Swedish metallers AVATAR entered the studio this past January to begin work on their tenth album. The follow-up to 2023's "Dance Devil Dance" was once again produced by Jay Ruston, who has previously worked with ANTHRAX, STEEL PANTHER and URIAH HEEP, among many others.

AVATAR's next LP is tentatively due later in 2025 through the band's own label Black Waltz Records, which is distributed by Thirty Tigers.

In a new interview with Vrotherhood, AVATAR vocalist Johannes Eckerström stated about the songwriting process for the band's upcoming effort (as transcribed by BLABBERMOUTH.NET): "For me, I set a starting date around August 2023. I was thinking next album a lot. Also because of touring and life in general, there's not this huge long period of just disappearing and writing. So I kind of personally rely on having a bit more manic periods. So it was something towards the end of that summer, then a bit around December, January, that year. Then we did a lot of touring again, and a little things can happen on tour, some really important things even in the songwriting, but not a huge volume of stuff. The big volume of stuff means that you get to sit at home and work in peace and fail in peace, and succeed in peace. So, I guess the practical part of it is start early to really get the ball going and the juices flowing again in terms of writing. And it's a bit different for the other guys. I think [guitarist] Tim [Öhrström] — well, he started a bit after me, and [guitarist] Jonas [Jarlsby] really got most of his stuff together much later. But, well, at the end of the day, we all climb different paths up the mountain, but we still reach the same mountaintop."

Regarding the lyrical themes covered on the new AVATAR album, Johannes said: "I'm still kind of unpacking exactly what this album is — or not unpacking what this album is, but unpacking how to talk about what this album is. But there are certainly… Where should I even begin? Well, it seemed like dreams influenced this album way more than they have in the past, and some kind of letting something subconscious out. And with that come, to a certain degree, some kind of take on surrealism. And with the subconscious way of doing things, I feel I worry less and less over time that I have to understand a song immediately while writing it, or that I have a clear goal in my head of what it's supposed to be. Where I now have been trusting beauty, just the aesthetic of [it]… If the words, in the context of the music and everything I wanna write there, if it feels beautiful, it is probably right. So that plays in, in a way, and I think an ability to play with that and still have songs that I feel make sense and come together as a solid song that is worth recording and putting out there and have someone, 'Hey, look what I did. Share this with me now,' that is not just mumbo-jumbo nonsense, super self-indulgent. You still want all of these things, whatever process is going on together with creating the music, it still also needs to be something that communicates and articulates something. Even in cases, if it just articulates, 'I wanna rock and roll all night and party every day,' it needs to say something about something. And I think it does. But definitely daring to just let the voices in the head speak for themselves, in a way."

Johannes continued: "Some songs are way more clearly story-driven, like little ghost stories or whatever. And some songs are reflective, introspective in a way that I don't think I would've had the ability to do earlier in my life. 'Cause that's the other thing — always, always, always look for a way to feel like a beginner, find something to be excited about as a songwriter, as a creative person. 'Cause this will be our tenth album. And I don't need any justification to make music for myself. But if I'm gonna bother you with it, I feel like there has to be something about it that we didn't quite do before. If we are one of the few who are gonna get to do what we do to the level where we can feed ourselves and our families with it, where we get to travel the world, we get to do all these things, then I think that comes with a certain respect towards the people that you are trying to pull in. And also a respect for the art form, a simple respect for heavy metal and what that means to us. And letting the things, therefore, change and evolve as we change and evolve as people.

"There's something to be said about the early stages of a band's career," he added. "There's a naivety and enthusiasm and energy… A lot of bands peak early — not all of them, but a lot of bands — and I think that is mainly because those who are not able to allow their music to evolve as they evolve as people, then there's the law diminishing returns or whatever with it. But if you're honest with where you are in life and what excites you or what feels important while you write the current thing instead of thinking what used to be important, then you have a chance to do something great over and over again. So, yeah, there's a way of dealing with age, death, change on this album that goes deeper. And I also think this is an album that has way more of caring about people. In a way, there's some more romantic parts or intimate parts and not necessarily only spousal, that kind of love song-ish. There's absolutely stuff like that there, but that stuff has been there for a long time. It's just buried in the heavy metal… So, there's a lot going on with this album, but this dreamy, surreal exploration of dark places."

As for the musical direction of the upcoming AVATAR LP, Johannes said: "Musically, it's an AVATAR album. The big changes — I feel I took some huge leaps as a singer, so things start to really connect in just how to sustain the high range in a certain way of singing, while also even more challenging in another way, just not that high heavy stuff, but also going back to [someone like JUDAS PRIEST singer] Rob Halford.

"The people who are able to have a drive and energy in your mid-range, but not just when you scream your head off, that's one thing. But to say, [for example, the PRIEST song] 'Breaking The Law' — 'There I was completely wasting, out of work and down,' there's that drive to. It's the drums and the weight of the words and all that. And to do that without screaming your head off, there are moments on the album where I finally feel I did a bit of that and feel pleased with it. And I think parts of this album is more progressive than AVATAR has been before, I believe. We didn't do [something like the classic] YES [album] 'Close To The Edge' — it's not that, but it's something. Sometimes you have to stop and count a bit, and lose yourself in that a bit. So that's cool. And there's also probably stuff that [is] the most melodic that we have done, especially vocally speaking, I would say. Because the guitars have always been mainly melodic. And then we have some of the murder riffs as well, because we like that. So it's very multifaceted in a way that is hard to make sense from a band that isn'tAVATAR. But we can do it. And also I play piano, so that was fun."

Last December, AVATAR shared a brand new, re-recorded piano version of its song "Tower".

The original version of "Tower" appeared on AVATAR's beloved and critically acclaimed fifth album, "Hail The Apocalypse", which was released in 2014.

"Dance Devil Dance" was recorded in the Swedish wilderness, far away from all the perceived glamor of the big city and modern studios. Ruston returned as producer. He first worked with AVATAR when he mixed "Hail The Apocalypse", a role he reprised on "Feathers & Flesh" before taking the wheel as producer on "Avatar Country" and "Hunter Gatherer".

"Dance Devil Dance" featured a guest appearance by Lzzy Hale of HALESTORM on the song "Violence No Matter What". The record also included the single "The Dirt I'm Buried In", which hit No. 1 on Billboard's Mainstream Rock Airplay chart.

Johannes formed AVATAR in 2001. The band's lineup has remained virtually the same ever since, save for guitarist Tim Öhrström, who entered the fray just over a decade later. AVATAR also includes guitarist Jonas Jarlsby, bassist Henrik Sandelin and drummer John Alfredsson.

Photo credit: Jens De Vos

More than 30 years into their storied career, Montreal death metal innovators CRYPTOPSY return with their ninth studio album, "An Insatiable Violence", set for release on June 20, 2025 via Season Of Mist.

Revered in extreme metal circles for such groundbreaking classics as 1994's "Blasphemy Made Flesh" and the 1996 magnum opus "None So Vile", CRYPTOPSY find yet another gear on "An Insatiable Violence", which further solidifies the band's place in the upper echelon of death metal. Coming out of the pandemic, the band dedicated themselves to staying on top of their game more than ever before, with the intention of consistently putting out a new record every two years. That started with 2023's acclaimed "As Gomorrah Burns" and continues 21 months later with "An Insatiable Violence".

"We had to write the majority of 'An Insatiable Violence' while on the DEATH TO ALL tour, which was something we'd never done before," vocalist Matt McGachy says. "Flo [Mounier, drums] and Chris [Donaldson, guitar] really put their hats on. It was a feat."

"Ever since COVID, our focus is clearer, a lot of work gets done faster, and we push each other to get it done," Mounier says.

In addition to featuring some of the fastest passages CRYPTOPSY has ever recorded — keen listeners will even hear the odd gravity blast from Mounier, a rarity from the virtuoso drummer — the controlled chaos of their signature sound is offset by well-timed passages that ease off the gas pedal enough to allow listeners to come up for some air. That dynamic rage on "An Insatiable Violence" in turn makes the more aggressive moments hit even harder, which is immediately noticeable on the harrowing "Until There's Nothing Left" and the chugging closing track "Malicious Needs". Olivier Pinard anchors "Fools Last Acclaim" with stunning authority (keeping pace with Mounier is an unenviable task) while Donaldson offsets gnarly, atonal riffs with melodic passages throughout the record. "It's a continuation of 'As Gomorrah Burns'," McGachy says, "We really wanted to make a groovy record, and we think we've done it."

It seems as though nothing is scarier than real life right now, and "An Insatiable Violence" is a commentary on today's society as though filtered through the transgressive, countercultural perspectives of J.G. Ballard and David Cronenberg.

"It all came to me in a dream in August 2023," elaborates McGachy. "I woke up, I took my phone, and I wrote down the title of the record. It's about a person that wakes up every day and fixes a machine. Tinkers with it, tries to make it better all day long, sweating in the sun, and then at night, they strap themself into this machine and the machine tortures them, and they love it. Then they wake up the next day and fix it again to make it more efficient, to keep harnessing it, and then just keep doing it over and over again.

While fantastically twisted, "An Insatiable Violence" mirrors our toxic relationship with social media. "We're continuously trying to feed this algorithm of the machine while it's totally tearing us apart socially and psychologically", McGachy continues. "'The Nimis Adoration' is about mukbang, these Korean people that eat too much food on the Internet. Piles and piles of food. A poor girl died on a live cam."

At the center of the album is the mind-boggling percussion skill of Mounier, arguably the most imposing Canadian drummer not named Peart, who dominates such standout tracks as "Dead Eyes Replete", "Fools Last Acclaim" and "Embrace The Nihility".

"I look at Flo as an Olympic athlete," says McGachy. "I want to push this guy to go a lot faster than CRYPTOPSY's previous releases. We have so much more to give, and I wanted just drain it all out of him while he's still at the top of his game, because he is. He's crushing."

"I mix up a lot of a physical activity, like resistance training into the drumming," Mounier says. "I recently developed new techniques that make it easier to go even faster, so I tried to push that on this album. My focus is now more on dynamics and the touch of the snare, a certain snap of the snare, a rim shot on the snare, the toms, a light touch or a hard touch. Live, I can really let go, you know, give the sound guy a hard time," he adds with a laugh.

For McGachy, who has always boasted a powerful, guttural death growl, the rigors of touring have enabled him to evolve as a vocalist, and he turns in a revelatory performance on "An Insatiable Violence". In addition to ear-scraping screams that rival George "Corpsegrinder" Fisher, McGachy unleashes the deepest, filthiest death growls of his career.

"'Gomorrah' was the first album that I recorded with my full false chord scream, which is something that I'd only just touched on 'The Book Of Suffering: Tome II' in little sections," he says. "We did at least 140 shows since 'Gomorrah'. I exclusively did my false chords during all the songs that we performed on 'None So Vile' and 'Blasphemy Made Flesh'. And then, when we did go into the studio for 'An Insatiable Violence', Chris would be, like, 'Deeper, you must go deeper!'"

Another fearsome vocalist from CRYPTOPSY's lore pops back into the booth on "An Insatiable Violence". "When we were recording the vocals for 'Embrace The Nihility', Chris had the idea of ending the song with the same vocal pattern as the end of '...And Then It Passes'," McGachy remembers. "We figured if we were going to rip ourselves off, then we may as well get the real thing. We were honored that Mike DiSalvo accepted. We are all huge fans of CRYPTOPSY's DiSalvo era. His vocals on this album are an ultra Easter egg for our fans."

In addition to the effusive praise "As Gomorrah Burns" received from within the metal scene, the 2023 album achieved a first for CRYPTOPSY: earning them their first-ever Juno Award in 2024 for "Metal/Hard Music Album Of The Year".

"We had little to no expectations of winning" says McGachy. "We didn't even go to the ceremonies because we were on tour in Europe with ATHEIST. On the day we found out that we won, we had a crazy 18-hour drive from Derby to Germany, plus a ferry ride. But we still partied for 48 hours. Flo bought an expensive bottle of champagne".

CRYPTOPSY recognize that not every death metal band sticks around long enough to win the equivalent of a Canadian Grammy Award 30 years into their career.

The cover art for "An Insatiable Violence" was created by the late, great vocalist Martin Lacroix.

"The album artwork has got to be one of the most important things to us," the band says. "Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace, brother."

CRYPTOPSY 2025 is:

Christian Donaldson: Guitars
Flo Mounier: Drums, Backing Vocals
Matt McGachy: Vocals
Oli Pinard: Bass

Photo by Maciej Pieloch

California rock veterans BUCKCHERRY will release their eleventh album, "Roar Like Thunder", on June 13. The official lyric video for the LP's second single, "Come On", can be seen below.

As with 2023's "Vol. 10" and 2021's "Hellbound", "Roar Like Thunder" was recorded in Nashville at Sienna Studios and helmed by producer and songwriter-for-hire Marti Frederiksen, who has previously collaborated with AEROSMITH, DEF LEPPARD, Jonny Lang and Sheryl Crow, among many others. All 10 tracks were written by BUCKCHERRY vocalist Josh Todd, BUCKCHERRY guitarist Stevie Dacanay (a.k.a. Stevie D.) and Frederiksen.

"Roar Like Thunder" will be released in North America by Round Hill Records, in Japan by Sony Japan and in the remainder of the world by Earache Records.

"Roar Like Thunder" track listing:

01. Roar Like Thunder
02. When The Sun Goes Down
03. Come On
04. Talking Bout Sex
05. Blackout
06. I Go Boom
07. Set It Free
08. Hello Goodbye
09. Machine Gun
10. Let It Burn

In a recent interview with Stefs Rock Show, Dacanay stated about the making of "Roar Like Thunder": "Josh and I usually start a year before the recording process. We start demoing here [at my home studio in Los Angeles]. And we'll do it on the road. I have a road rig that I bring with [me], and we just start documenting ideas. And then what we do, we set aside a few weeks somewhere along the way and we get with our producer, Marti Frederiksen. He's become like the sixth member of the band… And when we write with Marti, he's in Nashville, so we fly out there in between tours. And what we do is we take all these ideas and we kind of flesh them out more. So from, let's say, 20 ideas, we'll kind of whittle those down to eight, nine, and we'll have songwriting sessions and come up with 10 songs for an album."

In January, Josh told TalkShopLive about "Roar Like Thunder": "It's really great. It's a rocking record from beginning to end. You guys are gonna really love it. We labored over the songwriting for a long time, and it's a lot of fun from beginning to end."

In December, Todd told Indie Power TV about BUCKCHERRY's working relationship with Frederiksen: "Yeah, our relationship with Marti goes way back. We co-wrote 'Sorry' with Marti way back on [the] '15' [album], and then 'Black Butterfly' and 'Confessions'. Marti was all part of all that. It's just unfortunate that we didn't get to continue with him because of the politics in B.C. at the time. So, long story short, it's been great to be back with him. I don't ever wanna do a record without him, and he knows that. He understands this band for what's special about BUCKCHERRY, bringing out those elements in us. I think we bring out elements in him that he likes, and we work as a team. We do what's best for the song. We leave the egos at the door and we get to it and we always make great stuff. So it's been a lot of fun making records."

He added: "And [Marti's] got a mini-me. His son is Evan Frederiksen, and he's on this record too. And he was on the last record, and he's really so Marti-ish. And he's gonna be a big player down the line too. He's great. He's very talented. And just like Marti — Marti started on drums; that was his instrument. And then [Marti] eventually got into songwriting, and he can play guitar and he sings and he does it all. He's always writing with somebody at all times, so he's just a wealth of information. And I always learn so much doing records with him."

