In a new interview with Meltdown of Detroit's WRIF radio station, former WHITESNAKE/DIO and current THE DEAD DAISES guitarist Doug Aldrich reflected on an encounter he had with one of his early guitar heroes more than four decades ago. He said (as transcribed by BLABBERMOUTH.NET): " I had the opportunity to meet [legendary Ozzy Osbourne guitarist] Randy Rhoads when I was a kid, when I was 18. I first came to L.A. and a guy that I made friends with — I met him at the Troubadour — he called me on my phone. I just had a little apartment, like a little studio, and my phone did get cut off after I was here about three months. But before it got cut off, this guy called me and he said, 'Hey, Randy's gonna be playing a couple songs down at the Whisky [A Go Go] tonight. Do you wanna go see that?' I'm, like, 'Randy? Randy who?' And he's, like, 'Randy Rhoads.' I go, 'You mean the English guy from Ozzy's band?' He goes, 'He's not from England. He's from Burbank.' I go, 'Randy Rhoads, the guitar player, the blonde guy, who plays the Les Paul and the cool kind of weird flying V...' He used to take lessons from Randy. He goes, 'I used to take lessons with him.' I'm, like, 'Oh my God.' So we go meet Randy. And about a week later, my buddy calls me back and he goes, 'Hey, Randy's playing again. He's in town again. He's gonna play again with Kevin DuBrow. Do you wanna come see him?' I go, 'Hell yeah.' And I walked in the Whisky. And I had met him and I told him how much I was blown away by him on the previous thing, but when I walked in a week later, he goes, 'Hey, Doug. How're you doing, man?' I was just, like, 'Whoa, whoa, Randy. Wow.' It blew me away. I mean, I was just a kid, and he remembered my name. And I was just out of my mind with that."

Rhoads and two others were killed on March 19, 1982 when the small plane they were flying in at Flying Baron Estates in Leesburg, Florida struck Ozzy's tour bus, then crashed into a mansion. Rhoads was 25 years old.

Back in March 2020, Aldrich paid tribute to Rhoads on the 38th anniversary of the legendary OZZY OSBOURNE guitarist's passing. Aldrich took to his Instagram at the time to share a Ross Halfin photo of Rhoads, Osbourne and Rudy Sarzo onstage at the July 1981 Day On The Green concert in Oakland, California and he included the following message: "It was 38 years ago that we lost Randy..... I was so fortunate to have seen him play live in Philadelphia. After I moved to LA, I actually got to meet him. I met a kid called Eddie who called me and asked me if I wanted to go see DEBROW [sic] at the Whisky... He said Randy was gonna jam a couple songs.... I'm like who? Randy Rhoads? The English guy from BLIZZARD OF OZ? He goes no, he's not English... he's from Burbank... I'm like what??!!!! He goes yea, I used to get guitar lessons from him... I was in shock!!! Haha...

"So yea, we went and somehow got in and then walked to the backstage door... Eddie knocked.. the guard said you kids can't come in here... Right then, Randy goes 'hey Eddie!' Eddie's looks up the stairs and says hi Randy... Randy goes... Hey let those guys up..... i walked up those stairs in one step and shook his hand:) He was so cool.. a real star...he played a Dean V that night. I guess he borrowed it? Anyone know?

"Anyone know Eddie? We lost touch after my phone got disconnected....

"Still can't believe it this all happened. Grateful:)

"P.S. the next weekend after I met Randy, Eddie called and said hey Randy's gonna jam at the Whisky again and asked if I wanted to meet up? What do you think I said?"

In a 2017 interview with Listen Iowa, Doug confirmed that Randy was an influence on him as a young man learning to play guitar. "Of course he was," he said. "There was only one Randy, so you can't copy him. But I loved him. I loved the fierce attack when he played, and the way he played with so much passion and energy. His riffs were so angular and classic, even Baroque-ish. Even his soloing was so cool. He was a different kind of person I could relate to. I'd look at Eddie Van Halen and think that he's so cool. But I couldn't play like that. Somehow I could relate to Randy easier. I love how he played."

Aldrich played with DIO for a short period between 2002 and 2006. He was also a member of WHITESNAKE from 2002 to 2014 before leaving to spend more time with his family. The guitarist played on two WHITESNAKE studio albums, 2008's "Good To Be Bad" and 2011's "Forevermore", and appeared on several live releases, including 2013's "Made In Japan" and "Made In Britain/The World Records".

Aldrich left WHITESNAKE 10 years ago, saying in a statement that he "had several recording and live commitments," so he "needed a more flexible schedule to conclude these before going full force as normal." He added: "Unfortunately, my schedule was not workable."

In a new interview with Metallerium, heavy horror punk icon Wednesday 13, who is perhaps best known as the frontman of renowned horror punk supergroup MURDERDOLLS, was asked about the changes in the music industry since he launched his career more than three decades ago. He said (as transcribed by BLABBERMOUTH.NET): "It's constantly changing. It's always gonna change. When MURDERDOLLS started, that was part of the end of the era where they gave big money and you had big crews and you had two tour buses or whatever, and a quarter-of-a-million-dollar music videos. I got to be a part of that for a short time. But over the last 20 years, so much has changed. I've learned to adapt to anything. This, how I function and run my band and crew — right now my band and crew is 10 people. That's more than I've ever had. And I've never had 10 people before. That's a lot for me. If that's all I get, I'm good. If I could somehow make a little more money and get a bigger bus or a few more people one day, that's good. But if I stay where I am, I'm good. And I've been able to make this work for me because I've set my own rules. If I'm not on a record label a year from now, I'll still be able to tour like this. So I've just learned how to adapt in this business. And I'll be around for a long time — I hope."

Wednesday 13's latest full-length album, "Mid Death Crisis", came out on April 25 via Napalm Records.

In a recent interview with Radioactive MikeZ, host of the 96.7 KCAL-FM program "Wired In The Empire", Wednesday 13 was asked if paying tribute to MURDERDOLLS on several tours in 2023 and 2024 influenced the songwriting process for "Mid Death Crisis". He responded: "A hundred percent. Just revisiting that music and having that fresh on my mind when I started writing, that's what I wrote. So I wrote a punk, glam, hard rock record. This isn't a metal record. Probably the heaviest song on the album is 'When The Devil Commands'; that is as heavy metal as it gets. From that point on, it's pretty much a rock and roll record. So, yeah, that's what influenced that. And that's what I started off doing. This record's more in league with my first three than my last three albums. And it's crazy 'cause my first album turns 20 years old this April. So, I sort of planned this album to come out the same month, the same time, 20 years later — album number 10 comes out 20 years later, same month. So it's sort of just to show how far I've came since then or how far I've went or however you wanna say it. But I'm still here and I think I still do it pretty good."

Wednesday 13 previously described "Mid Death Crisis" as a fun, campy, "leave-your-brain-at-the-door" rager and a true return to his hard-rocking roots. Produced by guitarist Alex Kane (LIFE, SEX & DEATH, ENUFF Z'NUFF, ANTIPRODUCT) and mixed by Steve Evetts (THE DILLINGER ESCAPE PLAN, PRONG, DEVILDRIVER) the album oozes infectious 1980s sleaze metal energy, further accented by a blitzing guest vocal from FASTER PUSSYCAT's Taime Downe.

Eerie introductory track "There's No Such Thing As Monsters" vibrates with electricity before industrial-tinged "Decease And Desist" kicks in full blast. Wednesday 13's trademark crooning wastes no time entering the fold as he careens through the high-octane horror anthem, before tracks like "Rotting Away" and "Blood Storm" ensnare with metallic goth-punk energy that will have crowds moving wall to wall. Featuring FASTER PUSSYCAT's Taime Downe on guest vocals, standout heavy rocker "No Apologies" is a fast-romping exorcism of toxic demons, while the triumphant mini-murder ballad "Decapitation" riles up listeners with a catchy lead riff before making a hard left into a theatrical bridge straight out of a sinister '60s sock hop! Ragers like "In Misery", "Xanaxtasy" and "Sick And Violent" explore various genres of metal, injecting the album with elements of gripping heaviness for any listener, while downtempo stunners "I Hurt You" and "My Funeral" approach a more pensive territory.

WEDNESDAY 13 is:

Wednesday 13 - Lead Vocals / Guitar
Jack Tankersley - Guitar
Troy Doebbler - Bass
Mike Dupke - Drums
Ashes - Lead Guitar

Photo credit: Anabel DFlux

IRON MAIDEN manager Rod Smallwood has thanked the band's fans for coming out to the first two shows of the "Run For Your Lives" world tour, which kicked off on Tuesday, May 27 at Papp László Sportaréna in Budapest, Hungary. The concerts marked MAIDEN's first live appearances with new drummer Simon Dawson, who replaced longtime drummer Nicko McBrain last December.

On May 30, Smallwood shared the following statement via MAIDEN's official web site: "Well, what a way of starting this monumental tour with a couple of sold-out nights In Budapest. It was the perfect place to open this tour — a great venue, an incredible city, in fact, one of my favourites, and you very passionate Hungarian fans. And of course, not forgetting the travelling fans that came from far and very wide to experience the excitement of the big reveal! To see hundreds of fans and FC members in the aptly-named Heroes Square the day before the first show was fantastic as always.

"We were delighted to see the reaction and appreciation for the new production that has enabled everyone to experience these iconic songs in a way we've never been able to before. This was quite an operation to achieve but we will let you have more insight into that very soon.

"We also want to acknowledge the amazing welcome you gave Simon on his first shows with us. He felt your support from the start — and asks me to thank you all.

"A huge thank you to every one of you who kept your phones down, respected the band and your fellow fans, and embraced the show the way it's meant to be experienced — in the room with us. That was a great boost for us and the band appreciated it greatly. It is so much better when they can see you unencumbered and that drives them on without that distraction. For the selfish few that didn't and just had to keep videoing… I wish you nothing but a very sore arm!

"But they were few, and we do hope this support from fans, especially in the floor area in front of the sound desk, continues in Prague [on Saturday] and beyond. As I said before, by all means take the odd quick pic as a memento of a great night, but otherwise please keep your phone in your pocket.

"On we go now to the first huge outdoor show and another fantastic sold out crowd waiting for us. We're starting to hit our stride already and it's going to be some ride for these next couple of months.

"See you there."

The "Run For Your Lives" world tour marks 50 years since bassist Steve Harris formed MAIDEN in late 1975 and to celebrate this, fans are promised a very special setlist spanning the nine studio albums from "Iron Maiden" to "Fear Of The Dark", with the band's most spectacular and elaborate show ever.

The Budapest concerts will be followed by 31 further stadium, festival and arena shows around Europe. With over a million tickets already sold, and most shows sold out, fans are advised that additional tickets will be made available closer to the show — and on the day — with the release of venue and production holds.

Earlier this month, Smallwood took to MAIDEN web site to share a post titled "Put away your phones and get ready to Run For Your Lives!" in which he urged fans to experience the shows "in the moment" rather than on smaller screens at a later date.

"We really want fans to enjoy the shows first hand, rather than on their small screens," Smallwood wrote. "The amount of phone use nowadays diminishes enjoyment, particularly for the band who are on stage looking out at rows of phones, but also for other concertgoers.

"We feel that the passion and involvement of our fans at shows really makes them special, but the phone obsession has now got so out of hand that it has become unnecessarily distracting especially to the band. I hope fans understand this and will be sensible in severely limiting the use of their phone cameras out of respect for the band and their fellow fans."

