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16 июн 2025

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16 июн 2025

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16 июн 2025

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15 июн 2025

DAVID ELLEFSON Reflects On MEGADETH's 'Risk': It Is 'Probably The Most Controversial Album In The Catalog'
 Former MEGADETH bassist David Ellefson has once again defended the band's "Risk" album, saying that the LP served as a gateway for a lot of fans into the world of MEGADETH.
Issued in 1999, "Risk" received a mixed response from critics and alienated hardcore MEGADETH fans due to its departure from the band's heavy thrash metal roots to a more commercial, pop rock sound. The album debuted at No. 16 on the Billboard chart and was later certified gold for selling half a million copies in the United States.
In a new interview with Mark Jackson and Jason Gardner of The Metal Forge podcast, Ellefson reflected on "Risk", saying (as transcribed by BLABBERMOUTH.NET): "The 'Risk' album is probably the most controversial album in the catalog. And admittedly, we did not sort of deliver a record that probably we even wanted to because we kind of took for granted, like, 'Well, we'll write the heavy metal tunes when we get down to Nashville.' And then, of course, what happened is we got so involved in the task of writing the other songs for the album that we didn't have any time to really play the metal tunes. And it's interesting because going through that process, it sort of takes you away from being a metal band. With [MEGADETH's 1997 album] 'Cryptic Writings', it worked because we were very much a metal band writing these, say, four songs — 'Trust', 'Almost Honest', 'Use The Man', 'A Secret Place', for example; those were the four singles — that were gonna be deliberately aimed at the active rock, American FM radio, because metal was changing, music was changing."
Elaborating on MEGADETH's decision to explore a more commercial sound on "Risk", Ellefson said: "Look, if you're in any line of work, whether you're Starbucks or you're MEGADETH or you're Chevrolet or whoever you are, ryou have to be aware of market trends, market changes and be able to adapt to what's going on or else you're out of business. So we played the game on 'Cryptic Writings' and we hit the bullseye and we won. With 'Risk', we played the game, but there was other… The music was actually getting heavier, as a friend pointed out… As we were going lighter, DISTURBED and GODSMACK and Rob Zombie and this heavier kind of modern rock, nu metal sound was coming out. KORN was kind of the new METALLICA for the nu metal; I call 'em the METALLICA of the nu metal movement."
Regarding how some of MEGADETH's contemporaries dealt with the rise of grunge and nu metal in the 1990s, Ellefson said: "Look. SLAYER didn't change. TESTAMENT didn't change. I'll say this: ANTHRAX, kind of, I guess being forced a bit, 'cause they had a singer change, but John Bush packs a punch, man. I mean, when that guy sings, you listen, 'cause he's just such a great singer. And so he sort of gave them a jumpstart and a restart in the '90s just by having that one member change. And when it's the singer, it matters especially, because it's kind of the main thing [you hear in a band's music]. So they also went through it. Out of the 'Big Four' [of 1980s thrash metal], SLAYER didn't really play the game, [while] ANTHRAX, MEGADETH and METALLICA did. And then, finally, by the time we got into the 2000s, it was, like, 'Oh, thank God that decade's over.' And look, I'm not complaining about the '90s. MEGADETH, that was our biggest decade. We were very prolific. We had our most successful, and to this day, probably some of our most applauded work with that lineup."
Circling back to why "Risk" remains an underrated album in MEGADETH's catalog, Ellefson added: "Look, it was what it was. I remember, and I've told this story before, one day a fan hit me, and they said, 'Why do you guys sort of talk down against 'Risk'?' They said, 'I was really young and that was my very first MEGADETH album I ever bought. I fell in love with it and I bought every other album since.' And I thought, 'You know what, man?' I came into KISS at 'Destroyer'. Now I've talked to some people recently, they went, 'Oh, 'Destroyer'.' That was like their 'Risk', you know what I mean? 'Oh, I couldn't take KISS anymore after that,' because they bought 'Hotter Than Hell' and 'Dressed To Kill'. But I thought about it. I thought, whatever age we're born, we have no say in that. So whatever's kind of coming across our plate, culturally, musically, artistically, that's where we are at that time. And like this fan said, they bought 'Risk' and then they went and bought every other MEGADETH album afterwards, just like I bought 'Destroyer', and then I bought KISS 'Alive!', and then I bought 'Dressed To Kill' and 'Hotter Than Hell'… But it was 'Destroyer' that got me in the game. And so I thought the same thing is true. It's, like, people like things for different reasons. And some people don't like things for different reasons, and whatever. It's power of choice. It's what the good Lord made us. So, you're not gonna please everybody all the time, and we're not in that business, to be honest with you. Our businesses is to create and make things that we like, and hopefully there's just enough other sort of black-t-shirt knuckleheads like us who actually are gonna like it too. And then, once the first record comes out, the die is cast. And then from then, it is a bit of a chess game how you traverse the rest of the years of your career because it would be sad if we just made 'Killing Is My Business' 15 more times. It's, like, what person does that? You grow, you experience new things and your music reflects that."
