Marilyn Manson appears to have signed a deal with Nuclear Blast Records.

Earlier today, the shock rocker and the long-running German record label shared a new teaser video along with the caption "NB x MM".

The news of a partnership with Nuclear Blast comes just weeks after rumors suggested that Manson had already completed work on a new album.

Marilyn hasn't released new music since his 2020 "We Are Chaos" LP.

Manson's 30-date arena/amphitheater tour with FIVE FINGER DEATH PUNCH is slated to kick off on August 2 at Hersheypark Stadium in Hershey, Pennsylvania.

Over the past three years, Manson has been embroiled in a series of court battles and has been accused by several women — most notably "Westworld" star Evan Rachel Wood — of sexual, emotional and physical abuse.

Manson, who has denied all the allegations, has countersued a number of his alleged victims and judges have dismissed several of the abuse lawsuits against him.

The 55-year-old musician, whose real name is Brian Warner, has been off the road since the final August 18, 2019 date on the "Twins of Evil: Hell Never Dies" joint tour with Rob Zombie.

In 2022, Marilyn confirmed he was dropped by his record label, Loma Vista Recordings, and talent agency CAA after he was accused of sexual assault.

Manson has consistently denied sexually assaulting or abusing anyone, claiming that his "intimate relationships have always been entirely consensual with like-minded partners".

Photo credit: Perou (courtesy of Nuclear Blast Records)

NB x MM

Posted by Marilyn Manson on Wednesday, May 15, 2024

SLIPKNOT has revealed that a new song "Long May You Die" was recorded during recent sessions with the band's latest addition, former SEPULTURA drummer Eloy Casagrande.

In an Instagram post earlier today (Wednesday, May 15),SLIPKNOT wrote: "SLIPKNOT fans are talking amongst themselves about 'Long May You Die' being a new song written during the recent recording sessions. 'You're right. You're absolutely right.'"

In an interview with Brazil's Veja São Paulo, Eloy hinted that he and his new bandmates had worked on new material together, saying: "I think that was also part of the audition. They threw new ideas at me to see what my songwriting was like," he said. "They wanted to test me in every way."

However, Casagrande clarified that "I'm still trying to understand how the dynamics of the band work. It's not so clear yet how things work in terms of records and new songs. We've written a few things, and they're shelved for the time being.

"I don't think there’s any pressure to record new material," he added. "But I'm sure they want to, I don't know when, because right now the band is focused on celebrating its 25th anniversary."

SLIPKNOT has played three shows so far with Casagrande: April 25 at Pappy + Harriet's in Pioneertown, California, April 27 at Sick New World in Las Vegas, Nevada and May 12 at Welcome To Rockville in Daytona Beach, Florida.

For all three gigs, SLIPKNOT adopted a classic look, bringing back the 1999 red jumpsuits and elements of their early masks into their modern versions, tying into the fact that SLIPKNOT is celebrating its 25th anniversary this year.

After parting ways with Jay Weinberg last November, SLIPKNOT teased fans with a hint about a new drummer two months ago, posting a photo of a single broken drumstick online with the caption "Rehearsal."

The band explained in a statement that the split with Weinberg was a creative decision. Jay followed up with a statement of his own, saying that he was "heartbroken and blindsided" by his dismissal.

Weinberg has since joined SUICIDAL TENDENCIES and INFECTIOUS GROOVES.

Casagrande abruptly quit SEPULTURA three months ago, shortly before he was supposed to begin rehearsals for the band's recently launched 40th-anniversary farewell tour.

"February 6th, a few days prior to the first rehearsal, drummer Eloy Casagrande informed the band that he was leaving SEPULTURA to pursue a career in another project," the band said in a statement.

Casagrande joined SEPULTURA nearly 13 years ago as the replacement for Jean Dolabella.

SLIPKNOT's latest album "The End, So Far", arrived in August 2022. It marked the band's the last full-length LP before the departure of both keyboardist Craig Jones, who left the group in June 2023, and Weinberg.

Photo credit: Jonathan Weiner

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Kerry King says that "it will be great to play for the fans again" as part of SLAYER's upcoming festival shows.

Five years after SLAYER played the last concert of what was being billed as the band's farewell tour and just weeks after the SLAYER guitarist unveiled the details of his solo project, Kerry and his longtime bandmates announced that they will play at the Aftershock, Riot Fest and Louder Than Life festivals in September and October.

King addressed the SLAYER reunion while speaking to Revolver magazine about his upcoming debut solo album, "From Hell I Rise", which will be released on May 17 via Reigning Phoenix Music. Asked if he had known about these shows well before they were officially announced, King said: "If you ask promoters, they're going to have another answer. If you ask booking agents, they'll probably have a third answer. But to me, it kind of came out of nowhere. Have we been getting offers the past few years? Yeah, we turn down offers every year, probably every month of every year. These three festivals are right around the five-year anniversary of our last tour, which I thought was kind of cool. So, I thought this might be the right time to test the water. It will be great to play for the fans again."

Regarding whether the upcoming SLAYER shows will steal some of the thunder away from the touring his solo band will do in support of "From Hell I Rise", Kerry said: "Well, time will tell, and my answer would be, 'hopefully not'. The funny thing is, it never occurred to me until the day the SLAYER announcement came, but [Phil] Demmel [guitarist in Kerry's solo band] said, 'Dude, is this real?' And I'm, like, 'It's just a few weekends and that's it.' Of course, Paul [Bostaph, SLAYER and KERRY KING drummer] knew. But I didn't tell Phil, I didn't tell Kyle [Sanders, KERRY KING bassist] and didn't tell Mark [Osegueda, KERRY KING singer] — and I said to the guys, 'There's no master plan here.' I didn't want anybody to start getting cold feet. I said, 'This is a little moment in time, and yeah, KERRY KING is going to be touring, you know, hopefully later in the year, as well. But SLAYER is an entity and I'm just a person.' But hopefully, we drive on with the solo project."

King previously spoke about the SLAYER reunion in an interview with U.K.'s Metal Hammer magazine. Admitting that the announcement of SLAYER's comeback "was not my favorite timing", Kerry said that the SLAYER reunion "is not going to translate into recording and it's not going to translate into touring. For me, it's three shows marking five years since our final shows, a fun, 'Hey, remember us from before the pandemic?' celebration."

Kerry told Metal Hammer that he still has not spoken to SLAYER bassist/vocalist Tom Araya since the news of the band's reunion was announced. "It's not like I'm angry with him or anything," King clarified. "We're very different people, and we evolved into business partners at the end of the day. He has very different interests from me, and very different outlooks. Does that make me hate him? No. But I don't need to talk to him every day… We just don't have much in common. When it comes time to rehearse, I'll have no problem showing up. We're professionals, and that's what we do."

When Kerry's solo project was first announced, King told Rolling Stone that he was almost positive he and Tom would never resurrect the band. "I can pretty much a hundred percent say no because I have a new outlet, and it's not SLAYER, but it sounds like SLAYER," King said of a potential SLAYER reunion.

The lineup for SLAYER's comeback will be the same as the one which last toured in 2019: Araya and King, along with guitarist Gary Holt (also of EXODUS) and longtime drummer Paul Bostaph.

Days after SLAYER's reunion was announced, Tom Araya's wife wrote on social media that she "harassed him for over a year" before he "agreed finally" to play more shows with the band. "We shared that news with SLAYER's awesome managers and they did the rest!" she explained. "So yes without Tom it wouldn't have happened.. without me BUGGING HIM it wouldn't have happened."

Both Gary and his wife Lisa Holt were among the hundreds of people who "liked" Sandra's Instagram post, with Lisa sharing three heart emojis in response to Sandra's message.

In a statement confirming SLAYER's return, Tom said: "Nothing compares to the 90 minutes when we're on stage playing live, sharing that intense energy with our fans, and to be honest, we have missed that." King added: "Have I missed playing live? Absolutely. SLAYER means a lot to our fans; they mean a lot to us. It will be five years since we have seen them."

The same day that SLAYER's comeback was announced, Holt's wife Lisa Holt took to her social media to write: "Yes, it's true..and an exciting adventure for the band and fans !

"To all the people saying 'they are liars' 'they must have ran out of money' 'its not SLAYER without so and so' ..I have an idea for you all...DON'T GO.. and for all the people who did go to the final tour dates and enjoyed it...awesome!!

"This isn't a 'TOUR' it's some dates..and GREAT NEWS!!!" she added. "And everyone that thinks they know all the inside info..you can't possibly know. so just enjoy the fact that this amazing band will play some amazing shows this year...go or don't..nobody cares!!!!!"

Three weeks before SLAYER's reunion was announced, Kerry told Rolling Stone that he didn't foresee SLAYER coming back together for the foreseeable future.

"Will SLAYER tour again? I'm pretty sure that's not going to happen. Could SLAYER play a show again? I'm sure there's a scenario," King said, adding that he hadn't spoken to Araya since that final show. "Am I looking for it? No, I'm just getting ready to start my [solo] career. So if that happens, it happens. But I'm going to be doing this for the next 10 years at least."

SLAYER played the final show of its farewell tour in November 2019 at the Forum in Los Angeles. One day later, Kerry's wife Ayesha said that there is "not a chance in hell" that the thrash metal icons will reunite for more live appearances.

SLAYER's final world tour began on May 10, 2018 with the band's intention to play as many places as possible, to make it easy for the fans to see one last SLAYER show and say goodbye. By the time the 18-month trek wrapped at the Forum, the band had completed seven tour legs plus a series of one-off major summer festivals, performing more than 140 shows in 30 countries and 40 U.S. states.

All material for "From Hell I Rise" was written by King, who was accompanied during the recording sessions by Bostaph, Demmel , Sanders and Osegueda. Helming the sessions at Henson Recording Studios in Los Angeles last year was producer Josh Wilbur, who has previously worked with KORN, LAMB OF GOD, AVENGED SEVENFOLD and BAD RELIGION, among others.

German heavy metal act U.D.O. has just completed a European tour in support of its latest album, "Touchdown" (released in August 2023),which saw the band perform at a number of sold-out venues. The group is now preparing for this year's festival season as well as the North American leg of its ongoing world tour. Two of the summer dates will actually revive the name DIRKSCHNEIDER.

DIRKSCHNEIDER is a name that stands for far more than a simple second incarnation of U.D.O., the band with Udo Dirkschneider. In this form, the quintet pays tribute to the history of its legendary singer as the songwriter and founder of the influential German metal act ACCEPT. Bass player Peter Baltes, the newest member of the U.D.O. and DIRKSCHNEIDER family, also contributed a lot to ACCEPT's scene-defining works, and during their common time in Udo's former band, a certain album titled "Balls To The Wall" came to be.

DIRKSCHNEIDER, which is completed by the drummer Sven Dirkschneider (Udo's son) and the talented guitar duo of Andrey Smirnov and Fabian "Dee" Dammers, will celebrate the 40th anniversary of "Balls To The Wall", which was originally released in late 1983 and is the most commercially successful and best-known album by ACCEPT, by embarking on a full European tour in the spring of 2025.

Udo comments: "I really can't wait to revisit the ultimate success album of my band ACCEPT. Topped by sharing the stage with Peter Baltes, performing 'Balls To The Wall' in full for all of you out there will be one of my biggest career highlights for sure!"

As if 45 minutes of "Balls To The Wall" — delivering cult tracks such as its title track, "London Leatherboys", "Love Child" and the album closing ballad "Winterdreams" — aren't enough to celebrate, DIRKSCHNEIDER will also add additional musical surprises to the set list and even return with a fresh stage production. Everything is set to commemorate the 40th anniversary of this undeniable ACCEPT milestone and to ensure that these nights will be unforgettable celebrations for every metalhead.

Tickets for the German shows are exclusively available at Eventim now; the general pre-sale for all 25 dates is set to be launched on Wednesday, May 15 at 12 p.m. (noon) CEST.

2025 "Balls To The Wall" 40th-anniversary tour dates:

Feb. 26 - AT Vienna - SiMM City
Feb. 27 - DE Munich - Backstage
Feb. 28 - DE Leipzig - Haus Auensee
Mar. 01 - CZ Prague - SaSaZu
Mar. 02 - HU Budapest - Barba Negra
Mar. 04 - RO Bucharest - Quantic Club
Mar. 06 - PL Kraków - Klub Studio
Mar. 07 - PL Warsaw - Progresja
Mar. 08 - LT Vilnius - Kablys
Mar. 10 - FI Helsinki - Kulttuuritalo
Mar. 11 - FI Tampere - Tavara-asema
Mar. 13 - NO Oslo - Rockefeller
Mar. 14 - SE Gothenburg - Trädgår'n
Mar. 16 - DE Berlin - Huxleys Neue Welt
Mar. 17 - DE Frankfurt - Batschkapp
Mar. 18 - BE Antwerp - Trix
Mar. 19 - FR Paris - Le Trabendo
Mar. 21 - ES Pamplona - Sala Totem
Mar. 22 - ES Murcia - SaLa Gamma
Mar. 23 - ES Barcelona - Razzmatazz 2
Mar. 25 - CH Pratteln - Konzertfabrik Z7
Mar. 26 - DE Stuttgart - LKA Longhorn
Mar. 27 - DE Oberhausen - Turbinenhalle
Mar. 28 - DE Hamburg - Große Freiheit 36
Mar. 29 - DE Geiselwind - Eventhalle

Nine years ago — in 2015 — Udo announced that he would embark on a special tour during which he would perform ACCEPT songs one last time under the DIRKSCHNEIDER banner before closing that chapter for good. Since then, the former ACCEPT frontman Udo Dirkschneider has continued to play ACCEPT material at select shows, including at the September 18, 2020 U.D.O. concert in Plovdiv, Bulgaria, which was released on DVD and Blu-ray. Asked in a 2021 interview with Canada's The Metal Voice why the ACCEPT tracks are still finding their way into the U.D.O. setlist, Udo said: "In the beginning, I said, 'With U.D.O., I don't play any ACCEPT songs.' But for this concert [in Plovdiv], the promoter was really begging: 'Is it possible to play some ACCEPT songs?' And we said, 'Okay.' And in the end, we did five songs — the classic stuff, of course. It's the same with the [U.D.O.] tour in America. The promoter in America, he said, 'You don't play any ACCEPT songs with U.D.O.?' And I said, 'Yeah, normally we don't do it.' [And he said] 'But you cannot do a tour in America and Canada without [playing] 'Balls To The Wall'.' I said, 'Yes, I can do that. No problem.' He said, 'Why not? It's not a big deal. People wanna hear that.' I mean, I don't have a problem to play 'Balls' and maybe two more other ACCEPT songs.

"After three years of DIRKSCHNEIDER, playing every night only ACCEPT stuff, and on the other side, I have [nearly 20] U.D.O. albums," he explained. "So that was the point to say the people heard enough now of ACCEPT, it's done, and now I concentrate on U.D.O. and I don't need to play any ACCEPT songs; there's another band that can play ACCEPT songs.

"I was just talking also in another interview today, and they said, 'Who gives a fuck about this? The people wanna [some ACCEPT songs].' Not 50 percent of the setlist, but they wanna hear the classic stuff, like 'Metal Heart', 'Balls', 'Fast As A Shark' — stuff like that. And I said, 'Yeah. We will see. I don't know yet.'"