"Run For Your Lives" world tour is one part of IRON MAIDEN's 50th-anniversary celebrations and will feature many fan "meet-up" events in the cities the band is playing. As was debuted successfully in Australia on the last tour, these will include Eddie's official pop-up dive bar which will be open for pre-show and post-show gatherings in 20 cities on the tour. They will be serving Trooper beer and Darkest Red wine, with food, exclusive merch and further entertainment. Details are available on ironmaiden.com. But please note the band will not be at these events. Additionally, there is both a feature-length documentary film coming to cinemas worldwide later this year, via Universal Pictures Content Group, and an official hardback book providing a magnificent visual celebration of 50 years of IRON MAIDEN, being published by Thames & Hudson. More details on both of these exciting releases will be announced soon.

Dawson previously played with Harris as a member of his BRITISH LION project.

McBrain played his last-ever gig with MAIDEN five months ago in São Paulo, Brazil.

The 72-year-old British musician, whose real name is Michael Henry McBrain, announced his retirement on December 7, 2024 in a statement on MAIDEN's web site and social media. He also said that night's concert at Allianz Parque in São Paulo, Brazil would mark his final show with the iconic heavy metal act.

Despite the fact that he was stepping away from touring, McBrain said that he would remain closely connected to IRON MAIDEN and continue to be involved in "a variety of projects" with the band, while also focusing on personal ventures and his existing businesses.

On December 8, 2024, IRON MAIDEN announced Dawson as its new touring drummer.

Budapest… we are here!

#IronMaiden #RunForYourLivesWorldTour #Budapest

Posted by Iron Maiden on Tuesday, May 27, 2025

Right at this very moment Iron Maiden are about to kick off their Run For Your Lives tour in Budapest. Lights are...

Posted by Metal Pilgrim on Tuesday, May 27, 2025

FIREHOUSE has just released a new single called "Mighty Fine Lady". The song marks the band's first release with FIREHOUSE's new lead vocalist Nate Peck, 2023 "American Idol" golden ticket recipient from Season 21, who officially joined the group last May. He replaced late FIREHOUSE frontman C.J. Snare, who died on April 5, 2024 at the age of 64 following a lengthy battle with cancer.

In a new interview with Meltdown of Detroit's WRIF radio station, Peck stated about how "Mighty Fine Lady" came about (as transcribed by BLABBERMOUTH.NET):  "That song came about — I hit up [FIREHOUSE guitarist] Bill Leverty one day [earlier this year], and I was, like, 'Hey, man, let's work on a song.' And he has all these all these riffs that he's put down into his computer. And he sent me over a riff, and I came up with the first verse and the song was written rather quickly. But we're really excited about the song. We're excited to play it live."

According to Peck, "Mighty Fine Lady" was written primarily "over the phone. I'd send a voice memo, on the iPhone," he explained. "I'd send [Bill] over kind of like the melody and everything, singing, and he would send a guitar track back through the phone, and [we] just kind of [put it together] over the Internet."

Asked if FIREHOUSE has been working on any other news songs since the completion of "Mighty Fine Lady", Nate said: "We would like to work on some more. I think we've got a couple more in the works, but [we're gonna] kind of let this one ride out a little bit and see what happens."

Earlier this month, Leverty reflected on Snare's illness and Peck's eventual addition to the band, telling The Hair Metal Guru: "It was about two and a half years before [his death that] C.J. was fine. Then he had some stomach pain. And we were playing at a gig in Milwaukee. And he walks over to me, kind of like when I'm starting the intro to 'Love Of A Lifetime' or something, and he's just, like, 'Man, I've never felt this bad.' And I'm going, 'You wanna stop and take a break?' And he said, 'No, I'll get through it.' Because he had the 'show must go on' vibe. Man, that guy was tough. So we finished the show and, and I'm, like, 'Man, maybe go get that looked at. And he said, 'Yeah, it'll probably go away.' We didn't know what it was. And then it didn't get any better. We had a little time off. So he went to the doctor — actually, he went to the emergency room. And they said, 'Yeah, you've got an obstruction, a bowel obstruction, so we've gotta remove that.' So [after] surgically removing it, he was back two weeks later singing. You'd never know that he had a scar from having that taken out — and he had gotten some really bad news with it, lab results and stuff like that. And he's, like, 'Look, I wanna keep this private. I don't wanna talk about it.' Let's not mention this. But it was very bad news. And biopsy lab results were not good at all. So that was his first surgery to have it removed. He had another major surgery that was a 12-hour procedure, and he was back singing in six weeks. And you would never know it. He had a scar [about 10 inches] long… And you would never know it with this guy. That's how tough he was. And then, that was about two years that he was doing great, and then he started getting sick again. And so he went in for a third surgery. And that's about the time when Robby Lochner [JACK RUSSELL'S GREAT WHITE] said, 'Yeah, I know you guys have a lot of shows on the books and you might need a substitute. And you've gotta check this guy out.' And I'd never heard of him. And I don't watch 'American Idol'. I shouldn't. I should now because… But I checked out Nate's Instagram and he's got all these songs that he sings from the greatest singers of all time, in my opinion. And he just knocks 'em outta the park. And he's just singing live. He got a camera here, and he's just singing into his microphone, and it's just awesome. And so I called him and I said, 'Hey, I'm Bill from FIREHOUSE. We've got a couple of shows coming up. Would you be interested in filling in for C.J.? C.J. should be back around July.' And he said, 'Oh, I would love to.' I sent him the song list. I said, 'Do you know any of our songs?' He says, 'No. I've heard 'Love Of A Lifetime' before, but I don't know any of the songs.' So I'm, like, 'Well, I'll send you the songs. And we'll be talking on the phone. And you can get ready by kind of practicing or whatnot.'"

Bill continued: "We didn't have any rehearsals with the guy. We had a long soundcheck that day of the New England Rock Fest, which was his first gig, and he just crushed it. I mean, he was really nervous, but he just nailed it. And I sent some video over to C.J., and I was talking to [C.J.] on the phone. He was, like, 'Man, that guy's good.' He goes, 'Bill, that's your guy.' And I was, like, 'Wow.' So the plan was for C.J. to come back in July. C.J. was feeling rough. He had lost a lot of weight. He was really weak. And we were, like, 'Look, man, when you're ready, come on out. We'll have Nate there too. And then you can get out, sing the first song or two, say 'Hey', introduce Nate and you guys sing a couple songs together. You go take a break, come back out, do an encore or whatever, and whatever you feel will do.' But unfortunately, C.J. had a sudden cardiac arrest. And I talked to him the day before. He said, 'Things are looking good, man. I'm, I'm gaining weight. Things are looking up,' is what he said. I said, 'Great.' And the next day he passed… I remember I got the phone call. We were in Texas, and we were connecting. And I said, 'Everybody, come on over here,' 'cause I had just gotten a phone call, and I told everybody that C.J. passed away last night. And we were just sitting in that airport going… We were not at all expecting that, ready for that. It was brutal. It really was."

According to Leverty, Snare gave FIREHOUSE his blessing to continue with Peck as the frontman. "The thing about him is he never wanted us to cancel a show," Bill said. "Even after he got sick, he didn't want us to cancel a show. Especially once we got Nate. Once we got Nate, he's, like, 'Okay, that guy can sound like FIREHOUSE. So, that's your guy.'

Asked if C.J. and Nate ever had a chance to speak to each other, Bill said: "Oh, yeah. All the time. They talked almost daily. C.J. gave him a lot of advice. And one of the things that he would tell Nate is that you're running a marathon, not a sprint. So keep that in mind. Don't come out and blow your voice out in the first song, 'cause you've gotta control yourself, hold it back a little bit, and take care of yourself. And Nate's followed his advice really well."

Regarding how "Mighty Fine Lady" came about, Bill said: "Well, Nate started it. He was, like, 'Send me a riff.' And I was, like, 'Well, okay.' So I'm down here [in my studio], and I dug up a riff or I came up with a riff that would be, I think, something cool that we could maybe do live and maybe turn into a song. And I sent it to him, and he sang on his little iPhone rig, and sent it back to me in a voice memo with the verse, what is the verse now. And I was, like, 'Man, that is so good and sounds so cool. Let me write some music that would be more fitting for a verse, because what you got is a melody and the lyrics are perfect.' So I sent him back something that was more like a verse. 'Cause he sang over the intro riff, and that intro riff on that song, that's the only time you hear that riff, which is kind of what started the song. The only time you hear it in that song is just right the intro. So I sent him back that verse, and he sang on that, and he's, like, 'Oh, yeah. I like that a lot better.' And I said, 'Okay. Now what you're singing about here is the hot chick. So we've gotta come up with something kind of a little classy to make it the hook or what the topic is about.' And we bounced a bunch of stuff back and forth and we came up with 'Mighty Fine Lady'. And we got a chorus together. And so then after the chorus, you kind of have a song, but you've gotta get little pieces to get from the verse to the chorus and little pieces to get from the chorus back to the second verse, and then a solo, and then a little bridge maybe, which we wrote. And he just came up with all these creative ideas and all these great melodies. So then I was, like, 'Well, the song's written,' and [drummer] Michael [Foster] lives an hour away, so he's coming over here playing drums as it's being done. He's putting in his cool stuff, that intro and everything. And so then, we're, like, 'Well, Nate, let's fly you here to Virginia to record it.' And I had him scheduled — he was gonna fly in on a Friday night. We were gonna record Saturday. He was gonna fly out Sunday. And Friday night we went to dinner and we're just hanging out. And I'm, like, 'All right, well, let's go back. You wanna just sing it through to get the rough idea together?' And he sang it through, and it was perfect. So I'm, like, 'Let's not mess with that.' The next day we went through it with kind of a fine-tooth comb and couldn't really find anything to nitpick about. We tried some other options on stuff and kind of fiddled with it a little bit. But it was done that first night, that first take he did. And the guy's just got all these really cool ideas and everything, and the natural way that he sings without even trying just has that bright tone that C.J. was kind of known for. And Nate's got it. To me, it's magic. And we're super fortunate to work with him."

Asked if there are plans for FIREHOUSE to write and record more new music, Bill said: "We would love to. And we're going to. We'll figure out what the next one is, and we'll crank it out. We won't let it out until it's done. It might take a little bit. But in the meantime, that's where you can get 'Mighty Fine Lady' is at firehousemusic.com. We don't have it on any of the streaming stuff as of right now. It'll eventually be up there. But, right now, if you support the band directly, there aren't a bunch of middlemen in there. And it's way better for us."

According to Leverty, completing "Mighty Fine Lady" "was a lot of work. But it was labor of love in putting it together," he said. "A lot of hours mixing it. I think I spent more time mixing it than I did recording everybody else put together, just because I'm not a mix engineer, but I want it to compete with our old stuff, I want it to compete with our third record too, which was mixed by Chris Lord-Alge, the greatest mix engineer out there — one of the greatest. And you want it to compete with the stuff that's out there now and to sound not too far removed, but we also want it to sound like our classic kind of vibe. So there was a lot of experimentation and a lot of work to get it to sound the way it sounds, and we're real happy with the way it turned out."

Peck performed an outstanding audition for "American Idol" judges Luke Bryan, Katy Perry and Lionel Richie. Richie praised Nate's performance, saying: "That was brilliant... The best rock singer EVER that we've had. You've got it!" Perry looked to the sky and said: "Actually, he's SO good!" High praises from all three judges got him unanimous consent to move onto the next level of the competition. Peck ultimately decided to leave the show to pursue his career in music his own way: playing live music in Nashville's booming rock scene and guest singing with national artists like JACK RUSSELL'S GREAT WHITE.

Peck has been singing with FIREHOUSE since October of 2023.

