IRON MAIDEN singer Bruce Dickinson played the second intimate concert at legendary Los Angeles club Whisky A Go Go last night (Saturday, April 13) as a warm-up for his upcoming solo tour. Performing under the banner of THE HOUSE BAND FROM HELL, Dickinson played a 15-song set with his backing band, featuring Dave Moreno (drums),Mistheria (keyboards) and Tanya O'Callaghan (bass),alongside the group's latest additions, Swedish guitarist, songwriter and multi-platinum-credited producer Philip Näslund and Swiss session and touring guitarist Chris Declercq (who played on Dickinson's "Rain On The Graves" single). Bruce's longtime guitarist and collaborator Roy "Z" Ramirez is not part of the touring lineup.
Among the tracks Bruce played last night were "The Book Of Thel" and "The Tower", taken from Dickinson's 1998 album "The Chemical Wedding"; and " Starchildren", which originally appeared on 1997's "Accident Of Birth". He also performed four songs from his latest solo album, this year's "The Mandrake Project": "Afterglow Of Ragnarok", "Many Doors To Hell", "Resurrection Men" and "Rain On The Graves". There were also the classic Dickinson solo cuts "Tears Of The Dragon" and "Accident Of Birth", as well as a cover version of THE EDGAR ALLEN WINTER GROUP's "Frankenstein".
Setlist:
01. Accident Of Birth
02. Abduction
03. Starchildren (first live performance since 1997)
04. Afterglow Of Ragnarok
05. Chemical Wedding
06. Many Doors To Hell
07. Tears Of The Dragon
08. Resurrection Men
09. Rain On The Graves
10. Frankenstein (THE EDGAR WINTER GROUP cover)
11. Gods Of War
12. The Alchemist
13. Darkside Of Aquarius
Encore:
14. Book Of Thel (first live performance since 1999)
15. The Tower (tour debut)
Prior to Friday night's (April 12) Whisky A Go Go show, Bruce last performed with his solo band on in August 2002 at the legendary Wacken Open Air festival in Germany.
Bruce and his band will play another concert at the Whisky A Go Go tonight (Saturday, April 13). Tickets to both shows went on sale Friday morning, only available for purchase at the Whisky box office. The lucky fans who lined up early got a special treat and were greeted by Dickinson in the box office selling tickets and meeting fans.
Commented Dickinson: "As we were holed up in our North Hollywood rehearsal studio preparing for the tour, we thought that since rehearsals were going so well maybe we should have a little fun and do something last-minute here in L.A. Putting tickets for sale at an actual box office should remind people what it used to be like back when I started gigging!"
He added: "We're raring to go and I'm just so excited to unleash this band on the world at the iconic Whisky A Go Go."
In a video message announcing the first Whisky gig, Bruce said: "Hello, a quick update. Oh my God, here we are in rehearsals with the House Band Of Hell, which is actually what is gonna be at the Whisky A Go Go in Los Angeles on Friday. Secret show, not secret anymore. 10 o'clock Friday morning, tickets go on sale. And when you turn up at the box office, you never know who you might meet. But anyway, never mind. So we're gonna be there.
"We are just absolutely stoked for this show," he continued. "I mean, we were ready a week ago. I've been trying to calm them down. Honestly, it's like having a lot of strange horny animals. [I have to] throw buckets of cold water over them. 'Boys, stop' — and girls. All equally. We are just ready to get it on. So ready for this tour."
In a recent interview with Full Metal Jackie's nationally syndicated radio show, Bruce spoke about the stripped-down nature of the upcoming tour in support of "The Mandrake Project". He said: "Well, we're doing a mix of festivals and headline shows so far in Europe up till July 21, about 40 shows. Luckily, I think most of the headline shows are almost sold out or sold out now. So we're gonna be sold out in most places in Europe. About two-and-a-half-thousand seaters — the average is probably about two and a half thousand, so they're cool-sized venues.
"For me, the whole essence of this is letting the music do the talking, let the music do the storytelling," he explained. "And so I'm not planning on having monsters or pyro or any of that stuff. There will be a screen, and, of course, we'll have a lot of stuff to put on it because we've got a great director and he'll be able to give us some content. But even then, I'm not going to have a show that's choreographed to like a time code or a click track or something else like that. This is gonna be a show where the music and the musicians take the story to people. So, I'm not thinking 2002, I'm not thinking 1982. I'm thinking 1972."
Last month, Bruce told Paul Anthony of Planet Rock about Roy's absence from the touring band: "[It] is disappointing, but there you are. He had a lot of stuff going on at home. And, basically, there's stuff he could be doing in the studio. We are in the middle of doing Dolby Atmos mixes for all of my back catalog, and that requires quite a lot of stuff, 'cause we're not just remixing; we are also — what's the expression? — reimagining some of the albums. So some of the albums that should have been, frankly, a bit heavier, like 'Balls To Picasso', we can stick some new stuff on, and there's some stuff that didn't get mixed on to the album that was recorded that we can take a view on as well. So there's quite a lot of exciting stuff going on there, so there's gonna be lots for him to get on with whilst we're touring."
He continued: "But we've got two fantastic guitar players, Philip Näslund from Sweden and Chris Declercq, who actually is already on the record, because he played the solo on 'Rain On The Graves'. So he's based in L.A. He's a Swiss guy, but he lives in L.A., [is] based in L. A. And Philipwas based in L.A. but now lives back in Sweden. So it's gonna be an incredible band. I jammed with both guitar players. And I was, like, 'You know, I'm just gonna take both of them.' Obviously, there's a lot of twin guitar parts on the record. And there's also quite a bit of keyboards on the record and lots of stuff. So there'll be no idle hands on stage. But it'll sound magnificent. I've already jammed with Tanya and Chris and Philip and Dave Moreno when I was out in L.A., just to give it a quick once around the houses with some of the tunes, and it was so exciting. It really was."
Asked how many of the songs from "The Mandrake Project" will be performed live on the upcoming tour, Bruce said: "Well, I wanna make sure that people come to the show and just go away going, 'Well, that was great, cracking. You can't expect people… I mean, it's not like the Sermon On The Mount, where you turn up and it's, like, 'And you're gonna have this, whether you like it or not. So I'm gonna play certainly four tracks off the new record, and we'll just see how it goes. It's not a situation like a MAIDEN situation where, because we have a big show, because we have everything coordinated with the lights and monsters and pyro and everything, once we get out there, the show is pretty much set in stone, what we're gonna play. Well, this one, we can swap it around a little bit. I mean, if we start doing rehearsals and we go, 'Wow, this feels great. Why don't we chop in another song?' I wasn't gonna play anything off 'Skunkworks'. Now I'm not so sure, 'cause it turns out that both guitarists and the drummer are mad, keen fans of that album. So I'd just done an Atmos mix of 'Skunkworks' with the blessing of [the LP's original producer] Jack Endino, and it sounds brilliant. And I was in there with, with Chris and he's, like, 'Oh, can you play that track?' I went, 'How'd you know that track?' He goes, 'I love this album.' 'Wow.' So, there'll be a lot of stuff. There'll be stuff off 'The Chemical Wedding', obviously, gotta play 'Tears Of The Dragon' and so on and so forth, there'll be stuff off 'Accident Of Birth'. So it's gonna be a smorgasbord of the best-of, 'cause it's been 19, 20 years since I've toured live [as a solo artist]. So lots of people have either never seen me live or the ones that have seen me live have forgotten how bad it was, and have bought tickets. [Laughs]"
The third chance to see the six-piece live will be at The Observatory in Orange County, California on Monday, April 15.
