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6 èþë 2025
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5 èþë 2025
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5 èþë 2025
Ex-EXODUS Singer STEVE 'ZETRO' SOUZA On His Upcoming Tour: There Are Songs In The Set That I've 'Never Played Live Before'
 Former EXODUS singer Steve "Zetro" Souza will celebrate the 20th anniversary of the band's 2004 album "Tempo Of The Damned" on a 10-date solo tour of Latin America in September 2025. The trek will kick off on September 4 in San José, Costa Rica and end on September 14 in São Paulo, Brazil. At all the shows, Souza will also perform classic songs from his other former bands TESTAMENT (Zetro was the lead vocalist for LEGACY, an early incarnation of TESTAMENT) and HATRIOT, as well as the Bon Scott era of AC/DC.
Backing Souza on stage at the shows — billed simply as ZETRO — will be the following musicians:
* Zakk Frye (SLIKK WIKKED) - Rythm Guitar/Backup Vocals
* Kyle Smith (SLIKK WIKKED) - Lead Guitar
* Andrew Dewar (VICIOUS INTENT) - Drums
* Donny "Death" Weissinger (NASTY TRAST, HATE GRENADE) - Bass
For a complete list of tour dates, see the poster below.
Zetro spoke about what fans can expect from his return to the stage on the latest episode of his Zetro's Toxic Vault YouTube series in which he is joined by his longtime friend and co-host Walter Morgan, Zetro. He said (as transcribed by BLABBERMOUTH.NET): "I agreed to go to South America on my own merit, as Zetro, not as any band that I played with before. Kind of like [Ronnie James] Dio or Ozzy [Osbourne]. I never looked at myself like that, to be honest with you. I always felt more comfortable in a band. But as things play out, this kind of played out towards my favor and to do this. And I'm kind of glad I did, because actually the feedback that I'm getting from it is really, really positive, and a lot of people in the industry that know me, and [who] I don't think were necessarily happy with the way things played out earlier this year [after Zetro was fired from EXODUS] are really pulling for me, which is really good."
Regarding what songs he will perform on the upcoming tour, Zetro said: "I'm not gonna do any TENET. And I'm not doing any DUBLIN DEATH PATROL. So let's just get that out. The TENET record — if you guys love the TENET record 'Sovereign' that came out in 2009 — it was myself, Jed Simon, Byron Stroud, Gene Hoglan and Glen Alvelais, we're not doing any of those songs, because I wanna do TENET again. I would like to play some concerts with those guys, so I felt that I really didn't wanna exploit that by playing those songs. Basically, what I'm going to be playing is TESTAMENT [material from the] LEGACY [days], because, again, I want you guys to know — I never played in TESTAMENT; I only played in LEGACY. They became TESTAMENT after I was out of the band. I know they are TESTAMENT songs now, but they were LEGACY songs before and songs that I wrote and actually recorded. So I feel very comfortable playing those. And, obviously, I'll be playing EXODUS stuff as well. What I won't be playing of EXODUS — I will not be playing any 'Bonded By Blood', and I will not be playing any of Rob's [Dukes] era songs."
Zetro continued: "I have so many songs in my own catalog and songs that have never been played live or it's been — what? — 35 years since they've been played or longer. There's songs on this list that I've never played live before. So I thought that instead of giving you guys the same show you might have seen before, I am trying to give you a different show, something when you come and see my band play, you'll hear the songs you won't necessarily hear if you go see EXODUS — or maybe even TESTAMENT. I know Chuck [Billy, TESTAMENT singer] plays some of the [early] songs sometimes, like he'll do an album in its entirety and stuff, and then they'll get played, but the songs, obviously, that I've picked, you guys have never heard me sing 'em before other than on the LEGACY demo. So that's gonna be a lot of fun. And again, songs that I have never played, I think. I think there's a couple of them on there that are absolute surprises that I don't think the band ever played them, and I know we didn't play them in South America. So if I'm looking at the songs that we are going to play, there's maybe, maybe four that you've heard me sing live, maybe. I can't remember. I know we've been going to South America a lot since I rejoined EXODUS back in 2014, and we've played multiple sets down there. But looking at it, I'm gonna say maybe four songs that you might've heard. The rest you've never heard me sing before."
Steve added: "I wanted to do that anyway. I have such a big catalog of songs through my EXODUS years, and I wanted to play some of those songs, some of the songs that either the band never played or does not play anymore. And they're good songs, and they're heavy. And it's something I wanted to do."
As for the possibility of writing and recording new music, Zetro said: "I have to be honest. Right now I kind of don't want to. There's so many songs in my catalog that I could play that you'd rather hear, in my eyes, than going out and trying to write a Dio record or an Ozzy record or a Zetro record. Right now anyway, that's what I wanna do. That could change.
"Again, I've said this a hundred times, my catalog with EXODUS and with TESTAMENT and HATRIOT, and if I started playing some DUBLIN DEATH PATROL songs or even TENET songs, those are five bands that have all done things," he added. "And another thing. I've done an AC/DC tribute since 2009. It's a good chance you're gonna hear some AC/DC. So I'm making it fun. I'm gonna make it fun."
As for how many tracks will be in his set, Zetro said: "17 songs, I think. I'd say 16 or 17 songs. Some of the songs are long, so I'm gonna say 90 minutes, or it should be close to 90 minutes. So we'll see what happens with that. Maybe we'll add more. I don't know. I doubt it. What I wanted to do is concentrate on these songs that have been chosen and the ones that we're gonna play. And I really want them to be absolutely tight and absolutely performed like they sound on the record. My whole take is if you make the songs sound like they sound on the record, you've done everything you can do to bring them across. Vocally, and I'll be honest with you, I sang the best I have ever sung on that last [EXODUS] tour I did [in late 2024] with HAVOK. I was on fire vocally. And I think a lot of [that has to do with] me keeping my weight down and that sort of thing. I walk six miles every morning. I started playing pickleball the other day.
"I know that I'm 61," Zetro added. "I know that time, it's creeping on me, but I see a lot of artists go out and I cringe when I see them perform because it's just so awful. It's just awful and maybe time to hang it up. And if I felt that way about myself, well, I wouldn't be doing this because I'm the first one to throw the stone at that. But I think there's a lot of validity here. And again, if this continues, like, okay, for example, if we go back to South America, say we do really well and next year they wanna bring us back or whatever, I'm changing the songs. I'm changing all the songs, so that maybe one or two I'll leave in there. But that's why I'm doing this — I wanna play some of the songs that I recorded over the years that I never, ever, ever got to play live."
SLIKK WIKKED is a metal/thrash band that was started in 2013 by Zakk Frye in Rochester, New York. Since then, they have released two EPs, including the thrash anthem "Black Wind Of Death", followed by the full-length album "Savage", all of which are available on YouTube and Bandcamp. Zakk also owns and runs 10th Ward Productions, the team helping bring Zetro back to the masses.
Zakk told BLABBERMOUTH.NET: "We will be performing a full 90-minute set of all the deep classics from EXODUS and TESTAMENT/LEGACY. And also ripping tunes from HATRIOT and even AC/DC. This will be an action-packed balls-to-the-wall metal show for all Zetro fans. They will not want to miss this."
Any venues interested in booking Zetro dates can contact Zakk Frye at 10th Ward Productions via [email protected].
Six months ago, it was announced that EXODUS had parted ways with Souza and had welcomed back Rob Dukes.
Souza joined EXODUS in 1986 after previously fronting the band LEGACY (which, as stated above, later became TESTAMENT). He remained in EXODUS until their hiatus in 1993, but rejoined them for two years from 2002 to 2004. Dukes became the singer of EXODUS in 2005 (following Souza's departure) and stayed until 2014, when Souza returned.
Souza discussed his most recent split with EXODUS during a previous episode of Zetro's Toxic Vault. Addressing the reasons for his departure, Zetro said in part: "I've been doing this since 1986 —1986, in June, I joined EXODUS for the very first time. I was 22 years old. I'm now 61. So to have kind of a rollercoaster ride in music has actually been kind of exciting,. It kept my life going. Certain things happen and certain things go on, and you kind of have to deal with them as they happen, like anything."
Clarifying that he "did not quit" EXODUS and "was let go", Souza continued: "I don't read much of what goes on the Internet. With no disrespect to anybody, I don't give a fuck what anybody thinks about me or what you say… But I was made privy by my son of something Gary [Holt, EXODUS guitarist and main songwriter] had responded to me saying that I didn't quit; I was let go. And I have to agree with his analogy. Being in a band is like a marriage — it truly is — and the marriage was over. And it was. Now, I was never gonna quit, meaning maybe I guess I would never leave the marriage, for whatever reason. But I truly think that it was probably the right thing for me especially, and I hope it's the right thing for them as well."
Regarding his mindset after his latest departure from EXODUS, Souza said: "People were calling me — my friends and my family — asking me if I was okay. And I was fine. I was, like, 'I'm great.' I'm really, really happy and more content. And again, we're in April now, and this went down in January. And actually, I knew in December — I knew before anybody knew, before it was announced. And I was cool with it."
Speaking directly to the EXODUS fans, Zetro said: "I'm gonna miss you guys. I really am. But for me, my life has changed a lot. What I liked when I was younger in my twenties and my thirties are not necessarily what I'm into anymore. I love my family. I mean, I came home and got married to Vickie, who I've been with for 17 years, and she is the love of my life. And you know how hard it is to go away from the love of my life at this point, at 61 years old for five weeks, six weeks at a time? It wasn't easy for me, even though it may not have shown on stage, and it definitely didn't show when I was with you guys, with you fans, and anybody that approached me because I would never want anyone to have an awful experience with me. But I think it was time, honestly.
"I had told Gary, and I told them that I would like to do this till I was 70 and probably not much more than that, but I think in the back of my mind I think I was kind of already done with the rigorous life of touring, 'cause it's very demanding," Souza admitted. "And the business doesn't care about what you have going on. [I'll] give you an example — in 2016, my mother died and I was in El Salvador on tour. I should have been at her bedside, but I wasn't, because I had to do this. I've had dogs pass. I've missed graduations from my children. Any musician that has been in my position can absolutely relate with this, because it is part of it. And a lot of times people don't necessarily think of that. And then there's the guys, there's the musicians that really like to do this, and they'll go out and they'll hit it hard. They'll go from one thing to another."
Elaborating on his reasons for wanting to spend less time on the road, Zetro said: "I've changed over the past few years, even in the last 10 years since I've been back. And I think I'm more interested in what's going on in my house and around what I'm doing here. I like to see my dogs every day. I have three pugs that absolutely love. I have a grandson now. I never get to see them. I wanna see my wife every day. I wanna sleep in my bed every day. It's been something that mentally has gone on and changed. But again, I would've never quit because I'm not a quitter in that type of respect. Everybody's, 'Oh, well, you quit in 2004.' No, I had to leave the band because I had a union job, three little kids and a wife, and I was trying to balance working as a foreman, as a union job, being a father, coaching baseball and soccer, and being a husband and playing in EXODUS, and I couldn't balance all three. The thing that I loved the most was playing in EXODUS, but, unfortunately, it could not take care of my wife and my kids and ballerina signups, baseball signups. The business wasn't paying that much at the time, so I needed to go and take care of my family… So coming back into the band in 2014, kids are grown, I'm set in my job. I was very, very excited. And again, I had a really good time over the last 10 years playing in the band. And it was one of those things that I have to say I'm kind of glad that I've ended up where I'm at right now, I don't like airports anymore. I don't like sleeping on the tour bus anymore… So I'm not saying that this was a decision that I would've made, but I'm saying for myself and to have a few months to look at it, it was definitely the right decision."
Souza went on to say that EXODUS fans should continue to support the band now that Dukes has returned to the group.
"I look at it now as, what about all you guys that are big fans of Rob's era? Just think — now you get to come back and see Rob maybe for the next 10 years and see him continue on," Zetro said. "So if you were fans of his era, like you were fans of my era, or both eras — I know there's some of you [that are] 'I'm [Team] Zetro' or 'I'm [Team] Rob', or whatever, 'I'm cool with whatever EXODUS does,' I get it. And I totally understand that, and I respect every one of you for those things. But now maybe for the last part of the band they get to enjoy Rob and Rob's era of the band. I mean, Gary's gonna continue to write music and record music. And Gary Holt doesn't know how to write a shitty riff. Okay? So you EXODUS fans know what you're gonna get from that, and that's what I have to say."
Souza also addressed the possibility of another reunion with EXODUS down the line, saying: "Will I ever grace the stage with them? No, definitely not. I think it's been done. This was the third time that I had joined the band, so I think it would be a bit redundant to try to do this or do this again. So just so you guys wanna know, I have no desire to do that ever again. It's been done. If you saw my last concert in Los Angeles at the Regent [in December 2024], then you truly saw the last concert that Zetro will ever sing with EXODUS."
