SUN DONT SHINE (formerly EYE AM),the band featuring Kirk Windstein (guitar, vocals; CROWBAR, DOWN, KINGDOM OF SORROW) alongside former TYPE O NEGATIVE members Kenny Hickey (guitar/vocals) and Johnny Kelly (drums),plus Todd Strange (CROWBAR, DOWN),has released a new single, "In The End". You can now watch the official music video for the track below.

"In The End" will appear on SUN DONT SHINE's debut full-length album, "Birth To Death", due in early 2026 via Corpse Paint Records. The track represents a profound artistic evolution for the band, showcasing a slower, more contemplative side while maintaining the raw emotional intensity that defines SUN DONT SHINE's sound.

Corpse Paint Records' Andrew Spaulding comments: "'In The End' was one of those melodies that stayed with me from the moment it was written. I found myself humming it constantly. It carried a different weight — slower, more reflective — but the lyrics cut deep in a way that immediately made me think about the people we've lost along the way. For us, that includes giants who shaped this band's very DNA: Peter Steele, Dimebag Darrell and, most recently, Ace Frehley."

The single serves as both a tribute and a meditation on mortality, exploring themes that resonate far beyond the metal community. The song reminds us that none of us escape that final chapter, but we're given these days in between to make our story matter. This philosophy is reflected not only in the track's introspective lyrics but in its accompanying video concept — not a literal "Groundhog Day", but the idea that each new day is a gift to rewrite, to realign, to live with intention.

Windstein states: "'In The End' is a great example of what we want SUN DONT SHINE to sound like. It's got dynamics, melody and a bit of heaviness to it." With his earth-shaking riffs and Hickey's evocative, often ethereal melodies, the band strikes a delicate balance between heavy and haunting. Kelly's drumming keeps things tight but never feels constrained, while Strange's bass lines act as the backbone, holding down the bottom end with a ferocity only years in the rock trenches can cultivate.

"In The End" exemplifies the group's dynamic blend of heaviness and atmospheric nuance. Their music tells stories of resilience, reflection, and catharsis, with every song feeling like a journey guided by a sense of purpose that's as intense as it is unpredictable. "In The End" showcases what truly sets SUN DONT SHINE apart: the chemistry among its members. You can hear it in every note — a raw, almost unfiltered energy that comes from playing with people who have been through it all together, both the highs and the lows. Their music is about embracing imperfections and channeling them into something transcendent, capturing a moment rather than chasing perfection.

"In The End" is the journey we're all on… and the one we all must eventually take," the band concludes, encapsulating the universal truth that makes this single so powerfully resonant.

Although it was announced this past June that SUN DONT SHINE would release an EP called "Coming Down" in July via Corpse Paint Records, the band has since revealed plans to focus instead on putting out a full-length effort.

In a recent interview with Sh!t Talk Reviews, Hickey stated about SUN DONT SHINE's recent activities: "We ended up not going to Europe [like we were originally supposed to this summer] and opted to finish the record, add three more songs so that we can actually release an LP instead of an EP. So we took that month we would've been there. I went to New Orleans, we all met at New Orleans, and we all just concentrated on [writing] and recording three more songs."

Elaborating on the musical direction of the three latest SUN DONT SHINE songs, Kenny said: "They're great. It's just another level. I think the band is really beginning to find its sound. It's a darker, heavier, more versatile sound we got out of these three songs. Really, we just locked ourselves in a studio for almost a month and basically concentrated on music and jamming together and developing them. It's definitely just a next level up from the previous stuff that we've done. These three songs, they're just really explosive, very powerful."

Regarding a possible release date for the debut SUN DONT SHINE album, Kenny said: "It looks like beginning of the year, 2026, it's gonna be released. We have a number of singles that are gonna be released still up until then, so four more singles. When we were in New Orleans, not only did we record, but we also, we also shot three new videos. We shot one, which has a theme to it, in the Airbnb we were in, we're staying in. And then we shot two of the new songs that we worked on. So we got a lot done over there."

On the topic of a possible SUN DONT SHINE tour in 2026, Kenny said: It's definitely gonna happen. And we have some good stuff coming up in the beginning of the year too, in January. So, yes — the answer is yes… We're gonna find the time and we're gonna do it. We're gonna make it happen."

In September, SUN DONT SHINE released a new single, "What You Are".

This past June, SUN DONT SHINE released the official music video for the song "Coming Down".

The first single from SUN DONT SHINE, "The Promise Song", came out in January.

Under the band's original name EYE AM, SUN DONT SHINE released two singles, "Dreams Always Die With The Sun" in June 2023 and "Cryptomnesia" in November 2023, via Corpse Paint Records. The songs' accompanying music videos were shot and directed by Mike Holderbeast at OCD Recording And Production.

