Duff McKagan gives another powerful glimpse into his upcoming live album "Lighthouse: Live From London" with the release of the medley "Holy Water/I Wanna Be Your Dog". Fusing "Holy Water" with THE STOOGES' "I Wanna Be Your Dog", the track captures McKagan's band at their rawest and most unrestrained, and offers another taste of what can be expected from "Lighthouse: Live From London", out October 31 — a release that showcases McKagan's signature mix of grit, melody, and heart-on-sleeve intensity.

"Lighthouse: Live From London" is an all-new live album and full-length concert film recorded in October 2024 during Duff's sold-out "Lighthouse Tour '24". The 19-track collection will be available in a wide variety of formats, including digital, CD Digipak, CD and Blu-ray digipak (with live audio and the complete "Lighthouse: Live From London" concert film),2LP 180g black vinyl (with gatefold sleeve and ticket replica),and limited-edition 2LP 180g black vinyl (with live audio, complete concert film, gatefold sleeve, and autographed ticket replica signed by McKagan). Pre-orders/pre-saves are available now via duffmckagan.com.

Recorded and filmed October 5, 2024, before a sold-out crowd at London, England's historic Islington Assembly Hall, "Lighthouse: Live From London" sees McKagan and his band performing songs from throughout the iconic musician-songwriter's legendary career, including stellar renditions of tracks originally found on his critically acclaimed third solo album, 2023's "Lighthouse". Among the live album's many highlights is an unforgettable take on the plaintive fan favorite "Longfeather", premiering everywhere alongside an official live performance video streaming now on YouTube.

"Lighthouse Tour '24" saw McKagan lighting up sold-out houses across North America, Europe, and the United Kingdom, joined by his murderer's row of musicians, guitarist Tim DiJulio, guitarist/keyboardist Jeff Fielder, bassist Mike Squires, and drummer Michael Musburger, with live sound engineered by longtime collaborator Martin Feveyear. Recorded and mixed by Feveyear, "Lighthouse: Live From London" collects electrifying in-concert versions of such McKagan originals as "I Saw God On 10th St.", "Lighthouse" and the volatile "Chip Away" (a personal favorite of Bob Dylan himself),along with breakneck performances of THE STOOGES' "I Wanna Be Your Dog", THE CRICKETS' (by way of THE BOBBY FULLER FOUR and THE CLASH) "I Fought The Law", and GUNS N' ROSES' classic "You're Crazy". What's more, "Lighthouse: Live From London" features a very special guest appearance by SEX PISTOLS co-founding guitarist Steve Jones that sees the two friends (and NEUROTIC OUTSIDERS bandmates) joining forces for once-in-a-lifetime renditions of Johnny Thunders' "Can't Put Your Arms Around A Memory" and David Bowie's "Heroes", the latter of which can be viewed now below.

For more than 40 years, Duff McKagan has been an unstoppable creative force, spanning a multitude of bands, tours, collaborations, writings, and an ongoing solo body of work that includes such critically acclaimed albums as 2019's Shooter Jennings-produced "Tenderness" and 2023's soul-searching "Lighthouse". Starting at just 15, McKagan has been a part of such diverse and influential bands as THE VAINS (1979),THE FASTBACKS (1980),THE LIVING (1982),THE FARTZ (1990),10 MINUTE WARNING (1993) and LOADED (1998),along, of course, with his historic role as founding member of both GUNS N' ROSES and VELVET REVOLVER. In addition to his prolific musical efforts, McKagan is The New York Times best-selling author of 2011's "It's So Easy: And Other Lies" and 2015's "How To Be A Man: (And Other Illusions)", and the co-host (with Susan Holmes McKagan) of the popular "Three Chords & The Truth" radio show, airing in North America on SiriusXM's Ozzy's Boneyard (Ch. 38). In addition, "Three Chords & The Truth" airs weekly on stations around the globe, including the U.K.'s Planet Rock, Denmark's myROCK, Finland's Radio Rock, Germany/Switzerland/Austria's Rock Antenne, Iceland and Canada's x977, and Poland's Antyradio.

"Lighthouse: Live From London" track listing:

01. Forgiveness
02. Chip Away
03. This Is The Song
04. I Saw God On 10th St.
05. Tenderness
06. Feel
07. Holy Water / I Wanna Be Your Dog
08. I Just Don't Know
09. Fallen Ones
10. Fallen
11. Wasted Heart
12. Longfeather
13. Just Another Shakedown
14. I Fought The Law
15. You're Crazy
16. Lighthouse
17. Can't Put Your Arms Around A Memory (feat. Steve Jones)
18. Heroes (feat. Steve Jones)
19. Don't Look Behind You

At this year's Louder Than Life festival in Louisville, Kentucky, HATEBREED drummer Matt Byrne spoke to The Kevin Powell Podcast about the Connecticut hardcore/metal veterans' next studio album, which is tentatively due in early 2026. Matt said (as transcribed by BLABBERMOUTH.NET): "I think this new material is way thrashier. There's always a tinge of metal to HATEBREED. I think a lot of people try to kind of pigeonhole us as a hardcore band, but I think over the years we've just gone way more metal. There is still the hardcore punk vibe to us, but I think the new stuff is way more metal, thrashy, fast, SLAYER-esque, if I may use that term. That's kind of the direction we're going in right now, but there's still a lot of groove to it. It's definitely the heaviest stuff that we've written to date. I know that can be a cliché thing with bands — 'Watch out, everybody. It's the coolest stuff,' or whatever they say — but it's true. It's true. It really is. So I'm excited for everyone to hear the other stuff too."

Regarding what fans can expect from HATEBREED in 2026, Matt said:  "New record, new music. It's a new era of the band. We've had some lineup changes. We dealt with some curve balls this summer, some health stuff. So we're coming out on top, we're grinding through, we're coming out on top. And, yeah — new production. We're just stepping up the show 100% and just forging onward."

Earlier this month, Byrne told Baby Huey of the San Francisco radio station 107.7 The Bone about HATEBREED's new music: "We just released a single ['Make The Demons Obey'] over the summer. We have a new record that'll be coming out next year — not sure when, but it's about 90 percent, 85 percent done. [We're] still tweaking some stuff, but next year's our target [release]. We released a single, 'Make The Demons Obey'. We've been playing it live. We're playing it tonight. It's very fast. It's heavy. It's HATEBREED. It has HATEBREED all over it. So, it's a lot of fun to play. It's always fun playing the new stuff. We've been playing 'I Will Be Heard' since 2002, so as much as you love that song, it's fun to play newer stuff."

Released in July, "Make The Demons Obey" marked the first taste of new HATEBREED material after the group's "Weight Of The False Self" album which came out in 2020.

"Make the Demons Obey" is everything you know, love, want, and expect from HATEBREED. PMA lyrics, sick riffs, singalongs that will make you bumrush to the front of the stage, and some of the deadliest, most ignorant (in the best possible way!) breakdowns known to man.

"Lots of bands say that their newest release will be their heaviest and I guess we are no different," HATEBREED singer Jamey Jasta stated at the time of the song's release. "We've managed to push the envelope and surpass our expectations. We've become tighter, harder and more vicious than ever. This is the most excited I've been for any HATEBREED release."

"Very exciting things are happening in the HATEBREED camp," added Byrne. "It's time to unleash this beast — new music is here! This is the fastest, most vicious, and most aggressive music we have ever created and I'm pumped for the world to hear it."

When "Make the Demons Obey" was made available, HATEBREED was independent and was still deciding what direction it would like to go regarding a record label. But HATEBREED remained open to all options and ideas. In the interim, they will be releasing singles to keep fans satisfied and will self-fund the upcoming album.

HATEBREED guitarist Wayne Lozinak returned to the live stage at the Aftershock festival in Sacramento, California in early October. He was diagnosed with a meningioma in the brain while on tour in Europe but thankfully, it was benign. He underwent a craniotomy — a surgical procedure that involves opening the skull to access the brain — on August 4.

Lozinak has been a key part of HATEBREED's sound since rejoining the band in 2009.

While Lozinak was away, HATEBREED continued its European and American tours, with touring bassist Matt Bachand stepping in on guitar, and Carl Schwartz of FIRST BLOOD and TERROR joining the group on bass duties.

This past April, HATEBREED announced it was resurrecting the beloved and annual "Summer Slaughter" tour for 2025, which kicked off on July 8 in St. Petersburg, Florida and ran through July 28 in Grand Rapids. Support for this year's run included FUGITIVE, GRIDIRON, INCITE, ESCUELA GRIND and SNUFFED ON SIGHT on select dates.

