Legendary rockers STYX are already starting to lock in shows for their 2026 tour schedule, which will once again include an unforgettable five-night engagement at The Venetian Theatre inside The Venetian Resort Las Vegas. STYX will be performing 1978's "Pieces Of Eight" in its entirety, along with the band's classic hits. The shows will be held on January 23, 24, 28, 30 and 31, 2026, with all performances scheduled to begin at 8:30 p.m.

Citi is the official card of STYX's exclusive Las Vegas engagement at The Venetian Resort Las Vegas. Citi cardmembers will have access to pre-sale tickets beginning Tuesday, September 23 at 10 a.m. PT until Thursday, September 25 at 10 p.m. PT through the Citi Entertainment program. For complete pre-sale details visit www.citientertainment.com.

Additional pre-sales run will throughout the week ahead of the general on sale beginning Friday, September 26 at 10 a.m. PT. Tickets starting at $45, plus applicable fees, will be available for purchase at Ticketmaster.com, VenetianLasVegas.com, any box office at The Venetian Resort, or by calling 702.414.9000 or 866.641.7469.

Creating and recording new music is often considered the lifeblood of any band — an ethos AOR torchbearers STYX continue to embody with the highly anticipated release of "Circling From Above", the 18th studio album in their formidable catalog via the band's label, Alpha Dog 2T/UMe. Spanning 13 tracks, the album navigates the complexities of the human experience through the intersecting lenses of technology and nature. "Circling From Above" — hailed by critics as their third "masterpiece" album in a row, following 2021's "Crash Of The Crown" and 2017's "The Mission" — features contributions from all seven members of the band, including founding guitarist/vocalist James "JY" Young (affectionately known as "The godfather of STYX"),guitarist/vocalist Tommy Shaw, original bassist Chuck Panozzo, longtime drummer Todd Sucherman, keyboardist/vocalist Lawrence Gowan, guitarist/vocalist Will Evankovich and bassist Terry Gowan.

The seven men comprising STYX have committed to rocking the Paradise together with audiences far and wide, and each one of them is committed to making the next show better than the last. They draw from over five decades of barn burning chart hits, joyous singalongs, and hard-driving deep cuts. Like a symphony that builds to a satisfying crescendo, a STYX set covers a wide range of stylistic cornerstones. From the progressively sweeping splendor that is "The Grand Illusion" to the hunker-down fortitude of all that is the "Blue Collar Man", from the majestic spiritual love for a special "Lady" to the seething indictment of preening, primping pageantry for pageantry's sake of "Miss America", from an individual yearning for true connection as a "Man In The Wilderness" to a soul-deep quest to achieve what's at the heart of one's personal vision in "Crystal Ball", from the regal reach-for-the-stars bravado of "Come Sail Away" to the grainy all-in gallop of that rugged "Renegade" who had it made, the band draws on an unlimited cache of ways to immerse one's mind and body in their signature sound.

Photo credit: Jason Powell

We're heading to Las Vegas! Our residency is coming to The Venetian Theatre at The Venetian Resort Las Vegas on January...

Posted by Styx on Monday, September 22, 2025

THE VIOLENT HOUR, the new band fronted by former BUTCHER BABIES vocalist Carla Harvey, performed at the Whisky A Go Go on Sunday, September 21 as the support act for BUCKCHERRY. Fan-filmed video of the concert can be seen below.

Joining Harvey in THE VIOLENT HOUR are Kiana De León on lead guitar, Allie Kay on rhythm guitar, Jewell Steele on bass and Sasha De León on drums.

Kiana and Sasha previously played together in the PANTERA tribute band FAR BEYOND HOSTILE and the covers project VIXEN VENDETTA.

When the touring lineup of THE VIOLENT HOUR was first announced in August, Harvey commented: "As a huge fan of the '90s Riot Grrl movement, I've dreamed of having an all-girl band my whole life. After a long search, I finally found them. Four incredible women who share the same drive, passion, and fire that fuels me. We are THE VIOLENT HOUR and we are your new favorite band."

THE VIOLENT HOUR's self-titled debut EP was released in July via Megaforce Records. Carla wrote all lyrics and handled all the vocals on "The Violent Hour", while Harvey's fiancé, ANTHRAX and PANTERA drummer Charlie Benante, wrote the music and played all instruments on the EP. The track "Sick Ones" features an absolutely shredding guitar solo from MÖTLEY CRÜE guitarist John 5, and PANTERA guitarist and BLACK LABEL SOCIETY frontman Zakk Wylde makes an explosive cameo on the track "Hell Or Hollywood".

"Writing this EP was a liberating experience," Carla said. "When I started, I felt lost… but by the time I sang the last note, I had found myself again. From the beginning, I wanted the music to come out organically: no agenda, just whatever needed to be released. I've been immersed in a world of guttural screaming for so long, but when I sat down to write my own material, what came out felt lighter — like I was reconnecting with parts of myself I hadn't explored in years. It reminded me of why I fell in love with music in the first place. Writing became fun again.

"This EP reflects all sides of me: it's made by the 16-year-old who loved everything from LYNYRD SKYNYRD to thrash metal, the grit and riot girls of the '90s, and the danger of GUNS N' ROSES. It's raw and it's real.

"Working with Charlie on these songs was a dream. He is so talented and he really inspired me to be better; I couldn't have made this album without him."

Said Benante, who also conceived the EP's cover art: "Carla was my muse in all of this. I was inspired and motivated by her to write the songs that fit her voice. Once we got started, it was that lightning-in-a-bottle-feeling.

"I think that this EP, when people hear it — I don't care if you're 13, 33, or 63 — I think you're going to feel the power of it. And I think that once the songs and the choruses hit you, it's going to be unstoppable, it's going to be infectious, and this just might become your favorite new band."

Not many people have comic book author, embalmer and musician on their resumes. Carla boasts all three and so much more.

Carla was born and raised in Detroit, Michigan — a city known for its grit, resilience, and often deep divides. Navigating life as a bi-racial kid in a fractured environment wasn't easy, but Carla found her escape in art, music, and self-expression. By day, she hustled, attending the prestigious College For Creative Studies alongside working odd jobs like perfume counter girl and gas station attendant, and by night, she was on stage with local bands, saving every dollar she could for a one-way trip to Los Angeles.

At twenty, she put all her belongings in her car and navigated from Detroit to Hollywood with a paper map. In L.A., she landed acting roles on shows like "Rules Of Engagement", played in bands searching for her sound, and never stopped creating. But beyond the music was a driven academic. Carla had a deep love for science and eventually pursued a Bachelor Of Mortuary Science (graduating as valedictorian) and a Master Of Science in thanatology. Carla became a licensed funeral director and embalmer and founded her own grief counseling service — all while touring the world extensively as a founding member of the BUTCHER BABIES.

Today, In addition to her music career, Carla is a grief specialist for the innovative death care company Parting Stone that transforms cremated remains into environmentally friendly stones that the departed's family can hold, treasure and honor.

Beyond her professional life, Carla is a devoted collector of pop culture oddities: comics, wrestling figures, vintage Barbies, Elvira, the Incredible Hulk, and rock relics from her wildest nights in Hollywood. She still holds on to her Rainbow Bar & Grill drink tickets from the '90s and a poker chip from Lemmy's last birthday party. Her creative heroes — Russ Meyers, Robert Williams, Robert Crumb and Charles Bukowski — mirror her love of the bold and the raw.

To date, Carla has released six albums, multiple comic books and a 2014 novel, "Death And Other Dances". But if you ask her…she's still just a blue-collar kid from the Midwest with big dreams.

BUTCHER BABIES announced their split with Harvey in July 2024, saying in a statement that "Carla has been an integral part of our journey, bringing her unique talent, passion, and energy to the band," and wishing "her all the best in her future endeavors."

Carla, who co-founded BUTCHER BABIES in 2010 with fellow vocalist Heidi Shepherd, confirmed her exit from the band in a separate post, saying that she was "super proud" of her work with BUTCHER BABIES and adding that she was "not done making music and performing."