Last October, Ellefson looked back on the making of "Risk" for the album's 25th anniversary, telling Oran O'Beirne of Overdrive.ie: "I think with 'Risk', with MEGADETH, we wrote that record mostly at rehearsal, then we went to Nashville and finished it in the studio and it didn't have time to simmer and percolate and really kind of sink into us.
"Here's what I found: if you're not a fan of your music first, it's hard to convince someone else to be," he explained. "And that album just didn't — and now I listen back to it, and it still remains one of the great MEGADETH records, even though it doesn't sound like a MEGADETH record of the past, leading up to that point. But we didn't have enough time to let it just kind of absorb into us. And then next thing you know, we're right on the road playing these songs and it's, like, 'Oh, shit. These songs aren't really connecting so much.' To just have the time, to let the stuff, to let the material absorb…
"[Former MEGADETH guitarist] Jeff Young is really big on this whole mindset of we're analog creatures, and that's why digital music, it doesn't connect with us, and it doesn't stay with us."
Asked if he would go back in time and do something different with that album if given the chance, he said: "No, because you'd have to start all over on that. You'd have to go back to the rehearsal room.
"Here's the long and the short of it: our manager at the time was really leaning on us to dig deeper into this radio approach, an approach that worked very well on 'Cryptic Writings', because we said, 'Hey, let's make a third of the record… We've gotta reinvent the band in a way that's competitive with what's happening around us.' There's a radio format here in America called active rock radio, and now bands like DISTURBED, SHINEDOWN, GODSMACK, they own that, HALESTORM, they own that format. And we had some success with it, with 'Symphony Of Destruction' and 'Sweating Bullets' and stuff like that in the early '90s. And then with 'Cryptic', a third [of the songs were] radio, a third metal, a third kind of whatever, and it worked. It was the right approach. With 'Risk', there was just kind of this really heavy push, 'If some is good, more must be better.' And our attitude as well, 'When we get down to Nashville [to make the album], we'll crush out these metal tunes. That'll be easy. No problem.' And the truth of it is it took so much time crafting the other songs for the record that we didn't really have the time or the mindset to make those metal songs that the record should have had to sort of balance it out. So it tended it to be a record that was skewed more as a crafted radio album. And admittedly, there's a piece of it that we didn't include, that we just kind of ran out of time, focus and energy for. And that's the part that's on us, for sure. And I think what that taught us was, and then for 'The World Needs A Hero', we started to re-chart the course of the ship again, was we have to like the songs. If we like it, there's gonna be a bunch of other knuckleheads just like us who are gonna like it too. So let's preach to that choir, rather than trying to go out and get a tribe that we aren't a part of and may never get invited into, let's just make our tribe tighter. 'Cause, look, that's ultimately how MEGADETH and thrash, our genre, that's how it grew."
In July 2024, former MEGADETH guitarist Marty Friedman once again said that he and his then-bandmates did "the best" they could while making the "Risk" album, saying that the controversial record was "exactly where we were as a band at that time." In an interview with Whiplash.net journalists Gustavo Maiato and Mateus Ribeiro, Friedman was asked how he looked back on "Risk" 25 years after its release. He responded: "I haven't heard it since back then. I don't think it was much of a risk, actually. And I just remember we did the best we could. And it's exactly where we were as a band at that time. And that's all any album is, really. An album is like a yearbook in school or in high school or college or whatever. An album is a yearbook of that period of time. So you can't really go back and say, 'Oh, this sucks' or 'We didn't mean to do that' or 'It was not a good idea,' or whatever, you can't go back and say that, because it is what it is and it was what it was. At the time, we believed in it and we did the best we could and that's all I can say about any album, really. It's the same answer for any album."
Friedman previously discussed "Risk" I na December 2018 interview with SiriusXM's "Trunk Nation With Eddie Trunk". At the time, he said: "Well, I think anything that needed to be said from me about that was probably said at the time. I haven't even thought about that since then, so I couldn't give you an intelligent answer. I'm barely thinking about what I did yesterday, much less back then."
He continued: "I'm sure whatever it was at the time that it happened, everybody involved with it was doing the best that they possibly could — I'm sure of that — because that is something that's happened on every record before that and every record since that and every record I'm doing now.
