In a new interview with "Whiplash", the KLOS radio show hosted by Full Metal Jackie, CHEVELLE drummer Sam Loeffler spoke about the band's recently released new single "Rabbit Hole (Cowards, Pt. 1)". The track is taken from CHEVELLE's as-yet-unannounced tenth studio album, which will arrive later in the year. The follow-up to 2021's "Niratias" will mark CHEVELLE's first release through Alchemy Recordings following a long run with the Epic label. Alchemy Recordings is a record label created in partnership between Dino Paredes, former American Recordings vice president of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.

Asked why he and his brother, CHEVELLE vocalist/guitarist Pete Loeffler decided to produce the band's new LP themselves after working with Joe Barresi for almost a decade and a half, Sam said: "Well, I'll tell you this. We did four records with Joe [starting with 2011's 'Hats Off To The Bull'], and he was awesome. And he said to us, he goes, 'You guys should do something different. Go try doing a record yourselves. See how it goes.' So we did. And it's the hardest thing we've ever done, for sure. It's probably not worth it, but we did it, and we can say we did it."

As for the decision to part with Epic and find a new label home, Sam said: "After we did eight full-length records with Epic Records, which we still have a very good relationship with them, yeah, we branched out and became part of a label with our friends that we've known for 25 years in the business. And our old friend Danny Wimmer tried to sign us to Flawless Records back in like 2000, and it didn't work out, and we went to Sony instead. So now, after all these years, we've signed with him and his current label, so it was kind of cool."

Asked what lyrical themes are covered on CHEVELLE's upcoming album, Sam said: "Well, [Pete is] definitely our lyricist, and he likes to write about things going on around him, of course — anything that's just interesting that you can make interesting in an interesting way. That's a lot of 'interesting' words there. So, yeah, on this one — 'Rabbit Hole' is really about going down a rabbit hole. And that's 'Cowards, Pt. 1'. And there's a 'Cowards, Pt. 2', which deals with the same stuff but just a different part of it. And I don't wanna give that away yet 'cause I'm hoping that's gonna be the second single. And that'd be really rad if it was. But it's definitely about going down rabbit holes."

On the topic of a possible release date for CHEVELLE's tenth studio album, Sam said: "Well, I'm hoping record will be out by the time we go on tour [in August]. It's just a matter of getting all the artwork and everything finished to get in the queue for printing LPs and stuff. So, we should have a date hopefully soon, the actual date. But this album's pretty well-rounded as far as heavy songs go. I mean, it's mostly really, really hard rock, 'cause that's our thing, but there's two lighter songs on it. And this song, 'Rabbit Hole', is, as far as the rock songs, the lightest song on the record, for sure. So you just end up going with the mid-tempo song as your first single. It happens every time."

This past March, Sam told Audacy Music about the musical direction of the new CHEVELLE material: "We've worked really hard on it, and I think it's some of the best stuff we've ever done, honestly. It's so much fun to play, that's for sure."

Pete added: "We're just happy maintaining — we're trying to maintain, anyway — and put out shit that's fun to play live. And a lot of these tracks are. I'm running through four of 'em right now that I can rip out at any time. That goes both ways too. A lot of fans wanna hear the old stuff, some wanna hear the new, but we just try and mix it up. But I think this new album's gonna be a blast to see it live. So, come out to a show, please."

This summer CHEVELLE will embark on a massive tour with special guests ASKING ALEXANDRIA and DEAD POET SOCIETY. Produced by Live Nation, the 38-city trek kicks off on August 7 at Boeing Center at Tech Port in San Antonio, Texas, making stops across North America in Chicago, New York, Los Angeles and more before wrapping up in Airway Heights, Washington at BECU Live at Northern Quest on October 2.

Last July, Sam told TribLive.com about CHEVELLE's next LP: "We kind of did expect to have it done [already]. It's like pulling teeth. This is what I described: Writing an album and doing all that is like pulling your hair out and then trying to put it back in. Writers love having written, is what I learned. It's just torturous on my brother. It's torturous because there's just so many factors to making something great. And then the longer you can live with it, the more changes you're gonna make. So that makes you never want to put it out. You never want to pull the pin and throw the grenade because you're like, well, it gets better every time I look at it."

As for what the 10-song album — which was produced by the CHEVELLE members themselves — sounds like, Sam said: We're always skewing towards heavy. [But] these [last] two songs that we've been working on right now are definitely different from everything we did, although 'Niratias', our last album, I think was a really important snapshot of what we've been learning about writing and about music and stuff. This one definitely sounds different than just rock music, definitely different."

Back in 2022, Sam told Knotfest's Cori Westbrook about CHEVELLE's songwriting process: "Well, Pete's our songwriter so he's our lyricist and everything. Basically, he just writes about what's going on around him. If he's taking the garbage out that night or has a bad day driving, he's watching a documentary that really affected him, he hears a podcast — so he's writing about those kinds of things. So if you're able to internalize that kind of a thing, I think you have a lot to write about. It doesn't just have to be a relationship that — a relationship with your dad or your significant other. I think those are some pretty powerful feelings — I get it — but if you are able to bring in all those other things in from your everyday life, there's a lot more to write about. So as far as inspiration goes, it's not hard to find; it's everywhere; it's all around you. And especially nowadays, we have so much access to what's going on around us that there's even more ideas to pull from."

In a separate interview with Heavy New York, Sam said that he and Pete had "a whole bunch of music written... Because that's what we do — you put music out, you write… It'll be our first record in a long time not with a major label, which is just neither here nor there," he added. "Epic Records did a lot of good stuff; we were with them for a long time, but we're finished with that contract now. So now we're doing something different. And we'll see how different it is."

Released in March 2021 via Epic Records, "Niratias" was recorded throughout 2019 and 2020 with Barresi. The album artwork was designed by Boris Vallejo — the famed and award-winning artist is responsible for the posters used for films like "Knightriders" and "National Lampoon's Vacation", as well as iconic '70s and '80s science fiction novel covers and magazines (such as Heavy Metal).

Over the course of its career, the Chicago rockers have generated nearly half a billion streams, notched seven No. 1 hits, and sold out shows worldwide. Their catalog spans the double-platinum "Wonder What's Next", which boasts the double-platinum smash "The Red" and the platinum hit "Send The Pain Below". "This Type Of Thinking (Could Do Us In)" attained platinum status, while "Vena Sera" was certified gold. CHEVELLE has landed four Top 10 debuts on the Billboard 200, including "Sci-Fi Crimes" (2009),"Hats Off To The Bull" (2011),"La Gárgola" (2014) and "The North Corridor" (2016). The latter two each captured the No. 1 slot on the Top Rock Albums chart.

A fan-shot highlight video from Lady Beast’s sold-out Inner Alchemist album release show at The Funhouse at Mr. Smalls in Pittsburgh on April 26 is now streaming.

The footage features three heavy-hitting bands: Olathia (Cleveland), Sanhedrin (Brooklyn), and Lady Beast (Pittsburgh)—a powerhouse lineup that packed the venue and delivered a night to remember.

With Sanhedrin and Lady Beast heading to Europe and Olathia working on their next release, each band is proving why they’re names to watch in the metal scene.

Extreme metal trailblazers, Aborted, recently announced that they have parted ways with drummer, Ken Bedene. Benighted’s Kevin Paradis is stepping up for the band’s upcoming European tour.

Said Aborted, “Effective immediately Ken Bedene is no longer a member of Aborted. The upcoming European tour is going forward as planned with blast duties being handled by none other than Kevin Paradis drummer.”

Bedene has now issued the following statement via his Instagram account:

“Over the past two weeks, I have taken time to reflect on what’s been posted – knowing how important it is for me to address it. I never intended to make anyone uncomfortable, and I am truly sorry.

The bottom line is: I had a consensual and reciprocated conversation online with someone of consenting age in her state. While legal, I understand it never should have happened.

Those who know me are rightly surprised at the situation and the extensive misinformation out there. I’ve always carried myself with respect for others. Consent is something I take seriously, and I would never knowingly cross that line.

I’m horrified by the false claims about the conversation and about my character. Though this was a private conversation, and the falsification of events surrounding it is defamatory, I will not continue the rhetoric by sharing “my side.” My focus right now is acknowledging my part and learning from it.

As a husband and father, seeing my family so negatively affected by something they did not do has been brutal. Though my wife has already shared that we have an open relationship, I am truly sorry to her for the inappropriate attention she’s received as a result of my actions. She’s my best friend, and I have the utmost respect for her and the life we’ve built together. She’s stood by me through everything, and she doesn’t deserve the harassment.

My departure from Aborted is intended to protect the people and the community I’ve cared about and created music with for more than 15 years. I left the band to distance them from this. They had no part in my communications, and they shouldn’t have to carry the weight from them.

Going forward, I am taking a step back to help my family heal and to reflect.

Thank you.”

Metal Church will release the limited edition boxset, Reforged: The Remastered Collection (1999 – 2013), on July 18.

With Reforged: The Remastered Collection, Metal Church and Reaper Entertainment proudly present an exclusive collection of five pivotal albums that define a significant chapter in the band’s legacy. These remastered classics showcase Metal Church’s undying creativity and passion during a transformative period:

– Masterpeace (1999): Marking the triumphant return of David Wayne on vocals, this album merges the iconic Metal Church sound with modern production. Tracks like “Sleeps With Thunder” and “Into Dust” exude raw power, making this a landmark for fans of traditional heavy metal.