In the fall of 2023, BUTCHER BABIES completed a European tour without Carla, who sat out the trek in order to undergo emergency surgery on her left eye.

In January 2024, Harvey and Benante announced that they were officially engaged.

Photo credit: Travis Shinn

During an appearance on the latest episode of the ICED EARTH-centric Podcast Of The Wicked podcast, ICED EARTH's founding guitarist Jon Schaffer, whose band effectively split up after he was arrested for his involvement in the January 6, 2021 riot at the U.S. Capitol, was asked if there are any plans for him to get ICED EARTH back together. He responded in part (as transcribed by BLABBERMOUTH.NET): "Look, the short answer is no, not anytime soon.

"I just want the fans to know that this has been a lot, and I've had great offers, great financial offers [to bring ICED EARTH back], so if it was about chasing money, but that's a checkers move, first of all. And it wouldn't be good for me or the band or the crew or the fans, because I need to do this because I love it, and whatever happens needs to happen and be truly inspired and not a 'good' ICED EARTH record or a 'good' show or whatever; it's gotta be gold. And that's gonna take some time.

"I've got a lot of recovering to do from all of this, and I'm working on that," Jon continued. "And I have a job that I absolutely love that feels like it's serving a purpose much greater than anything I've done before. And I know the music has helped a lot of people and I really appreciate that, and I love them for that. I love the fans. We have the best fans; we always have. Since the very beginning, there's just been this kind of a loyalty, and that's an amazing thing. But this is a season, and anybody that's lived long enough knows that in your life, you go through seasons. And there's been major changes, which very likely will result in the best music that I've ever written. And I think there's a good possibility of that. But the time is not right now. And I don't wanna push and force something because it's not gonna be good for anybody — it's not gonna be good for me, it's not gonna be good for the band, it's not gonna be good for the fans.

"This is a long legacy," Schaffer said. "I started this band 40 years ago, and that's a long time. And I worked my ass off for it. And God gave me the gifts, but I did the work, and did a crazy amount of work. And it's a solid legacy. And so I don't have anything to prove to anybody. I don't miss performing right now. I mean, that was never really my thing anyway. It was always about the songs. That's the number one — period, end of story, that's it. Everything else you do because that's what you have to do to get your songs heard. ICED EARTH, along with [Jon's other projects] DEMONS & WIZARDS and SONS OF LIBERTY, and when my old buddies in PURGATORY and I got back together, that was a fun thing. That was a fun project to do. That was not really because of work; it was because it was a fun thing to do with old friends. It's gotta be inspired. I'm not gonna do this to go out and chase federal reserve notes or euros. That's not the way I'm built. It would definitely make it easier for me to get my financial world back in order, but I don't whore myself out and I never have. And that's the whole point. And just getting off of that hamster wheel of 'album, tour, album, tour, album, tour', it's been a good thing for me. I think that there's a very good chance that something can happen in the future. Right now, my energies are focused on something that is not self-serving that is being part of something that is really trying to make significant change and to try to push our society into a freer society — pointing it back towards the founding principles, even maybe a little bit better, this philosophy, the live-and-let-live philosophy.

"I'm not gonna make any promises about anything right now," Schaffer added. "There's a huge catalog to celebrate. The first album has probably been reissued close to 15 times at this point, which blows me away because I wouldn't have even thought about that when I was however old I was then, 20 years old or whatever. And so that's awesome. The catalog, it keeps going. So that means that there's still demand out there, which is very humbling. But I know the rough spots in my catalog. I know when it was going, I had to do it because of scheduling and because of the business. And you're sort of going through the motions, pushing through things at times you probably shouldn't. So you have to trust me. I know how this works, and I know whatever that we deliver in the future has got to be nothing short of amazing or I'm not gonna do it, because I don't wanna do it if that's the case. It's just not a smart move; it's just not."

Schaffer also talked about his current relationship with two of his former bandmates, ex-ICED EARTH singer Stu Block and BLIND GUARDIAN frontman Hansi Kürsch, both of whom distanced themselves from Jon's actions following the initial reports that Schaffer was involved in the riot. Block, the Canadian-born vocalist who had fronted ICED EARTH since 2011, officially quit the band in February 2021, stating at the time it was "the best decision in many ways" for his "personal and professional growth going forward." Around the same time, the German-born Kürsch quit DEMONS & WIZARDS, his long-running project with Schaffer.

Schaffer told Podcast Of The Wicked in part: "Let me just take this opportunity to say, I hope that the fans out there will stop — I mean, my wish is that they would stop hating on Stu and on Hansi… The guys were pressured. Some guys handled it better, some guys handled it very weak and kind of pathetic. And I think the biggest issue when it comes to Stu is that he made a post [on January 6, 2021] cheering it on and then flipped and that looks like a total poser move. You know what? It is a total poser move, but it's okay. Forgive him. We did some great work together. I had some of the best times in my life with Stu… I have very precious memories with Stu, so please just forgive him. I forgive him."

Jon continued: "Everybody is a flawed human being. And the thing is Hansi and I are still close and we are always gonna be. And the difference is that we talked before I turned myself in, several times, and I knew what was coming because the pressure he was under, and he hated it. But it's a witch hunt. It was a witch hunt. And it is what it is. It's a bummer, because we write great stuff together and we were on a serious trajectory. I mean, the last show I played in Europe, headlining Wacken [Open Air festival in Wacken, Germany] on Saturday night in front of a hundred thousand people, and it was fantastic. And SLAYER went on after us and about 70 percent of the crowd left, and it was their last show in Germany. I mean, I'm just saying that's what happened. I was pretty, pretty shocked. The reunion tour of DEMONS & WIZARDS was hugely successful. And we had an amazing contract, actually, a really, really amazing contract. But Hansi had to do what he had to do. It is what it is. I treasure the memories that I've had with Hansi, and we're gonna have more — probably not musically; I doubt that's ever gonna happen. I don't even know if I'm gonna do music again; that's off the table right now. But just as brothers, nothing's going to change that.

"Look, I'm all about free speech, man — I am," Schaffer added. "I'm just asking, try to be a good human about this. You have the freedom to say that. I don't censor anything. I don't have the ability to now, but even when I did, when I had the admin access to those pages, people can te talk shit. There was only one or two times where there was some really vile, hateful stuff directed at Stu that I deleted those posts, but I've never done that because I don't really care. I mean, I believe in freedom. You're allowed to say what you want to say. But let's forget all the division and stuff.

"I'm not an angel. I have behaved poorly in the past. I've made mistakes — everybody has — so let's just forget all that and let's focus on the good stuff, because we did a lot of good shit together. I mean, we really did — with both of those guys.

"The 'cancel culture' mob mentality, it's real, and if you're not really strong and really of your convictions, it's gonna have an effect. So it's, like, I get it, and I don't hold any ill will and I would really love for the fans to just let it go and celebrate… This catalog that's hanging up behind me was done with a lot of very talented, cool people. Whatever drama, whatever shit's happened, let's let it go. I really don't have any ill will. I know [Stu's] true colors, so that's a good thing. I'm not interested in hanging out like we did — I have no interest in that — but he's a part of the band's history and we did some great stuff together. And I wish him well."

Schaffer's involvement in the U.S. Capitol riot also apparently affected his relationship with his longtime record label Century Media, which had released albums from both ICED EARTH and DEMONS & WIZARDS. As of mid-January 2021, the Century Media artist roster page did not list either band.

Back in August 2021, Stu said that Jon "fucked up real bad" when he got involved in the violent protest at the U.S. Capitol on January 6, 2021 that left several dead, including a Capitol police officer.

Stu addressed Jon's involvement in the Capitol riot as well as his departure from ICED EARTH in an interview with The Metal Voice. Speaking about his former bandmate, he said: "We all make bad decisions, man, and [Jon] fucked up real bad. And I'm sure he knows it, and I think everybody with half a brain knows it… The line that was crossed with going in and all that kind of stuff… He had so much going on. It was a shame. It hurts, 'cause you've got plans, and all of a sudden, you can't tell someone what to do — you can't tell a very strong-willed individual what to do; you can't. And so it would be lost words."