In November, Dacanay told Shawn Ratches of Laughingmonkeymusic about BUCKCHERRY's working relationship with Marti: "We've known him for a very long time. About 20 years ago, he co-wrote [the song] 'Sorry' and then produced the 'Black Butterfly' album after that. So we've known him since then, but we got together with him for [2021's] 'Hellbound' album. We reconnected and, in my opinion, we've done some stuff, sonically and musically, that's been really great. And I love the process. I love coming here [to his studio in Nashville] and working with him. It's such an inspiring kind of environment. And there's a lot of history here at the studio and the vibe here just is real conducive to creating. But yeah, working with Marti, and his son now is an integral part of this camp, a lot gets done pretty quickly. And, yeah, I can't say enough good stuff about this place."

Dacanay went on to speak in more detail about the BUCKCHERRY songwriting process, saying: "There's a considerable amount of preparation before we actually get in here to track the album. So we'll spend the year writing and demoing songs, and then we'll pick out the songs we wanna focus on. And then I'll make a demo of the 10 songs and give 'em to the rest of the guys — Kelly [LeMieux, bass], Francis [Ruiz, drums] and Billy [Rowe, guitar]. They'll learn the songs in kind of what they wanna do their parts. And then we'll all fly in… What happened this time is we all flew in pretty early in the morning and just started cranking it out. And these guys are — they're crackerjacks. So they can get in and do their respective parts in a day, 10 songs, and then their second day would be about just touch-ups or revisions or something like that. But each guy knocks his parts out in a couple days. So they were in and out of here in four or five days, I believe. We had two studios going. There's four studios here. So at one point we'll have two rooms going — one with, let's say Billy's in one room and Kelly's in another tracking or Francis. Francis, at one point, was the only one… When he starts it off, there's nothing else to start recording, so Francis goes first and knocks out the majority of it, and then everyone else just starts jumping in."

"Vol. 10" came out in June 2023. The 11-song LP featured 10 new BUCKCHERRY originals and, as a bonus track, a cover of the Bryan Adams classic "Summer Of 69".

In November 2023, BUCKCHERRY released a new holiday song called "Tell 'Em It's Christmas".

BUCKCHERRY previously released another holiday song, "Christmas Is Here", back in 2010.

In the summer of 2020, BUCKCHERRY recruited JETBOY's Rowe as its new guitarist. He joined the group as the replacement for Kevin Roentgen, who left BUCKCHERRY in July of that year.

In 2019, BUCKCHERRY enlisted Ruiz as its new drummer. He joined the group as the replacement for Sean Winchester, who exited BUCKCHERRY after laying down the drum tracks on "Warpaint".

The 20th-anniversary deluxe edition of the double-platinum BUCKCHERRY album "15" on physical and digital formats arrived on January 17 via Endurance Music Group. Originally released in 2005, the album featured the four-times-platinum single "Crazy Bitch" and the two-times-platinum single "Sorry". The deluxe edition was issued in North America on a two-vinyl-LP format featuring the album's 11 original songs as well as four bonus tracks recorded in 2005 and three newly recorded acoustic tracks by Todd and Dacanay.

BUCKCHERRY will perform the "15" album in its entirety on all 2025 tour dates which begin in March.

Photo credit: Tommy Sommers

In a new interview with Brazilian music journalist Igor Miranda, guitarist Fredrik Åkesson of Swedish progressive metallers OPETH was asked about the status of the songwriting and recording sessions for his upcoming solo album. He responded (as transcribed by BLABBERMOUTH.NET): "I don't know who leaked that [I was making a solo album], because I haven't really [announced anything]… Mikael [Åkerfeldt, OPETH guitarist/vocalist] said it in some interview and then journalists were asking, and it kind of spread it out now.

"But I was talking to [SAXON singer] Biff Byford, because he's gonna sing on a track, and that one is done and that's the third track.

"It's difficult now because we tour a lot and I'm very busy with OPETH, so I get these chunks of time," Fredrik explained. "I need to write at least six more songs. I do have tons of ideas, but three songs are ready, at least. Two songs are mixed and mastered, which are instrumental tracks, [and they contain] lots and lots of guitar solos.

"I'll do my best. It's gonna be fun, but, yeah, [I'll try to complete it] as quick as possible," he added. "But as I mentioned, there's a lot of touring, there's a lot of stuff going on with OPETH. So as soon as I get some free time, I'll try to finish as many songs as possible. So I can't promise any date or anything, but I'll do my best to finish this as quickly as possible."

Hailing from Stockholm, Sweden, Åkesson is the virtuosic shredder behind OPETH's signature brand of Swedish heavy metal. While Åkesson is primarily known for playing guitar in OPETH, he has also played with the bands KRUX, MONSTERS OF METAL and TALISMAN.

Born in 1972, Åkesson picked up the guitar at the tender age of 10 and before long, he was playing eight hours a day, heavily influenced by shred gods like Michael Schenker, Uli Jon Roth, Gary Moore, Frank Marino, Shawn Lane, George Lynch and Yngwie Malmsteen.

In 1992, he joined Swedish hard rock outfit TALISMAN and recorded five albums with them over the next four years before parting with them in 1995, searching for a heavier band. Åkesson went on to form the band SOUTHPAW and released an album in 1998, before rejoining TALISMAN in 2002. In 2004, he played with Swedish metal band TIAMAT, and in 2005-2006 he served a stint in melodic death metal band ARCH ENEMY as a substitute for guitarist Christopher Amott.

In 2007, he rose to heavy metal stardom with OPETH, joining the band for the recording of the album "Watershed". To date he has recorded six LP with the band, including OPETH's latest effort, 2024's "The Last Will And Testament".

HALESTORM will release a new single, "Darkness Always Wins", on Tuesday, April 22. The track which was helmed by acclaimed Grammy-winning producer Dave Cobb, will appear on the band's upcoming sixth studio album, due later in the year via Atlantic.

In a social media post, HALESTORM guitarist Joe Hottinger wrote about "Darkness Always Wins": "We wrote this down in Savannah, GA. It was the first song we wrote for what became the album. It was like a test session… we went down there to see how it was working with Dave Cobb. Wrote and recorded this in two days at his then new studio. It was the beginning of a beautiful relationship that turned into a beautiful album.

"Can't wait for everyone to hear what we've been up to."

Joe also shared a photo of HALESTORM frontwoman Lzzy Hale "at that first session on Dave's old piano that we used on the track."

In a recent interview with Cutter's Rockcast, Lzzy spoke about HALESTORM's songwriting and recording sessions with Cobb, known for his previous collaborations with the likes of Sammy Hagar, Slash, GRETA VAN FLEET and RIVAL SONS. Asked if the band's follow-up to 2022's "Back From The Dead" album was "done", Lzzy said: "Yes. Literally we're getting mixes back as we speak."

Regarding the musical direction of the new HALESTORM material, Lzzy said: "It's really hard to describe this one. We did the record with Dave Cobb, which is a new producer for us. His ADHD mixed very well with our ADHD. But we didn't do it traditionally the way we always do these albums. First day, we walked in and I always have, like, whatever, a ton of half-written songs or full-written songs, or, 'Here's a riff or whatever' — you come in with your bag of tricks. And Dave Cobb says, 'Oh, we're not gonna do any of that.' And I'm, like, 'What do you mean?' He's, like, 'We're not doing demos. I hate demos. What we're gonna do is we're gonna start and we're gonna write, and as we're writing, we're recording at the same time.' So that's what we did. The first day we actually ended up writing our first single that'll be coming out soon. But, yeah, we started, like, 'Okay, who's got a line?' 'Oh, I have this that I thought of yesterday.' 'Cool. That'll work. Let's go.' Set up the drums, set up the guitar, here's the vocals. And so we would be recording while we were writing it, and then we would get done and we would move on to the next day. And so there are songs that don't even have a click track to them or a guide because we forgot."

Lzzy continued: "There's so many different elements of songs that we used to write when we were kids, but, obviously, as adults — a lot of that feeling. It was kind of an emotional rollercoaster. There's also, I think, some of the heaviest songs we've ever written on there, some really beautiful mid-tempos. A lot of personalities that I've always wanted to kind of put on a record, but I never really had the freedom or time to, because usually when we do a HALESTORM record, it's, like, 'Okay, we have to have all the songs picked. We have to have them rehearsed.' We go in and kind of do it like an assembly line. Like, 'Okay, you do the bass, do the drums, do the guitar, do the vocals, and we're good.' So there's no time to really like sit with things before they're, like, 'Okay, we've already decided we're gonna do that.' And so the freedom and kind of the nerve-racking kind of element of the fact that there wasn't really a plan ended up being the special sauce on this album, because we were just chasing everything that got us excited. And if it wasn't a 'hell yeah', it was a 'hell no'. So there's nothing on there on this album that we don't feel complete ownership over. There's nothing on this album that anybody forced us to do. There's nothing on this album that isn't part of our personalities."

Elaborating on why the new HALESTORM album feels like it is a return to the band's roots in a way, Lzzy said: "My bass player said it yesterday. He's, like, 'It's kind of like this long road to the beginning,' 'cause all of the guys at one point in time said this really feels like we're back in our parents' basement again and we're hustling and we're trying to figure out how to write songs on the radio. But we have all this knowledge now. So everything ended up coming together so incredibly well. But it was almost like the reverse, that the music was telling us what to do and not us trying to like shoehorn anything in.

"I'm telling you, man, — it is the most HALESTORM record we've ever done," Lzzy added. "It is the first time in the 20 years we've been on Atlantic Records that we have not felt lorded over in regarding to making records, because usually it's time crunch. Somebody's always there being, like, 'Oh, we can't do that.' 'Oh, you probably shouldn't say that.' 'What about this thing?' And that kind of thing. So it usually becomes like a project, like a group project.

"We didn't do it in Nashville — we did it in Savannah, Georgia, locked in a house in the middle of nowhere, next to a river," Hale revealed. "The guys and I would wake up like around 11:30 a.m., we would start recording and we wouldn't stop until 4:00 a.m. And then we would annoy the hell out of the engineer who was trying to sleep with playing on the proper keyboard and coming up with weird stuff. But we were unsupervised in the best way, and it was all about, who are we now? Who were we then? This is our story. For me, when I listen to this album, it's my personal opus — all the things that I've gone through in my life, both dark and not. There's more questions than answers. It's not just me giving myself a pep talk, like 'I'm the fire', 'I'm back from the dead.' It's like I'm dealing with a lot of my reality and a lot of the reality of the world in my own way. And then it's also our story as a band, and you can really hear it in the music and in the lyrics. So I'm so excited for people to hear it. And it's to the point where it's, like, I don't even really care if anybody likes it because all four of us are, like, 'This is our favorite album we've ever done.'"

Earlier this year, Lzzy and Joe completed "Halestorm's Lzzy And Joe: The Living Room Sessions" tour featuring the duo performing acoustic, stripped down versions of HALESTORM favorites and the music that inspired the band.

Cobb has shared in nine Grammy wins, including four for "Best Americana Album" and three for "Best Country Album". He's also been named "Producer Of The Year" by the Country Music Awards, the Americana Music Association (twice) and the Music Row Awards, and has been a Grammy nominee in the category.

Last summer HALESTORM and I PREVAIL completed a co-headlining tour. Produced by Live Nation, the trek was also the catalyst and the creative spark for HALESTORM and I PREVAIL's collaborative track "Can U See Me In The Dark?", which was released last June.

"Back From The Dead" has tallied over 100 million streams worldwide. Rolling Stone called the title track "a biting but cathartic howler about overcoming all obstacles," and that song as well as "The Steeple" marked their fifth and sixth number ones at rock radio, respectively. Associated Press said the album "will definitely be in the running for best hard rock/metal album of the year." Their previous album, "Vicious", earned the band their second Grammy nomination, for "Best Hard Rock Performance" for the song "Uncomfortable", the band's fourth #1 at rock radio, and led Loudwire to name HALESTORM "Rock Artist Of The Decade" in 2019.

Fronted by Lzzy with drummer Arejay Hale, Hottinger and bass player Josh Smith, HALESTORM's music has earned multiple platinum and gold certifications from the RIAA, and the band has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world, and sharing the stage with icons including HEAVEN & HELL, Alice Cooper, Joan Jett and JUDAS PRIEST. Additionally, Lzzy was named the first female brand ambassador for Gibson and served as host of AXS TV's "A Year In Music".



"Darkness Always Wins" Coming April 22nd...

This is only the beginning Freaks 😈 Pre-Save: https://halestorm.lnk.to/DAW?eml=2025April14/6752956/6010041&etsubid=22417467

Posted by Halestorm on Monday, April 14, 2025

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THE DEVIL WEARS PRADA will release a new single and accompanying music video, "For You", this coming Thursday, April 17.

In a new video message, THE DEVIL WEARS PRADA vocalist Mike Hranica stated about the progress of the songwriting sessions for the band's follow-up to 2022's "Color Decay" album (as transcribed by BLABBERMOUTH.NET): " We're here in Toronto working, as we always do. We just wanted to provide a little bit of an update to all of our fans and listeners."

Added THE DEVIL WEARS PRADA guitarist/vocalist Jeremy DePoyster: "We basically have been, for the last two or three years, spending all of our time not on the road just renting out studios and rental houses and stuff, writing so much music, just kind of working on what comes next after 'Color Decay'. That was such a big moment for us and we really found our voice on the type of songs that we wanted to write and stories we wanted to tell.

"I think we still do have a lot of bad things in our head to say into the world," he continued. "Even a song like 'For You', it's a love song, but it's a really sad love song."

Mike added: "Jon [keyboardist Jonathan Gering] always makes a point of saying — well, all of us, I guess, make a point of saying — that we can't write happy songs. But I think also just the fact that we've created so many. I think back in the day when making our early albums, we basically would write like 12 tunes and be, like, 'All right, there's our record.' And now we're, like, there's dozens and dozens. And it's certainly different now.

"It's been quite a process since releasing 'Color Decay' and having that moment and doing so much touring around the world and whatnot," Mike said. "And now we're sitting on so many songs and refining and trying to perfect these things. Yeah, always working. And we're excited to keep churning it out and put it out there."

Two months ago, Hranica told U.K.'s Amped magazine about what fans can expect from the band's upcoming LP: " I think Jeremy's already kind of said this before, but we couldn't make happy songs if our lives depended on it. So when the next record inevitably comes along, and we have a lot of songs we're sitting on, people can expect to feel as sad as ever, because even when we kind of put it to the test to brighten things up, it's, like, that's just not THE DEVIL WEARS PRADA at all. So I don't wanna say more of the same, because that's the last thing that any artist wants to do, but it certainly hasn't gotten brighter, I'll say that."

As for a possible release date for the next THE DEVIL WEARS PRADA LP, Mike said: "I think we'll have a new record this year. We'll see. And then hopefully this time next year back [on the road] in E.U., U.K. and, yeah, doing it all over again. [It will be] year 21 [for THE DEVIL WEARS PRADA] by then, if we're not dead. So, we'll see."

Last November, DePoyster confirmed to Radioactive MikeZ, host of the 96.7 KCAL-FM program "Wired In The Empire", that he and his bandmates were working on a new THE DEVIL WEARS PRADA album. "We are, definitely," he said. "I mean, it's been about two years since we put ['Color Decay'] out. But we've been working on that record for a couple years since before then. We're really busy, like too busy. We've kind of spent every single moment that we're not on tour going out to California and renting some studios and writing a bunch of stuff. So we're sitting on a big pile of stuff."

