 2CD and 2LP versions include classics "Photograph" and "Pour Some Sugar On Me" as well as U.K. live debuts "Take What You Want" and "This Guitar", the latter dedicated to the band's late great guitarist Steve Clark.

On the eve of the band's tour, DEF LEPPARD revisited their club days and played an intimate show for just under 900 die-hard fans from the historic Sheffield venue, The Leadmill. The concert featured a mix of hits and rarities spanning their entire catalog from "On Through The Night" to the band's most recent album "Diamond Star Halos". This specific show, "One Night Only Live At The Leadmill", is available for the first time in the 4K UHD format on the "Diamond Star Heroes" 4K release.

Track listing:

01. Take What You Want
02. Let's Get Rocked
03. Animal
04. Foolin'
05. Armageddon It
06. Kick
07. Love Bites
08. Promises
09. This Guitar
10. When Love And Hate Collide
11. Rocket
12. Bringin' On The Heartbreak
13. Switch 625
14. Hysteria
15. Pour Some Sugar On Me
16. Rock Of Ages
17. Photograph

With more than 110 million albums sold worldwide and two prestigious diamond awards in the U.S., Rock And Roll Hall Of Fame inductees DEF LEPPARD — Joe Elliott (vocals),Phil Collen (guitar),Rick Savage (bass),Vivian Campbell (guitar) and Rick Allen (drums) — continue to be one of the most important forces in rock music. Over the course of their career, the band has produced a series of classic ground-breaking albums — including the 14-times-platinum "Hysteria" and 11-times-platinum "Pyromania" — that set the bar for generations of music fans and artists alike. The group's spectacular live shows and arsenal of hits have become synonymous with their name, leading DEF LEPPARD to be heralded as the world's greatest live rock band.

In May 2022, DEF LEPPARD released their critically and commercially acclaimed twelfth studio album "Diamond Star Halos". The album debuted at No. 1 on the Apple, Amazon Music and Billboard's Hard Rock charts, and scored a Top 10 debut on the Billboard 200 chart, marking the band's eighth Top 10 album of their career. Globally, it notched numerous Top 10 chart entries, including a Top 5 debut in the U.K. Following this success, the band released their 13th studio album "Drastic Symphonies" with the Royal Philharmonic Orchestra in 2023, which charted at No. 4 in the U.K. — their highest U.K. chart entry in over 32 years — and spent an impressive 15 weeks at No. 1 on the Billboard Current Classical chart.

By the end of this year, DEF LEPPARD will have sold over 4.5 million tickets across the globe since their sold-out stadium run in 2022 alongside MÖTLEY CRÜE, a massive feat in today's touring world. The group continues to push the boundaries with their electrifying live shows on their current summer tour with a number of headline shows and festival dates. Next year, the group returns to Las Vegas for their third residency at The Colosseum at Caesars Palace. Most recently, the band teamed up with legendary guitarist Tom Morello for their single "Just Like 73", which soared to #1 on the Mediabase Classic Rock chart.

In a new interview with Eonmusic's Eamon O'Neill, legendary vocalist John Bush spoke about his recent announcement that he will embark on a special run of live performances showcasing the music he helped create during his decade-long tenure singing with ANTHRAX. This December, Bush will perform songs spanning all four albums he recorded with the band: "Sound Of White Noise", "Stomp 442", "Volume 8: The Threat Is Real" and "We've Come For You All". Joining Bush on stage will be his CATEGORY 7 bandmates Phil Demmel (guitar),Mike Orlando (guitar) and Jason Bittner (drums),along with his longtime ARMORED SAINT partner and best friend Joey Vera on bass (CATEGORY 7 bassist Jack Gibson has a schedule conflict and is unable to make the gigs).

Asked if an interview with Eonmusic in 2017 really galvanized things with regard to how these shows came about, John said: "Well, you could be a contributing force, for sure. I've been talking about it and wanting to do this for a long time. It was just a matter of finding the right time to do it. I love those tunes, I want to play these songs live. I've been practicing them, and they sound pretty awesome."