Zetro added that he went out on top, both in term of his live performance with EXODUS and his relationship with the band's fans.
"If you saw us on the last tour with HAVOK, then, honestly, I was singing better than I've ever sung through the years," Souza said. "So I don't feel that it was something that, vocally… I did my job — I did my job quite well — and even they'll tell you that. And the fans, you guys know that I bring it. Every time I come, I bring it. And that's just the way it is. And if you walked up to me for a picture or an autograph, I never would say no and I've never pushed you guys away. I would hang out and talk to you about stuff. How many of you fans have spent time after the show talking to me about whatever? Horror, movies, metal sports, whatever. I'll sit out there and talk to you guys 'cause I've never considered myself above anybody."
Asked what specifically he didn't enjoy about the touring lifestyle, Zetro said: "Too much time in the day. Waiting to wait. It's a lot of waiting. Going to an airport, waiting four hours for the flight, getting on the flight for five hours, getting to where you've gotta go. Then you have another six-hour layover before you have another five-hour flight. And line one, line two, security this, security that. I don't have the patience for that anymore. The bus — I know this sounds very pompous. I was very fortunate to get to tour in a bus. I know bands that do not tour in buses… But for me, the bunk started to be very, very uncomfortable. And the only time I could get in there was when I truly had to sleep. But as soon as I woke up, I got up. So there's too much time in a day for you to go to museums or comic bookstores or me to go buy toys and whatever I do on the road. It is just a lot of downtime, and I feel as now 61 years old, I wanna do other things in that downtime. And I don't wanna be doing this, and all of a sudden I end up getting sick or my wife end up getting sick and one of my children, and I have to come home and I've got six months to live, or they've got six months to live and I've missed all of this with them and I missed it all. I don't want to do that anymore. I've missed too much over the years, and it's just kind of where I've been mentally — especially the last few years I've been thinking about that."
EXODUS played its first concert with Dukes in nearly 11 years on April 5 at the Decibel Magazine Metal & Beer Fest: Philly at the Fillmore in Philadelphia, Pennsylvania.
Dukes previously joined EXODUS in January 2005 and appeared on four of the band's studio albums — "Shovel Headed Kill Machine" (2005),"The Atrocity Exhibition... Exhibit A" (2007),"Let There Be Blood" (2008, a re-recording of EXODUS's classic 1985 LP, "Bonded By Blood") and "Exhibit B: The Human Condition" (2010).
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5 èþë 2025
BLACK VEIL BRIDES' ANDY BIERSACK: 'We Finished A New Record'
 In a recent interview with Brandy-Baye Robidoux of Idobi Radio, BLACK VEIL BRIDES frontman Andy Biersack confirmed that he and his bandmates have been working on the follow-up to their sixth album, "The Phantom Tomorrow", which came out in October 2021. He said (as transcribed by BLABBERMOUTH.NET): "We finished a new record. At this point, one song is fully mixed. So it's very early. But we produced the record ourselves — myself and Jake [Pitts, BLACK VEIL BRIDES guitarist] were kind of at the helm in that — and it was the first time doing a self-produced record in that way, at least of original material. We had done re-records or things before, but this was the first time that we… It was also devoid of many outside voices."
Elaborating on BLACK VEIL BRIDES' decision to not work with an outside producer this time around, Andy said: "For a lot of years, you get to a place where you start… Your first record, you write the record together, and then you record it and then it's out there. And then you have a level of popularity, if you're lucky, and then people go, 'You know what? We should put you with this producer.' And then that producer has a way of doing things, and then you work with the next producer and they have a way of doing things. And then the more and more you work with different people, the more injection of their style becomes a part of what you do. And that's actually been really beneficial for us, because working with [producer] John [Feldy] Feldmann for so many years really created, for me, vocally how I am now. My voice, there's a definite line where you go, 'Oh, this person became a much better singer,' and I credit that all to Feldy and basically him teaching me how to use my own voice. Working with Erik Ron, working with Bob Rock, we've had a lot of luck with our producers, but we had never, in our whole career, back since the very beginning, had an opportunity to go, 'We kind of know what this band is,' and 'What would a record be like if we made it and tried to use our best judgment?' We didn't wanna go in there just celebrating ourselves. I think sometimes that's the thing that happens when bands produce their own record. They're, like, 'Everything we do is great.' We were very hard on ourselves to make sure that it was the best thing that we could do, and I'm really excited about how it's turning out."
Biersack went on to credit Feldmann and Ron with helping him develop the skills in the studio to oversee a BLACK VEIL BRIDES recording from beginning to end. "I wouldn't know how any of this stuff functions without particularly those two," he said. "Jake and I have always said we learned how to be people in a studio from John Feldmann. And then that carried over to where when we started working with Erik, who also had worked with Feldmann as an engineer in his early career, we come from that same school. And so I think in a lot of ways we brought that same sort of means of production to our record. It's just that we were doing it on our own. But it really comes from that for us."
Asked if it was "more challenging or easier" to produce the new album themselves, Andy said: "I would say it was a little bit more challenging in the capacity that you've gotta make sure that you get it right. I would say the easier thing is for me vocally, sometimes — and I guess this will be determined by how people hear it — but sometimes when you're singing, if you're working with a producer who is also a singer, they have a way that they want to hear something. So if I go, 'This melody goes this way,' and they go, 'Oh, this melody should go this way.' And then you're, like, 'Oh,' and that's unnatural. I always say, like, there's certain times when I can hear on records where I would've wanted it to be pushed this certain way, and then somebody else wanted it to go this other way, and then I just end up sounding like I don't know what I'm saying in the song. With this, it's just the way I want it, for better or for worse. So we'll find out whether that was the right way or not. We'll find out. We'll see if people like it."
Regarding whether BLACK VEIL BRIDES is "pulling from any unexpected influences" this time around, Andy said: "Well, I think we have a total lack of interest in any commercial crossover. We've been in the major label system for most of our career, where even though we were a band with a lot of shreddy guitars and I'm writing about theological ideas, they're, like, 'But where's the single?' And so you'd always kind of have to temper that with, 'We've gotta make sure that there's a single.' And what we have found, and thankfully working with Spinefarm now, 'Bleeders' was not a song that was made to be a hit. And yet it was a song that, because the label believed in it, did really well at radio and traditional places. So we want to be able to make songs that are enjoyable and that people at radio wanna play — we sincerely want that — but we are not in a position now where we're going to the studio going, like, 'Okay, but we've gotta make sure that we have the song that it's cool for the executives' kind of thing, which is kind of something that we had been bogged down by for a lot of years… And sometimes it works and sometimes it doesn't. In some cases, you make a concept record that's an hour and a half long, but you happen to have a song that is a platinum single on it. People are, like, 'All right, fine. You could do weird stuff.' If you do that same thing and then you don't have that platinum single, yeah…. And we've seen both sides of that. So, at this point I feel like the best bet is just to make the coolest thing we can make as opposed to trying to go, 'I hope we've got that big hit on there,' 'cause you can't prescribe those things."
In May 2024, BLACK VEIL BRIDES released the title track from their "Bleeders" EP, inspired by Stephen Sondheim and Hugh Wheeler's "Sweeney Todd". The band paid tribute to the classic musical with a music video for the title track that is inspired by the musical's 2007 Tim Burton-directed film adaptation.
Released in June 2024, the three-track EP, which included "Bleeders", a cover of "My Friends" from the Sondheim classic, and a cover of U2's "Sunday Bloody Sunday", was BLACK VEIL BRIDES' first release for Spinefarm. | 0 | |
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5 èþë 2025
THE CULT's BILLY DUFFY: 'We're Not Actively Engaged In Recording' Any New Music Right Now
 In an interview with Marko Syrjala of Chaoszine, THE CULT guitarist Billy Duffy was asked about plans for the band to release new music as the follow-up to THE CULT's 2022 album "Under The Midnight Sun", particularly since singer Ian Astbury recently said "there are recordings that are already nearly finished". Billy responded: "Well, Ian says a lot of things. I don't even know if he'd remember saying that. I'm always writing music, but as far as I know, we're not actively engaged in recording anything. That'll happen eventually, but I don't know what made him say that."
Asked if THE CULT has a record deal with a label at the moment, Billy said: "No, but I'm sure we can get one. We always seem to find someone who wants to sign us — that desire always seems to be there. So, I don't think that's a problem. I think we just have to be in the right mental space as artists, as a band, to want to make a new record. We also need to figure out what the goal is, but I think that time is coming. We've done enough touring now — we've pretty much toured everywhere in the world that we can, give or take. So, what generally happens then is there's downtime, and we go quiet. That's when we start getting creative. Yeah, well, that's what I think. So, I believe it'll happen organically. It seems to happen on a cycle of every four years. Obviously, the pandemic disrupted things for everyone. But if you look at THE CULT, since we got back together in 2006, we've sort of made a record every four years. So that cycle will come around again — you just have to wait and see. I know we'll give it a go — I can feel it coming. But I'm not sure what [Ian] meant back then. Maybe he just had a vision for the year ahead."
This past March, Astbury told Brazilian music journalist Igor Miranda about THE CULT's plans for new music: "If it happens, it will happen organically. And there's no hard plans, but there are recordings that are already nearly finished, things that we were working on previously.
"We released [the songs] 'Flesh And Bone' and 'C.O.T.A.'. That only came out as a seven-inch. Nobody even knew it came out. I decided they were DEATH CULT [a stepping stone between Astbury's previous band SOUTHERN DEATH CULT and THE CULT] songs. Call it whatever you want. For me it felt like DEATH CULT songs. And now people are beginning to listen to those songs and go, 'Oh, these are really interesting. Do you have any more?' And we go, 'Well, we have a few more from that period.' And there's plans to drop some other recordings, maybe from DEATH CULT. But definitely THE CULT…"
"I mean, there's definitely plans to do things, but a formal album in the studio? I don't know," he continued. "It could happen. It may not happen. We're talking about music right now. We're always talking about music. But… I don't know. There's no formal plans to go in the studio and make an album right now.
"If you know about the way the streaming works, the algorithm, you can spend so much time, you can make a masterpiece, and you can put it out in the world and the algorithm doesn't like it, and then it disappears very quickly. You're competing with thousands and thousands and thousands of thousands and thousands of individual artists.
"[It] seems to me there's a decline in bands, and there's an increase in artists who are making records in their bedrooms and studios, small studios.
"I'll definitely be releasing music," Ian added. "There will be CULT music this year of some description. But it's not gonna be in a conventional format. There will be one record released maybe in the middle of the year that will be in conventional format, a live concert, but I can't say much more than that. You have to wait for that. We'll see. We have to do some negotiations to get it finished.
"With THE CULT, we're very intuitive in that way. We don't follow a plan or a schedule. We kind of work in harmony with the rhythm of what's happening around us.
"'Under The Midnight Sun' is referring to the pandemic 'cause it was this anomalous moment where a once-in-a-lifetime experience — not even once-in-a-generation [or] once-in-a-lifetime; once-in-a-century experience — so it was this anomalous moment. There's just so many layers. But ultimately, it has to translate with four musicians on stage and then you have to use your emotional intelligence to convey this. So, a lot of time is spent living, documenting, studying, reading.
"I don't really watch — I don't watch TV. I have two TVs in my house. They're never on. Maybe football, and that's about it. Everyone's saying, 'Have you seen this TV show, seen this TV show, seen this film, seen this TV show?' I'll go to a theater to see a film, like the last 'Dune' film. I had to see that on a big screen, 'cause on TV it's just blergh. I don't watch much television. I've watched a lot of film in my life, but if it's an important film, I'll watch it or I'm interested in it. But mostly I'm reading and listening to music. And then training in martial arts. And then doing creative direction for the band. And then working on other projects — my material. I wouldn't even call it solo projects. They're collaborations.
"So my intention is there'll be more CULT at some point, there'll definitely be DEATH CULT, there'll be more CULT, and then I'll be working on other things myself, other collaborations," Astbury concluded.
THE CULT holds a significant place in musical history due to its pioneering use of post-punk, hard rock, and experimentalism, pushing boundaries and influencing countless bands across multiple genres. With their musical prowess, uncompromising attitude and captivating stage presence, they forged a distinct identity while charting new territory for bands to explore. From Duffy's formative, and influential, years in the Manchester underground, to Astbury's groundbreaking "Gathering Of The Tribes", the duo has left an indelible mark on modern music, shaping its trajectory in profound ways.
"Under The Midnight Sun" arrived in October 2022 via Black Hill Records. The LP was produced by Tom Dalgety (PIXIES, GHOST, ROYAL BLOOD). Dalgety is the first British producer THE CULT has worked with since its second album, "Love" (1985).