HATEBREED celebrated its 30th anniversary with a North American tour last fall. Support on the trek came from CARCASS, HARMS WAY and CRYPTA.

HATEBREED has released eight studio albums and has consistently sold out shows the world over. Over the course of its career, the band has gone from playing basements and backyards to being a featured attraction on countless festivals like Graspop Metal Meeting, Ozzfest, Warped and Download.

To date, HATEBREED has sold over 1.5 million albums in North America alone.

This past May, Jasta spoke to Into The Necrosphere about the progress of the songwriting and recording sessions for the follow-up to "Weight Of The False Self" album. He said: "Yeah, I think creatively the ideas are all there, the lyrics are all there, the music's all there. I've been going around taking different meetings with labels."

He continued: "It was kind of funny and cool — I just mentioned in passing that we were free agents, and then that went kind of semi viral or something, because then we got hit up by every label under the sun. And that was really nice to see that there was interest there from all these labels. 'Cause I am one of those people that I really believe that your next biggest, best song is always in you. You just have to get to that point where you can channel it or you can grab it out of the ether. Anybody can do it. You just have to get there, and you have to figure out the path there. And now that 'Weight Of The False Self' is finding fans, I thought, 'Yeah, I could expand on a lot of these topics. But then there was also new topics that I had never touched on before that I had been writing about and riffing out about."

Jasta added: "The real sort of mother lode of riffs that I wrote that I got inspired was right after Milwaukee [Metal Fest], because you get this post-festival sort of slump where you're, like, 'Damn, now what am I gonna do?' And I had to go to Europe right away. But TESTAMENT had given me a guitar — they did a deal with Dean, and they gave me this beautiful guitar. And so I just started riffing out on that guitar as soon as I got back. And I don't know if it just had good energy from the festival in it or if it had a different feel of the neck, but I started messing around with different frets and different placements… But just having that experience and then listening back to 'Weight Of The False Self' and going, 'All right, yeah, I'm ready. I've got enough.' I had 24 topics kind of written on a vision board, and I thought, 'All right, I've gotta narrow those down to 14. Can I combine?' And then I kept going, kept going, and yeah, now it's… I mean, we'll probably have a single any day now, or maybe even two singles."

Exactly 40 years to the day since it was first released, Parlophone Records has announced a brand new, beautifully packaged, limited collectors 2LP color vinyl edition of IRON MAIDEN's classic album "Live After Death".

Featuring the original revered gatefold sleeve artwork, the album comes with two 140g vinyls (one in blue, the other in yellow) featuring the 2015 audio remastering. The package also includes a replica 24-page "World Slavery Tour" program, bringing back to life the original tour program for new generations.

Additionally the vinyl features a replica tour pass and a glossy 12-page booklet, which contains the original eight-page booklet alongside an exclusive and brand new essay titled "Rime And Punishment: Celebrating 40 Years Of Live After Death", where IRON MAIDEN fan club editor Alexander Milas interviews Steve Harris, Nicko McBrain, Rod Smallwood and acclaimed illustrator Derek Riggs about the legendary album.

As Steve Harris explains of the time: "We were touring our arses off. It was literally just, 'record, tour, record, tour' — we didn't stop. Rod was cracking the old whip, and that was the right thing to do. I mean, we were totally up for it, it's not like we were doing stuff that we didn't want to do. You think you're invincible — 'Yeah, we'll take that on, no problem.' That's the way to crack it. It's the only way for a band like us because we had no radio play whatsoever back then."

Widely acclaimed as not just the greatest heavy metal live album of all time, but one of the most iconic live releases in any musical genre, "Live After Death" was recorded mostly during the four nights that MAIDEN played at Los Angeles's Long Beach Arena in March 1985. The final side of the double album was recorded during the four nights the band played at Hammersmith Odeon in October 1984.

Both sets of concerts were part of the ground-breaking "World Slavery Tour", in support of the band's 1984 album "Powerslave", which started in Poland and featured 187 concerts across 331 days. The tour firmly established IRON MAIDEN as one of the most exciting live bands on the planet, a reputation that they carry to this day.

Now in their 50th year, IRON MAIDEN have released 17 studio albums and sold well over 100 million records worldwide, played almost 2,500 live shows across 64 countries, been the recipients of a Grammy Award and a Brit Award among many other accolades, most recently joining THE ROLLING STONES and PINK FLOYD with their very own Royal Mail stamp set, and also honored by the Royal Mint with a collection of official coins released in 2025.

Their beer, Trooper Beer, is now in its twelfth year and has sold in excess of 40 million pints and is distributed in 68 countries, including six local variants in USA, Germany, Brazil, Spain, Sweden and Australia. 2025 marks the band's official 50th year and is being celebrated by a two-year world tour titled "Run For Your Lives" and a range of events and products including their first-ever official hardcover visual history book, "Infinite Dreams".

A documentary film about IRON MAIDEN by Universal Pictures Content Group will be released in early 2026, and the band will continue their two-year "Run For Your Lives" world tour through Europe and beyond. The tour includes a huge and historic performance at Knebworth Park in the U.K. on July 11, 2026.

IRON MAIDEN's Bruce Dickinson sang the U.S. national anthem when the Los Angeles Kings hosted the Colorado Avalanche on October 7 at Crypto.com Arena in Los Angeles as part of the NHL's (National Hockey League) first day of regular-season play. The game was the third of three games broadcast on ESPN. The official, professionally filmed video of Dickinson's rendition can be seen below.

Bruce previously sang the U.S. national anthem on September 14 prior to Pittsburgh Steelers' home opener against the Seattle Seahawks at Acrisure Stadium in Pittsburgh, Pennsylvania.

Dickinson first revealed that he would sing the U.S. national anthem at an NFL game during a recent interview with soprano Elizabeth Zharoff. He said at the time: "I'll let you in to a secret. So, I've got to sing the national anthem in Pittsburgh for the Pittsburgh Steelers. They've asked me to do this. I'm going to do it a cappella and stuff, and as long as you start at the right place, you're good to go."

Bruce first sang the U.S. national anthem during his September 11 solo concert at the House Of Blues in Boston, Massachusetts. Prior to launching into the U.S. national anthem, Dickinson told the audience at the House Of Blues:  "So I'm gonna let you in to a dirty little secret that is gonna happen on Sunday. I've been asked to sing the American national anthem at a Pittsburgh Steelers game. Now, I've never done this before in my fucking life, and I'm trying to avoid the embarrassment of reading the fucking words off the back of my hand. Look, no writing on the back of my hand, or failure to read the auto cue because, fuck me, there is no auto cue, all right?! So because today is the kind of — it can't have escaped your attention that today is 9/11, right? And on this day, on that day, I was in New York City and I witnessed all the shit that happened.

"So normally I do a little bit of like an a cappella — that's just me singing on my own — a bit of [the IRON MAIDEN song] 'Revelations'," he continued. "But I thought, with your kind permission, I would have a go at the American national anthem, because it's the only fucking time I'm gonna practice it.

"We were down in Brazil [a few days ago for a festival appearance] and I was talking to the punk band, mates of mine, BAD RELIGION," Dickinson added. "And the guy went, 'Oh, you're gonna sing the anthem?' He said, 'Fucking make sure you start low.'"

Bruce then sang a few lines of "The Star-Spangled Banner", occasionally accompanied by fans in the crowd.

Dickinson told Travel Trade Gazette back in 2012 about his experience on September 11, 2001: "I'd just completed my line training and was all signed off to fly, and was in New York with the band. It was a really sunny day, and I was sitting on the roof of the hotel by the pool. I had a Boeing 757 manual on my lap, reading up, when a little old lady walked up to the pool attendant and asked if it was true that a plane had flown into the twin towers. I thought it must have been a small private plane, and went back to my reading. Then more people arrived, and someone said it was some sort of airliner, and I thought, 'Oh boy…'"

In 2015, the singer described to "Nights With Alice Cooper" the scene he witnessed shortly after the World Trade Center towers came down. He said: "It was strange, because there was no panic of anybody. Everybody was just… There was just an air of 'unreality.' There was no traffic. It was a lovely day — a beautiful day — and I was just walking around and looking at people. People were drinking at bars, having a beer. And it got to the evening, and it was obviously pretty somber. Nobody was cracking any jokes; there were no funnies about this one. And to this day, I can't think of any."