– The Weight Of The World (2004): After a long hiatus, Metal Church roared back with Ronny Munroe at the helm. Songs like “Leave Them Behind” and “Madman’s Overture” highlight the band’s resilience and showcase a revitalized energy, affirming their place in the metal pantheon.

– A Light In The Dark (2006): A tribute to the past and a step into the future, this album features anthems like “Mirror Of Lies” and a heartfelt re-recording of “Watch The Children Pray.” It captures the essence of Metal Church’s ability to honor their roots while exploring fresh sonic territory.

– This Present Wasteland (2008): A deeply reflective and intense album, featuring tracks such as “Deeds Of A Dead Soul” and “Breathe Again,” blending personal and societal themes with haunting melodies and driving rhythms. It’s a standout chapter in their career.

– Generation Nothing (2013): A return to the band’s heavy metal origins, this album delivers modernized epic anthems. Songs like “Scream” and the powerful title track “Generation Nothing” reflect a band deeply connected to its past but firmly moving forward.

Available on:

– Vinyl Boxset (10 colored, 180g Vinyls with 5x D-Site Etching)
– Vinyl Boxset (10 black, 140g Vinyls with 5x D-Site Etching)
– CD Boxset (5CDs in Jewelcase)

GUNS N' ROSES kicked off its 2025 world tour earlier tonight (Thursday, May 1) at Incheon, South Korea's Songdo Moonlight Festival Park. The concert marked the band's first live appearance with new drummer Isaac Carpenter, who replaced Frank Ferrer, the longest-serving drummer in GUNS N' ROSES' storied run, in March.

GUNS N' ROSES' setlist for the Incheon show was as follows:

01. Welcome To The Jungle
02. Bad Obsession
03. Mr. Brownstone
04. Chinese Democracy
05. Live And Let Die (WINGS cover)
06. Slither (VELVET REVOLVER cover)
07. Perhaps
08. Estranged
09. Double Talkin' Jive
10. Coma
11. Sorry
12. Better
13. Knockin' On Heaven's Door (Bob Dylan cover)
14. It's So Easy
15. Rocket Queen
16. Slash guitar solo
17. Sweet Child O' Mine
18. November Rain
19. Wichita Lineman (Jimmy Webb cover)
20. Patience
21. Nightrain
22. Paradise City

Carpenter, born in Washington's Tri-Cities, is an accomplished American drummer and songwriter known for his dynamic contributions to alternative, hard rock, and beyond. He rose to prominence in 1995 by co-founding LOUDERMILK while in high school, only to be signed to Rick Rubin's label American. Carpenter's career spans an impressive roster of acts, including live and studio work with Duff McKagan's LOADED, AWOLNATION, Adam Lambert, the hardcore metal outfit BARBARIANS OF CALIFORNIA, A PERFECT CIRCLE, THE EXIES, OURS and BLACK LAB, in addition to his large session film and TV roster. Carpenter has made a name for himself by uniquely blending versatility and groove with crushing force and technical skill, cementing his reputation as a multifaceted drummer in the industry.

GUNS N' ROSES's "Because What You Want & What You Get Are Two Completely Different Things" tour will next hit the Middle East and Europe in late spring and early summer, concluding on July 31 in Germany.

Frank first joined GUNS N' ROSES during a show in June 2006, helping anchor the rhythm section during subsequent tours, including their recent outings featuring the reunited trio of singer Axl Rose, guitarist Slash and bassist Duff McKagan. Ferrer's last show with the band took place November 5, 2023 in Mexico.

Ferrer laid down drums tracks on five songs on GUNS N' ROSES' most recent studio album, 2008's "Chinese Democracy". He also appeared on the live portion of 2022's "Hard Skool" EP, with former drummer Bryan "Brain" Mantia appearing on the studio tracks and GUNS' ROSES' 2023 singles "Perhaps" and "The General".

Isaac Carpenter

AXL ROSE introduces ISAAC CARPENTER at his first show with GUNS N’ ROSES
🔥 🔥 🔥

Songdo Moonlight Festival Park
Incheon, South Korea 🇰🇷

🎥 Megaan Hodges

#isaaccarpenter #gunsnroses #GnFnRs #gnr2025 #southkorea

Posted by The General Guns N' Roses on Thursday, May 1, 2025

The renegade rock ‘n’ roll outlaws, Gypsy Pistoleros, return with a swagger-drenched, glam-punk riot of a single – “I’m In Love With Myself”, out now via Golden Robot Records in Australia and New Zealand.

The single is a full-throttle anthem of outrageous confidence, self-empowerment, and unapologetic individuality. Dripping in glitter, swagger, and rebellion, this track is a fierce celebration of the beautiful outcasts, the wild hearts, and the gloriously unconventional.

“I’m In Love With Myself” is the final single in the lead up to Gypsy Pistoleros’ upcoming album, Church Of The Pistoleros. The album has been described as a genre-defying manifesto for the misfits. Produced by Dave Draper (The Wildhearts, Mike Monroe), this forthcoming record is a sonic explosion where glam, punk, Latin rock, sleaze, and emo all collide in a bold, brilliant rebellion.

Stream “I’m In Love With Myself” here. Church Of The Pistoleros is available to pre-order / pre-save here.



Welcome To The Church Of The Pistoleros, recorded at the renowned Old Cider Press Studios in Pershore, is produced and co-written by the legendary Dave Draper, whose credits include work with Ginger Wildheart, Nickelback, The Professionals and Terrorvision, etc. Draper has described Church of the Pistoleros as “a total monster” and one of the best projects he’s ever worked on.

This album is a rallying cry to the outcasts, the misunderstood, the shy, the quiet and disenfranchised of society. A place where they are welcome. Gypsy Pistoleros is a band that refuses to conform. Proudly walking their own path, their music is a rallying cry for misfits everywhere. With a sound that defies traditional genres, Gypsy Pistoleros stand as one of the most unique and innovative acts in the world of rock music today.

Gypsy Pistoleros’ sound spans a vast musical landscape – from 1950s Phil Spector-esque ballads to high-energy glam punk and Latin-infused rock, creating a sonic experience that is truly unmatched. Fusing anthemic rock, Latin swagger, glam punk, and even elements of goth and emo, their music is a celebration of the unconventional.

Gypsy Lee Pistolero states: “Welcome to the Church of the Pistoleros. Come and take my hand, all you beautiful weirdos, for the lost, the strange, and the ne’er-do-wells! This is a call to all the misfits and outcasts, to stand up and join us and be proud to be different. Join the New Church.”

“Shadow Walker”

Today, the musical alliance of guitar legend George Lynch and powerhouse singer Casandra Carson shares a new digital single, “Wicked Woman”. The track is from their recently released studio album, Garden Of Earthly Delights, available via Frontiers Music Srl.

Casandra comments on “Wicked Woman”: “In a nutshell, ‘Wicked Woman’ encapsulates all the names I’ve been called by my exes at one time or another. When I got the track from George, I was getting these tough, bad-bitch vibes, so when I started writing the lyrics, I took all that ammo, ramped it up to 100, and created this ‘wicked woman’ character who embodied all of those names plus a few more.”

About the song’s music video, Casandra adds: “It was really hard getting a video done for this project at first, just due to our touring schedules this past year, but all the stars finally aligned on the Final Ride Tour. Adrienne Beacco (Exceleration Media) was on the road with Paralandra during the tour, so we were able to put our heads together and create the concept for this video in just a couple of weeks, and then shot it at the Newton Theatre in NJ one day, just a couple of hours before soundcheck. It’s always a pleasure working with Adrienne; she always gets my vision, and I have to give major props to George for showing up and relearning the song at half speed for this shoot. But beyond all the details, I’m just thrilled that Casandra’s Crossing now has a music video to go along with the album.”

Check out the video for “Wicked Woman” below:



The musical chemistry between these two talented artists has created a magnificent modern hard rock album that showcases Lynch’s trademark riffage driven by the outstanding voice of Casandra Carson, who is set to be the next rock singing sensation.

About Garden of Earthly Delights, Casandra also adds: “It’s a major milestone and accomplishment, not only to have collaborated with a legend like George Lynch, but to have created music that I’m so proud of. I wrote the lyrics and melodies of each song without any expectations in mind, other than to serve the music George had written. In doing so, the lyrics are eclectic yet relatable. I truly feel like there’s a song in here for everyone, no matter what genre of music you’re into, and I’m extremely proud of that.”

Order Garden Of Earthly Delights here.



Tracklisting:

“Stranger”
“Impatient”
“Closer To Heaven”
“Ring Me Around”
“Devastating Times”
“Waltzing Nites”
“Just Business”
“Mind Eraser”
“Run For Your Life”
“Wicked Woman”
“Kneel Before You”

San Francisco Bay Area thrash metal veterans DEATH ANGEL are back with their first new music in six years. In anticipation for their upcoming summer 2025 "Summer Of Wrath" European tour, the band has released a brand new song called "Wrath (Bring Fire)" . The blistering new visualizer — created by Tamara Lienas of Aimed & Framed — can be seen below.