Roy played guitar on Dickinson's 1994 album "Balls To Picasso" and went on to produce, co-write and perform multiple instruments on Bruce's subsequent three solo albums, "Accident At Birth" (1997),"The Chemical Wedding" (1998) and "Tyranny Of Souls" (2005).
O'Callaghan is an Irish musician who joined WHITESNAKE in 2021 and toured with the David Coverdale-fronted outfit the following year. She also hit the road with Dickinson last year as part of a performance of Jon Lord's "Concerto For Group And Orchestra" on nearly a dozen dates in Europe and South America.
Californian drummer Moreno previously played on "Tyranny Of Souls" and has worked with BODY COUNT, Jizzy Pearl, Dizzy Reed and Steve Stevens, among others.
Italian keyboard wizard Mistheria has collaborated with an array of artists live and in the studio, including Rob Rock, Mike Portnoy, Jeff Scott Soto and Joel Hoekstra.
"The Mandrake Project" arrived on March 1 via BMG.
Bruce and Roy recorded "The Mandrake Project" largely at Los Angeles's Doom Room, with Roy doubling up as both guitarist and bassist. The recording lineup for "The Mandrake Project" was rounded out by Mistheria and Moreno, both of whom also featured on Bruce's last solo studio album, "Tyranny Of Souls", in 2005.
Dickinson made his recording debut with IRON MAIDEN on the "Number Of The Beast" album in 1982. He quit the band in 1993 in order to pursue his solo career and was replaced by Blaze Bayley, who had previously been the lead singer of the metal band WOLFSBANE. After releasing two traditional metal albums with former MAIDEN guitarist Adrian Smith, Dickinson rejoined the band in 1999 along with Smith.
Night # 2...
HOUSE BAND OF HELL!!!
Bruce Dickinson, Dave Moreno, Chris Declercq, Tanya O Callaghan, Mistheria and Philip Naund...READY TO ROCK!!!
🤘🎶🥁🎸🤘
Former Sabaton guitarist / Majestica frontman Tommy Johansson has shared his weekly cover, this time taking on Queen guitarist Brian May's "Too Much Love Will Kill You"
"Too Much Love Will Kill You" was written by Brian May, Frank Musker and Elizabeth Lamers. The song reflected the breakdown of May's first marriage and attraction to his future wife, Anita Dobson. It was first recorded by Queen around 1988 or before, and was intended to be on the band's 1989 album, The Miracle, but did not make the cut due to legal disputes following the band's decision that all songs on the album would be written by the group as opposed to individuals. After Queen frontman Freddie Mercury's death in 1991, May arranged a solo version, which he performed at the Freddie Mercury Tribute Concert in 1992, and subsequently included on his solo album Back to the Light that same year.
Unleashing their fifth studio release vir fortis, a heavy metal-infused history lesson covering Napoleon and Vlad The Impaler, Toronto, Canada’s AxMinister are sharing their latest video with the use of AI to tell a visual story about their track "Vlad The Impaler... Son of The Dragon". The track studies the rich history associated with the infamous despot, as well as the myth pervading hence.
Historically accurate, vir fortis is a journey to a different time. There are two songs about Vlad and an impressive 17-minute saga about Napoleon.
AxMinister explains further:
“‘Vlad The Impaler…Son Of The Dragon’ studies the rich history associated with the infamous despot, as well as the myth pervading hence. ‘The Age Of Napoleon…The Rise’, which was in the works for five years, sets the stage for the rise of Napoleon Bonaparte; this exciting study of the world that gave birth to the future Emperor, leaves us as he becomes a captain of artillery, in the French revolutionary army.”
vir fortis was produced, mixed, and mastered at Monolithic Productions by Tyler Williams and the EP cover artwork is an oil painting by drummer Bas von Bismark who also writes a majority of the lyrics. Bassist/vocalist Nicholas Klaus writes most of the music, with guitarist Steve Macleod contributing key song elements wherever needed. The songs are then arranged by the band collectively.
Heavy metal fans, especially those with an interest in history and battle, will not be disappointed with this record. It is recommended for fans of Megadeth, Manowar, and Judas Priest.
Former MEGADETH bassist David Ellefson made his live debut with New Jersey thrashers OVERKILL on Thursday, April 11 at C3 Stage in Guadalajara, Mexico.
OVERKILL's setlist was as follows:
01. Scorched
02. Bring Me The Night
03. Electric Rattlesnake
04. Hello From The Gutter
05. Wicked Place
06. Coma
07. Horrorscope
08. Long Time Dyin'
09. The Surgeon
10. Mean, Green, Killing Machine
11. Ironbound
12. Elimination
Encore:
13. Hammerhead
14. Rotten To The Core
15. Fuck You (THE SUBHUMANS cover)
Fan-filmed video of the concert can be seen below.
In a recent interview with Metal & Rock Zone, Ellefson spoke about the announcement that he was recruited by OVERKILL to play bass for the band on their "Scorching Latin America 2024" tour. The former MEGADETH member is filling in for original OVERKILL bassist D.D. Verni, who is unable to make the shows as he is recovering from shoulder surgery.
Regarding how he ended up being asked to fill in for Verni, Ellefson said: "I got approached before the end of the year. It was just brought to my attention that D.D. was going to go through this surgery. They didn't know if he was gonna be better or not. So I was kind of put on alert that, 'Hey, we may need some help.' And we grew up together, OVERKILL and MEGADETH. I remember the 'Peace Sells' tour, OVERKILL was our direct support. So we've been good friends, all of us. And I always said, look, if there were gonna be two more added to the 'Big Four' [of 1980s thrash metal], it would be EXODUS in California and OVERKILL on the East Coast. So, to me, these are brothers in arms. So, when they hit me a few weeks ago about it, I said, 'Sure. Count me in if you need me to do it.'"
OVERKILL's 10-date "Scorching Latin America 2024" tour will include additional stops in Costa Rica, Chile and Peru before closing on April 28 in Sao Paulo, Brazil.
When Ellefson's addition to OVERKILL's touring lineup was first announced, OVERKILL singer Bobby "Blitz" Ellsworth said in a statement: "South, Central America and Mexico, with D.D. on the mend from surgery and the opportunity in front of us, where to go but back to the roots of THRASH! Please welcome Mr. David Ellefson to the OVERKILL, touring ranks this April 2024! 'David, can you help?' The answer: 'Yes, let's go!' We can't wait to see you guys! Horns up!"
Verni commented: "Bummed to not be able to thrash it up with our Latin America fans, but gotta get this wing workin!!....but who better than one of the great original thrash bass players, and old friend, David Ellefson to fill in."
Ellefson said: "It's an honor to fill in for my friend, the mighty D.D. Verni, as he takes time to heal up right now. OVERKILL always brings the fury and I'm looking forward to scorching Latin America with them!"
Ellefson was fired from MEGADETH nearly three years ago. MEGADETH leader Dave Mustaine ended up hiring TESTAMENT's Steve DiGiorgio to re-record Ellefson's bass parts on MEGADETH's latest album, "The Sick, The Dying… And The Dead!"
In May 2022, MEGADETH announced bass player James LoMenzo as a permanent member of the band. LoMenzo was MEGADETH's bass player in the mid-2000s and initially stepped back in as a touring member for "The Metal Tour Of The Year".
Ellefson was in MEGADETH from the band's inception in 1983 to 2002, and again from 2010 until his latest exit.