He continued: "I wandered around the next day and I thought, 'I don't know what to do now. I'll go and give some blood.' So I had a wander around and found some way to go and give blood. And it was queuing around the block. And all they were doing was the guy was coming around saying, 'Okay, here you go. Come back tomorrow. We don't need any blood. There are no survivors.' So I went and wrote a piece of paper saying, 'If we need your blood, we'll give you a call.'"

Dickinson went on to say: "Then the wind changed. And this, kind of, pall of gray shit started slowly advancing up towards Midtown. And up 'till then, upper Manhattan up by Central Park, you couldn't smell it. And I was out taking a walk, just walking around, because there was nothing else to do. And I could smell this acrid smell and I thought, "I'm not sure whether or not being in an air-conditioned building is better for you or it makes no difference whatsoever, but you know what? I'm gonna go sit in my room, 'cause this has got bad shit in it, this stuff.' And, of course, they're now discovering exactly how much awful stuff was in it. I mean, I just got a quick sniff of it."

Joining the IRON MAIDEN singer on "The Mandrake Project Live 2025" North American tour was once again his 2024 backing band, featuring Dave Moreno (drums),Mistheria (keyboards) and Tanya O'Callaghan (bass),alongside the group's latest additions, Swedish guitarist, songwriter and multi-platinum-credited producer Philip Näslund and Swiss session and touring guitarist Chris Declercq (who played on Dickinson's "Rain On The Graves" single). Bruce's longtime guitarist and collaborator Roy "Z" Ramirez is not part of the touring lineup.

Dickinson kicked off "The Mandrake Project Live 2025" North American tour on August 22 at the House Of Blues in Anaheim, California.

Bruce was touring in support of his latest solo album, "The Mandrake Project", which arrived on March 1, 2024 via BMG.

Dickinson's reworked version of his classic 1994 album "Balls To Picasso", now titled "More Balls To Picasso", arrived on July 25.

Dickinson made his recording debut with IRON MAIDEN on the "Number Of The Beast" album in 1982. He quit the band in 1993 in order to pursue his solo career and was replaced by Blaze Bayley, who had previously been the lead singer of the metal band WOLFSBANE. After releasing two traditional metal albums with former MAIDEN guitarist Adrian Smith, Dickinson rejoined the band in 1999 along with Smith.

Guitar virtuoso John 5 is the latest guest on Billy Corgan's podcast, "The Magnificent Others". Corgan sits down with John 5 for a charged conversation about music, mastery, and survival. John opens up about his private KISS museum, the TV-music desert that shaped his Telecaster tone, and a grind honed through Rudy Sarzo, Bob Marlette, Rob Halford and David Lee Roth. He gets raw about grief, discipline, and the ritual of running full MÖTLEY CRÜE sets at dawn — how stepping into that legendary band pushed him to new physical and creative extremes — while revisiting Eddie Van Halen's genius and the chaos of the Marilyn Manson years.

At one point during the chat, John 5 reveals his struggles with mental illness that he says began back in 2003, after he received word that his sister Lynne had died. The guitarist hadn't yet processed her death when his sister Denise succumbed to cancer, followed by the cancer deaths of his mother and father. More tragedies followed: His best friend and guitar tech, Ruben Valesco, died, and soon after, his brother-in-law Dennis passed on.

"I have physical ailments from just of what happened and just horrible, crippling physical ailments from my past of the tragedy and things like that," John 5 said (as transcribed by BLABBERMOUTH.NET). "It's the worst thing you can ever imagine. So I got this thing — I can't believe I'm gonna even say it, but I got this thing called prostatitis, nonbacterial prostatitis. It's when your pelvic floor squeezes your prostate so hard. It's crazy. And it's just from stress. You can't piss, you can't sit, you can't do anything. That's why I was going to therapy and all this stuff. It's the most crippling thing."

He continued: "I remember I was — I'm just gonna spill it all — I was doing this show [in June 2009] with Slash and Ozzy [Osbourne] and all these people, and we were going to Norway [for an appearance at the Quart festival], and I was bedridden for months with this. 'Cause you can't sit… But I was on this plane with Ron Wood and Ozzy and all this stuff, and I would sit kind of like on my back so I wasn't sitting on the area. And I would act like I was sleeping. And it was just horrible. But luckily, you just get through it. And it's just from all the trauma. Yeah, it's nuts. But that's where it all comes from."

According to the Cleveland Clinic, nonbacterial prostatitis is a condition which causes prostate gland inflammation but no symptoms. You may learn you have this condition after getting tests to find the cause of other symptoms. This type doesn't need treatment and isn't an infection.

John 5 will release a new solo album, "Ghost", on October 10.

Last month, John 5 joined his MÖTLEY CRÜE bandmates as they kicked off their 10-show residency at Dolby Live at Park MGM in Las Vegas, Nevada. September 12 also marked the release of "From The Beginning, The Definitive Collection Of Mötley Crüe Hits" via BMG.

Following the MÖTLEY CRÜE residency, John 5, along with Alex Mercado, will also head out with fellow guitar great Richie Kotzen for the first time ever on an extensive co-headlining tour beginning October 16.

For over 30 years, John 5 has been one of the most in-demand guitar players on the planet. As well as being a songwriter/guitarist for hire, John 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Tina Guo, LYNYRD SKYNYRD, Meat Loaf, Dolly Parton and Ricky Martin. In October 2022, it was announced that John 5 would be joining MÖTLEY CRÜE as their guitarist following Mick Mars's decision to retire from the road.

John 5's most recent solo album, "Sinner", came out in 2021. The first single from the LP, "Qué Pasa", featured a guest appearance by MEGADETH leader Dave Mustaine. "Sinner" also included a guest appearance by original KISS drummer Peter Criss on a cover of "Georgia On My Mind", a 1930s classic by Hoagy Carmichael and Stuart Gorrell that became famous thanks to Ray Charles decades later.

In the last four years, John 5 has been involved in numerous projects, including completing his documentary, which includes testimonials from the likes of Joe Satriani, Rob Halford, the late Gary Rossington, Michael Anthony and Rudy Sarzo, among others. He's also announced the opening of his KISS museum, featuring his own personal mementoes and rare artifacts from the group's early years.

Slash has called John 5 "one of the most mind-blowing guitarists around," and Rob Zombie has dubbed him "a fucking shredder."

John 5 has released ten solo albums to date, as well as a remix album.

In a recent interview with Finland's Southeast Wreckmetal, legendary hard rock singer Joe Lynn Turner (RAINBOW, DEEP PURPLE) was asked if his next studio album will see him reteaming with Swedish producer Peter Tägtgren (HYPOCRISY, PAIN, LINDEMANN),who worked on Joe's latest LP, 2022's "Belly Of The Beast". He responded (as transcribed by BLABBERMOUTH.NET): "No, actually, I talked to Peter, and even a year ago, he said his calendar is so full right now. He's working two bands. I mean, he was doing LINDEMANN, but that's over with and so on. But he's just really, really too busy, and he needed a break. So he said, 'I'm sorry, man. I can't do a second record.' I said, 'Do you know something? That's okay.'

"I don't intend on repeating myself," Joe explained. "I think it was David Bowie who said an artist should never repeat himself. And I did 'Belly Of The Beast' as a major project to send out not only the music, but the message. And I think that message is still there. I don't need to repeat this message over and over again. I'm not trying to preach. What I'm trying to do is put it in a musical form to educate people. However, I've been writing with a couple of Swedish guys right now who are brilliant. And I went back to actually writing songs that are meaningful personally to people. Not that 'Belly Of The Beast' isn't, but what I'm trying to say is if you look at my past, it's great songs, great hooks, great melodies that you can walk away singing, whistling, whatever, remembering, and that's what I'm doing now. I'm not so concerned with trying to… I'm not gonna save the world. It's already proven that they cannot be saved. The only way you can save it is by saving yourself. So I urge everyone to be awake, save yourself. Me, I'm going back to very classy, well-produced sort of — it's like great material with a modern production. I wanna change up that too as well, so I don't wanna repeat myself."

Asked when he expects to release his next studio album, Joe said: "Oh, definitely not until '26 at this point. I really wanna finish the summer things that I have — a lot of festivals, individual gigs. I have a new two-year-old boy, so I wanna spend time with Matteo and watch him grow. He's fantastic. And I wanna take a holiday, and I will not tour in the winter because it is too dangerous with travel. It honestly is. I've been in too many situations in the past. So I will be able, fortunately enough, to take the winter off, work on the record, come out in the spring, something '26. And I'm in no rush."