Commenting on the new track, DEATH ANGEL vocalist Mark Osegueda says: "'Wrath(Bring Fire)' is the first DEATH ANGEL song featuring the whole band to be released since our 2019 Grammy-nominated album 'Humanicide'. This song was, however, written during the pandemic. I wrote the lyrics and melody to this song in January of 2021. During that time I was, as all of us were, stuck at home lost, angry and very confused. I was also watching way more television than I usually had. One genre being medieval/fantasy shows which were kind of new to me as an adult yet were very popular during that time. Which makes sense in retrospect. We all needed some new forms of escapism from the worldwide hell that we were all going through. That being said, it was partially what inspired these lyrics. An ancient/medieval fantasy end of the world war meets my actual approach in disputes. That can unfortunately, for all involved, turn very ugly if I'm pushed to a certain level or place when I feel I'm being wronged. And, as always for me, pen doesn't hit the paper until I hear the music and that paints a picture and inspires a vision that ends up being my lyrics. And the music Rob [Cavestany, guitar] wrote for this and the fantasy/medieval-based shows I was watching at that time and the personal hell that I was going through, figuring out who the hell I was during that awful time in our collective history and marrying that with my true personal aggressions and fury that I still fight with to this very day when I feel I've been wronged, inspired this song. And it does still happen to me, and I'm sure all of us. It definitely still happens to me to this very day. Sometimes it still does, by those that are supposed to be closest to me that think they must be more clever than me when in actuality they are just deceitful and so easily read.

"Well, for those of you who can relate to this subject, which I assume is most of us, this song is for you. Because if you are foolish enough to try to take advantage of me once or continually — to quote Al Capone: 'Don't mistake my kindness for weakness. I am kind to everyone, but when someone is unkind to me, weakness is not what you are going to remember about me.' That being said, when I come, I'll bring FIRE!!"

As previously reported, DEATH ANGEL will celebrate the 35th anniversary of its "Act III" album by performing it in its entirety at the band's tenth annual Christmas show on December 18 at The Fillmore in San Francisco.

In March 2024, DEATH ANGEL guitarist Ted Aguilar told El Planeta Del Rock that there were "a bunch of songs, a lot of skeletons" for the band's next album. "We spent the first three months of this year writing. We didn't do any activity — just writing… There's a bunch of skeletons, as we call it. There's a lot of ideas that we're waiting for [singer] Mark to put some vocals on."

Osegueda is the featured singer on SLAYER guitarist Kerry King's debut solo album, "From Hell I Rise", which arrived in May 2024 via Reigning Phoenix Music.

Earlier in March 2024, Osegueda told El Planeta Del Rock about the songwriting process for DEATH ANGEL's next LP: "It's going great. And we're excited about it."

In a separate interview with Elevar, Cavestany confirmed that new DEATH ANGEL music was in the works. "I don't like divulging the 'play by play'; I'd rather news came out when there is substantial information to speak of," he explained. "That being said, I can tell you there are around seven songs we are currently working on and I'm currently getting deep into the writing zone, which is my happy place. If we can manage to stop saying yes to every tour offer (we love to tour),then maybe we can finally get this new album done."

Also in March 2024, DEATH ANGEL drummer Will Carroll said that he was "stoked" about how the band's new music was shaping up. "The creative juices are flowing and things are moving along at a very productive rate," he wrote on social media.

He added: "I can't wait for the DA fans around the world to hear this new material and hopefully we'll make some new ones along the way. Exciting times indeed."

In January 2024, Will said that he and his DEATH ANGEL bandmates were "hard at work getting" the band's next album "written and completely demo'd."

"It felt good to get back to work with Rob Cavestany," Will wrote. "It's a real challenge to not rehash the same ideas and beats from previous albums but I think so far things are sounding fresh and inspired."

Last July, Aguilar told Vikram Chandrasekar about the band's songwriting process: "Well, when it comes down to writing, it's all Rob. It's all Rob. It starts with him. He comes up with a basic structure and him and Will get together and they hash it all out and they record it. And when they get it to a point where, 'Oh, yeah, this is great,' then they send it off to everyone else. And Damien does his parts and Mark will listen to it and try to write lyrics and melodies. And I'll listen to it and I'll touch base with Rob: 'What do you want me to do here? Do you want me to play something here? Or do you want me to do something different?' 'Cause Rob has a vision and you kind of wanna see his vision. And as soon as the song comes together to where we play it quite a few times, then we could throw in our ideas, like, 'Hey, maybe that part should be a little longer,' or, 'Maybe cut that out,' or Will will go, 'I wanna do something different here instead.' So, you know, Rob has a vision, we listen, we play along with it. Then if we feel like there needs to be changes, we express our concern, and Rob is really good at, 'Yeah, let's give it a try.' So we try everything. And it comes down to, 'All right, this is what works.' So it starts with Rob. And with regarding the lyrics, every now and then Rob will pick out a song: 'I wanna write lyrics for this song.' And Mark goes, 'Go ahead.' But Mark writes all the lyrics, and what he does is with the music, he'll listen to it over and over by himself. I don't know where he goes. He goes into the far corners of the earth by himself, with the headphones and music, and he'll come up with so many types of different melodies and stuff, and then come up with the ones he's happy with and lay it down on the demo form. Then when we get into the real studio, then things start to evolve 'cause we've played it so many times or we listened to it so many times that when we get in there, [we go], 'All right, let's try this.' It's always evolving to the point where it's handing it in to get mastered. Some songs stay kind of the same from what it was, but we just put more energy into it. Some songs have been rewritten quite a few times, so it differs. Rob's the songwriter, and on the last album I wrote one song. Yeah, it's how it is. And right now I'm writing some stuff, and how it goes is I'll write some stuff, I'll send it to Rob. I always tell him, 'If it's good, use it. If not, if you find parts are good, use it. If it's not good, it's okay, dude.' I'm just throwing some stuff out there, 'cause he knows what the DEATH ANGEL sound should be. And if he likes it, he'll use it. If he doesn't, my feelings are not broken."

DEATH ANGEL released a live album titled "The Bastard Tracks" in November 2021 via Nuclear Blast. Recorded live at The Great American Music Hall in their hometown of San Francisco on May 22, 2021, and streamed live soon after, "The Bastard Tracks" was described in a press release as "a deep-cuts collection of rarely and never performed songs from the band's catalog" that was released digitally and on CD, vinyl and Blu-ray.

In October 2020, DEATH ANGEL released a four-song EP, "Under Pressure". The effort included a cover of QUEEN + David Bowie's "Under Pressure", followed by a new track titled "Faded Remains", plus acoustic versions of "Act III"'s classic "A Room With A View" and "Humanicide"'s "Revelation Song". The EP was mixed by Max Norman (OZZY OSBOURNE, MEGADETH, BAD COMPANY) and mastered by Ted Jensen (LAMB OF GOD, MACHINE HEAD, HALESTORM).

Released in May 2019 via Nuclear Blast, "Humanicide" saw DEATH ANGEL returning to producer and friend Jason Suecof (DEICIDE, TRIVIUM) of Audiohammer studios for the recording and mixing, along with the mastering of the legendary Ted Jensen (SLIPKNOT, PANTERA) of Sterling Sound, who added the final touches and brought it all to life, with artist Brent Elliott White (LAMB OF GOD, MEGADETH) providing the ominous cover artwork.

In March 2020, Carroll spent almost two weeks on a ventilator in an intensive care unit at a Northern California hospital after being diagnosed with COVID-19, the disease caused by the new coronavirus. He first got sick when he and the rest of DEATH ANGEL spent more than a month on the road in Europe with TESTAMENT and EXODUS as part of "The Bay Strikes Back 2020" tour.

DEATH ANGEL was nominated for a Grammy Award for "Best Metal Performance" for the "Humanicide" title track. It was the group's first Grammy nomination.

Carroll joined DEATH ANGEL in 2009 as the replacement for the band's original drummer, Andy Galeon.

Photo credit: Stephanie Cabral

American black metal act Abigail Williams returns with A Void Within Existence, the sixth full-length album and the follow-up to 2019’s Walk Beyond The Dark. Set for release on July 18 via Agonia Records, the record marks a new chapter in the band’s relentless evolution – an album that not only expands upon the atmospheric darkness and melodic brutality of its predecessor, but pushes further into extremes, both sonically and emotionally.

Produced by frontman Ken Sorceron and mixed by renowned engineer Dave Otero (Aborted, Akhlys), A Void Within Existence is a scorched offering of black metal transcendence: harrowing, cinematic, and utterly uncompromising. Drums are performed by the virtuosic Mike Heller (Fear Factory, Ghost Bath), whose work here blurs the line between precision and chaos.

Lyrically, the album dives deep into existential themes of loss, disintegration, and unreality. Tracks like “Still Nights” and “No Less Than Death” reflect on identity through surreal and fragmented images – distant lights, poisoned memories, dreams where “there is no pain.” Elsewhere, songs like “Embrace The Chasm” and “Life, Disconnected” summon visions of cosmic dread and personal oblivion, confronting the listener with raw emotion and esoteric vision.

The record is accompanied by striking cover art from Eliran Kantor (Testament, Bloodbath), whose visual interpretation mirrors the inner desolation and mythic scope of the music.

“This record was born in the quiet hours, when everything felt hollow,” Sorceron reflects. “A Void Within Existence isn’t just a title – it’s a feeling I couldn’t shake while writing. There’s a loneliness threaded through these songs that came from somewhere deeper than I expected. The world outside was falling apart, and in a way, so was the one inside. I wanted to push beyond the limits we explored on Walk Beyond The Dark. Sonically, emotionally, spiritually – nothing was off-limits. I produced the album to stay close to that vision, and with Dave Otero on the mix and Mike Heller behind the kit, everything came to life exactly how I heard it in my head: raw, vast, and crushing. This is a record about absence. About peeling away what isn’t real – examining the void left behind. If there’s anything left after that – maybe it’s the truth. Maybe it’s just the void. Either way, this is the most honest I’ve ever been. A Void Within Existence is more than an album. It’s a crucible – a journey through the fire where only shadow and silence remain.”