Thank you, Guadalajara Mexico, it was so great to make my debut performance with Overkill with all of your beautiful...
US heavy metal band Out Of Darkness has released a new video for the self-titled song, taken from the album Out of Darkness out from February 23.
The title-track is a pure concentration of compositional skill. After a classic heavy start, the feeling changes with a splendid arpeggio, before exploding in bursts of well-constructed guitar solos. Eric Barrios' voice stands out above all, skilled in giving warmth and melody to the song.
The new album Out Of Darkness demonstrates the evolution of the quartet, showcasing a wide variety of styles and dynamics within the metal realm. The lyrical content can at times be personal and dark, though the overall message of the band is intended to be positive and uplifting. The intended audience would range from lovers of classic US progressive/power metal to fans of modern metal. The band has put their influences and growth thoroughly on display in their second release.
Out Of Darkness was formed in 2020 by Brent E. Smedley (former Iced Earth drummer and percussionist) and Eric Barrios, vocals and guitar. They released the debut EP Seize The Day that same year to much critical acclaim and began to grow their following. Playing live shows first in their home state of Florida, then followed up by doing 3 tours up the East Coast as far as New Jersey and even reaching as far West as Las Vegas.
The song "Think Again" reached #23 on The Billboard Rock Indicator chart, #8 on the Foundations Rock Chart Top 10 Greatest Gainers and received substantial airplay on many FM radio stations throughout the United States. The band received over 100,000 views for the "I Surrender" video and has over 16,000 followers on Facebook. This epic metal masterpiece seeks to redefine their sound and broaden the spectrum of true heavy metal.
This album features powerfully crafted songs with crushing riffs, catchy vocal melodies, thought provoking lyrics, and powerful rhythms that take the listener on an audio journey through dynamic and colorful musical soundscapes. It is Out of Darkness's intention to become a legendary metal band like no other.
Out Of Darkness was produced by Stan Martell and Bill Staley. Mixed and mastered by Stan Martell at Martell AVP. Artwork and band photos by Bill Staley. Band logo by David Parrish.
Order the album via the band’s official website, here.
“Terraform” video:
“Via Dolorosa” video:
Out Of Darkness is:
Brent Smedley - Drums
Eric Barrios - Vocals, Guitar
Bill Staley - Guitar
Dan Callahan - Bass
HALL AFLAME, the rock band led by METAL CHURCH founding guitarist Kurdt Vanderhoof, will release its sophomore album, "Amplifire", on May 3 via Rat Pak Records. The official music video for the LP's first single, "The Same Gutter", can be seen below.
Originally formed in 1989, HALL AFLAME garnered commercial success with its debut LP, "Guaranteed Forever", which was well received by fans and industry peers alike and quickly found themselves opening for ZZ TOP on their 1991 "Recycler" tour for a number of dates. As with many bands from that era, facing a decline in interest for AOR rock due to the onslaught of the "grunge" scene, the band went on a lengthy hiatus and reunited again in late 2023 to begin working on a handful of songs.
"Amplifire" offers 12 new studio tracks and reunites Kurdt with original bassist Brian Smith, along with drummer Bill Raymond and frontman Scott Nutter.
Vanderhoof comments: "This album came about as a project to document all the songs that we had written for the second album that never came to be. We revisited the songs and realized they had to be recorded properly. Then it blossomed into something much better than we had even hoped! So that led us into reforming the band instead of just having it be a project."
Smith adds: "I think anyone that is a fan of 'Guaranteed Forever' will see this record as a new and improved 'Part II' of HALL AFLAME. Great songs, great production and we had a ton of fun putting this together!"
Nutter says: "A good hard rock album should lift you, make you want to sing along and rock out! That's what this album does for me!"
From the driving album opener "Helltown" to the powerhouse outro track "Keeping Them All Away", HALL AFLAME shines with its signature brand of rock and roll. Tracks like "Ripcord", "In The Same Gutter", "It Ain't Enough" and "Gunnin'" are filled with memorable hooks and melodies, while songs like "Pullin Me Apart" and "1974" showcase their unique, classic rock songwriting abilities. With influences that range from BAD COMPANY to THIN LIZZY, "Amplifire" is best described as the perfect blend of classic rock with a modern-day edge.
Track listing:
01. Helltown
02. Ripcord
03. 1974
04. This Ain't Love
05. The Same Gutter
06. It Ain't Enough
07. Gunnin'
08. Pullin' Me Apart
09. Long Way Down
10. Keeping Them All Away
11. Cowboy (bonus track) (CD and digital)
12. Paradise On Ice (bonus track) (CD and digital)
4K video of JUDAS PRIEST's entire April 8 concert Le Zénith in Paris, France can be seen below.
PRIEST's 18-song setlist included three songs from the band's latest album, "Invincible Shield": the title track, "Panic Attack" and "Crown Of Horns".
As he has done a number of other times over the course of the last six years, guitarist Glenn Tipton appeared with PRIEST for the encore, performing "Metal Gods" and "Living After Midnight".
Tipton was diagnosed with Parkinson's 10 years ago — after being stricken by the condition at least half a decade earlier — but announced in early 2018 he was going to sit out touring activities in support of JUDAS PRIEST's "Firepower" album. He was replaced by "Firepower" and "Invincible Shield" album producer Andy Sneap, who is also known for his work in NWOBHM revivalists HELL and cult thrash outfit SABBAT.
Featured songs in video below:
* Panic Attack 00:00
* You've Got Another Thing Comin' 06:47
* Rapid Fire 12:54
* Breaking The Law 17:02
* Lightning Strike 19:30
* Love Bites 23:03
* Devil's Child 28:00
* Saints In Hell 33:02
* Crown Of Horns 38:43
* Turbo Lover 44:53
* Invincible Shield 52:54
* Victim Of Changes 59:17
* The Green Manalishi (With The Two Prong Crown) 1:10:58
* Painkiller 01:15:56
* The Hellion 01:22:44
* Electric Eye 01:23:24
* Hell Bent For Leather 01:27:12
* Metal Gods (with Glenn Tipton) 01:31:39
* Living After Midnight (with Glenn Tipton) 01:35:48
In a recent appearance on The Break Down With Nath & Johnny podcast, JUDAS PRIEST bassist Ian Hill was asked who in the band has the final say when it comes to picking a setlist for the PRIEST live shows. He responded: "Well, it is probably Rob [Halford, PRIEST singer], really. But then again, we've got a whole spectrum now. You've got the younger element with Richie [Faulkner, PRIEST guitarist]. He's the same age as my eldest son. And then comes Scott [Travis, PRIEST drummer] and you've got Glenn [Tipton, PRIEST guitarist], of course. He can't do it anymore [due to his battle with Parkinson's disease]. [But] he's still sharp as a pin between his ears. Then Andy [Sneap, PRIEST touring guitarist] and Rob and myself. So you've got a full spectrum there of ages. So everybody has their own favorites and their own types of JUDAS PRIEST song. We all sort of [go], 'Yeah, like that. No, don't like that one.' And then we'll go. If someone's adamant that they really don't wanna do something, well, you don't wanna do something, and vice versa — if someone really wants to do a particular track, you do it. Like I say, you've got the ring-fence tracks there that you've gotta do — the 'Breaking The Law's and the 'Living After Midnight's and things like that, that you have to do. It's what brings people to the shows, basically. And then you've got your other sort of classic PRIEST songs, which is a little bit easier because you can swap and change those between — do a month maybe using one song, change it to another one of a similar kind. And then try to get some new stuff in there — three, maybe four maximum is about as much as you can get at any one time. I'm sure there'll be more than that, that we'll go through. And just swap and change as we go."