On the possibility of other ANTHRAX bandmembers getting up with him, he said: "My opinion is with those guys, it's their music. It's their songs; they wrote them. They can do whatever they want. If they want to come out for a song, great. If they don't want to come out for any, great. You know, it doesn't matter. If they want to play ten songs, great. The door is open, and they could do whatever they want in conjunction with it, or nothing. As we get closer to the shows, we'll see where people are at with scheduling."

When O'Neill asked if ANTHRAX guitarist Scott Ian gave his blessing, given that John and Scott had recently played together at Scott's wife's birthday celebration, John said: "Scott asked about being the third guitar player on one of the shows. He had said, 'Would you like a third guitar player?', and I was cracking up, but I don't know how completely sincere he was about it. I think it was, but he has a conflict with the date in Los Angeles, and that's where Scott lives. He has a wedding in New York, so I was saying, 'Well, maybe New York?", but I don't know if he's going to be there that long, so who knows?"

Finally, John summed up the vibe for the shows: "I do want it to feel celebratory. I have a few other people in line to come up maybe and do some songs. I just want it to feel kind of like a party, almost, a celebration of those songs and those records. It's not a competition with ANTHRAX. I want it to just feel like a fun event to be at."

During an appearance on the July 31 episode of SiriusXM's "Trunk Nation With Eddie Trunk", Bush stated about what led to the decision to play full-length concerts focusing on his time with ANTHRAX: "Obviously I've talked about this for quite a while, and it's come and gone because of various reasons — scheduling, or maybe I was just reluctant at the time. And Dan DeVita, who I owe a lot to, because he's the agent who books ARMORED SAINT, and he's booking this, and I've known Dan for years and years. He works for TKO, and he's doing great for himself, and he's always been there for us and for me. And the thing is, he kept saying, like, 'When do you wanna do this? Let's do this.' And we had a plan to do it in the summer of this year. We had dates for Europe that were ready to go. And then for whatever reason, I don't know if I got cold feet or some of the negotiations kind of fell apart with some of the people I was talking to. And so we pulled out. And we actually had some legitimate gigs — we had a couple of festivals that were big and it was gonna be cool. For whatever reason, it didn't happen. So it's a moot point now. But the reality is, look, I am gonna be 62 [in August]. And I've been talking about this forever, and so let's just do it. Let's stop talking about it and let's do it. So we found the right dates to do it, which is in December, and it's three shows. It's L.A., it's St. Charles, which is outside of Chicago, and then New York City. And I'm gonna go out and we're gonna play songs from these records, and I think it's gonna be really exciting and fun. I think fans are gonna be stoked, and I'm excited. I'm looking forward to it. There's really, really killer tunes on those records that I'm really proud of, and it's gonna be fun to sing them live."

On the topic of how he chose the musicians to play these shows with, Bush said: "It was gonna be the four guys from CATEGORY 7, and Jack Gibson just has a scheduling conflict. So that was the original plan. But it was funny, 'cause we talked about doing this and it was, like, well, here's the band. We've only played one show with CATEGORY 7 — we played the Whisky [A Go Go] just a couple weeks back — but every time we were gonna do some shows, a couple of things fell apart, a couple of balls were dropped. Whatever — that's a moot point. But I think the [CATEGORY 7] record actually is pretty off the charts; it's a killer record, [and I'm] really proud of it. And so we wanted to play some shows, and then, like I said, a couple of things fell apart. But then the idea came of, like, okay, well, wait a minute here. Here's a bunch of incredible musicians. And these guys can play these songs. Bittner played in ANTHRAX, or did some touring with them when Charlie [Benante] was having some injury issues. So he knows a lot of tunes. And it just made sense. It was, like, 'Well, wait a minute. We could piggyback this thing. It'll be really kind of interesting to have one band play and then kind of come back and play again.' So, it's gonna be a little much for not only me as a singer, it's gonna be a lot of songs. It's gonna be a lot of songs for the band to know and learn. But I think in the end it's gonna be a cool story, and it's gonna be fun. Like I was saying, if I was trying to put a band together from scratch of people that I would like to do these ANTHRAX songs, I would choose those guys 'cause they're amazing. So it just made sense. So it's gonna be a lot of fun. And like I said, a lot of these songs — I mean, 'Potter's Field' and 'Fueled' and 'Safe Home', we haven't played these songs — I haven't played these songs, and nor have they, in years and years. So, it's gonna be really cool and exciting to kind of resurrect some of these tunes that a lot of people dug and are great songs that just haven't been heard in a long time."