"When you're doing it, you're doing the absolute best that you can. And pretty much if you look at any press of any record, when it comes out, what the people are saying right then, right at that time, that's what it is. And then, depending on the results of that, people's stories change, but at the time, you're doing the best that… You really, really, really believe in that — everybody believes in it — and then that's it. So I definitely wouldn't even begin to think of whatever specifics were going on back then — it's just the farthest thing from my mind — but I can assure you that anything was done with the best of intentions and the hardest work. And everybody was just trying to do their best."
Seven years ago, MEGADETH mainman Dave Mustaine said that "Risk" was the result of him "capitulating" to Friedman's "desires to be more of an alternative band." He told SiriusXM's "Trunk Nation LA Invasion: Live From The Rainbow Bar & Grill": "We kept slowing down and slowing down and slowing down. If that record would have been called THE DAVE MUSTAINE PROJECT and not MEGADETH, I think it would have been successful. People wanted a MEGADETH record. They didn't wanna see Dave bending over backwards to keep Marty Friedman happy, 'cause Marty wanted us to sound like fucking DISHWALLA."
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15 июн 2025

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15 июн 2025

RISE AGAINST: 'We've Been Chomping At The Bit For A While' To Release 'Ricochet' Album
 At this weekend's Download festival at Leicestershire, United Kingdom's Donington Park, Tim McIlrath — the frontman of RISE AGAINST — spoke to James Wilson-Taylor of Rock Sound about the punk band's upcoming tenth album, "Ricochet", due out August 15 via Loma Vista. He said (as transcribed by BLABBERMOUTH.NET): "We were ready [with the album] a year ago, just putting together all like the little bits and pieces and artwork and all that kind of stuff. So we've been chomping at the bit for a while, and we're happy to finally get it out. There's only three songs of it out right now. So I really hope people will get to hear the whole thing really soon, which they will — August 15th. We're gonna debut [the latest single] 'I Want It All' in the U.K. for the first time, I believe, here [Friday] afternoon [at Download]. So, yeah, we're excited about that."
Regarding "I Want It All", McIlrath said: "That one was the one that we put together and it sounded most like something different in 2025 for RISE AGAINST. 'Cause I think people will find songs on this album that fit seamlessly into the catalog of RISE AGAINST in a lot of ways. And 'I Want It All' kind of, I feel, stands out in the live show, on the record. It's got its own sort of thing. I think it will be identifiable as this era of RISE AGAINST."
"Ricochet" marks RISE AGAINST's first album in four years, arriving in a world of constant stimuli, where the algorithm wants us all to be angry: like a pile of marbles hit hard and bouncing uncontrollably, continuing to spread further and further. But across these twelve songs, produced by Grammy-winning producer Catherine Marks (BOYGENIUS, FOALS, MANCHESTER ORCHESTRA, ST. VINCENT) and mixed by Alan Moulder (NINE INCH NAILS, PARAMORE, QUEENS OF THE STONE AGE, THE KILLERS),RISE AGAINST asks listeners to consider who ultimately benefits from this collective division and displeasure — to look before we leap, to think about the consequences our actions have on each other, as the power structures that prod us remain preserved and protected.
Rooted in unification, "Ricochet" is a record massive in sound, but centered around the small parts of the psyche that lead to the biggest positive change. It all starts with oneself, and on the searing lead single "I Want It All", RISE AGAINST revs the engine and jump-starts a mission of self-determinism that is ardent, ambitious and unapologetic.
"I Want It All" follows recent singles "Nod" — hailed as a "particularly potent rallying cry for the moment" (Rolling Stone),and "the anthem we need right now" (VICE) — as well as "Prizefighter", illustrating the internal battle between making art, maintaining autonomy and meeting the demands of our rapidly-shifting attention span. Throughout the rest of "Ricochet", RISE AGAINST dives deeper into the solace we find in community and the chain reaction of our words and actions – how hurt is not something that can be reversed, and that the fight for a better existence begins not with blind allegiance, but through an unpopular opinion from a minority of voices. While so much of the world is designed to feel like we are in a constant state of emergency, bandmembers Tim McIlrath (lead vocals/guitar),Joe Principe (bass/vocals),Zach Blair (guitar/vocals) and Brandon Barnes (drums) urge us to come together to not simply survive, but to save it now.
McIlrath previously said in a statement: "'Ricochet' is about our collective inter-connectedness. We started with the title track and that being about how we're all — whether we like it or not — stuck in the same room, so to speak. Everything you do is going to affect somebody; everything you throw will affect the next person. We're connected to other countries, other economies; we're connected to undocumented immigrants. We're connected to every decision our leaders make. It's all one big ricochet effect. That idea is the backbone of this album."