Asked if there are any songs that he can think of straight off the top of his head, in the PRIEST back catalog that he really loves to play live but never has, Ian said: "Ah, there's one that we have played live that we haven't played for a while and that's 'Dissident Aggressor'. I still say that's probably my all-time favorite song. It's just so raw — it's just pure rock, really. It's one of those songs that, even in the studio, I can remember it being — it's two guitars, bass, drums and vocals. And I think there might be one extra guitar on there through the lead break. Other than that, it's totally raw. It's exactly as it would be on stage. And I love that song, apart from it being a great song. And there's always other things. We've never really done 'Before The Dawn' — from the other point of view, the other end of the spectrum, if there's a quiet part in [the show]. These days people tend to prefer the more upbeat stuff rather than the quieter pieces. But that would be cool to do as well. It's only about two and a half, three minutes long anyway, so it wouldn't take much time. But there's loads in there — there's loads of them. 'Sinner' we haven't done, so it'd be great to do that again. We haven't done that for a while. But we'll see."
In a separate interview with Metal Pilgrim, Halford spoke about the setlist for the European leg of PRIEST's tour with SAXON and URIAH HEEP. He said: "We've had this conversation before as far as trying to put the setlist together. And after 19 studio albums, it's, like, 'Oh my God. Where do we go?' If we didn't play 'Breaking The Law', there'd be a riot. If we didn't play 'Painkiller', there'd be a riot. There are certain songs that you are indebted to your fans to play, because they're part of the fabric of who you are as a band. Without naming names, there are certain bands where you know you wanna hear that song when you go to a show. So there's a portion of the setlist that already writes itself. Having said that, yeah, we are gonna go quite deep, and we found some songs from previous albums that we're gonna work with and we're gonna bring out. So there'll probably be at least two or three deep cuts on this setlist."
Rob continued: "At any given moment, we've got 60 to 70 songs we can play — at any given moment. And then we're gonna add more into the mix. It's fun to see the texts and the e-mails flying through: 'Well, I'll give you this one if you give me that one.' 'Cause you've gotta find a balance. When a band plays on stage, every single bandmember has to agree on the set list. There's no place for, 'Oh, dude, I've gotta play this one.' There's no place for that. You've all gotta be believing in that particular song as you go through the show. And it's gonna be fantastic. And this is gonna be a really eventful tour as we're about to kick off in Europe, with our friends SAXON and URIAH HEEP."
Hill is the sole remaining original member of PRIEST, which formed in 1969. Halford joined the group in 1973 and Tipton signed on in 1974. Rob left PRIEST in the early 1990s to form his own band, then came back to PRIEST in 2003. Original guitarist K.K. Downing parted ways with the band in 2011, and was replaced by Faulkner.
"Invincible Shield" entered the U.K. chart at No. 2, just behind Ariana Grande's "Eternal Sunshine".
Prior to "Invincible Shield"'s arrival, PRIEST's highest U.K. chart achievement was with 1980's "British Steel", which reached No. 4.
PRIEST's 2018 album "Firepower" entered the chart at No. 5.
"Invincible Shield" is JUDAS PRIEST's fifth Top 10 album, after the aforementioned "British Steel" and "Firepower", as well as 2014's "Redeemer Of Souls" (No. 6) and the 1979 live album "Unleashed In The East" (No. 10).
"Invincible Shield" landed at No. 1 in Germany, Finland, Sweden and Switzerland, as well as No. 5 in France, No. 8 in Italy and No. 16 in Australia.
King Zebra have today released their new album, Between The Shadows. The band hailing from the picturesque city of Zurich, Switzerland, emerges as the new face of rock in a harmonious fusion of youthful exuberance and veteran wisdom.
Order the album here, and check out a visualizer for the song, "Love Lies", below:
King Zebra burst into the music scene with their 2019 EP, a sonic voyage marked by the standout track "Firewalker," amassing over 2 million streams and firmly establishing the band in the hearts of rock enthusiasts globally. Their presence soared as they graced renowned festivals like Rock the Ring and Rock of Ages, sharing stages with iconic acts such as Lynyrd Skynyrd, Uriah Heep, and Rose Tattoo.
In 2020, King Zebra embarked on a transformative journey to Crehate Studios in Gothenburg, Sweden, to craft their sophomore album, Survivors, under the skilled guidance of producer Oscar Nilsson. The collaboration with ex-Thundermother singer Guernica Mancini on "Wall Of Confusion" elevated their sound, resonating with fans and critics alike. The album found a home with Golden Robot Records, paving the way for extensive touring throughout Europe, sharing stages with notable acts like Crash Diet.
Now, signed to Frontiers Records, King Zebra deliver their next sonic masterpiece, Between The Shadows, meticulously produced once again by Oscar Nilsson. This is a musical journey three years in the making.
Between The Shadows showcases the culmination of dedication, passion, and attention to detail that defines King Zebra's distinctive sound, characterized by former China vocalist Eric St. Michaels. As the band fills their schedule with live dates, the world eagerly anticipates the release of this new chapter in King Zebra's musical legacy.
Tracklisting:
"Starlight"
"Children Of The Night"
"Wicked"
"Dina"
"Love Lies"
"Cyanide"
"With You Forever"
"Love Me Tonight"
"Out In The Wild"
"Restless Revolution"
Today, Century Media Records welcomes Philadelphia heavy metal band, Sonja, to its roster. Conceptualized in 2014, Sonja are capturing the true spirit of metal and rock n’ roll with a dark and sensual approach.
Following their 2022 debut album Loud Arriver, Sonja now expose their new single, "Discretion For The Generous”. The powerful track intermingles gothic rock style with a habitually infectious chorus that incites a fiery metal whirlwind. Vocalist and guitarist Melissa Moore commands melody and lyrics, derived from perception and transaction.
The music video matches the track’s intensity, displaying not only a striking performance from the band but a parallel tale of art and objectification. Sonja delve through the hands of lust and temptation while setting forth their own path, something that has become dominant though the elevation of the band.
On the single and signing Moore bares: “It’s a potent experience to write, record, film a video at my home, and immediately release a song that is literally encompassing my life right now. Sonja is our Goddess and she despises compromise. We exist for her extreme desire and as such we are full-on at all times. To create the art worthy of her name we rip through our realities into the new planes of existence she demands. We are grateful for those who join us on this path of serving her.
"Escaping to Portugal to write the lyrics, I attempted to articulate some of the insanity back in Philly. When I returned home, we turned the volume UP. Century Media became our new sugar daddy.
"We stare into each other’s souls with an unhinged need to push each other over the edge. It’s pointless to even try to predict what kind of fucked up situations we are all going to end up in. Some knowledge can only be found in the dark.”
Mike Gitter, VP of A&R at Century Media Records adds on welcoming Sonja: "When we first heard Sonja's Loud Arriver, it was as full of heaviness, angst, sexuality and heart as a rock record could be. Like the band itself, it both challenged and waved a bloody sword for the classic and the contemporary. ‘Discretion For the Generous,’ in true Sonja fashion, occupies the space where Manowar, Danzig and Mercyful Fate conjure and conquer at the best late night party you can imagine. Century Media is proud to be Sonja's new label home."
Sonja have an extensive tour schedule ahead, starting with a European headline run on April 16. From there the band will support Wayfarer on tour across North America.