Asked if THE DEVIL WEARS PRADA still believes in "the album philosophy" as opposed to focusing on singles, Jeremy said: "Oh my gosh, yeah. Dude, I'm old school, man. I still like records. [Laughs]"

He added: "You know what? A couple of years ago, I had a bunch of people telling me the record is dead. It's all about singles now. It's all about short form. And then a bunch of my friends in other bands just kept putting out records and we kept putting out records. And I'm, like, I don't think the suits really know what's going on. I think the fans and the bands definitely know what's going on. And I think people just, especially with physical media and putting an LP on and listening to it, there's just something about just from start to finish, a really well-curated track listing, and that sets the vibe that I don't think we'll ever go away from."

Asked if there is any sort of theme or direction for the new material that he and his bandmates have been working on so far, Jeremy said: "I think we all, particularly Mike and myself, and Jon, our keyboard player, that we write all the lyrics, and I think we all were, like, 'Man, I'm in a really good headspace. My life's really good. I'm feeling great. We've had a lot of great tours. My relationship's awesome.' And then we started writing, and it was, like, 'Oh, man. This is so depressing and so soul crushing.' And so I think there's just these little demons lurking in there that come out when you put the pen down and you're, like, 'Oh, I didn't even know that was in there.' … I think sonically, maybe I want it a little more upbeat, but it's kind of like a pop song that just destroys your life type of thing — with some breakdowns. You can't get away from the breakdowns."

"Color Decay" followed 2019's "The Act". As Revolver stated when selecting the record as one of the "50 Most Anticipated Albums Of 2022," "THE DEVIL WEARS PRADA have proven time and time again that it's possible to never stop sonically experimenting — with screamo, with spoken word, with atmospheric electronica, with sludge — and never lose their own crushing identity. Anticipating their next successful risk is one of the things that makes being a TDWP fan so rewarding."

THE DEVIL WEARS PRADA have been consistently delivering since forming in 2005. Fans voted 2009's seminal "With Roots Above And Branches Below" one of the "5 Greatest Metalcore Albums" in a Revolver poll, with the magazine christening it "a true metalcore landmark." The group has notched six consecutive Top 5 debuts on the Billboard Top Hard Rock Albums chart, including "Dead Throne" (2011),"8:18" (2013),"Space" EP (2015),"Transit Blues" (2016),"The Act" (2019) and "ZII" EP (2021). The latter served as a sequel to one of their most beloved projects — 2010's "Zombie" EP. In the wake of the EP, the group exceeded a quarter of a billion cumulative streams and views. During 2021, the musicians decamped to remote hideaways together in Wisconsin and Desert Hot Springs, California. This time around, keyboardist/programmer Jonathan Gering took the reins as producer, collaborating closely to assemble a rich sonic architecture for what would become "Color Decay".

Photo credit: Imani Givertz

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Legendary hard rockers AC/DC kicked off their North American tour Thursday night (April 10) at the US Bank Stadium in Minneapolis, Minnesota.

The band's setlist was as follows:

01. If You Want Blood (You've Got It)
02. Back In Black
03. Demon Fire
04. Shot Down In Flames
05. Thunderstruck
06. Have A Drink On Me
07. Hells Bells
08. Shot In The Dark
09. Stiff Upper Lip
10. Highway To Hell
11. Shoot To Thrill
12. Sin City
13. Rock 'N' Roll Train
14. Dirty Deeds Done Dirt Cheap
15. High Voltage
16. Riff Raff
17. You Shook Me All Night Long
18. Whole Lotta Rosie
19. Let There Be Rock
20. T.N.T.
21. For Those About To Rock (We Salute You)

Fan-filmed video of the concert can be seen in the YouTube playlist below. (After each song, the YouTube player automatically jumps to the next song in the playlist.)

AC/DC — guitarist Angus Young, vocalist Brian Johnson, rhythm guitarist Stevie Young, drummer Matt Laug and bass player Chris Chaney — is performing in 13 stadiums coast to coast this spring. This run will conclude on May 28 in Cleveland, Ohio at Huntington Bank Field. Along the way, they will play some of the most iconic and historic stadiums in the world, including the Rose Bowl in Pasadena, California on April 18 and Soldier Field in Chicago, Illinois on May 24. Support on the trek is coming from THE PRETTY RECKLESS.

AC/DC played the 24th and final concert of its "Power Up" European tour on August 17, 2024 at Croke Park in Dublin, Ireland.

The "Power Up" European tour marked AC/DC's first with the band's new touring lineup consisting of Johnson, Angus and Stevie Young, Laug and the latest addition to the group's touring lineup, Chaney.

The European tour was the first run of gigs since AC/DC's return to the stage at last year's Power Trip festival in Indio, California.

AC/DC's last tour took place in 2015 and 2016 and had a $180 million gross, with 2,310,061 sold tickets reported to the Pollstar box office.

Laug is an American drummer who has played with many bands/artists such as Alanis Morissette, Alice Cooper, SLASH'S SNAKEPIT and Vasco Rossi. Matt moved to Los Angeles after graduating from South Florence High School in 1986 and after attending college in L.A., Matt became a sought-after studio drummer.

In 2001, Laug supported AC/DC as part of SLASH'S SNAKEPIT on the North American and European legs of the "Stiff Upper Lip" tour.

In its announcement about Laug's addition to the band's Power Trip lineup, AC/DC offered no explanation for the absence of the band's longtime drummer Phil Rudd, who rejoined AC/DC for the recording of the group's comeback album, "Power Up", which came out in November 2020.

Rudd was ousted from AC/DC when he was sentenced to eight months of home detention by a New Zealand court in 2015 after pleading guilty to charges of threatening to kill and drug possession. He was replaced on the band's "Rock Or Bust" tour by Chris Slade, who had previously served as AC/DC's drummer between 1989 and 1994, playing on the album "The Razor's Edge".

Rudd, who appeared on all but three of AC/DC's 18 previous studio albums, toured in support of his 2014 solo debut, "Head Job". It was the release of that album that led indirectly to Rudd's arrest, with the drummer allegedly so angry at a personal assistant over the way the record was promoted that he threatened to have the man and his daughter killed.

AC/DC postponed the last 10 dates of its spring 2016 North American trek after Johnson was advised to stop playing live or "risk total hearing loss." The band went on to complete the European and North American legs of its "Rock Or Bust" tour with GUNS N' ROSES frontman Axl Rose as a "guest vocalist." At the time, Johnson had been AC/DC's singer for 36 years, ever since replacing the late Bon Scott in 1980 and making his debut on the classic "Back In Black" album.

To enable him to perform live with AC/DC again, the now-77-year-old Johnson worked with audio expert Stephen Ambrose, who said he could help resolve the singer's hearing problems.

Ambrose, who invented the wireless in-ear monitors that are widely used by touring artists today, claimed to have invented a new type of ear-bud that would allow Johnson to perform without causing further damage to his eardrums. After three years of experimenting and "miniaturizing" the equipment, Johnson previously said the technology could allow him to tour again.

Chaney is best known as the bassist of JANE'S ADDICTION and as a member of Alanis Morissette's touring and recording band. Chaney was also a member of TAYLOR HAWKINS AND THE COATTAIL RIDERS and CAMP FREDDY, as well as being a prolific and versatile session musician, having played with artists including Joe Cocker, Shakira, Slash and Avril Lavigne to Sara Bareilles, Gavin Degraw, Cher, SHINEDOWN and Celine Dion. Chaney is also a founding member and partner in the all-star supergroup ROYAL MACHINES along with Dave Navarro (JANE'S ADDICTION),Mark McGrath (SUGAR RAY),Josh Freese (FOO FIGHTERS) and Billy Morrison (BILLY IDOL).

Bassist Cliff Williams announced his retirement at the end of AC/DC's 2015-2016 "Rock Or Bust" tour, which also saw Johnson leaving. However, Williams — and Johnson — took part in the recording sessions that resulted in "Power Up". Both of them were also part of the AC/DC lineup that performed at Power Trip.

During an October 2020 interview with Dean Delray's "Let There Be Talk" podcast, Cliff was asked if Johnson's departure from the road was what led to his desire to stop touring. Cliff responded: "It was before then. I spoke to Angus about it initially. I was at a point — and this is at the beginning of the 'Rock Or Bust' tour — that I just felt, for me, it was time to hang it up. I knew that I didn't wanna keep doing these two-year tours, and I didn't wanna hold them back, so I made them aware of the fact that this was gonna be my last go-round. It was a tough tour to finish. God bless Axl for coming in and helping us out, finish it up. He did a great job. And at the end of that, I was definitely — that was it for me. Done — just done. That compounded the whole thing."

According to Williams, he wanted to take part in the recording sessions for "Power Up" as a tribute to Angus's late brother, founding AC/DC rhythm guitarist Malcolm Young, who died in 2017 from effects of dementia at age 64. Malcolm is credited as a writer on all 12 tracks on "Power Up".

"If 'Back In Black' has [late AC/DC singer] Bon Scott all over it, for me, 'Power Up' has got Malcolm Young," Cliff said. "This is for him. And it's the band that we played together with for 40-plus years. And I wanted to do that — I wanted to come back and do that.

"We did some rehearsals earlier [in 2020] before this darn COVID thing popped up, and we had great rehearsals," he continued. "The band was playing really well. So [they asked me], 'Do you wanna do a few shows? 'Sure'. A few shows. We were planning on doing that. Everyone goes home to their respective homes, and bang, we've been here ever since [because of the coronavirus-related shutdown]."

Cliff went on to confirm that his commitment to AC/DC was only for "a few" dates in support of "Power Up".

"For both [my mental and physical] health," he said. "I definitely have some physical issues, which I won't bore you with the details of. But, yeah, it's tough. I'm very grateful for everything. It's been fantastic. But I just don't wanna do that anymore."

Williams previously revealed that a "terrible" bout with vertigo contributed to his 2016 retirement. He also admitted the return of both Johnson and drummer Phil Rudd convinced him to rejoin the group. "It was like the old band back together," he told Rolling Stone. "It was not like starting over again, but as close to the band that's been together for 40-plus years as we can possibly make it. I didn't want to miss that."

The follow-up to 2014's "Rock Or Bust", "Power Up" was recorded over a six-week period in August and September 2018 at Warehouse Studios in Vancouver with producer Brendan O'Brien, who also worked 2008's "Black Ice" and "Rock Or Bust".

Former JUDAS PRIEST drummer Les Binks has died at the age of 73.

Earlier tonight (Monday, April 14),the band released the following statement via social media: " We are deeply saddened about the passing of Les and send our love to his family, friends and fans.

"The acclaimed drumming he provided was first class — demonstrating his unique techniques, flair, style and precision.

"Thank you Les - your acclaim will live on..."

Binks played drums on PRIEST's "Stained Class", "Hell Bent For Leather" (released as "Killing Machine" in the United Kingdom) and "Unleashed In The East" albums.

After the release of "Unleashed In The East", Binks exited PRIEST and was replaced by ex-TRAPEZE member Dave Holland.

Les later told former PRIEST guitarist K.K. Downing's official web site that the making of the live album "caused a rift between me and [PRIEST's] manager and ultimately led to my decision to leave the band. I just didn't see the point in continuing to work with a band whose manager didn't want me to receive any payment for that live album. A completely ludicrous scenario. It's a classic heavy metal live album which I believe eventually went platinum and he didn't want me to receive a penny for it. Crazy fucker. But that's what happens if a band allows someone like that to manage them — they lose members. So exit drummer number four."

Binks was inducted into the Rock And Roll Hall Of Fame in November 2022 along with some of the other former and current members of JUDAS PRIEST.

The PRIEST members that got inducted include current members Rob Halford (vocals),Ian Hill (bass),Glenn Tipton (guitar) and Scott Travis (drums),along with former members Binks, Downing and Holland.

In a December 2022 interview with The Metal Crypt, Binks stated about the experience of being inducted into the Rock Hall: "It was a bit surreal because this all came out of the blue. PRIEST had been put forward for this award — nominated, I think is the word — three times in total. The first two times, they didn't get through. Third time lucky. It's up to the Rock And Roll Hall Of Fame to decide who they're going to induct. They looked back on the band's career. It has to go back as far as 25 years. They say who's been influential on the creative side of things and the band's legacy has to form — what's the word? — the band's identity and led to the success that they achieved. They included me on that. They recognized me on that level, which is good. Of course, K.K., who was one of the finer members of the band, left in 2011. We were both included."

He continued: "I think there was some nervousness on the management side of things as to how the reunion with K.K. would go because there's been a lot of anguish between the two sides. I spoke to K.K. before. We flew together to Los Angeles and flew back together. We just decided, we are here at the invitation of the Rock And Roll Hall Of Fame. Let's just be professional about this, just bite your tongue and just get on with giving the audience the performance they came to see. That's what we did.

"I hadn't seen them for such a long time," Les added. "I gave them all a big hug because I never fell out with anyone in the band. I fell out with the band's management, but not with them. I never had any cross words or any problems with anyone in the band personality-wise or creatively. I know there were issues that K.K. had, especially with Glenn and the management as well, but I didn't have those issues. I was able to reunite with the guys in the band without any problems at all.

"Of course, I know [current PRIEST guitarist] Richie Faulkner from long before he joined JUDAS PRIEST. It was good to see him again because he lives in America now as well, so I don't get to see him very often. It was nice to get to meet up with everyone again and actually perform together."

Downing reconnected with Binks in 2017 for the first time in nearly four decades. Downing later described the experience of meeting his former bandmate as "great" and called Les "one of the greatest drummers in the world and a good friend and a great guy."

Image credit: Chaoszine

MESSAGE FROM THE BAND RE LES BINKS:

We are deeply saddened about the passing of Les and send our love to his family,...

Posted by Judas Priest on Monday, April 14, 2025

In a new interview with Brazil's Marcelo Vieira, EUROPE drummer Ian Haugland was asked how the band's longtime fans have reacted to EUROPE's recent studio output, which has followed a more blues/classic rock direction instead of the poppy hard rock from the group's most commercially successful years. Ian responded (as transcribed by BLABBERMOUTH.NET): "Some of the more sort of '80s lovers, they have some — I shouldn't say 'negative' thoughts, but they miss the old EUROPE, as they say. [They tell us], 'You should write more melodic songs' or whatever. But I think our thoughts [have] always been [that] the most important thing for the band to move on is to not only move on and play the old songs, but to give ourselves the space to develop as musicians, as a band, with trying different sounds out. And I think we've been on a musical journey.'

He continued: "The last couple of albums have been more towards the bluesier hard rock. And now the latest one, which actually came eight years ago, 'Walk The Earth', is a lot inspired by our roots, like RAINBOW and [LED] ZEPELIN and DEEP PURPLE. So it's more of that. And right now we're writing songs for a new album that is gonna be recorded later this year. And I think that now we're maybe more back to the melodic EUROPE, sort of. So we're on the journey swaying from different styles and angles. And I think it's important for us to be able to develop all the time. But I would say most of our fans are positive to our development."

Asked why it is taking such a long time for EUROPE to release the follow-up to 2017's "Walk The Earth", Ian said: "We've been very busy touring. Every year we get a lot of requests from festivals, especially around Europe, so we haven't had time to really sit down and gather forces and try to become creative in that sense, to write new music. But I know Joey [Tempest, EUROPE singer] and the guys have been writing stuff along the way without writing for a specific album. But I agree with you. It's been a very long time, but now we're finishing the demos for the new album and the songs are coming together really great. And I think, in my opinion, it's the strongest bunch of new songs that we have at this stage. So I'm excited to see what the next album is gonna sound like. It's gonna be out — well, probably we're gonna go into the studio in October, so it's gonna be out in a year, I guess."