Joe continued: "The world's in flux right now. The world is a bit chaotic, and I think that we need to settle down a bit. Otherwise your release will get lost in all of the fluff, as I say. So I'm in no hurry, for various reasons. But I've got 10 songs already perfectly written — more than 10, but I know 10 are solid, killer. And I'm very excited about them. Each song for me is a gem. It's a diamond. They're so good… And for my fans out there and my [fan]base — guys, you won't be disappointed. You're just gonna love this record. It's what Joe Lynn Turner is all about. And I'm being true, as usual, to my integrity and to myself, and I think that's extremely important. That I'm not trying to change with the times, I'm not trying to alter anything — I'm just being who I am. And I think that would be good advice for a lot of people."

Joe founded FANDANGO in 1977 and sang for the band for four records before RAINBOW guitarist Ritchie Blackmore rang. His vocals powered the seminal "Difficult To Cure" in 1981, going gold in the U.K., France, and Japan in addition to cracking the Top 50 of the Billboard 200 and Top 3 on the U.K. albums chart. A year later, he ignited RAINBOW's "Straight Between The Eyes", which Guitar World retrospectively hailed as one of "The 25 Greatest Rock Guitar Albums" of 1982. It also spawned the Hot 100 hit "Stone Cold". During 1988, a Polygram VP wanted Turner to extend his writing and singing skills to collaborate with legendary shred virtuoso Yngwie Malmsteen for his project RISING FORCE. Their album, "Odyssey", scaled the Top 40 of the Top 200, marking Malmsteen's highest bow on the respective chart and going gold in Sweden. Not long after, he reteamed with Blackmore for DEEP PURPLE's "Slaves And Masters" (1990),reaching gold status in Switzerland and Japan.

In addition, he has co-written for and appeared on classics such as Mick Jones's "Mick Jones" (1989),RIOT's "The Privilege Of Power" (1990) and Lita Ford's "Dangerous Curves" (1991),to name a few. Not to mention, he lent his background vocals to Michael Bolton's double-platinum "The Hunger" (1987),Cher's platinum "Cher" (1987),Billy Joel's Grammy Award-nominated quadruple-platinum "Storm Front" (1989),and many more. From 2001 to 2004 he teamed up with his friend and counterpart Glenn Hughes and formed HTP (HUGHES TURNER PROJECT). The release of two highly acclaimed original albums and two world tours in support gave him further recognition. Other collaborations range from shining on stage with "Raiding The Rock Vault" at LVH Hotel and Casino and an unforgettable turn on "X Factor Bulgaria" to two cuts on MICHAEL SCHENKER GROUP's 2021 album, "Immortal".

In 2017, he initially met Peter after performing at his brother's private birthday party. Soon later, Joe and Peter collaborated on their first track "Don't Fear The Dark", cementing their creative partnership and assembling what would become "Belly Of The Beast".

Joe performed without his trademark wig live for the first time in June 2023 at the Rock Orchestra Fest at Dinamo National Olympic Stadium in Minsk, the capital and the largest city of Belarus.

The singer said in 2022 that now was the right time to finally drop the hairpiece he has worn since the age of 14 after being diagnosed with alopecia at three years old.

Turner went public with his new look in August 2022 in a series publicity images released to promote "Belly Of The Beast". In a press release for the LP, Joe said that he started wearing the wig to deal with "emotional and psychological damage from cruel bullying in school."

Drummer Jimmy D'Anda has rejoined BULLETBOYS. Playing alongside him in the band's current lineup are fellow original members Marq Torien (lead vocals, guitar) and Lonnie Vencent (bass),plus the group's latest addition, guitarist Frankie Lindia (David Lee Roth, RATT).

The original BULLETBOYS lineup of Torien, Vencent, D'Anda and guitarist Mick Sweda last reunited back in mid-December 2019 and lasted for a couple of years before Sweda announced in January 2022 that both he and D'Anda were exiting the band. In December 2024, Vencent rejoined BULLETBOYS once again.

Earlier today (Monday, October 13),D'Anda shared the following message on his Facebook page: "Good morning rockers and rockettes!

"I thought long and hard about my future in rock n roll.

"Everyone knows it's a monumental task for bands to reunite, especially bands that have been fractured for years… Having said that, I felt that there was unfinished business with my old band BBOYS and after losing OZZY , that shook me to my core … So Lonnie, Marq and myself sat down at SALSA AND BEER and had a heartfelt moment of honesty and cleared some years of resentment ( witch we had never done before). I then sat down with Mick, the original guitarist, and asked if he’d come back, he had no desire to do so, and understandably so. I reached to several guitarist but none had the fire of guitarist Frankie Lindia ( DLR /RATT/ATOMIC PUNKS) so please welcome him to the fold! …

"We're in rehearsals at the moment and hope to work on new tunes."

Upcoming BULLETBOYS shows:

Oct. 24 - Token Lounge - Westland, MI (with LYNCH MOB)
Oct. 25 - APlex - Alpena, MI (with LYNCH MOB)
Dec. 19 - Arcada Theater - St. Charles, IL (with WARRANT)
Dec. 28 - Whisky A Go Go - West Hollywood, CA

BULLETBOYS formed in 1988 at the very peak of the Los Angeles glam metal movement. As a collection of talented musicians, BULLETBOYS were able to quickly capture the attention of music fans around the world. Unlike other rockers of the day, the BULLETBOYS possessed more hard rock-blues fusion than pure hair metal. Thanks to comparisons to the likes of AEROSMITH and VAN HALEN, talent scouts came running and the band quickly received their first major label contract.

BULLETBOYS' self-titled debut was released in 1988 via Warner Bros. and peaked at number 34 on the Billboard 200. The album spawned two hit singles, a cover of the O'JAYS classic "For The Love Of Money" and "Smooth Up in Ya", both of which charted on the Mainstream Rock chart and saw regular airplay on MTV. BULLETBOYS went on to release two more albums, 1991's "Freakshow" and 1993's "Za-Za", before splitting up.

After the original BULLETBOYS lineup's most recent full reunion disintegrated almost four years ago, Sweda said in an interview that he would "never do anything with BULLETBOYS again."

Good morning rockers and rockettes! I thought long and hard about my future in rock n roll , Everyone knows it’s a...

Posted by Jimmy D'Anda on Monday, October 13, 2025

Sammy Hagar's annual Birthday Bash brought a wild mix of rock royalty, surprise guests, and tequila-fueled fun to Cabo Wabo Cantina over a series of concerts on October 7, October 9, October 11 and October 13, as the Red Rocker continued his long-standing tradition of celebrating with fans in Cabo San Lucas.

On Monday, October 13, NICKELBACK frontman Chad Kroeger took the stage for a rendition of the METALLICA classic "Enter Sandman", backed by Hagar's powerhouse band — Vic Johnson on guitar, Kenny Aronoff on drums, and Hagar's longtime bandmate, "brother," and fellow Rock And Roll Hall Of Famer Michael Anthony on bass. Check out fan-filmed video of the performance below.

Back in November 2022, Chad picked METALLICA's James Hetfield as his "Rock God", telling BBC's "The Rock Show With Johnnie Walker" about his choice: "I mean, have you seen METALLICA play? There's something about James live that just makes me wanna grit my teeth and scream along.

"I was lucky enough to be sidestage and see them play in Paris in front of 70 thousand people and then get a chance to go back and hang out with James afterwards. And he's not only talented — amazing singer, songwriter, guitar player — but he's also one of the sweetest people you could ever meet. So, that's gotta be my choice."

In a 2014 interview with Finland's Radio Nova, Chad said that his brother, NICKELBACK bassist Mike Kroeger, used to "hang out a lot" with Hetfield in Maui. He added: "And right when you think that you're the only one who gets it — the backlash — Mike's, like, 'Oh no. James pretty much thinks the entire world hates him.' I'm, like, 'Really?' Suddenly I don't feel so bad anymore."

Seven years ago, footage of NICKELBACK covering METALLICA's "Sad But True" at the 2004 edition of the Rock Am Ring festival in Germany went viral after it was posted to a Facebook page where it was viewed more than four million times before being removed for copyright reasons. A YouTube version of the video was uploaded 10 years ago and has been viewed nearly four million times.

More than a decade ago, Kroeger used METALLICA as an example of great songwriting. He told Men's Health magazine: "Music works on a lot of different levels. There's a lot of melody in a great metal song. If you listen to METALLICA songs, anything on 'Master Of Puppets' or '...And Justice For All', the songs move through these beautiful parts, and then they progress back into very aggressive territory, and the riffs are constantly changing and developing, and it stays very interesting."