In the four years since 2021's "Nowhere Generation", the Chicago band's outspoken messages, bulletproof melodies and deep body of multi-gold and platinum hits have reached more fans than ever, uniting millions in a necessary embrace of vital, progressive issues. Whether they are singing about injustice, instability, environmentalism, animal rights or the way the social and economic decks have been stacked against the youth, RISE AGAINST continues to fill arenas, top charts, break records and earn billions of streams.
This summer, they are back bigger than ever. Having already performed at Los Angeles's Kia Forum and toured across three continents this year, RISE AGAINST return to the road hot on the heels of the album announcement, for an impressive European tour and festival headliner run in June, followed by Vans Warped Tour, and dozens of arena and amphitheatre shows in the U.S.
"Ricochet" track listing:
01. Nod
02. I Want It All
03. Ricochet
04. Damage Is Done
05. Us Against The World
06. Black Crown
07. Sink Like A Stone
08. Forty Days
09. State Of Emergency
10. Gold Long Gone
11. Soldier
12. Prizefighter
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15 июн 2025

METAL CHURCH Guitarist KURDT VANDERHOOF Announces Seventh PRESTO BALLET Album, 'Dreamentia'
 PRESTO BALLET, the progressive rock project led by METAL CHURCH guitarist Kurdt Vanderhoof, will release its seventh studio album, "Dreamentia", on June 27 via Rat Pak Records.
Founded by Vanderhoof in 2005, PRESTO BALLET combines the melodic and harmonic old-school aspects with the neo-progressive rock sound of today. While their sound is often compared to the early works of KANSAS, RUSH and YES, PRESTO BALLET still maintains its own identity.
In regards to the musical direction of "Dreamentia", Vanderhoof comments: "'Dreamentia' is the continuing story of Andy Rottman. His story began on the album 'Relic Of The Modern World'. It is the story of a regular guy who has gotten fed up with technology and decides to disconnect from modern life and all the digital and cyber way of living. His few friends tell him this will be just like 'disappearing'. And when he gets rid of his cell phone, his computer, social forms of media and disappears. 'Dreamentia' is the story of what happens to Andy after his disappearance. This is what I like to call the 'obligatory prog rock concept album' following the template of my favorite '70s progressive rock heroes. I figured PRESTO BALLET needed one as well. Besides, it's really a lot of fun!!"
"Dreamentia" track listing:
01. Dreamentia Theme
02. Finding Light
03. Into the Silent City
04. Mumbletypeg
05. The God Machine
06. Fanatic In The Attic
07. Meet "Old Harry"
08. The Quiet Prayers Of War
09. Biloxis
10. Thinning The Veil
11. Giving Up The Dangers
PRESTO BALLET 2025 is:
Kurdt Vanderhoof - Guitar
Scott Albright - Vocals
Kerry Shacklett - Keyboards
Bobby Ferkovich - Bass
Charlie Lorme - Drums
When Kurdt first launched PRESTO BALLET two decades ago, he told Sea Of Tranquility: "Basically, PRESTO BALLET is just an extension of the VANDERHOOF solo stuff which I have also been doing for a while, which is more of a '70s-styled straight rock stuff, and within that I think I wanted to just challenge myself as a writer and go down that path. It's basically emulating a lot of the styles that I love and never quit listening to. Along with the straight rock stuff, I've always been a big progressive rock fan."  | +2 |  |
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15 июн 2025

Watch: THE 3RD AND THE MORTAL Performs With Singer KARI RUESLÅTTEN For First Time In Three Decades
 Norwegian progressive doom metallers THE 3RD AND THE MORTAL are celebrating the 30th anniversary of the two records they released in 1994 with singer Kari Rueslåtten, the acclaimed "Tears Laid In Earth" full-length album and the groundbreaking "Sorrow" EP, by reuniting for select shows in 2025 and 2026, playing songs from these releases.
The first THE 3RD AND THE MORTAL reunion concert took place yesterday (Friday, June 13) at the Ecosystemic festival in Riga, Latvia. Fan-filmed video of the show can be seen below.
Earlier today, THE 3RD AND THE MORTAL shared a few photos of the Riga gig and included the following message: "We had a wonderful night in Riga yesterday! Thank you so much for making our first show together such a great experience!"
When THE 3RD AND THE MORTAL reunion was first announced last December, the band said in a statement: "We have had a great time rehearsing together with Kari again after all these years, and we are very much looking forward to meeting fans and friends in the coming!"
"This reunion is about celebrating the music we created together with the friends and wonderful fans who have inspired us all along," said Rueslåtten, whose ethereal voice remains central to the band's identity.
True to their artistic integrity, the six-piece ensemble will deliver their signature sound without pre-recorded enhancements, showcasing the raw talent that established their legacy.
"We cannot wait to get out there again and reconnect with the amazing fans and friends who've supported us over the years," added THE 3RD AND THE MORTAL drummer Rune Hoemsnes, speaking for the entire band.