When he first announced the original DIRKSCHNEIDER tour in 2015, Udo said that had "to make a clear break for myself — close the book and this is it. And I have the problem that people come to me and ask me to play more ACCEPT songs," he explained. "Other people ask me why I play ACCEPT songs at all, because there are [more than] fifteen U.D.O. records. I want to avoid such things and avoid the repeating questions concerning ACCEPT. I just can't stand that anymore. There is nothing more to be said. U.D.O. exists longer than ACCEPT. We have more records than ACCEPT."

While acknowledging that some ACCEPT fans want to hear the band's classic songs performed by the group's original singer, Dirkschneider explained that "you always have these comparisons [between how these songs are played by ACCEPT and U.D.O.]. I don't want this anymore either. [The current lineup of ACCEPT] also play 'Metal Heart', they play 'Balls To The Wall' and 'Princess Of The Dawn'. And then some people tell me, 'Oh, [current ACCEPT singer Mark Tornillo] is doing it better than you.' And I go, 'That's fine. Enjoy yourself.' But I don't want this anymore. And to avoid all of this in the future, I said, 'We are doing this one more time.'"

Dirkschneider said that his vow to never play ACCEPT material again came with one caveat. "If the band ACCEPT dissolves one day in the near future and I am still around with U.D.O., then there is a chance that I put ACCEPT songs back in the setlist," he said. "But currently there is ACCEPT, so go see them [if you want to see those songs performed live]. They are playing these songs."

Udo previously said the original plan was for DIRKSCHNEIDER to only "a few shows," and "then [the tour] got bigger and bigger [due to demand]." But, he added, "I don't want to complain about that."

Back in 2018, ACCEPT guitarist Wolf Hoffmann declined to comment on Dirkschneider's decision to embark on one final tour during which the singer would perform nothing but ACCEPT songs. "I have lots of thoughts about that, but I'm not gonna share 'em with you," he told SiriusXM's "Trunk Nation With Eddie Trunk". "I'd rather not comment on that, because that seems so much 'back and forth,' and I think I should stay away from it… You can draw your own conclusions all day long, but I'm not gonna get into it; it's just not worth it.

"I get asked [about Udo] so many times, and, man, it's been so many years — it's such an old story by now," Wolf continued. "We've moved on way past that, and we've had [15] brilliant years [with Mark Tornillo], we're making cool albums; I think we're doing fine. So I don't spend any time thinking about it.

"I'm very proud of the history we have together and all that, but I'm just not gonna get into the current 'he said, she said' whatever — it's not worth it," Hoffmann concluded.

Photo courtesy of Reigning Phoenix Music

Former CANNIBAL CORPSE and current SIX FEET UNDER frontman Chris Barnes, who previously described cannabis his "best friend for [his] entire life", has revealed in a new interview with This Day In Metal that he doesn't smoke cannabis anymore. "I haven't for about a year and a half," he said (as transcribed by BLABBERMOUTH.NET). "But previously, I would use it in all aspects of my daily life. And it was a wonderful meditative tool to use to write lyrics to, of course, yeah. I enjoyed that a lot."

Asked if he decided to quit smoking cannabis for health reasons, Chris said: "No, it's actually beneficial to your health, so I wouldn't say that was any part of it. It was just, I guess, something I just wanted to do personally… [It's been] year and a half [of] no cannabis, no alcohol. So it's kind of changed gears a little in my life."

Back in 2017, Barnes told Full Metal Jackie's nationally syndicated radio show about the "relaxed" aspect of his personality: "Well, I'm highly medicated… [Laughs] Cannabis has been my best friend for my entire life, pretty much, so everything I create and do is with the use of medicinal and spiritual use of cannabis. So I tend to keep a pretty even nature, unless someone pokes the bear, you know [laughs], someone stirs up the snake a little bit, I'm all right. But I've been known to have some pretty nasty bites. But, yeah, I try to keep it pretty cool."

Barnes admitted to the "Metal Shop" radio show in a 2015 interview that Washington state's legalization of marijuana in 2012 played "a big part" in his decision to relocate from Florida to Seattle. He explained: "I felt like for a big portion of my life, over half of my life, I was saying publicly and to myself, if there was ever a place that had legal weed that I loved and would wanna live there, why wouldn't I be there? And I asked myself that question a couple of more times, and sold my house [in Florida] in two days, packed up the house and left within two weeks and got up here."

Barnes also recalled how he was first introduced to marijuana at a very young age.

"I was lucky to grow up in a house where my dad and his wife were very, kind of, progressive, and he grew cannabis and sold it," Chris said. "So I remember the original Acapulco Gold strains, and Panama Red, the real Red, that were eradicated… So, yeah, my first time I smoked it, I think I was 12 years old, so it was probably, like, '78 or something, '79. I stole a roach [the end of a marijuana joint] out of the ash tray, and me and my best friend took my mini bike and went trail riding and smoked a couple of roaches."

Asked who the other biggest stoner in death metal is, Barnes responded: "It used to be my good friend Chuck Schuldiner [from DEATH]. He was a great smoking friend. But now I'd say my good friend Landphil Hall from CANNABIS CORPSE."

SIX FEET UNDER's fourteenth studio album, "Killing For Revenge", will arrive on May 10 via Metal Blade Records.

Photo credit: Stephanie Cabral

In a new interview with Brazil's Rádio Kiss FM radio station, MR. BIG frontman Eric Martin confirmed that the group's ongoing "The BIG Finish" farewell will in fact mark the last time he and his bandmates hit the road together.

"When we say 'The BIG Finish', it's not, like — hey, more power to MÖTLEY CRÜE or when KISS kept going. We really are men of our words," he explained. "It's gonna be it. We're not touring anymore. That's it. We are putting out a new record. We're not even gonna tour on it. We'll play some songs from it as the tour progresses. I mean, it will end in August. And we've got a live album coming out. But that's it. That's it."

He added: "I would like to… I'm stuttering right now. I'm nervous because I don't wanna say the wrong thing, because I don't know what the rest of the guys plan, but it'd be great to do a couple one-off gigs here and there, like special shows. I'm keeping my fingers crossed for that. But no more touring. It's not gonna happen, I promise you."

MR. BIG will release its tenth studio album, "Ten", on July 12. The LP features 11 new original tracks written by Martin and guitarist Paul Gilbert, along with André Pessis and Tony Fanucchi. In a tribute to their late drummer Pat Torpey, Martin, Gilbert and bassist Billy Sheehan have enlisted the exceptional talents of Nick D'Virgilio on drums for "Ten", which was produced by Jay Ruston and MR. BIG.

MR. BIG recently completed the European leg of "The BIG Finish", which sees the veteran band performing MR. BIG's 1991 album, "Lean Into It", in full, along with other cuts from the group's history.

When MR. BIG announced "The BIG Finish" tour last year, the bandmembers said that it was "time to mark the end of this chapter of their legacy" after Torpey lost his battle with Parkinson's disease in 2018. The first leg kicked off in Japan and Southeast Asia in July and August 2023, where the band performed for hundreds of thousands of loyal fans at 11 sold-out shows including Budokan in Tokyo, Japan.

As a session musician and touring artist, Nick has worked with many different kinds of artists and bands, from TEARS FOR FEARS, Sheryl Crow and Kevin Gilbert to Peter Gabriel and Eric Burdon and the ANIMALS. In 1996, Nick took Phil Collins's place in GENESIS and played on their "Calling All Stations" album. He has also carved out a major presence in the progressive rock world with his bands, SPOCK'S BEARD and BIG BIG TRAIN.

Before joining the Sweetwater team, Nick spent almost five years touring with Cirque Du Soleil's "Totem" as drummer, vocalist, and assistant bandleader.

During an appearance on a recent episode of the "Shout It Out Loudcast", Ace Frehley once again admitted that he isn't the most technically proficient guitarist on earth.

"I am a sloppy guitar player," he said. "So is [LED ZEPPELIN's] Jimmy Page. So is [THE ROLLING STONES'] Keith Richards. Jimmy Page is a sloppy guitar player. So am I. Keith Richards is sloppy. Sometimes they'll have an off night and Keith is off in the ozone. I wasn't always on, but most of the time when I played with KISS, I was on. I'd save the partying for after the show."

Frehley previously discussed his "loose" playing approach in an interview with Total Guitar magazine ahead of the release of his latest solo album, "10,000 Volts".

"I'm a sloppy fucking guitar player. I'll be the first to admit that," he said. "I make mistakes, and shit happens — especially live. I play the songs how they're meant to be played. I deliver the classic KISS songs and my solo songs how you remember them."

When asked if there was one lesson he could impart to Total Guitar readers, he said: "In retrospect, I should have practiced more."

Last month, Frehley told Guitar World magazine that his particular approach on the guitar is different from that of his replacement in KISS, Tommy Thayer.

"I've never had a guitar lesson," he said. "I was born with a certain technique that many people, namely Tommy Thayer, can't duplicate."

Back in 2020, Ace told The Aquarian that he likes to record music "spontaneously. " He added: "People say, 'Ace, how do you write guitar solos?' I go, 'I empty my mind and just play.' As long as I'm in the right key, I'm in the right place. [Laughs]

When the interviewer noted that Ace can't really read music regardless of his talent, Frehley said: "Well, I think most musicians in rock groups probably don't read music. I'm sure there's several who do, but I was trained. I've never taken guitar lessons. I grew up in a family where everybody could music. I was the youngest of three children going up in the Bronx, my brother and sister and mother and father all played piano and there was music in the house all time. I sang in the church choir. My dad taught Sunday school. Everybody thinks I'm this wild and crazy guy, but my young beginnings were very normal and sedate to say the least… but once I hit puberty, things changed. [Laughs]"

"10,000 Volts" will be released on February 23 via MNRK Music Group (formerly eOne Music). The LP was produced by Ace and Steve Brown (TRIXTER).

Ace released the single "10,000 Volts" in November. The track's music video — directed by Alex Kouvatsos from Black Wolf Imaging — has garnered more than a million views on YouTube.

Ace's new album is the follow-up to "Spaceman", which was released in October 2018 via eOne.

In a new interview with Hear 2 Zen, MÖTLEY CRÜE guitarist Mick Mars spoke about his ongoing battle with degenerative disease ankylosing spondylitis (AS). Ankylosing spondylitis is a type of arthritis that causes inflammation in the spine joints and ligaments and can lead to stiffness over time, according to the National Institute Of Arthritis And Musculoskeletal And Skin Diseases.

" With this, what is the worst [thing] about [it], other than stupid pain, it's holding my head up. It's stiff, but still — the muscles in the back of my neck are just… It's cruddy. But I can still work. That's okay. My fingers work, my arms work, my hands work — it's all good."

Regarding the possibility of hitting the road in support of his recently released debut solo album, "The Other Side Of Mars", Mick said: "Touring, it is a beating. I wish I could. And that part comes in where I go, like, 'Ugh.' 'Cause I'd like people to hear this live."

Asked if he could see himself maybe doing a small residency in his hometown of Nashville, Mars said: "Oh, yeah, I could do that. Or just about any place, if it's a residency. 'Cause you you go a couple of days early and rest up and do that. You play your gig, take your elevator up, go back to bed, or whatever."

Mars previously discussed his health last November in an interview with Jonathan Clarke, host of "Out Of The Box" on Q104.3, New York's classic rock station. At the time, he said: "I'm fine. My AS is what it is. There's nothing I could do about that. The hard stuff, like flying here and doing this — that crap is a little difficult for me to do nowadays 'cause I'm almost a solid bone now. It got a little rough, but that doesn't mean I'm not gonna do a lot of music. As long as my brain and my hands and legs work, I'm never stopping."

In April 2023, Mars filed a lawsuit against MÖTLEY CRÜE, alleging his longtime bandmates were trying to kick him out of the group and reduce his ownership stakes because of his illness.

Mars told the band in 2022 he would be unable to tour because of his disease. The guitarist "just could no longer physically handle the rigors of the road," according to his lawsuit. But he said he would be able to perform with them in a "residency situation" and record with the band.

In response to Mick's decision to retire from the road, the lawsuit claimed, MÖTLEY CRÜE announced that Mars was "retiring" from the band and would be replaced by former ROB ZOMBIE and MARILYN MANSON guitarist John 5. Mars claimed he had no intention of retiring from the group, and accused CRÜE bassist and main songwriter Nikki Sixx of gaslighting Mars by alleging the guitarist had "some sort of cognitive dysfunction."

"The Other Side Of Mars" was released on February 23. The effort was made available via Mick's own label 1313, LLC, in partnership with MRI.

Birmingham, Alabama rocker Jacob Bunton collaborated extensively with Mars on "The Other Side Of Mars".

Bunton had previously worked with former GUNS N' ROSES drummer Steven Adler and CINDERELLA frontman Tom Keifer, and has songwriting credits with Mariah Carey, Steven Tyler and Smokey Robinson, among others.

Bunton sings lead on all but two of the 12 songs on "The Other Side Of Mars".

Other guests on the LP include WINGER/ALICE COOPER keyboardist Paul Taylor, KORN drummer Ray Luzier, and Brion Gamboa, who handled lead vocals on the songs "Undone" and "Killing Breed".

Bunton previously fronted the Alabama bands MARS ELECTRIC and LYNAM.

In a new interview with Australia's Heavy, PANTERA guitarist Zakk Wylde spoke about his approach to playing the parts originally written and recorded by the late "Dimebag" Darrell Abbott. The 57-year-old musician, who also fronts BLACK SOCIETY and is a member of Ozzy Osbourne's solo band, said (as transcribed by BLABBERMOUTH.NET): "You play the songs. I mean, obviously I'm gonna play how I play, but you stay faithful to the songs. If Dime was doing the same thing for me, if he was filling in for Ozzy and Dime was playing the solo to 'No More Tears', no matter what, if he played it note for note, it would still have Dime's touch and Dime's feel on his tone. So, yeah, it'd be the same thing. It's no different than when we were doing Ozzy stuff, when I'm playing 'Mr. Crowley', you stay faithful to what [Randy] Rhoads wrote. The same thing when I do Jake's [E. Lee] stuff, I stay faithful to Jake's solo in 'Bark At The Moon' and everything like that."

Regarding the possibility of the reformed PANTERA — which also features surviving members Philip Anselmo (vocals) and Rex Brown (bass),alongside ANTHRAX drummer Charlie Benante — recording new music, Zakk said: "I guess that would be a bridge we'd cross when we get there. But we're so busy doing this right now, we've never even thought about it."

The reformed PANTERA is headlining a number of major festivals across North America, South America and Europe and staging some of its own headline concerts. They are also supporting METALLICA on a massive stadium tour in 2024.

It was first reported in July 2022 that Anselmo and Brown would unite with Wylde and Benante for a world tour under the PANTERA banner.

According to Billboard, the lineup has been given a green light by the estates of Vinnie Paul and Dimebag, as well as Brown, who in 2021 said Wylde wouldn't tour with PANTERA if a reunion were to happen. It's unclear what changed his mind.

Zakk previously talked about the prospect of new PANTERA music during a February 21 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Zakk Wylde. Asked if he would be open to working on new material with PANTERA, Zakk responded: "No. I think you would have to call it something else. You know what I mean? PANTERA is those four guys. So, yeah, you can't replace that."

Pressed about whether he would want to do it under an altered name rather than calling it PANTERA, Wylde said: "Yeah. If that was ever a bridge we crossed, we'd have to wait until we get there. But right now, it's just the four of us celebrating what the fellas [from the classic lineup] created."