NICKELBACK's tenth studio album and first release in five years, "Get Rollin'", arrived in November 2022 via BMG.

In a new interview with Thunder Underground, TRIVIUM's Paolo Gregoletto spoke to about the band's recent split with its longtime drummer Alex Bent. The bassist said (as transcribed by BLABBERMOUTH.NET):  "I don't feel like I want fans to be, like, Hey, okay, we're over it. We expect you to be over it,' kind of thing. I'm like, no. I'm, like, we made a lot of great music and there's a lot of history between us. He was almost in the band as long as Travis [Smith, former TRIVIUM drummer] was and almost made as many albums, I believe. So that's a pretty big chunk of our history right there. And I think 'The Sin And The Sentence', of the stuff we all did together, is maybe one of my favorite records we've done. And I think the [upcoming] EP ['Struck Dead'], too — if that's the end of the chapter, I'm, like, that's a great ending right there, 'cause I think it's a very, very cool EP. And I can say without a doubt, I feel that the albums and EP has been an incredible run. I don't feel we had a real weak point. I can't say that's something I feel like for our whole career. So I'm, like, I feel very proud of that. It was a lot of effort and work and everyone's part."

Asked if TRIVIUM's new touring drummer Greyson Nekrutman (SEPULTURA),who made his live debut with the band at last weekend's Aftershock festival in Sacramento, California, will play on TRIVIUM's next studio album, Paolo said: "Oh, I don't know yet. We're still kind of thinking the [fall 2025] tour first. It's, like, I have to almost kind of try to put everything in order of how it's coming just to not get too far ahead of ourselves. We do have some writing coming up that we had planned anyway, but he's not involved in that. It's the three of us and Josh Wilbur, our producer, kind of brainstorming. 'Cause we've been doing a lot of stuff. We have quite a bit of material. It's, like, we wanna get a little head start before we get to the new year and start really diving into actually doing it. But as for, like, who's playing on it, we really don't know. And honestly, Greyson has commitments with SEPULTURA next year, so even if he were to help us on, let's say, the record or a couple shows, he's got that stuff. So we're gonna have to still probably jam with some people early next year, figure some stuff out. And we're just kind of taking the moment to take things easy and take it slow."

He continued: "We've, in the past, had to make quick judgment calls, like in pressure, and I feel like that's never been the best idea. It's better to just take a breather, let everyone kind of just deal with the news that we just dropped on them first. And then, of course, like, let's have fun on the tour. We were talking to him about the setlist [for the fall 2025 tour]. We're giving him some freedom to pick some songs of, like, 'Hey, here's a list of tunes we like, we love to play. Check 'em out, see what you're feeling,' and kind of just go from there."

At Aftershock, Paolo told Baby Huey and Chasta of the San Francisco radio station 107.7 The Bone about Bent: "We've had a great nine years together. I feel like it's kind of a weird thing because, obviously, being in a band together, but I feel like because we've all had families and stuff, there's a tighter connection there that even just what people see. So I think it's one of those things, we all were kind of sad, but at the same time, we said, 'Alex, we want you to kind of make the statement. You kind of lead how you'd like to handle all this stuff.' And I didn't wanna put words in his mouth or say whatever. He made the statement. I feel like we ended on great terms. And that's really kind of it. I mean, there's no juicier CRADLE OF FILTH [-style] drama [with former hired musicians sharing their grievances online]. And, again, it's one of those things where we wanted him to make a statement."

Paolo continued: "In the past we've always been very, like — we don't really like to get into any behind-the-scenes stuff with that. And, of course, we've had changes before, but we felt like in this instance, rather than just saying 'we're parting' or whatever, we [told Alex], like, 'Well, you've been around for so long, our fans would wanna hear from you.' And so that made it more important to us to be, like, 'Okay, you are gonna say whatever you'd like to say.' We didn't [tell Alex], 'You can't say this or that.' And then just give it 24 hours. And then as we hit the stage [at the Aftershock festival] today, be, like, 'Okay, this is the guy playing with us for today, for the tour,' and then that's kind of it."

Speaking about Greyson, Paolo said: "It's been a crazy whirlwind. He was on a tour in Canada, a drum-clinic tour. And he said, 'Yeah, I'll do it.' And he got home. He spent two 12-hour days, just in there, working on it, and then we flew him down. We jammed for two days, flew out here, and we're gonna go jam in our little room here in a bit. But everything's good. I feel like there's good vibes. Of course, it's one chapter ending, but I feel like the music that we made [with Alex] for the last nine years was great. And especially for the EP ['Struck Dead'] coming [in late October], if that's kind of the end cap on this era of TRIVIUM [with Alex], I'm very happy with everything we did."

Addressing TRIVIUM's plans for the coming months, including the search for Bent's replacement, Paolo said: "We're gonna be out, I think, in Europe next summer. The first couple months [of 2026] is gonna be kind of, like, of course, [working on the next full-length] record and stuff. And then we're gonna probably take a little bit of time and maybe jam with some people, just kind of see what we're feeling for the next step.

"This is still kind of new, so we're not totally sure [what we're gonna do about a new drummer], but we've never really taken a moment to kind of just step back," Paolo explained. "Because Greyson is incredible, but he is with SEPULTURA. And they have commitments, and we're very lucky that there's no clashes at the moment. He can get us through the end of the year, and [we] feel like the songs are in good hands. But … once we get off the road, once we get to holidays, everyone's got clear heads — we know a lot of great people, and we don't know if there's someone that might be interested in that. So we're, like, well, let's just take a moment. And next year we'll get into that. And then, of course, the record is gonna be the big thing for us. And, of course, you know what follows that — more touring, coming back around."

The 23-year-old Nekrutman, who also previously toured with SUICIDAL TENDENCIES, will play drums for TRIVIUM on "The Ascend Above The Ashes" North American tour. The trek will kick off October 31 in Myrtle Beach, South Carolina and run through December 14, with a hometown show in Orlando, Florida. Special guests are JINJER and HERIOT.

When Alex announced his departure from TRIVIUM on Friday (October 3),he said in a statement: "I am beyond grateful for the incredible past nine years with TRIVIUM — filled with unforgettable moments, music, and friendships that I'll always carry with me. I'm so proud of every record and tour we created together, and I know TRIVIUM will continue to dominate the world; they'll always have my support.

"While this chapter has come to a close, this is by no means the end of my path as a musician. I'm excited for this new chapter, and I look forward to continuing to create, perform, and share music in new ways.

"Thank you to everyone who has supported me along the way. Your encouragement means the world."

Nekrutman officially replaced SEPULTURA's longtime drummer Eloy Casagrande in February 2024.

In December 2016, TRIVIUM parted ways with Paul Wandtke and welcomed Bent, a former member of BATTLECROSS and DECREPIT BIRTH who had previously played with TESTAMENT as a fill-in for that band's longtime drummer Gene Hoglan.

"Struck Dead" will arrive on October 31 via longtime label Roadrunner. The effort was produced by TRIVIUM and recorded with Mark Lewis at the band's Hangar Studios in Orlando, Florida. It was mixed and mastered by Josh Wilbur.

In a new interview with Scott Penfold of Loaded Radio, ex-TYPE O NEGATIVE guitarist Kenny Hickey was asked if there has been any talk about teaming up with the other surviving members of TYPE O NEGATIVE to stage a Peter Steele tribute concert with various guest musicians. He said (as transcribed by BLABBERMOUTH.NET): "There has, yes. A lot of people are approaching us. There are a lot of agents [contacting us]. There's money in it, so the more the value goes up, the more they're gonna hound us."

According to Hickey, former TYPE O NEGATIVE keyboardist Josh Silver, who is married to Kenny's wife's sister, is still unwilling to commit to a Peter Steele tribute project, having spent "a long time" working for New York City as a paramedic.

"Josh is really, at this point, he's very resistant," Kenny told Loaded Radio. "But we'll see. We don't know what's gonna happen. Josh is about to retire [from his job as a paramedic] soon, so we don't know what's gonna happen. It all depends on how much money it's worth and how much is waved [in front of us]."

Asked if he has a particular singer, or several vocalists, in mind as far as whom he would want to front TYPE O NEGATIVE for such a concert or tour, Kenny said: "No, no. It's a very hard thing to get my head around. If something really gets concrete, then I'll really start thinking about it and painting over it, because there's [also] the issue of the bass playing. [Peter's] bass playing was more unique than his vocals. Deep, baritone vocals — a lot of people with a deep voice could do that shit and roll your Rs… But his bass plan was very, very unique."