The THE 3RD AND THE MORTAL reunion performances represent a rare opportunity to witness one of atmospheric doom metal's most influential acts. The band's pioneering fusion of progressive soundscapes and ethereal atmospheres helped shape the landscape of contemporary metal.
THE 3RD AND THE MORTAL concerts in 2025 and 2026 are showcasing material from "Sorrow" and "Tears Laid In Earth". These works not only defined an era but continue to influence artists across the metal spectrum.
In 2013, Rueslåtten released a new version of THE 3RD AND THE MORTAL song "Why So Lonely", featuring a guest appearance by NIGHTWISH mastermind Tuomas Holopainen on piano and keyboards.
In an interview with FestivalBlog.be, Holopainen stated about his guest appearance on the track: "It's just an incredible thing because this album called 'Tears Laid In Earth' from 1994 is my all-time number one album. It's my favorite album of all time, and I'm not exaggerating when I say that listening to this album made me form NIGHTWISH. I wanted to do something similar. That's the most beautiful thing I've ever heard — female voice, atmospheric metal; I wanted to do something similar. So I owe everything to this band and this album. And then Kari contacted me saying, 'I'm doing a cover of the song 'Why So Lonely' for my solo album. Would you like to come and play the piano and the keyboard for that song?' And I [said 'yes'], like, immediately, I mean, this is an unbelievable coincidence."
After Rueslåtten's departure from THE 3RD AND THE MORTAL in 1995, the band recruited a new female singer, Ann-Mari Edvardsen. With Edvardsen on vocals, THE 3RD AND THE MORTAL released two full-length albums, 1996's "Painting On Glass" and 1997's "In This Room".
After the departure of Edvardsen and an absence of five years, THE 3RD AND THE MORTAL returned in 2002 with "Memoirs", an album with recordings made during previous years. A new female vocalist was found in Kirsti Huke, with Andreas Elvenes backing her up on a couple of tracks.
We had a wonderful night in Riga yesterday! Thank you so much for making our first show together such a great experience!
Photos: Neils Saksons, Lisa Hanssen Østgaard, Günars Läcis
Posted by The 3rd and the Mortal on Saturday, June 14, 2025
We are proud to announce that we are going to play at Festival Ecosystemic in Latvia, Riga 13th of June in Mežaparka...
Posted by The 3rd and the Mortal on Monday, March 3, 2025
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15 июн 2025

Watch: SAVATAGE Kicks Off First European Tour In 23 Years At Netherlands' INTO THE GRAVE Festival
 Legendary American progressive metal band SAVATAGE kicked off its first European tour in 23 years Friday night (June 13) at the Into The Grave festival in Leeuwarden, Netherlands.
The group's setlist for the show was as follows:
01. The Ocean
02. Welcome
03. Jesus Saves
04. Taunting Cobras
05. Strange Wings
06. The Wake Of Magellan
07. Nothing's Going On (performed live for first time since 1998)
08. Handful Of Rain
09. Chance
10. Dead Winter Dead
11. Turns To Me
12. Sirens
13. Gutter Ballet
14. Edge Of Thorns
15. Power Of The Night
16. Hall Of The Mountain King
Fan-filmed video of the concert can be seen below.
SAVATAGE's lineup for the 2025 dates consists of Johnny Lee Middleton on bass, Chris Caffery on guitar, Al Pitrelli on guitar, Jeff Plate on drums and Zak Stevens on lead vocals.
Asked by Germany's EMP if he prefers playing festivals or headlining theater shows, Zak said: "Well, I like to start out with festivals. Personally, I feel pretty comfortable on the festival stage. But there's really nothing like the other stages. We just got a taste of this in South America [in April]. We started out, the first show — bang — straight out with [Brazil's] Monsters Of Rock, at a festival, and then the next day we're in a big, I guess, theater-sized event that was our headlining show, which I really found to be fantastic. So I really like both of 'em. I like it to be a little bit more — I like the closeness of the crowd on the smaller stages too, the more intimate setting. So I'm looking forward to both of it. We've got a good mix of both of those settings on this tour. So I'm looking really forward to both of them."
Regarding SAVATAGE's mindset going into the European tour, Jeff said: "The fact that the fans have stuck with us and have wanted this and asked for it for all of these years really kept this whole thing kind of — the possibility was always there, but when word came out about the band actually doing this, and then the response… I mean, I can't believe these shows in Germany that we're playing, they're sold out. It's amazing. We haven't been here in 23 years. The lineup is different, but the fans have hung on to this band. And hey, credit to the music. Paul [O'Neill, SAVATAGE producer and TRANS-SIBERIAN ORCHESTRA founder], Jon [Oliva, SAVATAGE's founding vocalist and keyboardist], Criss Oliva [SAVATAGE's late guitarist], everything these guys created, it's really an honor for us to be able to still continue this. But this is just the beginning. I think things are gonna look really good for the future for us."