Asked about the possibility of playing more shows celebrating his era of ANTHRAX in 2026, John said: "Well, we're gonna take this step [by playing these three shows in December]. And for me, this was a big step. So I was, like, let's do this. And Dan, like I said, my agent, he was, like, 'Why don't we do this? We'll kind of play like three shows, strategic, and start with this.' The [new] ARMORED SAINT record is coming out in March or April, so I'm gonna be definitely wanting to do a lot of touring and association with that, because we're really stoked about this upcoming [ARMORED SAINT] album — it sounds killer — so we're gonna do a lot of stuff with that. So it's finding a way to merge some of these things together, but let me kind of get this out there, see what the vibe is. It seems like it's actually pretty awesome so far… But let's see what we get and let's see what happens. And sure, there's a lot of places that I would like to take it — certainly Europe and even South America and maybe even Japan. And the sky's kind of the limit. Obviously, there's a shelf life 'cause this is not new material. These are records that are 20 to 30 years old at this point. So it's not new music. And, of course, ANTHRAX has new music, and they're making a record and they have a new record coming out next year. But the fact is they just really haven't been playing any of these tunes. So they've been kind of almost put in a time capsule. And I get it — I really do. To just call it as it is, I understand, especially from the standpoint of [longtime ANTHRAX singer] Joey Belladonna. They're gonna have a third new record after he came back in the band. They obviously have their catalog of stuff that he did, and they probably have a plethora of material to play, not including any of the Bush songs. But the reality is I don't want these songs to just go into oblivion here. There's some really great material here, and in the '90s these songs had a lot of impact on people. So, I'm figuring, well, if you guys aren't gonna do it, then I should do it. And that's why I'm finally doing it."

Asked if he would still be doing these shows if the Belladonna-fronted lineup of ANTHRAX was performing a lot of the material Bush recorded with the band live, John said: "Well, I'd say most likely not. I used to say, 'Do songs [from my era]. I want you to do tunes.' I understand why you don't, but I wish they would. Because, again, it's something that I invested emotionally and a lot of time, as well as those guys did. So, I would prefer them to play the tunes. I understand if they don't, but if they were, then maybe not. But they don't, with the exception of 'Only'. And there's a lot of great tunes. I've been putting a setlist together, and it's probably more songs than I really wanna sing, to be honest, 'cause it could be a very long set. Plus I wanna play some deep tracks — I don't wanna just play the obvious songs, like 'Only', 'Room For One More', 'Fueled'. I wanna play 'Safe Home', whatever. I wanna play some deep tracks, because it will be more fun that way. So, would I do this [if ANTHRAX was still performing songs from the Bush era live]? Probably not. I would say probably not. But they're not, so I am."

On the upcoming run of shows, CATEGORY 7 will open each night with its own blistering set before returning as John's backing band for the ANTHRAX material.

The setlist will include not only the well-known anthems, but also some deeper cuts that haven’t been performed live in years.

John Bush performing songs from his era of ANTHRAX:

Dec. 13 - Los Angeles, CA @ Whisky A-Go-Go
Dec. 18 - St. Charles, IL @ Arcada Theatre
Dec. 20 - New York, NY @ Racket

John Bush photo by Rob Shotwell / Scott Ian image courtesy of Jackson Guitars

Grammy-winning, progressive music titans DREAM THEATER will release "Quarantième: Live À Paris" on November 28 via their longtime label partner Inside Out Music/Sony Music.

"Quarantième: Live À Paris" documents DREAM THEATER's November 23, 2024 concert at Adidas Arena in Paris, France during the band's 40th-anniversary headlining tour of Europe, and it features the lineup of James LaBrie (vocals),John Petrucci (guitar),John Myung (bass),Jordan Rudess (keyboards) and Mike Portnoy (drums). The effort contains a setlist that spans the band's entire career with classics like "Metropolis Pt. 1", "Panic Attack", "Octavarium" and "Pull Me Under" represented among other fan favorites.

