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7 мар 2013
ABORYM: New Album Details Revealed
"Dirty" was recorded at the Fear No One Studios in Italy with Emiliano Natali, reprising his sound engineer role from the band's "Psychogrotesque" album, and was helmed by Marc Urselli of New York's Eastside Sound Studio, who previously worked with the likes of Mike Patton and Lou Reed. The electronic part of the album was engineered by D. Loop (KEBABTRAUME, LIMBO). R.G. Narchost (STORMCROW, DEMON'S SHADE, DROWNING ASHES) created "The Spiral Shaped Chamber" custom sounds library for the band. Artwork for the album is by ABORYM's Fabban.
The first CD of the album features new material, while the second CD features two tracks from previous albums, which have been completely re-arranged and re-recorded, covers of tracks by IRON MAIDEN, PINK FLOYD and NINE INCH NAILS, and a previously unreleased track performed by both musicians such as Agonia BV, Tamara Picardo, Samuel Heru Ra Ha MK, Hostis, Ulven, Mike Bizzini, David Cholasta, Tobias Dünnebacke, Jonathan Butcher, Jessy Lavallee, Thomas Hochstetler, Mary J. Rooks, Amanda Neilson and Mark Llewellyn, as well as several fans. The song was written by Alberto Penzin (CO2, ex-SCHIZO) and was spliced together from all the different sources.
"Dirty" track listing:
CD 1
01. Irreversible Crisis
02. Across The Universe
03. Dirty
04. Bleedthrough
05. Raped By Daddy
06. I Don't Know
07. The Factory Of Death
08. Helter Skelter Youth
09. Face The Reptile
10. The Day The Sun Stopped Shining
CD2
01. Fire Walk With Us (new version originally released on “Fire Walk With Us”)
02. Roma Divina Urbs (new version originally released on “Kali Yuga Bizarre”)
03. Hallowed Be Thy Name (IRON MAIDEN Cover)
04. Comfortably Numb (PINK FLOYD Cover)
05. Hurt (NINE INCH NAILS Cover)
06. Need For Limited Loss (new track)
Formed in 1992 by frontman Fabban, ABORYM started life as a covers band and went through several transformations, eventually pioneering what the band calls hard-industrial-electro extreme metal. Today's line up consists of Italians Fabban on vocals, bass and synths and Paolo Pieri (HOUR OF PENANCE) on guitars, keyboards and programming, along with Norway's Bård G. "Faust" Eithun (BLOOD TSUNAMI, MONGO NINJA, ex-EMPEROR) on drums.
With "Dirty" being the band's first release since 2010's "Psychogrotesque", all three musicians have something to say about it.
Pieri: "This is definitely the most schizoid and experimental ABORYM work so far. This time we focused on pushing the boundaries of electronic music one step forward while retaining the ruthless brutality of extreme metal in a way totally ahead of the times."
Eithun: "This time around, ABORYM push everything further; the electronic and industrial elements have never been so present. Rest assured, no matter how sick, twisted and beyond everything it sounds, it is still ABORYM."
Fabban: "I believe that 'Dirty' represents the best material ever written by ABORYM from 1992 until today. Given that it wasn't that easy to go beyond an album such as 'Psychogrotesque', I strongly believe that this time we did exceed every limit and every concept of experimentation — manipulating all the clichès of extreme metal, industrial or electronic music and pushing together elements that are so far away from each other. As a result, we achieved something really innovative, powerful, refined and of a really high standard. The quality of sounds, the nuances, the details passing through the recording quality; the quality of the machines that we used and abused, the quality of the lyrics, the artwork and the performances of each of us and of all the people who have worked with us, are definitely all at the top. 'Dirty' is a record that simply expands the range of our listeners, it's an album that everyone can enjoy and really appreciate. I am personally very excited and, at the same time, really proud of what you'll soon be able to listen to. We worked so hard for the past two years on this double album that we have no words to really explain how excited we are to finally see it released. It's an album that will further change the history of extreme music. Of that, I have no doubt."
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