Surpassing its 20th year of existence (having been formed in 2004), Abigail Williams has upgraded its formula to a quartet, comprising Ken Sorceron (ex-Aborted, ex-The Faceless, Vale Of Pnath, Nachtmystium) on vocals and guitars, Vance Valenzuela (Vale Of Pnath) on guitars, John Porada (ex-Nachtmystium, ex-Wolvhammer) on bass and Mike Heller (Fear Factory, Malignancy) on drums. With Sorceron retaining his leading role, the band expands on its unique and intensive sound, forged throughout five studio albums, and anchored in black metal with shades of death metal & symphonic metal.



Tracklisting:

“Life, Disconnected”
“Void Within”
“Nonexistence”
“Still Nights”
“Talk To Your Sleep”
“Embrace The Chasm”
“No Less Than Death”

MR. BIG played the final show of its "The BIG Finale!" tour on February 25 at Nippon Budokan in Tokyo, Japan. Earlier that same month, the band played three other shows: on February 14 at the Bloomverse Festival in Meghālaya, India, on February 16 at the Bloomverse Express in Bengaluru, India, and on February 22 at the Osaka Music Hall in Osaka, Japan.

Asked in a new interview with Finland's Chaoszine if it was "a very emotional moment" for him to to sing most of those songs for the last time, Eric said: "Yeah, actually, the last show was supposed to be August 2024 in Romania. Then the Japanese asked for two shows in Osaka and Tokyo. And out of the blue, India asked, and we played a couple of shows there — huge festivals, and we were headliners. We'd done some shows in India before. We played in Osaka, which was killer, and then in Tokyo at the Budokan. It was more sold out than I've ever seen it. Usually, it's around 12,000 or 13,000 people, but this time they sold the back too, so it was like 14,000, maybe 15,000. It was mega. We had already played in Japan earlier in the tour, in the first couple of weeks. I said this the other day on a radio show, some people think it's, like, 'Oh, it's a cash grab.' But no, it wasn't. The Japanese were the ones who basically opened the door for MR. BIG in the first place, and they're the greatest audience. No offense to everyone else, but they're the greatest audience ever.

"If you've ever played Japan, you're missing out if you don't. Crowds elsewhere — Finland, South America, America, Europe — they're different. In Japan, though…They just stop, and they wait for you to talk. At first, you think, 'I don't know if they're into it,' but there are 15,000 people silently hanging on your every word. And I'm like, 'Okay, the next tune…' Yeah. No, no, no — but they love us. And I felt the love, big time. When they asked us to come back, we were all excited — Billy [Sheehan, bass], Paul [Gilbert, guitar], Nick [D'Virgilio, drums] and I. It was the perfect way to end it. Granted, but it kills me that we had to end it. We should have, could have, would have kept going. But that's the way it is. That's the way the cookie crumbles."

Regarding the possibility of more MR. BIG shows in the future, Eric said: "Look, I'm not gonna… This is the truth: I've heard Billy Sheehan — though I don't listen to his interviews that much — say, 'Never say never' and 'Who knows?' Maybe after THE WINERY DOGS reunion tour, when they do their farewell concert someday, if we're still alive and kicking, maybe we'll do another MR. BIG tour. I hope you guys still want us back, yeah."

In an October 2024 interview with Ruben Mosqueda of We Go To 11, Sheehan was asked if the band's "The BIG Finish" farewell tour was just the end of extensive touring for him and his bandmates, with plans to make special appearances from time to time, or if MR. BIG was going to become a studio-only project going forward. Billy responded: "The end is the end. It's finished. If some extenuating circumstances come up, we might do a show or two, maybe, but touring and recording… We kind of wanted to put a period at the end of the sentence. And as I've said many times, we wanted to run over the finish line, not crawl over it. And for us, a fully functional band is on tour playing live and doing the thing and writing recording, and then go out on after the record and do another tour, to do that, we've done that for 34 years, and it's been an amazing run. We have friends all over planet earth. It's fantastic. And it's probably our greatest asset, personally, for me, the amazing people that we've touched around the world. But we decided to really, 'Let's do it the right way,' and not to have some continual farewell thing that goes on for an eternity."

He continued: "Our last show was in Romania. Unusual. That's where the roulette ball fell into that as we spun the wheel. And we had a great time. And our last shows in Europe, we did a bunch of shows in Germany. Amazing. We have a lot of friends in Germany. We had big hits in Germany as well. And all over Europe and England. We got to play Ireland — Belfast and Dublin. And I'm an Irishman, so that was very nice. We played Liverpool, the Holy Ground. It was quite amazing. I had to put one little BEATLES melody in my solo at the end. Pretty cool. So it was a nice way to go out. I'm glad we did it. We did it with as much class as we're capable of. We did the final tour, and I'm very, very pleased about it."

In a separate interview with George Dionne of KNAC.COM, Martin once again admitted that he was second guessing the group's decision to stop touring after the completion of "The BIG Finish" farewell tour. Asked what "The BIG Finish" means to him, he said: "Yeah, I'm not pulling the wool over anybody's eyes. It means the touring is over. Which kind of bums me out, because I was there in the meeting a year and change ago going, 'Yep. I agree. It's time that we call it quits.'

"I didn't wanna quit for the longest time," he admitted. "I mean, this was brought up, like, five years ago. 'Should we do a farewell tour?' We've got other projects going, and it's kind of hard to keep the MR. BIG thing alive. And I was, like, 'No,' cheerleading, 'Please, no. We've gotta keep it going.' But yeah, a year and a few months ago, I was totally in agreement with everybody going, 'Yeah, this is it.' I even thought of the name 'BIG Finish'. So I put the nail in the coffin. But now I'm, like, oh, I wish I had a nice big hammer to unclog that nail. 'Cause the band's so good and so tight. The crowd's coming out. New album came out. The momentum is there. And the band just sounds so tight on stage.

Circling back to what "The BIG Finish" meant as far as the possibility of future MR. BIG live shows, Eric said: "What I mean by 'The BIG Finish' is there's no touring anymore. I would hope that we still leave the door open. I mean, I brought this up many times online. Even Nick D'Virgilio, our drummer, he goes, 'Man, we should do a residency in Indonesia or Japan or just anywhere,' like do a residency. And I go, 'Man, I just hope we can play in a few years, play four or five shows here and there, maybe play a festival with bands in our ilk.' It'd be great to keep that door open. And no response. I think also, a whole year and almost a half of touring, everybody just kind of wants to take a break. But I'm, like, 'Let's ride this wave, brother. Let's do this.' But yeah, no more touring. No more multiple dates. It's over. The big lady has sung."

In August 2024, Eric told Roppongi Rocks's Stefan Nilsson that there was no chance of him and his MR. BIG bandmates going back on their word that they would not tour ever again. "We're not the kind of band — when we say that we're gonna quit and it's over and we're not touring anymore… We may do a one-off here and there every couple of years or whatever, but we're not going to be like the MÖTLEY CRÜEs and the KISSes," he explained." And no offense to them, because the crowds keep coming to see 'em, but we're not gonna do it. We just maybe have too much pride in it."

Asked if there was a chance of MR. BIG making more studio albums in the future, Eric said: "I did an interview the other day with Billy, and… I'm not my brother's keeper. I don't know what he thinks. I know what I think, that I'd like to do albums. If we're not gonna tour anymore for different reasons — I mean, I just don't wanna tour lengthy…. This has been a year. I just can't do it. I'm too old to… Everybody goes, 'Oh, what about THE ROLLING STONES?' Yeah. What about THE ROLLING STONES? Flying in, playing one show and two weeks later playing another show. Yeah, this is back-to-back touring. Hardly any hotels. I mean, the bus will suffice, but it's like a big camping trip for older men. So, I would like to do other albums. But the interview went like this. The guy goes, 'You gonna do another album?' And I'm, like, 'I'd like to.' And Billy goes, 'No, that's it.' I'm, like, 'All right.' But he's the guy that always says, 'Never say never.'"

MR. BIG played the last show of its "The BIG Finish" farewell tour on August 23, 2024 at the Way Too Far Rock Festival in Bistrița, Romania.

After the concert, Sheehan took to his social media to share a picture from the gig and he included the following message: "Romania!!! Crowd was a little bit light, but they made up for it in enthusiasm! The last MR. BIG show (not MY last show, goddammit!!).

"What a great run we've had since 1988. We made Great memories and millions (literally) of friends all around the world. My unlimited love and respect to all who listened, watched, purchased records, tickets and T -shirts. — without you we would have been nothing. Fact. Moving on now to other adventures, but never forgetting this amazing experience."

Gilbert added: "What an adventure! MR. BIG wraps up over a year of touring! Many thanks to ALL! I'll get home just in time for my son's 10th birthday. I hope he remembers who I am!"

D'Virgilio, who joined MR. BIG in 2023 as the replacement for the late Pat Torpey, commented: "It has been an amazing run with @billysheehanonbass @paulgilbert_official and @iamericmartin I've been able to rock n roll all over the world with the guys and I will be forever thankful. Big Love for MR. BIG!"

MR. BIG's tenth studio album, "Ten", was released on July 12, 2024 via Frontiers Music Srl. The LP features 11 new original tracks written by Martin and Gilbert, along with André Pessis and Tony Fanucchi. "Ten" was produced by Jay Ruston and MR. BIG.

D'Virgilio missed most of the final European leg of MR. BIG's "The BIG Finish" tour due to his commitments with his band BIG BIG TRAIN. He was temporarily replaced on the trek by Edu Cominato, an experienced drummer from São Paulo, Brazil who has previously played with Sheehan and Martin, Jeff Scott Soto and Geoff Tate (QUEENSRŸCHE),among others.