Zakk went on to say that he was open to making new music with Anselmo, Brown and Benante, provided that it was presented differently than just PANTERA. "Yeah, of course," he said. "I mean, how could you call it PANTERA unless it was just pre-existing material and we were gonna record it — stuff that was in demo state or whatever, and it is songs that the guys wrote. But as far as new songs, it would have to be — you'd call it something else."

Back in January 2023, longtime PANTERA producer Sterling Winfield, who is reportedly one of the people who control PANTERA drummer Vincent "Vinnie Paul" Abbott's estate, told Reckless Rock Radio 89.3 KNON FM about the possibility of the reformed PANTERA recording new music: "It's not unheard of, it's not blasphemous. I will say that it is entirely plausible, it is entirely possible, but at this point in time, I don't know that anybody's looking that far down the road. They've got a world tour to tackle, man, for the next two years, and they are gonna be busy doing that. Now, could it happen? Yes."

Asked if he "would be cool" with Brown, Anselmo, Wylde and Benante making new music together, Sterling said: "It depends, man. Again, it has to be done right, like this whole thing; the whole tour that's happening has to be done properly. And I don't really feel comfortable — if it were to happen, I would not feel comfortable calling it PANTERA. I don't think that would be classy. I'll put it that way. And I'll just leave it at that for now. [But] this lineup could make some very badass music. And the music is all that matters."

Back in 2016, Vinnie Paul said that he would eventually release music that was planned for DAMAGEPLAN's second album.

The drummer formed DAMAGEPLAN with his brother "Dimebag" Darrell Abbott after PANTERA's split in 2003 and released the debut DAMAGEPLAN album, "New Found Power", a year later.

Vinnie Paul told "Trunk Nation With Eddie Trunk": "The first [DAMAGEPLAN] record, I think, was pretty diverse. We wanted to do something that didn't sound exactly like PANTERA, and with [the material that was written for] the second record, it was really focused, man. I've got the demos and someday they'll come out. But I really feel like we had turned a corner. We'd been out, the fans had seen us, and they'd accepted the fact that this was our new thing at this point."

Anselmo and Brown spoke about PANTERA's return to the stage during an appearance on the seventeenth episode of "The Metallica Report", the recently launched podcast offering weekly insider updates on all things METALLICA. Philip said: "It's empowering. It is incredibly beautiful, and you feel so much love when you're up there. And if you take it in, it's a great feeling, man. These days, man, that's where me and Rex, you know, we get to dig the shows more."

He continued: "When we were younger, we were at war and when we were on stage; we were just angry and at war, man. Now it's — the songs are there. I can concentrate on singing the fricking songs, number one. Geez, that's a relief for me, man. I don't have to break my fricking body in part anymore."

Anselmo and Brown also talked about Charlie and Zakk being part of the PANTERA team. Philip said: "Them two dudes, so enthusiastic. And they got their damn thing and they got their own damn legacy, both of them, without us. It's an honor to play with them. They're the nicest frickin guys in the world, man. I'm just so... [Laughs] Zakk, he's a crack-up, man. He's a sweetheart. And fricking Charlie, we've known Charlie since '87, man. It's a long time."

Rex chimed in: "The way [Charlie] plays Vinnie's parts is uncanny. I don't think there's any drummer out there that could play the way that Vinnie did. I would close my eyes, because I was trying to get tight, and sometimes if I close my eyes, I can hear a little better; I think I can. And there'd be a tear of joy just coming down, because that was so close to what Vinnie and I used to play. So you have the foundation."

Philip concurred, saying: "The low end sounds so PANTERA, man. It's freaking me out."

When the interviewer suggested that PANTERA in 2023 had Vinnie Paul and Dimebag's "spirit inside it", Philip said: "Only thing I can say is, man, I know for a damn fact Vince and Dime would want us to do this, hands down. They would want the PANTERA brand or the legacy to go on. And I don't know what you believe in, but sometimes, you know, you would like to think that them old fellas are looking down on us, giving us the thumbs-up."

While he was alive, Vinnie Paul had repeatedly dismissed talks of a PANTERA reunion, telling Germany's EMP Rock Invasion in 2014: "People are selfish, man. They want what they want; they don't care what you want. And it's unfortunate that people go, 'Oh, wow, man, they can get Zakk Wylde to jump up there on stage and it's PANTERA again.' No, it's not, you know. It's not that simple. If Eddie Van Halen was to get shot in the head four times next week, would everybody be going, 'Hey, man, Zakk, go play for VAN HALEN. Just call it VAN HALEN.' You see what I'm saying? I mean, it's really selfish for people to think that, and it's stupid. It's not right at all."

He continued: "They call it a reunion for a reason. It's called bringing the original members back to what it was. So there's a lot of these things that they call reunions that aren't really reunions. They've got one dude from the band floating around in them, you know. That's not a true reunion. With PANTERA, it'll never be possible."

He repeated those same sentiments a few months later, telling PlanetMosh in a separate interview: "Without Dimebag Darrell, there is no [PANTERA] reunion. And that's all there is to it. We were a very influential band, and we touched millions and millions of people with that band, but it's over. People really have to come to grips with that, and that's all there is to it. If all of us were still here, then the possibility would truly be there, but since it's not, you know… It's selfish of the fans to want something that they can't have. And they don't ever understand that, and I get it. There's things I want in this world too. You know, people in fucking hell want ice water, but they're not gonna get it."

Up until his passing in June 2018, Vinnie remained on non-speaking terms with Anselmo, whom the drummer indirectly blamed for Dimebag's death.

Vinnie Paul and Dimebag co-founded PANTERA. On December 8, 2004, while performing with DAMAGEPLAN at the Alrosa Villa in Columbus, Ohio, Dimebag was shot and killed onstage by a troubled schizophrenic who believed that the members of PANTERA were stealing his thoughts.

Dimebag's longtime girlfriend Rita Haney in 2011 called on Vinnie and Philip to settle their differences in honor of Dimebag.

Vinnie, who was Dimebag's brother, and Anselmo had not spoken since PANTERA split in 2003. But the relationship got even more acrimonious when Vinnie suggested that some remarks the vocalist had made about Dimebag in print just weeks earlier might have incited Dimebag's killer.

Haney told the producers of "Behind The Music Remastered: Pantera" that she forgave the singer after they found themselves unexpectedly face to face at a concert in California.

Rachel Bolan says that "fans are losing their minds" over the fact that HALESTORM's Lzzy Hale will play a handful of concerts with SKID ROW in late May and early June.

The 40-year-old singer, who has fronted her band HALESTORM for more than two and a half decades, will handle the vocal duties for SKID ROW for four shows only after the group's fourth frontman since Sebastian Bach's departure — "Swedish Idol" contestant Erik Grönwall — quit the band to focus on his health.

Bolan spoke about SKID ROW's pairing with Hale during a recent interview with Fox 26 reporter Ruben Dominguez and Margot Hogan. Regarding how Lzzy was approached about doing the gig, the SKID ROW bassist said (as transcribed by BLABBERMOUTH.NET): "When we knew Erik made the decision that he made to prioritize his health and leave the band, I said to the [other] guys [in the band], I go, 'You know what? She's like a sister to me, and I'm just gonna ask Lzzy. I know they have a really busy schedule, and they just have a lot going on. We have these four shows. I'm just gonna ask her. And if she says no, no harm, no foul.' And Nick Raskulinecz, who produced our last record, produced a couple of HALESTORM records, and it was his birthday party. I happened to be in Nashville because painters were painting the inside of the house that I'm putting up for sale. So I was just there, and he's, like, 'Hey, dude, it's my birthday. We're having Lzzy, Joe [Hottinger, HALESTORM guitarist] are coming… Everyone's coming. You've gotta come by.' And I was, like, 'Okay, cool.' So I got the painters out of the house a little early, and I went there, and that's when I asked Lzzy. I just said, 'Hey, would you wanna fill in on vocals or you wanna come sing with SKID ROW?' And she thought I meant like at the Mercy Lounge [in Nashville] or something like that. It's, like, 'Yeah, we've jammed a million times. Sure. The guys gonna be in town,' type of thing. And it's, like, 'No, no. We have four shows on the books. And Erik can't do them. So would you come in?' She's, like, 'Hell yeah.' She's, like, 'Let me just double check with my team.' And I hit her up a couple of days later, I go, 'Hey, were you serious about that?' She's, like, 'I was dead serious. And I am good to go for that.'"

Rachel went on to say that he and his SKID ROW bandmates are "really excited" about performing with Lzzy, "because she is a powerhouse, without a doubt. And above all of it, above the band's name and everything involved, she's my friend," he explained. "And it means a lot to me. So far above anything cool someone could do for a friend, she's doing for us. And it means it really means a lot to me that she's doing it. And the reaction has been unreal. Unreal. It's great."

Elaborating on why Hale is the right singer to play with SKID ROW at these four shows, Bolan said: "Lzzy, she is her own person. We asked her not for any other reason than how good she is and how powerful she is and how much she means to people. And I've gotta be completely honest. I knew this was gonna get attention, but I didn't know people were gonna be snapping out. And it's making me, like, 'Wow, my mind is completely blown.' It's a matter of a friend coming in to help friends. And even though we came out before and may have influenced her with stuff, she's helping us a lot, a lot in a situation we're in, and it is becoming something bigger than both of us. And I'm using her words. She's, like, this has become really bigger than the both of us. And so everyone is really excited — her team is excited, SKID ROW team is excited. The fans are just losing their minds. And I can't wait. I just wanna get into rehearsal, man. I just cannot wait to hear her sing these songs. And I think what we're gonna put forth together is something really, really special that people are gonna dig."

A little over a month ago, Lzzy was asked in an interview with Terrie Carr of the Morristown, New Jersey radio station 105.5 WDHA how her pairing with SKID ROW came about. Lzzy said: "Well, first I'll give a statement for the beginning, because it just goes so much deeper for me than just helping out some friends.

"I'm from PA [Pennsylvania]. I know all about you Jersey boys. And I know we talk a lot about lifting up women and that's been very important in my life. But I can't forget about the men who raised me. And them being the SKID ROW boys, inadvertently, by my friends from Jersey who were listening to SKID ROW.

"I was always kind of an in-betweener in my interest in music," she explained. "So in the '90s, and like '96, it was BOYZ II MEN and Mariah Carey, BACKSTREET BOYS, Britney [Spears] was about to come out, that whole thing. I wasn't interested in that. I was interested in '80s, big hair, rock and metal. I loved Alice Cooper, BLACK SABBATH, CINDERELLA, JOURNEY, SKID ROW. And as that transition happened in the '90s, where all of a sudden I started getting into heavier music, a lot of the bands, except for a very small group of bands, helped me with that transition. And SKID ROW was one of them, because they were not so in their '80s bubble and in the time that came before that they couldn't see what was happening in the world and they couldn't see what the dark-seated underbelly that we were all feeling in the '90s. So they really helped bridge that gap for me.

"I can honestly tell you right now that I would not be the rocker that I am today without SKID ROW and those albums, because not only did they have those beautiful melodies and the vocal prowess and the riffs and the loud noise that I loved, but then the subject matter they were talking about was always very real and it hit me at the right time in the right place," Lzzy added. "And so this is just a beautiful example of that age doesn't matter. Time doesn't matter. Whenever you discover music, it doesn't matter. It's when it hits you. And so again, those men that raised me, the men from Jersey, the men from PA that all put these records in my hands. Then years later, I'm living in Nashville for the first time and I meet [SKID ROW bassist] Rachel Bolan and I meet [SKID ROW guitarist] Snake [Dave Sabo], and they're, like, 'Oh, man, there's more to Nashville than country. Let me introduce you to this guy.' Then I got to meet Tom Keifer from CINDERELLA and all those boys, and now I'm up playing AEROSMITH songs with all these weird guys that I grew up listening to. Then fast forward to a couple months ago when my good buddy Rachel — we were just at a birthday party, and Rachel's, like, 'Hey, would you ever consider singing with us?' And I'm, like, 'Oh, yeah, you mean like we do all the time down at Mercy Lounge?' He's, like, 'No, like actually be like our front person for some shows. There's some stuff going on.' And so I said, 'Well, yeah, sure. Just let me know when.' And then, you know, a couple of months later he goes, 'Hey, were you serious about that? Because this is going down now, and we've gotta know.' And so I cleared my schedule and I told everybody that that is on my team, 'Let me put up all these dates because I really wanna do this for these guys,' And so I'm helping my buddies out and they're helping me out and it's all full circle. But then we announced it, and I'm hearing from people I haven't heard from in 15 years saying, 'Oh my God, this is gonna save my life.' And we're bringing these two worlds together. It's giving everybody reason to smile and an event for someone to look forward to. And like generational gaps be damned. And it's just all gonna be great. And it's just wonderful.

"For me, I joked with the boys. I said, 'Oh, so my audition tape from '96 finally made it in the mail. Thanks for finally opening it up. My revised audition is in the mail.' So now I have all their songs on a playlist in the order of how they're doing their set. And I'm on the stationary bike trying to make sure I can hit the high notes. And I'm turning it like it's an Olympic sport. It's gonna be great."

Regarding the possibility of more SKID ROW shows with her on lead vocals, Lzzy said: "You never know. I will say something that most likely will happen is that these will not be the only four dates you ever hear. I will say that. As far as me being the permanent member of SKID ROW, we're gonna all have to find a plateau [laughs] in our schedules to do that. But you never know. Sounds like a pretty good gig for me, if I ever get to that point."

She added: "But, yeah, I'm just so grateful for the guys. And then think about it coming full circle. And it all comes from the right place. I mean, Erik, what an amazing voice and what a perfect fit for them and brought them into a whole new game changer. There's everything going on with his health, and how wonderful is it that amicably both parties can be, like, 'Hey, we're looking out for each other.' 'Hey, I can't give you what you need.' And also, 'Hey, us as a band, we can't give you what you need to look after yourself. So, hey, let's do that.' And 'Hey, let's bring in our buddy Lzzy.' I'm helping out my buddies. Everybody's doing it for the right reasons. And so it's a beautiful thing."

SKID ROW shows with Lzzy Hale on vocals:

May 17 - Walker’s Bluff Casino Resort – Carterville, IL
May 18 - Riverside Casino & Golf Resort – Riverside, IA
May 31 - Nugget Casino Resort – Sparks, NV
June 01 - Hard Rock Live Sacramento – Wheatland, CA

HALESTORM covered SKID ROW's "Slave To The Grind" for the 2011 EP "ReAniMate: The CoVeRs eP". The band has also performed the track live, as can be seen in the video below.

Grönwall, who was diagnosed with acute lymphoblastic leukemia in March 2021, is immunocompromised, which made touring difficult.

"I'm getting stronger and healthier every day but after consulting my doctor I need to allow myself more time to recover, which I can't do as the lead singer of SKID ROW," he said in a statement. "That's why I have reached the tough decision to move on."

The SKID ROW members said in a statement that they are "proud of what they have created and accomplished with Erik over the past two years" and "wish nothing but the best to him and his health. To celebrate the last two years, the band will be releasing a live album that perfectly captures this moment of time in the band's 35-plus-year history, to be announced soon."

In September 2021, just four months before he joined SKID ROW, Grönwall released his new cover version of "18 And Life" via all streaming platforms.

In late March 2022, SKID ROW released its first single with Grönwall, "The Gang's All Here". The song is the title track of the band's latest album, which arrived in October 2022 via earMUSIC.