To coincide with the announcement, DREAM THEATER has released a live version of "Overture 1928 / Strange Déjà Vu" via all digital services providers and a video of the performance can be seen below.

Petrucci comments: "From the moment we announced our 40th-anniversary tour, we knew it would be a very special event for both the band and our fans and must be captured. With this release, our performance in Paris is presented so beautifully in both stunning audio and video and really encapsulates this momentous occasion for all to enjoy."

Adds Portnoy: "We always knew this tour would be unforgettable because not only were we celebrating four decades since forming the band, but also the reunion of the band's classic lineup. The excitement and emotions between us and our fans at each and every show were palpable and totally off the charts! The night captured here in Paris was an epic evening that we can now share with the whole world to celebrate this incredible tour."

Presented in several formats, with artwork by longtime collaborator Hugh Syme, "Quarantième: Live À Paris" will be available as a limited deluxe 3CD+3Blu-ray artbook, including 68 pages of photos and artwork as well as an additional Blu-ray of bonus material. It will also be available as a special edition 3CD+2Blu-ray Digipak, limited deluxe 180g 4LP boxset and digitally. The Blu-ray includes the full show with Dolby Atmos, 5.1 Surround Sound and high-resolution stereo audio.

The track listing for "Quarantième: Live À Paris" is as follows:

CD1:

01. Metropolis Pt. 1
02. Overture 1928
03. Strange Déjà Vu
04. The Mirror
05. Panic Attack
06. Barstool Warrior
07. Hollow Years
08. Constant Motion
09. As I Am

CD2:

01. Orchestral Overture
02. Night Terror
03. Under A Glass Moon
04. This Is The Life
05. Vacant
06. Stream of Consciousness
07. Octavarium

CD3:

01. Home
02. The Spirit Carries On
03. Pull Me Under

Blu-ray 1:

01. Metropolis Pt. 1
02. Overture 1928
03. Strange Déjà Vu
04. The Mirror
05. Panic Attack
06. Barstool Warrior
07. Hollow Years
08. Constant Motion
09. As I Am

Blu-ray 2:

01. Orchestral Overture
02. Night Terror
03. Under A Glass Moon
04. This Is The Life
05. Vacant
06. Stream of Consciousness
07. Octavarium
08. Home
09. The Spirit Carries On
10. Pull Me Under

During an August 6 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Portnoy spoke about what it has been like for him to be touring with DREAM THEATER once again after a 13-year absence. The progressive metal legends played their first concert with Portnoy in 14 years on October 20, 2024 at the O2 Arena in London, United Kingdom. The drummer, who co-founded DREAM THEATER, played on 10 of the band's albums over a 20-year period, from 1989's "When Dream And Day Unite" through 2009's "Black Clouds & Silver Linings", before exiting the group in 2010. Portnoy returned to DREAM THEATER in October 2023 after being replaced by Mike Mangini, who played with DREAM THEATER across five studio albums and accompanying world tours. Portnoy told "Trunk Nation With Eddie Trunk""It's been incredible — the biggest tour the band has ever done. We started at the O2 in London, which was incredibly emotional, and then we wrapped the U.S. tour at Radio City Music Hall… There's so many highlights. It's been incredible. We did all of Europe once with [the] 'An Evening With' [run of shows], then we did South America. We did North America, then we did this [European] festival run, and now we're about to shift into finally doing a tour for the new album, 'cause through all this we put out a new album in February, and we haven't really had a chance to properly give attention to that yet, 'cause we've been so busy with the 40th-anniversary thing. So we're about to shift into 'Parasomnia' mode, and we have a North American tour kicking off next month. And we'll be all through the States in September and October with a completely different show. So if anybody saw us in the last round, this is a completely different set, completely different stage, and we're gonna play the whole new album in its entirety, which will be a lot of fun and finally give it its due."

Asked if the tracks from DREAM THEATER's sixteenth studio album, "Parasomnia", will be performed in the same order that they appear on the LP on the current U.S. tour, Portnoy said: "Yeah, it was written to be performed that way. The whole album is very much like a concept album in that respect. So we've played a couple of the songs this past year on the 40th-anniversary tour, but now we could dig into it and give it a full top-to-bottom presentation. And then gonna celebrate the 30th anniversary of 'A Change of Seasons', which was like the first big epic the band put out 30 years ago. So we're gonna play that as well."