This past February, Hickey told Joshua Toomey of the Talk Toomey podcast that he was open to the idea of staging a Peter Steele tribute concert. "I think so. I would do something like that, absolutely," he said at the time. "Because at this point, the band seemed to transcend into a whole new generation and stuff. And I think it would be really cool to get a couple of key singers, real guys, or maybe one guy or whatever, to come and do it as a tribute. Absolutely. Maybe four or five shows, something like that. If we can get Josh to do it, yeah, [I'd be up for it]."

Asked if Josh was "the sticking point with stuff like that", Kenny replied: "Josh is just, like, he's done with music. He feels like he's moved on, but I don't know. We'll see.

"You get nostalgic after a time, you know what I mean?" Hickey added. "So you never know. You can never say never."

Back in June 2023, Hickey was asked by Loaded Radio if he was surprised by the enduring popularity of his former band, now 15 years after the passing of the TYPE O NEGATIVE frontman. He responded: "Yeah. It's surprising, and I'm very grateful for it. I mean, the band has transcended, which is amazing. It's reached a whole new generation. We're doing better than we were doing before Peter passed. [Laughs] [There's] a whole resurgence on it. Which is good. It's a testament to the work we put into it and the honesty we put into it and the years of sweat. There was realism to the music."

Hickey also once again talked about the possibility of him and the other surviving members of TYPE O NEGATIVE staging a Peter Steele tribute concert with various guest musicians. He said: "People have approached us to try and reform the band with a singer and go on the road. 'Cause everybody wants a money grab. We personally don't think Peter is replaceable by anybody, and it just wouldn't work."

He continued: "A tribute I'd love to do. I'm sure Johnny [Kelly, drums] would love to do it. I know Josh wouldn't do it, because Josh is picking up body parts in East New York [during his work as a paramedic]. He's not gonna stop that to start rehearsing. But yeah, we would do it with guest musicians and stuff. If somebody had the idea and got it together and got the logistics together, sure — I would be into it."

When Penfold noted that Kelly previously picked HEART's Ann Wilson as a singer he would like to tackle Steele's parts during a hypothetical tribute concert, Hickey said: "Ann Wilson would be great, but she probably never heard of us."

As for whom he would choose to sing at such an event, Kenny said: "Axl Rose [of GUNS N' ROSES]." He added that "it would be very fucking cool" to hear Axl sing a song like TYPE O's "Love You To Death".

Steele passed away in April 2010 from heart failure at the age of 48. Born Petrus T. Ratajczyk on January 4, 1962 in Brooklyn, New York, he stood 6' 7" (201 cm) tall, and had a low, bass-heavy voice, which was one of the most recognizable features in TYPE O NEGATIVE's music.

Before forming TYPE O NEGATIVE, Steele played for the metal group FALLOUT and the thrash band CARNIVORE.

In a February 2022 interview with Loaded Radio, Kelly was asked if there had ever been any talk of staging a concert in honor of the band's late frontman Peter Steele. He responded: "Coffee talk. There was never any serious consideration, like, should we do something? Is there even a point of doing it? Or also, is it just a blatant cash grab? So all these things go through your head.

"People celebrate [Peter] all the time," he continued. "They do it daily. I see it online all the time and the impact that he had.

"Maybe somewhere down the road there may be something that's… I don't know. But I know that for me, it would have to include Kenny and Josh as well. Anything that we do, it would have to be the three of us. And there's no way you're getting Josh to do anything like that. [Laughs]"

Asked who would handle Peter's vocal parts if they ever did end up doing a tribute concert, Johnny said: "I don't know. I'd want a girl to do it. I'd want a female vocalist — like Ann Wilson or something like that. [Laughs] But even so, that's the first thing. When you think about doing some kind of tribute show, you're just gonna get all these people… Yes, Peter was very highly regarded by our peers and stuff like that, and you'll just get a bunch of dudes up there just trying to sound like Peter. And you can't do that. And it's, like, all right, so what's the most remote thing from Peter? You'd have to do something completely abstract. And I would say get a female vocalist. I think Peter would get a kick out of… He would get off on seeing a girl sing his songs, seeing a female sing them. And it would really stress the point of doing something as a tribute instead of trying to recreate something."

Five years ago, Kelly told Meltdown of Detroit's WRIF radio station about Steele: "Peter, for the most part, he was a clown. He was always joking around — sarcastic, very self-deprecating humor. Just the opposite of what the music portrayed. When we were working on music and stuff, the end result, he was very serious about what he wanted, how he wanted something to sound. Other times, he was a clown.

"I always said that he wanted to be a normal person, but because he was Peter, that was just not in the cards for him; it was completely impossible," he continued. "I bet he would love to just be able to hang out, go to the bar, have a few drinks. And we would try to do that, and the minute he would come out to the bar, everybody gravitated towards him. He couldn't go to the store by his house without something happening to him."

Asked if that was because of Peter's size, Johnny said: "I think so. He just had this very striking look. He didn't look normal. And he had fangs. [Laughs] He was six and a half feet tall, [had] long black hair and fangs. You're not gonna get the normal response when you're going grocery shopping."

TYPE O NEGATIVE 1996 promotional photo courtesy of Roadrunner Records (photo credit: Bela Borsodi)

Two men appeared in court on Monday (October 13) after being charged with the murder of former LOSTPROPHETS frontman Ian Watkins. The disgraced singer was stabbed to death on Saturday (October 11) at a prison in northern England, where he was serving a 29-year sentence for child sex offenses.

Rashid Gedel, 25, and Samuel Dodsworth, 43, appeared separately before Judge Dunne at Leeds magistrates court.

Both men have been remanded in custody and are expected to appear in Leeds crown court on Tuesday.

The 48-year-old Watkins had his throat slashed at British maximum security prison HMP Wakefield after inmates were unlocked from their cells.

A statement from West Yorkshire police on Monday said: "Detectives have charged two men with murder after the death of a prisoner at HMP Wakefield on Saturday.

"Ian Watkins, 48, was pronounced dead after being seriously assaulted at HMP Wakefield on Saturday morning (11 October).

"Rashid Gedel, 25, and Samuel Dodsworth, 43, both of HMP Wakefield have both been charged with murder.

"They are due to appear at Leeds Magistrates Court this morning."

Watkins's attackers reportedly slashed his jugular, causing Ian to die from blood loss.

A source told The Sun: "[Ian] was targeted by another inmate who shanked him in the neck. Guards were nearby and raced to the scene pretty quickly — but there was nothing they could do, and they could not save him. It was a horrific scene, with blood everywhere and alarms and sirens going off. Police and ambulances were called and the whole prison was locked down with all cons confined to their cells."

Watkins's former girlfriend Joanne Mjadzelics, who was instrumental in exposing his crimes, told the Daily Mail about Ian's murder: "This is a big shock, but I'm surprised it didn't happen sooner. I was always waiting for this phone call. He was walking around with a target on his back from the first day he entered the prison. I have always been scared of him getting out and tracking me down or something, so this is a relief."

Mjadzelics, who had reportedly suffered with PTSD and self-harming issues as a result of her relationship with Watkins, added: "I wanted him dead for a long time after everything he did. I am relieved, I feel like a weight has been lifted from my head.

"This is the second time someone has slashed his throat. I expected it to have happened earlier. He's been in there for almost 13 years."

Watkins was previously stabbed in an incident at the same prison in 2023. On that occasion, he suffered non life-threatening injuries after he was reportedly taken hostage by three other inmates before being freed by prison officers six hours later.

In 2013, Watkins was convicted of 13 child sex offenses. These crimes only came to light following a drug investigation.

After Watkins was arrested in 2012 for drug charges, which included possession of methamphetamines and cocaine, police searched his property and computer, where they found "overwhelming evidence that he was a pedophile," according to the Guardian. At least 90 photos were found in his possession displaying indecent photos of children ages ranging from 2 to 14 years old.

Six people came forward to make allegations against Watkins before he was finally arrested and jailed for 35 years, the report from the Independent Police Complaints Commission (IPCC) found.

Watkins admitted the attempted rape and sexual assault of a child under 13 but pleaded not guilty to rape. He also admitted conspiring to rape a child, three counts of sexual assault involving children, seven involving taking, making or possessing indecent images of children and one of possessing an extreme pornographic image involving a sex act on an animal.