Earlier this month, Tempest confirmed to Brazilian music journalist Igor Miranda that he and his EUROPE bandmates were working on new material. "It's been a long while," he said. "We've never had this long of a break before — ever. We always move from tour into the studio, tour into the studio. I mean, [2012's] 'Bag Of Bones', [2015's] 'War Of Kings' and [2017's] 'Walk The Earth', it was a period in our lives, a very energetic period. But we've been touring ever since, though, ever since 'Walk The Earth'. But we haven't been in the studio. I mean, it started a bit with the, the period of COVID, that made us sort of start over again. In a way, it was good for writing because I could start from scratch. There was more time all of a sudden. There was not, like, 'Let's record an album because we've gotta get back on the road.' We had time all of a sudden. So this is what makes the new album interesting. In a way, it feels like a debut album because it has had life. We had to live with ideas for years. And that's how debut albums are with bands, 'cause bands are out touring and they have written the songs and they live with them, they play them. And it feels a bit like that. It feels fresh, this new EUROPE album."

He continued: "We're halfway through. We're sending demos to each other. We're getting there. We've got some great ideas already.

"We're planning on going in the studio in the autumn, which means there'll be music out next year. And the whole band is very excited about that. The songs are coming, and it feels fresh, with some influences from our past as well. But, as you know, we always experiment as well. So it's kind of the usual adventure, EUROPE adventure. But there's some good stuff there."

Tempest also spoke about EUROPE's upcoming documentary that the band has been busy filming with producer/director Craig Hooper (DEEP PURPLE, SAXON) for Coolhead Productions. The film will tell the story of the band, from formation until present day, telling of their rise to success in the mid-1980s, through hard times and heartache, to coming back in the millennium, and the current successes the band has achieved.

Joey said: "We've had this team with us for four or five years traveling with us to document the new EUROPE. But during COVID, we'd started thinking, 'Hang on a second. Maybe it's time to do the documentary.' People have asked us to do this many years now. But we decided, 'Okay, let's do it.' And then we found a box with old VHS tapes. Our first manager, he walked around with this huge VHS camera when we were just kids. We were still teenagers, and we were wondering, 'What are you doing with that thing? Stop filming,' kind of thing. But he kept filming, and there's [footage] from hotel rooms, there's [footage] from backstage from the middle of '80s and up to '92. And there's stuff from all over the world. And there's stuff that has never [been] seen before, and it was exciting for us as well. So, basically, it's new footage from the band today touring, and there's old VHS footage that has never been seen, and the whole story of us coming from the suburbs of Stockholm, going out in the world and then, in the early '90s, grunge hitting the scene, and it's a bit of a dip and then it's us building everything up again to where we are today. So it's quite a good story as well. And the director's done a great job. So we can't wait. It's gonna be exciting to put this out."

Last month, Joey told El Expreso Del Rock that the musical direction of the upcoming EUROPE LP won't be similar to that of "Walk The Earth" and "War Of Kings". He said: "No, it'll move on. It'll be a new adventure. But I realize, hearing some of the demos we make now, that it's really strong, [with] great melodies. Some of it's really heavy as well. But there's also some connection to the past.

"I'm writing with everyone," he revealed. "I'm writing with John [Norum, guitar], I'm writing with John [Levén, bass] and Mic [Michaeli, keyboards]. And there's beautiful melodies there as well. I'm really excited. There's some great songs coming on. And it's been a while, so we've had time to live with the music, almost like a debut album, almost like the first album, because we have years to live with the songs. We know some of them are really strong because they have staying power; they've stayed for years now. So yeah, this could be an interesting album.

"Yeah, we just like to go on our own adventure, but always carry your past with you," he explained. "That's the thing."

Regarding the upcoming EUROPE documentary, Joey said: "We're so happy to be together after 40 years. Last year was so emotional, that tour. It was incredible to look around the stage at my teenage friends, and we were still there playing and there was great connection with the audience. And so we carry that spirit on to this year. So we're gonna start touring now. South America is the first touring for this year. And we're gonna carry that spirit through the emotional thing that we're still together with. And in this case, we're meeting new fans as well. But it's a great feeling to be here. It's a great job, and to be with the same same guys, yeah. We're gonna do South America. Then we do festivals all over Europe, and then we'll go into the studio. And hopefully this year as well, yeah, it will come out, the official documentary of EUROPE, and it's a great journey. And we have found footage, old footage from hotel rooms, Japan and around the world, San Francisco, when we mixed 'The Final Countdown', there's some footage [that had] never [been] seen [before]. And there's a lot of new footage from us traveling around the world, in South America and other places, mixed in with the story of these young punks from Stockholm making it in the world and then grunge coming along and then building it up again, and it's a great story. So we're really excited to release this documentary as well. So there's a lot of things going on in the EUROPE camp."

Asked if the documentary will be released this year, Joey said: "Yeah, I'd say it will be. We're almost done. We're doing the final editing now. Everything's been approved by the band. Every bandmember has seen it now. And the final editing, we're gonna put some narration on. We're very close. I just hope we get it out maybe before the summer, if not after the summer. Yeah, we're looking forward to that."

In September 2023, EUROPE released a new song titled "Hold Your Head Up". The track, which was described by the band as "a punchy uptempo rocker with reminiscent elements of early EUROPE," was recorded in August 2023 at Atlantis Studios in Stockholm with producer Klas Åhlund (GHOST, ROBYN) and was mixed by Stefan Glaumann (RAMMSTEIN, DEF LEPPARD),who also mixed EUROPE's "Secret Society" album.

In an interview with Metal Global, Tempest was asked why he and his EUROPE bandmates decided to record and release just one song at this time. Tempest said: "We wanted to get this ready before the [fall 2023 European] tour and the [upcoming EUROPE] documentary. So we focused on this song so we could have something out together with the tour and the documentary. That's why we released one song now. But we have a handful of songs — great ideas."

Regarding the experience of working with Åhlund this time around, Joey said: "It was a great experience. We all liked it. The whole band would like to do more stuff with him. We don't know whether he's gonna be the producer of the [upcoming EUROPE] album yet, but... No, we don't know yet. I mean, it would be an interesting idea, actually. But we haven't decided yet. But we were very happy finding him and working with him. He's very professional, and he's also listened to EUROPE when he was younger and so he knows how we think. And the procedure with him was amazing. It went really smooth, and he's a very talented, very talented man. He's a guitar player as well."

Joey also talked about the musical direction of "Hold Your Head Up", which Botas noted is a combination of the classic EUROPE sound and the band's more recent, bluesier approach. The singer said: "I think it's a good mixture in the song. We never really set out to do that. It was an idea I had, and I sent it to the guys and everybody was, like, 'Yeah, that's great. Let's do that.' So, it's a natural progression, but I think you're right. I think it's a little bit of some melodies, especially in the verses, in the end of the verses there, there's melodies that remind you of some of the earlier stuff. But maybe the chorus and the riff a little bit, it's also quite fresh and more modern, I suppose. So yeah, it's got a bit of everything, but it still sounds like EUROPE, which is really cool."

"Hold Your Head Up" was made available to stream and download on September 29, 2023 across all reputable digital platforms, including Spotify, Apple, iTunes, Amazon Music, Deezer, Tidal, Pandora and YouTube Music.

In the fall of 2023, EUROPE completed the "Time Capsule" European tour which included 21 concerts across Switzerland, Italy, Germany, Norway, Sweden, France, The Netherlands, and the U.K., including two nights at the famous London Palladium. These anniversary shows consisted of a career retrospective "evening with" performance featuring all the hits together with deep cuts and fan favorites from all of their 11 studio albums.

"Walk The Earth" was released in October 2017 via Hell & Back Recordings (Silver Lining Music). It was recorded at famed Abbey Road Studios in London with Grammy Award-winning producer Dave Cobb (RIVAL SONS, Shooter Jennings, Jason Isbell, Chris Stapleton).

Photo credit: Fredrik Etoall

Fan-filmed video of Lita Ford and legendary DEEP PURPLE bassist/vocalist Glenn Hughes performing her classic ballad "Close My Eyes Forever" on April 11 during this year's "Rock Meets Classic" tour at Big Box in Kempten, Germany can be seen below.

"Rock Meets Classic" features some of the best-known songs in rock history performed by an all-star cast of classic rock artists from the 1970s and 1980s and a large classical orchestra.

Lita recorded "Close My Eyes Forever" as a duet with Ozzy Osbourne for her 1988 album "Lita". It was Ford's highest charting single, peaking at No. 8 on the U.S. Billboard Hot 100 chart in 1989.

More than a decade ago, Lita revealed that "Close My Eyes Forever" came about by accident during a night of drinking and getting stoned when she was being managed by Ozzy's wife, Sharon. She recalled to Metal Underground: "'Close My Eyes Forever' was a mistake. It was just me and Ozzy and Sharon hanging about in the recording studio. They showed up one day and had a housewarming present for me: a life-size duplicate of Koko, the gorilla from the San Diego Zoo. It was freaking huge — I had to strap it in the front seat of my jeep to get it home. Ozzy stayed, Sharon got bored and left, and me and Ozzy had a couple of drinks and we were jamming. We started singing, messing about and we wrote 'Close My Eyes Forever'. Next thing I knew the sun was coming up. I looked at him and went, 'Uh-oh, we're in trouble.' Sharon had been waiting all night. We were a long way from where Ozzy had to go. He said, 'Can you drive me home?' I said, 'No, I can't.' We were stoned out of our minds. He got into a cab and I strapped Koko into my jeep and drove home — just barely made it. And then we had this hit song."

Lita's long-awaited new studio album is tentatively due later this year. Ford's upcoming follow-up to 2012's "Living Like A Runaway" was once again helmed by guitarist/producer Gary Hoey, who contributes some guitar playing to the disc.

In May 2022, bassist Marten Andersson (STEELHEART, LIZZY BORDEN, LYNCH MOB) officially joined Lita's touring band. Andersson replaced Marty O'Brien who became the touring bassist for DAUGHTRY.

Ford's last release was 2016's "Time Capsule", a collection of songs that were recorded by Lita in the past, but never before made available.

Nine years ago, Lita released an autobiography, "Living Like A Runaway: A Memoir", via Dey Street Books (formerly It Books),an imprint of HarperCollins Publishers.

FILTER leader Richard Patrick wrote a song called "The Gunslingers Of Redemption" and composed all the music for writer-director Brian Skiba's just-released western "Gunslingers". You can now check out the track below.

Starring Nicolas Cage ("The Rock", "Pig", "Longlegs"),Heather Graham ("Boogie Nights", "Suitable Flesh", "Austin Powers: The Spy Who Shagged Me") and Stephen Dorff ("Blade", "The Gate", "Old Henry"),"Gunslingers" hit theaters and VOD on April 11. Besides Cage, Dorff and Graham, the cast also includes Scarlet Rose Stallone as Bella, Tzi Ma as Lin, Costas Mandylor as Jericho, Cooper Barnes as Levi, Bre Blair as Mary, Mitchell Hoog as Jesse, Jeremy Kent Jackson as Robert Keller, Elisabetta Fantone as Annie, Laurie Love as Thalia, Dan O'Brien as Josh, Brooklen Wilkes as Hope, and more.

The official synopsis for the movie reads as follows: "Reformed gunslinger Thomas Keller (Dorff) and mad genius Ben (Cage) are guided by spiritual leader Jericho as they strive for vindication. While confronting their violent history, a brutal bar fight and deadly feud reignites between Thomas, Ben and the notorious Five Points Gang. Now baptized and reborn, Thomas grapples with fresh challenges, testing his newfound peace amidst a town steeped in secrets, violence, and a relentless quest for revenge."

Richard Patrick had previously composed soundtracks for several films, including "Dark Crimes" (2016) and "Last Rampage" (2017). He also contributed to the soundtrack for "The Last Rampage" with his brother, Robert Patrick. In addition, he has composed music for TV series like "Comedy Kitchen".

FILTER's latest album, "The Algorithm", came out in August 2023 via Golden Robot Records.

Photo credit: Chapman Baehler

This is a song we recorded for the motion picture “gunslingers.” Please check it out!!

Posted by Filter on Saturday, April 12, 2025

In a new interview with Brazil's Headbangers News, ARMORED SAINT frontman John Bush was asked if he had ever taken any singing lessons to help him develop such a unique vocal approach. He responded (as transcribed by BLABBERMOUTH.NET): " Well, I've done some training through the years, mostly just for voice preservation. As you get older, this is more demanding. It's like an athlete, and you've gotta be fit. And, obviously, the older you get, the more challenging it is to sing heavy metal music. It's very demanding. And I'm 61 years old now, so I'm not a young spring chicken. And my voice is different than it used to be, although a lot of people, they say, 'Oh, you sound the same.' Not really — I actually sound lower and I have this kind of more mid-range sweet spot that I kind of sing most of my stuff in that range. But it's all very complimentary and I'm grateful for those comments that people make."

Addressing the fact that some people consider him to be one of the top singers in heavy metal, Bush said: "People like [IRON MAIDEN's Bruce] Dickinson and Ronnie Dio, of course, and [JUDAS PRIEST's Rob] Halford, as far as I'm concerned, these guys are the kings of metal, and to even come close to being in the same kind of ballpark with them is a big honor. But I just try to do my own thing. I think for me, through the years, what I always strive to do is just sound unique, have my own kind of style. I kind of model a lot of my singing after those people, but also guys like Marvin Gaye and Stevie Wonder. Some of my favorite singers are from the old-school soul world. And so I've always kind of wanted to sound like a combination of a heavy metal singer and an R&B singer. Anybody who has a unique style to singing and sounds original. I think that's the most important thing. I tend to really like those type of singers mostly. I don't really know about the range; I don't really have the music knowledge about all that stuff. I just know it's about trying to sound unique and original."

Bush also talked about his singing approach with ANTHRAX, which he fronted from 1992 to 2005, and then again for several shows in late 2009 and early 2010. He said: "Someone like [classic ANTHRAX singer] Joey Belladonna has a really unique voice. His voice is very distinctive; when you hear it, you know it's him, which is cool. And that's kind of what I try to do for myself. And our voices are very different, so when I joined, it was, like, 'Oh, now this kind of raspier, kind of gruff singer is now in the band.' And Joey's voice is a little cleaner and higher. But distinctive both of them are and different. So it did change the sound.

"I mean, let's face it, somebody like Sammy Hagar changed the way VAN HALEN sounded, and certainly Ronnie Dio did [with BLACK SABBATH], and Brian Johnson [did with AC/DC], even though Brian's voice is similar to Bon's [Scott], but it was, again, very distinctive, both those guys," John explained. "You change a singer in a band, and the sound's gonna change a little bit. It is just the way it is."

Following two festival performances — Bangers Open Air in São Paulo, Brazil and Sonic Temple festival in Columbus, Ohio respectively — ARMORED SAINT will enter the studio next month to begin recording its long-awaited ninth studio album, tentatively slated for a spring 2026 release through Metal Blade Records.

In September, the band will join W.A.S.P. for a trio of U.K. shows before returning to the States to support legendary guitarist Michael Schenker on his "My Years With UFO" U.S. tour. ARMORED SAINT will celebrate the 40th anniversary of its second album, "Delirious Nomad", with a five-song micro set of songs from the record throughout the tour.

To further commemorate the cornerstone record, the band is making available a special "Delirious Nomad" wrapped guitar from Dean Guitars. Each guitar is signed by the band. Presales will be announced in the coming weeks.

In the meantime, check out additional "Delirious Nomad" merch items at this location.

