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9 Chambers

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|||| 28 июл 2011

9 CHAMBERS Featuring Ex-MONSTER MAGNET Guitarist: Debut Album Release Date Announced



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9 CHAMBERS, the new band featuring producer/singer/guitarist Greg Hampton (ALICE COOPER, BOOTSY COLLINS, LITA FORD), ex-MONSTER MAGNET guitarist Ed Mundell and current GOV'T MULE bassist Jorgen Carlsson, will release its self-titled debut album on September 27 via Samson Records/E1 Entertainment.

Hampton and Mundell recently recalled how they crossed paths and came up with the idea of working together. "I used to run into Greg at the bootleg place up at the Pasadena Flea Market," remembers Mundell. "He'd always be buying MAHOGANY RUSH, FREE, or JIMI HENDRIX bootlegs!" Adds Hampton, "I would see Ed and we'd run into each other at NAMM, and we'd go have dinner. I knew he was sort of looking for other projects to get involved in, because with the MONSTER MAGNET thing; he had a huge history."

As one of the trailblazers of the "stoner rock movement" Ed Mundell's signature guitar sound can be heard on MONSTER MAGNET classic albums "Superjudge", "Dopes To Infinity" and gold-certified "Powertrip". But by late 2010, Mundell had had enough. "It was 18 years with MAGNET. Since 1992, since I was a kid, barely legal to drink I'd been on the road! The last few years of touring was just the same old thing. It wasn't treading on any new territory — we were just playing the same set every night, all the time. And I was just like, 'I've got to do something else, I'm going to go crazy here.' So I just needed to take a break. I ran into Greg, and we started playing."

And just like that, 9 CHAMBERS came together — the same way plenty of classic rock bands did way back when, naturally, and over the love of similar styles of music. "We just started jamming, and all of a sudden, we wrote a couple of songs," recalls Hampton. "The next thing we knew, we wrote six songs or something. It was pretty organic with the fact that we have a lot of the same guitar players that we love. We've pretty much got the same record collection. I'd play the verse, and then hand him the guitar halfway through, and he'd play the rest of it. Sometimes, you don't even know who's playing what." And as Mundell adds, "All of a sudden, it's 20 songs later! Like, what the hell? We're mixing now and going, 'God, how many guitars are on there?' We forgot about all these cool parts."


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