SKID ROW played its first show with Grönwall on March 26, 2022 at Zappos Theater at Planet Hollywood Resort & Casino in Las Vegas, Nevada as the support act on the rescheduled dates for SCORPIONS' "Sin City Nights" residency.

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A post shared by LZZY HALE (@officiallzzyhale)

Watch Death To All perform “Suicide Machine” live at Graspop Festival 2022, in Diezel, Belgium, dedicated to former Death drummer Sean Reinert, the original drummer for “Suicide Machine” on Death's classic album, Human. Sean Reinert passed away in 2020 (RIP).





Death To All is a unique opportunity for a new generation of metalheads to experience the genius of Death and Chuck Schuldiner first-hand.




Gene Hoglan says, "Death To All is really excited to be hitting the road on The Scream of Perserverance Tour with special guests Cryptopsy. The North American tour will bring three different, special and exciting shows encapsulating the two equally important eras of Death."


The Scream of Perserverance Tour features unique two-night stints in multiple cities, where the first night will be an old-school, brutal night featuring, in its entirety, the album which started the Death legacy, Scream Bloody Gore, as well as classic tunes from Leprosy and Spiritual Healing.


The second night will feature the finishing touch in Death’s history, The Sound of Perseverance, as well as timeless classics from the technical and more melodic era of Death, Human, Individual Thought Patterns and Symbolic.’Also, in certain cities, the sets will be From First To Last, where Death To All play the mightiest bangers from every Death album.


Gene Hoglan adds, "We’ll be joined by our good friends, the legendary Cryptopsy, who have some special plans of their own for this tour. Death To All is extremely pleased to be bringing these special nights to the fans of the one and only Chuck Schuldiner... as only Death To All can... his entire Death legacy! As Chuck liked to say, 'let the Metal flow.' You’ll want to catch every night possible.”


Cryptopsy shares, “Cryptopsy is very much looking forward to sharing the stage with the iconic and symbolic Death To All band! Since the tour will be hitting major US markets two nights back to back, we plan on giving the fans two unique setlists. One that consists of classic old school first generation Cryptopsy tracks and a second that’ll focus more on the newer generation. We are grateful for the opportunity to celebrate Death’s legacy alongside Death To All. We welcome you all to bear witness to this epic tour!”





The Scream Of Perseverance Tour dates:


May
18 - Milwaukee, WI - Milwaukee Metal Fest **
19 - Milwaukee, WI - Milwaukee Metal Fest *
21 - Columbus, OH - The King Of Clubs ***
22 - Philadelphia, PA - Theatre Of Living Arts ***
23 - New York City, NY - Gramercy Theatre *
24 - New York City, NY - Gramercy Theatre **
25 - Boston, MA - The Middle East *
26 - Boston, MA - The Middle East **
28 - Montreal, QC - Le National *
29 - Montreal, QC - Le National **
30 - Toronto, ON - Phoenix Concert Theatre *
31 - Toronto, ON - Phoenix Concert Theatre **


June
1 - London, ON - London Music Hall ***
2 - Detroit, MI - Magic Stick ***
4 - St. Paul, MN - Amsterdam Bar & Hall *
5 - St. Paul, MN - Amsterdam Bar & Hall **
7 - Lawrence, KS - The Granada ***
8 - Denver, CO - Oriental Theater *
9 - Denver, CO - Oriental Theater *
11- Salt Lake City, UT - Metro Music Hall ***
13 - Vancouver, BC - Rickshaw Theatre *
14 - Vancouver, BC - Rickshaw Theatre **
15 - Seattle, WA - The Crocodile *
16 - Seattle, WA - The Crocodile **
18 - Portland, OR - Hawthorne Theatre *
19 - Portland, OR - Hawthorne Theatre **
21- Berkeley, CA - Cornerstone *
22 - Berkeley, CA - Cornerstone **
23 - Santa Cruz, CA - The Catalyst ***
25 - San Diego, CA - Brick By Brick *
26 - San Diego, CA - Brick By Brick **
27 - Los Angeles, CA - The Regent Theater *
28 - Los Angeles, CA - The Regent Theater **
29 - Phoenix, AZ - The Nile Theater ***


* Scream Bloody Gore in its entirety plus old school Death classics from Leprosy and Spiritual Healing
** The Sound Of Perseverance in its entirety plus the new school Death classics from Human, Individual Thought Patterns and Symbolic
*** From First To Last - the Greatest classics from every Death album


VIP upgrades here.





Founded in 1984 by Chuck Schuldiner under the original name of Mantas in Altamonte Springs, Florida, Death was among the more widely known early pioneers of the Death metal sound, along with California’s Possessed. Inspired by Nasty Savage, Death was among the first bands in the Florida Death metal scene. In the late 80s, the band was both a part of and integral in defining the Death metal scene which gained international recognition with the release of albums by a number of area acts.


Death To All operates as a tribute band to the original Death, which dissolved in 2001 following the passing of the group’s founder and frontman Chuck Schuldiner. The backbone of Death To All is singer/guitarist Max Phelps (Exist, Cynic), drummer Gene Hoglan (Dark Angel, Testament, Dethklok), bass beast Steve DiGiorgio (Testament, Sadus) and Bobby Koelble (Death).

The LiveCuttz YouTube channel has uploaded 4K video of QUEENSRŸCHE's entire April 26 concert at Empire Live in Albany, New York. Check out the footage below.

Featured songs:

"Queensrÿche" EP

00:00:00 Queen Of The Reich
00:05:18 Nightrider
00:09:11 Blinded
00:12:25 The Lady Wore Black

"The Warning" album

00:18:46 Warning
00:24:26 En Force
00:28:33 Deliverance
00:33:37 No Sanctuary
00:40:31 NM 156
00:44:59 Todd LaTorre Dialog
00:47:45 Take Hold Of The Flame
00:52:31 Before The Storm
00:58:08 Child Of Fire
01:02:46 Roads To Madness

Encore

01:12:53 Prophecy
01:18:38 Empire

Although QUEENSRŸCHE would score multi-platinum albums and hit singles over their career, their fans have developed an undeniable love for the group's early releases, the 1983 EP and 1984's "The Warning" album, when they helped trailblaze a style of rock that combined elements of metal and prog. And for the first time ever, QUEENSRŸCHE is performing both classic releases in their entirety as part of "The Origins Tour".

Launching on March 22 at the Hell's Heroes festival in Houston, Texas and running until May 12 in Ft. Meyers, Florida, "The Origins Tour" sees QUEENSRŸCHE — singer Todd La Torre, guitarists Michael Wilton and Mike Stone, bassist Eddie Jackson and drummer Casey Grillo — joined on most dates by another highly respected/influential band that also launched in the '80s, ARMORED SAINT.

When "The Origins Tour" was first announced, La Torre said in a statement: "We are thrilled to bring to you 'The Origins Tour'. This will be the first time in QUEENSRŸCHE's history that the EP and 'The Warning' will be performed live in their entirety. And to make this an even more stellar tour, we are so excited that our great friends and legendary metallers ARMORED SAINT will be joining us as direct support. We are all proud to bring you this touring package and we can't wait to see you on the road."

He added: "Join us for this unique and very special experience, as we celebrate the origins of QUEENSRŸCHE. Take hold!"

Early last year, QUEENSRŸCHE completed its 2023 U.S. headlining tour with support from former MEGADETH guitarist Marty Friedman and TRAUMA. On that tour, QUEENSRŸCHE's 18-song set included no less than five songs from the band's sixteenth studio album, "Digital Noise Alliance", which came out in October 2022 via Century Media. The record was once again helmed by Chris "Zeuss" Harris, who previously worked with QUEENSRŸCHE on 2015's "Condition Hüman" and 2019's "The Verdict" LPs.

Stone, who rejoined QUEENSRŸCHE in 2021, contributed guitar solos to the band's new studio album.

Since late May 2021, Stone has been handling second-guitar duties in QUEENSRŸCHE, which announced in July 2021 that longtime guitarist Parker Lundgren was exiting the group to focus on "other business ventures."

Stone originally joined QUEENSRŸCHE for the 2003 album "Tribe" and stayed with the band for six years before leaving the group.

For the past seven years, drummer Casey Grillo has been filling in for original QUEENSRŸCHE drummer Scott Rockenfield, who stepped away from the band's touring activities in early 2017 to spend time with his young son.

In October 2021, Rockenfield filed a lawsuit against guitarist Michael Wilton and bassist Eddie Jackson, alleging, among other things, breach of contract, breach of fiduciary duty and wrongful discharge. A few months later, Wilton and Jackson filed a countersuit against Rockenfield, accusing him of abandoning his position as a member of the band and misappropriating the group's assets to his own personal benefit. That dispute has since been settled out of court.

FOO FIGHTERS paid tribute to Steve Albini Thursday night (may 9) during the band's concert in Charlotte, North Carolina.

Prior to launching into the FOO FIGHTERS hit song "My Hero", the band's frontman Dave Grohl, who worked with the producer on NIRVANA's "In Utero" album, told the crowd: "Tonight, I'd like to dedicate this song to a friend we lost the other day, who I've known for a long, long time. And he left us much too soon. He's touched all of your lives, I'm sure. Talking about Steve Albini. For those of you who know, you know. For those of you who don't know, just remember that name: Steve Albini. So let's sing this one for him."

In a 2013 interview with NPR, Grohl stated about NIRVANA's collaboration with Albini on the follow-up to "Nevermind": "He was one of our heroes, man. That was a big deal to be able to make a record with him. I had BIG BLACK records and I loved 'Surfer Rosa' [the PIXIES album produced by Albini]. To make a record with him was a big deal. And I admit that when we walked in there, I was terrified and intimidated because his reputation was that [he was] really cynical, opinionated — and I heard stories that bands would send them their single and ask him to do their next record and he would smash it and send it back with no letter. Stuff like that. Like, 'Oh my god, he's the [Colonel] Kurtz of the music industry! This is crazy; he's gone too far up the river and he's lost it!' And then we get there, and he's like a pussycat. He's the sweetest person in the world, and we had a blast. He and I got along really well, because we're both kind of goofs."

Grohl and Albini later reunited at Steve's Electrical Audio in Chicago when FOO FIGHTERS recorded the track "Something From Nothing" from the 2014 "Sonic Highways" album at the studio.

Albini died earlier this week of a heart attack. He was 61 years old.

In addition to fronting underground rock acts SHELLAC and BIG BLACK, Albini produced albums by PJ Harvey and Jimmy Page and Robert Plant. He was an aggressive critic of musicians and others who he felt were in it for the money or popularity rather than the music and he famously refused to take royalties from the recordings he produced for other artists.

In 2004, Albini estimated that he had engineered the recording of around 1,500 albums. According to Mix With The Masters, he continued to work almost entirely in the analog domain, being known for recording "live in the studio" as much as possible. He also placed particular emphasis on the selection and use of microphones in achieving a desired sound, and to best capture the ambience.

"A lot of people making records don't have a grasp of the process," he once told Billboard. "They do it thinking that it's some abstract art form that doesn't need to be comprehended on a technical procedural level. [In those cases] you'll end up with a record that isn't formally completed, but that's finished when the bell rings."

In a separate interview with Musician, Albini lamented what he called the industry's assembly-line mentality. "The sound of contemporary rock records, especially those made with big budgets, is so homogeneous," he said. "You hear exactly the same mix balance, the same dynamic, the same production techniques brought to bear on every single band."

Albini also pointed out that the quality of his own records had improved, largely because he had resisted the "fiddling impulse" with the music.

"In quest of a distinctive sound, people endlessly process things," he told Billboard back in 1995. "But because so many people use that method, those sounds have become quite commonplace. In the last few years, I've learned to leave things alone. Now when I set up a microphone and like the way it sounds, I consider the job done."

SHELLAC's first album in a decade, "To All Trains", is scheduled for release next week.

True Norwegian black metal pioneers, Mayhem, will be performing two very special 40th anniversary sets in their hometown of Oslo, Norway at Sentrum Scene on Friday, May 10, and Saturday, May 11, with the first night already entirely sold out. Limited tickets are still available for the Saturday performance, so hurry up and get yours before its too late!


In celebration of this monumental double-header, the band is now sharing the official live video for the song "Deathcrush", which is taken from the band's latest live album, Daemonic Rites. The clip can be seen below:







Fans can also view an in-depth interview with Mayhem about their 40th anniversary and upcoming performances via NRK, here.


In addition, Mayhem has just been added to the 2024 edition of Maryland Deathfest, which will take place in Baltimore, MD from May 23-26.


Lineup:


Necrobutcher - Bass
Hellhammer - Drums
Attila - Vocals
Teloch - Guitar
Ghul - Guitar


(Photo - Vincent Grundke)

Sepultura drummer Greyson Nekrutman has released drum-cam video performing the tracks "Territory" during the band’s recent Brazilian tour.





Sepultura kicked off their Celebrating Life Through Death farewell tour on March 1st at Arena Hall in Belo Horizonte, Brazil. Fan-filmed video from the show, featuring new drummer Greyson Nekrutman (Suicidal Tendencies), can be viewed below.




Setlist:


"Refuse/Resist"
"Territory"
"Slave New World"
"Phantom Self"
"Dusted" 
"Attitude"
"Kairos"
"Means To An End"
"Cut Throat"
"Guardians Of Earth"
"Mind War" 
"False" 
"Choke"
"Escape To The Void" 
"Kaiowas"
"Sepulnation"
"Biotech Is Godzilla" 
"Agony Of Defeat"
"Troops Of Doom"
"Arise"


Encore:
"Ratamahatta"
"Roots Bloody Roots"











Sepultura recently announced the departure of drummer, Eloy Casagrande. He has been replaced by Greyson Nekrutman.


Sepultura issued the following statement:


"The 'Celebrating Life Through Death' tour, a farewell tour over the next 18 months that will celebrate the band's 40th anniversary and also its farewell to the stage.


"Beginning of December the group clearly defined the intention at the announcement, it is a 'conscious and planned death.' As poetic as it sounds, a tour of this magnitude took nearly of year of preparing and planning which would require a lot commitment, ethics and loyalty to their fans, as well as respecting for the band's history, something that is a clear priority to Andreas Kisser, Derrick Green and Paulo Xisto.


"However, on February 6th a few days prior to the first rehearsal, drummer Eloy Casagrande informed the band that he was leaving Sepultura to pursue a career in another project. The band were taken by surprise, without prior warning, he immediately left the band, abandoning everything related to Sepultura.


"Luckily American virtuoso Greyson Nekrutman will take the position of Eloy Casagrande and is welcomed as the band's new drummer for the 'Celebrating Life Through Death' farewell tour."


Greyson comments: "Today I express my heartfelt gratitude for the incredible opportunity to join the legendary ranks of Sepultura for their farewell tour.


"To contribute to this legacy is a privilege that fills me with both honor and excitement. Sepultura's fearless approach to exploring new territories in the metal sphere is something that I have always admired and strived to emulate in my own musical endeavors. I am eagerly looking forward to adding my own spirit and passion to the mix, to connecting with the fans who have supported the band through its evolution, and to the electrifying experiences we'll create together on stage. Here's to the new chapters we'll write together, to the stages we'll conquer, and to the powerful music we'll unleash upon the world."


Sepultura's Celebrating Life Through Death farewell tour itinerary can be found here.