Last June, ARMORED SAINT released a rendition of "One Chain (Don't Make No Prison)". The classic track was originally written by Dennis Lambert and Brian Potter and was first released by PEOPLE in 1970. Additional covers include THE FOUR TOPS (1974),SANTANA (1978) and THE DOOBIE BROTHERS (1989).

"One Chain (Don't Make No Prison)" was produced by Vera, mixed by Jay Ruston and mastered by Maor Applebaum.

ARMORED SAINT released the "Symbol Of Salvation Live" CD/DVD in 2021 via Metal Blade Records. The release came in celebration of the seminal album's 30th anniversary. "Symbol Of Salvation Live" was a combination live album and video of the band playing the album in its entirety at New York City's famed Gramercy Theatre during its 2018 tour.

In July 2023, ARMORED SAINT was inducted into the Metal Hall Of Fame at the legendary Whisky A Go Go in West Hollywood, California.

In May 2023, ARMORED SAINT's long-awaited documentary, Armored Saint: Band Of Brothers", had its world premiere in the band's hometown at the Harmony Gold Theatre in Hollywood, California.

Japan’s Lovebites have announced vinyl reissues of their four full-length albums and four EPs.



The albums were previously available on vinyl, but in limited quantities. Releases included in the campaign are The Lovebites EP, Awakening From Abyss, Battle Against Damnation, Clockwork Immortality, Electric Pentagram, Golden Destination, Glory, Glory, To The World, and Judgement Day.



The reissues will be available on August 12 via Victor Records and Tower Records. Each vinyl is limited edition on colored vinyl. A special synthetic leather record bag is also available.

The power metallers will perform at the hallowed Budokan in Tokyo on March 29, 2026. Applications to attend the show for non-Japan residents are available here.

For the first time in 20 years, ANTHRAX will share a stage with BLACK SABBATH when the pioneering New York thrash metal band performs at SABBATH's "Back To The Beginning" concert, set to take place on Saturday, July 5 at Villa Park in Birmingham, England. ANTHRAX toured with BLACK SABBATH on the legendary heavy metal band's 1986 "Seventh Star" tour, which was also ANTHRAX's first arena tour. The last time ANTHRAX was on the same bill as SABBATH was in 2005 at the Download festival in the U.K.

"I'm a huge BLACK SABBATH fan," said ANTHRAX drummer Charlie Benante, "and BLACK SABBATH was so, so instrumental in the sound of ANTHRAX back in the day.

"Back in '86, when we were working on our third album, we wanted to do a B-side of a BLACK SABBATH song. 'Sabbath Bloody Sabbath' was the song that we chose. We did it as a B-side, we played it live, and it became a big thing for us.

"Growing up Catholic, in a Catholic household, my mom did not appreciate BLACK SABBATH. One day when I came home, my sister took me to the record store and I got one of those iron-on BLACK SABBATH t-shirts, it was the cover of 'Sabbath Bloody Sabbath'. I got it home, my mother saw it, she made my sister take me back to the store and return it. She would not have it in the house because it had the '666' on it. I was still a BLACK SABBATH fan so I had to kind of keep it hidden from my mom."

"I discovered BLACK SABBATH when I was about eight years old, sitting in my uncle's room at my grandparents' house," said ANTHRAX guitarist Scott Ian. "My uncle was 17 or 18, had a big vinyl collection and blacklight posters all over his walls, and I thought he was the coolest dude in the world. I would go through his albums, pull records out and he'd play them for me. I remember pulling out this record that said 'BLACK SABBATH' on it, the album cover was kind of scary, so I asked him 'what's BLACK SABBATH?' And he said, 'oh, they're acid rock…" and I didn't know what that meant…I thought maybe that was the terminology back then for a genre. And then he put the album on. Everyone knows how that record starts, with the sound effects and the rain and the bell, and then the band kicks in…there's nothing like it. At that point in time, the scariest, heaviest thing I'd ever heard in my life. Maybe still to this day, when that song 'Black Sabbath' kicks in, there's just nothing like it. I started playing guitar when I was about 10, and Tony [Iommi] was definitely an influence, so I'd try and figure out how to play 'Iron Man' or 'Paranoid'. Just listening to the records, Tony Iommi was essentially my guitar teacher."

"I'm definitely a huge SABBATH fan," said ANTHRAX vocalist Joey Belladonna, "and over the years I have covered many SABBATH and Ozzy [Osbourne] songs.

"We toured with SABBATH on the '86 tour, and it was so electric. That was a huge tour for us, and we were just overwhelmed to be part of it.

"That ANTHRAX was asked to be part of SABBATH's 'Back To The Beginning' concert is quite a big honor."

"I heard about SABBATH through my friends at school," remembers ANTHRAX bassist Frank Bello, "who said the band was great. Plus, I thought the album cover was scary as hell.

"Although I love most BLACK SABBATH albums, that first one, 'Black Sabbath', is still my favorite because it was my introduction to them, and the songs are still amazing. I'm also a HUGE Geezer [Butler] fan. I grew up on his playing, and I'm honored now to say he's a friend. Geezer was and still is one of my main influences on bass. He always puts beautiful musicality and melody into everything he plays. His bass lines make you want to play bass. He is also an amazing person.

"It's an honor to be part of this show and I'm very grateful to BLACK SABBATH and Sharon Osbourne for asking us to be part of it."

"I'm absolutely, 100% a BLACK SABBATH fan," said ANTHRAX guitarist Jon Donais. "I was an Ozzy fan first because I grew up in the '80s, and of course, Ozzy was on MTV all the time, so he's who I got into first. And then, my teen years were in the '90s, and I started getting into BLACK SABBATH.

"When I start to lean into a band, I usually get the band's greatest hits or some kind of compilation. But my first BLACK SABBATH album was 'Sabotage', which is actually my favorite SABBATH record. 'Sabotage' was a little darker than the others, and I would listen to it all the way through as soon as I put it on. A good friend of mine and I went to the same college, and we'd be up until three or four in the morning just listening to 'Sabotage' and then having to get up for school the next day, and that sucked."

Last month, Ian spoke to Guitar World magazine about ANTHRAX's participation at the "Back To The Beginning" charity event. The concert will mark the original lineup of BLACK SABBATH's last-ever performance and Ozzy's final appearance as a solo artist. RAGE AGAINST THE MACHINE guitarist Tom Morello will serve as the "musical director" at the show.

Ian told Guitar World that he first heard about this historic event from Morello. "I texted him back and said, 'Dude, yes! Whatever it is, I'm in. What's going on… what the hell?'" Scott said. "He said, 'As soon as I have more information on what song and who you're playing with, I'll let you know.' Then he said, 'We're just starting to get this together now. Sharon [Osbourne] asked me if I would be creative director and help put it all together.' A couple of days later, he sent me a list of people involved, and I saw there were other bands involved. I said, 'Okay,' because I had no idea; I thought it was just gonna be like SABBATH and Ozzy, and then maybe a bunch of all-star lineups. I saw other bands but no ANTHRAX, so I'm like, 'Well, shit, I'm already involved…' I said, 'How about getting ANTHRAX on this? I'm not the only SABBATH fan in the band.' Tom said, 'Let me get right back to you…' Literally, like five minutes later, he said, 'You're in."

Regarding what fans can expect from "Back To The Beginning", Ian said: "I'm on a couple of other SABBATH songs as well, in one of the all-star lineups that I get to be in. I don't know how any of the production stuff is working.

"They're going to have seemingly 200 different things going on before SABBATH gets on stage — but I don't have to worry about that stuff. I just have to know the songs."

"Back To The Beginning" sold out in less than 10 minutes in FEbruary. The concert will mark the first time that the original lineup of BLACK SABBATH — Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward — have played together in 20 years.

Also set to appear at the event are METALLICA, GUNS N' ROSES, TOOL, SLAYER, PANTERA, GOJIRA, ALICE IN CHAINS, HALESTORM, LAMB OF GOD, ANTHRAX and MASTODON.

In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE),Wolfgang Van Halen (VAN HALEN, MAMMOTH WVH),Andrew Watt, Chad Smith (RED HOT CHILI PEPPERS),David Ellefson (MEGADETH),Vernon Reid (LIVING COLOUR),Whitfield Crane (UGLY KID JOE),David Draiman (DISTURBED),Frank Bello (ANTHRAX),Jonathan Davis (KORN),Lzzy Hale (HALESTORM),Mike Bordin (FAITH NO MORE),Rudy Sarzo (OZZY OSBOURNE, QUIET RIOT),Sammy Hagar, Scott Ian (ANTHRAX),Sleep Token II (SLEEP TOKEN) and Papa V Perpetua (GHOST).

Ozzy — who hasn't played a full show since late 2018 — announced his last-ever performance on February 5.

Proceeds from the "Back To The Beginning" show will support Cure Parkinson's, the Birmingham Children's Hospital and Acorn Children's Hospice, a Children's Hospice supported by Aston Villa.

The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.

The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.

Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.

While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.

Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.

Photo credit: Ignacio Galvez

Svart Records will bring Havukruunu‘s 2015 debut album Havulinnaan back to the market on June 6, 2025.

Havulinnaan is filled to the brim with raw, bleak, unforgiven heavy metal mixed with spells from the very depths of the misty Finnish forests.

Havukruunu’s Stefa had this to say about the upcoming reissue:

“INTO THE CONIFEROUS CASTLE….. Ten years ago, we didst unleash an abomination of immortal-worship, improvised guitar solos and a first glance of a certain type of spiritual freedom, the very first full-length Havukruunu album Havulinnaan and thus began our search. Experience our then meandering worry anew, through this humble, slightly remastered reissue through Svart Records.”

Havulinnaan is available on Svart exclusive Black & White Marble vinyl, limited Clear & Blue Marble vinyl, classic Black vinyl, CD, and Cassette Tape editions.

Preorder at the Svart Records webshop.



Tracklisting:

“Talven mustat tuulet”
“Kuvastaja”
“Rautalintu”
“Aavevalo”
“Terhen”
“Uni kuin unho”
“Tuuletar”
“Havulinnaan”

Pink Floyd At Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, returns to cinemas in spring 2025. Trafalgar Releasing and Sony Music Vision will release the concert film in select cinemas and IMAX worldwide from April 24 and tickets are on sale here.

Digitally remastered in 4K from the original 35mm footage, with enhanced audio newly mixed by Steven Wilson, the upcoming theatrical release presents the definitive version of this pioneering film.

Pink Floyd At Pompeii – MCMLXXII is accompanied by the live album, set for release by Legacy Recordings, the catalog division of Sony Music, on CD, Digital Audio, and for the very first time in Dolby Atmos and on vinyl, from May 2.

Watch the official video for “One Of These Days” below:



Pink Floyd At Pompeii pre-dates the release of The Dark Side Of The Moon. The film documents what Pink Floyd did before they became giants of the album charts on both sides of the Atlantic – where their music remains celebrated to this day. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique and immersive film captures Pink Floyd performing an intimate concert without an audience. Filmed in October 1971, the performance marked the very first live concert to take place at Pompeii, and features the vital “Echoes”, “A Saucerful Of Secrets”, and “One of These Days”. The breathtaking visuals of the amphitheatre, captured both day and night, amplify the magic of the performance. Additionally, the film includes rare behind-the-scenes footage of the band beginning work on The Dark Side Of The Moon at Abbey Road Studios.

Nick Mason said, “Pink Floyd: Live At Pompeii is a rare and unique document of the band performing live in the period prior to The Dark Side Of The Moon.”



The film has been meticulously hand restored, frame-by-frame, from the original 35mm cut negative – discovered in five dubiously labelled cans within Pink Floyd’s own archives. This momentous breakthrough unearthed the very film that rolled through the cameras during those sweltering days amidst the ruins of Pompeii over 50 years ago.

Led by Lana Topham, Director of Restoration for Pink Floyd, the team’s mission was to preserve the integrity and beauty of the original picture. The film was scanned in 4K using advanced techniques to ensure the finest, sharpest detail. Colors were enhanced, and every frame was meticulously reviewed and repaired, maintaining a natural and vivid appearance with minimal grain adjustments.

“Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment. The newly restored version presents the first full 90-minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after,” said Lana Topham, Director of Restoration for Pink Floyd.

The film also features stunning sound quality with a new theatrical and home entertainment mix by Steven Wilson in 5.1 and Dolby Atmos that enhances the film’s depth and clarity, preserving the authenticity and spirit of the original 1972 release. Wilson’s aim was to remain faithful to how the band would have sounded on those scorching hot days in 1971.

Wilson added, “Ever since my dad brainwashed me as a kid by playing The Dark Side Of The Moon on repeat, Pink Floyd has been my favourite band. They are my “Beatles”, deeply ingrained in my musical DNA. I first saw Pompeii from a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honour to remix the soundtrack to accompany Lana Topham’s incredible restoration of the film, which looks like it could’ve been filmed yesterday.”



The accompanying album release Pink Floyd At Pompeii – MCMLXXII will see the performance presented as a full-length live record for the very first time. The 2025 remix by Steven Wilson is newly available on CD/LP/Blu-Ray/DVD/Digital Audio/Dolby Atmos from May 2.

Pink Floyd At Pompeii – MCMLXXII is presented by RM Productions and directed by Adrian Maben. It is executive produced by Reiner Moritz and Michelle Arnaud. Sony Music Vision is the distributor.

Tickets are on sale at pinkfloyd.film. Visit the event website for more information and ticketing details for IMAX® and standard format cinemas.



Album tracklisting:

Side A
Pompeii Intro
“Echoes – Part 1”
“Careful With That Axe, Eugene”

Side B
“A Saucerful of Secrets”
“Set The Controls For The Heart Of The Sun”

Side C
“One Of These Days”
“Mademoiselle Nobs”
“Echoes – Part 2”

Side D
“Careful With That Axe, Eugene” – Alternate take
“A Saucerful Of Secrets” – Unedited

Charleston, West Virginia metal veterans BYZANTINE will release their long-awaited new full-length, "Harbingers", on June 13 via Metal Blade Records.

Produced by Peter Wichers (SOILWORK, ALL THAT REMAINS, NEVERMORE),"Harbingers" offers nine tracks totaling forty-five minutes of deep lyrical wisdom alongside equally hefty riffs delivered seamlessly by one of the most commanding and unsung lineups to emerge from the New Wave Of American Heavy Metal movement of the early 2000s. Now a five-piece for the first time ever featuring founding frontman Chris "OJ" Ojeda, alongside former guitarist Tony Rohrbough, bassist Ryan Postlethwait, veteran guitarist Brian Henderson, and drummer Matt Bowles, with "Harbingers", BYZANTINE is a crown jewel in their impressive seven-album discography. Notes Ojeda, "After twenty-five years of riding the struggle bus, we're ready to show the rock and metal world what we're truly about."

The album cover, designed by mixed-media artist Ashley Hoey, beautifully depicts Irene of Athens — the mother of Emperor Constantine and the first female empress of the Byzantine Empire. This focus on a maternal ruler eloquently ties into the album's title, "Harbingers", which means "ones who usher in great change."

The record's first single, "Floating Chrysanthema", envisions a bleak dystopian future where artificial intelligence becomes sentient and overpowers mankind, essentially enslaving us all.

"Our bassist Ryan brought this song to the band," says Ojeda, "and we thought it hit like a sledgehammer making it the perfect introduction to our new music. Peter Wichers had a big hand in helping craft this song into its final iteration."

"Harbingers" will be released on CD and digital formats. Find preorders at metalblade.com/byzantine.