Snare died was diagnosed with stage IV colon cancer in 2020 and took a hiatus from the band in 2023 to undergo abdominal surgery. However, his daughter is reported to have stated the official cause of death was cardiac arrest, according to TMZ.

In a statement on FIREHOUSE's social media, Snare's bandmates said he died "unexpectedly" despite his long illness.

They shared their "great sorrow" at losing their "brother… the rock and roll warrior.

"We are all in complete shock with CJ's untimely passing," they wrote.

"CJ was was arguably one of the best vocal talents of a generation, touring the world with FIREHOUSE non stop the past 34 years.

"Our heartfelt condolences go out to the entire Snare family, Katherine Little, friends, and all our beloved fans all over the world."

FIREHOUSE hasn't released a studio album since 2011's "Full Circle", which featured re-recorded versions of some of the band's older songs. The group's last collection of new material, "Prime Time", came out in 2003.

FIREHOUSE reached stardom during the early '90s with hits like "Reach For The Sky", "Don't Treat Me Bad" and "All She Wrote", as well as its signature power ballads "I Live My Life For You", "Love Of A Lifetime" and "When I Look Into Your Eyes".

At the 1992 American Music Awards, FIREHOUSE won the award for "Favorite Heavy Metal/Hard Rock New Artist". They were chosen over NIRVANA and ALICE IN CHAINS.

Formed nearly four decades ago, FIREHOUSE's classic lineup consisted of Snare, Leverty, Foster and bassist Perry Richardson. Richardson left in 2000 and was replaced by Allen McKenzie in 2003.

Former MEGADETH guitarists Kiko Loureiro and Marty Friedman kicked off their joint Brazilian tour last night (Friday, May 30) at Santo Rock Bar in Santo André, which is located in the state of São Paulo. The show also featured Felipe Andreoli on bass, Bruno Valverde on drums, and Alírio Netto on vocals, in a night that brought together iconic tracks from MEGADETH and Loureiro's former band ANGRA, as well as technically and emotionally powerful instrumental moments.

The setlist was as follows:

01. Intro
02. Blindfolded
03. Reflective
04. Overflow
05. Pau De Arara
06. No Gravity
07. Carry On / Spread Your Fire / Nova Era / Morning Star / Evil Warning / Speed (ANGRA medley)
08. Conquer Or Die (MEGADETH)
09. Killing Time (MEGADETH)
10. Dystopia (MEGADETH)
11. Jam
12. Mindrise
13. Dilemma
14. Nothing To Say (ANGRA) (feat. Alírio Netto)
15. Angels And Demons (ANGRA) (feat. Alírio Netto)
16. Late Redemption / Heaven And Hell (ANGRA) (feat. Alírio Netto)
17. Hyperdoom (Marty Friedman)
18. Tornado Of Souls (MEGADETH) (Kiko Loureiro and Marty Friedman)
19. Asa Branca / Brasileirinho (Brazil medley) (Kiko Loureiro and Marty Friedman)
20. Tearful Confession (Marty Friedman)
21. Rebirth (ANGRA) (feat. Alírio Netto, Kiko Loureiro and Marty Friedman)

Encore:

22. Stormbringer (DEEP PURPLE)

Fan-filmed video of the gig can be seen below.

Last year, Kiko — who announced his exit from MEGADETH in September 2023 — revealed that he recommended to Dave Mustaine that he be formally replaced by one of his predecessors, Friedman. The gig eventually went to Finnish guitarist Teemu Mäntysaari, who was welcomed into MEGADETH in November 2023 after first temporarily filling in for Loureiro.

"Actually, I even mentioned to management and Dave that I thought bringing Marty Friedman back would be amazing," Kiko told Guitar World magazine. "I have no idea if they're talking about it or talking to him, but I did say that. But again, I have no idea beyond that, and I don't want to make anything more complicated."

Loureiro went on to say that he was warmly embraced by MEGADETH fans during his nine-year stint with the group.

"The fans never said anything bad about me or complained, which was amazing," he said. "But I'm a fan, and I always understood that Marty was a part of those iconic albums like 'Rust In Peace' and 'Countdown To Extinction'. I understood that Marty was the guy who helped create that sound and style, you know? From the moment I joined MEGADETH, I knew the fans could show me love, but I would never win their hearts over Marty."

Loureiro officially joined MEGADETH in April 2015, about five months after Chris Broderick's exit from the group.

In September 2023, Friedman was asked by Metalhead Marv of This Day In Metal what it was like to rejoin MEGADETH twice on stage in the space of six months earlier that year — first in February 2023 at Tokyo, Japan's famed Budokan and then in early August 2023 at the Wacken Open Air festival in Wacken, Germany. He responded:  "It was wonderful. We have a wonderful history together, so when something special like that came up, it was kind of a definite thing that I wanted to do. And we both enjoyed it immensely. And I just hope the fans enjoyed it as much as we did. For us, it was just a really nice, nice thing to do to kind of just put an exclamation point on the thing that we did in the history of the band. And, of course, I'm the biggest fan of whatever they do in my absence and just rooting them on the whole way."

At the 2023 Wacken Open Air, Marty performed four songs with MEGADETH: "Trust", "Tornado Of Souls", "Symphony Of Destruction" and "Holy Wars... The Punishment Due".

At Budokan, Friedman came up on stage for three songs toward the end of MEGADETH's main set: "Countdown To Extinction", "Tornado Of Souls" and "Symphony Of Destruction".

After his Tokyo reunion with MEGADETH, Marty told The Aquarian Weekly: "What I think is great about MEGADETH is that being a legacy act, there's also new kids discovering them, and then they discover you and look to see what you're doing now, so they get that experience of Marty Friedman as well.

"I've always been rooting for MEGADETH and they really did great," he continued. "A lot of the things that they did in my absence led them to a very, very good place, and a lot because of Dave's [Mustaine, MEGADETH leader] effort and the bandmembers' efforts. When they made it to Budokan, I was just so glad to hear that. Then they offered me to play and it was just the cherry on top. I had such a great time playing with them. It was something that the fans enjoyed as much as I did."

Marty also reflected on the experience of performing with MEGADETH at Budokan in a separate interview with The Entertainment Outlet. He said about sharing the stage with Mustaine again: "It was great. It was something that Dave and I both wanted from day one, and we got it. There was just a lot of good feelings in that building that night — not just between us, but you could see in the audience, there was just something different about it. People were screaming, they were crying, they were smiling. It was a little bit different reaction from a normal show. And it was a great moment, I think."

Friedman revealed that the biggest challenge he faced during his Budokan appearance with MEGADETH was performing his guitar solos the same way fans remember from his original stint with the band.

"If there was any challenge at all, I guess it would be playing the solos the way the fans remember them, which is something I wanted to do," Friedman noted. "My playing has evolved so much since those songs came out, and there are so many nuances I would naturally do differently now. I had to resist the urge to play it like I would in 2023 and stick to the original way. For example, in a couple of those songs, I entered the solo on the downbeat, with the first note being the root of the chord. I would definitely avoid both of those things now, but apparently, I was fine with it back then."

HOJE !!! @kikoloureiro e + @martyfriedman
@bruno_valverde @felipeandreoli @alirio_netto

HORÁRIOS
20h Bar Aberto...

Posted by Santo Rock Bar on Thursday, May 29, 2025

It’s coming soon!! I’ll join my friend Kiko Louriero in his home country of Brazil for all these Brazil dates!! Let’s make some history together!

Posted by Marty Friedman on Saturday, May 3, 2025

In a new interview with Andy Dax of Streetteam Berlin, W.A.S.P. frontman Blackie Lawless was asked if there are any plans for the band to release an album of "acoustic" versions of some of W.A.S.P.'s most popular tracks. He responded (as transcribed by BLABBERMOUTH.NET): "Well, first and foremost, we're a rock band. There's a place for acoustic stuff. If you look at [W.A.S.P.'s fifth studio album, 1992's] 'The Crimson Idol', it's sprinkled all throughout that album. But to try to sit and think, would I do something like that? It's never really crossed my mind, to be honest with you, because, like I said, we're a rock band first and foremost. But you never say never. Down the line, if I get a good idea and I feel strong enough about it, then yeah. But at this moment, nothing that I can think of."

Asked if there is a new W.A.S.P. album in the works at the moment, Blackie said: "Well, we started working on stuff a couple of years ago for a new album, but COVID happened. And then when we were on tour in Europe two years ago, when my back got broken, we had to go through all that. And so those plans all got put on the back burner because, with all the touring and everything we're doing, the schedule's been pretty intense. So will there be new music at some point? Yes, there will be. But when, I can't tell you."

Blackie previously addressed a possible follow-up to W.A.S.P.'s 2015 album "Golgotha" during a July 2024 interview with George Dionne of KNAC.COM. He said at the time: "We have been, and last year, we had done quite a bit of work in between the American tour and the European tour, we did a lot of recording, a lot of demoing. And I thought I liked what I was hearing, and then I came back. I had a problem with my back last year when we were in Europe, and, actually, my back got broken while we were over there, so I had to have a couple of surgeries when we got home from the tour. And it gave me a lot of time to sit around, twiddle my thumbs and just listen to stuff. And I listened to the demos that we did, and there is some good moments, but it's not consistent. 'Golgotha' was a very consistent record. I mean, 'Golgotha', I think, is one of the best things I've ever been a part of. And to try to at least do something on that level…"

He continued: "Today, a band like us, it's all about your legacy, because we're not making records anymore to sell records. I mean, those days are gone. But what we do, or what any artist does when they make a new record now, they are competing against their past. So your new album effectively becomes your opening act, and it's an opening act that's going up against songs that the audience has heard and romanced in their heads for decades. That's stiff competition. So when something new comes out, for it to even be remotely considered good, in all honesty, it has to be better than the original stuff, and that's no joke.

"It had been a while since I listened to 'Golgotha', and I listened to it — I don't know — a couple months ago, and it was, like, 'Wow, this is a pretty good record,'" Lawless added. "And it has to be that good to compete with the 'L.O.V.E. Machine's and the 'I Wanna Be Somebody''s of the world. Because, again, people are romancing those songs in their head, and rightfully so.

"Music does a funny thing to our sense of time. It creates memories, the same way smell does and things like that. We remember where we were when we heard a certain song, and those are very powerful memories. And I'm glad we have that, but at the same time, when you're the person that has to create new music, you're constantly going up against that legacy.

"So, again, the new album will always be your opening act, and your opening act has to try harder just to get noticed," Blackie concluded.

W.A.S.P.'s latest release was "ReIdolized (The Soundtrack To The Crimson Idol)", which came out in February 2018. It was a new version of the band's classic 1992 album "The Crimson Idol", which was re-recorded to accompany the movie of the same name to mark the 25th anniversary of the original LP's release. The re-recorded version also features four songs missing from the original album.

Blackie also spoke about the progress of the songwriting sessions for W.A.S.P.'s new LP in an interview with Meltdown of Detroit's WRIF radio station. He said: "We still are [working on it]. What happened was when we came back from the European tour, I had to have surgery and stuff, about a year prior to that, we had been working on a lot of new stuff. And when I came back, I've had a long time to go through those early demos, of what we have been working on. Listening to it with fresh ears, some of it's really good, but there's not enough of it yet where I would be comfortable in saying, 'Okay, this is finished, and let's go with it.' I'd like to go back and visit the drawing board, so to speak, and see what else is there. Because even from a two-year period of when we started working on that before to where we are right now, you're gonna gain so much, you're gonna grow so much."