He added: "At the end of the day, I don't hate him. I'm not writhing in hate for him. I feel sad. I feel bad that everything went down the way it did. And maybe one day we'll talk. I don't know. I'm not too sure. But I think he knows that I still have a place in my heart for him, because I've seen that man do a lot of amazing, wonderful things for people. But I just wanna move on. And that's what it is."

When Hansi announced his exit from DEMONS & WIZARDS in February 2021, he said in a statement: "I notified Jon and Century Media [DEMONS & WIZARDS' then-record label] on Monday that I was leaving the DEMONS & WIZARDS project with immediate effect. My collaboration with Jon in DEMONS & WIZARDS is over."

Back in December 2022, Hansi declined to discuss DEMONS & WIZARDS while speaking to Metal Hammer magazine, saying: "It's an open case. I believe [Jon] deserves the right to express himself, to explain his side, and we wouldn't want to interfere with that."

In May 2024, Hansi was asked during an appearance on "The Jasta Show", the podcast hosted by HATEBREED frontman Jamey Jasta, if he had heard from Jon in the preceding months, with Jasta opining that "everybody deserves a second chance." Hansi said: "Well, I agree. He certainly deserves a second chance. That is the main message which should be spread out in general. And other than that, he's facing his trials. So, it's a very open situation he's in. And, yeah, let him express himself first before anyone else is saying anything about it. That's my opinion, and this is how I treat it."

Asked if he thought there was a road back for Schaffer in terms of ICED EARTH's ability to secure tours in the future and whether European promoters would be willing to book him, Hansi said: "Um, I have no idea. I really have no idea. I haven't spoken to anyone, and that basically is not my business."

Last October, Schaffer was sentenced to three years of probation and 120 hours of community service in connection with his involvement in the riot at the U.S. Capitol in January 2021. At the sentencing hearing, Jon was also ordered to pay $1,000 in restitution and a $200 financial assessment. Schaffer later became one of about 1,500 people accused of crimes related to the riot who were pardoned by U.S. president Donald Trump.

This past April, Schaffer said in an interview that the legal issues and professional setback he faced as a result of his involvement in the Capitol riot have been "the biggest gift" of his life, in part because "it is what led" him "to [Jesus] Christ."

Former SEPULTURA members Max Cavalera (guitar, vocals) and Igor "Iggor" Cavalera (drums) performed the band's landmark fifth album, 1993's "Chaos A.D.", on Saturday, September 20 as a support act for SLAYER at the 30,000-seat Hersheypark Stadium in Hershey, Pennsylvania. Fan-filmed video of the concert can be seen below.

Featured songs:

00:00 Intro by Damian Priest
01:40 Refuse/Resist
04:50 Slave New World
07:45 Nomad
13:18 Amen
17:38 Propaganda
21:10 We Who Are Not As Others
24:50 Biotech Is Godzilla
27:25 Symptom Of The Universe (BLACK SABBATH cover)
30:53 Territory

Joining Max and Igor in CAVALERA are Max's son Igor Amadeus Cavalera on bass and Travis Stone on lead guitar.

As previously reported, Max and Igor are performing "Chaos A.D." in its entirety on a U.S. tour this fall. Support on the trek is coming from FEAR FACTORY.

Back in February 2023, Max spoke to Radioactive MikeZ, host of the 96.7 KCAL-FM program "Wired In The Empire", about the 30th anniversary of "Chaos A.D." The 56-year-old Brazilian-born musician, who spent much of the last decade celebrating the 20th anniversary of SEPULTURA's "Roots" and 30th anniversary of "Beneath The Remains" and "Arise", respectively, on tour all over the world, said: "Those albums, to me, they're kind of like kids. I like to celebrate their birthdays. I almost feel like I need to buy a cake and have a real birthday party on the day that the thing came out.

"Nah, I think we celebrate through the music, 'cause we're doing all these cool tours of celebrating the music," he continued. "Of course I'm not saying we're gonna do a 'Chaos A.D.' one, but if it happens, it'll be really cool… 'Chaos A.D.' opens with [my son] Zyon's heartbeat. It's a very special record. It's almost like a defining moment in metal, one of those records that kind of broke the mold, how metal can be. Because before 'Chaos A.D.' everything was super fast and aggressive, and I think with 'Chaos A.D.' we showed there's another way to make aggressive music, that's a little bit slower and more groove oriented, with stuff like 'Territory' and 'Slave New World' and 'Refuse/Resist'."

SEPULTURA was founded in 1983 by the brothers Max and Igor with Wagner Lamounier and Jairo Guedes Braga (known professionally as Jairo Guedz). Paulo Xisto Pinto Jr. joined just a few short months later and in 1987, with the departure of Jairo and addition of guitarist Andreas Kisser, the solid lineup of SEPULTURA was final. The band quickly became an influential force in heavy metal music thanks to its dynamic studio recordings and intense live performances.

The band was in the midst of a creative and commercial peak in 1993 when it released "Chaos A.D." with Max on vocals and guitar, Andreas on guitar, Paulo on bass, and Igor on drums. The record sonically sees the band transcend from their thrashing death metal aesthetic into a more eclectic output, showcasing groove-oriented paces, incorporating moody riffs, industrial soundscapes and even introducing hardcore punk elements throughout the record. With protest songs like "Refuse/ Resist" and the Jello Biafra-penned "Biotech Is Godzilla" spouting conspiracy theories, the politically charged lyrics aided in "Chaos A.D." becoming a breakthrough album for the band worldwide.

Although SEPULTURA has maintained a diehard fanbase in all parts of the world throughout the band's four-decade history, "Roots" and "Chaos A.D." were by far SEPULTURA's most commercially successful, having both been certified gold in the U.S. for sales in excess of five hundred thousand copies.

Regarding "Chaos A.D."'s visual representation, Max previously described its conception thusly: "'Chaos A.D.' was commissioned through Michael Whelan [whom] we already used on two albums before — 'Beneath The Remains' and 'Arise' — but 'Beneath The Remains' and 'Arise' were already existing paintings, and 'Chaos A.D.' was a brand new painting that was commissioned by us to Michael Whelan to create based on the name of the album. We gave it to him, and he came up with the body bag with the money upside down and all the electronic stuff going through the body bag and I think it was really cool."

sioproductions has uploaded video of MUDVAYNE's entire September 17 concert at the Covelli Centre in Youngstown, Ohio during the band's "L.D. 50 25th Anniversary" tour. Check it out below.

MUDVAYNE's setlist for the Youngstown show was as follows:

01. Dig
02. Internal Primates Forever
03. -1
04. Severed
05. Death Blooms
06. Cradle
07. Under My Skin
08. Prod
09. Nothing To Gein
10. Hurt People Hurt People
11. Dull Boy
12. World So Cold
13. Determined
14. Not Falling
15. Happy?

As previously reported, MUDVAYNE guitarist Greg Tribbett is missing the "L.D. 50 25th Anniversary" tour after his wife reportedly lost her year-and-a-half-long battle with cancer.

The "L.D. 50 25th Anniversary" tour kicked off on September 11 in Dubuque, Iowa and will conclude on October 26 in Uncasville, Connecticut.

Last year, Greg sat out the remaining shows on MUDVAYNE's "Destroy All Enemies" tour with MEGADETH due to what at the time was described as a "family issue". Filling in for him was MUDVAYNE's touring guitarist Marcus Rafferty, who has served as a guitar tech for several metal bands over the years, including LAMB OF GOD and HATEBREED. He also worked for HELLYEAH, which originally featured both Tribbett and MUDVAYNE vocalist Chad Gray.

Earlier this month, MUDVAYNE released a new single called "Sticks And Stones". The track arrived two weeks after the release of MUDVAYNE's first new single in 16 years, "Hurt People Hurt People", which has already accumulated over half a million streams and counting.