Ian initially claimed he was the "victim of a malicious campaign" against him, telling police during interviews he was being stalked by "a crazed fan" and other people had access to his computers.

Watkins's disgusted LOSTPROPHETS bandmates called it quits in 2013, just before the frontman pleaded guilty to his crimes. They subsequently formed a new group, named NO DEVOTION.

LOSTPROPHETS formed in 1997 and sold 3.5 million albums in their 16-year career. They scored a No. 1 hit at Modern Rock radio in 2004 with the track "Last Train Home".

In August 2019, Watkins was found guilty of possessing a mobile phone while in prison. He was found with the phone in his cell at HMP Wakefield.

Watkins allegedly used the phone between March 4, 2018 and March 10, 2018 to contact a woman he previously had a relationship with and later hid the phone inside his anus while serving time at the prison.

Watkins was removed from his cell after officers received intelligence he was illegally storing a phone.

The singer told jurors that he hid the phone in prison because he was threatened by two fellow inmates, but he refused to name the men who allegedly ordered him to look after the device.

Watkins said his fellow inmates at HMP Wakefield were "murderers and handy," adding, "You would not want to mess with them."

CAVALERA, the band featuring former SEPULTURA members Max (guitar, vocals) and Igor "Iggor" Cavalera (drums),has recorded a new original song called "Piledriver" to celebrate the release of Zangief's Outfit 4 in "Street Fighter 6", the action fighting game developed by Capcom. Zangief's Outfit 4 will be available on October 15 alongside DLC character C. Viper and a collaboration with Chunsoft's 1994 visual novel "Banshee's Last Cry". A special avatar gear with the CAVALERA band logo on it will also be available for free too.

"Piledriver" was written all about the Russian wrestler who is a fictional character in Capcom's "Street Fighter" series, including lyrics like "Zangief is lord, and it's time to attack" and "The hammerfist, the Red Cyclone."

"Street Fighter" director Takayuki Nakayama wrote on X: "Having grown up listening to SEPULTURA, SOULFLY and CAVALERA CONSPIRACY, I never imagined that one day I would work with heroes like Max and Iggor. When I found out they had accepted the job — bands I loved since my school days — our sound team, made up of other metal lovers, and I went absolutely wild with joy."

He added: "They showed us their raw and unique worldview in 'Morbid Visions', made history with 'Chaos A.D.', collaborated with my equally beloved Mike Patton on 'Roots' (my favorite album) and gave me a lot of motivation when I heard 'Back To The Primitive', by SOULFLY. What I'm trying to say is that I am truly and deeply grateful! Thank you."

In 2023, Max and Igor revisited their earliest SEPULTURA releases, "Morbid Visions" and "Bestial Devastation", and re-recorded them. A year later, they entered the final chapter of their early-days trilogy by releasing a re-recorded version of SEPULTURA's "Schizophrenia".

SEPULTURA fell apart in 1996 with the exit of Max after the rest of the Brazilian four-piece split with the vocalist/guitarist's wife Gloria as their manager. Max's brother, drummer Igor stuck around with the group for another ten years before leaving SEPULTURA and re-teaming with Max in CAVALERA CONSPIRACY.

Although SEPULTURA has maintained a diehard fanbase in all parts of the world throughout the band's four-decade history, Max-era albums "Roots" and "Chaos A.D." were by far SEPULTURA's most commercially successful, having both been certified gold in the U.S. for sales in excess of five hundred thousand copies.

This past Friday night (October 10),SHINEDOWN took Nashville by storm as the band made its debut at the city's famed country music venue Grand Ole Opry and played on the legendary stage for the first time. They were introduced by good friend and 17-year Grand Ole Opry member Carrie Underwood, who welcomed them into the historic circle and said: "It is always an honor, and so exciting for me to be at the Opry. Tonight, I am especially honored and excited to introduce our next group. I saw these guys back in concert in 2004 when I was a wee college student and basically, they have not been able to get rid of me ever since! I know that they too are very excited to be here, they love country music, and they love and respect the Grand Ole Opry so much. Tonight, I hear they may even have a special surprise in store for us! Making their Grand Ole Opry debut, make some noise for SHINEDOWN!"

The packed crowd was on their feet as the band performed three songs — "A Symptom of Being Human", their chart-topping song "Three Six Five" and surprised the audience with a performance of a brand new song: "Searchlight". To introduce "Searchlight", SHINEDOWN singer Brent Smith said: "Would you like to hear the debut of a song that no one has heard?" He then continued and described the song's origin: "Sometimes when you listen close enough to the universe and you're willing to receive something from it — a song can come out of thin air. That is something that we don't take for granted. It's essentially what happened with this next song: we didn't find it, it found us. This is the debut of a song we like to call: 'Searchlight'."

After the debut performance the audience erupted and rose to their feet giving SHINEDOWN a standing ovation to close out the evening. In their post-show interview, the band said the performance was a "dream come true for us" as they all grew up watching and listening to the Opry. Earlier, the band's guitarist Zach Myers told The Tennessean about how much performing at the show meant to him: "The Opry to me is way ahead of Madison Square Garden because every weekend as a child was spent listening to the Grand Ole Opry or watching it on TV with my grandmother. The only definition I can think of to describe the Opry is 'heaven on earth.' I couldn't be more excited. If you asked me if it was this or Madison Square Garden, I'm picking the Opry every time."

Jenn Tressler, director, artist and industry relations for Opry Entertainment Group, told The Tennessean about SHINEDOWN's appearance at the venue: "Country music encompasses such a big umbrella of influences and roots which is why so many country music fans also enjoy various genres of music. Having a band as successful and enduring as SHINEDOWN, whose music carries much of the same messages that country music does — of inspiration, hope and perseverance — gives both country and rock fans the chance to share a powerful moment together. I'm personally excited about the band's visit and am certain there will be some new fans of country music at the end of the show that night."

The Opry performance adds to an already incredible year for SHINEDOWN as they recently made history (once again) as their latest single "Killing Fields" recently reached No. 1 on the Active Rock Mediabase chart. The achievement solidified their 23rd single at the format and marks the third No. 1 for the band this year: No. 1 at Alternative for "Three Six Five" and two No. 1s at Active Rock with "Dance, Kid, Dance" and now "Killing Fields". In addition, it adds to their record of holding the most No. 1s, Top 5s and Top 10s in history on the Mediabase Active Rock chart.

Fresh off their massive "Dance, Kid, Dance" arena tour, where they sold out Madison Square Garden and performed at some of the country's most iconic venues, including KIA Forum in Los Angeles, the band's song "Three Six Five" also hit Top 20 at Top 40 radio. When they were on the chart they were the only rock band on the Top 40 chart as "Three Six Five" continues to reach new audiences with its message of love and loss. Since release the song has charted at five radio formats after hitting No. 1 at Alternative, Top 10 at Hot AC & AC, No. 16 at Active Rock, all in addition to reaching Top 20 at Top 40 radio.

On the last day of the "Dance, Kid, Dance" arena tour, Smith closed the show and promised fans news of a new album stating: "SHINEDOWN number 8 is on the way!" Friday night's performance of "Searchlight" left fans wondering when the song may be released and if news of SHINEDOWN's eighth album is imminent.

Up next SHINEDOWN is confirmed for the 2025 iHeartRadio Jingle Ball Tour Presented by Capitol One where they will perform on December 2 at Dickies Arena in Fort Worth, Texas, December 8 at Allstate Arena in Rosemont, Illinois, December 9 in Detroit, Michogan at Little Caesars Arena and December 16 in Washington, D.C. at Capital One Arena.

Arriving as double LP on October 24, Live at Roadburn Festival 2008, documents Port Orchard heavy rock veterans Mos Generator’s electrifying appearance in Tilburg, Netherlands on April 19, 2008 – their very first European performance.

Mos Generator were formed in 2000 from the ashes of a decade-long collaboration between its founding members, and in the quarter of a century since have become a cornerstone of the heavy underground. With nine studio albums, multiple live and retrospective releases, and tours alongside Saint Vitus, Fu Manchu, Spirit Caravan, and Elder, the band has earned a reputation for their authenticity and relentless energy.

Fronted by guitarist, vocalist, and songwriter Tony Reed, the band were riding high on the recent release of Songs for Future Gods (2007) at the time of this recording, while embarking on their first European tour.

“This was the first show!” smiles Reed. “By the time we got on stage at Roadburn we were worn out from jet lag and playing unfamiliar gear. All in all, it’s a pretty good set with highs and lows. It’s taken me 17 years to come to grips with the idea that people don’t mind hearing mistakes – if that’s the case, you won’t be disappointed.”