The Silver Stallion Videos YouTube channel has uploaded multi-camera video of JUDAS PRIEST performing the songs "Saints In Hell" and "Crown Of Horns" on May 4 at Wings Event Center in Kalamazoo, Michigan during the band's 2024 "Invincible Shield" U.S. tour. Check out the clip below.

PRIEST's 18-song setlist included three songs from the band's latest album, "Invincible Shield": the title track, "Panic Attack" and "Crown Of Horns".

JUDAS PRIEST kicked off the U.S. leg of the "Invincible Shield" world tour on April 18 at Toyota Oakdale Theatre in Wallingford, Connecticut.

In a recent appearance on The Break Down With Nath & Johnny podcast, JUDAS PRIEST bassist Ian Hill was asked who in the band has the final say when it comes to picking a setlist for the PRIEST live shows. He responded: "Well, it is probably Rob [Halford, PRIEST singer], really. But then again, we've got a whole spectrum now. You've got the younger element with Richie [Faulkner, PRIEST guitarist]. He's the same age as my eldest son. And then comes Scott [Travis, PRIEST drummer] and you've got Glenn [Tipton, PRIEST guitarist], of course. He can't do it anymore [due to his battle with Parkinson's disease]. [But] he's still sharp as a pin between his ears. Then Andy [Sneap, PRIEST touring guitarist] and Rob and myself. So you've got a full spectrum there of ages. So everybody has their own favorites and their own types of JUDAS PRIEST song. We all sort of [go], 'Yeah, like that. No, don't like that one.' And then we'll go. If someone's adamant that they really don't wanna do something, well, you don't wanna do something, and vice versa — if someone really wants to do a particular track, you do it. Like I say, you've got the ring-fence tracks there that you've gotta do — the 'Breaking The Law's and the 'Living After Midnight's and things like that, that you have to do. It's what brings people to the shows, basically. And then you've got your other sort of classic PRIEST songs, which is a little bit easier because you can swap and change those between — do a month maybe using one song, change it to another one of a similar kind. And then try to get some new stuff in there — three, maybe four maximum is about as much as you can get at any one time. I'm sure there'll be more than that, that we'll go through. And just swap and change as we go."

Asked if there are any songs that he can think of straight off the top of his head, in the PRIEST back catalog that he really loves to play live but never has, Ian said: "Ah, there's one that we have played live that we haven't played for a while and that's 'Dissident Aggressor'. I still say that's probably my all-time favorite song. It's just so raw — it's just pure rock, really. It's one of those songs that, even in the studio, I can remember it being — it's two guitars, bass, drums and vocals. And I think there might be one extra guitar on there through the lead break. Other than that, it's totally raw. It's exactly as it would be on stage. And I love that song, apart from it being a great song. And there's always other things. We've never really done 'Before The Dawn' — from the other point of view, the other end of the spectrum, if there's a quiet part in [the show]. These days people tend to prefer the more upbeat stuff rather than the quieter pieces. But that would be cool to do as well. It's only about two and a half, three minutes long anyway, so it wouldn't take much time. But there's loads in there — there's loads of them. 'Sinner' we haven't done, so it'd be great to do that again. We haven't done that for a while. But we'll see."

In a separate interview with Metal Pilgrim, Halford spoke about the setlist for PRIEST's 2024 tour. He said: "We've had this conversation before as far as trying to put the setlist together. And after 19 studio albums, it's, like, 'Oh my God. Where do we go?' If we didn't play 'Breaking The Law', there'd be a riot. If we didn't play 'Painkiller', there'd be a riot. There are certain songs that you are indebted to your fans to play, because they're part of the fabric of who you are as a band. Without naming names, there are certain bands where you know you wanna hear that song when you go to a show. So there's a portion of the setlist that already writes itself. Having said that, yeah, we are gonna go quite deep, and we found some songs from previous albums that we're gonna work with and we're gonna bring out. So there'll probably be at least two or three deep cuts on this setlist."

Rob continued: "At any given moment, we've got 60 to 70 songs we can play — at any given moment. And then we're gonna add more into the mix. It's fun to see the texts and the e-mails flying through: 'Well, I'll give you this one if you give me that one.' 'Cause you've gotta find a balance. When a band plays on stage, every single bandmember has to agree on the set list. There's no place for, 'Oh, dude, I've gotta play this one.' There's no place for that. You've all gotta be believing in that particular song as you go through the show. And it's gonna be fantastic."

Hill is the sole remaining original member of PRIEST, which formed in 1969. Halford joined the group in 1973 and Tipton signed on in 1974. Rob left PRIEST in the early 1990s to form his own band, then came back to PRIEST in 2003. Original guitarist K.K. Downing parted ways with the band in 2011, and was replaced by Faulkner.

"Invincible Shield" entered the U.K. chart at No. 2, just behind Ariana Grande's "Eternal Sunshine".

Prior to "Invincible Shield"'s arrival, PRIEST's highest U.K. chart achievement was with 1980's "British Steel", which reached No. 4.

PRIEST's 2018 album "Firepower" entered the chart at No. 5.

"Invincible Shield" is JUDAS PRIEST's fifth Top 10 album, after the aforementioned "British Steel" and "Firepower", as well as 2014's "Redeemer Of Souls" (No. 6) and the 1979 live album "Unleashed In The East" (No. 10).

"Invincible Shield" landed at No. 1 in Germany, Finland, Sweden and Switzerland, as well as No. 5 in France, No. 8 in Italy and No. 16 in Australia.

Annihilator guitarist / founder Jeff Waters has checked in with the following update:


"We've been asked to do this for a long, long time, so we delivered! To add to our celebration of the 35th Anniversary of the giant Alice In hell record, Annihilator and the UK's own Toni Hampstead have teamed up to create the official Alison Hell doll.


Each of these 50 limited edition dolls have been hand-made by Toni, are unique, and come with its own carrier bag and care instructions. 




On your shelf, above the fireplace, swinging from your car or on top of the Xmas tree (haha!), get one of these quick!  


Only available on our official site here."





Waters previously commented: "2024 is THE YEAR OF ALICE: ALICE IN HELL.   


35 years since its release and we will be celebrating with many of you for the year with merch, signature guitars, shows, events, catalogue reissues, etc… and this will lead us into 2025, which is the anniversary of our biggest record: Never, Neverland. Alice will continue on with us, into 2025.   


Randy Rampage, Alice In Hell’s vocalist and awesome frontman, passed away a few years back. To honour Rampage, I had a tough job to find someone to fill his shoes for this anniversary.   


Stu Block may be known as a badass vocalist and frontman BUT he also loves Rampage's attitude and will be the perfect singer to channel this classic record onstage. Long-time, fellow axe-slingers Rich Gray (4 strings!) and Aaron Homma (6 strings!) also continue their journey with Annihilator.  


Stage? Oh yeah. Let us just start with this: Annihilator will be co-headlining, along with Scorpions and Five Finger Death Punch, at Topfest, Slovakia on June 29, 2024. We will play the entire “Alice” record, along with some other rockin’ tunes.  


This will be an exclusive Europe festival show for 2024, however, we will be announcing lots more, starting January.  


We have NOT forgotten anyone. We will do our best in 2024-2025+ to get to where we should have been playing AND to where we already have!   


So, thank you all for getting Annihilator to the point of 17 studio records, a zillion tours and STILL rockin' after all these years. We are very aware that we’re still going strong because of our fans; not the industry.   


On that note, any festivals and promoters that want this legendary Alice/Neverland set in 2025, talk to our dude Nik at Bottom Row for Europe and our web site contact for everywhere else!  


Check the socials for regular updates now, cause we have a lot coming for you!        


Love and Metal to all, Annihilator and Jeff Waters."

In a new interview with George Dionne of KNAC.COM, ARMORED SAINT bassist Joey Vera was asked about the progress of the songwriting sessions for the band's follow-up to 2020's "Punching The Sky" album. He said (as transcribed by BLABBERMOUTH.NET): "Yeah, we're in the middle of writing. So I would say we're — I don't know — seven songs in. And we've been writing in between all this other stuff and trying to get that done. So we are working towards a new record, ideally sometime in '25. It's realistic. So, we're still forging forward and the writing is always going forward. So, we shall see how that progresses. The touring thing kind of takes us away from it. It's hard for us to continue to write when we're touring. But you never know. Maybe we'll make use of our downtime, 'cause we will have a lot of it."

Earlier in the month, ARMORED SAINT singer John Bush also told The Chill Dude On A Couch that he and his bandmates have been "writing some songs… We've written about five or six that we've demoed," he revealed. "That's kind of our M.O., how we do it. We write something and then we'll try to make this really good-sounding demo. I'll go and sing. I actually try to sing it like I'm singing a record, and we've kept a lot of the original vocals. This goes back to the way we wrote songs back to [2000's] 'Revelation' even. 'Cause sometimes I think you sing something that maybe you'll never sing exactly the same, and so that nuance in your voice or who knows what, your inflection, you can try to mimic it, but maybe you never will mimic it exactly that way. Same with a guitar lead — a certain bend, it may not be exactly how you play it again. So I think those are key things that you try to keep when you're making demos, and that's what we do. So I've gotta get back to doing some work. And we've got more work to do, that's for sure. We certainly don't work at a fast pace; everyone knows that about SAINT. We could try to put a little urgency into this and try to kind of move on it a little quicker without sacrificing quality. I think that's a good idea."

ARMORED SAINT was inducted into the Metal Hall Of Fame last July at the legendary Whisky A Go Go in West Hollywood, California. The event was hosted by 95.5 KLOS DJ Marci Wiser, and featured performances by WEAPONS OF ANEW, Sergio Michel and DECONSTRUCT, surprise guest appearances and an all-star jam.

Ten months ago, ARMORED SAINT's long-awaited documentary, Armored Saint: Band Of Brothers", had its world premiere in the band's hometown at the Harmony Gold Theatre in Hollywood, California.

Armored Saint: Band Of Brothers" celebrates the 40-year career of ARMORED SAINT and the 50-year friendship the bandmembers have shared from school in El Sereno, a Los Angeles suburb.

Many friends of the band have given interviews, James Hetfield and Lars Ulrich from METALLICA tell tales of their early days touring, Scott Ian of ANTHRAX talks about seeing ARMORED SAINT in 1985, QUEENSRŸCHE members Eddie Jackson and Todd La Torre talk about the shared history. Key music industry figures and producers, A&R men, roadies, record label executives and family share thoughts and stories about the band's 40-year history.

ARMORED SAINT's eighth full-length album, "Punching The Sky", came out in October 2020 via Metal Blade Records.

ARMORED SAINT released the "Symbol Of Salvation Live" CD/DVD in 2021 via Metal Blade Records. The release came in celebration of the seminal album's 30th anniversary. "Symbol Of Salvation Live" was a combination live album and video of the band playing the album in its entirety at New York City's famed Gramercy Theatre during its 2018 tour.

Godsmack announces Awake, their smash sophomore album, will now be available for the first time ever on 2LP remastered vinyl on May 17.


Following the multi-platinum self-titled debut in 1998, Godsmack returned two years later in 2000 with an album that exceeded expectations as it featured fan favorites “Bad Magick”, “Awake,” and “Greed”. Building on the breakthrough success of their debut, the sophomore album’s title track earned Godsmack their first Billboard #1 hit, and the track “Vampire” earned the band their first Grammy nomination.


Awake is now available for pre-order in a limited-edition green color with a special etched side only on UMusic.com and the Godsmack.com store. Pre-order here.







Tracklisting:


Disc 1:
"Sick Of Life"
"Awake"
"Greed"
"Bad Magick"
"Goin’ Down"
"Mistakes"
"Trippin’"


Disc 2:
"Forgive Me"
"Vampires"
"The Journey"
"Spiral"


Godsmack is currently on their North American Vibez Tour. The full list of shows with more info is available at godsmack.com/tour.

Swedish sleaze metallers, Smoking Snakes, have released a video for "Excited", the latest single from
their debut album, Danger Zone, out now via Frontiers. Order the album here, and watch the clip below:





Smoking Snakes are known for their high-energy performances and a sound that pays homage to the golden era of rock while infusing a contemporary edge. With Danger Zone, the band aims to solidify their place in the sleaze metal genre and captivate audiences around the globe. The album was produced by Jakob Herrmann, known for his work with acclaimed acts such as Anthrax, In Flames, and Machine Head.







Tracklisting:


"Angels Calling"
"Sole Survivors"
"Run For Your Life"
"Lady Luck"
"Excited"
"Restless & Wild"
"Sorrow, Death And Pain"
"There Is No Tomorrow"
"Who Am I"
"We Are Alive"
"Rocking To The Morning Light"


"There Is No Tomorrow" video:





"Angels Calling" video:





"Sole Survivors" video:





Smoking Snakes are:


Brett Martin - lead vocals, rhythm guitar
Andy Delarge - bass, backing vocals
Stan Ricci - drums, backing vocals
Leo Razor - lead guitar, backing vocals

Aftermath has unveiled the official lyric video for their single "We Don't Want A Riot," set to release on May 10 via TLG|ZOID through Virgin Music Group. The track originally featured on the album No Time To Waste, which debuted on March 17, 2023.


Charlie Tsiolis, vocalist of Aftermath, shared insights on the single, stating, "Musically, 'We Don't Want A Riot' channels the punk undertones reminiscent of our earlier work, with an infectious riff. Our aim was for the song's message to resonate with that authentic punk energy. We recognize the timely relevance of the song's message, which transcends political divides. It's a plea for peace, devoid of partisan affiliations, urging listeners to transcend the constraints of party politics."







Aftermath unleashed their highly awaited masterpiece, No Time To Waste, through Zoid Entertainment/TLG/INgrooves on March 17, 2023. This release stands as the triumphant conclusion to a powerful trilogy, representing a notable departure from the somber tones of its predecessor.


Kyriakos "Charlie" Tsiolis shared, "We take immense pride in this album, a culmination of a trilogy that commenced with our debut. Crafted during a challenging era in contemporary history, No Time To Waste emerges as an anthem of hope. In contrast to our previous dark conceptual endeavor, we've refined this record. The ten tracks within are both weighty and charged, delivering a potent metal experience coupled with a profound message - that collectively, we can overcome, but time is of the essence."





"We Can Do This Together":





Lineup:


Kyriakos "Charlie" Tsiolis - Vocals
Steve Sacco - Guitar
Ray Schmidt - Drums
George Lagis - Bass

"Portraits Of Gillan", the latest book in the new "Portraits" series from Rufus Publications, is a photographic celebration of Ian Gillan's post-DEEP PURPLE career, published as a brand-new coffee-table book tracing his career with a mixture of well-known, rare and unseen photographs from some of rock's greatest photographers. The book includes an 8,000-word essay from rock journalist and writer John Tucker, tracking Gillan's career through this period. This unofficial book is 230mm square, case-bound, 240 pages, printed on luxury 170gsm matt-coated paper. The book comes with a fold out poster and is presented in a black slipcase with a gold foil logo. The main edition comes in 500 numbered copies and sells for £55 plus shipping.

In addition to this, a much larger, ultra-limited Black Leather and Metal Edition measuring 375mm square and presented in recycled leather and a hand-welded aluminum metal slipcase with a screen printed logo in a run of 50 numbered copies. This edition also comes with a unique lenticular for framing and will sell for £350.