"L.D. 50" was MUDVAYNE's debut studio album, arriving in August 2000 via Epic, and established the band as a new yet major player in the hard rock scene. It eventually went on to achieve a gold certification. Years after its release, both Revolver and Metal Hammer deemed the album an essential of the '00s metal class, rightfully so. The tour will feature support from STATIC-X, while VENDED will open.

"Sticks And Stones" and "Hurt People Hurt People" were released through Alchemy Recordings, a record label created in partnership between Dino Paredes, former American Recordings vice president of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States. Other Alchemy artists include STAIND and CHEVELLE.

Prior to the arrival of "Hurt People Hurt People", the reunited metallers hadn't put out any new material since 2009, which means more than a decade and a half had gone by without a single fresh MUDVAYNE song.

MUDVAYNE formed in 1996 and has sold over six million records worldwide, earning gold certification for three albums ("L.D. 50", "The End Of All Things To Come", "Lost And Found"). The band is known for its sonic experimentation, innovative album art, face and body paint, masks and uniforms.

Gray spent 15 years fronting HELLYEAH, which released its sixth studio album, "Welcome Home", in September 2019 via Eleven Seven Music. The disc marked the group's final effort with drummer Vinnie Paul Abbott, who passed away seven years ago.

MUDVAYNE did not tour behind its fifth album, which was barely promoted and sold weakly upon release.

Released in 2000 via Epic, "L.D. 50" produced three singles — Dig", "Death Blooms" and "Nothing To Gein". "L.D. 50" peaked at No. 1 on the Billboard Heatseekers chart and No. 85 on the Billboard 200. It was certified gold by the RIAA for shipment in excess of half a million copies in the U.S. alone.

MUDVAYNE completed its first headlining tour in over 14 years, "The Psychotherapy Sessions", in the summer of 2023. Support on the 26-city trek, which was produced by Live Nation, came from COAL CHAMBER, along with GWAR, NONPOINT and BUTCHER BABIES.

Previously, MUDVAYNE made waves in 2022 when they embarked on the "Freaks On Parade" tour co-headlined with ROB ZOMBIE. The 2023 tour, however, marked MUDVAYNE's first headlining endeavor since 2009.

In a new interview with Lisa Karkos of the Nashville On The Rocks podcast/show, SKID ROW bassist Rachel Bolan confirmed that he and his bandmates are still looking for a singer to replace Erik Grönwall, who exited the group more than a year ago. The now-37-year-old Swedish-born musician, who was diagnosed with acute lymphoblastic leukemia in March 2021, announced his departure from SKID ROW in March 2024, saying that it had become increasingly "difficult to prioritize" his health and full recovery as the lead singer of the group.

Regarding how he and the rest of SKID ROW are going about looking for a new vocalist, Rachel said (as transcribed by BLABBERMOUTH.NET): "It's kind of become a thing with SKID ROW, 'cause we've had quite a few [singers]. But we're going to do something pretty big to find one, find the [right] person [to front the band].

"We have a certain criteria, and I think the main part, you have to have strong pipes," Bolan explained. "You have to be able to tour a lot. And you have to be a good hang. I think that's the main thing, is being a good hang.

"It's really hard doing it as long as we've been doing it, and other bands and artists could back me up on this, [when] you're doing it for this long, the hang becomes really necessary. When you get someone in there that is out for themselves and doesn't care about anything that's going on around them, it's tough.

"So that's where we're at," Rachel added. "We're going to start up in hopefully October again. Because we've auditioned some people, and some people came in and they were great — they were really great. But you have four guys that are looking at someone, and it's, like, one guy might think they're perfect, another guy might think they're almost perfect, another person might think, 'Eh,' wasn't feeling it. So all four of us — Rob Hammersmith [SKID ROW drummer], Snake [SKID ROW guitarist Dave Sabo], Scotti Hill [SKID ROW guitarist] and myself — we need to be a hundred percent on board."

Rachel went on to say that he and his SKID ROW bandmates are "not gonna rush anything" when it comes to selecting the group's next vocalist. "We have the luxury of time on our side," he explained. "Maybe not our ages [laughs], but we have the luxury of time. We don't have any tours set up or anything like that, that we have to just like kind of get someone in place… Our booking agent says those shows are still gonna be there. If it takes two years, three years, whatever, those shows are gonna be there, dude. And it makes you feel good, because when you're as close to it as I am, it's, like, you don't look at us, like, 'You guys are fucking SKID ROW, man. You can do whatever the fuck you want.' I look at it as, like, 'We're SKID ROW. What the fuck are we gonna do?' We just told ourselves we're not gonna stress. If it takes a long time, it takes a long time. And like I said, we've had people down that we've dug a lot. Something was there. Maybe there was pieces missing, an element missing, but it is what it is. And we're meeting a lot of really cool people along the way — a lot of really cool people who I'm, like, 'Wow.' I'll listen to some of their songs, and it's, like, you look at someone and you're, like, 'Maybe we could work together on something else or write songs together.'"

Erik was SKID ROW's fourth frontman since Sebastian Bach's departure.

This past March, Hammersmith told The Chuck Shute Podcast about SKID ROW's ongoing vocalist search: "We've been busy. We've been on the hunt, I guess we've been on the prowl, if you will, we have been on an active search since last year. So, having said that, we've had some really good candidates. We've had some really strong candidates that we have been in discussions with. We have actually been in a room with a handful of people. We've had a really good experience with a lot of people. That said, we are still in the midst of an active search, so we like to keep that storyline out there and remind everybody that we are still looking. So if anybody hears this, if there's anybody out there that thinks that they're right for it, it is still an ongoing search at this at this moment. But we've made a lot of progress. And it's amazing — to make the best of a situation like that, it's kind of awesome to see how many talented people there are out there. Whether or not they're right for us, it really doesn't matter. It's really inspiring. It's awesome to see how many talented people there are out there."

Asked if he and his SKID ROW bandmates are looking for a singer who is stylistically similar to the group's previous vocalists, including Bach, or if they want to find someone to take SKID ROW "in a different direction", Rob said: "We would be open to either of those scenarios. When you're dealing with a situation like ours, there's a legacy there. There's a history, there's a legacy, there is a particular component to what we do that a lot of people are very, very attached to, and we're aware of that, and we're grateful for that. It's a really wonderful situation to be in. So having said that, preserving the history and honoring the history is very important to us. But that's not to say — all of our favorite bands have evolved and they've changed throughout the years. So I would say we are open to either scenario that you're describing, but we do have to honor the history and so many important parts of the history of the band."

Regarding whether the singers SKID ROW has auditioned so far are established and well-known vocalists or if they are relatively unknown, Rob said: "A bit of both, a bit of both. So in regards to that, we are certainly not narrowing the scope of that in terms of who we're looking at and who would be a potential candidate."

Circling back to what he and his SKID ROW bandmates are looking for in a new singer, Rob said: "The way I've explained it to a lot of people, in my perception of the situation, it's a very specific gig. We're not claiming to be THE BEATLES, we're not claiming that we write the most complicated music that's out there, but it's a very specific thing. And then going back to the history and the legacy of the band, not only is it a specific thing, but it's a specific established thing. It's a pre-established sound. You're talking about an iconic catalog of music. For some people, they hold that catalog of music very sacred. So, you do have to find out what the balance of evolution, but honoring that and really giving the fans the experience that they're hoping to have. It's difficult. It's a balancing act, but you figure it out as you go. And everybody that we have been in a room with, as I said, there's some amazing people out there, amazing singers. And you can really see where every one of those people would bring something really cool to the table and bring something really cool into the mix. It's just the reality of a situation like this. It's a very specific gig."

In May 2024, Rachel confirmed to Meltdown of Detroit's WRIF radio station that he and his bandmates had been talking to singers about potentially stepping in to replace Grönwall. He explained: "No one, really, with a name. But, yeah, we've been talking to a few guys that piqued our interest, for sure."