Blackie continued: "I've learned you don't make records or I don't make records anymore that are spread out over a two- or three-year period, because the guy you are when you first start making it is not the guy you are when you finish making it. Get in, six months top to bottom, get that thing cranked out, because, like I said, if you don't, you end up running the risk of it kind of being a schizophrenic type of record where you've got one type of one thing and then the other half is something else and it has no real cohesiveness."

Asked what kind of stuff inspires him now, Blackie said: "Well, when we got ready to start this record a couple years ago, my mindset was I wanted to do a heavy, nasty, stinky rock and roll record. And that's where my heart was at. But when I started to write, that's not what was coming out. And so when you first start the process, you think, 'Okay. We'll go along with whatever comes out to begin with, but I wanna try to start steering this ship in a different direction as time goes by.' And that's just not what was happening. It was stuff that was more in-depth. And I thought, we did call 'Golgotha', that's one of those thinking man's records, and I thought, I don't wanna do that this time. I wanna do something that's a little lighter, like I said, a little nastier, stinkier old-time rock and roll, but as hard as I was trying to force it in that direction, that's not what was happening. Now, when we get done with this tour and the European tour next year, then it'll be time to start looking at that again in earnest. So who knows where we'll come out of it again? To give you an honest answer, I'd need a crystal ball right now to tell you that, 'cause I don't know."

In November 2023, Blackie addressed the high musical standard of W.A.S.P. most recent albums, telling Canada's The Metal Voice: "Nobody makes money making records anymore. So if you're going to make records now, you're doing it because of your legacy. And if you're going to do that, then you really have to make sure that it's as strong as it can be, because it's always gonna be measured against what you did to begin with."

He continued: "All bands, they make their bones the first five years they're together, the first five or six records they make; their whole legacy is cemented there. It doesn't mean you can't make good records later on down the line, but everything is gonna be constantly compared to that… In other words, think of whatever new record you do now as your opening act. It's always gonna be compared to that early stuff. And so for it to get an honest review or a fair shake, so to speak, that new record has to maybe be even better than the original stuff was, because people have had so many years to romance those older songs in their heads. And when you go up against people that have been doing that for a long time, it's hard to erase those memories, and you don't wanna do that anyway. But you just want the new stuff to have a chance to compete. And the only way that new stuff can do that is they have to be solid records."

W.A.S.P. kicked off the North American leg of the "Album ONE Alive" tour on October 26, 2024 at Fremont Theater in San Luis Obispo, California. The 39-city run made stops across North America in Vancouver, British Columbia; Toronto, Ontario; Minneapolis, Minnesota; Dallas, Texas; New York City; Orlando, Florida; and more before wrapping up on December 14, 2024 at the Hollywood Palladium in Los Angeles, California.

Along with bassist Mike Duda and lead guitarist Doug Blair, whose tenures in the band are 30 and 19 years respectively, W.A.S.P. is joined by longtime drummer extraordinaire Aquiles Priester.

Because of the extensive back injuries Lawless suffered during the European leg of W.A.S.P.'s 40th-anniversary tour, the band's previously announced 2023 U.S. tour was canceled.

W.A.S.P.'s massive European leg of the 40th-anniversary world tour wrapped on May 18, 2023 in Sofia, Bulgaria at Universidada Sports Hall.

W.A.S.P. wrapped up its first U.S. tour in 10 years with a sold-out show on December 11, 2022 at The Wiltern in Los Angeles. This marked the 18th sold-out shows for the U.S. tour, which kicked off in late October 2022. W.A.S.P.'s performances included the return of the band's classic song "Animal (Fuck Like a Beast)", which hadn't been played live in over 15 years.

Former JUDAS PRIEST and current KK'S PRIEST singer Tim "Ripper" Owens performed on May 25 at Yield Rock in Lima, Peru as part of his South American solo tour. Backing Owens at the gig were Fabio Carito (bass),Marcus Dotta (drums),Bruno Luiz (guitar) and Wander Cunha (guitar). Fan-filmed video of the show can be seen below.

In a recent interview with Andrew McKaysmith of the Scars And Guitars podcast, Owens was asked if he has ever thought about writing an autobiography. Tim responded:  "Yeah, I'd like to do one. I just don't know if I can talk about everything in my career. I don't know if it's right. There's bands that can do that because they were known as being — they'd come up in the '70s and '80s, so there's there's things they'd done and in their career and they like to talk about it because they were into that. But I don't know. I don't necessarily wanna throw people under the bus.

"I think it might be a little bit boring 'cause I'm not gonna talk about everything. On the other hand, I guess I do have a lot to talk about, and maybe talking about everything would be a pretty good idea. It could make me look a little more adventurous, too. I can make things up.

"I've said this: I will write a book, but I'm not writing a book that's not paying me. 'Cause I see so many musicians and so many people write books, and I know they haven't made much money from it. I'm not saying I'm gonna be super rich, but I've always said if I'm writing a book, it's paying me — it's paying me to write the book. I'm not just putting it out there to put it out there. I've gotta retire at some point.

"But, yeah, I've had one hell of a career. Just a kid from Akron, Ohio that's done and played with the musicians that I have, and all because of JUDAS PRIEST giving me a break and a chance to sing for 'em. And, yeah, just a book on who I've played with and when I've jammed with them, whether it was Ace Frehley [KISS] or Scott Ian [ANTHRAX] or whoever it's been, it's pretty crazy 'cause, again, I'm still just a fan and a kid from Akron, Ohio that gets to do what I do."

Owens previously discussed the possibility of writing a book in January in an interview with Australia's "Everblack" podcast. He said at the time: "I've never been offered [a book deal]. I'm not writing a book unless I get paid money, 'cause they loosely made a movie about me; I didn't get paid nothing for that. So, they would have to pay me some money. But I don't know how to do it 'cause I don't wanna… I'll probably hurt some feelings doing that book. But I won't spill all the beans. I might be in trouble if I spill all the beans."

He continued: "I would be nice about it. But it is a great story, isn't it? I mean, it's an amazing story. And it's continued to be. I love when people go, 'What have you done since JUDAS PRIEST?' More? I don't know. I've toured the world more. I've played in front of the same amount of crowds, sold more records. This is all after JUDAS PRIEST. So I think it's pretty crazy when someone says, 'What have you done?' Or they diss me by saying, 'Oh, the guy that used to be somebody.' I'm, like, 'What do you mean used…?' I'm doing more now than I ever did in my life. So it's kind of, like, 'I don't know what you're talking about.'

"I've done a lot," Owens added. "I said I've been fired from more bands than people have been in, so it's kind of funny. But, yeah, I've met so many great people. And I always say JUDAS PRIEST was my college, and they opened up the door for me to make a living out of it. And I've worked hard at trying to make sure I'm in top form and ready to go."

The 2001 Warner Bros. movie "Rock Star", starring Mark Wahlberg as a salesman-turned-rock star, was loosely based on Owens, who fronted a JUDAS PRIEST cover band before being tapped to become the new lead singer of the actual group.

Asked in a 2014 interview with Russia's Classic Rock magazine how much of "Rock Star" was styled after him, Tim said: "When they first [got the idea to do] the 'Rock Star' movie [under its original name 'Metal God'], it was really gonna be about me. And then JUDAS PRIEST pulled away from it, because they didn't like some things. So [the producers] really made their own movie, I think. The similarities were that I auditioned for JUDAS PRIEST and I sang one line of a song and hit a note and made the band. But then a lot of the things, they kind of went out… I mean, I wasn't that kind of fan when I made the band, because I was that kind of crazy kid in high school in the '80s. But this was 1996, so I wasn't living at my parents' with posters on the walls. I mean, it was still pretty cool. I mean, to have a movie loosely based on you is pretty cool."

Regarding whether it was ironic that the "Rock Star" movie became almost prophetic in the sense that Mark Wahlberg's character in the film ends up playing small clubs with his own material after the band's original lead singer rejoins the group, Owens said: "For me, the movie was almost [like real life]. Rob [Halford] came back [to JUDAS PRIEST], which was good for me, to be honest. My career, I went on to do a lot of stuff. It was better for the band, it was better for Rob. So it was kind of funny. I think I became a little bit bigger than the coffee shop singer that Mark Wahlberg was in the movie in the end, just playing there. I still get to play in front of thousands of people in Russia. But it is similar how he went on to do his own thing."

Owens joined PRIEST in 1996 after being discovered when PRIEST drummer Scott Travis was given a videotape of Tim performing with the PRIEST cover band BRITISH STEEL. JUDAS PRIEST at the time was seeking a replacement for Halford, who has since rejoined the band. Asked in an interview with The Vinyl Guide podcast what kind of advice or preparation he had for stepping into those shoes, Owens said: "Well, listen, I was confident. They were confident with my voice. I knew some fans wouldn't like me, but I also knew that I could sing really good, and I could sing really good live. One advantage I felt I had as a singer was I could sing what I recorded in the studio; whatever I recorded, I'm gonna be able to sing that live. And I felt when fans came to the show, they would be happy that they have someone who's coming in the JUDAS PRIEST that could still keep the voice going. So if someone didn't like me, there's nothing I could do. K.K. [Downing, then-PRIEST guitarist] used to always say, ''The proof is in the pudding. Come to the show and see.' And I think a lot of people used to come to the shows and they just couldn't wait to hate me. They hated me showing up and wanted me to fail. And so many of 'em, I'd win 'em over when I started singing, because they could tell that I loved it; I loved what I was singing, and I wanted to do the songs justice. So I always felt confident."

Addressing the fact that the two albums PRIEST recorded with Owens — 1997's "Jugulator" and 2001's "Demolition" — sold poorly, and he was ultimately pushed out to clear the way for the return of Halford, Tim said: "It was a really bad time of heavy metal. So it wasn't like I joined them in the heyday. I mean, when Rob left JUDAS PRIEST, they were playing in front of a couple thousand people on the 'Painkiller' tour, a lot of shows So, it really wasn't a great time of heavy metal. So I understood that, and I understood people would want Rob back. But all I cared about was getting on stage and sound[ing good]. I just wanted the band to be happy and me to be happy with me doing it. That's all I worried about."

He added: "I know a lot of the the musicians at the time, especially the hair metal bands, because hair metal was gone at that time, they hated me in L.A., 'cause they were, like, 'Who's this guy? He comes from Akron, Ohio. What's he done? How's he here?' And I still am the same Ohio guy, [with the] same friends. I have the same attitude. And all of us are the same. I tell musicians this all the time: we're all the same. I mean, nothing different."

Asked if he had any sort of communication or relation with Halford at that time, Owens said: "No, just in the press. They always tried to get us to say mean things and bad things. And every now and then, one of us would say something. Now, this was pre-Internet. So, I couldn't imagine doing that nowadays, how screwed up it would be. But, no, because there was a respect. I don't think Rob liked me much, probably at the time, because someone's going to his band, his songs and singing this, but we always had this respect. And when we met each other, we always had great talks. And I think it made a lot of people mad that we liked each other. I think it made a lot of people mad, and I think it still does. But whenever I've seen him, I love talking to him, and he knows what's going on with me, and he's, like, 'Oh, I see that you're playing in Russia,' whatever."

Tim continued: "Back in those days, [journalists] would have the old tape recorder hidden. Now they could just turn their phone on, and no one would know it. But you would do an interview, and then they go, 'All right, the interview's over.' And then they'd turn the tape recorder off, but they'd have another one going in their pocket trying to get you to say stuff. And you know this, doing interviews, you get people to feel comfortable so you talk like you're friends. And then you just start saying stuff. And I put my foot in my mouth a few times. Oh, now I do all the time, because now — I always do."