SUN DONT SHINE isn't just a band – it's a powerful convergence of four iconic musicians who have shaped the landscape of hard rock.

At its core, SUN DONT SHINE is a reflection of its members' shared philosophy: embrace the raw, reject the overly polished, and let the music speak for itself.

"I don't want our music to be one-dimensional," says Hickey. "I don't want it to be just dark and doomy or always so heavy. I want it to be both light and dark, dynamic and unpredictable."

It's a sentiment that runs deep in their sound, where each track takes on a life of its own, exploring contrasting moods and textures that reveal more with every listen.

With Windstein's earth-shaking riffs and Hickey's evocative, often ethereal melodies, the band strikes a delicate balance between heavy and haunting. Kelly's drumming keeps things tight but never feels constrained, while Strange's bass lines act as the backbone, holding down the bottom end with a ferocity only years in the rock trenches can cultivate.

Yet what truly sets SUN DONT SHINE apart is the chemistry among its members. You can hear it in every note, a raw, almost unfiltered energy that comes from playing with people who have been through it all together — both the highs and the lows. Their music is about embracing imperfections and channeling them into something transcendent, capturing a moment rather than chasing perfection. It's messy, it's visceral, and it's real.

The group's dynamic blend of heaviness and atmospheric nuance makes them a standout, but SUN DONT SHINE's identity goes deeper than their sound. With influences spanning everything from BLACK SABBATH to THE BEATLES, their music tells stories of resilience, reflection, and catharsis. Every song feels like a journey, guided by a sense of purpose that's as intense as it is unpredictable.

For Windstein it's about "breaking new ground." Whether they're delving into bone-crushing riffs or taking a melodic detour, SUN DONT SHINE is less concerned with fitting into a genre and more focused on creating music that resonates with their own experience and emotions.

Speaking to Meltdown of Detroit's WRIF radio station, Kelly stated about how SUN DONT SHINE came together: "That was started with Andrew Spaulding. I met him; he was a merchandiser for DANZIG. And then TYPE O went on tour after that. We brought him out and he worked with TYPE O up until Peter [Steele, TYPE O NEGATIVE frontman] passed away. And we all remained good friends and stuff. And he started an indie label; he started a small little label. And he suggested putting me and Kenny together with Kirk Windstein and Todd Strange from CROWBAR. We've all been friends — I've known Kirk and Todd for, like, 30 years at this point. So we've always been friends and we've always crossed paths and hung out and this and that but never really had the opportunity to get in a room and play together. And Drew had it worked out. We all met in Florida. We got into a room, came up with that song, recorded it the next day, and that was it; it was done.'"

According to Kelly, "Dreams Always Die With The Sun" was written and recorded in less than a day. "Drew literally picked me up from the airport and drove me to rehearsal," he said. "And the guys were in the room. And I just put my suitcase over to the side, set up the kit and we started working on the song. And then the next morning we went to the recording studio, tracked all the drums. And then I was on a plane. I don't know where I was going after that, but I had to leave right after we were done tracking; I think my flight was at six in the morning the next morning. So I was there just literally for a few hours."

Regarding how "Dreams Always Die With The Sun" turned out, Johnny said: "It's a cool song. I really wasn't sure what to expect. I guess the best way to compare it — on a different scale, of course — would be like Scott Weiland and VELVET REVOLVER [got together]. You take these people from these bands and you put 'em together and you have a certain expectation of it. Then you're not sure if it's gonna meet it, if it's exceeding it or if it falls way below. But I was pleasantly surprised at how easy it was and how much fun it was to work with everybody."

In addition to their work with TYPE O NEGATIVE, Hickey and Kelly had previously collaborated in a band called SEVENTH VOID, which released one full-length album, "Heaven Is Gone", in 2009, and SILVERTOMB, which issued "Edge Of Existence" in 2019.

Original CROWBAR bassist Strange returned to the band in 2016 for the touring cycle in support of the band's "The Serpent Only Lies" album.

Strange, who originally left CROWBAR back in 1999, stuck around for two years before departing once again to focus on his family life.

Windstein, who also plays in the New Orleans supergroup DOWN, released two albums with HATEBREED's Jamey Jasta under the KINGDOM OF SORROW banner. He also issued two solo albums.

Photo credit: Charles Dye (courtesy of For The Win Media)

Sun Dont Shine

Lorraine Lewis's long-running band FEMME FATALE has just released a new single, "Bad Love", via Cleopatra Records. The song's accompanying music video, directed by Vicente Cordero and shot by David Hernandez, can be seen below.

FEMME FATALE's first single after years out of the spotlight, "Living Like There's No Tomorrow", made a monster splash earlier this year, and now they're back with "Bad Love", a dynamite stomper that's accompanied by one of the most incendiary videos of the year. The clip is a visual extravaganza that hits as hard as the song itself. "And yes," Lorraine confirms. "That's real fire. We also brought in some incredible fire performers and even a real firefighter from the adult industry named Eva Angelina. Without giving too much away, let's just say the video is HOTTT!"