Born out of the ashes of the U.K. post-punk scene, THE CULT evolved to become one of the most influential and controversial rock bands of the late 20th century, selling millions of albums, headlining arenas and stadiums around the world, infusing innovative possibilities into the worlds of music and art, and quickly ascending through the ranks of the indie music world to achieve global status. THE CULT, whose music transformed from punk rock to post-punk, psychedelia, heavy dance music and transcendental hard rock, became one of the handful of important bands in the U.S. post-modern and hard rock communities, and was embraced by a generation that was waking up to the influence of 1960s and 1970s rock icons like LED ZEPPELIN, THE NEW YORK DOLLS and David Bowie.
The constant core of THE CULT is the "head and heart" of the band, Astbury and Duffy. Attitude incarnate, the chemistry between these two vastly different artists — equal parts genuine affection and palpable tension — remains the source of their long-standing partnership. Duffy grounds Astbury's esoteric side with a hard rock perspective, and there is no doubt that at all times, these two have each other's back. THE CULT's current lineup also includes former WHITE ZOMBIE, EXODUS and TESTAMENT drummer John Tempesta.
Image and video credit: STREETLIFE | +1 | |
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5 èþë 2025
TOTO Founding Member STEVE PORCARO Announces New Album 'The Very Day'
 Steve Porcaro — legendary songwriter, synth pioneer, and founding member of TOTO — makes a long-awaited return this fall with "The Very Day", his first solo album since 2016. Out October 3 on Green Hill Music, the album begins its reveal with the release of the radiant new single "Miss Jane Sinclair", a breezy piano-driven track written in collaboration with author and longtime friend David Kamp.
A platinum-selling songwriter best known for penning songs like Michael Jackson's "Human Nature" and shaping the sonic landscape of '80s pop with his signature synth textures, Porcaro has spent a lifetime in the studio crafting songs for others. His role as a behind-the-scenes architect of that sound was recently spotlighted in the HBO documentary "Yacht Rock", which revisited the smooth pop era he helped define. But with "The Very Day", he turns inward — finishing a deeply personal collection of tracks decades in the making.
"I found myself in this fortunate position where the coast was clear," says Porcaro. "After years of spinning plates and making a living in music, I finally had the space to do what I love: be in the studio and finish my songs. This album is the start of a new chapter for me — no touring, no compromises, just making music on my own terms."
Porcaro wrote and recorded the songs on "The Very Day" with a carefully chosen cast of friends and collaborators, including Michael McDonald, Jude Cole, Gardner Cole and Jason Scheff. With a producer's ear and a composer's sensibility, Porcaro approached each track like casting a film — inviting voices and musicians who best served the story of the song. Though he's never considered himself a lead vocalist, he sings several songs on the album, including "Miss Jane Sinclair".
"I've always had a soft spot for a great hook, but I also grew up loving music that pushed the envelope — STEELY DAN, EMERSON, LAKE & PALMER and YES," he says. "Now I get to follow that instinct and be true to myself. These songs come from that place."
Blake Davis, general manager of Green Hill Music, adds: "Steve Porcaro is one of the great architects of modern pop. His touch — whether in the studio or behind the keyboard — has influenced generations. We're honored to release 'The Very Day', a record that reflects both his legacy and his freedom to create exactly the music he wants to make."
In July 2024, Steve announced a partnership with Primary Wave Music, the leading independent publisher of iconic and legendary music in the world. Terms of the deal included Porcaro's music publishing catalog, artist royalties, and neighboring rights. The multi-million-dollar deal included royalties for some of TOTO's biggest hits, as well as rights to all songs Steve composed for film and television, including his work for the award-winning FX show "Justified".
As one of the founding members of the band TOTO, Porcaro wrote some of and performed on all of the band's groundbreaking repertoire. Their songs not only shaped the landscape of pop and rock music but also are timeless, with new fans finding their music every day. The band's greatest hits such as the Top 5 singles "Rosanna" and "Hold The Line", as well as their No. 1 classic "Africa" were all included in this new partnership with Primary Wave. "Hold The Line" was the band's first single off their self-titled debut. It soared to No. 5 on the Billboard Hot 100, was an international success, and has since been certified double platinum. Released in 1982, "Rosanna" reached No. 2 on the Billboard Hot 100, staying there for five weeks. In 1983, "Rosanna" won the Grammy Award for "Record Of The Year". TOTO's most well-known hit "Africa" was released in October 1982 and was the third single off the band's multi-platinum and Grammy-winning album "Toto IV". The single shot to the top of the Billboard Hot 100 chart, making it their only Billboard No. 1. "Africa" also went to No. 1 in Canada and reached the Top 10 in the United Kingdom, Ireland, New Zealand, and Switzerland.
The deal also included rights to a select number of compositions purchased jointly with the estate of Michael Jackson, including Jackson's mega-hit "Human Nature", a song Steve co-wrote for Michael Jackson which was released in July 1983 as the fifth single from Jackson's critically acclaimed "Thriller" album. After release, the single immediately shot to the Top 10 on the Billboard Hot 100. The song also reached the Top 5 on Billboard's Adult Contemporary chart, peaking at No. 2. Music critics raved about the single, with Slant magazine saying the song was "probably the best musical composition on the album." In a 2012 article for the Los Angeles Times, Randall Roberts wrote "it's the song that I never tire of hearing."
Additional terms of the partnership also gave Steve access to the company's marketing team and publishing infrastructure, working closely on new marketing, branding, digital, and synch opportunities, as well as film and television projects.
Co-writing "Human Nature" on Michael Jackson's Grammy-winning album "Thriller", solidified his individual mark on the music industry. A sought-after session musician, Steve has worked extensively with music producer icons Quincy Jones and David Foster and many of music's most successful artists, including Don Henley, YES, Elton John, Boz Scaggs and many others.
Steve Porcaro's touring career began with Gary Wright, in support of Wright's hit album "The Dream Weaver" and then with Boz Scaggs along with the other original members of TOTO, prior to that band's 1977 inception. Steve's older brothers, Mike Porcaro (bassist) and Jeff Porcaro (drummer),also members of TOTO were highly respected session musicians and their father Joe Porcaro is regarded was one of the world's most influential session percussionists and educators. In 2010, Steve toured with TOTO when the decision was made to reform the band in support of his brother Mike, during Mike's lengthy battle with ALS.
Along with his work on "Human Nature", Steve Porcaro performed as a musician on other "Thriller" tracks, including "Beat It", "The Girl Is Mine", "PYT", "The Lady In My Life" and composed the song "For All Time", which was included on the "Thriller" 25th-anniversary edition. A testament to his compositional influence, "Human Nature" has been covered and/or sampled by many artists, including Miles Davis, Stevie Wonder, John Mayer, SWV, Nas and Chris Brown. He has written or co-authored music on each of TOTO's first six albums and most recently, performed on the band's highly acclaimed 2015 album "Toto XIV", also co-writing and singing lead on "The Little Things" and "Bend" which is featured on the Japan edition of that release. After many years of success, TOTO continues to play to sold-out audiences in Europe, U.S. and Japan.
In 2016, Steve was thrilled to bring his highly anticipated solo album "Someday / Somehow" to fans across the globe and is putting the finishing touches on its follow-up.
Green Hill Productions, part of Sun Label Group (a subsidiary of Primary Wave Music),is a boutique record label currently celebrating 30 years of creating top-quality lifestyle music for every mood. With over 1,000 titles in its diverse catalog, Green Hill covers an amazing variety of genres and targeted themes including jazz, new age, neoclassical, pop, rock, Celtic, Christmas, chillout, bluegrass, Cajun, easy listening, nature, piano, romance, relaxation, oldies, beach, western, world, patriotic, big band, and classic crooners, to name a few.
Photo credit: Heather Porcaro | +1 | |
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5 èþë 2025
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5 èþë 2025
GENE HOGLAN Recalls 'Biggest Lesson' He Ever Got About Music Industry
 At this year's Hellfest in Clisson, France, legendary extreme metal drummer Gene Hoglan, who has played with TESTAMENT, DETHKLOK, DARK ANGEL, DEATH, FEAR FACTORY and STRAPPING YOUNG LAD, among others, spoke about being one of the most in-demand musicians in the metal scene. He said (as transcribed by BLABBERMOUTH.NET): "Well, I put the 'ho' in Hoglan. I'm a drum ho, man, definitely. I love doing what I do. I'm an absolute poster child for living one's dream. I set out on this path when I was 11. That's when I said, 'I'm gonna be a rock and roll drummer. I'm gonna play for bands and see the world and all that.' And by the time I was 13 and super into metal by that time — I was 12 in 1980 when the huge crush of metal came out; that was the still the best year of metal ever, and that was all fresh stuff being thrown right at me. So that that cemented my love for metal. And that's why I'm, like, 'I'm gonna be a metal drummer. I'm gonna play fast, heavy. I'm gonna be in the heaviest bands I can find.' And I didn't even, like. relegate myself to one band. Even back then, I was, like, 'I know I'm gonna play with a ton of musicians, and it's gonna be great.' And so, here it is, 45 years later. It was a wish. It was a dream."
He continued: "I've recently come into contact with the term of manifestation and I'm, like, everything that I hear this manifestation stuff is that's what I did. I made this happen. I created this out of my own brain and I saw the path that I needed to be on, and I tried to make all the good decisions that I could. I was a part of the initial L.A. scene of all the DANTE FOXes and GREAT WHITEs and RATTs and MÖTLEY CRÜEs and DUBROW. It was after QUIET RIOT. QUIET RIOT was a little before my time — the initial Randy Rhoads QUIET RIOT. But SNOW and all of those bands, A LA CARTE, one of the greatest bands ever, I was going to see all those bands when I was 13 and becoming pals with those guys. And my sister was five years older than me and she used to drag me to all those shows. And it just was awesome getting to meet all these guys that eventually became huge big stars. But the thing that taught me was, like, a lot of those bands I would see at the time, they got huge with not the exact same members that they had, because we'd go to the parties afterwards and the majority of the band would be pretty well put together, but there was that one guy in the band that would just get shitty drunk on a Wednesday night. And I was just a sponge. I didn't drink or do drugs or anything, so I was just a sponge to it all. I'm, like, 'I don't think that guy's gonna last in this band.' Sure enough, he gets the boot. They get a guy that's got it more together from one of the other bands. They sign the big contract. They go on to huge things, and that guy is just left behind. I watched that happen so many times. So it was just being a sponge, being a witness to all of this activity where I was able to kind of discern, 'That's the way to go. This is not the way to go. Don't act like a douche.'"
Reflecting on one piece of advice he got early on which he took to heart, Hoglan said: "There was a drummer for a band that went on to become a gargantuan band, and when I was, like, 15 or so, I obtained the keys to my folks' car and I went and drove and picked him up and he was driving us around. We were doing something together. And the biggest lesson I ever got — ever — was from this guy as he was talking to me about his philosophy on making it in the music industry. And he said — and this is no joke — he said, 'I don't care who I have to screw over, step on, F over, walk on to better myself and get myself bigger in the music industry. I don't care who I have to screw over, I will do it.' And I took from that, 'Go do the opposite.' And so he got the boot from that band. He's on their first couple of recordings, and they were killer.They were well known — especially in L.A., especially on [local radio station] KMET. They were getting the big push in '83, '84, right at that first burst of the '83 kind of stuff and '84, definitely. And that was the biggest lesson I ever got. It's, like, 'Whatever he just said, do the opposite. And that's gonna work well for you.' And so I've always tried to help other people. If I've got friends in a band, [it's], like, 'Hey, man, your band's pretty cool. Let me introduce you to my record label.' Or 'I know a guy over here that might be able to help you guys out.' Or 'I know a drummer that you guys could probably…' All that kind of stuff. Try to help people. Don't screw people over. But that was a huge lesson."
Last month, DARK ANGEL released "Circular Firing Squad", the second single from the band's first new album in 34 years, "Extinction Level Event", due later in 2025 via Reversed Records.
The LP's first single, the "Extinction Level Event" title track, was written by DARK ANGEL guitarist Jim Durkin a decade ago, long before he suffered from severe liver disease, and, to the surprise of everyone, passed away in 2023. It was recorded and mixed at the Armoury Studios in Vancouver, British Columbia, Canada, executive produced by DARK ANGEL drummer Gene Hoglan, produced and engineered by Rob Shallcross and mixed by Mike Fraser.
Durkin died on March 8, 2023 at the age of 58. An original member of DARK ANGEL, Durkin played on the band's first three albums — 1985's "We Have Arrived", "Darkness Descends" and 1989's "Leave Scars" — before departing the group in 1989. He was part of DARK ANGEL's lineup when the band reformed in 2013, and had been playing with them, on and off, ever since.