Despite its rawness, the set captures Mos Generator in their prime: equal parts heavy, soulful, and unapologetically human. Highlights include the first-ever live performance of “Step Up”, new single and fan favourite “Dyin’ Blues” (available to stream here), and the kind of stage banter and unpredictability that made the night unforgettable, including bassist Scooter Haslip being called back from the showers by a roaring crowd to continue the set.

“This is a loose and heavy version of ‘Dyin’ Blues’ that had come out on a 10” picture disc in 2007,” explains Reed. “I don’t think we played it much live back then but it has some of the classic blues lyrics in a heavy rock musical backdrop. It’s also one of the few live songs where Scooter sings backup vocals. A nice harmony on this cut.”

Their Roadburn appearance marked the beginning of their international touring legacy, opening doors to major European festivals and new audiences worldwide where critics have long recognized Mos Generator’s unique ability to balance grit and soul.

Live at Roadburn Festival 2008 will be the third official release on Savant Guarde Records, a rising independent label dedicated to preserving the legacy of heavy underground music. Reed, who in recent years has also made his mark as guitarist and producer with Pentagram, has found a natural partnership with label head Daniel Rozell in bringing this long-awaited recording to light.

Releasing on October 24, 2025 as a limited edition 2xLP set (one clear, one black, 250 copies) and CD edition (300 copies), Live at Roadburn Festival 2008 offers a raw yet powerful snapshot of Mos Generator at a pivotal moment in their career. Pre-orders can be placed now via Bandcamp.



Tracklisting:

Lumbo Rock
Silver Olympus
On The Eve
Sleeping Your Way To The Middle
This Is The Gift Of Nature
Y’Juana
Warsong
Opium Skies
Where’s Scooter?
Dyin’ Blues
Step Up

At this year's Aftershock festival in Sacramento California, guitarist Shane Clark of Vancouver, British Columbia, Canada-based metallers 3 INCHES OF BLOOD was asked by Rock News Weekly if there are any plans for the reunited band to write and record new music. He responded (as transcribed by BLABBERMOUTH.NET): "We're gonna keep playing some fly-in gigs, but for the rest of the year we're just gonna write songs and kind of approach it the same way we approached getting back together. And that's just write some songs, see if it works. We're not gonna release stuff that we don't think is up to snuff. So we're just gonna sort of take our time with it, not rush it. — not be, like, 'Oh my God. We've gotta keep this momentum going.'"

Asked if 3 INCHES OF BLOOD is still signed to Roadrunner, Shane said: "No… After 'Fire Up The Blades' — so this is, I wanna say, 2008 — they wanted to re-negotiate our contract into a deal we were not into at all. Basically, long story short, we asked them, like, 'If we don't take this new contract, what's the deal?' They're, like, 'Well, we're gonna have to drop you.' And we were, like, 'Fucking right. Let's say no. Then we'll get dropped.' And then we had a really successful year being label-less. We toured Europe with EXODUS that year and had a really good, lucrative year. And then we got signed to Century Media. Century Media was really good, and we're technically still on Century Media. So whatever we decide to do, they have the option to release it for us."

As for how 3 INCHES OF BLOOD is planning on making new music available, Shane said: "We don't know if we're gonna do an album or a couple of singles. The landscape's different… It's super up in the air. I'm 50 years old, so I remember when you're budgeted for one CD every two weeks on a paycheck, and it's, like, you listen to the whole damn thing, even if you don't really like it. I don't know a whole lot of young people, but I'm not convinced that people listen to the back end of a record anymore — unless you're a diehard. If it's OBITUARY or — name your favorite band here — of course I'm gonna listen to the whole damn thing. But when you're garnering new fans, the musical landscape, how people consume music, it's singles. It's kind of back to the '50s. I think it's THE BEATLES that started releasing [full-length] records."

3 INCHES OF BLOOD effectively called it quits in 2015 after a five-album run. Nearly a decade later, the band played a hometown show in January 2024 as the first part of its "full-circle return." Additional reunion shows were later announced to celebrate the 20th anniversary of 3 INCHES OF BLOOD's second album, "Advance And Vanquish".

3 INCHES OF BLOOD announced its split in June 2015, sixteen years after the band's formation, writing in a social media statement: "Naturally, people will have questions as to why we have collectively made this decision. While our reasons are personal, just know we are all still good friends, but it is just time to move on."

Prior to January 2024, 3 INCHES OF BLOOD's last performance took place on November 7, 2015 at the Commodore Ballroom.

Formed in 1999, 3 INCHES OF BLOOD released five studio albums — 2002's "Battlecry Under A Wintersun", 2004's "Advance And Vanquish", 2007's "Fire Up The Blades", 2009's "Here Waits Thy Doom" and 2012's "Long Live Heavy Metal". They also issued three EPs — 2001's "Sect Of The White Worm", 2007's "Trial Of Champions" and 2011's "Anthems For The Victorious".

At this year's Aftershock festival in Sacramento, California, DEATH ANGEL drummer Will Carroll spoke to PipemanRadio about the 1980s thrash metal scene in the San Francisco Bay Area. After host Pipeman noted that all the thrash acts of the time had their own unique sound, Will concurred. "In the glory days, yes," he said (as transcribed by BLABBERMOUTH.NET). "But I think that's one of the reasons why thrash metal kind of died out in the '90s. Everyone likes to blame it on grunge, which may have played a part in it, yeah, but it was also, a lot of bands were putting out subpar albums by the early '90s, and too many bands were sounding the same, too many bands were dumbing down their sound and trying to get the big brass ring, get the big money and get the big tours."

Will continued: "Thrash metal's meant to be fast, and when bands start slowing down and putting out right mid-tempo albums, people lost interest, myself included; I went straight to death metal. So in the glory days, yes, every band had their distinct identity, for sure, vocally, lyrically, songwriting-wise — totally. And I think it's returned to that now. But, yeah, the early '90s were not a good era for thrash metal."

Pipeman went on to say that he thought METALLICA were "fucking poser sellouts" for making an album like the 1991 self-titled effort, also known as the "Black Album", which featured a more streamlined musical direction than METALLICA's previous efforts. Carroll chimed in: "When I heard it, I was, like, 'Goddamn, this album sounds great.' And I understand why it was huge, and there are some good songs, but when initially when I heard it, it was the exact same thing, exact same reaction. Like, 'Dude, there's not a thrash moment on this album whatsoever.' But not to take away from it is a good-sounding album, and it deserves all the acclaim or success it got. But I'm not a fan of it. [Laughs]"

Will added: "I love the first four METALLICA albums. I didn't like '…And Justice For All' when it came out. I thought even that was a step too far away from thrash, but — well, it took 15 years, but after 15 years of not digging that album, I fucking love it now; I love '…And Justice For All'. But yeah, the first three [METALLICA] albums, especially, are magic — absolute magic."

Carroll spent almost two weeks on a ventilator in an intensive care unit at a Northern California hospital in March 2020. He first got sick when he and the rest of DEATH ANGEL spent more than a month on the road in Europe with TESTAMENT and EXODUS as part of that year's "The Bay Strikes Back" tour. The now-52-year-old musician was hospitalized at the California Pacific Medical Center in San Francisco after catching COVID-19 on the aforementioned European tour.

Carroll woke up from a medically induced coma on March 30, 2020 after spending nearly two weeks on a ventilator. Doctors told the San Francisco Chronicle he was in critical condition and came close to dying.

DEATH ANGEL had been touring in support of its ninth album, "Humanicide", which came out in May 2019 via Nuclear Blast.

The band was nominated for a Grammy Award for "Best Metal Performance" for the "Humanicide" title track. It was the group's first Grammy nomination.

Will can be heard on the last four DEATH ANGEL studio albums: "Relentless Retribution" (2010),"The Dream Calls For Blood" (2013),"The Evil Divide" (2016) and the aforementioned "Humanicide".

DEATH ANGEL will celebrate the 35th anniversary of its "Act III" album by performing it in its entirety on a fall 2025 U.S. tour. The trek, which will feature support from TOXIC HOLOCAUST, LIONS AT THE GATE and MISFIRE, will kick off on November 26 at the Oriental Theater in Denver, Colorado and wrap with two Christmas shows on December 18-19 at The Fillmore in San Francisco, California.

This past May, DEATH ANGEL released its first new music in six years, a brand new song called "Wrath (Bring Fire)".