That same month, Sabo ruled out a reunion with Bach telling The Hook Rocks podcast: "It's not gonna happen. And I say the same thing every time. I'm thankful that people have such an interest in wanting to see that happen, but I also have to reiterate that this is about being happy in the situation that you're in. So I'll speak for myself personally.

"First of all, I do need to say something too, is that the reason that this isn't happening is because there's three of us — myself, Scotti [Hill, SKID ROW guitarist] and Rachel — who've had conversations about this, and we've all been on the same page that we don't wanna go down that road again. We just — we don't.

"Rachel has taken a beating over this through the years," Sabo continued. "He's the one who's been blamed for this. 'Oh, it's Rachel's ego.' 'It's this and that.' No, that's a load of bullshit. That is not true. And I feel bad because he's really, really had to shoulder that blame and has never said anything derogatory or anything like that. But you know what? The truth of the matter is that Rachel, Scotti and myself have continually felt the same way, that we enjoy being happy in this band and we're really happy.

"It's been such a great experience for the last however, 35 years, everything, all the ups, all the downs, everything, but we just don't wanna revisit that particular aspect of our history," he explained. "I love the songs, [I] love a lot of the memories, [I am] not fond of some of the memories, but just as individuals and as a collective, that's just how we feel. So this is not on Rachel. And this has nothing to do with anyone's ego or anything like that. So that's just gotta be clear. Again, for anyone to sit there and make assumptions that this is Rachel Bolan saying 'nope,' it's not. It's the three of us, and we've all collectively sat there and just said that we don't wanna do it. We just don't wanna do it. And we wish everybody all the best."

Snake added: "We've been just ripped apart by ex-members of the band and stuff — ripped apart. Some really shitty stuff [has been] said about all of us. And we just choose not to [respond]. It's not who I am. It's not who we are. We won't go down that road. We just wanna play music and be happy. This has really never been about a monetary aspect of things because it's known that we've been offered a good amount of money to do shows together and to reunite [with Sebastian] and whatever, but it's just never been about the money, man. I choose my happiness, my willingness to continue to be a really good friend to my best friends and a really good husband and a really good dad and bandmate and person. And I don't wanna endanger that in any way. So the people that we choose to play with, those choices are made in order to keep those particular things in line for all of us."

Bach fronted SKID ROW until 1996, when he was fired. Instead of throwing in the towel, the remaining members took a hiatus and went on to play briefly in a band called OZONE MONDAY. In 1999, SKID ROW reformed and, after a bit of shuffling over the years, featured a lineup consisting of bassist Rachel Bolan, guitarists Dave "Snake" Sabo and Scotti Hill, alongside drummer Rob Hammersmith and singer Johnny Solinger. SKID ROW fired Solinger over the phone in April 2015, a few hours before announcing ex-TNT vocalist Tony Harnell as his replacement. Eight months later, Harnell exited the band and was replaced by South African-born, British-based singer ZP Theart, who previously fronted DRAGONFORCE, TANK and I AM I. Theart was fired from SKID ROW in February 2022 and was replaced by Grönwall, who was previously a member of the Swedish hard rock band H.E.A.T.

Five years ago, Bolan also confirmed that he and his bandmates "were entertaining the idea" of reuniting with Bach following Harnell's departure. But Rachel shot down the possibility of a rekindling of his friendship with Sebastian, explaining: "Well… Here's the soundbite for Blabbermouth. I wouldn't say we were friends [when we were in a band together]. We were bandmates. You know what I mean? We're two very different people." Bolan added that he hadn't seen Bach "in years."

Six years ago, Bach was asked by Rolling Stone what it would take for SKID ROW to be reunited. He responded: "It would take those guys to realize that I have a lifetime manager. His name is Rick Sales. I've been with him since 2006. They don't want to deal with a guy like that. They want to give some singer who doesn't have a manager $700 to $800 bucks a week. I've got a team that's worked with me and don't allow me to get fucked around. I didn't have that team when I was 19 years old."

In response to Bach's statements about the earnings of SKID ROW's singer, Sabo told Rolling Stone in an e-mail: "I guess fact-checking isn't in his skill set… The five of us go on that stage as a band and we all get paid equally. We're in this together. There's no egos."

Sebastian went on to say that SKID ROW was "close to reuniting, but then it didn't happen. The fact that it didn't happen obviously makes me somewhat bitter, because life is only getting shorter, as the song says," he added.

"I wouldn't say 'came close,'" Bolan told Rolling Stone in an e-mail response to Bach's account of the reunion talks. "We entertained the idea. Snake and I went as far as talking with agents and promoters about money. But we quickly learned after a few text conversations, why we fired him in the first place. Nothing is worth your happiness and peace of mind."

Legendary former King Crimson members Adrian Belew and Tony Levin banded together with guitar virtuoso Steve Vai and explosive Tool drummer Danny Carey to create BEAT, a creative reinterpretation of the three iconic 80s King Crimson albums – Discipline, Beat, and Three Of A Perfect Pair.

In 2024, the ensemble staged 65 standing room only shows in North America. They followed this touring with an expansive run of Mexico and South America in 2025.

And most recently, just returned from Japan where Beat staged a performance to a full house at the famous Budokan in Tokyo.

Today, the band and InsideOutMusic / Sony present “Thela Hun Ginjeet” in front of the release of BEAT Live on September 26. Watch below.

Adrian Belew shares, “In the eighties Robert Fripp made the observation the King Crimson quartet was perhaps the best live band in the world at the time. Tony, Steve, Danny and I are committed to honoring this legacy with each and every performance staged.”

In reference to “Thela Hun Ginjeet,” Steve Vai offers, “I used to listen to and love this song when it came out in the early 80’s. It’s a shot of adrenalin to end the BEAT show with this track. It gets people up and dancing… in 7/8! At least that’s the time signature of my blazing part. The whole song is a wild ride, from the tempo, the intensity of the groove and the subject matter. In my perspective, ‘Thela Hun Ginjeet’ is a masterpiece and I’m
honored to play it with the band every night.”



BEAT Live will be released in three configurations. A 3-LP set, a Blu-ray release accompanied by 2-CDs and a 12-page photo booklet, and lastly a limited collector’s edition that will contain the Blu-ray, 2-CDs, a bonus CD, and a 36-page artbook. Pre-order here.



The Blu-ray tracklisting features “Neurotica,” “Neal and Jack and Me,” “Heartbeat,” “Sartori In Tangier,” “Model Man,” “Dig Me,” “Man With An Open Heart,” “Industry,” “Larks’ Tongues In Aspic Part lll,” “Waiting Man,” “The Sheltering Sky,” “Sleepless,” “Frame By Frame,” “Matte Kudasai,” “Elephant Talk,” “Three Of A Perfect Pair,” “Indiscipline,” “Red,” and “Thela Hun Ginjeet.”

The concert film was directed by Scrote, with a collective delivering the editing amongst whom include Scrote, Steve Vai (Harmony Hut, Encino), Alan Berry and Don Adams. The bonus material video was directed and edited by Alan Berry. Additionally, a mid-tour interview captured by Sweetwater is included in the program. Videography was captured by Alan Berry, Mike Skillsky, Jon Luini and Dan Ermey. Art Direction by Scrote and designer Dan Ermey. Photography compliments of Alison Dyer, Tony Levin, Peter Dervin, Jerry LoFaro, Mike Skillsky, Dan Ermey and Jim Snyder.

On the audio side, BEAT Live was Produced by Scrote and Mixed by Bob Clearmountain, assisted by Ira Becker. Mastering by Emily Lazar at The Lodge, assisted by Bob DeMaa. Audio editing by Scrote, Steve Vai (Harmony Hut, Encino), and additional audio production assistance by Bill Mims

The bonus CD contained in the deluxe set features the track listing “Neurotica,” “Neal and Jack and Me,” “Heartbeat,” “Sartori in Tangier,” “Frame by Frame,” “Industry,” “Larks’ Tongues In Aspic Part III,” “Elephant Talk,” “Matte Kudasai,” “Three of a Perfect Pair,” “Indiscipline” and “Thela Hun Ginjeet.”