In 2019, Owens told Ultimate Guitar that he believes his era of JUDAS PRIEST is largely overlooked. "Yeah, I think it definitely deserves more [attention]," he said. "I mean, they don't do anything. [Laughs] It's kind of amazing that they just totally erased it that they won't play... I mean, 'Burn In Hell' [off 'Jugulator'], the crowd would like to hear 'Burn In Hell'.

"They don't have to give me a tribute or anything, but it would be nice to play a song from... You know, that was a pretty big thing, I did two studio records, two live records, and a DVD, starting from '96 to 2004. So it's kind of crazy that it's just been erased and they won't even play a song from it live, because it is JUDAS PRIEST."

"Demolition" and "Jugulator" are included on "50 Heavy Metal Years Of Music", JUDAS PRIEST's limited-edition box set which contains every official live and studio album to date plus 13 unreleased discs. Released in October 2021, it is the most extensive release of previously unreleased music the band has made from its vast archives.

Hoy #TimRipper llega a nuestro escenario!!!

Les dejamos los horarios, ultimas entradas en puerta!!!

Posted by Yield Rock on Sunday, May 25, 2025

In a new interview Terrie Carr of WDHA-FM 105.5 FM, the rock music station licensed to Dover and Morristown, New Jersey, FOREIGNER's longtime singer Kelly Hansen spoke about his decision to retire from touring with the band later this year. He said (as transcribed by BLABBERMOUTH.NET): "Well, let me just be clear — for me, it's gonna stop. I'm doing all the shows through the end of the summer, and then our rhythm guitar player [Luis Maldonado], who's very talented guy, great singer, great musician, he's been in the band almost five years, he's going to be the new lead vocalist of the band. So I'm stepping away. I'm passing the mic. So this will be my last year as the lead singer of the band, but I am gonna do all the shows through the summer."

Hansen announced he's stepping down rom FOREIGNER earlier this month live during a special appearance on NBC's "The Voice". In a moving segment that aired nationally, Hansen introduced Maldonado as his official successor — a moment that symbolized both an end and a bold new beginning for the powerhouse group.

Asked by Carr when he knew that "this is gonna be it for me", Hansen said: "Well, I brought the idea of me finally letting go to [FOREIGNER's founding guitarist] Mick Jones in 2022. So we talked about it, and he was very supportive. He didn't want me to leave. And we've done so many great things together. But I felt like [since] I've been in this business almost 50 years, I've been in the band 20 years and I'm singing a catalog of songs that every singer couldn't even dream of having. But it's a very demanding catalog of songs, and it doesn't get easier. I mean, the song demand never changes, but as you age, you change. And I don't wanna be out there doing these songs less than the best I can or that the songs deserve. So what we decided to do was when we started kind of putting things in motion, it made all the sense in the world to go inside the band to a guy who's been with the band almost five years, who's an amazing vocalist, and have him be the singer. And it just all made sense to do it that way. And then we were talking about how we were gonna make this transition, and 'The Voice' called us and they said, 'We want you to play on our finale show.' And I had the idea. I called my manager, I said, 'Why don't we do the handoff live on 'The Voice'?' And he thought that was a great idea, and 'The Voice' just thought that was a great idea. And so that's how we made it happen. It was really serendipitous."

Asked how he thinks it's going to feel for him to play his final FOREIGNER concert, Kelly said: "I don't even wanna think about it, because I know the whole tour's gonna be emotionally up and down. It's gonna be a blast and I know there's gonna be some surprises and it's gonna be really fun.

"When you play a show, at least for me, in order to communicate the music and the songs and the lyrics, you have to open yourself up emotionally to get that out," he explained. "But what that does is that also opens it for stuff to come in, and so you're very raw, and that means that any emotion you feel will be right on top, just bubbling right on the top. So hopefully I can hold it together and do it."

Kelly also talked about his future plans, including a possible continuation of some of the philanthropic work that he has done with FOREIGNER. He said: "I don't have any concrete plans for right now. First thing I'm gonna do is I'm gonna take a break. And then I'm looking forward to where the wind takes me. There are a lot of possibilities. I mean, the band has been working with Shriners [Hospitals For Children] and the Grammy Foundation for 15 years, bringing choirs on stage during 'I Want To Know What Love Is', which I've really loved. And I think we get the better end of the deal because they raised recognition about the lack of funding for school music programs, and we get to see the looks on their faces when they're on stage, maybe for the first time in front of thousands of people. And it's really amazing to see that. So I hope maybe that will happen for me in some way. But like I said, for right now, no concrete plans."

When Hansen announced his departure from FOREIGNER on May 20, he said in a statement: "Being the voice of FOREIGNER has been one of the greatest honors of my life. But it's time to pass the mic. Luis has the voice, the energy and the soul to carry these songs into the future. I couldn't be prouder to hand this off to him."

Jones said that "in 1976, my goal was to assemble the finest group of musicians I could find" and "Results have shown that it worked!" He added that "about thirty years later, Jason Bonham encouraged me to do it all over again and create a brand-new FOREIGNER, and the magic was still there," explaining that "I was especially fortunate in the choice of lead singer."

In the statement, Jones called Hansen "one of the best" frontmen in music and said he "breathed new life into our songs" over a 20-year span. "His boundless energy and flawless talent has helped us climb the mountain and set up the opportunity for FOREIGNER vocalist and guitarist Luis Maldonado to bring us home," Jones said. "I wish Kelly great happiness in his next endeavors after our summer tour, and I look forward to welcoming Luis to his new position."

Before Luis joined FOREIGNER, he was best known as the guitarist for TRAIN and for his work with Lisa Marie Presley. He now steps into the spotlight as FOREIGNER's new lead singer. Maldonado brings a rich blend of vocal power, stage charisma, and musical versatility that makes him a natural fit to lead the next chapter of the band's journey.

"This music has been part of my life for as long as I can remember," said Maldonado. "I'm ready to honor FOREIGNER's legacy and bring my heart to every performance."

Hansen joined FOREIGNER in 2005 and played a crucial role in revitalizing the band's live presence. His powerful vocals and magnetic stage presence helped introduce FOREIGNER's timeless hits to a new generation of fans across the globe.

FOREIGNER's tour continues through 2025 and will feature both Hansen and Maldonado on stage in a symbolic handoff. The transition coincides with major milestones for the band, including next year's 50th anniversary of its formation in New York in 1976.

FOREIGNER replaced original singer Lou Gramm with Hansen. Jones, the only remaining original member of FOREIGNER, suffered from some health issues beginning in 2011, eventually resulting in heart surgery in 2012. In February 2024, Jones revealed on social media that he was battling Parkinson's disease, which explained his absence from FOREIGNER's live shows since 2022.

Photo credit: Karsten Staiger

British gothic metal pioneers PARADISE LOST have been rejoined by drummer Jeff Singer. Jeff previously played with the band between 2004 and 2008 and appeared on the albums "Paradise Lost" (2005) and "In Requiem" (2007).

Earlier today (Saturday, May 31),Singer released the following statement via social media: "When I got a call asking if I would drum for PARADISE LOST again, it was clear the time was right and we could actually make this happen. Nothing could make me prouder. Firstly, the band, management and fans have always made me feel part of the family and secondly as a fan of the band it is a dream and something I have thought about a lot over the years. PARADISE LOST are in my blood. I can't wait and am so excited to get out there with the lads playing the songs I love and meeting our amazing loyal fans again."

Less than a week ago, PARADISE LOST parted ways with its drummer of the past two years, Guido Zima Montanarini. The band announced his exit in a social media post on May 29, saying: "We've made the difficult creative decision to part ways with our drummer, Guido Zima. We thank Guido for his contributions to the band and wish him all the best in his future endeavors."

When Guido first joined PARADISE LOST in March 2023 as the replacement for Finnish drummer Waltteri Väyrynen, PARADISE LOST guitarist Greg Mackintosh said in a statement: "We welcome Guido as PARADISE LOST's new drummer. He cut his teeth with us on our European tour at the end of 2022. Guido did such a good job that we have decided to make him our new drummer and he will be playing on all upcoming PL shows and working on new material with us for our next album."

PARADISE LOST just completed "The Devil Embraced" North American tour. The trek kicked off on May 16 at the Milwaukee Metal Fest and concluded on May 24 at Maryland Deathfest.

In September 2022, Väyrynen left PARADISE LOST to join OPETH. At the time, he issued a statement saying that his decision involved "absolutely no bad blood or drama whatsoever."

In a recent interview with Alejandrosis, PARADISE LOST guitarist Aaron Aedy spoke about the status of the follow-up to the band's latest album, "Obsidian", which was released in May 2020 via Nuclear Blast. He said: "It's not fully mixed yet, but it's recorded." Asked if he could give fans some details about the musical direction of the new PARADISE LOST material, Aaron said: "No. It's like opening your presents before Christmas. No, I don't wanna go into the new album too much just yet, 'cause I'll wait to see what it's like when it's mixed. It's almost finished, but not quite."

This past March, Mackintosh told Chile's PowerOfMetal.cl that PARADISE LOST's new LP would likely be released "September time." He added: "It's been the longest time we've ever had between albums. But that's kind of because of the pandemic as well… So shit happens. And, yeah, hopefully it'll come out September, October time this year."

To celebrate the 30th anniversary of their fourth album, "Icon", PARADISE LOST re-recorded the LP for a special new release. There was also "an extra special vinyl" version of the album, both of which were made available in December 2023.

"Icon 30" is a totally re-recorded version of "Icon", and PARADISE LOST once again worked with longtime collaborator and producer Jaime Gomez Arellano.

PARADISE LOST recorded the vocals and drums for "Icon 30" at Jaime's new studio Arda Recorders in Porto, Portugal. The rest of the album was completed at Mackintosh's Black Planet Studios. "Icon 30" also features brand new artwork created by Scott Robinson and new liner notes from Kerrang!'s Nick Ruskell.

"Icon" marked a departure from the death-doom sound of PARADISE LOST's early work and was the last album to feature Matthew Archer on drums.

In February 2018, "Icon" was inducted into the Decibel "Hall Of Fame", with the magazine naming it influential to the development of the gothic metal subgenre.

Formed in Halifax, West Yorkshire, in 1988, PARADISE LOST were unlikely candidates for metal glory when they slithered from the shadows and infiltrated the U.K. underground. But not content with spawning an entire subgenre with early death/doom masterpiece "Gothic" nor with conquering the metal mainstream with the balls-out power of 1995's "Draconian Times", they have subsequently traversed multiple genre boundaries with skill and grace, evolving through the pitch-black alt-rock mastery of 1990s classics "One Second" and "Host" to the muscular but ornate grandeur of 2009's "Faith Divides Us - Death Unites Us" and "Tragic Idol" (2012),with the nonchalant finesse of grand masters. The band's "The Plague Within" (2015) and "Medusa" (2017) albums saw a much-celebrated return to brutal, old-school thinking, via two crushing monoliths to slow-motion death and spiritual defeat.

Paradise Lost welcomes back Jeff Singer on drums.

*And The Planets Aligned*

"When I got a call asking if I would drum...

Posted by Paradise Lost on Saturday, May 31, 2025

STRAY FROM THE PATH — Drew Dijorio (vocals),Tom Williams (guitar),Anthony Altamura (bass) and Craig Reynolds (drums) — has surprised released its final album, "Clockworked" today (Friday, May 30) via SharpTone Records. The band also dropped the video for "Shot Caller". Watch it below.

STRAY FROM THE PATH comments: "We are excited and grateful to announce our final album 'Clockworked' is out now. Available in record stores today, shipping immediately from web stores and streaming in its entirety on all platforms."

