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Новости

27 фев 2013 : Новый альбом STRUCTURE OF INHUMANITY выйдет в марте

STRUCTURE OF INHUMANITY, новая мелодик-пауэр/дэт-металлическая группа, в состав которой входят клавишник (он же и автор музыки) Jonah Weingarten (PYRAMAZE, ECHOTERRA), вокалист Clay Barton (SUSPYRE), басист Noah Martin (ARSIS) и новая звезда, гитарист Mike Iuzzolino, заключила соглашение с лейблом Blinding Force Recordings, на котором 28-го марта состоится цифровой релиз дебютного альбома "Completion Integration". Видео на одну из песен из этого альбома, "Red Ashes", доступно для просмотра ниже.

5 ноя 2010 Новое видео STRUCTURE OF INHUMANITY
24 дек 2009 Первый трек от STRUCTURE OF INHUMANITY
6 июл 2009 JAMES MURPHY будет гостем на дебюте STRUCTURE OF INHUMANITY
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Structure of Inhumanity
Информация

Страна
United StatesСША
Стиль
-
Сайт
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Myspace: http://www.myspace.com/structureofinhumanity
Facebook: https://www.facebook.com/pages/Structure-of-Inhumanity/494054395214


Биография
Structure of Inhumanity is the musical vision of keyboardist Jonah W. (Pyramaze, Written In Blood, Echoterra, Dance of the Mourning Child, Blood Promise, Legion of Carcaroth, Avian). The idea for Jonah to form a new project came about during the fall of 2005. It was then that he felt it was time to establish himself as a creative force and a songwriter, in addition to a studio musician and live performer. The basic groundwork that became the foundation of the Structure of Inhumanity sound, was melodic, epic, occasionally progressive, and over the top Heavy Metal, strongly routed in the Swedish and Finnish sound, with a touch of American style riffing. Influences ranging from Soilwork, Iced Earth, Edge of Sanity, Arch Enemy, Children of Bodom, and of course Pyramaze can be heard. Jonah didn't have to look far to complete the line-up neccesary. The first step was finding a guitar player who could interpret the riffs and melodies that Jonah had written, while adding his own style and ideas on top of that. Mike Iuzzolino approached Jonah via internet, and it was clear after listening to samples of mike's work that he was the man for the job. Not only could Mike shred, but he also had the higher understanding of melody and the blistering savage creativity that the music required.
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