The vision for this undertaking emanated from initial dialogue between Angelo Bundini aka Scrote and Adrian Belew. Tour Producer Bundini recalls, “When Adrian called me to help bring his idea to fruition, I immediately thought it best to focus on the 80s albums: Discipline, Beat, and Three Of A Perfect Pair. These three records famously mark Adrian and Tony’s entry into King Crimson. Their fluid, melodic virtuosity, and Fripp’s and Bruford’s dramatic precision created a totally unique, dynamic push and pull that would influence nearly every rock musician and/or band going forward for years, if not decades, to come.”

In a new interview with Billboard, MÖTLEY CRÜE bassist Nikki Sixx spoke about his band's absence from the Ozzy Osbourne/BLACK SABBATH "Back To The Beginning" farewell concert, which took place July 5 in Birmingham, England, two weeks before Osbourne passed away at the age of 76. "It was something we were just unable to do… We couldn't do it even if we wanted to," Sixx, who watched the streaming concert online, explained, referring to CRÜE frontman Vince Neil's recovery from a then-unspecified medical procedure, which the singer recently revealed was a stroke that occurred late last December.

Sixx went on to say that Osbourne played an instrumental role in the CRÜE's career when Ozzy took the Los Angeles hard rockers on the road as his opening act in 1984.

"Honestly, they broke our band, Ozzy and Sharon [Osbourne, Ozzy's wife and manager]," Sixx said. "Sharon saw a band that something was happening with and it was a perfect fit for Ozzy, and we just became so close and Ozzy took us around the world and just did everything for us…and of course all the wild and fun stories that is Ozzy. I'll forever be in debt to Sharon and Ozzy for that."

Circling back to the "Back To The Beginning" concert, Nikki said: "And, man, I gotta tell ya — Ozzy, way to fuckin' go out with a bang. He really did it, and everybody showed up because they loved him and supported him. Unfortunately, we don't have him anymore, but we got one of the greatest rock stars of all time who came while we were here on this planet and went back to the fuckin' stars, man. It's like, 'I came down there and I kicked some fuckin' ass.' Thank you, Ozzy, every day for the opportunity to have a career."

It is not clear if MÖTLEY CRÜE was invited to perform at "Back To The Beginning", which featured METALLICA and GUNS N' ROSES, who paid tribute to Osbourne and the original BLACK SABBATH at what was billed as their final show. The charity gig featuring the four original BLACK SABBATH members — Osbourne, guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward — also included performances from SLAYER, PANTERA, GOJIRA, ALICE IN CHAINS and more, with RAGE AGAINST THE MACHINE's Tom Morello serving as the musical director. The event featured all-star jams that included AEROSMITH's Steven Tyler, SMASHING PUMPKINS' Billy Corgan, Morello, Sammy Hagar and more.

Ozzy told The Pulse Of Radio a while back that what little he remembers of the '84 tour with the CRÜE was pretty wild. "The 1984 tour was the most craziest tour I think I've ever done in my life," he said. "I don't remember it, but I remember I used to wake up every morning or come around thinking, 'What the fuck went on last night?' I mean, everybody keeps asking me, 'Hey, Ozzy, did you really snort a line of ants?' You know what, the answer to that is: I don't know, but it's very possible."

When asked by Page Six if the story in the MÖTLEY CRÜE biopic "The Dirt" about Ozzy allegedly drinking his own pee and snorting a line of ants was true, Sixx reconfirmed it. "Of course," he said. "We were a wild young band and he kind of took us under his wing. We thought we could compete with that, but you can't with Ozzy. He won."

Back in April 2019, guitarist Jake E. Lee, who played guitar for Osbourne on the 1984 tour, disputed the Ozzy ant-snorting story, telling Tone-Talk: "I was there, and I never saw ants. I was right there. He snorted a little spider. There was a not a trail of fucking ants there. Tommy [Lee, CRÜE drummer] says it, Nikki says it, Ozzy says it — they were fucked up. I was not. I was just trying to get a fucking sun tan. That's all I was doing. They were getting fucked up. Ozzy snorted a little tiny stupid spider that was crawling across. There was no ants — there was no fucking ants. I don't care what the other guys say — there was no ants."

In October 2023, Ozzy's son Jack asked Sharon during their "The Osbournes" podcast if it's true that Ozzy snorted a line of ants. Sharon said: "I was not there, thank God. I used to try and stay away from MÖTLEY when they were with Ozzy. And I don't know. I honestly don't know. All I know is that I think it made their movie. And I wanna know why, now we're on the subject, of why, when they advertise their movie on Netflix, it's a picture of a guy imitating Ozzy. Why isn't the ad campaign a picture of MÖTLEY CRÜE? Why is it a picture of your father?" Jack said: "Well, I know, I know the answer to that. 'Cause Ozzy Osbourne's bigger than MÖTLEY CRÜE", to which Ozzy replied: "No. No. No. Stop. Stop. Stop. Let's move on." Sharon continued: " The thing is I just think it's an invasion." She then went on to call Sixx an "asshole." After Ozzy said, "No, he's not," Sharon countered with, "Yes, he fucking is."

Pressed by Jack if Ozzy did in fact snort the line of ants, Sharon said, "I say no." But Ozzy claimed otherwise. "Yes. Yes, I did," he said. "I was there. I did it. [In] my nostril… I was drunk and I did it."

A short time later Sixx responded to Sharon's comments, writing on Twitter: "We had a lot of love and respect for Sharon. We love Ozzy. So when people comment on stuff calling her a plastic granny tranny I have it deleted. Not sure what she's upset about now but let's not perpetuated her comments by posting negativity about her."

In a new interview with Scott Itter of Dr. Music, legendary ACCEPT frontman Udo Dirkschneider was asked if he has thought about writing his autobiography. Udo responded (as transcribed by BLABBERMOUTH.NET): "Yeah, I was working already for years on this. But then I stopped. And then now I can say yes. I'm just finished nearly with the contract, with the publishing [company], and then I think now it's getting very quick to do a biography. But that will be very interesting for some people. [Laughs]"

Udo previously talked about writing an autobiography as early as 2007. He told Lords of Metal at the time: "I have already started working on it and try to get as much material as I can. But it's not going to be a typical autobiography style. I want it to be more like a novel. We'll see how it turns out and when it's ready."

Dirkschneider, who turned 73 years old in April, is a German singer who first rose to fame with the heavy metal band ACCEPT. After leaving the group in 1987, he formed the band U.D.O., in which he has also enjoyed commercial success.

Udo has a long career spawning almost five decades that helped to shape German heavy metal. His unique and raspy voice approach and, his taste for huge choruses made big part of ACCEPT's appeal and made him the one of the most recognizable characters in heavy metal history.

ACCEPT in 2005 completed a 25th-anniversary tour with a touring lineup of original members Dirkschneider, Wolf Hoffmann and Herman Frank (both on guitar) and Peter Baltes (bass),along with drummer Stefan Schwarzmann.

In November 2011, Dirkschneider's son Sven supported U.D.O. on a date in Germany and became a permanent member of his father's band in February 2015. That same year, the band was renamed DIRKSCHNEIDER and embarked in a long tour called "Back To The Roots" where the band only performed ACCEPT songs.

In 2021, Udo along with his former ACCEPT bandmates, drummer-turned-guitarist Stefan Kaufmann and bassist Peter Baltes, released new music under the name of DIRKSCHNEIDER AND THE OLD GANG that also features former U.D.O. guitarist Matthias Dieth, drummer Sven Dirkschneider and singer Manuela Bibert.

In April 2022, Udo released an album of cover versions, titled "My Way", to mark his 70th birthday

Dirkschneider continues to steadily expand upon his international successes with both his U.D.O. and DIRKSCHNEIDER outfits.