The books will go on sale on Wednesday, April 24 at 3 p.m. U.K. time and will feature a 10% pre-order discount if ordered before April 30. The first 200 orders will also come with a free Gillan enamel badge worth £6.95. The books will ship worldwide at the end of June 2024.

On leaving DEEP PURPLE in June 1973, Gillan seemed to turn his back on music. Instead of joining or forming a new outfit the vocalist instead invested heavily in a number of business projects and to all intents and purposes appeared to have retired.

But there was more to Gillan than just his work with PURPLE, and he'd been singing for over a decade by this time so it was inevitable that he would eventually go back to what he did best — fronting a band and so in September 1975, in Paris, the world was introduced to the IAN GILLAN BAND.

Over the next few years the band expanded and transformed into GILLAN, releasing a batch of successful albums and singles, sell-out tours, headlining the Reading festival, guesting at the third-ever Monsters Of Rock event and playing a final show at Wembley Arena before the band disintegrated. What happened next surprised everyone and in April 1983, Ian Gillan, flanked by Tony Iommi and Geezer Butler, was officially announced as the new singer of BLACK SABBATH.

Fans of classic and blues rock have good reason to rejoice as the legendary Foghat, known for hits like "Slow Ride" and "Fool For The City," unveils a sensational live album titled Slow Ride - Live In Concert.


Capturing the raw essence of Foghat's electrifying stage presence, this album showcases a momentous live performance recorded and filmed in Texas in 1999, just before the tragic passing of Dave Peverett in 2000 at the age of 56.


Slow Ride - Live In Concert presents undistilled Foghat at its finest. The power and drive of their classic songs resonate with unbridled energy, offering listeners a front-row seat to the band's unparalleled talent and enduring musical legacy. This release is not merely a collection of tracks but a testament to Foghat's vision and impact since their explosive debut onto the world stage in 1970.




For a taste of what’s in store, check out the version of the blockbuster “Slow Ride,” released today on all music platforms. Peverett and company have never sounded so good! Watch the video below.


In addition to the CD release, fans are treated to a bonus DVD featuring the entire concert meticulously enhanced to HD quality. This visual experience transports viewers back to the thrilling atmosphere of the live performance, capturing every exhilarating moment and ensuring that the magic of Foghat's stage presence is preserved for generations to come. The full concert will be available everywhere starting April 5.


Order the CD/DVD here; pre-order/pre-save the digital here.





Tracklisting:


"Drivin' Wheel"
"Somebody's Been Sleepin' In My Bed"
"Stone Blue"
"It Hurts Me Too"
"Rock Your House"
"Sweet Home Chicago"
"Angel Of Mercy"
"Fool For The City"
"I Just Want To Make Love To You"
"Slow Ride"


"Slow Ride" video:

In a new interview with Sakis Fragos of Rock Hard Greece, ACCEPT guitarist Wolf Hoffmann was asked about former ACCEPT bassist Peter Baltes's recent comment that ACCEPT's albums "started to sound the same towards the end" of his tenure with the band. I didn't like it anymore and felt like we were always just doing the same album or concept again and again, only with different lyrics," Peter said. Wolf responded (as transcribed by BLABBERMOUTH.NET): "Let me say one thing about all this. Have you ever heard an ex-member of any band say anything other than that? Have you ever heard anybody who has left the band not badmouthing the other band? Have you ever heard him say anything positive about the times that they've spent together? No. It's normal. They leave the band and they start [badmouthing their former bandmates]. So I'm not gonna comment on that.

"I think the albums will have to speak for themselves," he continued. "And here's how we work, actually, as a band. Today is no different from 10 years ago to 30 years ago. We know it's time to make a new album, and we need new songs. And I say to the guys in the band, 'Hey, guys, do you have any ideas? Let me hear the songs. If you have any songs, if you have written any songs, please submit them so we can hear them.' And most guys never submit anything. It's the way it is. On this album [ACCEPT's recently released 'Humanoid'], Uwe Lulis [guitar] has submitted several songs. One of them turned out to be great, 'Frankenstein'. And then Martin Motnik [bass] contributed some lyrics. And yes, it's true, I write the rest of the songs, but somebody has to do it, so it's me. And I'm not complaining. I'm just explaining how it is. And I think it works okay. I mean, the last two albums have been great, I think. So fans will have to be the judge if it's all the same and people don't like it, then I accept that. But I don't let ex-members be the judges. I let the fans tell me what's good or bad."

Last month, Hoffmann was asked by Riff X's "Metal XS" if he misses any of the former members who have left the band at some point during ACCEPT's nearly five-decade career. He responded: "In a way, I miss all of them, to be honest. I have no animosity towards anybody, and especially Peter left a few years ago, and I really miss him as a person, as a friend very much because we had fantastic times together.

"I always find it odd and strange that even though we might not be working together anymore, but why can't we stay friends?" he continued. "But that doesn't seem to be possible; I've never seen that happen, ever. It's a bit of a shame. Once somebody leaves the band, the hateful comments start and there's never anything positive to be said about anything. And I find that very, very sad. I wish it would be different.

"I've never seen anybody, even in another band, leave a band and then say, 'Oh, I guess I could have behaved differently. Maybe it was my mistake, too.' I've never, never heard that," Wolf added. "It's always [negative comments and complaining], and I try not to do that. I cherish the good old times."

Last October, Peter spoke to Jorge Botas of Portugal's Metal Global about his decision to exit ACCEPT in 2018 after spending more than three decades with the Hoffmann-led outfit. He said: "Everybody knows now. I did a lot of interviews, and I really don't wanna talk about it anymore, but basically we used to go up as a band, as friends and stuff, and then these things change business-wise and music-wise. And then it always seems that somebody wants all the influence. Once you're not involved anymore in the decision making, what's the point? I'm not interested in that. So I left."

He added: "In order to be creative and in a good spirit, you have to feel good about what you're doing. That's the number one reason you're doing it in the first place that you started. If you go back, when you were really little and how you started, it was just a love for music. You had no idea how good you were. If you ever had talent, that all didn't matter because you just worked hard on it, and that's where you ended up.

"I had a lot of fans write, 'Why did he leave the mighty ACCEPT and join the little U.D.O.?' And they just don't get it. It doesn't matter — it really does not matter."

In September 2023, former ACCEPT and current U.D.O. frontman Udo Dirkschneider told Robert Cavuoto of Metal Rules that he was "not surprised" to see Peter leave ACCEPT. "I knew what was coming up already a long time before it was official," Udo said. "But Peter did already some interviews [where he talked about it]. I don't wanna make any comments about this."

In June 2023, Baltes discussed his departure from ACCEPT in an interview with Rock And A Hard Place. The now-66-year-old bassist said: "I wasn't the happiest person in ACCEPT before. In my life, every day counts. When you reach my age, I wanna enjoy my life and I don't wanna do anything I don't like. I have that right now."

Asked if Udo's exit from ACCEPT was caused by the singer's disagreements with Wolf and Hoffmann's then-wife Gaby Hoffmann, who also managed ACCEPT for several decades, Peter said: "The problem was always between Wolf and his wife and Udo. I never had a problem with Udo. I guess [Udo] wasn't sophisticated enough. He was a blue-collar guy. He was a singer. It never worked out between them. They just hated each other.

"I said that in another interview a while ago, I said here we made the biggest mistake," he continued. "I was asked, actually, by Metal Hammer [what I thought] the worst ACCEPT album [was], and I said it must have been [1989's] 'Eat The Heat' [which featured David Reece on vocals], because we left our true destiny. The singer, which was the sound of the band, is gone, and we try with an American singer to sound like DEF LEPPARD. What a stupid idea there.

"I think in 2005 we did a reunion tour with Udo. But I kept in touch with Stefan [Kaufmann, former ACCEPT drummer], and through him with Udo. Wolf and Gaby always had their [spats with Udo] back and forth in the media, and I kept out of that."

Peter added: "I told the guys in the [later version of ACCEPT], because they all chimed in, 'Eff Udo,' this and that. And I'm thinking, 'Without Udo, you wouldn't be in this band. You're the singer now and you're drummer. You're all humping on Udo. You never met the man, first of all. You never said a word to him. It is so easy to judge somebody. Without him, you would be nowhere.'"

Asked if he felt like he was stuck in the middle between Hoffmann camp and Dirkschneider, Peter said: "Of course. You grow up together, and you have a band. Fans — people who follow a band — for them it's hard to fathom and understand what you're going through, because you spend half a lifetime together or even longer. And you trust people. And then trust is betrayed. And you think, 'Why? What is there to gain? A little bit more money? Power? Is that it?' And I guess that is what it is. Certain people need control; they can't let go. And if they don't have it, they're not happy."

Baltes also reflected on the Mark Tornillo era of ACCEPT, which began with the aforementioned "Blood Of The Nations" album and has produced five more LPs so far.

"In the end, when you mention ACCEPT albums, yeah, the first one was really good because that was stuff that mostly I had accumulated over the years," Peter said. "So Wolf and I wrote that first album together; that was killer. But after that, it was so predictable — it was the same riff; it's the same thing. So we were very divided. One side just wanted… I'll never forget that — he said, 'We can just do this and ride in the sunset together.' And I said, 'I think I have a different sunset in mind,' because I wanna be relevant with my music. I don't wanna just keep my fans happy and don't go anywhere else and just keep doing this. I wanna evolve; I wanna explore things. I come from a progressive background — EMERSON, LAKE & PALMER, things like this. So I was, like, 'This is the same stupid riff again, the same vocal line. Just another word.' I didn't wanna do it. [There were] too many things that were just bad — financial situations, trust issues, musical [ideas]. Everything was wrong. So that's why I left."

Baltes previously discussed his departure from ACCEPT in an interview with Finland's Chaoszine. At the time he said: "Well, it was… maybe the last two years, it started to go down. I didn't like it anymore. And I found out some things — I don't wanna elaborate — but I found out some things that are really not nice. I'd been together with Wolf my whole life, and that wasn't really necessary. Some people have to have all the control, and when it started going into the artistic control, then it really bothered me more. So I really wasn't into it anymore. And I was glad I did it, because it was 2018, and it was the last tour. And then corona happened anyway, so I got to record a lot of different albums. I played on Mick Mars's [MÖTLEY CRÜE] solo album. I did so many different things. And I was writing music for television and radio anyway, so I had two years of working [on] other stuff that I wasn't used to. And then, on the other hand, sitting at home for two years, when Udo called [and asked me to join U.D.O. and DIRKSCHNEIDER], that's why I took about five minutes to answer."

Peter's latest comments are similar to those he made in March 2023 in an interview with Scott Itter of Dr. Music. At the time, he said about his exit from ACCEPT: "The statement that came from the band literally five minutes after I announced that I'm leaving [back in November 2018], that I wanna spend more time with my family, well, that wasn't true. No, no. I was extremely unhappy. And I found out a few things. I'd been in the band forever, and I found out in the end, in this incarnation of ACCEPT, I wasn't even really a member; I was a hired gun. And it's these things that come out where you don't have any input, insight, and you start getting bitter. And there's no reason to, but somebody else's ego is just so big or whatever — two of 'em — that it just takes them there, and they just need to control everything and have everything and you name it. That's what got Udo out back then, and I think in the end it hit everybody. So I was the last one standing, but I couldn't stand it anymore. I needed happiness in my life, and there was no happiness there. It was just a dead horse. So I left after the tour. And in my case, it was the best I ever could have done."

Baltes also talked about what it was like to play bass for U.D.O., on the group's fall 2022 European tour after U.D.O.'s then-bassist Tilen Hudrap was hospitalized after the band's show in Munich, Germany.

"In retrospect, when I stepped on stage in Berlin [in September 2022] with Udo after so many years — the last time was 2005, I think — it was a moment that I can't even describe it," Peter said. "We went on stage first, and then Udo comes, and he starts singing. And the first note brought me back instantly to our days when we played little clubs. The man is such a legend, and his voice… And it's nothing to do with you're short, you're tall, you're fat, you're skinny, none of that — you're in shape or you're not — none of that matters to me, to him and the audience. [What is important is] when something is authentic. And that's what got me at that moment. I was, like, 'Man, this is the real deal.' I wasn't used to that; I wasn't. I totally forgot. And you can into this where you think, 'We've been doing this all our life.' No, we didn't. We played kind of like it, with people that kind of sound like it. But no. He's the real deal, and the power that comes out of his voice is second to none. Sheer power, meaning volume, power. Bruce Dickinson [IRON MAIDEN] has power. When he sings, you can see it — he has power. Some singers, they have power. And Ronnie [James Dio] had power. Udo has power. That's certain power that just captivates you in your ears, in your stomach, and you go with it."

Baltes was replaced in ACCEPT by Martin Motnik.

Three years ago, Hoffmann was asked by SiriusXM's "Trunk Nation With Eddie Trunk" if he had had a chance to talk to Peter since his departure from ACCEPT and if he had gotten clarification on why Baltes left the group. Wolf said: "No, man. That's kind of the sad part about it. He kind of made that decision alone, and we never really had a sitdown and a man-to-man talk that I was hoping we'd have. He just announced it to the world, and that was it, and at that point, it was almost too late. I have to respect his decision.

"I miss him very much, and I think he's always gonna be my buddy or whatever," Wolf continued. "But right now, we don't really have much in common. Because when somebody leaves the band, it's usually that we never really see them much again, as sad as it is. I wish we would, and maybe one day we will. But right now, we don't, really. But we didn't have any fights or anything. I can only speculate why he left the band, but I'd rather not."

Hoffmann was also asked if he was surprised to see Baltes working with Udo on some new music in 2020. He responded: "Yeah, I probably shouldn't say much about that. Again, I can only speculate what that was all about. At the end of the day, we do our thing, and everybody has to know for themselves what they wanna do. Yeah, let me not say as much about that as I can, please."

In January 2021, Hoffmann told Australia's Metal Mal that he was "a little bit heartbroken" when Baltes left ACCEPT. "I felt it was not only a sad day for ACCEPT, it was also a sad day for rock and roll, or heavy metal, in general, because I thought we were gonna be doing this until the sun goes down — I don't know; until forever," he said. "But he all of a sudden decided otherwise, and he made that decision, and that was it. And that's sad, but what can you do, man? I decided, along with everybody else, the show must go on, and we continue without him. So this is what we did. And here's the new album — without Peter. But it's still sad. I still miss him sometimes. It's just the way it is."

In November 2019, Hoffmann told Powermetal.cl that he no longer kept in touch with Baltes after the bassist exited the group a year earlier. "Unfortunately, when somebody leaves the band, they're always kind of out of sight, out of mind," Wolf explained. "It's very sad. I wish it wasn't that way, because we've been friends for so long. But the reality is I haven't really heard from him — even though I reached out a couple of times. He's almost like he wants to disappear or he wants to leave the music business altogether. It's sad and I still don't quite understand what really happened. But it is what it is, and we move on."

A new U.D.O. album, "Touchdown", featuring Baltes on bass, was released in August 2023 via Atomic Fire Records.