Portnoy added: "We've still got a lot of gas left in the tank. We're gonna go over to Asia right after New Year, and then we have a third European run next spring to do the 'Parasomnia' over there. So it's been incredible, but the emotions at every show — the fans, you just look out there and you see grown men crying, and it's all smiles and tears."

After Trunk noted that a lot of the emotions surrounding DREAM THEATER's current tour are based on the fact that Portnoy is back in the band after such a long time away, Mike said: "I'm so thankful that it's come back full circle. It would've been really sad if we never did reunite. I've seen other bands, like PINK FLOYD with Roger Waters, or GENESIS with Peter Gabriel, certain bands that never do reunite. And as a fan, it's a shame. I would love to see those lineups together again before it all ends. So for us to be back together again and celebrating the 40th anniversary of the band and riding off into the sunset together, it's poetic. It's the way it should be, really. And I'm so glad that we're here together again."

DREAM THEATER's summer/fall 2025 "An Evening With Dream Theater" U.S. tour is hitting 30 cities across the United States, kicking off September 5 in Reading, Pennsylvania and running through October 25, when it wraps in Long Island, New York. The tour is making stops in Orlando, Floria; Detroit, Michigan; Kansas City, Missouri and Providence, Rhode Island, among others. DREAM THEATER is performing its latest album in its entirety as well as classics and fan favorites from the band's catalog in what promises to be an unforgettable evening of music.

"Parasomnia" came out on February 7, 2025 via InsideOut Music. The LP marked DREAM THEATER's first release with Portnoy since 2009's "Black Clouds & Silver Linings".

"Parasomnia" was produced by guitarist John Petrucci, engineered by James "Jimmy T" Meslin, and mixed by Andy Sneap. Hugh Syme returned once again to lend his creative vision to the cover art.

"Parasomnia" is an eight-song, 71-minute set which was recorded at DREAM THEATER's DTHQ studio on Long Island, New York. It is the follow-up to 2021's "A View From The Top Of The World", which debuted at in the top 10 of Billboard's Top Hard Rock Albums, Top Rock Albums and Independent Albums charts. Six songs on "Parasomnia" are over seven minutes and the closing epic "The Shadow Man Incident" clocks in at nearly 20 minutes.

The North American leg of DREAM THEATER's 40th-anniversary tour kicked off on February 7 at The Met in Philadelphia, Pennsylvania. The trek was "An Evening With Dream Theater" and was the first tour of North America since Portnoy's return to the lineup. The tour concluded on March 22 in New York City.

Portnoy, Petrucci and Myung started DREAM THEATER as MAJESTY in 1985, after meeting at the Berklee College Of Music in Boston. LaBrie came on board in 1991, while Rudess joined in 1999.

Prior to Portnoy's return to DREAM THEATER, the drummer and Petrucci worked together on the latter's 2020 solo album, "Terminal Velocity", and toured together. Portnoy and Petrucci also joined Rudess and bassist Tony Levin for a third studio album as LIQUID TENSION EXPERIMENT in 2021.

ENVY OF NONE, the band featuring Alex Lifeson (RUSH),Andy Curran (CONEY HATCH),Alfio Annibalini and singer Maiah Wynne, will release "The Thrill", a three-track single, on November 1 via Kscope. The new offering features an alternative version of album track "Thrill Of The Chase", a demo version, and the album track itself. A brand-new video for "The Thrill", directed and edited by Mithun Hassan, can be seen below.

Curran states: "'Thrill Of The Chase' was one of the last songs we worked on before handing in the completed record. It started with Alf's funky demo and Maiah loved it and was very vocal about completing it. She and I were wanting to add something up tempo to the record and this one, despite being a little left of center style wise seemed to fit nicely. It has a cool funky positive vibe that we enjoyed exploring, especially the outro dance party section!"