Prior to his death, Durkin had been sitting out some of DARK ANGEL's gigs. He was replaced at the shows by Hoglan's wife Laura Christine, who has since joined DARK ANGEL as a permanent member.
The "Extinction Level Event" artwork and layout was designed by Cain Gillis, with concepts by Hoglan.
"Musically, lyrically, and vocally, I'm so stoked about this album," Hoglan previously said. "I'm really excited about DARK ANGEL right now, and everyone who's heard the new album is losing their minds. Every time I'd finish a song and send it over to the guys, everybody was, 'Gene, this is my favorite song!' 'No, this is my favorite song!!' 'Dude, this is totally my favorite song!!!' That's never a bad sign."
Hoglan and Christine wrote everything except for the title track on "Extinction Level Event". Other songs set to appear on the effort include "Atavistic", which is described as "a full-on three-minute thrash metal barrage", "Woke Up To Blood", the title of which stemmed from a dog attack, and "Terror Construct", which Gene wrote about the way the media and corporations team up to spread fear among the masses so they can continue to fill their pockets.
The seeds of "Extinction Level Event" were planted in late 2013 between the time when TESTAMENT stopped touring to work on their new record and Hoglan was scheduled to work on his next major project. After the first batch of writing sessions for "Extinction Level Event", Hoglan had to put writing for DARK ANGEL on hold until late 2022. With other obligations behind him, Gene laser-focused on DARK ANGEL, listening back to the jams he and Durkin made earlier, and writing more than 10 new songs over the next three months. With a full album of pummeling new songs, Hoglan flew to Vancouver to track the album at the Armory. There, he and his bandmates worked with Rob Shallcross and Mike Fraser, and over a few sessions, DARK ANGEL had recorded everything but the vocals.
Having passed away two years ago, Durkin's sudden death is still traumatic for DARK ANGEL and especially Hoglan. At the same time, he takes bittersweet pride in knowing that Jim's playing and performances live on through him and DARK ANGEL, not only when the band plays his old riffs, but also in the continued influence Durkin has on the band's new songs.
"One of the last things I told him was, 'Jim, dude, you're my original guitar hero," Hoglan recalls. "'My entire guitar style is based on your style because you are who I really learned how to play guitar from.' So, my guitar approach with DARK ANGEL is Jim Durkin's approach. When I write for the band, I'm thinking, 'What would Jim do here?' That's why his presence is massively all over this new record. Every single song. I wanted to make it to where people are like, 'Yeah, Jim wrote that riff. Oh, there's another Jim riff' because Jim wrote all the best riffs in the band, forever."
DARK ANGEL was originally scheduled to play new music for the first time since 1991 during its January 29 concert at the Whisky A Go Go in West Hollywood, California. However, that show ended up getting postponed due to the wildfires in the state.
DARK ANGEL released two albums with Don Doty on vocals — the aforementioned "We Have Arrived" and "Darkness Descends" — before he exited the group and was replaced by Ron Rinehart (after a brief stint with Jim Drabos in 1987). The band issued two more studio LPs — "Leave Scars" and "Time Does Not Heal" — before calling it quits in 1992.
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5 èþë 2025
DEMON HUNTER Releases New Single And Video 'Sorrow Light The Way'
 DEMON HUNTER has released a brand new single and music video, "Sorrow Light The Way".
Like last month's "Light Bends" and May's "I'm Done", the "Sorrow Light The Way" music video was directed by DEMON HUNTER frontman Ryan Clark. All three songs were produced by Clark and guitarist Jeremiah Scott, mixed and mastered by Chris "Zeuss" Harris (ROB ZOMBIE, HATEBREED, QUEENSRŸCHE) and arrive via the band's own label, Weapons MFG. "Sorrow Light The Way", "I'm Done" and "Light Bends" are available on all streaming platforms.
"Sorrow Light The Way" is the eighth standalone single since the arrival of DEMON HUNTER's eleventh studio album, "Exile", in October 2022. It follows "The Brink", "Some Of Us", "Worlds Apart", "Black Stained Glass", "Falling Apart" (with SET THE SUN) and the aforementioned "I'm Done" and "Light Bends".
"Exile" was DEMON HUNTER's first album issued on Weapons MFG. It debuted at No. 9 on Billboard's Album sales chart; No. 1 in Christian sales; No. 3 in Hard Music and Independent; and No. 4 in Rock.
Scott produced and mixed "Exile", which boasted guest appearances from Max Cavalera (SOULFLY),Tom S. Englund (EVERGREY),and Richie Faulkner (JUDAS PRIEST). Darren Craig (SLIPKNOT, Rihanna, Kanye West) directed the first music video for the album, "Freedom Is Dead".
DEMON HUNTER will appear at this year's Louder Than Life (Louisville) and Aftershock (Sacramento) festivals.
In 2022, Ryan Clark unleashed the post-civilization world of "Exile" as a comic series that was immediately embraced by fans of DEMON HUNTER and sci-fi fans alike. Now, in partnership with Z2, that four-issue series is finally being presented as a deluxe format collection, and released with a new vinyl 7", featuring the tracks "I Align", "The Brink", "Some Of Us" and "World's Apart". The original four issues of the "Exile" comic series are now long out of print, and have become valuable collectibles for comic fans.
DEMON HUNTER is an American metal institution. The band embraces brazenly transcendent melodies, without apology, while maintaining a defiant heaviness reminiscent of the most timeless of metal music. For over two decades, DEMON HUNTER has weathered the changing tides of rock subculture, proving ever resistant to trends, and ever resilient, making music as determined and resolute as the men within the band. DEMON HUNTER's body of work is born from unwavering commitment, uncompromising creative determination, and stark recognition of the reality of an often-cold world, tempered in defiant hope. It's made up of smartly constructed, confessional lyrics; heady and catchy melody; monster riffs; bottom heavy grooves; the collision of meticulous production and urgent raw power; bold imagery and bolder themes.
DEMON HUNTER is:
Ryan Clark - Vocals
Patrick Judge - Lead Guitar
Jeremiah Scott - Guitar
Jonathan Dunn - Bass
Tim "Yogi" Watts - Drums
Photo credit: Tyler Byars | +1 | |
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5 èþë 2025
MÖTLEY CRÜE's TOMMY LEE: 'OZZY OSBOURNE Is A Real Big Reason Why We're Still Here'
 MÖTLEY CRÜE drummer Tommy Lee is one of five hard-rock luminaries who spoke to The New York Times about Ozzy Osbourne's career and impact ahead of the BLACK SABBATH's final show, which is scheduled to take place tomorrow (Saturday, July 5) at Villa Park in Birmingham, United Kingdom. Lee said: "Ozzy is a real big reason why we're still here. I can't emphasize enough how generous he was when we toured together in the early '80s. Usually headliners reserve a bunch of lights and give openers a fraction of the PA system, so the opening band isn't as loud as the headlining act. Ozzy was, like, 'You can have all the lights, have all the sound, have a [expletive] blast.' And that really moved me. I never really experienced that sort of generosity and equality that he wanted for everybody.
"He has this sort of signature move," Tommy continued. "He kind of jumps in one place and claps. There's an evil smirk on his face as he's doing it, but I think the evil smirk is happiness because the place is going bananas. It's letting the audience know that you are enjoying it just as much or more than they are. That's connecting with people. That connection's important, man. Otherwise, you're just kind of doing it for yourself.
"I remember when [Ozzy's family reality TV show] 'The Osbournes' first came out, I was, like, 'Holy [expletive], this is cool. This is letting people into his crazy train!'" Lee added. "That's when reality television was blowing up, and I think a lot of people, and especially young people that were watching that show, probably had no clue he was in BLACK SABBATH by then. The guy just keeps coming back and — not reinventing himself, but finding other ways to get to people and have fun on and off the stage."
You can also read comments from METALLICA drummer Lars Ulrich, 1980s hard rock queen Lita Ford, SMASHING PUMPKINS leader Billy Corgan and JUDAS PRIEST frontman Rob Halford at The New York Times.
Last August, during an appearance on an episode of the This Past Weekend With Theo Von podcast, Lee addressed a story in the MÖTLEY CRÜE biopic "The Dirt" about Ozzy allegedly drinking his own pee and snorting a line of ants.
In "The Dirt", which premiered in 2019 on Netflix, a young Ozzy (played by Tony Cavalero) holds an impromptu gross-out contest of sorts with MÖTLEY CRÜE bassist Nikki Sixx at a Lakeland, Florida hotel swimming pool in 1984 during the two acts' joint U.S. tour. After exposing himself to some hotel guests, Ozzy asks CRÜE for cocaine. Sixx (played by Douglas Booth) hands over a straw, and Ozzy kneels on the ground and snorts a crawling line of ants. Then he urinates on the ground and licks it up, challenging Sixx to do the same. Pressured, Sixx urinates on the ground as well — but before he can get to it, Osbourne kneels down and laps it up first.
Asked by Theo if it's true that Ozzy drank his own pee, Tommy said: "Full-on true. I know people ask that all the time. They're, like, 'Dude, really?' I'm, like, abso-fucking-lutely. You can't make that shit up."
The MÖTLEY CRÜE drummer continued: "Dude, he was so high. All of us [were]. We had just been on an overnight bus ride, and Ozzy rode with us. So we're doing rails the whole way. No one slept; everyone [was] just drink[ing]. So we're at the hotel, and no one wanted to go to their room. Everyone wanted to still keep partying. So we go, 'Let's go to the fucking pool.' We go to the pool.
"At that time, it was just kind of a thing — everybody was into [trying to] out-rock star and out-gross somebody out, like out-partying," Lee explained. "So Ozzy's wasted. He sees there's a little trail of ants going all the way to this kid's popsicle that he left on the ground. And Ozzy looks down and fucking just snorts the line of ants going to the popsicle. And Nikki's, like, 'Okay. Well, fuck that.' So Nikki pulls his dick out at the pool. This is a hotel. This was, like, the Four Seasons [hotel], I think, in Dallas. And [there were] people, kids, everything. Nikki goes, 'Fuck that. Watch this.' Nikki goes to pee on the ground and Nikki's gonna lick up his own piss to outdo Ozzy. And before Nikki could do it, Ozzy fucking beats him to it and licks up his piss. And we're, like, 'All right, Ozzy. You win. You win, dude.'"
According to Tommy, what happened after the pool incident was potentially even more gross. He said: "What they don't show in the movie there is Ozzy's tour manager goes, 'Dude, Ozzy's fucking on one. You're responsible for him. Here's his hotel room key. Fuck. I'm done. I can't deal with this anymore.' I'm, like, 'I got him. Cool, I'll take him to his room.' So anyway, after we get kicked out of the pool area for all that bullshit, they don't really go into it in the movie. I'm, like, 'Come on, Ozz. We're getting kicked out. I'm gonna take you up to your room.' He goes, 'All right.' We get in the elevator. We're going up, and there's people in the fucking elevator. And he pulls his pants down and he just starts fucking [pushing hard]. He's shitting. I'm, like, 'Ozzy, dude. No! Fuck! Dude, no.' And we get to the floor. I'm just trying to get him to his fucking room, close the door and let him — he just needs to go to bed. So I take his room key, fucking open it up, push the door open. I'm, like, 'Okay, buddy. See you later.' And he goes, 'Come here.' I'm, like, 'I'm gonna go.' He's, like, 'No, you come here.' I go in, and now he's gonna finish. He just starts shitting in the middle of the room. He bends down, picks it up and starts painting the walls with his shit. I'm, like, 'I've gotta go, dude.' And I fucking bailed. And I don't know what happened after that. But they don't show that part in the movie."
In October 2023, Ozzy's son Jack asked Sharon Osbourne during their "The Osbournes" podcast if it's true that Ozzy snorted a line of ants. Sharon said: "I was not there, thank God. I used to try and stay away from MÖTLEY when they were with Ozzy. And I don't know. I honestly don't know. All I know is that I think it made their movie. And I wanna know why, now we're on the subject, of why, when they advertise their movie on Netflix, it's a picture of a guy imitating Ozzy. Why isn't the ad campaign a picture of MÖTLEY CRÜE? Why is it a picture of your father?" Jack said: "Well, I know, I know the answer to that. 'Cause Ozzy Osbourne's bigger than MÖTLEY CRÜE", to which Ozzy replied: "No. No. No. Stop. Stop. Stop. Let's move on." Sharon continued: " The thing is I just think it's an invasion." She then went on to call Sixx an "asshole." After Ozzy said, "No, he's not," Sharon countered with, "Yes, he fucking is."