TWISTED SISTER has announced its first reunion concert as part of the band's 50th-anniversary tour. The Dee Snider-fronted act will perform at Barcelona Rock Fest, which will take place from July 3 to July 5 in Barcelona, Spain. Also confirmed so far for the Barcelona Rock Fest's tenth-anniversary edition are ACCEPT, HELLOWEEN and POWERWOLF.

TWISTED SISTER's 2026 shows will feature the band's three core members: Snider, founding guitarist Jay Jay French and longtime lead guitarist Eddie Ojeda. Bassist Mark "The Animal" Mendoza won't be joining the celebration. Russell Pzütto, who has toured with Snider's solo projects, will replace Mendoza on bass. Joe Franco, who briefly played with the group in the mid-1980s, will sit behind the drum kit, stepping in for A.J. Pero, who passed away in 2015 at the age of 55.

In a recent interview with John "JP" Parise of Long Island, New York's 102.3 WBAB and Tampa, Florida's 102.5 The Bone radio stations, Snider stated about why he changed his mind about returning to the road, nine years after the completion of TWISTED SISTER's "40 And Fuck It!" farewell tour, and after he repeatedly slammed KISS and MÖTLEY CRÜE farewell tours and subsequent reunions as mere cash grabs: "First of all, I own [my previous] statements [about not wanting to stage a TWISTED SISTER reunion]. I said that and more. I singled out bands. I named names. I ranted and raved about this, and I expected to get excrements for this, but I'm getting hit hard.

"I'm not gonna lie, and I can only tell you so much, but this is the total truth," he continued. "I turned 70 this year and I had a health scare. And I'm okay… And it shook me up… I won't say [exactly what it was], and I'm okay. But it really made me re-evaluate a lot of things. [When I was] 40, 50, 60, I thought I was superhuman. TWISTED SISTER retired 10 years ago when I was ripped to shreds. And then [at] 70, something happened and it was a re-evaluation, quite honestly. And part of that re-evaluation was looking and saying… Am I ready to go? Well, you never know when you're gonna go quietly to the night. You never know when your time is up. And do I really wanna do that without rocking one more time. And I stopped doing solo stuff a few years back as well. I mean, I go out and I join [POISON frontman] Bret Michaels or Lita Ford on stage [during their shows] for a couple songs, but I don't go out and perform. And upon talking to my wife and re-evaluating, it was I, me, who called the [other] guys [in TWISTED SISTER]. I called them. They never called. I mean, we talk, but they never brought it up because I was, like, 'This is not happening, guys. It is done. It is over, just like I told everybody.' But, like I said, I had a life-changing experience and re-evaluation of a lot of things, and I reached out. I said, 'Guys, what do you think about doing it one more time?'"

According to Dee, Jay Jay and Eddie didn't immediately jump at the opportunity to return to playing live shows with TWISTED SISTER. "It was a conversation," Snider explained. "At this point, do we wanna take this, for lack of a better word, victory lap, so to speak? But it was a conversation. And then everybody goes, 'Well, how can you not, with Alice [Cooper] out there [at the age of 77]?' Alice told me... I said, 'Dude, when are you gonna retire?' He says, 'I'm looking forward to singing when I'm 80.' So he's got no plans. [Mick] Jagger's out there [playing shows at age 82]. Paul McCartney's doing three hours [at age 83]. Now I know he doesn't run around like I do, but the same time, you go, well, there's precedents. People are out there into — there are octogenarians out there [touring] now. So we decided to go for it and go out on a high note."

After JP criticized some of the media's coverage of TWISTED SISTER's return, particularly as it relates to reports of the band "touring" again, Dee said: "It doesn't say that in the press release. I checked. I'm seeing, 'Tour.' 'They're hitting the road again.' Wait a minute — who's hitting the road? We're flying first class on an air jet airplane. Private plane.

"I'm sorry, folks. People are saying, 'Come to this town, come to that town.' No, man," he clarified. "This is a handful of dates — I'm thinking it's about 20, 25 shows around the world, festivals almost exclusively. And it's not a full-blown tour or anything like that. It's a celebration for us, and I hope you're celebrating with us for the fact that 50 years ago, next year, we got together — me, Eddie and Jay Jay — and we, against all odds, we had success."

Asked which festivals fans can expect to see TWISTED SISTER at next year, Dee said: "All the usual suspects. They're not announcing the dates because the events want to announce on their schedule, when they present their new lineup, whatever. But a lot of those names I'm seeing on the list, a lot of the usual suspects, whether it's [U.K.'s] Download or Sweden Rock or [France's] Hellfest, [as far as] Europe [is concerned]. I'm not saying 100 percent, but I've seen all these names popping up — [as well as Maryland's] M3 and [Oklahoma's] Rocklahoma. So I don't know if all these deals are signed, sealed and delivered, but these are all the names that I'm seeing — like I said, the usual suspects for where you would see an '80s, a hundred-year-old '80s metal band going out and playing."

Asked by JP "how big the dump truck full of money" was "that showed up in [Dee's] driveway" that convinced the singer to reunite TWISTED SISTER for the band's 50th anniversary, Snider said: "I'm gonna be honest. The numbers are getting higher and higher and higher, but it wasn't really where I — I had this place in mind, and it wasn't there. But like I said, honestly, it wasn't about the money. Yeah, if there was no money, I'm not gonna do it. I'm not gonna lie about that. But it really was this sort of looking in the mirror going, 'Hey, man, that was scary. And I don't wanna go out like that.' I do not wanna go out quietly. Kicking and screaming, man — that's the way I wanna go."

Dee also talked about the challenges of preparing for TWISTED SISTER live performances, particularly as it relates to the physical demands of stepping on a stage for an hour and a half. He said: "I always had a mixed relationship with the concerts. I did so much prep and I got so into it, it was so intense, I made myself miserable. When I go out there, it's the greatest moment in my life for 90 minutes, and I get off the stage and I feel really good for about 15 minutes, half hour, and then I start [to think], 'Oh no. I've gotta do this again tomorrow.' And I start getting manic. And [my wife] Suzette would never come out the road with me. She said, 'You're miserable. You sit in the room, you obsess.' I sit there, and I'm not one of those people, but I sit there writing a list of the exact time I've gotta eat my protein and what time I've gotta do my neck stretches and a hot bath and vocalizing. I write it down on a sheet, and I check it off. I'm, like, manic. And so that's another reason why going back to it, there's a lot of discomfort in the whole — and being away from the family and being away from my wife, 'cause she doesn't wanna be anywhere near me, which I understand. So, this way of doing it, going out and doing a show on a weekend and going out, there'll still be that day of getting ready for the show because it's sort of my method. But at least after the show, Suzette will be out there and we'll go and we'll enjoy wherever we are for a few days and relax until the next one comes. So it'll be one day of intensity as opposed to just an endless day after day after day of obsessing and making myself crazy."

During a September 10 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Dee stated about Mark's absence from the TWISTED SISTER 2026 tour: "I can only simply say irreconcilable differences and leave it at that. I can't get into the weeds and I can't go down that path. And I won't. But irreconcilable differences. People change, and however it is, and I'm not saying he changed; maybe we changed whatever it is. So in deciding who to use on bass, my bass player on the last two Dee Snider albums, 'For The Love Of Metal' and 'Leave A Scar', was Russ Pzütto. And he was Mark Mendoza's bass tech, and a great bass player… So, he did an amazing job on those two albums. He was a great guy to tour with. The band all knew him from years of working with TWISTED, and again, he seemed like a likely choice. As a matter of fact, one time he was Mark's choice to fill in for him. And one gig, it was in Belgium at Graspop, and Mark couldn't make it, and Russ stepped in and played with TWISTED. So he actually has performed with TWISTED once before."

Asked if he thinks the door is open for Mark to play with TWISTED SISTER again at some point during the reunion tour, Dee said: "I can't imagine it right now. I can't imagine it right now. I mean — I plead the fifth. I can't go beyond that. But things have happened that I don't see being reconciled, hence the term 'irreconcilable differences.'"