Sonja is:
Melissa Moore (Vocals/Guitar)
Grzesiek Czapla (Drums)
Ben Brand (Bass)
In celebration of their 40th Anniversary (1984-2024), legendary British AOR rock band, FM, are proud to release “Don’t Need Another Heartache”, the second single from their forthcoming fourteenth studio album, Old Habits Die Hard.
The new single is available on all streaming platforms here, and an official video can be viewed below.
“Heartache draws influences from the bands love for bands like free and Bad Company,” says FM’s lead singer Steve Overland. “It’s a straight-to-the-point, classic blues rock track.”
"This song will probably be in the live set for the 40th anniversary tour as it’s one of our favourites from the album,” explains drummer and founder FM member, Pete Jupp.
Released to coincide with the bands 40th Anniversary, vocalist, guitarist and founding member Steve Overland says, “the new album encompasses the best melodic elements of the band’s illustrious 40-year spanning career."
"We really looked at what made the most popular FM albums great and tried to focus on that,” says Steve about the new album Old Habits Die Hard.
FM are known by many for their big choruses, twin lead guitars and Steve Overland’s intimate, yet powerful vocals, and clean guitar sound.
Following 2022’s Thirteen album, Old Habits Die Hard was delayed slightly by keyboard player Jem Davis’ cancer diagnosis (thankfully he’s now received the all-clear) and then by the sudden passing of FM’s founding guitarist Chris Overland (Steve’s brother), which hit the band hard.
Over the past 12 months, during their extensive touring schedule, FM produced the album themselves and recorded the bulk of it at their own Dale View and Electric Pepperland recording studios.
Opening track and first single “Out Of The Blue” was a song that originated from keyboard player Jem Davis. Says Jem, “The band love the music of Toto and Foreigner and so I tried to put those influences into one track. ‘Once Steve got involved and started singing it, I knew that we were onto something special.”
“'Out Of The Blue' is a song that old school FM fans will really latch on to,” says Steve. “So far, the reaction to the track has been amazing.”
“Whatever It Takes” and “No Easy Way Out” are typical FM melodic tracks and could fit seamlessly on to one of the bands earlier classic albums. Bass player and founder member Merv Goldsworthy explains, “No Easy way Out has the big typical FM chorus. It’s a massive hook. The kind of thing that we’ve become known for. It’s one of my favourites on the album.”
The heavier side of the album is represented by “Lost,” “Another Day in My World,” and “Leap of Faith.” Whilst more hard hitting, these songs embody the catchy melodic choruses that FM are known for.
“Cut Me Loose,” “California,” and “Blue Sky Mind” are poppier, more feelgood tracks. “Blue Sky Mind” was conceived again by keyboard player Jem Davis who originally wrote the song about his experience with his cancer diagnosis. ‘That song really was therapy for me. It was important that I got it out of my system and into music,” says Jem.
“Black Water” is a brooding, bluesy track that grows and grows. ‘This is a real favourite of mine,” says FM guitarist, Jim Kirkpatrick. “I could hear Brian May playing the guitar solo, so I pulled out my Brian May signature guitar and tried to do my best impersonation of him. Hopefully, I got somewhere close.”
Signed CDs can be pre-ordered here. All other streaming and physical pre-orders can be found here.
Tracklisting:
"Out Of The Blue"
"Don't Need Another Heartache"
"No Easy Way Out"
"Lost"
"Whatever It Takes"
"Black Water"
"Cut Me Loose"
"Leap of Faith"
"California"
"Another Day On My World"
"Blue Sky Mind"
Japan bonus track:
"Whatever It Takes" (Acoustic)
"Out Of The Blue" video:
FM previously announced their “Old Habits Die Hard” 40th Anniversary Tour. Find the complete tour itinerary and ticket links at fmofficial.com.
Band lineup:
Steve Overland – Vocals, Guitar
Merv Goldsworthy – Bass Guitar
Pete Jupp – Drums
Jem Davis – Keyboards
Jim Kirkpatrick – Guitar
White Stones -- Opeth bassist Martín Mendéz' brainchild -- surprise fans with a brand new song titled “La Ira.” It serves as an appetizer for their third studio album Memoria Viva, which will be released on June 28, 2024 via Reigning Phoenix Music (RPM).
"'La Ira' is a song reflecting on the power that greed has over our minds. The awakening of 'La Ira' [engl. 'the anger'] refers to our instinctive reaction about choices that affect humanity and life itself. It's a song of hope; the hope of decisions for the betterment of the world we live in," Mendéz explains.
Preorder the album in the physical format of your choice [CD-digipak; sepia marbled vinyl LP (eco-friendly recycled, every copy is one of a kind!)], pre-save it on your favourite DSP or preorder it digitally to receive “La Ira” instantly now at this location.
Memoria Viva melts together disparate genres into a unique sonic experience. The instrumental frenzy migrates with delicate intricacies creating a mesmerizing atmosphere captivating the musical connoisseur. To up the antics, the energetic Spanish language was chosen to round up this multi-faceted endeavor. A treat for anyone who enjoys devouring multi-experimental musicianship.
Elements of aggression, that can be seen rearing their head in instrumental frenzies, manage to co-exist along softer vibes, generating a distinct dynamic among the songs, with interludes allowing listeners to take a breath and appreciate what they're hearing.
Memoria Viva was recorded at Farm Of Sounds Studios (Barcelona, Spain), and mixed & mastered by Gerard Porqueres at Heartwork Recording Studios.
Martín adds, "Making an album in Spanish is something that I wanted to do for a long time. We tried it out with our second record Dancing Into Oblivion, but at the time we couldn't convince ourselves that it worked on that album. This time we did and I feel very proud of the result."
"One of the most notable aspects of this new album, apart from not setting any creative limits musically, has been the challenge of having proposed to sing in the Spanish language. It has been a very exciting experience and we believe we have found a new way to continue giving something new to the White Stones sound, and make this musical proposal something more unique!" comments vocalist Eloi Boucherie.
The line-up has been enhanced with the participation of the multi-faceted Joan Carles Marí Tur on drums. The guitar solos were the job of João Sassetti. Additional guests José Ignacio Lagos (flute) and Joakim Svalberg (keyboards) accentuated the album further with their sound facets.
Tracklisting:
“Memoria Viva”
“Humanoides”
“D-Generación”
“Zamba de Orun”
“La Ira”
“Somos”
“Grito al Silencio”
“Vencedores Vencidos”
“Yemayá”
THE TROOPS OF DOOM, the Brazilian band featuring former SEPULTURA guitarist Jairo "Tormentor" Guedz, will release its sophomore album, "A Mass To The Grotesque", as a limited LP vinyl edition and CD digipack on May 31 via Alma Mater Records, the Portuguese label run by MOONSPELL singer Fernando Ribeiro.
The official music video for the LP's first single, a brutal banger titled "Chapels Of The Unholy", can be seen below.
"Imagine a death metal world unaltered and pure since the 1990s, a musical style so dear to the fans, that time, business and trend, could never hurt," death metal fan Ribeiro recommends. "Go back to the glorious time where death metal reigned supreme, thanks to some bands, artists, studios and an untameable will of progressing and delivering extreme music to its finest shape, like occult jewellery, filigree, brutal yet elegant in its overwhelming task of splitting your ears. The new TROOPS OF DOOM album, 'A Mass To The Grotesque', which Alma Mater Records is brutally proud to present, rescues this long forgotten death metal class. They are the flag carriers of the authentic Morrisound sound (the legendary Florida studio where this album was mixed and mastered) and they leave no stones unturned on this one. Brace yourself for the best and most authentic death metal album in ages!"