The band continues: "The four of us, Anthony, Craig, Drew and Tom, have been touring together as a unit for almost 10 years, and now it feels like the right time to put the band to rest.

"We've gone on to make amazing records together, tour the world, and have been fortunate to gain the support of people, more than we could have asked for. We get to go out on our own accord, on a final record and do some final tours celebrating the band one last time with the people who gave us a great career.

"Listen to 'Clockworked' and keep your eyes peeled for further touring announcements."

STRAY FROM THE PATH finishes by saying: "This is a mutual decision — there's no bad blood, we love each other, and we love you all. In the next couple weeks, we will be announcing our final tour dates, and after 2025, we will be putting the band to rest. Looking forward to celebrating the band one last time together for the rest of 2025."

"Clockworked" track listing:

01. Kubrick Stare
02. Fuck Them All To Hell
03. Shot Caller
04. Can't Help Myself
05. Clockworked (feat. Florent Salfati)
06. Shocker
07. Bodies In The Dark (feat. Jeff Moreira)
08. Can I Have Your Autograph?
09. You're Not That Guy
10. A Life In Four Chapters

Over the course of two decades, STRAY FROM THE PATH has unleashed a series of fan-favorite albums, including "Villains" (2008),"Make Your Own History" (2009),"Rising Sun" (2011),"Anonymous" (2013),"Subliminal Criminals" (2015),"Only Death Is Real" (2017) and "Internal Atomics" (2019). Meanwhile, 2022's "Euthanasia" represented a critical high watermark. Of the latter, Alternative Press raved, "After two decades of politically incendiary, hip-hop-indebted metalcore, this is their bleakest and most furious." Rating it 4 out of 5, Kerrang! hailed it as "scorching." In 2024, STRAY FROM THE PATH returned to the studio with longtime producer and frequent collaborator Will Putney (BODY COUNT, KNOCKED LOOSE, VEIN.FM) for what will become their final release — "Clockworked".

In a new interview with The 500 With Josh Adam Meyers podcast, Paul Stanley spoke about KISS's upcoming appearance without makeup at Virgin Hotels Las Vegas as part of the three-day "KISS Army Storms Vegas" event, which runs from November 14 to November 16.

"KISS Army Storms Vegas" celebrates the KISS fan club's 50th anniversary and will be the band's first appearance since Stanley, bassist/vocalist Gene Simmons, guitarist Tommy Thayer and drummer Eric Singer wrapped up their "End Of The Road" farewell tour at Madison Square Garden in New York in December 2023.

Stanley told The 500 With Josh Adam Meyers (as transcribed by BLABBERMOUTH.NET): "This will be, for lack of a better description, it's a Kiss Kruise in Vegas. It's a Kiss Kruise without a boat or without a ship. We'll take over the Virgin Hotel, and all the things that people have come to expect on a Kiss Kruise will happen. It's a chance for international fans and friends to convene, as they always have. And there'll be Q&As, time spent with each person in the band. We will play, although looking more like this [without any makeup or special stage outfits] than in classic gear. It's gonna be really, really cool, and A lot of things are being added to it.

"I would've liked to have perhaps had the menu to give to everybody a long time ago, but it's still evolving," he continued. "So, there'll be great people playing, great bands, all kinds of competitions, all the things that we've done in the past on the cruise. Just like a tribal gathering with music and entertainment. Like I said, it's a landlocked Kiss Kruise."

Asked who created the KISS Army and when, Stanley said: "The KISS Army, like the best armies, was volunteer. KISS Army started in Terre Haute, Indiana when Bill Starkey, a resident, and his friends weren't getting any KISS music on their radio station and they called the radio station as the KISS Army and said, 'If you don't start playing KISS music by a certain time, we'll surround the building.' And, of course, everybody chuckled, until they surrounded the building. So that was the start of the KISS Army. KISS Army started as not a calculated fan club, but as an uprising of the army."

Earlier in the month, Simmons told Greg Schmitt of Noize In The Attic about the "KISS Army Storms Vegas" event: "People misunderstand what that is. The Virgin event in November is really the fans, the KISS Army — they're taking over the hotel. This ain't a concert. No [makeup]. Certainly not. We promised we would never do that again. No touring. We'll get up and jam. In fact, I'm not even sure how many of us are gonna be there. I know Paul and I are gonna be there. I think Tommy's gonna come, but [former KISS guitarist] Bruce Kulick might pop in. It's very informal."

Asked if original KISS members Ace Frehley (guitar) and Peter Criss are "welcome" to appear at "KISS Army Storms Vegas", Gene said: "Of course."

After Schmitt noted that KISS is one of the last bands of his generation that have all living members and that "it'd be great if somebody could really utilize that still," Simmons said: "I like the way you think, but it's dreamland, my friend. That's not how life works. You can lead a horse to water, but that's all you can do. We invited — I personally invited Ace and Peter to jump up on stage with us at Madison Square Garden [for the final KISS concert]. 'Hey, why don't you invite him on the show?' I did, but they said no. 'I want this and I want that.' 'Well, you can't have that, but join us to celebrate the beginning.'"

Simmons previously discussed "KISS Army Storms Vegas" in a separate interview with the "Jim Kerr Rock & Roll Morning Show" on New York City's Q104.3 radio station. Simmons said at the time: "Well, this is not a KISS concert. We promised when we sold the IP [KISS intellectual property rights] to Pophouse, an amazing company — they're futurists — about a year and a half ago when we finished touring at Madison Square Garden. There's gonna be a film and there's a lot of stuff coming up. We promised we would never tour again, because, as you noticed, I'm stunning in real life and that's when you want it… While you're on top, get out of the ring. Don't wait for some chump to knock you out. We've all seen boxers and rockers and everything that stayed around too long. 50 years, half a century is plenty of time."

Simmons went on to say that he and his KISS bandmates still want to honor the group's fans. "So that's what we're doing," he explained. "We are showing up for a fan-run event. Three days in November at the Virgin Hotel. Be there or be square. And it's really for the fans. There'll be lots of questions — if they want a back rub or anything. But it's not a KISS concert. We will jump up [and] jam, but certainly we are not bringing the flying rigs and 60 people on the crew and the jets and all that stuff… Other bands will pop up on stage and stuff, but it's really a chance to be more intimate with the fans — actually, to be cornball about it, to our bosses. Because without the fans, I would surely have been asking the next person in line, 'Would you like some fries with that?'"

50 years ago in Terre Haute, Indiana, a small group of fans lit the spark that would become the loudest and proudest fan movement in rock history: the KISS Army. Now, five decades later — and 30 years since the first official KISS convention — KISS is cranking it up to 11 in Las Vegas for the ultimate celebration.

Gene said: "Strange story. There was a guy in Terre Haute, Indiana, as a matter of fact, and in the early days, radio didn't play KISS 'cause we didn't do John Denver kind of namby-pamby stuff… But we just didn't do the la-di-da kinds of songs. We liked to turn the guitars up and have fun, and radio wouldn't play us. So this one guy, [Bill] Starkey, his name was, called the radio station, which was a small building outside of town. 'Play KISS.' 'I'm sorry, kid. We don't play that song.' And he threatened them. He said, 'If you don't play KISS by 5:00 p.m. tomorrow, the KISS Army will surround your building and everything.' Of course they did not. So what happened? The cover of the [local] newspaper [ran the headline] 'Kiss Army Invades WXYZ', whatever it's called, and that's where the name came from. And by the way, afterwards, they played KISS. Because they knew that we knew what their home address was, and when they weren't home, we might set their pets on fire. There's that."

In a separate interview with Rob Rush, the evening host on Long Island, New York's 94.3 The Shark radio station, Gene stated about KISS's upcoming Vegas appearance: "This is much more a fan gathering. The Kiss Army … are taking over the Virgin Hotel and we will show up, but I don't even know if the entire band's gonna be there. I know Paul and I are gonna be there, and Tommy. Bruce Kulick probably will show up, and we'll jam, answer questions and stuff. It ain't a concert — we're gonna do none of that stuff. I may even bring my solo band up there just for [shits] and giggles. So this is more a fan event, like a fan gathering that we're gonna be guests at."

This past March, Gene told Las Vegas Review-Journal that he and his KISS bandmates "will not do the makeup" at "KISS Army Storms Vegas". "We will hold true to the promise [of never playing another KISS show in makeup]," he explained. "There's no stage show. There's no crew. We won't have 60 people levitating drum sets and all that stuff. This is more personal gathering of the tribes, where we meet them, greet them, maybe have a Q&A."

Regarding what else fans can expect from "KISS Army Storms Vegas", Simmons said: "There might be some KISS tribute bands, almost like a convention, if you will. So it's much more personal. And of course, we can't get by without playing, so we'll get up and do some tunes. What they are, how long, I don't know."

When KISS officially announced "KISS Army Storms Vegas", the band said that Stanley and Simmons — along with "special guests" — would play at least one show "unmasked," meaning without their iconic makeup. It was later revealed that Thayer would also appear at the event, along with Thayer's former band BLACK 'N BLUE, as well as former SKID ROW frontman Sebastian Bach and the tribute acts MR. SPEED and KISS NATION: THE KISS TRIBUTE SHOW.

KISS's official "KISS Army Storms Vegas" announcement made no mention of Singer, making it unclear if he will be part of the event.

There will also be question-and-answer sessions with Stanley and Simmons, as well as KISS's longtime manager Doc McGhee, where they will share stories, behind-the-scenes moments and answer fans' most burning questions.

Fans can also expect guest performances, including from Kulick, as well as surprise appearances, guest sets and tribute bands.

KISS had previously set a 12-show residency at Planet Hollywood Las Vegas in 2021 and 2022 but ultimately canceled all of the dates.

For more information, visit kissarmystormsvegas.com.

Simmons told Rolling Stone in a November 2023 interview that the second Madison Square Garden "End Of The Road" concert would mark "the final KISS-in-makeup appearance."

Kulick was a member of KISS from 1984 until 1996.

According to Billboard, Kulick is one of only two musicians to have not worn makeup while a member of KISS, the other being Mark St. John.

Kulick had performed with the band again at their Kiss Kruise events in 2018 and 2021.

During a three-hour interview with Shawn Ryan, a former Navy SEAL and CIA contractor, and host of the Shawn Ryan Show, MEGADETH leader Dave Mustaine spoke about his brief stint as a member of METALLICA in the early 1980s. Asked how he ended up joining METALLICA, Dave responded (as transcribed by BLABBERMOUTH.NET): "I was done with [my previous band] PANIC and I said, 'I'm gonna find something else to do.' So I got a newspaper called The Recycler, and it's just a rag from Los Angeles, Orange County. It's like a county classified ad magazine. And I'm looking in the classified ad magazine. Go figure. The biggest band in the world would advertise in this newspaper. So I look at it and it says, 'Wanted lead guitar player' and mentioned a couple bands. So I called up and I got Lars [Ulrich, METALLICA drummer] on the phone, and I said, 'Yeah, well, I like MOTÖRHEAD and I like BUDGIE. And he goes, 'You like fucking BUDGIE, man?' And I went, 'Yeah, I do.' And that was the icebreaker because BUDGIE is a Welsh band. It's a three-piece. It's very obscure. And by me listening to them showed that I had credibility in the New Wave Of British Heavy Metal world because of the bands I was listening to. They were not a band like a white metal band or a progressive metal band. They were a three-piece from Wales that kicked ass. They didn't have to have all those silly names in front of it."