French previously addressed Mendoza's departure in a statement to Rolling Stone, explaining: "Me, Dee and Eddie have performed as TWISTED SISTER for nearly 50 years with 10 different bass players and drummers. The band has never discussed internal realignment before and has no intention of doing it now. Suffice to say that almost all bands with a 50-year history have gone through realignment as a byproduct of time. We wish Mark well in his future endeavors."

Franco played on TWISTED SISTER's 1987 album "Love Is For Suckers". Mike Portnoy, who took over for Pero after he died near the end of TWISTED SISTER's 2016 run, is busy touring with DREAM THEATER and is unable to participate in the upcoming TWISTED SISTER live activities.

Two and a half years ago, TWISTED SISTER staged a one-off reunion at the Metal Hall Of Fame in Agoura Hills, California. On hand to be inducted into the Metal Hall Of Fame were Snider, French, Mendoza and Portnoy. Ojeda was absent from the event after contracting COVID-19; filling in for him was Keith Robert War. TWISTED SISTER played a highly charged three-song set consisting of the staples "You Can't Stop Rock 'N' Roll" and "Under The Blade", as well as the anthem "We're Not Gonna To Take It".

TWISTED SISTER's original run ended in the late '80s. After more than a decade, the band publicly reunited in November 2001 to top the bill of New York Steel, a hard-rock benefit concert to raise money for the New York Police And Fire Widows' And Children's Benefit Fund.

The first of many!
After 10 long years
Twisted Sister is finally back and confirmed! July 3rd 2026 for Rock Fest in...

Posted by Danny Stanton on Friday, September 19, 2025

Florida death metal veterans DEICIDE played their first concert with new guitarist Jadran "Conan" Gonzalez (EXMORTUS) Friday night (Saturday, September 19) at the opening show of the band's Latin American tour with BEHEMOTH at Tork N' Roll in Curitiba, Brazil. Fan-filmed video of the show can be seen below.

Gonzalez joined DEICIDE as the replacement for longtime guitarist Kevin Quirion, who left the band this past spring.

When Jadran's addition to DEICIDE was first announced earlier this week, he said in a statement: "I'm thrilled and honored to jam amongst such legends as Glen [Benton, bass/vocals] and Steve [Asheim, drums] and to hang with the rest of the team. I thank them for having me on board. I'm looking forward to unleashing hell in Latin America on this tour."

Quirion exited DEICIDE in April 2025, explaining in a social media post: "So after 15 years I decided to leave the band. Mainly I'm just done with touring and would like to spend the extra time with my family. I will still be writing songs and have already sent some to Derek Roddy and Sean Baxter to release under the COUNCIL OF THE FALLEN name. There will be no labels or shows, just putting out EPs whenever we feel like it.

"It was nice meeting a bunch of fans, bands, promoters etc and I wish everyone the best."

Quirion appeared on the last three DEICIDE albums: "In The Minds Of Evil" (2013),"Overtures Of Blasphemy" (2017) and "Banished By Sin" (2024).

Last October, DEICIDE canceled the last three shows of its North American tour with KRISIUN, INFERI and CLOAK in order to return home "to protect" their "families and properties" as Floridians prepped for the second storm to hit the Gulf Coast in a little over two weeks.

DEICIDE's latest album, "Banished By Sin", was made available in April 2024 via Reigning Phoenix Music.

In February 2024, DEICIDE released the second single from "Banished By Sin", a song called "Sever The Tongue". The track was recorded at Smoke & Mirrors with engineer Jeramie Kling, while the mixing and mastering was handed by Josh Wilbur.

DEICIDE collaborated with David Brodsky from My Good Eye: Music Visuals for a visually arresting video for "Sever The Tongue" that complements the track's blasphemous undertones.

To close out 2023, DEICIDE celebrated Christmas with another blasphemous song called "Bury The Cross...With Your Christ".

DEICIDE played its first show with guitarist Taylor Nordberg (THE ABSENCE, INHUMAN CONDITION) on May 21, 2022 at the Rickshaw Theatre in Vancouver, British Columbia, Canada.

Previous DEICIDE guitarist Chris Cannella amicably left the band in January 2022 after a three-year run.

Chris joined DEICIDE in 2019 following the departure of guitarist Mark English.

English became a member of DEICIDE in 2016 after the exit of longtime guitarist Jack Owen.

Rock and blues guitar legend Gary Hoey has released his first album in six years, "Avalanche", on Wazoo Music Group (Hoey's own label). "Avalanche" features special guest Lita Ford on vocals on "You Know I Would", the official music video for which can be seen below, and Gary's son, Ian Hoey, is featured on "Dear Mama", a tribute to Gary's mother, and "Summer's Here".

Gary says: "'Avalanche' is a return to my rock roots. It feels great to turn up the volume and have some fun. This album was a therapeutic album for me.

"I named the album 'Avalanche' because sometimes life feels like one thing after another."

Hoey called on his old friends to help him record; Matt Scurfield on drums, AJ Pappas on bass, Ian Hoey on guitar, and his niece Taylor on background vocals.

"Playing live is the best feeling," he said. "I love to travel and see the fans after the show. And having my son Ian playing guitar by my side is a dream come true. We will be playing the new and the old classics 'Hocus Pocus', 'Low Rider' and more."

Hoey's first break came in 1987 when Ozzy Osbourne showed up in Boston looking for a guitarist. Osbourne liked Hoey's tape enough to fly him to Los Angeles for an audition. Ozzy suggested that Gary move to Los Angeles. He took Ozzy's advice, and with $17,000 he saved from teaching, Hoey loaded the U-Haul and drove across country to L.A. In 1992 Hoey released the self-titled debut album from his short-lived band HEAVY BONES on Warner Bros. In 1993 Hoey released "Animal Instinct", which included a
cover of the FOCUS hit "Hocus Pocus". It rocked into the Billboard Top 5, outpacing all other singles as the most frequently played rock song of the year. In 1994 Hoey scored the successful "Endless Summer II" soundtrack and had another radio hit with WAR's "Low Rider". Other film clients have included Walt Disney films, ESPN, New Line Cinema, scoring the music to "California Screaming" (Disney Roller Coaster),"Office Space", "Deck The Halls" (Danny Devito) and "Beethoven III".

In 2012 Hoey produced and co-wrote Lita Ford's latest release "Living Like A Runaway". 2026 will see a new Lita album produced and co-written by Hoey.

Gary has toured with Jeff Beck, Brian May of QUEEN, Joe Bonamassa, Ted Nugent, Joe Satriani, THE DOOBIE BROTHERS, FOREIGNER and STYX.

"Avalanche" track listing:

01. Avalanche
02. Unstoppable
03. Maine to Mississippi
04. Cold
05. Angels & Devils
06. You Know I Would (feat. Lita Ford)
07. Break Free
08. Safe Place To Fall
09. Dear Mama
10. Let's Go
11. Summer's Here

Produced by Gary Hoey
Mixed by Max Norman
All songs written and arranged by Gary Hoey
Recorded at Wazoo Studios (Pelham, NH)

Recording lineup:

Gary Hoey - Guitar, Vocals
Ian Hoey - Guitar (solos on "Dear Mama" and "Summer's Here")
Matt Scurfield - Drums
AJ Pappas - Bass
Sean Hagon - Keyboards
Lita Ford - Guest vocals on "You Know I Would"
Tayla Lemieux – Background Vocals

In a 2018 interview with NJArts.net, Lita stated about working with Gary: "Gary and I jell perfectly. Musically, he finishes the sentences that I start. As a producer, he's just badass."

Ford went on to say that "a badass producer" is "someone that will inspire you to go places you didn't think you could go. Sometimes there will be a note I won't be able to hit vocally, and I'll just want to say, 'Screw it.' Gary will say, 'No, Lita, you are going to hit this note.' Again, I'll tell him that I can't, and he'll pull out a guitar and play [Lita imitates a guitar playing a scale of notes) and say, 'See, you can get there from here.' Then we'll go do it again, and I'll hit it."