"Harbingers" track listing:

01. Consequentia
02. A Place We Cannot Go
03. Floating Chrysanthema
04. The Clockmaker's Intention
05. Riddance
06. Harbinger
07. The Unobtainable Sleep
08. Kobayashi Maru
09. Irene

It has taken years of ups and downs for BYZANTINE to reach the point of creating "Harbingers". Discovered early on by LAMB OF GOD's Chris Adler, the band quickly released their debut full-length, "The Fundamental Component", in 2004. The record boasted a raw fusion of Bay Area thrash and Southern-tinged groove metal and set the tone for their future sound. Their 2005-released "…And They Shall Take Up Serpents" offering marked an even more blistering evolution. However, turmoil ultimately led to BYZANTINE's breakup, announced just one day after the release of their third album, 2007's prophetic "Oblivion Beckons".

Reforming to release the independent albums "Byzantine" (2013) and "To Release Is To Resolve" (2015),the band saw the latter dominate SiriusXM's Hard Attack Devil's Dozen for weeks, also earning them the No. 1 spot on CMJ's Loud Rock chart. Notably, BYZANTINE became only the second independent band to achieve this feat following CLUTCH's indie release "Earth Rocker".

In 2017, BYZANTINE made their Metal Blade debut with "The Cicada Tree", faultlessly merging multiple genres into their progressive groove sound, a signature blend now synonymous with the band. With "Harbingers" raising the stakes and a revitalized lineup in place, Ojeda confidently states, "If you've slept on BYZANTINE for the past twenty-five years, 'Harbingers' will awaken you."

BYZANTINE is:

Chris Ojeda - vocals
Brian Henderson - guitar, vocals
Tony Rohrbough - guitar
Ryan Postlethwait - bass, vocals
Matt Bowles - drums

Photo by Jason Adams

In a new interview with Rock Feed, AVENGED SEVENFOLD singer M. Shadows addressed the experimental nature of the band's latest album, "Life Is But A Dream…" Written and recorded over the span of four years, it was produced by Joe Barresi and AVENGED SEVENFOLD in Los Angeles and mixed by Andy Wallace in the Poconos, Pennsylvania. The album is a journey through an existential crisis; a very personal exploration into the meaning, purpose and value of human existence with the anxiety of death always looming.

Regarding how concerned he and his bandmates were about the fan response to "Life Is But A Dream…", M. Shadows said: "Dave Farrell from LINKIN PARK — we were at dinner probably a year ago and we were talking about 'Life Is But A Dream…', and he said… We were in this really nice restaurant and there was a bunch of people around. And he says, 'If you were to take your record right now, or any record that you love, and show it to everybody here, how much weight would you put behind any of these people's opinions?' And the answer's zero.

"And so, at the end of the day, we're not making art by committee," he explained. "This isn't art by committee. It's not, like, everybody give us your ideas and we're all gonna kind of morph the same thing. We have A.I. to do that now; you're gonna be able to take your favorite records and A.I. can spit out something sort of like it. But you need artists and creatives to keep pushing the boundaries. Some things are gonna work, some things aren't. But at the end of the day, even if something doesn't work, it might spark in someone else, 'Oh, that was bold. Where can I push limits a little more?' And I think that's how this whole space thrives. And so for me, I couldn't care less about [other people's opinions], but one rule I made myself a long time ago is I listen to the positivity equally to the negativity, meaning I don't care about either. If a review is a 10 out 10, cool. It could be bought and paid for. Cool. It doesn't matter. If it's a zero out of 10, it also doesn't matter. So I think that you can't just walk around with all your good stuff and then ignore the bad. You have to kind of ignore them both, in my opinion."

Back in December 2023, AVENGED SEVENFOLD guitarist Synyster Gates told Metal Hammer magazine about the fan response to "Life Is But A Dream…": "I think with an album like this, time is on its side. I've been using this analogy: both of my parents' favorite band is THE BEATLES. My mom hates everything post-'Sgt. Pepper's', my dad couldn't care less about the early stuff. They both still respect the fuck out of it, but it's not for them. So, for my mom, 'Sgt. Pepper's' was the death of THE BEATLES, and I think for a lot of people, this is the death of AVENGED SEVENFOLD. But for a lot of other people, it's a birth. The birth of a different band."

Asked whether he's read any of the comments about the album online, Synyster said: "Funnily enough, I thought it could go either way. We've actually had really amazing support from the press, so I don't want to make people think that we feel like we aren't supported by the press at all. I actually feel it's good that it just hasn't been ignored. Even the bad reviews, people have talked about it. People are still interested in us, so that's all I could ask for, really. The negative comments, I feel they're the minority. I think people have been really thoughtful in considering this album."

M. Shadows previously discussed the reactions to "Life Is But A Dream…" in June 2023 during an appearance on the "Let There Be Talk" podcast with with rock and roll comedian Dean Delray.

"With our new record right now, all you see are 10-out-of-10 reviews and zero-out-of-10 reviews," M. Shadows said. "But it's the best way to be because the people that hate it absolutely hate it. It's one of those things where, in 2023, having a zero out of 10 is actually better than anything you could ask for, because people are talking, and it's a weird society we live in at this point."

"All artists can do is be a reflection of themselves at any point in time," he continued. "There's nothing worse than when people are trying to put you in a box and want you to write the same music you wrote when you were in high school or 20 years old. Those were reflections of who we were back then; we were aggressive, young kids that were just kind of all over the place making a certain type of music. And every record kind of changed. But this one in particular — much more musical in terms of not having to have one foot fully in metal. It's got so many different eclectic influences that we've had our whole life that we never really were able to kind of quantify. Like if you think about THE RESIDENTS or MR. BUNGLE, all these different things that we were growing up listening to. And I think is just where we're at right now. It's a different type of record. The philosophy, all of it, is different, and so it's not gonna appeal to people that want the same thing or more of the same or they're there in their life right now. It doesn't mean they're not gonna get here. Maybe they're just not here right now. Maybe it's our job to put our arm around them and say, 'Hey, we're up the street at this bar. And let's hang out here. This is what we're doing now.'

"There are so many psychological things that go into if people like records or not or if they don't or what they're listening to at the time. And it's not really our job to figure that out; it's just our job to put something out that we totally back and we appreciate. And we'll see where it goes. It's hard to really talk about it, 'cause there's really no right or wrong answer. It's okay to hate this record."

The 43-year-old Shadows, whose real name is Matt Sanders, went on to cite a few other examples where certain records represented a departure from the sound and direction that fans expected their favorite artists to go.

"There's a few records I think of, for my era and my age, when they came out. One is 'Pinkerton' by WEEZER," he said. "They blew up with the 'Blue' album, and then they put out 'Pinkerton', which is why one of my favorite records of all time — it's dirty, it's lyrically uncomfortable, it's all these things. That's one. And then 'Disco Volante' is one from MR. BUNGLE. MR. BUNGLE was already weird with the self-titled [album], but 'Disco Volante' was just, like… Mike Patton is not even singing; he's just making noises the whole time. It's like them messing around with keyboards. It blows my mind. 'Yeezus' is one for me with Kanye [West]. He put out pretty much a heavy metal record. Everyone in hip-hop hated it, and now it's one of his essential records. But there's always those things that kind of stand outside the box and outside the norm and they ruffle feathers and people have knee-jerk reactions. And I think this is definitely one of those. But you've gotta make sure that it's backed up with musicality. It's gotta be backed up with some depth. It can't just be weird for weird's sake. And I think that's a lot of people's go-to on this: 'I hate it because they're just trying to be weird.' It's, like, no, actually, we're not. 'They're trying to be prog.' It's, like, prog is the last thing on our minds. We don't care about that. All we care about it writing shit that feels cool.

"People overthink it and they try to even put these things in boxes," Shadows added. "And I think prog has even become its own box, which sucks, 'cause prog should be so many different directions. Why does prog have rules? The world is funny. People like to put things in a box so they can kind of discuss it better, I guess. But this record is kind of boxless, I guess."

M. Shadows previously discussed AVENGED SEVENFOLD's songwriting approach on "Life Is But A Dream…" earlier in June 2023 in an interview with Lou Brutus of HardDrive Radio. At the time, he said: "We were just looking for really bold moments — in life, in art, in film. Things that we could sort of wrap our minds around an audio representation of how we were feeling about certain things.

"At this point, playing around with melody, playing around with tones, playing around with left turns, curveballs was really appealing to us.

"I think we've proven to everyone, whether they like the band or not, that we kind of know the rules of music, and this record, we were able to just go break all the rules," he continued.

"Mike Shinoda [of LINKIN PARK] put it to me really perfectly — I love his insight on a lot of things — and he said, 'This record is like you guys throwing paint at the wall, but if a fourth-grader was doing it, you'd say that's just paint on the wall. But because of everything you've done before, we all know you know how to make a beautiful painting, so this record is actually really special because it's not just paint on the wall. You guys have broken all the rules and done things in an abstract way. But we wanna listen and pay attention because we know what you guys have done before.' And I thought it was an interesting way of putting it, 'cause those [LINKIN PARK] guys — Dave ['Phoenix' Farrell] and Mike — have been big fans of this record. And I think that was a cool way of putting it."

M. Shadows added: "We kind of just really wanted to push the boundaries — the musical boundaries, the lyrical boundaries, the themes — and we didn't want anything on the record to sound generic or phoned in or not exciting. We wanted to redo everything we've ever done, where even the song lengths and the way we kind of put these little pieces of ear candy, but we get away from it quick. Or staying away from three choruses, or if there is three choruses, they're all vastly different. And really thinking about turning the traditional landscape of how you would normally put a song together on its head, but do it in an interesting way — not just to do it, but just to do it in a way that we think people will enjoy and give them sort of a reason to get to the end of songs or get to the next song on the record. And I think that was just a mindset this time, was just a little different — really looking at those things."

"Life Is But A Dream…" sold 36,000 equivalent album units in the U.S. in its first week of release to land at position No. 13 on the Billboard 200 chart.

In a new interview with The Rockman Power Hour, RUSH guitarist Alex Lifeson insisted that he still has a modest view of his place in the music world, despite his status as one of the most legendary rock musicians of the past half century. He said (as transcribed by BLABBERMOUTH.NET): "You get a lot of celebrity thrown at you and all of that stuff. It's just normal in this fan world. But honestly, I'm just a guy who loves playing guitar, and I always have, since I was 11 years old. I feel so lucky that I have that, and it's not about having a successful career or any of this.

"I play guitar every day. I play usually for — I don't know — three or four hours a day," he explained. "I play for an hour before I go to bed every night. I like to have a little puff, and then I sit down. I keep a couple of guitars in the bedroom, and I go back and forth — it's nylon string one day, steel string [the next day] — and I play for an hour, and I'm lost. And I don't play scales or I don't practice. I just play guitar because it's so fucking amazing to be able to do that. And I'm gonna do it until my last breath. I know that. And I don't attach any kind of specialness to it. It's just blessing for me that I can do that. And then if I can apply it to other people's music and use my skills that I've learned over the years to do something to make their music better, that's a real gratifying experience for me.

"I work on a lot of different projects," Lifeson added. "I'm working on a project now with some of the guys from BARENAKED LADIES and the RHEOSTATICS on a Great Lakes documentary, and it's all jam based, so we have hours and hours of jamming and now we're editing and putting it all together. Wow. What a great experience that is, because it's not being a big shot. It's there playing with other great players, making great music, and everybody's contributing. And that's the essence of being a musician and being a part of this whole musical world. It's not about being a big shot."

RUSH drummer Neil Peart died in January 2020 after a three-year battle with glioblastoma, an aggressive form of brain cancer. He was 67 years old.

RUSH waited three days to announce Peart's passing, setting off shockwaves and an outpouring of grief from fans and musicians all over the world.

Since Peart's death, Lifeson and Lee have not recorded any new music or performed live under the RUSH name, although both of them confirmed that several drummers reached out to them in the days after the legendary drummer's passing about the possibility of stepping in for Neil.

Lifeson made his mark on the music industry over 50 years ago, redefining the boundaries of progressive rock guitar. His signature riffing, copious use of effects processing and unorthodox chord structures befitted him the title by his RUSH bandmates as "The Musical Scientist." While the bulk of Lifeson's work in music has been with RUSH, he has contributed to a body of work outside of the band as a guitarist, producer and with the release of his 1996 solo album "Victor". Lifeson ranks third overall in the Guitar World readers' poll of "100 Greatest Guitarists" and is also included in Rolling Stone's "100 Greatest Guitarists Of All Time."

ENVY OF NONE, the band featuring Lifeson, Andy Curran (CONEY HATCH),Alfio Annibalini and singer Maiah Wynne, released its second album, "Stygian Wavz", on March 14 via Kscope.

Photo credit: Richard Sibbald (courtesy of Kscope)

The official CHILDREN OF BODOM book will be published in August via the London, U.K.-based publisher Rocket 88.

The book tells the story of the Finnish melodic death metal pioneers as an oral history in which bassist Henkka Seppälä, keyboardist Janne Wirman, drummer Jaska Raatikainen and early guitarist Alexander Kuoppala plus other former members, their friends and colleagues recall the 30-plus-year history of their career.

For the first time, members of the band tell the story of CHILDREN OF BODOM in their own words. Henkka, Janne and Jaska recall the founding of the band with their lost brother, guitarist/vocalist and main songwriter Alexi Laiho and the struggles, adventures and triumphs they experienced in the more than 30 years that followed. Drawing on personal memories and new interviews with the band conducted by Finnish best-selling author and longtime friend of the band Timo Isoaho, the official CHILDREN OF BODOM book tells the whole story, warts and all, of the groundbreaking melodic death metal band.

The book is available in two deluxe editions; the Signature is signed by Henkka, Janne, Jaska and Alexander, and preordering gives you the chance to have a name printed in the book — only at childrenofbodombook.com.

Henkka, Janne, Jaska and Alexander said in a statement: "Since we stopped making music and suffered the tragic loss of our brother Alexi, we've been remembering so many great times that we had together, and you can now read about those times in this book. It tells the full history of CHILDREN OF BODOM in our own words."

In December 2023, Seppälä and Wirman hosted a listening party for CHILDREN OF BODOM's latest live album, "A Chapter Called... Children Of Bodom (Final Show In Helsinki Ice Hall 2019)", at the Bodom Bar & Sauna in Espoo, Finland. The LP, which was recorded at CHILDREN OF BODOM's final concert on December 15, 2019 at the Black Box in Helsinki Ice Hall in Helsinki, Finland, was made available via Spinefarm.

During the question-and-answer portion of the event, Wirman and Seppälä discussed their mindset going into CHILDREN OF BODOM's final concert, which took place a year before Laiho passed away due to alcohol-induced degeneration of the liver and pancreas connective tissue. Furthermore, Laiho had a cocktail of painkillers, opioids and insomnia medication in his system. He had suffered from long-term health issues leading up to his death.

Janne said: "I felt a sense of relief onstage [at the final concert] 'cause I was very tired of Alexi's problems and constant problems with one guy. And then this guy who was our best friend and who wrote all the music, all of a sudden from 2016 on, just became someone I didn't recognize anymore. He was a different person, and he was so overcome with his disease and problems and it got to the point in 2019 we decided that this can't go on anymore. And then this was the last show. It was short notice, and we [originally] had so much better plans for how to say goodbye to all the international fans, how to do a proper farewell around-the-world tour [during 2020-2022] and whatever. But now, something we did not know, was [that] the pandemic [would happen], obviously, and that would have canceled all of those plans anyway."