Pressed by Jack if Ozzy did in fact snort the line of ants, Sharon said, "I say no." But Ozzy claimed otherwise. "Yes. Yes, I did," he said. "I was there. I did it. [In] my nostril… I was drunk and I did it."
Back in April 2019, guitarist Jake E. Lee, who played guitar for Osbourne on the 1984 tour, disputed the Ozzy ant-snorting story, telling Tone-Talk: "I was there, and I never saw ants. I was right there. He snorted a little spider. There was a not a trail of fucking ants there. Tommy [Lee, CRÜE drummer] says it, Nikki says it, Ozzy says it — they were fucked up. I was not. I was just trying to get a fucking sun tan. That's all I was doing. They were getting fucked up. Ozzy snorted a little tiny stupid spider that was crawling across. There was no ants — there was no fucking ants. I don't care what the other guys say — there was no ants."
As for the "urine" portion of the story, Jake said: "Oh, that was true. It started with a contest. It was Nikki and it was Ozzy. I think it started in the pool. They were in the swimming pool, and they kind of raced, and, of course, Ozzy lost. And [they had] a push-up contest, and, of course, Ozzy lost. Ozzy was getting tired of losing, and he stepped it up. I do remember at one point, Ozzy was sitting there. He got this weird look on his face. He was sitting on the concrete, and piss started flowing out underneath him. And he was obviously doing a lot of vitamins, 'cause [the urine] was, like, lime green. So Nikk Sixx, I remember, pissed on the girl he was with. She was lounging. She was not happy about it. Ozzy pissed on the ground. [Nikki] saw that and he went over and pissed on the girl that he was with in the lounge chair. And that's when Ozzy bent over and started licking his own green piss up. That's where I said, 'Okay, I'm outta here.' Not only is that happening, there's families on the other side of the pool — children and mothers and fathers looking horrified, like, 'What the fuck is going on over there?'"
Jake added: "That is my recollection. And Ozzy snorted this little spider that was crawling across. There was no ants. It's a minor detail."
In MÖTLEY CRÜE's 2001 autobiography, "The Dirt: Confessions Of The World's Most Notorious Rock Band", Sixx recounted the episode in detail, writing: "I handed [Ozzy] the straw, and he walked over to a crack in the sidewalk and bent over it. I saw a long column of ants, marching to a little dugout built where the pavement met the dirt. And as I thought, 'No, he wouldn't,' he did. He put the straw to his nose and, with his bare white ass peeking out from under the dress like a sliced honeydew, sent the entire line of ants tickling up his nose with a single, monstrous snort.
"He stood up, reared back his head, and concluded with a powerful rightnostriled sniff that probably sent a stray ant or two dripping down his throat. Then he hiked up the sundress, grabbed his dick, and pissed on the pavement. Without even looking at his growing audience — everyone on the tour was watching him while the old women and families on the pool deck were pretending not to — he knelt down and, getting the dress soggy in the puddle, lapped it up. He didn't just flick it with his tongue, he took a half-dozen long, lingering, and thorough strokes, like a cat. Then he stood up and, eyes blazing and mouth wet with urine, looked straight at me. 'Do that, Sixx!'"
Ozzy told The Pulse Of Radio a while back that what little he remembers of the '84 tour with the CRÜE was pretty wild. "The 1984 tour was the most craziest tour I think I've ever done in my life," he said. "I don't remember it, but I remember I used to wake up every morning or come around thinking, 'What the fuck went on last night?' I mean, everybody keeps asking me, 'Hey, Ozzy, did you really snort a line of ants?' You know what, the answer to that is: I don't know, but it's very possible."
When asked by Page Six if the story was true, Sixx reconfirmed it. "Of course," he said. "We were a wild young band and he kind of took us under his wing. We thought we could compete with that, but you can't with Ozzy. He won."
Ozzy Osbourne photo credit: Ross Halfin | +5 | |
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5 èþë 2025
British Melodic Rockers FM Announce New Album 'Brotherhood'
 British melodic rock legends FM return with their 15th studio album, "Brotherhood", a compelling and cohesive statement of the band's enduring class and creativity. Released by Frontiers Music Srl on September 5, the album is available to pre-save digitally, and pre-order on CD and vinyl.
To celebrate, the band has released "Living On The Run", the first single from the highly anticipated album. Watch the official music video for the new single below.
Once again delivering their signature blend of hook-laden AOR and blues-tinged hard rock on "Brotherhood", FM reaffirms its status as a master of the genre.
"Brotherhood" showcases a band still at the top of their game, with highlights including the infectious anthem "Living On The Run", the unforgettable anthemic rocker "Don't Call It Love", the punchy and powerful "Coming For You", and the emotionally charged "Time Waits For No One" — all tracks that echo the spirit and melodic strength of FM's early classics yet are unmistakably fresh and vibrant.
"First single 'Living On The Run' is a great hard-hitting melodic fast-moving track," says FM lead singer Steve Overland. "The song is about what the title suggests, a real Bonnie-and-Clyde storyline. A very instant big chorus, which makes for a good first single choice."
The opening track, "Do You Mean It", brings a bluesy, soulful vibe that echoes the DOOBIE BROTHERS' classic "Takin' It To The Streets" sound, setting the tone for the album. "Brotherhood" also features one of FM's most powerful ballads to date, "Just Walk Away" — a beautifully emotional song that highlights the band's mastery of melodic rock. Wrapping up the album is "The Enemy Within", a track that introduces exciting new sonic ideas while retaining the powerful and melodic qualities FM fans love.
Supporting vocals from a female guest choir add warmth and dynamic depth to "Do You Mean It" and "Just Walk Away", perfectly complementing Overland's consistently exceptional lead vocals.
"I am proud of the new album," enthuses Overland, "It is one of our strongest song albums to date. It is another milestone, as it's FM's 15th album. It's very well paced and has great variation in song styles throughout. The album's big ballad, 'Just Walk Away', is one of our best. I hope our fans feel the same way as we do about 'Brotherhood'."
Formed in the 1980s by the Overland brothers, FM is one of the U.K.'s seminal and respected rock bands. The new album was recorded by FM's long-standing and beloved lineup including founding members Steve Overland, Merv Goldsworthy and Pete Jupp, alongside keyboard player Jem Davis and guitarist Jim Kirkpatrick.
To promote "Brotherhood", FM will embark on a major U.K. headline tour in September 2025 with 14 confirmed shows, followed by European dates in early 2026.
"Brotherhood" track listing:
01. Do You Mean It (3.54)
02. Living On The Run (4.19)
03. Coming For You (4.11)
04. Raised On The Wrong Side (4.50)
05. Love Comes To All (3.51)
06. Just Walk Away (6.08)
07. Don't Call It Love (5.00)
08. Time Waits For No One (4.59)
09. Because Of You (4.47)
10. Chasing Freedom (4.47)
11. The Enemy Within (5.48)
FM is:
Steve Overland - Vocals, Guitar
Merv Goldsworthy - Bass
Pete Jupp - Drums
Jem Davis - Keyboards
Jim Kirkpatrick - Guitar
Photo credit: Tony Ayiotou | 0 | |
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4 èþë 2025
TONY IOMMI Says OZZY OSBOURNE Will 'Do Four Songs' At BLACK SABBATH's Final Concert: 'He's Singing Fine'
 In a new interview with BBC Midlands Today, BLACK SABBATH guitarist Tony Iommi spoke about the band's upcoming "Back To The Beginning" show, which will be held on July 5 at Villa Park in Birmingham, United Kingdom. The farewell gig will see the original members of BLACK SABBATH — consisting of Iommi, singer Ozzy Osbourne, bassist Geezer Butler and drummer Bill Ward — reunite for the first time in 20 years, to play in their former hometown one last time. For Ozzy, who lives with Parkinson's disease, the event will also mark his final performance on stage. More than 40,000 fans are expected to attend the event, which will also see performances from METALLICA, SLAYER, PANTERA, LAMB OF GOD and ANTHRAX, among others. Profits from the show will be shared equally between the charities Cure Parkinson's, Birmingham Children's Hospital and Acorn Children's Hospice.
"This is totally different from anything else we've done," Iommi said. "You know, we've played to 300,000 people, but this is nerve-racking. We're playing in our hometown, we've got all these bands on with us, and we haven't played together for 20 years."
Addressing Ozzy's health ahead of SABBATH's final concert, Iommi said: "He might not be able to do the whole show, but he's gonna do four songs. He's singing fine. It's just a shame to see the way it is. But that's life, I suppose. You've just gotta get on with it. But we're all looking forward to it, and all nervous as well, which is very unusual."
After fans snapped up tickets to "Back To The Beginning" in just 16 minutes, it was announced that the event will be streamed worldwide. Fans will have access to the raw livestream from 3:00 p.m. on July 5, and will also have exclusive access to rewatch the concert in its entirety for another 48 hours.
For more information, visit www.backtothebeginning.com.
"Back To The Beginning" will be captured, produced and distributed by Mercury Studios ("One To One: John & Yoko", "American Symphony", "Metallica Saved My Life"),who are pioneering the way for premium, music-driven storytelling across film, television, podcasts and immersive formats. Mercury has partnered with Kiswe — the global D2C streaming partner behind the record-breaking BTS concert livestream — to deliver this moment of music history to fans across the globe.
The all-day event at Villa Park, produced by Live Nation, will be hosted and compered by American actor Jason Momoa, and feature a supergroup of musicians.
Last month, Iommi told Music Week about "Back To The Beginning": "This would be a big, monumental thing if it all comes good. The worrying thing for me is the unknown. We don't know what's going to happen.
"Normally, when we'd tour, we'd rehearse and run through the thing for a while, and it's just us," he explained. "But with this event there are so many other moving parts."
Acknowledging the fact that Ozzy has publicly stated that he is not able to walk due to his battle with Parkinson's disease, Tony added: "You're used to Ozzy running around, but he certainly won't be doing that for this show. I don't know if he's going to be standing or sitting on a throne or what."
Iommi went on to say that he is approaching this show with "excitement mixed with fear". He clarified: "Once we start playing, then we'll know we're doing it. It's always a worry, even when we did tours before, there's always that build-up, and then it gets to the point that we do it and it's okay."
In May, Iommi revealed to The Guardian that it took some serious convincing to get him on board for "Back To The Beginning".
"I'm the one that said, 'I don't know if we should do it', because we did a farewell tour and I didn't want to get into that thing like all the other bands are doing, saying it's the last tour and then reappearing again," he explained.
As for what changed his mind, Tony said: "I've been convinced, because we're doing it for a reason… No one's getting paid or anything."
For his part, Butler admitted to The Guardian that he was stressing about the gig. "I'm already having palpitations," he revealed. "In fact, I had a nightmare last night. I dreamed everything went wrong on stage and we all turned to dust. It's important that we leave a great impression, since it's the final time that people will experience us live. So it has to be great on the night."
This past February, Sharon told The Sun that her husband is struggling to walk amid his battle with Parkinsons disease, but that his singing voice is "as good as ever". She said: "[Ozzy's] very happy to be coming back and very emotional about this.
"Parkinson's is a progressive disease. It's not something you can stabilize. It affects different parts of the body and it's affected his legs. But his voice is as good as it's ever been."
According to Sharon, Ozzy, who paused touring "for now" in 2023 after extensive spinal surgery and rescheduled his "No More Tours 2" shows from going ahead several times because of illness, the pandemic and logistical issues, will not play any more shows after the Villa Park event.
"Ozzy didn't have a chance to say goodbye to his friends, to his fans, and he feels there's no been no full stop," she explained. "This is his full stop."
In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE) and Tom Morello (RAGE AGAINST THE MACHINE).
"It's an endless amount of people," said Sharon. "They're going to be doing some SABBATH songs, some Ozzy songs, and they'll all mix together. Different little groups will be coming on, but they're all icons."
The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.
"For Ozzy right now, it's definitely: 'I love you and good night'," Sharon told Reuters.
She added that Ozzy was doing well and excited about the gig. "It's stimulated him," she said. "He's very, very excited and very thankful that he can do it."
The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.
Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.
While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.
Osbourne's previously announced European tour with guests JUDAS PRIEST, originally set for 2019 and then rescheduled three times, was officially canceled in early February 2023.
Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.