THE TROOPS OF DOOM was formed in 2020, during the pandemic, by Guedz. He recorded the albums "Bestial Devastation" (1985) and "Morbid Visions" (1986). Jairo left the band in 1987, making way for Andreas Kisser, who continues with the band to this day. THE TROOPS OF DOOM's lineup also includes other significant figures from the Brazilian metal scene, such as guitarist Marcelo Vasco (PATRIA, MYSTERIIS),a globally renowned graphic artist known for his work with bands like SLAYER, Dee Snider, KREATOR, MACHINE HEAD, SOULFLY and many others. The vocalist and bassist Alex Kafer, former live guitarist for MATANZA, and drummer Alexandre Oliveira, a former member of the band TIANASTÁCIA, complete the lineup.
THE TROOPS OF DOOM emerged to revive the classic death metal of the 1980s, inspired by SEPULTURA's early era with Jairo and other influential bands such as SLAYER, CELTIC FROST, KREATOR and POSSESSED. It serves as a time machine for those nostalgic for the golden age of death metal. In just two years since its formation, the band has released three EPs: "The Rise Of Heresy" (2020),"The Absence Of Light" (2021),and "Prelude To Blasphemy" (2023),along with their debut album, "Antichrist Reborn", that was released in 2022 on CD LP, and cassette by Alma Mater Records and lauded by both fans and music press alike.
Now, the band is gearing up for the release of their highly anticipated second album, "A Mass To The Grotesque", produced by André Moraes, a multi-talented musician known for his work on SEPULTURA's "Dante XXI" and the soundtrack of the film "Lisbela E O Prisioneiro" at Audio Porto studio in Porto Alegre/RS. The mixing and mastering of the album were done by Jim Morris at the legendary Morrisound Recording in Tampa, Florida, known for producing some of the greatest death metal classics of the '80s and '90s.
Guedz comments: "The entire production and recording of the album were done in Brazil, while the mixing and mastering were handled by the great Jim Morris at the legendary Morrisound Recording in Florida. It's a production that completely diverges from today's standard productions. We are very proud of it."
"Every aspect of this album was chosen meticulously," Vasco adds. "What could be more intense than having the record mixed in the studio where the greatest death metal classics of the '80s and '90s were mixed? Our idea was to take the production of this album to another level. The sound breaths, it's organic and lo-fi, old school as hell. It's an experience!"
The cover art was painted by the acclaimed artist Dan Seagrave, responsible for numerous classic death metal album covers. Guedz reveals: "The title 'A Mass To The Grotesque' carries the symbolism of a true ode to the ugly, the evil, the feared. It encompasses everything and everyone that doesn't fit into the molds of a so-called 'evolved' society, choosing to live in the shadows. A dark liturgy to the rejected and their followers, who find shelter and comfort in the absence of light and in the supposed dictatorship of the divine word, whatever it may be. The grotesque is resistance, where nothing is sacred!"
"There wouldn't be a more perfect artist to paint the album cover than the master Dan Seagrave, whose distinctive style is deeply rooted in the genre and has created numerous album covers for death metal that have become iconic and, of course, a great inspiration in THE TROOPS OF DOOM's music. We are huge fans of his work," Vasco admits, "and it is a giant honor to have him as the cover artist of this new album. It's a dream come true."
"A Mass To The Grotesque" track listing:
01. Solve Et Coagula - Introduction
02. Chapels Of The Unholy
03. Dawn Of Mephisto
04. Denied Divinity
05. The Impostor King
06. Faithless Requiem
07. Psalm 78 - God Of Bizarre
08. Terror Inheritance
09. The Grotesque
10. Blood Upon The Throne
11. Venomous Creed
THE TROOPS OF DOOM have been confirmed to headline the Waves stage at the Brazilian edition of the German festival Summer Breeze, taking place at the Memorial da América Latina in São Paulo this April, followed by THE TROOPS OF DOOM's first-ever European Tour in August.
Kerry King has shared the music video for "Residue", the second single from his upcoming debut solo album, "From Hell I Rise". Co-directed by Jim Louvau and his partner Tony Aguilera, who have made videos for Jerry Cantrell, Sebastian Bach, EXODUS and KILLER BE KILLED, the clip was shot at their downtown Phoenix studio in early April, and features King's new band consisting of drummer Paul Bostaph (SLAYER),bassist Kyle Sanders (HELLYEAH),guitarist Phil Demmel (formerly of MACHINE HEAD) and vocalist Mark Osegueda (DEATH ANGEL).
According to Louvau, his concept for the video was simple: "A fiery, bitchin', heavy fucking metal performance introducing the world to Kerry King's new project and band members. A no-bullshit, no-prisoners showcase of the bandmembers, performing while engulfed in flames and surrounded by burning pentagrams."
"I come from a big fire pedigree," said King, "and my music works with fire. I've always written horror-type music, so it made sense to incorporate fire into the first video, where you get to see the entire band, which I think is just awesome. I think fire goes hand in hand with the devil, and I'm no stranger to talking about the devil."
Added Louvau: "I knew this would be the first time that the world was going to see the band performing together, so I wanted to create a fast-moving visual assault. Pyrotechnics and Kerry King clearly go hand in hand and seem to fit like a glove, so Tony and I wanted to create something that felt familiar but also something new and exciting. I also knew I could get away with certain visuals like a burning pentagram."
"From Hell I Rise" will be released on May 17 via Reigning Phoenix Music. All material for the LP was written by the 59-year-old SLAYER guitarist. Helming the "From Hell I Rise" recording sessions at Henson Recording Studios in Los Angeles last year was producer Josh Wilbur, who has previously worked with KORN, LAMB OF GOD, AVENGED SEVENFOLD and BAD RELIGION, among others.
"From Hell I Rise" track listing:
01. Diablo
02. Where I Reign
03. Residue
04. Idle Hands
05. Trophies Of The Tyrant
06. Crucifixation
07. Tension
08. Everything I Hate About You
09. Toxic
10. Two Fists
11. Rage
12. Shrapnel
13. From Hell I Rise
King told Rolling Stone of the LP's first single: "'Idle Hands' are what I've been doing the last four years. That and 'From Hell I Rise' have been my frame of mind in the last four and a half years."
As for the decision to call the band KERRY KING, the guitarist explained: "It was going to be KING'S REIGN for a long time, which is really cool. But even with that one, I went to the guys, like, 'I'm not a vain dude. I don't want my name to be a part of it.' We talked about BLOOD REIGN for a while, but it didn't work. Every time I came up with anything remotely cool, it was taken by some obscure band in Eastern Europe. It became KERRY KING because I love that logo."
King said the album is about "various religious topics, some war entries, heavy stuff, punky stuff, doomy stuff, and spooky stuff, with Herculean speeds achieved," adding, "If you've ever liked any SLAYER throughout any part of our history, there's something on this record that you'll get into, be it classic punk, fast punk, thrash, or just plain heavy metal."
King added there's more to come, too. "Even with a record in the can, I've still got so many songs that need to be finished," he said. "This is what I know how to do…number one being music, number two being metal. It's been a part of my life for 40 years, and I'm nowhere near being done."