Added Henkka: "So it was kind of, like, in a way we are lucky that we had this confrontation within the band that made us decide to drop [the group] earlier than we were supposed to and have this final show that was recorded. Because if you would have kept on the original plan with Alexi that let's do a farewell tour until 2022, I think it was, so then the pandemic would have ruined everything. And we probably would have never had this kind of last proper souvenir."

Asked if it ever entered their minds that they could take a long break away from each other and then maybe regroup at a later date, Henkka quipped: "That would have been like a mature way of dealing with it." Janne said: "Our manager at the time, Steve, did ask me that, at the eve of the last show, Steve asked me that, 'Are you ever gonna play with Alexi again?' And I said, 'I would only [play with him] if he would seek help and become fully sober.' And I knew that wasn't an option, that he had decided at that point, unfortunately, that he's just gonna die by his addictions, which is horrible. And it's very sad, but I knew him well enough that there was no way that he's gonna get better. And then that's why somehow it was also a relief for me at the last show. I realized that I need to let go."

Added Henkka: "The problems were pretty bad — I mean, within the band, all the relations. And I don't think anybody could see a future anymore. So [putting the band to rest] was the only option at the time. I'm sure that Steve, our manager, had some hopes of a reunion show within some years, of course, because he's a businessman [laughs], but it didn't even cross my mind at that time."

Continued Janne: "That's why I said that at the time I said that I will never play again with Alexi, 'cause I knew that he will not get sober, he will not get help for his problems. And then it would've been a totally different opinion. If somehow any of us would've felt that, 'Okay, Alexi is gonna get help. He's gonna get better,' all of us would've been, like, 'Okay, fine. Let's give him a couple of years and then let's get back together.' But that was not foreseeable at the time."

Added Henkka: "At the time it was, it was an impossible point."

Released with the blessing of Laiho's estate, the concert album completes the legendary band's career which began in Espoo, Finland in 1993 as INEARTHED. Over their career, CHILDREN OF BODOM released ten studio albums, two live albums, two EPs, two compilation albums and one DVD. The final lineup of the group upon their split in 2019 consisted of Laiho (lead guitar, lead vocals),Raatikainen (drums),Seppälä (bass),Wirman (keyboards) and Daniel Freyberg (rhythm guitar).

In a July 2023 interview with BLABBERMOUTH.NET, Wirman opened up about the string of events that led to the band's 2019 demise and the deterioration of Laiho's health.

"Alexi's downfall started in 2016," Janne said. "I don't know what caused him to do that. He told me but didn't tell anyone else in the band — he made sure no one else was in the room — and told me, 'Dude, from now on, I'm going to drink until I die.' I said, 'Fuck, man. You can't say that to me.' He said it another time in 2018. I knew that was what he was doing — he said he wouldn't take any help for his medical issues. He was going to keep drinking. That's what he did, which is fucking crazy."

Janne continued: "A lot of people who haven't had a family friend or work buddy or someone who is sick with alcoholism, a lot of people don't understand you cannot help the person who doesn't want help. He had decided he didn't want help and would keep drinking until he died. That's what he did."

Wirmen then detailed BODOM's final years, beset by infighting largely stemming from Laiho's substance abuse issues. "The last years were pretty bad," he said. "There was a lot of bullshit. It's so crazy because he was in such a good place a couple of years before. He was happy about being sober and on tour, and the shows were good. I don't know what happened to him. Something pushed him over the edge where he decided, 'Fuck it. I'm going to keep drinking.'"

Alexi's ashes were buried in December 2021 — nearly a year after his tragic passing. He was laid to rest at the Malmi Cemetery, a large cemetery located in the Malmi district in Helsinki, Finland.

Alexi and Jaska founded CHILDREN OF BODOM in 1993, and the band was one of the most internationally acclaimed metal acts in Finland up until their very last farewell concert. In 2020, Alexi put together BODOM AFTER MIDNIGHT, which recorded three songs and shot one music video, all of which were released posthumously.

Besides CHILDREN OF BODOM, Laiho had played in such acts as WARMEN, SINERGY, KYLÄHULLUT and THE LOCAL BAND. Awarded with a Metal Hammer Golden God and several other international prizes, the guitarist was also the main star, leading a group of one hundred guitar players at the Helsinki Festival in 2015 in "100 Guitars From Hel" — a massive concert piece he composed.

In 2022, Wirman, Raatikainen and Seppälä discussed publicly for the first time the circumstances that led to the band's split and ultimately Laiho's death. In an interview with Finland's Helsingin Sanomat, the three surviving members of CHILDREN OF BODOM said the real reason for the band's breakup was not that they wanted to stop touring in order to spend more time with their families, which is how Laiho explained it to Helsingin Sanomat in November 2019. Instead, what caused the group to split was Laiho's substance abuse, and that is also what eventually killed him a year after they went their separate ways.

Laiho's addiction began to take a serious toll on CHILDREN OF BODOM in 2008, when the band was the support act on a SLIPKNOT tour. In the ensuing years, Laiho promised his bandmates that he would not drink on the road anymore. Although he kept his word for a few years, Alexi "went into a tailspin again in 2016," according to Wirman. Laiho, who had a substantial income as COB's main songwriter (all other income, from gigs to merchandise, was split equally),repeatedly complained that his income was declining and threatened to pull himself out of the limited liability company, AA & Sewira Consulting Oy, he and the other members formed in 2003.

After CHILDREN OF BODOM's manager brought up Laiho's substance abuse at a business meeting in New York in early 2019, Alexi refused to go into rehabilitation but did agree to see a doctor. He was diagnosed with diabetes, and he began taking medication to treat the condition.

In the summer of 2019, Laiho filed an application with the Finnish Patent And Registration Office to register the CHILDREN OF BODOM name to Laiho. This infuriated his bandmates who saw this as an attempt to hijack the name and brand that was controlled by the group's LLC.

During CHILDREN OF BODOM's tour of Russia in October 2019, Laiho "was hitting the bottle like back in 2008," his bandmates told Helsingin Sanomat.

"I told Alexi that you don't usually drink starting at breakfast before a gig, and now you don't even warm up with the guitar before going on stage like you always do," Raatikainen recalled.

Laiho later apologized and stopped drinking for the last concerts of the tour.

"His hands were shaking for two days, but the gigs in Moscow and St Petersburg went pretty well," Raatikainen said.

Raatikainen, Seppälä and Wirman decided to go with Alexi's wish from a few years back and buy him out of the LLC. Laiho retained the rights to his music and was paid royalties on performances and record sales as before, but sold his part of the LLC that owns the name of the band and the merchandising rights.

According to the trio, Alexi was sober for CHILDREN OF BODOM's entire final tour of Finland in December 2019 and he "exchanged cordial messages" with them even after the start of the pandemic.

Alexi's sister Anna Laiho told Helsingin Sanomat that the three surviving members of CHILDREN OF BODOM "have the full support of our family."

Anna, Alexi's Australian wife Kelli Wright-Laiho and a few close friends attempted to get him professional help in the fall of 2020, but he refused.

"At heart, he was a warm and caring person, always ready to help others. But he had his demons, and he wanted to fight those alone", Alexi's sister said. "He wanted to make his own choices. For better or worse."

The Oracle, Godsmack’s fifth album, was the band’s third consecutive number one on the Billboard 200. The record’s first single, the adrenalized “Cryin’ Like A Bitch,” became an anthem for the UFC (Ultimate Fighting Championship).

The Oracle is a special entry in the Godsmack catalog, as it’s the band’s first album written entirely collaboratively. It is also Godsmack’s first album produced by Dave Fortman, who produced both of Evanescence’s multi-platinum albums, along with albums by Superjoint Ritual, Mudvayne, Otep, Simple Plan, and Slipknot. The 10-track album is a white-knuckle ride through thrash metal, hard rock, and blues-rock that concludes in classic Godsmack style with the majestic power ballad, “The Oracle.”

On May 2, experience The Oracle like you’ve never heard it before with exceptional remastered audio. Fans can choose the timeless appeal of a standard black vinyl, or dive deeper into the experience with the deluxe limited-edition gatefold colored vinyl.

The deluxe edition, titled Saints And Sinners, pays homage to the album’s original working title and features an exclusive 7” single of “Whiskey Hangover,” which rocketed to #1 on the Billboard Hot Mainstream Rock Tracks, and it is backed by the seething bonus track “I Blame You,” making it a must-have for fans and audiophiles alike.

Pre-order The Oracle vinyl here.



The Oracle tracklisting:

Standard Edition

Side A
“Cryin’ Like A Bitch”
“Saints And Sinners”
“War And Peace”
“Love-Hate-Sex-Pain”
“What If?”

Side B
“Devil’s Swing”
“Good Day To Die”
“Forever Shamed”
“Shadow Of A Soul”
“The Oracle”

Saints And Sinners Deluxe Edition

Side A
“Cryin’ Like A Bitch”
“Saints And Sinners”
“War And Peace”
“Love-Hate-Sex-Pain”
“What If?”

Side B
“Devil’s Swing”
“Good Day To Die”
“Forever Shamed”
“Shadow Of A Soul”
“The Oracle”

7” Bonus Vinyl:

Side A
“Whiskey Hangover”

Side B
“I Blame You”

With over 20 years of chart-topping success, the Boston rock band has cemented themselves as 21st-century hard rock titans. To date, they’ve accomplished a staggering 13 #1 singles at mainstream rock radio, including the tracks “Surrender,” “Soul On Fire,” and “Truth” from the band’s most recent album Lighting Up The Sky. Additionally, they’ve enjoyed 24 Top 10 hits at the format–the most of any act since February 1999 – as well as four Grammy nominations and were named Billboard Music Award’s Rock Artist of the Year in 2001. Selling over 20 million records worldwide, the band has released eight studio albums: Godsmack (1998), Awake (2000), Faceless (2003), IV (2006), The Oracle (2010), 1000hp (2014), When Legends Rise (2018), and Lighting Up the Sky (2023).

In 2023, the Massachusetts-bred quartet took a victory lap with their eighth studio album Lighting Up The Sky, dropping one more classic album as they ascend into the celebratory portion of their career. The powerful storytelling of Lighting Up The Sky covers boy-meets-girl, obstacles in relationships, the polarized political climate and the state of the world, betrayal, connection, rebounds, and more.

During an interview following SMITH/KOTZEN's March 5 acoustic performance at the Grammy Museum in Los Angeles, guitarist/vocalist Richie Kotzen revealed that "Black Light" — the group's current single and latest music video, and the co-title track of SMITH/KOTZEN's forthcoming second album "Black Light/White Noise" — nearly died on the cutting room floor as he and guitarist/vocalist Adrian Smith (also of IRON MAIDEN) were writing material for the record.

"Funny enough, that song almost didn't survive," Kotzen said. "I knew there was something that was cool about it, and I kept pushing Adrian on it, but Adrian [was] like, 'There's something wrong. Something's off.' It was the rare time where I couldn't see it clearly. I was like, 'What doesn't he like about this?' And then one day, I'm like, 'The chorus is wrong. The lyrics are wrong. I get it now.' The music was right, and the beat was right. Everything else was right. It was just [that] what we were singing was wrong.

"We muted the vocals, and I left the room and [Adrian] started messing around," Kotzen continued. "We were at my house doing this, and I was upstairs and I heard him do the verse and I came running downstairs. I busted into the room. I interrupted him and I said, 'Hey, that's it. Whatever you doing, keep doing that.' Sometimes you try something and go, 'Oh, scrap it,' and go to the next thing. I said, 'Don't erase that. Keep doing that. Save that.' And then I went away, and they come upstairs and say, 'Oh, I think I've got something.'

"Then we talked about the chorus. [Adrian] came up with the idea of [the title] 'Black Light'. 'What do you see under the black light?' And I felt like we had this conversation where I don't know who said what, but it was revealable [quoting the song's lyrics] 'under a black light, I see your colors come through; you've got a fine way of hiding the truth; black light, I see the devil in you,' whatever the next line is. Now we've got a story, and now we've got a song, and now we put it together."

Added Smith, "Sometimes, if you've got a strong title to get behind, it sort of gives you a focus to finish the song, I think."

Kotzen went on to discuss the significance of songs' lyrical content and the need for artists to have – as he titled his 1997 solo album – something to say. "[On] this new record, there's a song called 'Heavy Weather'," Kotzen said. "I had it demoed with fake singing, and [Adrian] said, 'I like the chorus. It sounds like you're singing "heavy weather." 'Oh, you mean like a thunderstorm? How can we write a song about that?' Then we started talking, and it's like, 'How about you came up in your time, and you faced a lot of adversity and a lot of things you had to fight and struggle through to get to where you're at. Now, you've got a child, and the child is kind of born into this luxury that you've earned, and they're complaining about things – but you've never faced heavy weather in the way that I have.' That's the thing that I love the most about writing – not so much the riff and how heavy it is. I like the story, because to me, that's what a song is. When we do the riffs and we've got a melody and a good hook, a cool attitude and the beat's cool, [that's fine], but what the fuck are we going to say? If you don't have anything to sing about, that means nothing needs to be written right now. So, you go take a break. For me, I go outside and work on the property – rake leaves or whatever the fuck it is I do. Then you get an idea – 'Okay, that's what I'm going to do.'"

SMITH/KOTZEN's second album, "Black Light/White Noise", will be released via BMG on April 4.

Recorded at The House, Los Angeles, California, produced by Richie and Adrian and mixed by Jay Ruston, the ten-track album is a masterclass in modern rock, with Adrian and Richie's prodigious talents as songwriters, musicians and vocalists on full display.

The official music video for "Black Light", produced and directed by Kevin and Richard Ragsdale a.k.a. The Ragsdale Brothers (DAUGHTRY, Dorothy feat. Slash, THEORY OF A DEADMAN),features the duo performing with bassist Julia Lage and drummer Bruno Valverde, alongside acclaimed Russian acrobat, contortionist and former Cirque Du Soleil performer Gyulnara Karaeva.

Last July, Smith joined Kotzen on stage at the Islington Assembly Hall in London, England to perform THE YARDBIRDS classic "Shapes Of Things".

SMITH/KOTZEN released the "Better Days …And Nights" EP in September 2022 via BMG. The effort comprised five previously unreleased live tracks, plus for the first time ever on CD, the four studio tracks featured on their sold-out, limited-edition 12-inch vinyl EP, "Better Days", released in conjunction with Record Store Day in November 2021.

The live songs were recorded during SMITH/KOTZEN's inaugural whistle-stop tour of the U.S. and U.K. at the start of 2022, which attracted unanimously rave reviews from fans and media alike, celebrating the duo's debut on stage together with stellar back-up from Richie's wife, internationally acclaimed bass player Julia Lage (VIXEN),and drummer Bruno Valverde of ANGRA.

Japan's metal bible Burrn! magazine reviewing the Whisky A Go Go show in Los Angeles pronounced it, "An amazing night….this rock n' roll band is very different from any other…totally unique …and bringing you great songs!". U.K.'s Classic Rock magazine said the show was a, "masterclass in guitar playing and performance".

The original EP tracks were produced by Kotzen and Smith and mixed by Kevin Shirley. The live tracks were produced and mixed by Kotzen and Smith.

SMITH/KOTZEN's eponymous debut album was released globally through BMG in March 2021 to media and fan acclaim, charting No. 10 on Billboard's Top Album Sales chart in the U.S., Top 20 in the U.K. as well as in other major markets such as Germany, Japan and Canada.

Smith is best known as one of IRON MAIDEN's principal guitarists, having also enjoyed success as a solo artist. Kotzen is the frontman for THE WINERY DOGS as well as having been the guitarist for both MR. BIG and POISON during his long and acclaimed career, which has to date seen him release more than 20 solo albums. Both artists are also prolific songwriters.