Photo credit: Gibson
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4 èþë 2025
VINNY APPICE Says He Wasn't Invited To Take Part In BLACK SABBATH's Final Concert
 In a new interview with Meltdown of Detroit's WRIF radio station, legendary ex-BLACK SABBATH and DIO drummer Vinny Appice was asked if he was invited to take part in the upcoming "Back To The Beginning" charity event on July 5 at Villa Park in Birmingham, United Kingdom. The concert will mark the original lineup of BLACK SABBATH's last-ever performance and SABBATH singer Ozzy Osbourne's final appearance as a solo artist. Vinny responded (as transcribed by BLABBERMOUTH.NET): "No, no, no. They didn't contact me because times have changed and I'm associated with [the Ronnie James] Dio [version of] BLACK SABBATH. Even though I did play — at one point I did the European tour with Ozzy and BLACK SABBATH, which I thought was cool. I'm sitting there on the drum set facing the audience, and then I see Ozzy in front of me, and then Tony [Iommi, BLACK SABBATH guitarist] and Geezer [Butler, BLACK SABBATH bassist], I go, 'This is pretty damn cool. I'm with the original band now.' It was cool with Ronnie, of course, but now this was, like, 'Wow.' I'm the only other drummer that played with them at that point. So that was very cool for me. So I'm associated more with Dio, so I'm not involved in this whole thing there. So that's okay."
Vinny went to say that he played only a few dates with the Ozzy-fronted version of SABBATH more than a quarter century ago. "It went into America too, a little bit," he explained. "We might have played 10 shows, 12 shows, something like that."
Regarding what it was like touring with Ozzy, Vinny said: "He's pretty crazy. But you know what? He's fun — he's a lot of fun. And we sat and talked many times and all this stuff, and he was great. He was a cool guy. And what you see on TV, that's him. He'll tell you the story a couple of times. He forgot he told you. You just sit and listen. 'Ozzy, you told me that already.' I can't tell him that. Ozzy was great."
Vinny continued: "When we started playing, [Ozzy] thought it was really funny to come, during the set, with a bucket of water and throw it on me. So I'm, like, 'Oh, crap, man.' Now I'm all kind of wet and the drums are all wet and not working very well. So he did that twice. The road crew had to come up and wipe everything. But he's laughing. So then the next morning, Sharon Osbourne [Ozzy's wife and manager] says, 'Vinny, how's it going?' I said, 'It's great. This is fantastic. But he keeps throwing water on me.' And she said, 'He did?' And that was the end of the water. It shows you who wears the pants in the family.
Asked by Meltdown when this tour happened, Vinny said: "I think it was, like, '99. I went and played the European tour with them, and then after that there was a break for Christmas, and then they toured in America. But [original SABBATH drummer] Bill Ward came back. 'Cause he had a medical issue at that point. So, Bill came back and Sharon wanted me to be on the tour in case Bill keeled over, let's put it that way. So, I did a whole tour and didn't play. It was the weirdest thing. And in case Bill had a problem, I would jump up and play, continue the show. And I was the backup plan B. So that was quite funny."
During a March 2020 appearance on the "80's Glam Metalcast", Vinny was asked if it feels "surreal" to him to know that he was once a member of such a legendary band as BLACK SABBATH. He responded: "Yeah, it's a great thing. If I reflect back on it, it's, like, wow, that was great. I got to play with the legendary band — not one of the legendary bands, but the legendary band that started all this stuff.
"While it was happening back in the '80s, I always approached everything as I'm a musician in the band and I'm gonna do a job," he continued. "I didn't get caught up in the whole rock-star thing. I got caught up in it more as a musician and trying to make it great and trying to play great and be part of the band. Now, when I reflect back on it, wow, I got to play with these guys and know them — we were quite close — and it's pretty cool. To this day, it still supports my career… I get a band in Europe and we do old SABBATH stuff — not old SABBATH stuff, but the stuff I'm on. Play all that, some old SABBATH songs, with a sprinkle of DIO. And I've done [a few] tours already there; it goes over so well. Same in South America. 'Cause they just love SABBATH and they love DIO — they love Ronnie [James Dio]. And I'm able to be part of that music and still go out and play it. Because I'm the only one left, really — playing any of that stuff. SABBATH is not going out, Ozzy is not going out, and I play on a lot of those albums. I didn't play on the old stuff, but I played it enough to where it's in my blood. So it's a fantastic thing. I really appreciate having that opportunity to play with such a great band, legendary band and people and musicians."
Appice joined BLACK SABBATH in 1980 during the "Heaven And Hell" tour and appeared on the albums "Live Evil" (1982) and "Mob Rules" (1981) . In late 1982 he left BLACK SABBATH with vocalist Ronnie James Dio and formed the band DIO. They recorded "Holy Diver" (1983),"The Last in Line" (1984),"Sacred Heart" (1985),"Intermission" (1986),and "Dream Evil" (1987). In December 1989, Appice left DIO. In 1992, he returned to BLACK SABBATH for the "Dehumanizer" album and tour. He then rejoined DIO and they recorded "Strange Highways" (1994) and "Angry Machines" (1996).
Appice rejoined his BLACK SABBATH bandmates Ronnie James Dio, Geezer Butler and Tony Iommi in 2006 as HEAVEN & HELL, touring and releasing one studio album, "The Devil You Know", before Dio's death in 2010.
Currently, Appice is a member of LAST IN LINE, whose latest album, "Jericho", was released in March 2023 via earMUSIC.
Vinny has recorded and co-written songs on several dozen albums and CDs, including many multi-platinum records. Vinny's drumming can also be heard on numerous movie soundtracks, including "Wayne's World 2", "Heavy Metal", "Iron Eagle" and "Bedazzled". Vinny, the author of drum instruction book "Rock Steady" and DVD "Hard Rock Drumming Techniques", has performed incredible powerhouse drum clinics around the globe. Numerous books have been written about BLACK SABBATH and DIO with the authors always mentioned Vinny's drumming style.
Vinny's unique drumming approach has influenced many artists over the last few decades.
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4 èþë 2025
Watch: SLAYER Plays First Concert Of 2025 In Cardiff, United Kingdom
 Reactivated thrash metal legends SLAYER played their first show of 2025 and their first United Kingdom concert in six years Thursday night (July 3) at the 35,000-capacity Blackweir Fields in Cardiff. Support at the gig came from AMON AMARTH, ANTHRAX, MASTODON, HATEBREED and NECKBREAKKER.
The Blackweir Fields concert and the July 6 date at London's 45,000-capacity Finsbury Park mark the biggest shows SLAYER has ever played in the U.K. and the only headline shows they will play in Europe in 2025.
According to WalesOnline, some SLAYER fans who bought tickets at much higher prices were upset after tickets for the show were made available on Ticketmaster for as little as £20 (approximately $27) for "general admission standing".
One fan told WalesOnline: "A lot of fans are angry. We all paid £103 upwards for tickets. True fans purchased these, a lot of us struggle to get by each month and want to go to events. A few weeks ago Download [festival] offered 50% off SLAYER tickets, then Ticketmaster sent an email for 50% off. Now they are 80% off. This is so disheartening to the fans. Fans that paid full price think we should get a 50% refund or a free T-shirt. Some incentive, not drink vouchers as many like myself don't drink or won't as they'll be driving. Selling cheaper tickets because it doesn't sell out due to a venue we all knew to be too big for SLAYER is not fair."
SLAYER's setlist for the Cardiff concert was as follows:
01. South Of Heaven
02. Repentless
03. Disciple
04. Die By The Sword
05. Jihad
06. War Ensemble
07. Chemical Warfare
08. Reborn
09. Mandatory Suicide
10. Born Of Fire
11. Dead Skin Mask
12. Spirit In Black (first time live since 2017)
13. Hate Worldwide
14. Seasons In The Abyss
15. Hell Awaits
16. 213
17. Postmortem
18. Raining Blood
19. Black Magic
20. Angel Of Death
Fan-filmed video can be seen below.
In a recent interview with Australia's Metal Roos, SLAYER guitarist Kerry King spoke about the band's future plans, following SLAYER's two festival appearances in September 2024 and October 2024 after a five-year hiatus. He said: "We're never gonna tour again. We're never gonna make a record again. Mark my word: we're never gonna make a record again, we're never gonna tour again. Because that was the last thing. We said [back in 2018], 'This is our final tour.' It took five years for us to come and say, 'Hey, here's a couple of shows, five-year anniversary.'"
Elaborating on the significance of SLAYER's comeback live performances more than four decades after the band's formation, Kerry said: "I think it's really cool. A lot of fans are into it. There's gonna be haters who say, 'Oh, they retired.' Yeah. Whatever. This is all about celebration. Say a kid was 10 years old when we retired. Now he's 15, 16. [It's his] first opportunity to see us. I think that's important."
King also touched upon the fact that SLAYER's reunion shows were announced just a couple of weeks after he went public with the details of his new solo band and debut solo album. He said: "The [SLAYER] announcement timing was not my favorite, but my band was doing its thing. The festivals SLAYER agreed to play, they wanted to release [the information about us playing there], they wanted to announce [it]. So, the timing wasn't in my favor, but everything went [as it did], and here we are in Australia [with my new band] kicking ass."
Kerry reflected on SLAYER's two reunion performances last fall — on September 22, 2024 at the Riot Fest in Chicago, Illinois and on October 10, 2024 at the Aftershock festival in Sacramento, California — during a recent interview with Brian Slagel, CEO of Metal Blade Records, for the recently launched "100 Songs That Define Heavy Metal" podcast. Regarding how he felt going into the Riot Fest gig, King said: "It's kind of like when we did the first 'Big Four' show, I said, 'This is gonna be really cool for the fans, and it'll be good to see the guys.' And that's about all I gave it. But then we actually played the show and a handful more shows, and I said, 'You know what? This is really cool for me.' And I didn't expect that. And I didn't expect that when we did the Chicago show [SLAYER at Riot Fest]. I went with the exact same idea. I'm, like, 'This is gonna be really cool for the fans, especially fans that were too young to see us.' And I hit the stage and I got goosebumps. I'm, like, 'This is way bigger than I ever gave it credit for.' … [And] we've got a lot of history in Chicago too, so for the reunion show to be there, it was pretty epic. And the response was over the top. It was way overwhelming."
At Riot Fest and Aftershock, SLAYER ran through a 20-song set that included opener "South Of Heaven", "Seasons In The Abyss", "Angel Of Death", "Hell Awaits", "Raining Blood" and the title track of SLAYER's final album, "Repentless".
SLAYER was also scheduled to play at the Louder Than Life festival in Louisville, Kentucky on September 27, 2024, but that performance was canceled due to severe weather.
The lineup for SLAYER's comeback was the same as the one which last toured in 2019: King and drummer Paul Bostaph, along with Araya and guitarist Gary Holt.
King's debut solo album, "From Hell I Rise", came out in May 2024 via Reigning Phoenix Music.
In a separate interview with Luiz Cesar Pimentel of Brazil's Cucamonga, King was asked how the 2013 death of the band's founding guitarist Jeff Hanneman affected his relationship with Araya. Kerry responded: "I think Jeff's passing weighed harder on Tom than it did me. And I don't mean that from any kind of friendship perspective. It's just my taking wasn't as bad as Tom took it. Of course it was horrible, and no one ever wanted that to happen, but it really weighed on Tom. I think that's what led to him wanting to retire earlier than me, because I think he felt the band was different. But then, out of nowhere, Tom decided he wanted to play some [SLAYER] shows last year, and I went, 'Well, I never wanted to stop playing shows. So, yeah, let's try it out.'"
King continued: "Just like it was in [the earlier years of] SLAYER, [Tom and I] don't talk on the phone. We rarely text each other. And that's just because when you're together for 40 years — he became a very different person. He's not the guy I started the band with. Not personally — just him; he's a different person. I basically stayed very similar to who I've been in my twenties. And I like Tom. We're cool. We got together [last year to rehearse for the SLAYER reunion concerts]. It wasn't weird. We did those two shows [at Riot Fest in Chicago and Aftershock festival in Sacramento]. He was super happy. We got together after the second one, had a shot after the show. He'll drink tequila and I love tequila, so that's what we had. And I think the first idea to play [with SLAYER again] this year was for the [Louder Than Life festival] show we missed last year 'cause of the hurricane. So we rebooked that and [I] said, 'If we never play another show, I wanna make that right with the promoter,' because it wasn't our fault. But he wanted us to play. So we're playing there this year. And this year we get to play that BLACK SABBATH show [in early July in Birmingham, United Kingdom]. I can't fucking wait."
In January 2011 Hanneman contracted necrotizing fasciitis, also known as flesh-eating disease, from a spider bite in his backyard. The infection ravaged the flesh and tissues of Hanneman's arm, leading to numerous surgeries, skin grafts and intense periods of rehab that forced him into semi-retirement and left him near death at several points.
Hanneman eventually died in May 2013 from alcohol-related cirrhosis of the liver. He is credited for writing many of SLAYER's classic songs, including "Angel Of Death" and "South Of Heaven".