KERRY KING will be special guest on the upcoming LAMB OF GOD/MASTODON North American "Ashes Of Leviathan" co-headline tour. The six-week run will launch on July 19 in Grand Prairie, Texas and will wrap on August 31 in Omaha, Nebraska. KERRY KING will make the band's 2024 concert debut next month, beginning with a recently announced club show at Reggie's in Chicago on May 7 that will serve as a warm-up to the band's Welcome To Rockville festival appearance on May 9. KERRY KING will also play Sonic Temple on May 16.
During SLAYER's final show back in November of 2019 at the Forum in Los Angeles, California, King took off his signature chains from his belt, held them high, dropped them onto the floor, turned around and walked off the stage. "I knew early on that I wasn't done, and I had no intention of not continuing to play," he revealed in a press release.
King previously told Metal Hammer his solo album would follow in the sonic footsteps of his former band. "If I wasn't in SLAYER, I would be a SLAYER fan. So yes, I think it's an extension of SLAYER, and I think a lot of people will think it might have been the next record. I guess maybe 80 percent of it would have been, maybe it would have been exactly what I'm putting on this one."
Norwegian black metal veterans DARKTHRONE have released an animated video (created by Matthew Vickerstaff) for their new song "Black Dawn Affiliation". The track is taken from the band's upcoming album, "It Beckons Us All", which will arrive on April 26 via Peaceville Records.
DARKTHRONE's Fenriz comments: "Nocturno Culto sculpted 'Black Dawn Affiliation', and as much as I writhe in woe trying to describe riffs I did not make, we are certainly rocking hard and dark around a dungeon of slow KREATOR 1986-era riffs (think 'Awakening Of The Gods' or 'Take Their Lives' from the 'Flag Of Hate' 12").
"The song is linearly constructed, which is bold for a single but we often write this way. One could say it is a two-pronged beast which after the intermission (filled with a choir of the damned that we sung ourselves, believe it or not: 'Aaaaaa.') continues with my favorite riff in the song since I first heard it appear early in the second part and it is there that I was given the reins to let the halls and chambers of stardust levitate with unearthly synth and a voice that still today, when writing this, strikes me as being influenced by the first rock album I heard back in 1973 — 'Morrison Hotel'. Lyrics darker and more disturbed than ever solidify these halls now."
DARKTHRONE's Nocturno Culto adds: "It is not easy to describe the music you make, but for sure I will try…it's heavy! Everything worked out as I hoped for this track. Some things are just forged in the studio, like as Fenriz's excellent vocals at the end of the song; and the choir I wanted. Instead of just taking shortcuts, Fenriz and I recorded three vocal tracks each, and it was brilliantly mixed by Silje at Chaka Khan. There are many things one can say about riffs, but I make songs from a combination of a very methodical approach and happy accidents! And somewhere in the back of my head, it's most likely there is something affecting a lot of my decisions on little details that shapes the riffing."
Pioneers of a sound that changed the world. Lifelong disciples of suspense and mystery. An enigmatic duo like no other, hell-bent on haunting souls through the eternities. There are many things DARKTHRONE have been called since forming in 1986 and these are but a few, having drawn from a creative well so potent and powerful it turned them into one of Norway's biggest musical exports. Following from their debut album "Soulside Journey", the next three full-lengths, often referred to as "the unholy three", set the benchmark for black metal in the early '90s, though in truth they've never been the kind to rest on such laurels — distilling elements of vintage punk, doom, thrash and death into their own sonic fingerprint and continuing to test that equation throughout the years. It's been quite the journey, having won cryptic pair Nocturno and Fenriz legions of loyal fans around the world. This tradition will only continue with latest masterpiece "It Beckons Us All".
The new music is an intense observation of the world around them — exciting and challenging the listener in equal measure, in the way only they can. Some of the riffs howl across a gallery of ice and snow while others crackle like a volcano awakening from its timeless slumber, Nocturno's demonic barks ricocheting across the intoxicating structures almost like it's beaming from long-distant galaxy. As DARKTHRONE have shown us so many times in the past, their music is as visual as it gets — evoking tangible imagery through the medium of sound. Whether the ideas are somber, reflective or incensed, they exist as emotional concepts you can see and feel as much as you hear.
"I am having difficulties putting into words my personal feelings around the existential title 'It Beckons Us All'. I can only hope others out there can feel the darkness that encompasses it," muses Fenriz.
Never afraid to venture beyond the confines of the extreme metal template they were paramount in creating, there are moments on "It Beckons Us All" that will dazzle and surprise, as well as satisfy fans of old. Nocturno comments: "We recorded in the manner we always do, live, meaning drums and guitar, with another guitar added later. We found a new twist during this process that surely benefited this album. Fenriz did stellar clean vocals on several songs, and his way of thinking creatively made it so good. We also shared the bass work this time around. We added a lot of extra layers like solo guitars… it was just a cauldron of ideas. Instead of finding a plug-in or choir synth patch, we both recorded four vocal tracks each. DARKTHRONE is an ever-evolving band, as many should know by now, and this album is touching a bit into the heavy genre. I have no idea what genre we are, and have really not cared much about it, but I know for sure it's metal."
In that sense, "It Beckons Us All" is very much demonstrative of two visionaries at their world-commanding best. They know what works but more importantly they choose to grow, throwing every ounce of their hearts and souls into evolving the jaw-dropping whirlpool of noise that could only ever have come from their collective minds. There are clean guitars, clean vocals and less typical instruments thrown into the mix, but the approach, intent and ethos at the heart of their fearless artistry remains very much the same. This is music for dreamers who find themselves paralyzed by the contrasting beauty and ugliness in the world surrounding them. Never ones to appease the faint-hearted, DARKTHRONE are as real and human as it gets.
"It Beckons Us All" was recorded in April and May 2023 at Chaka Khan Studios in Oslo, the same location used for the "Eternal Hails" and "Astral Fortress" albums, mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak.
"It Beckons Us All" track listing
01. Howling Primitive Colonies [06:30]
02. Eon 3 [05:43]
03. Black Dawn Affiliation [06:11]
04. And In That Moment I Knew The Answer [03:17]
05. The Bird People Of Nordland [07:27]
06. The Heavy Hand [04:18]
07. The Lone Pines Of The Lost Planet [10:03]
Nocturno Culto photo courtesy of Peer Olav Kittilsen
Aaron Lewis has released an acoustic-performance video for his song "Let's Go Fishing". The track is taken from the STAIND frontman's latest solo album, "The Hill", which arrived today (Friday, March 29) via The Valory Music Co.,
An upbeat song that's "very much not about going fishing," "Let's Go Fishing" finds Lewis calling out the nation's problems — but deciding to leave them for another day. Co-written with Bobby Pinson, a mix of fed-up frustration and organic-country comfort creates an intriguing contrast — a lightly-coded protest anthem with a let-it-be theme. "I find the whole thing tongue in cheek," Lewis admitted in a press release.
The "Let's Go Fishing" lyrics find the 51-year-old Lewis — an outspoken conservative rocker who reinvented himself as a solo country artist in the last decade — singing about "making America great again", "turning off CNN" and using the "Let's Go, Brandon!" catchphrase, which was coined by American conservatives to criticize President Joe Biden.
According to Fox 26 Houston, the "Let's Go, Brandon!" phrase, which originally stemmed from a NASCAR interview, is a G-rated substitute for "Fuck Joe Biden" chants that were popular during the COVID-19 pandemic. The explicit saying was recited at sporting events across the country in defiance of the president's coronavirus mandates.