Photo credit: Piper Ferguson

Video of VIXEN's April 12 performance at Cannery Casino Hotel in Las Vegas, Nevada can be seen below (courtesy of Tom deBlonk).

In a September 2024 interview with Waste Some Time With Jason Green, new VIXEN singer Rosa Laricchiuta, who joined the band in June 2024 as the replacement for Lorraine Lewis, spoke about how she landed the gig with the long-running all-female rock outfit. She said: "So in fact, I planted the seed because… You know about the Monsters Of Rock cruise, right? I've heard so much about it, but I wanted to get on it. And I was just, like, 'You know what? For the first time in my life, I'm gonna use my contacts.' So I asked as many musicians as I could. I e-mailed and texted brothers and friends from TSO [TRANS-SIBERIAN ORCHESTRA] and other musicians, and I'm, like, 'How can I get on the Monsters Of Rock cruise?' 'Here's a contact.' I wrote to my contact and I was, like, 'Hey, my name is Rosa.' I dropped all the names. 'I'm a singer with TSO. I know this guy. I've been praised by this guy and that guy,' and I dropped them all. And I've never done that before… So long story short, I heard back from my contact, which is the manager of VIXEN, and he's, like, 'Hey, Rosa. I know who you are.' And he's, like, 'Be patient. The lineup is already set. However, maybe we can figure something out.' Then I saw his number. So I'm, like, 'You know what? I'm just gonna call.' And I called up, left a message: 'Hey, it's Rosa. I wanna talk about the Monsters Of Rock cruise, how we can make this happen.' I hung up. He wrote back to me, like, 'I received your call, but just hang tight.' [He was], like, super cool and professional. It was, like, 'Okay, great.' Good vibes. And I left it at that. And I was okay with that. And then about — I don't know, I would say like a week later, I get the call and I'm, like, 'Hello?' He's, like, 'What a coincidence.' I'm, like, 'What are you talking about?' So he's, like, I'm a manager of VIXEN and I just spoke to…' So he spoke with another… You know how agents talk to each other, managers and all that. And somebody from Quebec had referred me to him, and he's, like, 'You come highly recommended.' I'm, like, 'What? From who?' I'm, like, 'What's going on? I don't follow.' And he's, like, 'I'm the manager of VIXEN and we're looking for a female singer. Would you be interested?' And while he's telling me this, I'm Googling VIXEN because I have no clue who they are. [Laughs] I wasn't like a rocker [growing up], per se. I love all music, and I sing all styles. So, I didn't know. And then I was, like, 'Oh.' So the first thing I said was, 'Holy shit, these girls are badass.' It's been my dream to be in an all-girls band. I have a brother. I've always wanted a sister, and now I feel like I have three sisters. I'm in another hockey team. Okay, a lot smaller. I love everything about VIXEN — everything. So that's how it happened. I planted the seed because of this Monsters Of Rock cruise."

Laricchiuta made her live debut with VIXEN on June 21, 2024 at the Honda Center in Anaheim, California alongside GREAT WHITE, SLAUGHTER and QUIET RIOT. Asked in a July 2024 interview with the "All Bets Are Off" podcast with Robby Vegas what was going through her head at that first show, Rosa said: "Well, I was really excited because I'm all over the place because I'm so overwhelmed and it's all so surreal. But growing up, I always wanted sisters, so now I feel blessed to have three sisters. And I feel — this is funny, but I feel like I'm a part of an incredible hockey team doing what I love. [Laughs]"

As for the vibe on stage, Rosa said: "My heart was beating so fast and I was really grateful that the first show was only six songs. [Laughs] Oh my goodness. Of course it was adrenaline and the good stress. But, like I said, the girls really welcomed me from the start. And immediately, when we were on stage, I felt the energy. Britt's [Lightning, a.k.a. Brittany Denaro, VIXEN guitarist] infectious vibe, Julia's [Lage, VIXEN bassist] energy is just wow. And sometimes I had to tell myself, 'Rosa, focus on the crowd,' because I was so — I forgot. I was so lost in the energy that I forgot there's a good crowd in front of us. And then Roxy [Petrucci] on the drums, it's so fun. I just wanted to jump on her riser, but I couldn't because the riser was so incredibly high. And then the second and the third show, I had a moment. I like to look everyone in the eye. And I'm telling you, it's intense, it's amazing, but most of all, I'm having a blast."

Asked if she was aware of VIXEN's legacy prior to being asked to join the band, she said: "Sadly, no… The first thing, the first thing I said was, 'Oh my God. It's an all-female band. Is this really happening?' Because, again, growing up, I never had a sister, and I always dreamed of being in an all-girl, all-female band, always. And then the second thing that came out of my mouth was, 'This is so badass.'"

Laricchiuta is a singer, songwriter, and performer from Montreal, Quebec. After several years cutting her teeth with live shows, she auditioned for the third season (2015) of "La Voix", Quebec's version of the popular TV show "The Voice". Rosa had an instant connection with the legendary francophone rocker Éric Lapointe and chose him as her coach. Rosa showed a solid stage presence, with remarkable intensity and a voice so powerful it sent her straight to the Grand Finale where she shared the stage with DEF LEPPARD, Kelly Clarkson, Jean Leloup and her idol, Melissa Etheridge. She left a lasting impression as she won over millions of viewers who named her the new "it" female rocker of Quebec. She then released one album in the Quebec market before beginning work on her first English language album in 2016. That album, "Free", was released the following year and at the end of the year, she joined the popular American band TRANS-SIBERIAN ORCHESTRA for their annual mega tour of the United States.

Laricchiuta's hard rock project BLACK ROSE MAZE released its self-titled debut album in August 2020 via Frontiers Music Srl.

During an appearance on the Battleline Podcast, Britt discussed the decision to part ways with Lewis. Asked what she would say to fans who are concerned that VIXEN bears little resemblance to the band that broke through in the late 1980s, with Roxy as the sole remaining member from VIXEN's classic lineup, Britt said: "Yeah, well, I think Roxy is definitely dedicated to maintaining the musical integrity of the classic VIXEN. And she said that. And I think for whatever reason, she feels that this change is gonna be a positive one… So, I'm excited. I trust her. She's been doing this a long time, and she knows what feels right."

Britt continued: "Sometimes things run its course. And, again, I'm not involved in in this decision or at liberty to really speak about … the reasons in it. But at the end of the day, it doesn't matter, I guess. We're forging forward, we're forging ahead, and there will be new music. And I think it's gonna rock. So I'm very excited."

Britt went on to discuss the importance of getting along with VIXEN's new singer on a personal level, explaining: "At the end of the day, obviously you have to be talented, but just being a good person and being a cool person, 'cause we spend a lot of time together. I mean, that saying, musicians, we get paid to travel and then we play the gig, but what do we get paid for? The travel. I mean, I've flown to South America for one 30-minute show and then flown right back. So that's a lot of travel time and not a lot of playing. And that's a lot of time that you have to be with each other, and if you're with somebody that just drives you nuts, that's the worst thing ever. And then you can tell on stage too. So you know there's good chemistry when — you can feel it, is what I'm saying, on stage. And I think the audience can always feel it too."

In January 2019, VIXEN recruited Lewis as its new lead singer following the departure of Janet Gardner.

Lewis had already performed with VIXEN in March 2018 in Durant, Oklahoma while Gardner was recovering from surgery.

Prior to Lewis's addition to VIXEN, Petrucci, bassist Share Ross and Lightning vowed to "expand upon the VIXEN legacy while remaining true to our musical roots."

Gardner, Petrucci and Ross are considered to be part of VIXEN's classic lineup, along with founding guitarist Jan Kuehnemund, who died of cancer in October 2013.

Gardner contributed lead vocals to VIXEN's most commercially successful studio albums — "Vixen" (1988),"Rev It Up" (1990) and "Tangerine" (1998) — as well as the group's latest full-length release, 2018's live album "Live Fire".

More than three years ago, Ross announced that she was "taking a hiatus" from VIXEN. Her replacement is Lage, formerly of the Latin Grammy-nominated Brazilian rock group BARRA DE SAIA and wife of Richie Kotzen. Lage made her live debut with VIXEN on February 8, 2022 at the pre-Monsters Of Rock cruise concert at Magic City Casino in Miami, Florida.

In 2023, VIXEN released a new single called "Red". The official music video for the track, which was written and produced by CINDERELLA drummer Fred Coury, was directed by Drew Johnston and Vicente Cordero and edited by Ryan Conion.

Just Announced‼️
QUIET RIOT w VIXEN
Saturday, April 12th ~ 2025
Cannery Casino - Las Vegas, NV

Tickets on sale...

Posted by Vixen on Friday, February 7, 2025

URIAH HEEP guitarist Mick Box is seeking to recover a cross necklace that he says was snatched from his neck by a cyclist over the weekend. The 77-year-old British-born musician, whose band launched a South American tour on April 4 in Montevideo, Uruguay, took to his Facebook page on Saturday (April 12) to write: "Unfortunately I was walking back from lunch in Curitiba Brazil when a cyclist rode past me at speed and ripped off and stole my cross necklace that has great sentimental value to me. It is gold with diamonds inserted in the cross. If anyone has any information about this in Curitiba there would be a very worthwhile reward on its return. He may try and sell it or pawn it and thanks for reading this! Please contact me via www.uriah-heep.com or www.mick-box.net or even on Facebook."

Last September, URIAH HEEP announced its plans to embark on a farewell tour, dubbed "The Magician's Farewell", beginning with a seven-show U.K. run in February. Asked in an interview with Indie Power TV what led to the decision to stop touring around the world, Box said: "I'd say it was part the fact that we're not getting any younger. But the other big part was that it's becoming impossible to put these tours together now, the long tours that we used to do. Especially over in Europe, with Brexit and after COVID and things like that, it's got really, really hard, because previously we could travel freely through Europe, but now we can't because of Brexit. So, we now have to have carnets [international customs and temporary export-import documents] for equipment to get through to every territory, which they've only gotta get held up in one territory, and you lose the show. Things like that."

Mick continued: "With the advent of the world as it is today, bus prices have tripled, truck prices have tripled, everything's tripled. I mean, to give you an example as well with the airlines, apart from their cost going through the roof, we had 11 flights the other month and five of them were cancelled. So it's getting more and more difficult. So every show you've gotta go in a day early just to compensate for anything that may happen. So it's getting really difficult to put those long tours together. So it's kind of all come to a head, if you like."

Box also spoke in more detail about the barriers British musicians face since Brexit when it comes to touring the EU. He explained: "Yeah, well, unfortunately, the government doesn't recognize how important music is to the world. We've got all these restrictions on. There's even a restriction that you can only stay out 90 days in 180 and things like that. All those things just knock you sideways when you try to put a whole run of tour dates together like we used to do for nine months of the year. It's very difficult."

Mick went on to say that URIAH HEEP will never stop playing live shows altogether. "Yeah, we'll always play festivals, we'll always do things like that, because it's in our blood to keep playing," he said. "But this is a total winddown over two to three years. And when you consider that you and I play in 64 countries, we've got a lot of flying about to do. [Laughs] But we hope to get to everyone we can with this final hurrah, if you like. But it's not that final, because, as we say, we're gonna continue playing probably in pockets rather than these lengthy tours that are now impossible for many, many reasons I just discussed."

Asked if touring America has become increasingly difficult as well, Mick said: "Yeah, the visa side of it is very expensive, of course. And then if you've got a [team of people working for you], which we have with our crew, you've got the flights and everything else to consider before you even play a note. So, those things are difficult, but not insurmountable.

"I think that in America, it's geared a lot better, with the tour buses and everything else, to make it possible," he added. "So, yeah, I don't think it's quite so bad because you don't have, like we do in Europe, to go into each territory, you have a carnet, like I say, for all our equipment to be cleared, whereas in America you can just keep on going. [Laughs]"

Last December, Box was asked by Planet Rock's Paul Anthony what he is planning on doing with his time once URIAH HEEP has completed its farewell tour. Mick said: "I guess we'll do [some] writing and go in the recording studio and do other aspects of the of the game, but as I say, we're still gonna be touring, still gonna be playing. It's just that we're not doing the really long stuff. We'll do it in sections rather than a whole long splurge."

As for the setlist for "The Magician's Farewell", Mick said: "I guess a setlist really writes itself to a degree, because there's so many songs that people expect to hear — you know, the 'Easy Livin'' to 'July Morning' and stuff like that and 'Stealin'' and whatever — so we kind of use that as the template. Then we'll add in some of the latest-album songs, and then build it from there. And maybe revisit something that we haven't revisited for a while, or even something we haven't played before. So we kind of just put it in the mixing pot, really. But it kind of works itself out because the popularity of the songs we've got, which is marvelous."

After Anthony noted that URIAH HEEP still records new music and is not known as "just a heritage act" which doesn't perform its more recent songs live, Mick concurred. "Well, yeah," he said. "I mean, when you look at it, we've got a lot of classic rock songs. And the new songs are soon to be classic, because it's only time that gives them that title. [Laughs] So, yeah, we look at it like that. And they merge very well, because it's the band doing what the band does, using the same template we had from day one, musically, and that's the Hammond organ, the wah-wah guitar, five[-part vocal harmonies], all that sort of stuff. We just apply that to each song and it's URIAH HEEP."

URIAH HEEP's farewell tour will run for approximately two or three years and will include performances in all parts of the globe.

In November 2023, Box was asked by Metallerium how he and his URIAH HEEP bandmates have managed to retain their trademark sound despite having gone through so many lineup changes over the years. He responded: "Well, I think, I think, basically, as long as I'm there, the band's gonna sound like URIAH HEEP. Because we created a template on how we sounded back in 1970 with our first album, '...Very 'Eavy ...Very 'Umble'. So, we've continued with that all the way along the line. And I think a lot of the credit must go to Jay Ruston, our producer, because he understood where we come from, what we're all about, but he managed to make the album sound really fresh and today, and I think that's a marvelous achievement. So really, as long as we keep playing and writing good songs and doing good performances, and we get someone like Jay Ruston recording it, I think it will always sound fresh and exciting."

Regarding what has kept URIAH HEEP going for so long, Mick said: "I think the only thing that drives us on, it's only one word — it's called passion. And if you've got passion for what you do, then eventually you'll achieve it."

URIAH HEEP's 25th studio album, "Chaos & Colour", was released in January 2023 via Silver Lining Music. The LP was recorded during the summer of 2021 at Chapel Studios in London with the aforementioned Jay Ruston (ANTHRAX, COREY TAYLOR, BLACK STAR RIDERS) at the helm.

"Jay was completely on board with what we are trying to achieve in the studio," Box previously said. "We're a band that has a fantastic heritage and to carry on that tradition it was vitally important that the band recorded in the studio all playing at the same time. Jay understood that and he pulled out the best of us as a band, as well as individual players, while getting us some amazing sounds."

URIAH HEEP's current lineup includes Box, frontman Bernie Shaw, bassist Dave Rimmer, drummer Russell Gilbrook and keyboardist Phil Lanzon.

URIAH HEEP debuted in 1970 with the release of one of hard rock's milestones, "Very 'Eavy, Very 'Umble", and has since sold in excess of 40 million albums worldwide. They have constantly toured the world, playing up to 125 shows a year to more than 500,000 fans. The band's live set features the classic tracks from the '70s and is a musical journey from the band's beginnings to the present day.

Unfortunately I was walking back from lunch in Curitiba Brazil when a cyclist rode past me at speed and ripped off and...

Posted by Mick Box on Saturday, April 12, 2025