In a new interview with Tone-Talk, SLIPKNOT guitarist Jim Root reflected on the first two concerts the band played with its new drummer, former SEPULTURA sticksman Eloy Casagrande. The gigs took place on April 25 at Pappy + Harriet's in Pioneertown, California and on April 27 at the Sick New World festival in Las Vegas, Nevada. Jim said (as transcribed by BLABBERMOUTH.NET): "We just did two new shows to sort of introduce our new drummer to the world. We did a secret show at Pappy + Harriet's in Pioneertown in the desert, kind of over by Indio, Palm Springs area. And man, that was awesome. I love the desert, and that whole vibe is just cool. And the people there were just so nice, so cool, so accepting. And they had to have a city council meeting for us to do the show there, 'cause they were kind of, like. 'Oooh, SLIPKNOT. This is a small kind of chill, hippie community. Do we want this chaos happening here?' type of thing. But it all turned out really cool and everybody was really accepting and everybody was really respectful. And we raised a bunch of money to donate for no-kill shelters and [generated] a bunch of money to pump back into the economy there in Pioneertown. And stuff like that to me is epic. That's way better than… I don't know. Some of the shit that you can end up doing in this industry for, let's just say, not the greatest causes, but when you can do stuff like that, it just hits harder. And it was something special. And it gave us a chance to do something that we hadn't done in years, if not decades — play for 300 people. That was much fun. I can't even describe it. So we did that to kind of, like, 'Boom, here he is. Yes, you were all right. It's Eloy Casagrande. He's our new dude.' And then — what? — two days later, we did a Sick New World in Vegas. So, we got those under the belt and out of the way, and now it's time to move forward and onward and upward and do a lot more jamming and rehearsing. I need to get myself into writing mode so that we can write music worthy of Eloy's drumming, 'cause that dude is a world-class drummer."

Asked if SLIPKNOT has commenced writing new music and whether Casagrande is involved in the creative process, Jim said: "We haven't really started doing that yet. We will be doing that real soon. Eloy has sent me some drum loops. He e-mailed me some… Eloy does a lot of drum videos on his own and play-alongs in his home studio and stuff like that. So he sent me five or six minute — from a minute long to one that's a couple minutes long of just him playing drums. And I downloaded those on to my computer and I converted them into files that I could import into Pro Tools. And I spent some time kind of trying to write some riffs to them. And it was a little bit difficult because he basically sent me two-minute-long drum solos. And I'm not really good at finding a bit, chopping it out and then looping it to make that, like, 'Okay, this sounds like it could be like an intro riff on the drums. And this sounds like it could be like a verse riff on the drums.' 'Cause the particular ones that he sent me, it's, like, a lot of real stunt drumming and really busy stuff. And I wrote riffs to most all of it. And there's one in particular that I'm thinking about that if it does turn into a song, it's gonna be an awfully chaotic song, which could be really cool. So, yes and no, he's contributing, but we haven't really gotten there yet. We're trying to get these shows under our belt first and then it's time to put our nose to the grindstone and start the creative writing process."

Later in the chat, Root spoke in more general terms about how Casagrande came to join SLIPKNOT and his impact on the band's overall sound. He said: "We didn't even try anybody else. Eloy's name came up. He contacted us, actually, about wanting to be a part of it and started sending a bunch of videos in. I think him and our bass player [Alessandro 'Vman' Venturella] might've had a little bit of a relationship before. I think they knew each other. They had mutual friends. And Vman's really in tune with a lot of really great, proggy, heavy musicians that are passionate about their instruments. And it just seemed like a no-brainer. And he's really respectful of the legacy of [SLIPKNOT's original drummer, the late] Joey [Jordison], and Joey was a huge influence on him. And he's so humble. The dude has so much humility. And you could tell he just lives and breathes his craft, to the point where I see his passion and it ignites my passion for my instrument. And Brazilians, South Americans in general, are so passionate about what they do. Our manager told me, he was out to dinner with four or five promoters from South America, and they were all really stoked. They're all, like, 'It's so good you've got a Brazilian drummer in SLIPKNOT now. We kind of feel like we've won the World Cup.' It's a cool feeling. And God, he just fits in so well. I don't know, man. I mean, there's a lot of things I can say about it. I'm just glad it happened when it did. And we're lucky to have him — we are really lucky to have that dude."

For both the Pappy + Harriet's and Sick New World gigs, SLIPKNOT adopted a classic look, bringing back the 1999 red jumpsuits and elements of their early masks into their modern versions, tying into the fact that SLIPKNOT is celebrating its 25th anniversary this year.

After parting ways with Jay Weinberg last November, SLIPKNOT teased fans with a hint about a new drummer two months ago, posting a photo of a single broken drumstick online with the caption "Rehearsal."

The band explained in a statement that the split with Weinberg was a creative decision. Jay followed up with a statement of his own, saying that he was "heartbroken and blindsided" by his dismissal.

Weinberg has since joined SUICIDAL TENDENCIES and INFECTIOUS GROOVES.

Casagrande abruptly quit SEPULTURA three months ago, shortly before he was supposed to begin rehearsals for the band's recently launched 40th-anniversary farewell tour.

"February 6th, a few days prior to the first rehearsal, drummer Eloy Casagrande informed the band that he was leaving SEPULTURA to pursue a career in another project," the band said in a statement.

Casagrande joined SEPULTURA nearly 13 years ago as the replacement for Jean Dolabella.

SLIPKNOT's latest album "The End, So Far", arrived in August 2022. It marked the band's the last full-length LP before the departure of both keyboardist Craig Jones, who left the group in June 2023, and Weinberg.

SLIPKNOT recently announced the North American portion of the "Here Comes The Pain" tour. The band is celebrating the 25th anniversary of its seminal debut album, "Slipknot", which catapulted the band back in 1999.

In addition to recently announced dates across the globe, the "Here Comes The Pain" tour, produced by Live Nation, includes arena plays nationwide this summer. Highlights include New York City's Madison Square Garden, Los Angeles's Intuit Dome, Austin's Moody Center and more with direct support from Kentucky's young and vibrant hardcore/metal forerunners KNOCKED LOOSE. ORBIT CULTURE and VENDED are confirmed as support on select dates.

Photo credit: Jonathan Weiner

Former SEPULTURA drummer Eloy Casagrande has opened up about his recent decision to leave the band and join SLIPKNOT. The 33-year-old musician, who was a member of the veteran Brazilian/American metal band for 12 years before exiting the group in February in order to hook up with the Iowa-based masked metallers, told Brazil's Veja São Paulo in a new interview that he was originally approached about auditioning for SLIPKNOT last December by the band's manager, shortly after SEPULTURA had already announced its 40th-anniversary farewell tour. "They asked me to record and send them some videos from right here in Brazil," he explained in comments that were published in his native Portuguese but translated to English by fans on Reddit. "Initially there were three songs, then they asked me for three more, and asked if I had any plans to go to the United States, and I was scheduled to perform there in January with my instrumental music project, CASAGRANDE & HANYSZ. So they moved my flight up a bit, and I spent five days in Palm Springs, rehearsing with the full band. Then they asked me to extend my stay by another five days, so we could record some things. I think that was also part of the audition. They threw new ideas at me to see what my songwriting was like. They wanted to test me in every way."

Asked when he finally got the confirmation that he was the new drummer of SLIPKNOT, Eloy said: "SLIPKNOT is made up of nine musicians, so there are many spheres and layers, and they needed everyone's approval before they gave me the okay. I think it was on February 5th [or February] 6th that I received confirmation that I had passed the test."

Regarding how the actual audition went, Eloy said: "At first, they didn't explain what we were going to do. It was all kind of in the dark. The first thing they sent was a NDA [non-disclosure agreement] document, so I couldn't discuss it with anyone. I learned the setlist, prepared myself and, four days before the trip, they sent me a list of 32 songs that it would be important for me to know. Many of the songs I was learning weren't on that list, so I started looking for sheet music. When I got there (in the United States),they gave me a setlist on the first day, which had some songs I didn't know either, but we went out playing. On the first day, I was very nervous, because the band was complete, and it's quite an impact to see the guys there in front of you. It's a band I've been listening to since I was a teenager and followed on TV. On the first day I was terrible, I didn't like my performance, but from the second day on I improved. Each day they played a different setlist in the morning, so I had a few hours to learn a song or two that was missing. Overall, it was very smooth. I had everyone's support."

On the topic of his decision to leave SEPULTURA, Eloy said: "I received the invitation to audition [for SLIPKNOT] after the [SEPULTURA farewell] tour was announced. The big thing, the reason I agreed to audition, was the end of SEPULTURA. The band was going to break up, and I didn't want to stop playing drums at the age of 33. I had a chat with SLIPKNOT, asked about their schedule and if it would be possible to juggle the two bands, but they said no, it wouldn't be possible, I'd be exclusive. So it was my decision to leave SEPULTURA. It was complicated. I told [SEPULTURA my decision] when I had closed the deal [with SLIPKNOT] on February 5th or 6th. That very day I called a meeting and explained the situation. That was it, an individual decision."

As for whether playing with a mask and make-up presented any big changes for him, Eloy said: "The first big change when wearing a mask is mental. It's another persona in there. The mask has life. If someone else puts it on, it won't be the same. I created it together with Shawn [Crahan, SLIPKNOT percussionist and co-founder] — we worked out the design together — so it's a combination of SLIPKNOT and my personality. But when you put the mask on, something different happens. I can't explain it yet. And the physical aspect of playing is calm, I thought it would be worse. Of course it gets hot, because it's full of foam, so I get very sweaty. But there's a good space to breathe. Before the first performance, I was rehearsing with a mask made for athletes, which simulates altitude. It has several valves and covers the nose and mouth, restricting breathing. This helped me play more calmly."

Casagrande's addition to SLIPKNOT was officially announced on April 30.

SLIPKNOT made its first festival appearance of 2024 on April 27 as one of the headliners of Sick New World in Las Vegas, Nevada. The show marked SLIPKNOT's second performance with Casagrande.

Prior to Sick New World, SLIPKNOT played an intimate show on April 25 at Pappy + Harriet's in Pioneertown, California.

For both the Pappy + Harriet's and Sick New World gigs, SLIPKNOT adopted a classic look, bringing back the 1999 red jumpsuits and elements of their early masks into their modern versions, tying into the fact that SLIPKNOT is celebrating its 25th anniversary this year.

After parting ways with Jay Weinberg last November, SLIPKNOT teased fans with a hint about a new drummer nearly two months ago, posting a photo of a single broken drumstick online with the caption "Rehearsal."

The band explained in a statement that the split with Weinberg was a creative decision. Jay followed up with a statement of his own, saying that he was "heartbroken and blindsided" by his dismissal.

Weinberg has since joined SUICIDAL TENDENCIES and INFECTIOUS GROOVES.

Casagrande abruptly quit SEPULTURA three months ago, shortly before he was supposed to begin rehearsals for the band's recently launched 40th-anniversary farewell tour.

"February 6th, a few days prior to the first rehearsal, drummer Eloy Casagrande informed the band that he was leaving SEPULTURA to pursue a career in another project," the band said in a statement.

Casagrande joined SEPULTURA in 2011 as the replacement for Jean Dolabella.

In February 2020, SEPULTURA singer Derrick Green told Australia's Everblack Media that Casagrande had had "a tremendous impact" on the group since he joined 13 years ago. "It's undeniable because he's such a strong force," he said. "He loves playing metal music. He's one of the most talented drummers I've ever seen, honestly. That power is consistent from beginning to the end. It really has rubbed off on all of us to really push ourselves further. He's such a perfect match for the band. He really is always influencing us in so many ways to really go beyond — above and beyond."

SLIPKNOT's latest album "The End, So Far", arrived in August 2022. It marked the band's the last full-length LP before the departure of both keyboardist Craig Jones, who left the group in June 2023, and Weinberg.

SLIPKNOT photo credit: Jonathan Weiner

In a new interview with Riff X's "Metal XS", SLAYER guitarist Kerry King, who relocated to New York City less than three years ago, spoke about how he is preparing for his upcoming tour with his solo band after not playing any shows since 2019. He said (as transcribed by BLABBERMOUTH.NET):  "It's funny. The last couple of months, I just started eating less. I looked in the mirror one day and I went, 'I think I lost some weight.' And I lost, like, 10 pounds not even trying. I think New York finally wore off on me, and I didn't have to go eat everything every day. I just had more of a normal diet. And that was just a natural thing. There's a gym in my building. I'll go and do cardio, but I walk everywhere in New York now, too. I sold my cars, so if we've gotta go somewhere far, we take the train, take an Uber [car], whatever, but we walk everywhere. And that has a big reaction in your body. Walking is great. I've been to the gym in the building. I just started playing guitar standing up again for the first time in, like, four years. I did that, like, three weeks ago. So, yeah, I can play standing up now. Yeah, that's it. Just be aware. I'm not young. So, just standing, holding my heavy-ass guitars. My guitars are extremely heavy. And just getting used to it, really. Dumping weight, preparing, doing a little cardio. And the rest will just be natural."

King's solo band played its second show ever last Thursday night (May 9) at the Welcome To Rockville festival in Daytona Beach, Florida.

King's first-ever festival solo appearance came just two days after his solo group made its live debut at Reggies in Chicago, Illinois.

As was the case with Reggies, King's setlist for Welcome To Rockville included SLAYER tracks as well as several of the 13 songs that appear on King's upcoming debut solo album, "From Hell I Rise", which is due on May 17 via Reigning Phoenix Music.

All material for "From Hell I Rise" was written by the 59-year-old SLAYER guitarist, who was accompanied during the recording sessions by the rest of his solo band, consisting of drummer Paul Bostaph (SLAYER),bassist Kyle Sanders (HELLYEAH),guitarist Phil Demmel (formerly of MACHINE HEAD) and Mark Osegueda (DEATH ANGEL) on vocals. Helming the sessions at Henson Recording Studios in Los Angeles last year was producer Josh Wilbur, who has previously worked with KORN, LAMB OF GOD, AVENGED SEVENFOLD and BAD RELIGION, among others.

KERRY KING will be special guest on the upcoming LAMB OF GOD/MASTODON North American "Ashes Of Leviathan" co-headline tour. The six-week run will launch on July 19 in Grand Prairie, Texas and will wrap on August 31 in Omaha, Nebraska.

KERRY KING will next play at the Sonic Temple festival on May 16.

A new video of Tony Martin and Tony Iommi discussing the BLACK SABBATH album "Cross Purposes" can be seen below.

"Cross Purposes" is included in the "Anno Domini 1989-1995" box set of the Martin-era BLACK SABBATH recordings, which will be made available on on May 31 via Rhino.

BLACK SABBATH's history with singers Ozzy Osbourne and Ronnie James Dio has been chronicled extensively through the years in multiple collections. Until now, no boxed set has focused on BLACK SABBATH's time with Martin, the band's second-longest-serving singer.

Rhino explores this prolific period from the godfathers of heavy metal in a new collection that brings four albums back into print after an extended absence. "Anno Domini 1989-1995" will be released in four-LP and four-CD configurations. The set contains newly remastered versions of "Headless Cross" (1989),"Tyr" (1990) and "Cross Purposes" (1994),plus a new version of "Forbidden" (1995) that guitarist Tony Iommi remixed specially for the collection.

Several albums make their vinyl debut in the LP version of "Anno Domini", while the CD version contains three exclusive bonus tracks: the B-side "Cloak & Dagger" and the Japan-only releases "What's The Use" and "Loser Gets It All". A booklet comes with the set featuring photos, artwork, and liner notes by Hugh Gilmour. The collection also contains a "Headless Cross" poster and a replica concert book from the "Headless Cross" tour.