Written by Lorraine, TRIXTER guitarist/producer Steve Brown and guitarist David Julian, "Bad Love", she says, "is about that magnetic kind of connection you know isn't good for you, but you keep going back anyway. It's messy, it's addictive and it's real. I wanted to capture that push-and-pull between desire and self-preservation. We've all been there. We see the red flag and still jump in headfirst... but if that red flag's on fire? Baby, that's your cue to run.

"I'm lucky to work with Steve," she continues. "He is always magic. Steve and David really helped bring 'Bad Love' to life sonically."

But Steve also brought in some heavy hitters for the track — the killer rhythm section of Joey Cassata on drums and Sean McNabb on bass. Plus, what Lorraine so accurately describes as "a slaying guitar solo" from former GUNS N' ROSES guitarist Ron "Bumblefoot" Thal. The result is a truly pyro-powered feast for all the senses, with Lorraine looking and sounding as mesmeric as ever, and the band (with drummer Nick Mason dipping for Cassata) as electrifyingly assaultive as the song demands.

But how could they be anything else? As Lorraine says, "There's no faking that heat."

In a recent interview with Rev. Tom Brice of Sportzwire Radio, Lorraine stated about "Bad Love": "Steve Brown plays guitar, and David Julian plays rhythm guitar on the track. And we also are featuring Bumblefoot… That's a really big deal. And I'm super honored and grateful that he's on the track. And his solo is sick — it's so sick. It's gorgeous. It's layered and just juicy and delicious. So I can't wait for people to hear the track."

Regarding her collaboration with Brown, Lewis told Sportzwire Radio: "A lot of people are working with Steve, because Steve is an amazing producer. It was last year that Steve reached out to me. He was just coming off the success of [Ace Frehley's] '10,000 Volts' album. [The '10,000 Volts' title track is a] great, great song. That and 'Cherry Medicine' I loved off the album. Classic Ace but in 2024. It was great."

She continued: "I'm just so lucky that Steve reached out to me. Steve and I were labelmates back in the day on MCA. We've also done the cruises together. We've known each other a long time. And so he reached out to me and said, 'Hey, let's do an album.' And I said, 'Let's go.' So the first song was 'Living Like There's No Tomorrow'. He had the chorus ready to go. I immediately was, like, 'Oh, this is such a great anthem.' And it just spoke to me then with everything that had gone on in the previous months before we started working together."

"Living Like There's No Tomorrow" was written by Lewis and Brown, who also produced the song at his Mojo Vegas 6160 studio in New Jersey. The track was engineered by Brown and Scott Gutierezz and was mixed by Bruno Ravel.

"Living Like There's No Tomorrow" features Brown and David Julian on guitars, with the guitar solo played by R.J. Ronquillo, and drums played by Kent Slucher.

FEMME FATALE released a self-titled MCA album in 1988 which produced two big rock singles and MTV videos: "Waiting For The Big One" and "Falling In And Out of Love".

The 67-year-old Lewis reactivated FEMME FATALE after a nearly six-year run as the lead vocalist of VIXEN, whom she was invited to join in 2019. Lorraine has also been recording with Lou Gramm, the original FOREIGNER lead singer and Rock And Roll Hall Of Famer. They have recorded an interpretation of David Bowie's "Heroes".

Lewis was fired from VIXEN in May 2024 and was replaced by Rosa Laricchiuta.

In January 2019, VIXEN recruited Lewis as its new lead singer following the departure of Janet Gardner.

Lewis had already performed with VIXEN in March 2018 in Durant, Oklahoma while Gardner was recovering from surgery.

A collection of demos for what was supposed to be FEMME FATALE's second album, "One More For The Road", was released in 2016 via FnA Records. The demos were recorded back in 1989/1990 with the original bandmembers and had never seen the light of day until more than a quarter century later.

"One More For The Road" contained 14 tracks, including a version of Janis Joplin's "Piece Of My Heart".

FEMME FATALE released a live album in April 2024, "Demos + Live", that also included five demo tracks and a cover of AC/DC's "It's A Long Way To The Top".

In a recent interview with Jeff Gaudiosi of MisplacedStraws.com, Lewis stated about the current FEMME FATALE lineup: "Well, it's all guys, for one thing. I've had a wonderful time being with the ladies of rock and roll — do not get me wrong — I've had a major blast. But FEMME FATALE originally was myself and four rocking guys, and we're getting back to the roots of that.

"Look, we can't go back to the '80s — I don't wanna do that — but I do want to be the front person, the leader of the pack that has these great rocking guys in back of me," she explained. "And so we're getting back to that look, getting back to that sound."

Femme Fatale