When MR. BIG announced "The BIG Finish" tour in 2023, the bandmembers said that it was "time to mark the end of this chapter of their legacy" after drummer Pat Torpey lost his battle with Parkinson's disease in 2018. The first leg kicked off in Japan and Southeast Asia in July and August 2023, where the band performed for hundreds of thousands of loyal fans at 11 sold-out shows including Budokan in Tokyo, Japan.

MR. BIG's last-ever live album release was "The BIG Finish Live", which came out on September 6, 2024 via the Evolution Music Group.

"The BIG Finish Live" was a brand-new live album and concert film of MR. BIG's "The BIG Finish" farewell tour, where the band played their million-selling "Lean Into It" album in its entirety, plus additional MR. BIG classics.

In a new interview with El Cuartel Del Metal, SABATON's frontman, co-founder and principal songwriter Joakim Brodén spoke about the band's decision to sign with Better Noise Music after a decade-and-a-half-long run with Nuclear Blast. Regarding what prompted the label switch, Joakim said (as transcribed by BLABBERMOUTH.NET): "Basically, they've gone through some changes, Nuclear Blast, over the years, [having] been bought up by [global digital music company] Believe [in 2018], and while I have no hard feelings towards any one of them, this felt like the next logical step. Because for the past two albums, it seemed like we had hit the roof, to us sometimes, of our reach with Nuclear Blast. With that said, we have good friends still, and we have good friends and lovely people who work there. So this is more of a — what do you call it? — intellectual decision of what's the best next step for SABATON and not emotional, 'Oh, we've been fucked over by a label.' No, we haven't."

The Nuclear Blast relationship with SABATON dated back to 2010's World War II-themed "Coat Of Arms" album.

Earlier this month, SABATON released its first single for Better Noise Music, a song called "Templars". The track will appear on the band's soon-to-be-announced eleventh studio album, to be released later in the year.

Along with the digital release of "Templars", SABATON is offering its fans a special one-sided 12-inch vinyl single which is limited to 1,000 copies worldwide and set to be released on June 27.

The strikingly cinematic "Templars" video was filmed at two massive historical fortresses in Serbia (Belgrade Fortress within Kalemegdan Park and Smederevo Fortress),both of which provided a striking and authentic backdrop for the epic battle scenes.

SABATON — Joakim Brodén (vocals),Pär Sundström (bass),Chris Rörland (guitar),Thobbe Englund (guitar),Hannes Van Dahl (drums) — has always had a signature focus on writing songs about historical battles, wars, and acts of heroism that have solidified their impact with their loyal and longtime fans. SABATON has accumulated more than three billion streams across all streaming platforms and almost two billion views on YouTube.

Better Noise Music is known for its creative artist development, innovative cross-media strategies, and ability to build international success stories. It was named Billboard's No. 1 Mainstream Rock Airplay Label and No. 1 Mainstream Rock Airplay Imprint of 2024, after its history-making run of five consecutive years as the No. 1 Mainstream Rock Airplay Imprint (2018-2022). In 2023 Allen Kovac moved up to chairman role and over the last two and a half years the company has been run by Dan Waite CEO, Steve Kline COO and president, Harris Masood CFO and Paul Cormack GM.

Since SABATON's 2005 debut LP, the band has released 10 studio albums (some of which have been certified as gold, platinum, and even quadruple platinum),seen eight of its albums score Top 10 international chart status, and six claim the Top 5.

2022's "The War to End All Wars" was the last SABATON album to feature guitarist Tommy Johansson. He has since been replaced by a returning Englund.

Thobbe originally joined SABATON in April 2012 and amicably parted ways with the band in July 2016 to focus on his personal life and expand his creativity. He rejoined SABATON in February 2024.

Englund recorded two studio albums with SABATON, namely "Heroes" (2014) and "The Last Stand" (2016),and assisted with the songwriting of some very popular songs including "Shiroyama" and "Fields Of Verdun", among others.

In November 2025, SABATON will embark on a 20-city European run dubbed "The Legendary Tour". The band teased the trek as "a huge celebration of SABATON's music, storytelling and the incredible bond they share with their fans", featuring "The Legendary Orchestra and other surprises," resulting in "something unprecedented."

Last fall, SABATON served as main support to JUDAS PRIEST on the legendary heavy metal band's North American tour.

In the more than two decades since their launch, SABATON has achieved quadruple-platinum sales, headlined major festivals, sold-out arena concerts across the globe, and earned a legion of loyal fans by being self-managed and carving out a reputation as one of the most innovative bands in rock. SABATON combines standout stage design and production with epic concept albums, linking real-life historical war events with classic kick-ass metal. To date, the band has released ten studio albums, amassed six gold, two platinum, and one four-times-platinum awards, seen eight of its albums score Top 10 international chart status, and six claim the Top 5.

When SABATON hit the 20-year mark, they headlined both stages at Wacken 2019 — the biggest metal festival in the world — simultaneously. Meanwhile, in 2023 as part of a charity initiative, SABATON donated their full-length animated movie to museums around the world in order to increase awareness and visitor numbers, and successfully encouraged people to support the preservation of history in these establishments. During SABATON's 25th-anniversary year, the band released the "Tour To End All Tours" concert film, and through independent distribution, it was screened in more than 1,200 cinemas spanning 28 territories.

Baltimore hardcore band TURNSTILE has shared a double music video for "Seein' Stars" / "Birds" — two new songs off its eagerly awaited album "Never Enough", which is set to arrive on June 6. The new music video is directed by the band's own Brendan Yates and Pat McCrory, and "Seein' Stars" includes additional vocals contributed by BLOOD ORANGE's Devonté Hynes and PARAMORE's Hayley Williams. Both tracks are available today across all streaming platforms.

Earlier this month TURNSTILE announced details of "Never Enough" and shared the album's title track along with a music video directed by Yates and McCrory. "Never Enough" marks the band's first full-length release in four years and is available for pre-order / pre-save, with several limited edition vinyl color variants available in the band's store.

Recorded between Los Angeles and their homes in Baltimore, "Never Enough" is produced by TURNSTILE's Brendan Yates. The expansive collection is a restless and exhilarating evolution of the band's genre-defying sound. A transformative journey, both fearless and alive, by one of the most forward-thinking and influential bands of their generation. "Never Enough" follows TURNSTILE's widely celebrated album "Glow On", which earned the band four Grammy nominations.

TURNSTILE recently revealed plans for a special New York record-release show set to happen on June 5 at Under The K Bridge in Brooklyn, New York, which will see them joined by special guests TEEZO TOUCHDOWN, BOY HARSHER and BIG BOY. The band also shared plans for a run of European dates this summer. Additionally, TURNSTILE has a handful of North American festival dates planned for the summer and fall.

TURNSTILE is Brendan Yates (voice / synth / keys ),Franz Lyons (bass),Pat McCrory (guitar),Daniel Fang (drums) and Meg Mills (guitar).

Yates described his feelings about hardcore and making music in a recent interview with the Los Angeles Times: "What drew, and still draws me to [hardcore], is that none of us were musicians. Punk and hardcore are less focused on skill and more on expressing yourself. It's hard to imagine other communities where you [can have] people come out and support you when you're really bad at your instrument. The way I taught myself how to play the guitar is wrong — I played with the wrong fingers and stuff like that — but I learned enough to feel good about what I was trying to get out. I think making music is just a shot in the dark. It's this open canvas."

Photo credit: Alexis Gross

On April 21, IRON MAIDEN singer Bruce Dickinson took part in the Musicians Institute's MI Conversation Series with host Ryan J. Downey in Hollywood, California. During the chat, which can be seen in two parts below, Dickinson spoke about the fan response to his latest solo album, "The Mandrake Project", which arrived in March 2024. Bruce said (as transcribed by BLABBERMOUTH.NET): "Yeah, it was great. Honestly, the reception was great. The reaction to the band when we toured all through Europe [last year] was fantastic. Obviously, we just did two or three shows here in Southern California [in April 2024] just to kind of warm things up before we went down to Brazil… But, yeah, it was brilliant. And people got it. I mean, not everybody is gonna get everything you do — it's not compulsory — but I thought it was a really good, varied album. It was heavy, but it was emotional and stuff. So it was really good. And it worked really well live. In fact this, a couple of tracks [from the album] that we didn't play — well, we've never actually played — we're gonna be playing on the U.S. tour. 'Shadow Of The Gods', which is the most unplayed popular track on the record. So, yeah, you get the benefit of that, and all the people in Europe will be jealous."

Speaking about his upcoming "The Mandrake Project Live 2025" North American tour, Dickinson said: "We're gonna have a lot of fun on this tour coming [up]. Yeah, we did The Observatory [in Santa Ana, California] and two shows at the Whisky [A Go Go in West Hollywood, California in April 2024] as THE HOUSE BAND OF HELL, which is kind of cool. We're still undecided whether or not to call ourselves 'Bruce Dickinson', in brackets, 'featuring THE HOUSE BAND OF HELL. ' But I think it's kind of cool, and we kind of adjusted to all that. We are a crew now as a band."

Regarding a possible follow-up to "The Mandrake Project", Bruce said: "I've just been in the demo studio with everybody for the last three weeks, and we ended up with 18 tracks in 15 days…

"It's gonna be a really cool album," he added. "And, obviously, the guy that's producing it, Brendan Duffey, he mixed 'Mandrake'. We started off with him doing the Atmos mixes and then kind of morphed into, 'I take it you do stereo as well.' And he's great. So, we are just keeping the same crew on this record. And [I'm] looking to record it next year, early next year. I've got some gaps. January, February, March, April is kind of free zone for me next year."