After Brandon Brown's victory at the NASCAR Xfinity Series race on October 2, 2021, a crowd unleashed "Fuck Joe Biden" chants during the young racer's TV interview. NBC reporter Kelli Stavast appeared to misunderstand what the fans were shouting, claiming instead they were saying "Let's Go, Brandon!" — unintentionally coining the phrase.
Lewis made headlines in September 2021 when he urged his fans to chant "Fuck Joe Biden" during a STAIND concert in Pennsylvania.
In March 2022, Lewis told the Los Angeles Times that he doesn't blindly listen to information that is delivered by the mainstream media.
"I'm not uneducated; I'm actually really smart, and I look for myself. I seek other options of information," he said. "I refuse to believe that a huge, gigantic corporation has our best interest in mind."
Asked where he gets his news, Lewis said: "I have news feeds and people that I follow on Telegram. Dan Ball. Andrew Wilkow. Mark Levin. If I'm gonna watch any sort of news source on television, it's Tucker Carlson."
At some of his solo concerts, Lewis has been taking the stage while wearing a black hat with white mesh and white lettering on the front clearly stating "FUJOE," an expletive directed toward Biden.
In November 2021, Lewis claimed that he beat COVID-19 by taking ivermectin, a drug with no evidence of being a safe or effective treatment for the novel coronavirus. He said he also used Z-Pak, an antibiotic used to treat bacterial infections by inhibiting the growth of bacteria in the body.
In the summer of 2021, Lewis's solo single "Am I The Only One" debuted at No. 1 on Billboard's Hot Country chart. The song takes aim at liberals and touches on American flags burning and statues that have been removed in the country. The track, which Lewis wrote with Ira Dean and Jeffrey Steele, was released in July 2021 and topped the Hot Country Songs chart on Billboard.
Lewis sings in the song's chorus: "I'm not the only one, willin' to fight / For my love of the red and white / And the blue, burnin' on the ground / Another statue comin' down in a town near you." Lewis also criticizes Bruce Springsteen at the end of the track, singing: "Am I the only one who quits singin' along every time they play a Springsteen song."
Springsteen can best be described as Lewis's political polar opposite, having been a vocal opponent to former U.S. president Donald Trump on many occasions.
When Lewis first performed "Am I The Only One" in June 2021 for a crowd in Virginia, he described himself as a then-"49-year-old father of three" who has been "watching a very small handful of people destroy the country." Lewis then ripped President Joe Biden and blamed "every racist law that's ever been put into place" on "Democrats."
In March 2022, Lewis seemingly embraced the popular belief among conspiracy theorists that Russian president Vladimir Putin is attacking Ukraine to destroy the Deep State, a secret part of government they believe is on a mission undermine Donald Trump. Lewis voiced his views on the war in Ukraine before performing "Am I The Only One" during his concert at Vern Riffe Center in Portsmouth, Ohio. He told the crowd: "We have no order. We have no president. Every single day that goes by, we lose standing in the world. Everyone's laughing at us. Everyone is positioning themselves against us. And it's not us — it's the government that we put in power. These are the people that are making us look bad throughout the entire world — the same people that have you convinced that we all need to support Ukraine even though all of their money laundering systems, all of their everything, the way that they get all their kickbacks and they wash everything is all through the Ukraine."
Aaron then repeated the conspiracy theory that Russia's invasion of Ukraine is somehow tied to billionaire philanthropist George Soros and Klaus Schwab, who is the founder of the World Economic Forum (WEF) that holds a yearly economic symposium in Davos, Switzerland.
"You know, as fucked up as it sounds, maybe we should listen to what Vladimir Putin is saying," Lewis said. "Maybe, just maybe, when Klaus Schwab and George Soros and every other dirty fucking earth-destroying motherfucker all jumps on the same bandwagon, maybe, just maybe we should fucking take a good look at that. Why are they trying to protect Ukraine so much? What do they all have to lose?"
Seven Spires has shared "Architect Of Creation," the second single from their upcoming studio album A Fortress Called Home to be released June 21 via Frontiers Music Srl. The track is accompanied by a new music video, available below.
Frontwoman Adrienne Cowan had this to share about the track:
“'Architect Of Creation' is a bombastic romp through many of our favorite genres. On the spectrum from ‘mania to nothing’, this falls heavily on the mania side. But the true joy for me was in the arrangements — painting that world as the scenery of my soul! — and frolicking through them with Devin Townsend-inspired clean vocal stacks and Shagrath-y storytelling harsh vocals.”
Guitarist Jack Kosto follows up with:
“Those of you who have been with us since 'Solveig' will recognize the horned mask from the cover of that album in this video! Funny enough, during the multi-day shooting process, our rental car was broken into and the mask (along with the rest of all of our stuff) was stolen! We managed to recover it with only a few hours left on the last day of the shoot, and it’s crazy that this important visual piece of Spires history was almost lost to time over a freaking car. If you’re interested in the full story, it’s posted on our Patreon.”
A Fortress Called Home, Seven Spires' fourth studio album is the follow-up to Gods Of Debauchery (2021), and takes their signature blend of symphonic power and extreme metal to new heights, dragging the listener to the deepest abysses in the process.
Adrienne Cowan comments: “I visited the void twice while writing this album. I don’t know which begat the other. It’s ugly. I love it and I hate it, and I think it’s our best work yet.”
A Fortress Called Home was produced, mixed, and mastered by Jack Kosto who had this to say about it: “If our previous albums have intended to take you on an emotional journey of our design, this album forces you to confront the one of your own making. Good luck and enjoy!”
Tracklisting:
"A Fortress Called Home"
"Songs Upon Wine-Stained Tongues"
"Almosttown"
"Impossible Tower"
"Love’s Souvenir"
"Architect Of Creation"
"Portrait Of Us"
"Emerald Necklace"
"Where Sorrows Bear My Name"
"No Place For Us"
"House Of Lies"
"The Old Hurt Of Being Left Behind"
"Architect Of Creation":
"Almosttown":
Pre-order A Fortress Called Home now at this location.
Seven Spires’ 2024 touring schedule includes a European tour with Skálmöld and Atavistia in March, four North American shows as direct support for Kamelot with Ad Infinitum in April, a headline set at Mile High Power Fest in Denver, CO, in August, and their first-ever headlining Japanese tour with Lords Of The Trident in December. Further details can be found here.
Ulcerate, who recently announced the June 14 release of their new album Cutting The Throat Of God (Debemur Morti Productions), have shared a second single from the new album, with today’s arrival of “To Flow Through Ashen Hearts”.
The song was released in conjunction with a Dehn Sora-directed video for the seven-minute track.
Last month the New Zealand-based trio shared news of the album’s forthcoming arrival, and with it was the first taste of music from the seven-song album: “The Dawn Is Hollow”.
Cutting The Throat Of God was recorded in the fall of 2023, under the watchful eye of drummer Jamie Saint Merat, who also oversaw production and provided artist direction for the collection. Renowned mastering engineer Magnus Lindberg (known for his work with Cult Of Luna, Russian Circles and Tribulation) put the finishing touches on the release. Cutting The Throat Of God explores a cohesive lyrical theme centered on the rupture of morality, the delicate boundary between depravity and extremity, and the irreversible descent into darkness.
“To Flow Through Ashen Hearts”
“The Dawn Is Hollow”
“Further Opening The Wounds”
“Transfiguration In And Out Of Worlds”
“To See Death Just Once”
“Undying As An Apparition”
“Cutting The Throat Of God”
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Bruce Dickinson
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