Alfio adds: "At first glance, this track seems like an odd choice to include on the album, but once Maiah added her vocals, the track instantly sounded as if EON had walked through a new yet familiar door. And as a special bonus, the remix even features a cowbell!"

Alongside the digital release, ENVY OF NONE will also release "The Thrill" as a 12-inch colored vinyl version of the single with all proceeds from this release donated to UNHCR's response to the Ukraine emergency, available exclusively from the band's store.

ENVY OF NONE's second album, "Stygian Wavz", was released in March via Kscope.

Though they'd never describe themselves as such, ENVY OF NONE are the living, breathing definition of a supergroup. No other band on earth could rightly claim to have Lifeson — one of rock's most influential visionaries — heading up guitar duties, with Curran of CONEY HATCH and SOHO 69 overseeing bass/programming as well as producer extraordinaire Alfio Annibalini on keyboards. However, the star in this band could very well be its youngest member — American singer-songwriter Maiah Wynne — whose wonderfully emotive vocals are able to spin the music in new exciting directions that thrill to the core.

On their self-titled debut of 2022, the group were able to prove that they were a lot more than the sum of their parts, with an abundance of panache and finesse poured into a contemporary alt rock sound that was hard to predict and even harder to categorize. This year's sophomore release, "Stygian Wavz", is the sound of a band basking in the radiant glow of creative confidence and coming into their own, staggering the listener with every twist and turn encased within their heady mix of genre-splicing brilliance.

"Stygian Wavz" was released on a selection of formats, including colored vinyl, standard black vinyl, CD, Blu-ray, digitally and as a special deluxe edition boxset.

"I think we started working on the record about twenty minutes after the release of the first," Lifeson told Classic Rock magazine about "Stygian Wavz". "We had little bits of ideas lingering. But once we committed to doing a second LP, we threw those aside and started with fresher, newer ones. And it was really exciting, because we'd had this great time making [the debut], and nobody wanted to stop."

He added: "When I finally listened to the mastered record from top to bottom, I felt, 'This is a band.' The first record was a union of four musicians writing music to create an album, but with this second one we really connected as bandmates."

ENVY OF NONE is:

Alf Annibalini - Guitar, Keyboards, Programming
Andy Curran - Bass Guitar, Synthesized Bass, Programming, Guitar, Background Vocals, Stylophone
Alex Lifeson - Guitar, Mandola, Banjo, Programming
Maiah Wynne - Lead Vocals, Background Vocals, Keyboards

Photo credit: Richard Sibbald

Trans-Siberian Orchestra (TSO) are celebrating the 25th anniversary of the acclaimed rock opera album, Beethoven’s Last Night. To mark this grand milestone, they are releasing two exclusive, limited-edition 2LP vinyl sets on Friday, September 12.

Join Al Pitrelli and Chris Caffery from as they unbox the special 25th Anniversary Red Colored Vinyl and a Lenticular Cover Edition of Beethoven’s Last Night:



The first edition features a lenticular cover with 3D-style artwork and two silver LPs, available exclusively at Rhino.com and the official Trans-Siberian Orchestra website.



The second edition showcases the same 3D-style artwork, but features two royal-red LPs, available in select stores and online retailers, offering you another special way to experience this amazing album!



TSO has shared “Mozart” from the release. Check it out below.

“Overture”
“Midnight”
“Fate”
“What Good This Deafness”
“Mephistopheles”
“What Is Eternal”
“The Moment”
“Vienna”
“Mozart”
“The Dreams Of Candlelight”
“Requiem”
“I’ll Keep Your Secrets”
“The Dark”
“Für Elise”
“After The Fall”
“A Last Illusion”
“This Is Who You Are”
“Beethoven”
“Mephistopheles’ Return”
“Misery”
“Who Is This Child”
“A Final Dream”

According to People magazine, Perry Farrell has responded to a lawsuit filed by his JANE'S ADDICTION bandmates Dave Navarro, Eric Avery and Stephen Perkins over the singer's onstage altercation with Navarro in September 2024 that forced the cancelation of JANE'S ADDICTION's reunion tour. Their claims included intentional infliction of emotional distress, negligence breach of fiduciary duty and breach of contract, while claims from Navarro included allegations of assault and battery over the incident.