Joining the IRON MAIDEN singer on the "The Mandrake Project Live 2025" North American tour will once again be his 2024 backing band, featuring Dave Moreno (drums),Mistheria (keyboards) and Tanya O'Callaghan (bass),alongside the group's latest additions, Swedish guitarist, songwriter and multi-platinum-credited producer Philip Näslund and Swiss session and touring guitarist Chris Declercq (who played on Dickinson's "Rain On The Graves" single). Bruce's longtime guitarist and collaborator Roy "Z" Ramirez is not part of the touring lineup.

"The Mandrake Project Live 2025" North American tour kicks off in Anaheim, California at the House of Blues on August 22 and takes the band across North America including shows in New York, Los Angeles, Texas, Florida and Canada, with festival appearances at Rocklahoma (Oklahoma) and Louder Than Life (Kentucky),with more to be announced. The tour also includes a quick return to Brazil for the prestigious The Town festival at the City Of Light in São Paulo.

Prior to the April 12, 2024 Whisky A Go Go show, Bruce last performed with his solo band on in August 2002 at the legendary Wacken Open Air festival in Germany.

Roy played guitar on Dickinson's 1994 album "Balls To Picasso" and went on to produce, co-write and perform multiple instruments on Bruce's subsequent three solo albums, "Accident At Birth" (1997),"The Chemical Wedding" (1998) and "Tyranny Of Souls" (2005).

O'Callaghan is an Irish musician who joined WHITESNAKE in 2021 and toured with the David Coverdale-fronted outfit the following year. She also hit the road with Dickinson last year as part of a performance of Jon Lord's "Concerto For Group And Orchestra" on nearly a dozen dates in Europe and South America.

Californian drummer Moreno previously played on "Tyranny Of Souls" and has worked with BODY COUNT, Jizzy Pearl, Dizzy Reed and Steve Stevens, among others.

Italian keyboard wizard Mistheria has collaborated with an array of artists live and in the studio, including Rob Rock, Mike Portnoy, Jeff Scott Soto and Joel Hoekstra.

"The Mandrake Project" arrived on March 1, 2024 via BMG.

Bruce and Roy recorded "The Mandrake Project" largely at Los Angeles's Doom Room, with Roy doubling up as both guitarist and bassist. The recording lineup for "The Mandrake Project" was rounded out by Mistheria and Moreno, both of whom also featured on Bruce's last solo studio album, "Tyranny Of Souls", in 2005.

Dickinson made his recording debut with IRON MAIDEN on the "Number Of The Beast" album in 1982. He quit the band in 1993 in order to pursue his solo career and was replaced by Blaze Bayley, who had previously been the lead singer of the metal band WOLFSBANE. After releasing two traditional metal albums with former MAIDEN guitarist Adrian Smith, Dickinson rejoined the band in 1999 along with Smith.

We had the legendary Bruce Dickinson 🎤 come by for our Conversation Series and give us deep insight into the Mandrake...

Posted by Musicians Institute on Monday, April 21, 2025

📣 Just Announced!

Brucedickinsonhq is joining us for the MI Conversation Series, this upcoming Monday, April 21st to...

Posted by Musicians Institute on Wednesday, April 16, 2025

In a new interview with Colombia's Radioacktiva, EUROPE singer Joey Tempest was asked about the fact that it's been eight years since he and his bandmates released their last studio album, 2017's "Walk The Earth". Joey responded (as transcribed by BLABBERMOUTH.NET): "Honestly, we've never had this long break — ever. I mean, when we did 'Bag Of Bones' [2012], 'War Of Kings' [2015] and 'Walk The Earth', those three albums, they were, like, boom, boom, boom, touring all the way. And then all of a sudden COVID hit and we had some extra time. And then it kind of felt okay to leave it a bit and to live with the ideas, to write new stuff. And that's why this [upcoming EUROPE] album's gonna be special. These songs we lived with for a while — they're strong and there's some strong melodies. And it's gonna make this album special, that it has this extra time. But we've been touring ever since, as you know. So we're always on the road, but we haven't been in the studio, and we're going in this autumn, and that's gonna be a big moment."

Earlier this month, EUROPE drummer Ian Haugland was asked by Brazil's Marcelo Vieira how the band's longtime fans have reacted to EUROPE's recent studio output, which has followed a more blues/classic rock direction instead of the poppy hard rock from the group's most commercially successful years. Ian responded: "Some of the more sort of '80s lovers, they have some — I shouldn't say 'negative' thoughts, but they miss the old EUROPE, as they say. [They tell us], 'You should write more melodic songs' or whatever. But I think our thoughts [have] always been [that] the most important thing for the band to move on is to not only move on and play the old songs, but to give ourselves the space to develop as musicians, as a band, with trying different sounds out. And I think we've been on a musical journey.'

He continued: "The last couple of albums have been more towards the bluesier hard rock. And now the latest one, which actually came eight years ago, 'Walk The Earth', is a lot inspired by our roots, like RAINBOW and [LED] ZEPELIN and DEEP PURPLE. So it's more of that. And right now we're writing songs for a new album that is gonna be recorded later this year. And I think that now we're maybe more back to the melodic EUROPE, sort of. So we're on the journey swaying from different styles and angles. And I think it's important for us to be able to develop all the time. But I would say most of our fans are positive to our development."

Asked why it is taking such a long time for EUROPE to release the follow-up to "Walk The Earth", Ian said: "We've been very busy touring. Every year we get a lot of requests from festivals, especially around Europe, so we haven't had time to really sit down and gather forces and try to become creative in that sense, to write new music. But I know Joey and the guys have been writing stuff along the way without writing for a specific album. But I agree with you. It's been a very long time, but now we're finishing the demos for the new album and the songs are coming together really great. And I think, in my opinion, it's the strongest bunch of new songs that we have at this stage. So I'm excited to see what the next album is gonna sound like. It's gonna be out — well, probably we're gonna go into the studio in October, so it's gonna be out in a year, I guess."

Earlier this month, Tempest confirmed to Brazilian music journalist Igor Miranda that he and his EUROPE bandmates were working on new material. "It's been a long while," he said. "We've never had this long of a break before — ever. We always move from tour into the studio, tour into the studio. I mean, 'Bag Of Bones', 'War Of Kings' and 'Walk The Earth', it was a period in our lives, a very energetic period. But we've been touring ever since, though, ever since 'Walk The Earth'. But we haven't been in the studio. I mean, it started a bit with the, the period of COVID, that made us sort of start over again. In a way, it was good for writing because I could start from scratch. There was more time all of a sudden. There was not, like, 'Let's record an album because we've gotta get back on the road.' We had time all of a sudden. So this is what makes the new album interesting. In a way, it feels like a debut album because it has had life. We had to live with ideas for years. And that's how debut albums are with bands, 'cause bands are out touring and they have written the songs and they live with them, they play them. And it feels a bit like that. It feels fresh, this new EUROPE album."

He continued: "We're halfway through. We're sending demos to each other. We're getting there. We've got some great ideas already.

"We're planning on going in the studio in the autumn, which means there'll be music out next year. And the whole band is very excited about that. The songs are coming, and it feels fresh, with some influences from our past as well. But, as you know, we always experiment as well. So it's kind of the usual adventure, EUROPE adventure. But there's some good stuff there."

Tempest also spoke about EUROPE's upcoming documentary that the band has been busy filming with producer/director Craig Hooper (DEEP PURPLE, SAXON) for Coolhead Productions. The film will tell the story of the band, from formation until present day, telling of their rise to success in the mid-1980s, through hard times and heartache, to coming back in the millennium, and the current successes the band has achieved.

Joey said: "We've had this team with us for four or five years traveling with us to document the new EUROPE. But during COVID, we'd started thinking, 'Hang on a second. Maybe it's time to do the documentary.' People have asked us to do this many years now. But we decided, 'Okay, let's do it.' And then we found a box with old VHS tapes. Our first manager, he walked around with this huge VHS camera when we were just kids. We were still teenagers, and we were wondering, 'What are you doing with that thing? Stop filming,' kind of thing. But he kept filming, and there's [footage] from hotel rooms, there's [footage] from backstage from the middle of '80s and up to '92. And there's stuff from all over the world. And there's stuff that has never [been] seen before, and it was exciting for us as well. So, basically, it's new footage from the band today touring, and there's old VHS footage that has never been seen, and the whole story of us coming from the suburbs of Stockholm, going out in the world and then, in the early '90s, grunge hitting the scene, and it's a bit of a dip and then it's us building everything up again to where we are today. So it's quite a good story as well. And the director's done a great job. So we can't wait. It's gonna be exciting to put this out."

Last month, Joey told El Expreso Del Rock that the musical direction of the upcoming EUROPE LP won't be similar to that of "Walk The Earth" and "War Of Kings". He said: "No, it'll move on. It'll be a new adventure. But I realize, hearing some of the demos we make now, that it's really strong, [with] great melodies. Some of it's really heavy as well. But there's also some connection to the past.

"I'm writing with everyone," he revealed. "I'm writing with John [Norum, guitar], I'm writing with John [Levén, bass] and Mic [Michaeli, keyboards]. And there's beautiful melodies there as well. I'm really excited. There's some great songs coming on. And it's been a while, so we've had time to live with the music, almost like a debut album, almost like the first album, because we have years to live with the songs. We know some of them are really strong because they have staying power; they've stayed for years now. So yeah, this could be an interesting album.