Back in February 2024, Kerry was asked by Rolling Stone how he found out Araya wanted to retire. King said at the time: "We were on tour and some kid was interviewing him, and he said something about, 'I've got to get together with Kerry and talk before we talk about the next record.' He should have just said, 'I'm probably not going to do another record,' or had that conversation with me before he mentioned anything like that. I was just assuming, 'Oh fuck, what's this going to be?' And it was, 'I'm done.' Not what I expected. But if you made that decision, I'm not going to try to talk you out of it because your heart's not going to be in it anyway."
Regarding why Araya had decided to retire, King said: "I think just the wear and tear of the road. I think he wanted to be home. None of us are real spotlight seekers, but he's certainly not. And when Jeff was around, he was like a hermit. He did not want fame. I tolerate fame. Somebody's got to be that guy."
Kerry also confirmed that personality differences contributed to SLAYER's eventual split.
"Me and Tom have never been on the same page," he said. "Like if I want a chocolate shake, he wants a vanilla shake. 'Kerry, what color is the sky?' Blue. 'Tom, what color is the sky?' White. We're just different people. The further on in years we got, it just became more.
"Am I going to hang out with Tom? He likes tequila a little bit and I'm a big tequila-head, so I'll have my shot with him, and we'll part ways," he continued. "We're not going to hang out or anything because we are very different people. And together, we made great music and a great live show."
Rolling Stone asked King if his and Araya's differing political ideologies played a part in SLAYER's split. In 2017, Araya used SLAYER's official Instagram account to make a post about then newly elected U.S. president Donald Trump, stirring up a huge backlash from the band's fanbase.
"I was super pissed off at that — but not enough to fucking quit my band," King said of the incident. "I was like, 'Dude, that's what your personal social media is for. You're the only one in this band that gives a shit about this idiot, and when you put it up there, we're all backing him.' And I am not [backing Trump], Gary's [Holt, SLAYER guitarist] not, Paul [Bostaph, SLAYER drummer] is not. That's your opinion, not ours. I would never do that to you."
Prior to SLAYER's 2024 reunion, King told Rolling Stone that he and Tom had not had any contact since the last show of SLAYER's farewell tour in 2019. "Not even a text. Not even an e-mail," he said. "I've talked to everybody else from the band on the phone, text, or e-mail. If Tom hit me up, I'd probably respond. It probably depends on what he hit me up for, but I don't wish him dead at this moment."
SLAYER's only U.S. East Coast performance in 2025 will take place on Saturday, September 20, 2025 at Hershey, Pennsylvania's 30,000-seat Hersheypark Stadium. | +8 | |
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4 èþë 2025
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4 èþë 2025
Watch: JUDAS PRIEST Celebrates 35th Anniversary Of 'Painkiller' Album At Italy's FERRARA SUMMER FESTIVAL
 British heavy metal legends JUDAS PRIEST performed at the Ferrara Summer Festival last night (Wednesday, July 2) at Piazza Ariostea in Ferrara, Italy. Fan-filmed video of the entire concert can be seen below (courtesy of ADK).
As part of JUDAS PRIEST's "Shield Of Pain", the band's setlist included seven tracks from PRIEST's 1990 album "Painkiller", which is celebrating its 35th anniversary this year.
In addition to performing the "Painkiller" title track, PRIEST also played "All Guns Blazing", "Hell Patrol", "A Touch Of Evil", "Night Crawler", "One Shot At Glory" and "Between The Hammer And The Anvil" from the same LP.
When PRIEST first announced the "Shield Of Pain" tour last fall, the band promised a "rare" and "unique set" which would include "beloved classics" and would "be defending the metal faith in a truly memorable experience throughout Europe".
Featured songs in the video below:
00:00 All Guns Blazing
05:47 Hell Patrol
09:24 You've Got Another Thing Comin'
15:34 Freewheel Burning
20:36 Breaking The Law
22:56 A Touch Of Evil
28:49 Night Crawler
34:34 Solar Angels
39:01 Gates Of Hell
43:49 Battle Hymn / One Shot At Glory
51:20 The Serpent And The King
55:57 Between The Hammer And The Anvil
01:00:46 Giants In The Sky
01:07:45 Painkiller
01:15:46 The Hellion / Electric Eye
01:20:06 Hell Bent For Leather
01:24:10 Living After Midnight
PRIEST's 2025 European tour will next hit Zurich, Switzerland on Thursday, July 3 and will conclude at the O2 in London, United Kingdom on July 25.
Last December, JUDAS PRIEST singer Rob Halford told Heavy Consequence about the setlist for the "Shield Of Pain" tour: "It's still in the works, but we're gonna go and show ['Painkiller'] off. Not in its entirety. I haven't figured out yet whether we're just gonna do a clump of 'Painkiller' songs — this is the 'Painkiller' section — or we're gonna go, a 'Painkiller' song, a couple of others, a 'Painkiller' song, a couple of others. It's all in theory in my mind at the moment, but, however, I think it's gonna be a real thrill and a treat. And, again, a once-in-a-lifetime thing for the band. You'll only see the show once. You'll only see the 'Shield Of Pain' show once. So, we hope our fans will be on the rail and banging their heads to it."
Rob also reflected on PRIEST's mindset while going into the recording process for "Painkiller". He said: "The importance was we had to really go into a huddle and say, 'We really need to show off what this band's true heart and soul and spirit is about.' And I'm using that in reference to some of the previous albums and some of the previous songs. Our attitude was, 'We're gonna make the hardest, heaviest, strongest, most energized metal album we've ever done,' and we did that — we achieved it. It's full-on. It only pulls back a little bit for 'A Touch Of Evil'. The rest of it is just non-stop, non-stop, non-stop. We did it in Miraval Studios in the south of France. It was very isolated, so, unlike Ibiza [where 'Screaming For Vengeance' and 'Defenders Of The Faith', among others, were recorded], where we were going into the clubs every night, it was very, very isolated, so we really got into the work in a very, very strong way with no interference. And so the exercise of achieving all of the components to make that album as strong as we wanted it to be was a success. And, again, a band will tell you we've done everything we can. Let's see what happens. The world embraced that album."
He continued: "It's a beloved, revered metal album. A lot of our friends in different bands will say, 'If you wanna hear what a metal album is all about, put on 'Painkiller'.' And that's pretty cool. But our fans, as well, recognize that of all of the 19 albums that this band has ever made, 'Painkiller''s still very heavily under the spotlight. And here we are, 35 years [in 2025]."
PRIEST's 12th album, "Painkiller" was recorded at Miraval Studios in Brignoles, France, and was mixed at Wisseloord Studios in Hilversum, the Netherlands. It was the first LP to feature drummer Scott Travis following the departure of Dave Holland.
In a 2023 interview with "The Jeremy White Show", founding JUDAS PRIEST guitarist Kenneth "K.K." Downing spoke about how the addition of then-new drummer Travis affected PRIEST's sound and songwriting on "Painkiller". He said: "I think with the addition of Scott, because we knew his capabilities from his former band, RACER X, which were a great band… After so many years, having Scott in the band with those double kicks again, it just opened doors for myself and Glenn [Tipton, PRIEST guitarist] to write rhythmically and musically. And we knew that Scott could play anything that we could — as fast as we could play on guitar, we knew he could match us on the kit, which helped a lot, really, because it meant we could expand writing after so many years, really, in respect of the faster side of metal, if you like."
In 2022, Travis spoke to "Drumtalk", the video podcast by German drummer and videographer Philipp Koch, about the fact that the intro to the title track of "Painkiller" has become one of the most iconic drum intros of all time. He said: "Me personally, I always loved the drum intro of certain songs. We all know 'Rock And Roll' by LED ZEPPELIN and 'Walk This Way' by AEROSMITH, and, of course, 'Hot For Teacher', which is VAN HALEN. So, anyways, I grew up like that, always understanding that, 'Man, if ever I could come up with a signature drum intro — no guitars; just drums — and make it really impactful.' And sometimes I get emotional, now that I've been playing for so long, that I was able to come up with something."
He continued: "[I recently saw a video featuring] 'Top 15 drum intros'. And, of course, it's subjective. I don't know who made the list; I think it was some rock magazine. So, naturally, I watch it, and it had 'Where Eagles Dare' [by IRON MAIDEN], it had 'Rock And Roll', and number two was 'Painkiller'. And I was, like, 'Oh my God. Thank you so much.' And number one, which I'm happy to take a backseat, was 'Hot For Teacher' — Sir Alex Van Halen. If I'm second place to old Alex, then, man, that's fantastic. Again, that's one opinion and one little something someone made up. But nonetheless, I didn't make it, so I'm happy that people appreciate 'Painkiller' and it has become a signature JUDAS PRIEST song, which I never in a million years would have imagined that."
Back in 2020, Travis told Invisible Oranges that he wrote the "Painkiller" intro at Miraval Studios in early 1990 as producer Chris Tsangarides and engineer Patrice Roullion were testing microphone placements.
"We were set up at the studio… Studio Miraval in Nice, France," Travis recalled. "The drums are all set up and they're in a big room and then, of course, the control room is at the other end of the studio. I used to just go and warm up first thing in the morning and just work on the next song we were gonna do the next day, and just start playing it with my own headphones on. It was just a cool place — very comfortable to just go and play whatever you wanted. I knew we were gonna be working on the 'Painkiller' song and it was meant to be a fast-paced upbeat song. And I was just messing around doing the intro type stuff."
He continued: "I don't know what those notes I play with my feet [are called]… between my feet and my hands. Technically, it's four with the feet, one with the hand. So it's not a quad but I don't know, septuplet, quintuplet... Shows you how educated I am on drumming, right? [I was] just out there messing around, doing a flurry of things like that, exercises and whatnot. I had the 'Painkiller' idea in my head and they really liked what I was doing and they said, 'Hey, just do some more of that, some stuff like that.' And I just kind of whipped it up…
"As a young drummer or just as a drummer, period, I always… I don't wanna say dreamt because that sounds corny, but I always was hoping that I could come up with a signature drum intro, and I think every drummer wants that. Rarely does a drummer get to do an intro and especially one that really sticks. Given the fact that it exists now, I'm kind of blown away. It's cool." | +2 | |
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4 èþë 2025
SCORPIONS' 60th-Anniversary Hometown Show To Be Recorded For Upcoming Live Album
 Throughout their phenomenal career, the SCORPIONS have played in countless stadiums around the world. To mark their 60th anniversary, the band will, for the first time, perform at the stadium in their hometown of Hanover, where it all began. The show is set for July 5, 2025, at the Hanover Stadium Arena/Heinz von Heiden Arena. It's no surprise that the arena sold out 45,000 tickets in mere moments.
"Coming Home" will be the motto of this concert, and "Coming Home Live" will be the title of the accompanying live album, which will give fans worldwide the opportunity to experience this moment in Hanover.
Spinefarm/Vertigo/Universal will release this extraordinary concert, featuring all of the band's biggest hits and many musical surprises, as a live album on vinyl and CD on November 14.
Pre-orders are now available here.
"Back then, we just wanted to be part of the global rock family — that was our dream," says SCORPIONS guitarist Rudolf Schenker, the man who founded the band six decades ago. "Since then, we've shared the stage with AEROSMITH and KISS, with METALLICA, AC/DC, and I don't even remember who else we're fascinated by — to the Berlin Philharmonic."
The band has always felt at home when performing at the world's major arenas. But even more so, over the years, the SCORPIONS have also influenced generations of rock fans, undoubtedly shaping the style and music of younger artists and fellow legends.
"They are the best thing that could have happened to hard rock or heavy metal," says Jon Bon Jovi about the SCORPIONS, while METALLICA's Kirk Hammett confesses, "I still remember being so smitten by the cover of 'Tokyo Tapes'. From then on, I was the biggest SCORPIONS fan and searched everywhere for all possible information about this band."
Members of SMASHING PUMPKINS, MÖTLEY CRÜE and GREEN DAY to GUNS N' ROSES and KISS have all said that the SCORPIONS' songs had a huge influence on their music.
The resources of their career years have now become an overflowing treasure trove, bridging the gap from yesterday to tomorrow, from 1965 to the iconic concert in the Hanover Stadium Arena on July 5. The fuel that spurs the SCORPIONS is the adrenaline that comes with performing live.
"It's the most important element," says SCORPIONS lead singer Klaus Meine. "And the strongest: The SCORPIONS are a band that, from the very beginning, has seen its place on stage and on some of the biggest stages in the world, in the biggest stadiums and arenas. It was always a challenge to win over fans and play a great show live."
But SCORPIONS constantly rose to the occasion and surpassed that challenge every time.
SCORPIONS lead guitarist Matthias Jabs says, "I don't like to think about the past. I prefer to think about what we're doing now or will do. And that's why, for me, the stadium concert in Hanover is the most important thing right now."