In Perry's document, which was filed on Monday, September 8, Farrell lists 35 affirmative defenses, including claims that Navarro has "unclean hands," 'fails to state facts sufficient to constitute a cause of action against" and "failed to exercise reasonable care and diligence to mitigate [the] alleged claims and damages."

The 66-year-old vocalist also says he acted in "good faith and without malice" toward the guitarist. He’s seeking attorney fees and legal costs related to the case.

Christopher Frost, an attorney for Navarro, Avery and Perkins, sent a written statement to People in which he said: "Our lawsuit speaks for itself. So does the video. By responding in this way, Mr. Farrell is not taking any formal legal step to stop the litigation. This is consistent with the fact that they have taken no affirmative steps to advance their claims, whether serving discovery or otherwise, and it is consistent with the strength of the claims by Dave, Eric, and Stephen."

Navarro, Avery and Perkins filed their lawsuit this past July in Los Angeles County Superior Court, alleging that the group lost over $10 million as a result of the tour's cancelation.

"The Band can no longer function as a result of the Defendant’s conduct, including his sudden, violent outbursts and demonstrated inability to serve as the Band's frontman and vocalist," their complaint said. "The physical, emotional, and financial harms Defendant has wrought have deeply impacted the Plaintiffs, their families, and their loved ones, and it is time for Defendant to face the consequences of his actions and be held accountable."

The JANE'S ADDICTION members also alleged in their lawsuit that Farrell was often unable to deliver on stage as a result of his alcohol consumption.

"Plaintiffs (and others in attendance) had observed during the Tour that Perry regularly appeared onstage in an advanced state of intoxication," reads the complaint. "He would often drink wine onstage and slur his speech. Perry frequently went on long, rambling discursions between songs for no apparent purpose other than for his own amusement. The problems with Perry's performance would often worsen as the night wore on and he became more intoxicated."

Frost said in a statement to Rolling Stone: "Dave Navarro, Eric Avery, and Stephen Perkins had high hopes that they could capture the pure spirit of the band's early days and build on it. Initially they did, in the studio and onstage. But … they did so with a fourth bandmate who was by turns unwilling or unable to perform to a reasonable standard and who repeatedly threatened to derail the tour."

The attorney added that Farrell "abruptly and unilaterally ended all the plans for a JANE'S ADDICTION revival" following the aforementioned incident and "left his bandmates holding the bag for an unfulfilled tour and record deal… Dave, Eric, and Stephen never wanted it to come to this. But they have been wronged, want the accurate story told, and they deserve a resolution."

Just hours after Navarro, Avery and Perkins sued him, Farrell filed a lawsuit — which, according to Variety, was not a countersuit — against his JANE'S ADDICTION bandmates, stating: "That JANE'S ADDICTION's bandmates have sometimes been antagonistic towards each other has been well-documented. But Navarro, Avery and Perkins apparently decided that JANE'S ADDICTION's decades of success should be jettisoned in pursuit of a years-long bullying campaign against Farrell involving harassing him onstage during performances, including, among other tactics, trying to undermine him by playing their instruments at a high volume so that he could not hear himself sing without blasting his own in-ear monitors at an unsafe level. This harassment escalated on September 13, 2024 to physical violence by Navarro and Avery against Farrell onstage during the Boston show and the assault of both Perry and [Perry's wife] Etty Lau Farrell backstage by Navarro. These altercations precipitated the decision by Navarro, Avery and Perkins to both call off the rest of the band's North American tour. Without warning or consultation and using Perry Farrell, as a scapegoat, Navarro and the other band members took it upon themselves to abruptly cancel the remaining tour dates — violating contracts and disregarding all professional obligations — and apparently break up the band for good."

Regarding Navarro's alleged backstage assault, the complaint read: "Navarro now falsely claims Farrell hit Navarro with a sucker punch. What actually happened was that it was Navarro who menacingly charged at and aggressively assaulted both Farrell and his wife Etty Lau backstage, shouting, 'What the fuck was that, you motherfucker?!' Farrell took a defensive stance and shouted, 'Get the fuck out of here!' to which Navarro replied, 'I am never working with you again!'"