"Yeah, we just like to go on our own adventure, but always carry your past with you," he explained. "That's the thing."

Regarding the upcoming EUROPE documentary, Joey said: "We're so happy to be together after 40 years. Last year was so emotional, that tour. It was incredible to look around the stage at my teenage friends, and we were still there playing and there was great connection with the audience. And so we carry that spirit on to this year. So we're gonna start touring now. South America is the first touring for this year. And we're gonna carry that spirit through the emotional thing that we're still together with. And in this case, we're meeting new fans as well. But it's a great feeling to be here. It's a great job, and to be with the same same guys, yeah. We're gonna do South America. Then we do festivals all over Europe, and then we'll go into the studio. And hopefully this year as well, yeah, it will come out, the official documentary of EUROPE, and it's a great journey. And we have found footage, old footage from hotel rooms, Japan and around the world, San Francisco, when we mixed 'The Final Countdown', there's some footage [that had] never [been] seen [before]. And there's a lot of new footage from us traveling around the world, in South America and other places, mixed in with the story of these young punks from Stockholm making it in the world and then grunge coming along and then building it up again, and it's a great story. So we're really excited to release this documentary as well. So there's a lot of things going on in the EUROPE camp."

Asked if the documentary will be released this year, Joey said: "Yeah, I'd say it will be. We're almost done. We're doing the final editing now. Everything's been approved by the band. Every bandmember has seen it now. And the final editing, we're gonna put some narration on. We're very close. I just hope we get it out maybe before the summer, if not after the summer. Yeah, we're looking forward to that."

In September 2023, EUROPE released a new song titled "Hold Your Head Up". The track, which was described by the band as "a punchy uptempo rocker with reminiscent elements of early EUROPE," was recorded in August 2023 at Atlantis Studios in Stockholm with producer Klas Åhlund (GHOST, ROBYN) and was mixed by Stefan Glaumann (RAMMSTEIN, DEF LEPPARD),who also mixed EUROPE's "Secret Society" album.

In an interview with Metal Global, Tempest was asked why he and his EUROPE bandmates decided to record and release just one song at this time. Tempest said: "We wanted to get this ready before the [fall 2023 European] tour and the [upcoming EUROPE] documentary. So we focused on this song so we could have something out together with the tour and the documentary. That's why we released one song now. But we have a handful of songs — great ideas."

Regarding the experience of working with Åhlund this time around, Joey said: "It was a great experience. We all liked it. The whole band would like to do more stuff with him. We don't know whether he's gonna be the producer of the [upcoming EUROPE] album yet, but... No, we don't know yet. I mean, it would be an interesting idea, actually. But we haven't decided yet. But we were very happy finding him and working with him. He's very professional, and he's also listened to EUROPE when he was younger and so he knows how we think. And the procedure with him was amazing. It went really smooth, and he's a very talented, very talented man. He's a guitar player as well."

Joey also talked about the musical direction of "Hold Your Head Up", which Botas noted is a combination of the classic EUROPE sound and the band's more recent, bluesier approach. The singer said: "I think it's a good mixture in the song. We never really set out to do that. It was an idea I had, and I sent it to the guys and everybody was, like, 'Yeah, that's great. Let's do that.' So, it's a natural progression, but I think you're right. I think it's a little bit of some melodies, especially in the verses, in the end of the verses there, there's melodies that remind you of some of the earlier stuff. But maybe the chorus and the riff a little bit, it's also quite fresh and more modern, I suppose. So yeah, it's got a bit of everything, but it still sounds like EUROPE, which is really cool."

"Hold Your Head Up" was made available to stream and download on September 29, 2023 across all reputable digital platforms, including Spotify, Apple, iTunes, Amazon Music, Deezer, Tidal, Pandora and YouTube Music.

In the fall of 2023, EUROPE completed the "Time Capsule" European tour which included 21 concerts across Switzerland, Italy, Germany, Norway, Sweden, France, The Netherlands, and the U.K., including two nights at the famous London Palladium. These anniversary shows consisted of a career retrospective "evening with" performance featuring all the hits together with deep cuts and fan favorites from all of their 11 studio albums.

"Walk The Earth" was released in October 2017 via Hell & Back Recordings (Silver Lining Music). It was recorded at famed Abbey Road Studios in London with Grammy Award-winning producer Dave Cobb (RIVAL SONS, Shooter Jennings, Jason Isbell, Chris Stapleton).

Photo credit: Fredrik Etoall

Swedish doom rock legends WITCHCRAFT have released "Spirit", a soulful and eerie new song taken from their seventh studio album "IDAG", due on May 23 via Heavy Psych Sounds.

From the depths of the Swedish darkness, "IDAG" emerges, and holy hell, it's flamboyant. Led by enigmatic guitarist, singer and songwriter Magnus Pelander, these architects of doom who kickstarted the whole analog revival two decades ago and ushered in a new era of occult rock, have spent five years crafting their most intimate opus yet.

After his 2020 acoustic experiment "Black Metal", Pelander has tapped into transcendence and delivers pure proto-metal sorcery woven through 1970s prog wizardry, with half the tracks performed in his native Swedish tongue for the first time in the band's history. With just a few acoustic whispers here and there, this is WITCHCRAFT at their most spellbinding. "A smoldering invocation of their signature '70s-laced, riff-heavy sorcery — both raw and hypnotic, yet laced with an unsettling intensity that lingers long after the final note fades. Heavy yet deeply melancholic, brimming with the occult doom energy that made their early records cult favorites," describes Decibel magazine.

More than 20 years after WITCHCRAFT's debut, "IDAG" is a full accounting of who they are as a band. Those who have clamored for the return to an earlier sound rooted in 1970s classic progressive and heavy rock will delight to the strut of "Irreligious Flamboyant Flame" while the eight-minute opening title track is the heaviest the band have ever sounded, and a succession of interspersed acoustic-based pieces helps create a vision of a new, soulfully folkish doom taking shape as they continue to move inexorably forward.

These enigmatic few words from the Swedish band's main songwriter give clues as to the songs' intentions; a reference dropped to COVEN's 1969 album "Witchcraft Destroys Minds And Reaps Souls". COVEN also had a folkish, proto-doomed take at that point in their history, and that multifaceted nature has been a part of WITCHCRAFT all along. On one level, Magnus is winkingly telling you it's a WITCHCRAFT record. The actual meaning of that becomes clear when you hear the album and find out just how much "a WITCHCRAFT record" can encompass.

The storyline of WITCHCRAFT's growth, from Pelander's starting the band in Örebro in 2000 in the wake of his prior outfit NORRSKEN's disbanding. A generational landmark of a 2004 self-titled debut helped spark a retroist movement that has become its own subgenre, but WITCHCRAFT never stopped growing. 2005's "Firewood" and 2007's "The Alchemist" introduced more progressive sounds, and five years later, the pointedly modern "Legend" established in 2012 that they had moved beyond the analog worship they had been a part of pioneering within the contemporary heavy rock and doom scene.

In 2016, the 2LP "Nucleus" introduced fuller-toned doom, and 2020's "Black Metal" diverged into moody acoustic minimalism familiar to some fans from Pelander's early solo work, but different from anything WITCHCRAFT had done prior. "IDAG", then, is the tie that draws all of this — more than two decades of exploring and growth — together. Whatever they've done in the past and whatever they'll do in the future, "IDAG" feels like a nexus for defining who and what WITCHCRAFT are. Even crazier, that might be the point of the thing.

In a new interview with Jorge Fretes of Spain's GoetiaMedia, Brian Baker, best known as one of the founding members of the hardcore punk band MINOR THREAT, and as a guitarist in BAD RELIGION since 1994, was asked if he has ever felt tempted to retire, similar to the way fellow punk rockers NOFX have done with their recent farewell tour. He responded (as transcribed by BLABBERMOUTH.NET): "Hmm. No. Well, the thing is quitting implies that this is some kind of job or some task or something that you have to do. I don't know how to express it. This is an artistic expression and this is fun. This is something we do because we like doing it and it's really great that we can do something and people will wanna come see it, but we'd do it if they didn't come. It doesn't matter. And so the idea that you just shut down this outlet — I don't know — it doesn't even make sense to me."

He continued: "I'm friends with the NOFX guys. I couldn't figure that out either. You do it until you can't, and stopping it — I don't know. I just never thought about a time limit. It's part of who I am. I don't know. It's kind of what I'm here to do. That's how I feel about it."

Asked if he ever gets tired of being expected to comment on the state of the world as a member of BAD RELIGION, which has always been known for its socio-political lyrics, openly questioning authority at any opportunity, Brian said: "No, because that's what BAD RELIGION is. BAD RELIGION is about questions, and it's about looking at the world and interpreting it. And it's about sharing ideas about humans can get along and why they don't. I mean, this is the whole thing that the band's about. So, no. It's a privilege. And to have yet another dangerous political situation in the United States [with Donald Trump being re-elected as U.S. president] is an excellent muse. It's time for the scientists to continue to figure out the experiment."

BAD RELIGION formed in 1980 in the suburbs of Los Angeles and is celebrating its 45th anniversary in 2025. The band has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. BAD RELIGION has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen.

The band released its 17th studio album, "Age Of Unreason", in 2019. The critically acclaimed record offered a fiery and intensely relevant musical response to the times, with songs that address a myriad of socio-political maladies, including conspiracy theories, racist rallies, Trump's election, the erosion of the middle class, alternative facts and more. There was a stylistic consistency to the band's iconic and influential sound — hard fast beats, big hooks and rousing choruses, yet each new song remained distinctive, utilizing composition, melody and lyrics to deliver a unique narrative consistent with the band's longstanding humanist worldview.