SAVATAGE played four shows in South America in April and has 10 dates in Europe scheduled for June, including at France's Hellfest and Belgium's Graspop Metal Meeting festivals.
SAVATAGE played its first non-festival headlining concert in more than 20 years on April 21 at the Espaço Unimed in São Paulo, Brazil. The show took place two days after SAVATAGE performed at the Monsters Of Rock festival at Allianz Parque in São Paulo.
Appearing with Middleton, Caffery, Pitrelli, Plate and Stevens were SAVATAGE's two new touring keyboardists, Paulo Cuevas and Shawn McNair.
In a recent interview with Scott Itter of Dr. Music, Caffery spoke about the fact that SAVATAGE's comeback doesn't include Jon Oliva, who in 2023 suffered a T7 vertebra fracture in three places, a severe injury that has left him relying on a wheelchair. Additionally, he was diagnosed with multiple sclerosis and Ménière's disease, conditions that have further complicated his health. Chris said: "He's had a lot of punches. He's lost so many people that are close to him. So many people have passed away around Jon. [But] he's the mountain king, man. He had a fall, and then he's had some health stuff and he has his M.S. that he's dealing with and some other things. But I saw him go from being in a wheelchair, a motorized wheelchair, and being with walkers to watching him walking in and out of the studio when we were rehearsing for the [recent SAVATAGE] South American tour. And then I just saw videos of him and pictures online from a ceremony that happened [last week] for Morrisound Studios in Florida. He looked even better than he did when I saw him a month ago. So I think the SAVATAGE thing playing [again] is an inspiration to him. I think it's the best thing that could have happened to all of us in a lot of different ways. But I think Jon, he wants to be there. I want him to be there. I was, like, 'Dude, I've never done a SAVATAGE show without you.' He was, like, 'Just go play the fucking music.' And it's so important to me that he's around. And he had a big part to do with what we were doing [with the SAVATAGE comeback], and he recorded that piece for the video [that we are using in the live show during the performance of the song 'Believe']. But I know Jon — he wants to be there. And I think that seeing just how much people missed him and his music and the legacy of the band, it's inspiring him to get back out there and walk up on that stage and have people fricking say hi to him the way he deserves."
Regarding the possibility of SAVATAGE live shows in the U.S., Chris said: "The idea is for us to play as many places as we can. I don't have schedules in front of me. I'm taking things a day at a time. But from what I understand, the plan is for us to go. And we are looking at a 10-year plan, and it's gonna include everywhere. That's the idea. So we'll get there. And I think the States will be a lot of fun to get back out and tour around with this band again."
Zak joined SAVATAGE in 1992 as the replacement for Jon Oliva. Zak sang on four albums with the band — "Edge Of Thorns" (1993),"Handful Of Rain" (1994),"Dead Winter Dead" (1995) and "The Wake Of Magellan" (1997) — before departing in 2000, allowing Jon to return. Both Jon and Zak took part in SAVATAGE's 2015 performance at Wacken Open Air, which marked the band's first appearance on stage since they went on hiatus back in 2002.
SAVATAGE's last album release, "Poets And Madmen", in 2001 was highlighted by Jon's return as lead vocalist, replacing Zak, who left the band citing family reasons, and the departure of guitarist Al Pitrelli, who accepted an offer to join MEGADETH in 2000. Pitrelli did record solos for some songs prior to his departure. Another very limited U.S. tour followed, supported by FATES WARNING in the early shows, and then NEVERMORE for the remainder. Around this time, Jon chose Zak's replacement in the form of Damond Jiniya (DIET OF WORMS). Damond performed Zak's parts on tour, with Jon having an increased vocal role in proceedings.
In addition to his work with SAVATAGE, Jon Oliva is well known for co-creating the classical music-meets-prog rock and pyro act TRANS-SIBERIAN ORCHESTRA alongside O'Neill. Oliva has reportedly remained involved in TSO's activities even after O'Neill's April 2017 death of an accidental drug overdose.
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15 июн 2025

K.K. DOWNING: 'A Lot Of The Fans, They Look Down On KK'S PRIEST Because They Call Me A Tribute Band'
 In a new interview with Made In Metal, ex-JUDAS PRIEST guitarist Kenneth "K.K." Downing addressed the fact that PRIEST fans can now enjoy two separate bands playing a similar kind of music — his former group, which is continuing to tour and record new material, and KK'S PRIEST, which Downing launched in 2020 with another ex-PRIEST member, singer Tim "Ripper" Owens. He said (as transcribed by BLABBERMOUTH.NET): "Next time [KK'S PRIEST goes] out [and plays some shows], we'll probably play [the song] 'Cathedral Spires' [from PRIEST's 1997 album 'Jugulator'] and some other songs, and obviously some early 'Rocka Rolla' stuff.