Mustaine continued: " So, [Lars and I] were on the phone, and he made that comment that I know them, and I said, 'Yeah.' So we talked about meeting face to face. And I drove down from Huntington Beach to Newport Beach where he lived in a place called — I think it was called Park Newport. And the funny thing was my mom was a maid and she had actually worked a event for catering in his complex he was in. And I'm thinking, 'Go figure. My mom was a maid here and your mom has a place here. What a story that is, two different sides of the same coin.' And so I went into his place and started talking to him. And he played this song called 'Hit The Lights' that was written by a guy named Lloyd Grant. METALLICA didn't write that song. Lloyd Grant wrote it, and then he was friends with Lars, and then Lars introduced him to James [Hetfield, METALLICA guitarist/vocalist] and then they started playing 'Hit The Lights'. That's a song that I heard from them first and I said, 'Wow, this song needs way more lead solos in it.' It was just me being cocky, being me: 'It needs more lead solos in it.' And he was trying to figure out if I was for real. And so we went to rehearsal. He said, 'We're gonna try you out.' I said, okay. I mean, I knew how good I played. I have been gifted, and I know it's not by my own doing, so I don't try to take any credit for it. So I don't care how good I am or not, or what people say or anything like that. So I just knew what I knew, what I knew. And I went to [then-METALLICA bassist] Ron McGovney's parents' fourplex. They had this place that James was living with Ron. And I went up there with Lars and I set up my amps and I plugged my guitar in and I just started warming up. [And] they wouldn't come in. They wouldn't come into the rehearsal room. So I put my guitar down and I thought, 'This is really strange.' And I walked out and I said, 'Guys, are we gonna do the audition?' They said, 'You got the gig.'"

Mustaine went on to say that he "knew" he would get the METALLICA gig when he first went to audition for the band. "'Cause I could play that stuff," he explained. "I mean, there weren't very many guitar players like me around at the time. Who were they? Randy Rhoads. There were people like that. The guy from RATT — Warren DeMartini was really great. But real shredders? There wasn't a lot of us around at the time."

Asked what it felt like being in METALLICA in those early days, Mustaine said: "Well, again, it's kind of like it seemed like this was what my destiny was. And when it came time for us to do our first concert, we played at a high school, or maybe it was a junior high school Lars might've gone to. I know he went to it, but I can't remember if it was elementary or junior or high school, whatever. And from that point on, it was just clear that whenever there was any kind of altercation that was going down, I would be the one that would take care of it. James was very peaceful, and Lars, he was a little bit of a devil; he liked to have fun. But, yeah, if there was ever any stuff going down, I had to take care of it. When we went up to San Francisco and did our first couple shows up there at a place called The Stone, I was the one who had to go and collect the money. And there's a million ways to embezzle or to be corrupt when it comes down to running a club or a bar when it involves a band getting paid. They can say all kinds of stuff. And if you don't know, you don't know. And most kids my age at that time don't know. And they try and get money and they'll say, 'Well, you sold 200 tickets and you have a bar tab here, and so we're gonna give you 150 bucks.' And you know that they made a killing on their booze. You know that they made money on the food and snacks that they have there and the ticket prices. Plus they take a giant whack of your merchandise. And that was my gig. I would go do that."

Reflecting on METALLICA's ill-fated cross-country trip in the spring of 1983 that resulted in his firing from the band, Mustaine said: "When we decided we were gonna move out to New York, that was because Lars had found somebody he wanted to manage us, this guy Jonny Zazula, who had Megaforce Records. And [Jonny] heard our demo tape, the 'No Life 'Til Leather' demo tape. And he lost his mind, just like everybody else in the world. And they wanted to get the band to come out and record a record. And while we were on the way out there, we got in a car crash. We were driving through the snow. None of us knew how to drive through snow except for Lars, because he was from Denmark. And I'm driving this Ryder truck. It's a 24-foot truck, and it had a tow bar and it had James's pickup on the back. So when we were driving, we hit black ice and the whole thing spun around while I was driving. And I managed to keep it upright in the middle of the freeway, but the truck stopped and oncoming traffic was coming towards us. And the events that happened at that location… The guy that had produced — I think he produced the first [METALLICA] record; his name's Mark Whitaker. He was the guy that was doing our sound and stuff. He almost died. I had to push him out of the way, and a truck was to the right or right where he was standing. So if I wouldn't have seen that truck coming and saved his life, he'd be dead right now. And when we went to the U-Haul place to get our truck, we placed and moved all of our gear into the new truck. James and Lars had made a decision to replace me because they tried to pin that driving thing on me as the last straw."

Addressing the allegations that his excessive drinking was the main reason he was fired from METALLICA, Mustaine said: "We all drank. That's why they called it ALCOHOLICA. I mean, they didn't call it DAVE-ALCOHOLICA. We all drank. And they continued to drink like that even after I was gone. But that was, I think, the beginning of the end. And when we got out to New York, I had a reel of tape, this quarter-inch tape, that had probably two days' worth of guitar riffs on it, just me playing and playing and playing. And we took that tape player and the reel of tape with us out to New York. We did two shows out there, and after those two shows, they woke me up one morning and said, 'Look, you're out of the band.' And I said, 'What are you talking about?' 'You're out of the band.' I said, 'No warning? No second chance? You're not gonna give me a warning? You're just gonna kick me out?' And I thought that was unfair. And it showed a grotesque lack of character. And so that pissed me off and was a huge part of the fuel. But at the time, I was really mad and I didn't wanna forgive them for what they did. And I told them when I left, 'Do not use my music. And of course they used it. [The] 'Ride The Lightning' [title track] I wrote. 'The Call Of Ktulu' I wrote. Let's see, what else? There's 'Phantom Lord', 'Metal Militia', 'Jump In The Fire', 'The Four Horsemen'. And I wrote a bunch of 'Leper Messiah' [on METALLICA's third album, 'Master Of Puppets'] too. They didn't give me credit on that. You listen to the riffs, you know they're my riffs. It's, like, you think I'm gonna all of a sudden hear my riff and say, 'That's not me.' So, yeah, I wrote a lot of their music that made them, and all the solos on that first record were mine — the best Kirk [Hammett, Mustaine's replacement in METALLICA] could try and copy them."

Asked why he was singled out and fired from METALLICA when everybody in the band drank heavily at that point, Dave said: "Because when I got drunk, I got violent. James and I had gone out to a club one time. It was the old Mabuhay [Gardens in San Francisco]. It was across the street from The Stone. And we were out front, and some guy came out of the alleyway and he said, 'There's a guy beating some girl up in the alleyway.' And, of course, I being the champion for justice, did not want to hear that and not do anything. So I went down the alleyway with James, and, of course, James not being a fighter, started yelling out, 'Kill him, kill him, kill him.' And the guy comes out from behind a van and he was much bigger than James, and he said, 'Who's gonna kill me?' And James goes — points to me. So I immediately grabbed a guy and put him down in a submission and started rabbit punching him until he stopped moving. And then we ran out of the alleyway and we stood out front until the paramedics came. And that was it. So I imagine he saw that and he figured, 'I don't wanna be part of this. Dave's already beat me up back down in Los Angeles, and he's just too violent.' 'Cause James did get a punch in the mouth from me. He kicked my puppy."

Elaborating on the punch-up that occurred between him and Hetfield, Mustaine said: "I was selling pot for a living, so one time I did a concert and people knew I was on stage, so they just shimmied the window. There was nobody there. They took all my pot, and I was pissed. So I got two dogs. My nephew took one and I took the other one, and I had taken her up with me to rehearsal. And she was playing and she's looking up at me. I'm standing over here. Ron McGovney's got this really nice GTO and she leans up against the car and puts her paws on the front quarter panel and [James] goes bang and kicked the dog. And I went, 'What did you just do? What did you just do?' And it went from the front yard into the house, and there was still stuff being said. And I said, 'You better shut up or I'm gonna punch you in the mouth. And then Ron McGovney says, 'If you hit him, you're gonna have to hit me first.' And I said, 'You stay out of it.' And then James said the same thing: 'If you hit him, you're gonna have to hit me first.' And I said, 'Okay, you win.' And bang, I hit James in the mouth, and then I hip-tossed Ron into his television set-up. And that was it. Two strikes and it was over. And Lars was pulling his hair going, 'I don't want it to end this way.' And I thought, 'You know what? I've already told you, it's either me or James.' And we did that a bunch of times, 'cause James was doing stupid stuff. And I told James the same thing. I said, 'Man, it's either me or Lars, 'cause Lars sucks.' And I got the ax in the end. So it's good. Fine."

Asked what he did after he got "axed" from METALLICA, Mustaine said: "I went home and I contacted a friend of mine and I said, 'I quit.' She said, 'No, you didn't. You got fired.' And I said, 'Yeah, I got fired. I quit. I got fired, whatever. I'm back home. Wrong word. [it's] not changing the outcome.' And I made sure not to ever say that I quit, 'cause I wanted people to know that I was unfairly dismissed and that I didn't give a shit. 'Cause we [MEGADETH] may not be as big as they [METALLICA] are. Hell, their biggest song, 'Enter Sandman', go look up the band EXCEL right now. Look up their song — I think it's something 'Into The Unknown'. [Editor's note: The track is actually called 'Tapping Into The Emotional Void'.] Pretty similar."

A decade ago, Grant told the "Rockzone Legends" show that he first heard "Hit The Lights" when Ulrich played it for him before their first rehearsal with Hetfield. "James was playing bass and I was playing guitar and Lars was playing drums," Lloyd recalled. "And we rehearsed that 'Hit The Lights' song. But way before that, Lars let me hear that song. We were hanging out watching soccer, and he says, 'Hey, I met this guy,' blah blah blah, 'and he's exactly what we wanna jam with.' And he played this one song, and it was great, and that's how I first was introduced to 'Hit The Lights'. And after that, I went over and jammed a few times. Then he called me and said they were gonna be on this compilation album ['Metal Massacre'] and he brought over a tape of 'Hit The Lights' recorded on a four-track and asked me to make some solos for that, and they were gonna bring the four-track down and they were just gonna put it out an dump it on the compilation album."

In a November 2022 interview with Greg Prato of Songfacts, Mustaine was asked to elaborate on his comment that he would like to collaborate again with Hetfield. Asked if he actually discussed that with James, Dave said: "The last time we talked it didn't end very well because we have some memory of a couple of things that took place when I was in the band. I remember it one way and he is saying that it happened another. But it's about somebody else — it's not even him. He's talking to me on behalf of 'you know who'," apparently referring to Ulrich. "They wanted to release 'No Life 'Til Leather' [the early METALLICA demo Mustaine was on] — 27 songs, posters, flyers, pictures, everything. I said I would love to do this thing, and James said, 'Look, we fucked up. The last three things we've done failed abysmally.' He said it was 'Lulu' [METALLICA's collaboration with Lou Reed, released in 2011], something called Orion [a festival called Orion Music + More that took place in 2012 and 2013], and there was one other thing... I think it was a film about a fan or something [the 2013 film 'Metallica: Through The Never']. I don't know. I don't see them as a failure. But I had said, 'Yeah, I'd be interested.' And he said, 'We'd like to get everything right with all the history, the publishing and stuff.' And I said, 'Good.' Because part of the reason why we haven't been able to really reconcile is because I had songs that when I left I didn't want them to record, and they went ahead and recorded them but they didn't pay me what my share of the songs were.

"James and I wrote 'Metal Militia' and 'Phantom Lord' — every note," Dave continued. "And somehow, on the record ['Kill 'Em All'] it says Lars gets 10%. And on 'Metal Militia' that Kirk gets some of it, and he wasn't even in the band.