In December 2020, BAD RELIGION celebrated its 40 years of making music with "Decades", a four-episode online streaming event captured live at The Roxy Theatre in Hollywood, California. The band felt it important to commemorate the conclusion of 2020 as a strange moment in history when they reached that 40-year milestone. The celebratory episodes included live performance footage, exclusive interviews, and a peek at their rehearsals leading up to the taping of "Decades".

In August 2020, BAD RELIGION released its autobiography, "Do What You Want: The Story Of Bad Religion", written with the group's full cooperation and support. It reveals the ups and downs of the band's 40-year career, from their beginnings as teenagers experimenting in a San Fernando Valley garage dubbed "The Hell Hole" to headlining major music festivals around the world. The book predominantly features the four principal voices of BAD RELIGION in a hybrid oral history/narrative format: Greg Graffin, Brett Gurewitz, Jay Bentley and Baker. It also includes rare photos and never-before-seen material from their archives.

In a new interview with Rock 100.5 The KATT FM's Cameron Buchholtz, DISTURBED guitarist Dan Donegan was asked about a possible release date for the band's follow-up to 2022's "Divisive" album. Dan said (as transcribed by BLABBERMOUTH.NET): "We haven't really nailed down when we wanna release it because our priority's been this tour [celebrating 25 years of DISTURBED's debut album, 2000's 'The Sickness']. We wanted to keep the focus on the anniversary. We did record a bunch of material this past fall, enough for an album, and it's great and we love it and we're excited about it. But we thought at least with this tour we'll put out 'I Will Not Break' as a [new standalone] single just to give fans something new along with this anniversary tour, but not quite announce a release date of the whole album. 'Cause we're still trying to strategize when we're gonna tour. Next we have some European dates in the fall that's a continuation of 'The Sickness' [anniversary tour] here. And we have to figure out what our plan is for '26. At this point it's still kind of up in the air. We may drop another single at some point, and maybe we'll have a release date for the whole album by that point."

Regarding the fact that "I Will Not Break" marks DISTURBED's first release via the band's own label, Mother Culture Records, Dan said: "We've been with Warner Brothers our whole career, and this is, yeah, the first time us doing it on our own. We had a great relationship with them. They always worked hard for the band. [We're] very thankful for the relationship we had. And it probably helped that we were successful early on the first album, that they always stayed out of our way. So we were able to do what we wanted to do, and they'd say, 'Hey, it's working. We're not gonna interfere.' And that's always a great relationship when an artist could do what they want. So it was a great run with them, but we weren't obligated to stay. We have a great relationship with our management company, with Q Prime, and they have the infrastructure too. So they have their radio department and their marketing and their social media and everybody. And they've been amazing with us as well. And I think our relationship with radio and the fans over the years, just as the band, all the relationships we've built, we've had a lot of support. You guys, everybody have always been there for us. So if we keep delivering the songs and you guys keep playing it, it's a good partnership for us."

Dan spoke about the the musical inspiration for "I Will Not Break", which came out on February 21, during an appearance on a recent episode of The Mistress Carrie Podcast. He said: "We were out in L.A. last fall and just started getting the ideas out. And we had an album's worth of material already done. And me and [DISTURBED drummer] Mike [Wengren] and Drew [Fulk, also known as WZRD BLD], our producer, were sitting in the room. And I like to keep going. Once the ball's rolling, I don't like to quit — I don't like to stop, because I always feel like the excitement's there. You've got something new so I keep writing. And David's [Draiman, DISTURBED singer] trying to play catch-up, because he's gotta write all these lyrics to these songs. So a lot of times he wants us to stop because 'cause we're getting too far ahead of him. And one day I was in the studio, and I was already digging back into old demos that I had at home, old cassette tapes that we had in the '90s, as we're going through the vault of things… So I wanted to go back and just kind of get back in that headspace of… Some of those recordings were actually just hitting the 'record' button and putting a little cassette player in the back of the room, so it's the worst quality ever. But I wanted to hear some of those improvised tapes and get in that headspace of where we were back then. And even though 'I Will Not Break' is a brand new riff, it kind of just had that vibe."

Donegan continued: "I was supposed to be tracking guitars in the studio for something else that day and I'm, like, 'Ah, let's just put that on the back burner. I just feel like doing something new.' And we just start messing around a bit and I'm just playing around with this riff for a while. I changed the riff probably 50 times as we were sitting there, and I think when the riff finally came about, I think me, Mike and Drew just looked at each other and were, like, 'That's it. That's the one. Go with that.'"

Dan added: "Cakebread is one of the wines we have backstage here [on tour]. And we were having that in the studio that night. We opened up a bottle of wine and started improvising. So the working title for the song was called 'Cakebread'."

Mike also reflected on the making of "I Will Not Break", saying: "[Dan's] riffing out, and we'll loop some beats for him and he just sits there. And he can riff for hours sometimes. Sometimes something comes out in five minutes. Sometimes it comes out in five hours. It had been going around. I'm, like, 'You know what?' I'm sitting in the back of the room. I Doordash some wine. The best that the store had on Doordash was Cakebread. So the guy shows up. I crack open the wine. Within five minutes of pouring the glasses for everybody, that riff for 'I Will Not Break' came out."

Donegan previously talked about "I Will Not Break" in a February 2025 interview with Ryan McCredden of the I-Rock 93.5 radio station. Dan said at the time: "[That song] came late in the recording process. We were out in L.A. this past September, October and November, just getting the ball rolling. There was no really gameplan of a timeframe or deadline in any way. We had some time off the road with only a handful of shows last fall, so we said, 'Let's get back in the room and get things going again and see how the creative process goes.' And everything was going great. We wrote a bunch of material, tracked it all, and then 'I Will Not Break' kind of came late in the session. I just felt like I still had a lot left in me. And I was supposed to be tracking guitars for something else that day, and I just told my producer I felt really creative. I wanted to kind of go with this kind of old-school — I wanted to give something to David that was gonna hopefully trigger kind of that old-school delivery out of David. So we just kind of worked on this heavy groove, this beat, and I just started improvising over it, and as soon as the riff came around, we kind of all just looked at each other, like, 'That's the one. That's the one.' And then I just continued down that road and put together a rough structure. David wasn't there at the moment, at the time, so we just kind of worked out the music and put together a rough structure. And when I'd seen him next, I kind of went over it with him and he connected with it. And he kind of gave us those elements that we were looking for — the still melodic, but still quick, rapid-fire syncopation at times and just that kind of delivery we were hoping to pull out of him. And we thought it would be a great lead-off track to share with the fans."

When McCredden noted that "I Will Not Break" sounds like something DISTURBED could have recorded 25 years ago, possibly inspired by the fact that the band was preparing to embark on a 34-date North American tour celebrating the 25th anniversary of "The Sickness", Donegan concurred. "I was going through the archives and going through a lot of stuff here, my memorabilia, gearing up for this 25th-anniversary tour, and I came across some old demo tapes," he said. "I had actually cassette tapes, if people don't remember what those are. Back in the day, in the late '90s, when we got David in the band, we would just set up a little cassette player in the back of the room and hit 'record' and record us — crappy version, but record our practices so we could hear us just improvising ideas. And so I was kind of in that headspace 'cause I was listening to these old riffs and these old deliveries of us just kind of improvising, like I said, and it just had me in that headspace. Actually, one of the song ideas was a riff I pulled from 1998 off the demo and I kind of slid it back into the mix. I have a history of doing that. I have a way of sneaking in old ideas and seeing if it triggers anybody, if they remember it and pick up on it, if it's been that long ago. But I try to get back into that headspace. And so, even though the riff for 'I Will Not Break' is brand new, I was kind of in the spirit of that old-school DISTURBED, and that's what we were hoping to do — trigger [David] in that that kind of way."

According to DISTURBED, "I Will Not Break" is "a necessary song, about becoming stronger than the forces that constantly try to tear you down." The track includes the stirring lyrics "I've had enough of feeling terrified, now I'm deciding that I won't be hiding from anyone," which encourages listeners to push back in the face of adversity.

Fulk previously worked with DISTURBED on "Divisive", which was recorded in Nashville, Tennessee.

According to Billboard, "Divisive" sold 26,000 equivalent album units in its first week of release, with 22,000 units via album sales.

On the all-format Billboard 200 chart, "Divisive" debuted at No. 13.

DISTURBED has had five No. 1s on the all-genre chart, beginning with "Believe" in 2002.

"The Sickness 25th Anniversary Tour" kicked off in Nampa, Idaho on February 25. Produced by Live Nation, each night features two sets of music, opening with DISTURBED playing the five times platinum "The Sickness" in full, followed by a full set of greatest hits. The first half of the tour featured support from special guests THREE DAYS GRACE, including the return of original singer Adam Gontier, and opener SEVENDUST, and the second half features special guests DAUGHTRY with opener NOTHING MORE.

Since "The Sickness" was released in 2000, the album was certified five times platinum by the RIAA, spent a total of 106 weeks on the US Billboard 200 chart, and Revolver named it one of "Top 25 Debut Hard Rock Albums." Billboard said of the title track upon release: "'Down With The Sickness' is, of course, the quintessential DISTURBED song, harnessing all the band's seethe and its now-famous tribal beat and guitar chug into three and a half minutes of alt-metal mayhem. It's menacing, it's rhythmic, it's rebellious."

Photo credit: Travis Shinn