"Anno Domini" picks up BLACK SABBATH's story in 1989, two decades and multiple lineup changes into the band's groundbreaking career as metal originators. At the time, membership had solidified around riffmaster and founding member Tony Iommi, legendary drummer Cozy Powell (JEFF BECK, RAINBOW, WHITESNAKE),singer Tony Martin, and longtime BLACK SABBATH collaborator and keyboardist Geoff Nicholls (QUARTZ, BANDY LEGS).

The group originally released "Headless Cross" in 1989 on I.R.S. Records, the first of four albums SABBATH recorded for the label. Praised by fans and critics alike, the band's 14th studio release produced three singles: "Devil And Daughter", "Call Of The Wild" and the title track. Bassist Neil Murray (WHITESNAKE, GARY MOORE) joined for the "Headless Cross" tour and stayed to record SABBATH's next album, 1990's "Tyr". Named for the Norse god of war, the album explores similar mythological themes in songs like "The Battle Of Tyr" and "Valhalla". On "The Sabbath Stones", the band channels Old Testament fire and brimstone into a classic bruiser.

In 1992, following a successful world tour, this incarnation of BLACK SABBATH was put on hold when the band reunited temporarily with Ronnie James Dio. Two years later, Martin and Nicholls were back in the studio with Iommi to record 1994's "Cross Purposes". The band was completed with the addition of founding SABBATH bassist Geezer Butler and drummer Bobby Rondinelli of RAINBOW.

The "Tyr"-era BLACK SABBATH lineup reunited in 1995 when Powell and Murray returned to record "Forbidden". It was the band's 18th studio album, and its last for nearly 20 years. (In 2013, Iommi, Osbourne and Butler released BLACK SABBATH's final studio album, "13".) "Forbidden", produced by Ernie C of BODY COUNT, the hard rock band fronted by rapper/actor/SABBATH fan Ice-T, who appears on the song "Illusion Of Power". Since its release, sonically improving the album has been one of Iommi's pet projects.

He explains: "I was never happy with the guitar sound, and Cozy was definitely never happy with the drum sound… So, I thought it would be nice to do it for him in a way." He adds, "I just felt that, without changing any of the songs, there was an opportunity to go back and bring out some of the sounds and make it more what people would expect SABBATH to sound like."

Included in the set:

* "Headless Cross", "Tyr" and "Cross Purposes" newly remastered
* "Forbidden" newly remixed by Tony Iommi
* 1989 "Headless Cross" tour replica concert book
* 40-page book with photos, artwork and new liner notes
* Replica color tour poster

Disc 1 – "Headless Cross"

01. The Gates Of Hell (2024 Remaster)
02. Headless Cross (2024 Remaster)
03. Devil & Daughter (2024 Remaster)
04. When Death Calls (2024 Remaster)
05. Kill In The Spirit World (2024 Remaster)
06. Call Of The Wild (2024 Remaster)
07. Black Moon (2024 Remaster)
08. Nightwing (2024 Remaster)
09. Cloak & Dagger (2024 Remaster)

Disc 2 – "Tyr"

01. Anno Mundi (2024 Remaster)
02. The Law Maker (2024 Remaster)
03. Jerusalem (2024 Remaster)
04. The Sabbath Stones (2024 Remaster)
05. The Battle Of Tyr (2024 Remaster)
06. Odin's Court (2024 Remaster)
07. Valhalla (2024 Remaster)
08. Feels Good To Me (2024 Remaster)
09. Heaven In Black (2024 Remaster)

Disc 3 – "Cross Purposes"

01. I Witness (2024 Remaster)
02. Cross Of Thorns (2024 Remaster)
03. Psychophobia (2024 Remaster)
04. Virtual Death (2024 Remaster)
05. Immaculate Deception (2024 Remaster)
06. Dying For Love (2024 Remaster)
07. Back To Eden (2024 Remaster)
08. The Hand That Rocks The Cradle (2024 Remaster)
09. Cardinal Sin (2024 Remaster)
10. Evil Eye (2024 Remaster)
11. What's The Use (2024 Remaster)

Disc 4 – "Forbidden" remix

01. Illusion Of Power
02. Get A Grip
03. Can't Get Close Enough
04. Shaking Off The Chains
05. I Won't Cry For You
06. Guilty As Hell
07. Sick And Tired
08. Rusty Angels
09. Forbidden
10. Kiss Of Death
11. Loser Gets It All

Vinyl:

LP 1 – Side A

01. The Gates Of Hell (2024 Remaster)
02. Headless Cross (2024 Remaster)
03. Devil & Daughter (2024 Remaster)
04. When Death Calls (2024 Remaster)

LP 1 – Side B

01. Kill In The Spirit World (2024 Remaster)
02. Call Of The Wild (2024 Remaster)
03. Black Moon (2024 Remaster)
04. Nightwing (2024 Remaster)

LP 2 – Side A

01. Anno Mundi (2024 Remaster)
02. The Law Maker (2024 Remaster)
03. Jerusalem (2024 Remaster)
04. The Sabbath Stones (2024 Remaster)

LP 2 – Side B

01. The Battle Of Tyr (2024 Remaster)
02. Odin's Court (2024 Remaster)
03. Valhalla (2024 Remaster)
04. Feels Good To Me (2024 Remaster)
05. Heaven In Black (2024 Remaster)

LP 3 – Side A

01. I Witness (2024 Remaster)
02. Cross Of Thorns (2024 Remaster)
03. Psychophobia (2024 Remaster)
04. Virtual Death (2024 Remaster)
05. Immaculate Deception (2024 Remaster)

LP 3 – Side B

01. Dying For Love (2024 Remaster)
02. Back To Eden (2024 Remaster)
03. The Hand That Rocks The Cradle (2024 Remaster)
04. Cardinal Sin (2024 Remaster)
05. Evil Eye (2024 Remaster)

LP 4 – Side A

01. Illusion Of Power
02. Get A Grip
03. Can't Get Close Enough
04. Shaking Off The Chains
05. I Won't Cry For You

LP 4 – Side B

01. Guilty As Hell
02. Sick And Tired
03. Rusty Angels
04. Forbidden
05. Kiss Of Death

In the summer of 2022, Martin told "The Rock And Metal Profs: The History And Philosophy Of Rock And Metal" podcast that "two record labels" were going to re-release the albums he recorded with SABBATH. "I don't know when, and I don't know what it's gonna look like," he said. "There was some suggestion a while back that we might be able to put extra tracks and stuff on it. I did offer, and I went to see Tony Iommi and offered some things. And then he said we can't use anything new 'cause nothing new can be released under the BLACK SABBATH name. It can only be stuff that's got the original four members on it.

"I'm expecting it to be a remixed version of whatever the original was; that's what I'm expecting," Tony added. "So I await as you do to find out. Let me know if you hear it first."

When the interviewer expressed hope that the box set will include some live recordings from the Martin era of SABBATH, either in audio or video format, Tony said: "I recorded the writing session with… Eddie Van Halen came over and helped us write one of the tracks [for 1994's 'Cross Purposes' album]. And I had an eight-track recorder at the time in the 1980s, and I used to take it everywhere, this thing. I've got all of the writing sessions and rehearsals recorded. So I sent [Iommi] this, and he went, 'Wow! That's fucking great.' And I said, 'Well, you're welcome to use it, if you wanna put that on.' So, I don't know… Maybe you'll get that on there."

Martin added: "It's great to hear Eddie play."

BLACK SABBATH released six albums with Martin on vocals: "The Eternal Idol" (1987),"Headless Cross" (1989),"Tyr" (1990),"Cross Purposes" (1994),"Cross Purposes Live" (1995) and "Forbidden" (1995). Eventually, Martin and his "Forbidden"-era bandmates were ousted when Iommi reunited with SABBATH's fellow original members.

In January 2022, Martin reflected on his time with SABBATH during an appearance on "The Ron Keel Podcast", saying: "It doesn't haunt me. It's not a bad thing. I've got a lot to be grateful for. SABBATH is the reason why you, and the world, knows about my voice. So there are things to be grateful for. It was hard work for me. I'm 12 years younger than the rest of the guys, so even just circle of friends was different — they're hanging out with Ian Gillan and Brian May, and my best friend is Dave down the road. So that was a gap. And also the experience — they were way ahead of me in experience, at least 12 years further up the road from me, and I never could quite catch them up; they will always have that much more experience than me. So that was hard work."

He continued: "When I first got the gig, it was actually 1986 that I was put on standby when they were with Glenn Hughes on the 'Seventh Star' album. And I don't know what the issues were, but something went wrong with Glenn and they put me on standby. That scared me to death, 'cause it's Glenn Hughes. I can't sing like Glenn Hughes; nobody can sing like Glenn Hughes. Only Glenn Hughes can sing like Glenn Hughes. So that was really scary. Then they got Ray Gillen in. Then he left — he left to join BLUE MURDER with John Sykes, so they called me again and said, 'You'd better come down to the studio and try this out.' And they gave me one song, which was 'The Shining' off 'Eternal Idol', and then two days later said, 'Okay. You've got the job. You've got a week to finish the album.' So right from the start it was scary — it was huge; suddenly being the frontman of BLACK SABBATH was just ridiculous. And yeah, the whole association with me and my voice lasted 11 years."

Seven years ago, Iommi told I Heart Guitar that "it's a shame" that "it took a lot for people to accept" Martin as SABBATH's vocalist. "It's taken all these years later for people to say, 'Oh blimey, that was a good band with good singing.' So it took a long time to get people to really realize how good it was."

In 2018, Iommi spent time in the studio remixing "Forbidden" for a future release. The LP, which features Martin, drummer Cozy Powell and bassist Neil Murray, is often regarded as SABBATH's worst studio recording.

In a 2012 interview with Über Röck, Martin said that he was "surprised" to see Iommi criticizing him in the guitarist's "Iron Man: My Journey Through Heaven And Hell With Black Sabbath" book (referring to the Martin period, especially the touring phase following the release of "Cross Purposes" in 1994, Iommi lambasted his former singer as "unprofessional" and having "no stage presence"). Martin said: "I mean, they never said anything to me. Surely, if you've got a problem, the first person you should say something to is the person that's in the band with you... It sounds like a really stupid thing to say, as they didn't say anything to my face — and, if that's the case, then more fool them for not saying anything, because, you know, we could have fixed it. I said to them, endlessly, that if there was anything they wanted changed, done differently, just to say and we could fix it, but clearly, they didn't, they hadn't got the guts to, obviously, and to write about it in a book afterwards seems a bit daft to me. I'm not bitter about it, but it is surprising... It seems a bit stupid to say that after the event."

Professor Reggie Almeida of the Renzo Gracie TN Brazilian jiu-jitsu school in Tennessee, who has been traveling with MEGADETH on the band's recent tours, has uploaded behind-the-scenes video from MEGADETH's April 11 concert at Jockey Club in Asunción, Paraguay. Check out the footage below.

As previously reported, MEGADETH appears on the latest Pollstar's Live75 chart, which tracks active tours by the average tickets sold for shows that happened over the past 30 days.

According to Pollstar, five of the 12 MEGADETH concerts from the band's just-completed Latin American "Crush The World" tour moved a total of 73,372 sold tickets and grossed $4 million to enter the Live75 at No. 6. The shows include the April 9 performance at Movistar Arena in Santiago, Chile (14,828 tickets sold),the April 21-22 two-night stint at Bogotá, Colombia's Movistar Arena (21,074 sold tickets for a $1.4 million gross),the April 25 concert at Arena CDMX in Mexico City, Mexico (18,706 tickets sold) and the April 27 show at Arena Monterrey in Monterrey, Mexico (18,764 tickets sold).

The day before the final show of MEGADETH's Latin American tour, which took place on April 30 in San Salvador, El Salvador, the band's leader Dave Mustaine took to his social media to write: "We have had the most righteous time down here in Latin America. The fans have been insanely loud. Every city has had a different set list, and we've practiced our fingers off on this tour! We hope that the fans got to hear their favorite songs, as well as some deeper tracks that we haven't play for some time.

"Fast forward to today. I was looking down at some papers on the hotel suite desk. and noticed something different about the rooming list. It stated that we are going home from here and I always feel melancholy when we do.

"The four of us have become such good friends, and we are all thriving together in MEGADETH. If I may elaborate...

"Dirk [Verbeuren] is an amazing drummer, and I often wonder how I got so fortunate to play with him (he is a lot like [late MEGADETH drummer] Gar [Samuelson]),he is a wonderful, humble man who I've learned a lot from.

"James [LoMenzo, bass] has been our anchor and my mentor for singing out here. He is a killer bassist, who sings so confidently that I can easily accept direction and criticism from him. He has learned every song we play live, note for note, and I love seeing him every morning out here.

"I can't say enough about Teemu [Mäntysaari, guitar], and I don't have to, because you have no doubt seen footage of us together. He is a mad scientist on guitar, he plays ALL previous guitarists parts effortlessly with finesse, and the utmost respect for his predecessor.

"The four of us play, and go over songs every day, reviewing, perfecting, and building up our repertoire to play for you. By the time we reach Europe this summer, we will have even more songs added, to provide the variety to our playlists of songs played in concert.

"Well, that's it for now. I have to get some rest for my body. Tomorrow we are going to take back the night in San Salvador! Mother Nature tried stopping us last time, with insane wind and sideways torrential rain, but the sun is out and we're back!

"Hasta mañana chicos!"

MEGADETH recently announced a North American tour "Destroy All Enemies", produced by Live Nation. Support on the 33-city trek, which includes stops in Los Angeles, Las Vegas, Boston and St. Louis, will come from MUDVAYNE and ALL THAT REMAINS. The tour begins in Rogers, Arkansas on August 2 and runs throughout the month before wrapping in Nashville, Tennessee on September 28.

Finnish guitarist Mäntysaari joined MEGADETH last September after the band's longtime axeman Kiko Loureiro, announced earlier that month that he would sit out the next leg of MEGADETH's "Crush The World" tour in order to stay home with his children back in Finland. It was later revealed that Mäntysaari would continue to play guitar for MEGADETH for the foreseeable future, with Loureiro seemingly having no plans to return.

The 37-year-old Mäntysaari was born in Tampere, Finland and began playing guitar at the age of 12. In 2004, he joined the band WINTERSUN. He has also been a member of SMACKBOUND since 2015.

MEGADETH played its first concert with Mäntysaari on September 6, 2023 at Revel in Albuquerque, New Mexico.

Loureiro officially joined MEGADETH in April 2015, about five months after Chris Broderick's exit from the group.

Since its inception in 1983, MEGADETH has ascended from its raw thrash metal roots to become an unstoppable force in the heavy metal world. With founder Dave Mustaine at the helm, MEGADETH's journey has been marked by a penchant for pushing the boundaries of speed, technicality, and complexity in their music. Their groundbreaking album "Rust In Peace", released in 1990, is frequently cited as a seminal work in the thrash metal genre. Along with the critically acclaimed "Peace Sells... But Who's Buying?", it cemented MEGADETH's place in the annals of metal history.

Over four decades, the band's discography has earned numerous certifications, including platinum and multi-platinum awards, with albums like "Countdown To Extinction" and "Youthanasia" achieving widespread critical acclaim. 2016's "Dystopia" not only marked a high point with their first Grammy Award for "Best Metal Performance" after twelve nominations but also set the stage for their latest triumph, "The Sick, The Dying... And The Dead!" in 2022. MEGADETH's status as part of the "Big Four" of thrash metal underscores their trailblazing role in the genre, laying the groundwork for countless bands and musicians who have followed in their wake.