"So I've come to terms with it, and when he said, 'We'd like to get this right,' I said, 'Great. Let's do it. I have no problem.' And when I said, 'This is what it is,' he said, 'No. It's kind of what it was, and that's how it is.' And I thought to myself, you know what? When you guys did that to me before, it was not cool. I said, 'Don't use my stuff' and you did it, and then didn't give me my fair share. So why would I want to willingly enter into something like that? I wouldn't. So that's where we stand right now.

"I would love to work with James. I'd like to work with Lars again, too, but I think the real talent in METALLICA has always been around the guitar — everybody makes fun of the drums.

"Lars is a really great song arranger. And believe it or not, I watched him on a piece-of-shit acoustic guitar write the opening riff to 'Master Of Puppets'. You know what that was? It was a guy with a guitar that doesn't know how to play, and he's going [mimics playing a chromatic run] on the neck. It wasn't anything really mind-blowing by any means. The way James played it made it mind-blowing."

Seven years ago, Mustaine said that he didn't want to "perpetuate false information" by giving Ulrich songwriting credit on the previously announced expanded version of "No Life 'Til Leather".

"No Life 'Til Leather" was released as a limited-edition cassette for Record Store Day in April 2015, available exclusively in independent record stores. It featured artwork copies from drummer Ulrich's own personal copy of the original demo, as well as his handwriting. At the time, the band also promised that expanded editions of the demo, which had never before been commercially available, would arrive on CD, vinyl and in a collector's set.

The seven-song tape was recorded with the first lineup of the band that appeared live as METALLICA, including Ulrich, Hetfield, lead guitarist Mustaine and bassist Ron McGovney. The original recordings were paid for by High Velocity record label owner Kenny Kane, with a view of making them available as an EP in 1982.

Mustaine discussed the proposed expanded edition of "No Life 'Til Leather" during a June 2018 interview with U.K.'s Kerrang! magazine. Saying that the last time he spoke to Hetfield was when the METALLICA guitarist/vocalist called him to talk about the "No Life 'Til Leather" re-release, Mustaine recalled: "He was trying to get me to give publishing over to Lars, despite James and I being the sole songwriters. Lars wanted a percentage and I just said no. I love James, he's a terrific guitar player, but yeah, I can't do that. The songs are already out there. I'm not going to release something just to have a product to sell — especially if they are perpetuating false information. Lars did not write the songs. It was just me and James. Period."

Ulrich told Metal Forces in 2016 that "some unexpected difficulties on the legal side… prevented the 'No Life 'Til Leather' box set and our vision for how we were going to kick this whole reissue series off. We spent some time doing that dance, but then James and I decided that it wasn't worth it getting bogged down in all the unpleasantries, because this was supposed to be a celebration and not end up being a tug of war, so we thought, 'You know what? Fuck it. We'll just move on to 'Kill 'Em All'," he said.

Ulrich did not want to get into the details of the exact issues that were preventing the demo tape from being released. "It's a little more complicated than that," he said. "There's no reason to go deeper into it. It was just something that we hadn't expected."

Back in November 2017, Mustaine tweeted that he was contacted by Hetfield two years earlier about "officially" releasing "No Life Till Leather" with "27 tracks, pics, the whole enchilada," but, he said, "the talks broke down because Lars wanted credit on two songs I wrote every note and word to. I have the texts. I passed."

When Ulrich spoke to Metal Forces in 2016, he made it clear that METALLICA was still hopeful that the expanded version "No Life 'Til Leather" would arrive at a later date. "As you know, I am the eternal optimist, and I am the eternal 'glass is well fucking half full,' so who knows?" he said. "I think some of those parties have circled back around now that they've seen that this is real and so we'll have to see. It would be great to share 'No Life 'Til Leather' in a year or two with our fans and with the people that care. We haven't shut the door on it."

"No Life 'Til Leather" was recorded on July 6, 1982 at Chateau East Studio in Tustin, California. All the songs on the tape later appeared on the band's 1983 debut album, "Kill 'Em All", including "Hit The Lights", "Motorbreath", "Jump In The Fire", "Seek And Destroy", "Metal Militia", "Phantom Lord" and "The Mechanix", which was renamed "The Four Horsemen" on the album.

Mustaine was a member of METALLICA for less than two years, from 1981 to 1983, before being dismissed and replaced by Hammett.

Mustaine was not inducted into the Rock And Roll Hall Of Fame with METALLICA during the April 2009 ceremony at Cleveland, Ohio's Public Auditorium. Ulrich later explained to The Plain Dealer that Mustaine "never played on any METALLICA records. No disrespect to him. But there [were] half a dozen other people that were in the lineup in the early days. We thought... the fair thing to do would be to include anybody that played on a METALLICA record." He added: "Dave Mustaine was in the band for eleven months, predominantly in 1982... I'm not trying to play it down. I have nothing but respect and admiration for his accomplishments since."

During an appearance on the latest episode of The Candid Mic With Fran Strine podcast, David Ellefson spoke about his last stint with MEGADETH, which began in 2010 with a tour celebrating the 20th anniversary of the "Rust In Peace" album and ended in 2021 when he was fired after sexually tinged messages and explicit video footage involving the bassist were posted on Twitter. He said about his initial return to MEGADETH 15 years ago (as transcribed by BLABBERMOUTH.NET): "I said, 'Look, I'll come back for a month. Let me just get through this tour. We'll see how it goes.' And it went well. And I'd been there as an owner of the company. I was no longer an owner at this point. I was just a hired sideman musician, which, quite honestly, at that point I was okay with. I was kind of, like, well, as much as the owner also can get a lot of the perks, I know the owner of the business gets paid last. And if things fuck up or a show cancels or anything happens, guess what? Now you're on the hook for all the bills too. And that happened a lot over the years. So I was, like, 'Well, let me just try… Let me keep it simple, keep it easy.' And as we went around the world, it was great. With the 'Big Four' [tour featuring METALLICA, SLAYER, MEGADETH and ANTHRAX], it was cool because I was back in MEGADETH, Joey Belladonna was back in ANTHRAX, Dave Lombardo was back in SLAYER. Everybody was back home, and the excitement for each of our bands as well as all of our bands together was huge."

He continued: "For MEGADETH, we got another 10 years, 11 years out of it, won a Grammy. So I feel like a lot of our story together in MEGADETH with me and Dave [Mustaine, MEGADETH leader] got to be completed as well. And if that means we never play together again — oh, well. It was a good couple of chapters. And if one day we do, well, then we'll see where that goes. But I think you don't sit around and wait for those things. You just get on with it. You just get moving forward. And I certainly didn't stop. I just kept going."

When host Fran Strine suggested that Ellefson is "busier" now than he has ever have been, David said: "Yeah. And I feel lighter, to be honest with you. I wake up and every day is a day, like, 'All right. What are we gonna do today?'"

Asked if he has spoken with Mustaine since his May 2021 dismissal from MEGADETH, Ellefson said: "Nope. Not one word. No need to. After that? No, I don't need to be your friend. I'll move on.

"Look, the ending of that friendship was a long time in the making," Ellefson explained. "It really started in 2018… There was some stuff that I was just — and I was vocal about it. I stood up for what I felt to be the right thing. And, of course, that was not well received… [It was] just about writing the new album, the next album that took five years to make. And every time I would try to write and put something on it, it would get taken off. And it seemed very personal. And at some point it's just kind of, like, 'Look, dude, if you don't want me here, fuck it. I'll move on.' So I guess it took what it took and what happened, happened. And then that was the moment to just sort of abolish it and make it all go away.

"The first time out the door [in the early 2000s], there was legal stuff [to sort out between me and Dave], 'cause we were legally bound into — we were owners of a business and a corporation. So that's not uncommon, to have that. And a lot of that was just so that I could get paid direct from all the sources, so that my money wouldn't keep flowing through MEGADETH. It was just so I could I get paid directly from Capitol and Warner Brothers and everybody. So it was worth going through that process, as shitty as it is. But because we settled it, it did allow at a later day for me to come back and go through all that again. And that's why I didn't fight my way out the door, and I didn't talk a bunch of smack. It was just kind of, like, 'All right, well, look, if we can't get along, just move on.'

"I'm the guy that I don't close doors," David explained. "I don't slam it in people's [faces and say], 'Fuck you. That's it. And you'll never work in this town again.' Because you're mad in the moment. That's all it is. Just move on. Just keep moving on.

"I didn't see coming back to MEGADETH in 2010, and suddenly there it was. It was in the front view and it worked out great. It was glorious, it was huge and we accomplished a lot of great stuff together. But that group is not about being…

"People always talk about the '90s, the 'Rust In Peace' era, where we were very much a group," Ellefson added. "It was very much a group. We worked together, we fought together, we won together. We scaled the mountains and won the battle together. It's not that anymore. It's the Dave show, and that's the way they want it. And as you can see, I've got a lot of other things I wanna say in my life and a lot of other things I wanna do in my life. And I always try to kind of angle it so that it speaks well back into MEGADETH, rather than oppose it. Why oppose what I've done? That's like shitting on my own work. So it's, like, hold that up in high regard, high esteem, because it is — we really did some great stuff together — and then just kind of move on from it. So, that way you're not tarnishing your own past and your own work. It's, like, why fight with yourself?"

Ellefson was originally in MEGADETH from the band's inception in 1983 to 2002, when the group briefly broke up because Mustaine suffered severe nerve damage that left him unable to play.

Mustaine reformed MEGADETH 21 years ago. Originally setting out to record a solo album, Mustaine enlisted studio musicians to play on what ultimately became MEGADETH's 2004 "The System Has Failed" comeback album, subsequently recruiting former ICED EARTH bassist James MacDonough to take Ellefson's place for the album's touring cycle.

Ellefson sued Mustaine in 2004 for $18.5 million, alleging that the MEGADETH guitarist/vocalist still owed him substantial merchandise and publishing royalties. In January 2005, the case was dismissed in court, and five years later, Ellefson rejoined MEGADETH.

In his first book, Ellefson admitted that he became a salaried employee upon his return to MEGADETH 15 years ago. He told Metal-Rules.com in an interview: "Going from being a co-founding owner to just a sideman musician was initially why I didn't come back in 2004. I was not happy with the participations that were presented to me. In recent times, coming back, I found great joy in doing music with a lot of other people in other settings that helped me fall back in love with playing music. Now I can come back into or go into musical situations and be able to be there for a purpose and level of pay. Being a sideman absolves you from being involved in all the other stuff. At this point in my life, I would rather leave that stuff on the sidelines. Like American Express says, 'membership has its privileges,' being a sideman has its benefits. In my case, it helps retain a friendship too. In order to have a friendship, I had to give up some ownership."

In his 2004 lawsuit against Mustaine, Ellefson claimed that he "attempted to resolve his differences with Mustaine on an amicable basis and offered to continue to perform with [MEGADETH]." However, his "offers were met with verbal abuse, threats, lies and continued invective from Mustaine." Ellefson also said that Mustaine — a veteran of at least 17 drug rehab stints, according to the bassist — resented Ellefson, a former drug addict, for having kicked his own habit. According to Ellefson's court papers, the battle of the band spread to the Internet when Mustaine posted on Megadeth.com that Ellefson was trying to extort him.

Mustaine gave his version of why the 2004 reunion with Ellefson didn't pan out in a message posted on the MEGADETH web site. In lengthy essay, Mustaine claimed that Ellefson missed several deadlines to accept his offer, which included 20% of the artist royalties on "The System Has Failed", none of the publishing royalties and a $2,500-a-week salary while the band was on the road.