The complaint continued: "[Farrell] was not even consulted about cancelling the tour and would not have agreed to do so due to the financial and reputational consequences, as well as exposure to third-party legal liability created by their allowing Wilton Hilton, Inc., the band's touring company, breach its touring commitments."

In a statement shared with Variety, Farrell said of the trio's lawsuit: "As a founding member and creative force behind JANE'S ADDICTION, Perry Farrell has always prioritized the band's legacy and its supporters, which is why the events of September 13th, 2024 in Boston and the resulting fallout was so devastating. Without warning or consultation and using Perry as a scapegoat, Dave Navarro and the other band members took it upon themselves to abruptly cancel the remaining tour dates — violating contracts and disregarding all professional obligations. Perry was blindsided by not being allowed to vote and be heard, leaving him unable to plead his case to continue the tour for their fans. If that was not harmful enough, Dave Navarro then intentionally and publicly blamed Perry for the canceled tour dates effectively destroying Perry's reputation and causing him irreparable harm. Despite this continued bullying perpetuated by Navarro, Perry's dedication to JANE'S ADDICTION and the preservation of its positive impact on the music industry remains unshaken. He is actively exploring ways to address the situation and ensure accountability."

JANE'S ADDICTION's September 13, 2024 concert at Leader Bank Pavilion in Boston came to a sudden end after Farrell bumped Navarro's shoulder with his own before seemingly yelling at the guitarist. Navarro then placed a hand between himself and Perry before Farrell appeared to throw a punch at him. Another man then jumped between them, breaking up the fight. A couple of days later, JANE'S ADDICTION announced that it was scrapping the rest of its tour dates following the incident. The band said it "made the difficult decision to take some time away as a group," therefore scrapping the rest of the dates of their tour. A short time later, Navarro, along with drummer Stephen Perkins and bassist Eric Avery, posted a joint statement to their respective Instagram accounts in which they said the cancelation of the tour is a result of a "continuing pattern of behavior and the mental health difficulties of our singer Perry Farrell."

"Our concern for his personal health and safety as well as our own has left us no alternative. We hope that he will find the help he needs," the statement read.

Navarro, Perkins and Avery expressed "regret" for the cancelation but added that they "can see no solution that would either ensure a safe environment on stage or reliably allow us to deliver a great performance on a nightly basis."

"Our hearts are broken," the statement concluded.

Later that same day, Farrell wrote in a statement posted to his Instagram story that "this weekend has been incredibly difficult and after having the time and space to reflect, it is only right that I apologize to my bandmates, especially Dave Navarro, fans, family and friends for my actions during Friday's show."

His statement added: "Unfortunately, my breaking point resulted in inexcusable behavior, and I take full accountability for how I chose to handle the situation."

A few days after the tour cancelation, JANE'S ADDICTION released a new single, "True Love". The track, which was performed live for the first time in 2023 and had been played at a few other shows since, was the second new single from the band's classic lineup of Farrell, Navarro, Perkins and Avery, following "Imminent Redemption", which arrived in July 2024.

"True Love" was written by Farrell, Navarro, Avery and Perkins, with assistance from touring guitarist Josh Klinghoffer.

"Imminent Redemption" was tracked at Sweetzwerland Studios in Hollywood, California.

Prior to "Imminent Redemption"'s arrival, Avery's last time in the studio with JANE'S ADDICTION was for the classic 1990 album "Ritual De Lo Habitual".

"Imminent Redemption" was first performed live when JANE'S ADDICTION's classic lineup played its first show in 14 years on May 23, 2024 at London, United Kingdom's Bush Hall.

Navarro sat out JANE'S ADDICTION's 2022 and 2023 shows due to his battle with long COVID. He was replaced at that year's gigs by Klinghoffer, a former member of RED HOT CHILI PEPPERS who also records with Eddie Vedder and performs with PEARL JAM. 2022 saw QUEENS OF THE STONE AGE's Troy Van Leeuwen step in for Navarro.

The fall 2022 "Spirit On Fire" tour marked the first JANE'S ADDICTION run of shows in more than a decade to feature returning Avery. Prior to that, Avery last played with the band for a short stint in the 2000s before departing again in 2010.