On September 26, SCORPIONS will release "From The First Sting", a collection showcasing the unforgettable anthems and iconic moments from their illustrious career. "From The First Sting" will be available on a deluxe 2LP and 2CD bookpack and 2CD format for European and rest-of-the-world fans, as well as 2LP vinyl and 1CD format for fans in the Americas.
During their career, the SCORPIONS viewed their music as a bridge between cultures. They performed in the former Soviet Union, China, and Southeast Asia, thereby fostering international understanding. Commercially, the band are also one of the best-selling hard rock and heavy metal bands of all time — with over 120 million album sales to their name.
"From The First Sting" is a sonic journey through the band's timeless hits, from "Rock You Like A Hurricane" to "Wind Of Change", showcasing SCORPIONS' evolution while honouring the spirit of their classic sound.
"From The First Sting" features two previously unreleased tracks, "This Is My Song" and "Still Loving You", the latter of which features British violinist Vanessa Mae. The physical for European and rest-of-the-world fans comes housed in a carefully crafted 2LP colored vinyl and 2CD 40-page deluxe edition bookpack, comprehensively illustrating the enduring influence of the pioneering masters of their genre.
SCORPIONS' latest album, "Rock Believer", came out in 2022. The LP was recorded primarily at Peppermint Park Studios in Hannover, Germany and was mixed at the legendary Hansa Studios in Berlin, Germany with engineer Michael Ilbert, who has earned multiple Grammy nominations for his mix work with producer Max Martin on albums by Taylor Swift and Katy Perry.
SCORPIONS originally intended to record the album in Los Angeles with producer Greg Fidelman, whose previous credits include SLIPKNOT and METALLICA. However, because of the pandemic, some of the initial work was done with Greg remotely, after which SCORPIONS opted to helm the recordings themselves with the help of their engineer Hans-Martin Buff.
SCORPIONS' latest album marked their first release since 2017's "Born To Touch Your Feelings - Best Of Rock Ballads", which was an anthology of new and classic material.
SCORPIONS' previous full-length collection of new recordings was "Return To Forever", partially comprising songs the band had in the vault from the '80s. It was the final recorded appearance of SCORPIONS' longtime drummer James Kottak, who was dismissed from the band in September 2016. He has since been replaced by Mikkey Dee, formerly of MOTÖRHEAD.
In January, SCORPIONS postponed their 2025 Las Vegas residency due to Dee's recovery from his recent hospitalization. Promoted by Live Nation and Caesars Entertainment, "Scorpions - Coming Home To Las Vegas 60th Anniversary Las Vegas Residency" was scheduled to kick off on February 27, 2025 at PH Live at Planet Hollywood Resort & Casino. SCORPIONS.
The new dates are as follows: August 14, August 16, August 19, August 21 and August 23.
BUCKCHERRY will still provide support for the new SCORPIONS Las Vegas residency dates.
In celebration of SCORPIONS' 60th anniversary, the new show follows the band's two previous sold-out residencies at the venue — "Scorpions - Love at First Sting Las Vegas" in 2024 and "Sin City Nights" in 2022.
Earlier in January, Mikkey, who was previously a member of MOTÖRHEAD for 23 years, revealed that he was recovering after spending most of the holiday season battling a "very serious blood infection (Sepsis)."
Press photo credit: Frank C. Duennhaupt (courtesy of Atom Splitter PR)
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4 èþë 2025
MACHINE HEAD Shares Recap Video From Tons Of Rock In Norway
 This past Saturday, June 28, Machine Head performed live at Tons Of Rock in Oslo, Norway.
MH frontman Robb Flynn has since issued the following statement and accompanying video:
“ØSLØ: TØNS ØF RØCK? More like TØNS ØF CRØWDSURFERS! What a great way to start off this tour, in a country that has taken us to their hearts for our undying love of the Norwegian Ø!
Big shouts out to Zack Ohren for stepping up like a true champ standing in for our brother Reece Scruggs. You kicked ass, Zack! And also to everyone involved in the festival for looking after us all so well, particularly the pit security team who dealt with the endless swarm of crowd surfing Head Cases impeccably.”
The next Machine Head show is July 3 at Floyd in Athens, Greece. Their complete tour schedule can be found here. | +1 | |
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4 èþë 2025
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4 èþë 2025
ZZ TOP – From The Top (1979-1990) 5LP Boxset Out July 4
 ZZ Top delivers the fireworks on July 4 with From The Top (1979–1990), a limited-edition collection from Rhino High Fidelity (Rhino Hi-Fi) that trails the Texas trio on the road to worldwide fame. Following the first volume’s sellout last year, the sequel features five albums from the height of the band’s mainstream success.
From The Top (1979–1990) includes Degüello (1979), El Loco (1981), Eliminator (1983), Afterburner (1985), and Recycler (1990). Lacquers for each album were AAA cut from the original stereo master tapes by Kevin Gray and pressed on 180-gram heavyweight vinyl at Optimal. The albums are housed in a faux-leather slipcase, and the collection is limited to 3,000 individually numbered copies. The collection is available today for pre-order exclusively at Rhino.com and select WMG stores worldwide.
ZZ Top came together in Houston with vocalist and guitarist Billy Gibbons, bassist Dusty Hill, and Frank Beard behind the drums. Blending electric blues, boogie, and humor, the trio steadily built a following through relentless touring and a streak of increasingly confident records. From The Top (1979–1990) picks up as the band entered a new decade—one where their sound expanded, their videos took over MTV, and their beards grew right along with their fanbase.
After a brief hiatus, ZZ Top returned in 1979 with Degüello, a looser record built around funkier grooves like “Cheap Sunglasses,” with its staccato backbeat and crescendo of “oh yeahs.” Their version of Sam and Dave’s “I Thank You” became a fan favorite, Gibbons says in the album’s new liners notes by James Austin. “Our cover emerged unabashedly with a one-take stab onto the tape machine, and the tale was told and remains a recurrent requested number on stage and over radio stations everywhere.”
They scored a Top 20 hit in 1981 with El Loco, which introduced classics like “Tube Snake Boogie” and “Pearl Necklace.” The trio kept one foot in the blues while experimenting with new sounds, telegraphing their next move with synths on “Groovy Little Hippie Pad” and processed drums on “Party On The Patio.”
Released in 1983, Eliminator marked a seismic shift for ZZ Top, blending their blues-rock foundation with driving tempos, synthesizers, and airtight songwriting. The album became a phenomenon—Diamond-certified, spending over two years on the charts and delivering a trio of massive hits: “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs.” Backed by a striking run of MTV videos, the band reached a new generation of fans and became unexpected pop culture icons.
Afterburner followed in 1985, pushing the synth-driven sound even further. Tracks like “Sleeping Bag,” “Velcro Fly,” and “Rough Boy” kept the band on heavy radio rotation, while the album climbed to #4 on the charts and was certified five times platinum in the U.S. alone. “So many wacky gadgets suddenly seemed to appear in the studio,” Gibbons recalls. “The temptation of experimentation took us all in… and some satisfying mayhem unfolded. And that’s defiantly rock ’n’ roll.”
Recycler arrived in 1990, opening a new decade with a Top 10, platinum-certified exclamation point. Tracks like “My Head’s In Mississippi” and “2000 Blues” leaned into their blues roots, while “Doubleback”—featured in Back to the Future Part III—gave them another high-profile hit. It was the final album in a remarkable trilogy that defined ZZ Top’s sound—and look—for years to come.
Rhino High Fidelity continues to tap into Warner Music’s vast catalog with superlative editions of landmark albums spanning rock, pop, jazz, blues, and beyond. Each title in the series pairs uncompromising audio with archival-grade packaging, honoring the album’s original intent in both sound and design. | +1 | |
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4 èþë 2025
New GORGUTS Album To Arrive In 2026
 Canadian death metal veterans GORGUTS are working on their first new material in nearly a decade. Earlier today, the band shared a few photos from the studio and included the following message: "Hello dear Gorguthians, many of you have been asking about new material and updates from the band, so here's the latest: the guys are currently at [GORGUTS bassist] Colin Marston's new studio in Pennsylvania, USA. They've just spent three days recording pre-production demos for four new songs intended for the upcoming album.
"There's no official release date yet, but you can expect the album sometime around 2026. Stay tuned! #gorguts #newmaterial #deathmetal #studio".
At least month's Northwest Terror Fest in Seattle, Washington, GORGUTS debuted a brand new song. Fan-filmed video of the performance can be seen below.
GORGUTS performed for the first time in nearly six years at the 2023 Decibel Magazine Metal & Beer Fest: Philly. To celebrate the end of this extended break, the band played a special set exclusively of material from 1998's landmark "Obscura" and 1991's old-school classic "Considered Dead".
In the fall of 2023, GORGUTS completed a North American tour with CANNIBAL CORPSE, MAYHEM and BLOOD INCANTATION.
Few extreme bands can boast the pedigree of GORGUTS. During their early days as part of death metal's first wave, they created a legacy of legendary releases including their debut album "Considered Dead" (1991) and its more experimental and technical follow-up "Erosion Of Sanity" (1993). After a hiatus of five years, Lemay returned with a new lineup, which released the highly acclaimed and seminal third full-length "Obscura" (1998). By then GORGUTS had been busy at expanding and redefining the language of death metal. With a new lineup that left Lemay as the sole original member, the next milestone album was released under the title "From Wisdom To Hate" (2001).
Yet again the band went into hibernation, while their musical legacy continued to inspire and thrive as their native Quebec became a focus for technical death metal with acts such as CRYPTOPSY, NEURAXIS and BEYOND CREATION, to name but a few, following in their footsteps. After more than a decade of silence, Lemay unleashed "Colored Sands" (2013) with an all-star line-up including Colin Marston (BEHOLD THE ARCTOPUS),Kevin Hufnagel (DYSRHYTHMIA) and John Longstreth (ORIGIN, SKINLESS),who was later replaced by Patrice Hamelin (QUO VADIS, BENEATH THE MASSACRE) and more recently by Michel Bélanger.
In 2016, GORGUTS released the "Pleiades Dust" EP. In an age of a postulated clash of cultures, Lemay delivered a piece of music that was conceptually and lyrically based on the "House Of Wisdom", a medieval library based in Baghdad and at the heart of the Golden Age of Islam with its many scientific breakthroughs in various fields of learning.
After a successful year of touring in 2017, GORGUTS once again receded into the shadows and went dark before becoming reactivated six years later.
GORGUTS 2025 is:
Luc Lemay - rhythm guitar, vocals
Kevin Hufnagel - lead guitar
Colin Marston - bass
Michel Bélanger - drums
Image courtesy of TeamMontrealMetal
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4 èþë 2025
OZZY OSBOURNE Launches New Line Of Beauty Products
 Ozzy Osbourne has teamed up with Birmingham, United Kingdom "alternative" make-up brand Jolie Beauty to produce a unique collection of cosmetic and makeup products.
The limited-edition, officially licensed collection, which will be revealed and available to purchase via the Jolie Beauty web site beginning July 9, fuses the company's "bold, artistic style with the theatrical, gothic flair that has defined Ozzy's legendary career."
"It's such an honor that Ozzy and his team chose to partner with us — especially as an independently run brand from his home city," said Jolie Cashmore, CEO of Jolie Beauty. "This collaboration is a testament to Ozzy's impact on the gothic and alternative communities, and a celebration of his legendary influence on music, fashion, and creativity."
"The bat is finally out the bag," Cashmore added in a video posted on social media. "I hardly believe it either, guys, and I've had a lot of time to process this. Tears have been shed when I got this news. I cried because this is an absolute honor for me. I am a lifelong BLACK SABBATH and Ozzy Osbourne fan, and of course he's from Birmingham. To be given this opportunity by the Osbourne team is just a dream come true. It's so amazing that they've chosen an independent, small Birmingham brand for this."
Back in October 2022, Ozzy launched another beauty collection, appropriately dubbed "Ozzy Osbourne Collection". Through a unique collaboration with Ozzy, the licensing agent Global Merchandising and the design team at Rock And Roll Beauty, the 21-piece set featured a 14-shade "Ozzy Bat Palette" shaped like a winged creature of the night and another one in a coffin-shaped case, with shades inspired by some of Ozzy's best-known songs, including "Zombie Stomp", "Crazy Train" and "Iron Man". The collection also featured candles to conjure the spirit of the rock gods, Ozzy-styled body tattoos, dark "metal", lipsticks, cosmetic bags, and a gothic mirror.
As previously reported, BLACK SABBATH's final show in Birmingham this weekend is expected to help boost the West Midlands economy by up to £20 million (approximately $27 million).
The West Midlands Growth Company said as many as 300,000 music, sport and food fans would descend on Birmingham for what is being described as a "super weekend".
Photo credit: Ross Halfin | +2 | |
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4 èþë 2025
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Lamb of God