"We have such a catalog, the whole thing, plus new material. I'm making new material, the guys [in the current PRIEST lineup] are making new material, so there's that as well.
"So I agree [that fans can enjoy both bands]. Two bands it is," Downing continued. "We're different, and there's no doubt that, like I say, I'm very proud of the way we sound because it's the way I always sounded and want to sound. So bands are different. We're different people, different entities, so it can only be good, it can only be a good thing. 'Cause two bands could do more shows, can create more music. There is no conflict, and there shouldn't be.
"I know a lot of the fans, they look down on KK'S PRIEST because they call me a tribute band, and I'm going, 'But I wrote the songs. Surely I have a right to play my own songs wherever I want and whenever I want,'" Downing added. "And I hope that people would be grateful if I go to their town, and it's a small town, they can hear me play these songs after all these years, then that's a good thing.
"So, we'll see what happens," K.K. said. "But one thing's for sure: nothing lasts forever, and us guys from so far back, we're treading a thin line. We only have so long before we fall off the end of the planet. And so I would like to say from the fans, give us the chance and enjoy us and come and have some fun and listen to us play some songs and have a good time."
Asked about KK'S PRIEST's plans for the rest of 2025, Downing said: "This year I'm doing lots of other things. I'm playing on somebody else's album, I'm kind of producing an album, but I'm also looking to make a new album. I'm doing the Ozzy [Osbourne final] show [in Birmingham in early July], the BLACK SABBATH show. I am doing that performance, playing with some guys. That's pretty exciting. But I'm looking to create a new record, ready for a big celebration next year, continue the anniversary with [the recent 50th anniversary of PRIEST's] 'Rocka Rolla', but also of 'Sad Wings Of Destiny'."
Circling back to KK'S PRIEST's ability to coexist with JUDAS PRIEST, K.K. added: "Even though we are two bands, even together we leave so many songs out. It's insane to try and create a setlist. It's mad, but it's gonna be good."
Back in 2023, Tim was also dismissive of any suggestions that KK'S PRIEST is nothing more than a glorified "tribute band." He said: "K.K.'s the founding member of JUDAS PRIEST. I was in JUDAS PRIEST. Half the set now is our own songs, and three-quarters of the set's gonna be our own songs now. I mean, it makes no sense. But [people] have their opinions, and it's great. You get to have it. It's when they're stupid opinions that's funny."
Four years ago, Downing spoke to Planet Rock's "My Planet Rocks" about his decision to call his new band KK'S PRIEST, an obvious nod to his former group. Asked if it's fair to say that KK'S PRIEST is essentially his version of JUDAS PRIEST, Downing said: "Well, the last thing I wanted to be is an offshoot or an offspring, but the thing is that I'm here [and] I've offered up my services [to come back to JUDAS PRIEST], which have been turned down. All I can say is the fact that I didn't wanna just dispense with a PRIEST. I've been a PRIEST since 1968. I've spent my life evolving. JUDAS PRIEST became the archetypal heavy metal band with the leather and the studs, and I was the first one to don the leather and studs, with the image of the band. So I feel justified that I can, with this great band, [approach KK'S PRIEST] as a continuation of this wonderful music and a celebration of rock and metal that I've always been instrumental in and been a part of so proudly. And the fans are there. We've grown older together. Why stop or change? Let's just carry on."
He later added: "I could have called the band something totally obscure and not related, but when you hear the music and everything, you're automatically gonna think of K.K. Downing. And the music will speak for itself and the fans know what they like and I'm here to do what I like and give the fans what I sincerely hope that they like."
KK'S PRIEST has released two albums so far, 2021's "Sermons Of The Sinner" and 2023's "The Sinner Rides Again".
Downing left PRIEST in 2011 amid claims of band conflict, shoddy management and declining quality of performance. He was replaced by Richie Faulkner, nearly three decades his junior.
In 2018, Downing revealed that he sent two resignation letters to his bandmates when he decided to quit JUDAS PRIEST. The first was described as "a graceful exit note, implying a smooth retirement from music," while the second was "angrier, laying out all of his frustrations with specific parties."
Downing later said that he believed the second letter was "a key reason" he wasn't invited to rejoin PRIEST after Glenn Tipton's decision to retire from touring.
Downing's autobiography, "Heavy Duty: Days And Nights In Judas Priest", was released in September 2018 via Da Capo Press.
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15 июн 2025

DISCIPLES OF VERITY, Featuring LIVING COLOUR, GOD FORBID Members, Releases 'Break The Cycle' Single
 DISCIPLES OF VERITY, fronted by the iconic singer Corey Glover of LIVING COLOUR, has released a new single, "Break The Cycle", via TLG | ZOID, with distribution by Virgin Music Group.
The track is the latest preview from DISCIPLES OF VERITY's sophomore album, "Nexus", produced by George Pond and co-produced by Sahaj Ticotin (RA). Alongside the single, the band has released a lyric video that visually amplifies the song's message.
DISCIPLES OF VERITY drummer Corey Pierce (also of GOD FORBID) states: "We all face constant struggle every day and everyone seems to feel overwhelmed by many things that are happening from maintaining work, friends and family as well as the strain of politics and ever changing cultural issues. We all need to band together in order to break this cycle and move forward to a better day."
"Break The Cycle" is now available on all major streaming platforms, and the accompanying lyric video can be viewed on the band's official YouTube channel.
Fueled by an insatiable urge to create and collaborate, this heavy metal incarnation seeks to challenge all that they believe to be true with their project DISCIPLES OF VERITY (DOV). The band features heavy hitters such as Corey Glover (LIVING COLOUR),Corey Pierce (GOD FORBID),George Pond (NEGATIVE SKY, SWIM THE CURRENT),Mark Monjoy (SEKOND SKYN) and Zack Miranowic (SEKOND SKYN, RIVERSEND). This all-star band unleashes an onslaught to the senses with a new sound that can only be described as "a new breed of crossover metal."
DISCIPLES OF VERITY formed just over four years ago after mutual projects brought the five members together. With Pond as the common denominator, having played with each of these artists throughout his career, his songs with Corey Glover were quickly embraced by the others, which evolved into their debut album, "Pragmatic Sanction".
Over the next eight months, DOV feverishly cranked out eight heavy, hook-laden songs with one distinct element — their infectious, melodic grooves. Ranging from hardcore, metalcore and even active rock, the band knew that their debut would be like nothing else in the industry and brought in a veritable "who's who" of the hard rock and metal industry to up the ante.
Four years have passed since the release of their first single from "Pragmatic Sanction". However, now comes the dawn of a new age. They have been quietly working on 12 new tracks for their sophomore album titled "Nexus". The band worked with producer Sahaj Ticcotin, who has worked with STARSET, MÖTLEY CRÜE, RA, BAD WOLVES, and many more. This monster of a record is set to be released in 2025 through TLG | ZOID, and distributed through Virgin Music Group.
DISCIPLES OF VERITY is:
Corey Glover (LIVING COLOUR) - Vocals
Corey Pierce (GOD FORBID) - Drums
George Pond (SWIM THE CURRENT, NEGATIVE SKY) - Bass
Mark Monjoy (SEKOND SKYN) - Guitar
Zack Miranowic (SEKOND SKYN, RIVERSEND) - Guitar  | 0 |  |
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15 июн 2025

VIVIAN CAMPBELL Confirms LAST IN LINE Is Working On New Music: 'We Have An Album Written'
 During a June 11 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", DEF LEPPARD guitarist Vivian Campbell confirmed that he and his bandmates in the LAST IN LINE project — frontman Andrew Freeman, bassist Phil Soussan and fellow original DIO member Vinny Appice (ex-BLACK SABBATH) — are working on material for a posible fourth studio album. Asked what is going on with LAST IN LINE at the moment, Vivian said (as transcribed by BLABBERMOUTH.NET): "Not a lot, actually. There hasn't a lot been going on. Our last show was the first week of May last year at the M3 festival in Baltimore. Then right after that, I went touring with LEPPARD all through the summer, and, obviously, right after the summer tour with LEPPARD, I was dealing with [undergoing a bone marrow] transplant [as part of Vivian's battle with Hodgkin's lymphoma] and the chemo and stuff. So it's basically my fault [we haven't done more]. [Laughs] I've gotta kind of schedule things and get us back up and started again."
He continued: "But the short answer is we probably won't do anything this year. We're working on a record. We actually wrote the songs so long ago, I've practically forgotten them, but we do have an album written. We have four master tracks that we're currently working on. And the ball is in my court. I've gotta do guitar on those tracks. I've only done one so far. So once those four are finished, we'll probably release 'em, actually. I mean, we did write an album's worth of music, but I'm not sure if we'll put it all out as one thing. We might release it piecemeal, because getting back to albums and stuff, when you put out a record, it's just got such a short shelf life nowadays. So maybe it might be more beneficial for us to release two, three or four tracks at a time. And hopefully next year we'll get back into doing some shows. But it's been rough since our last show. We lost our road manager, roadie guy. It's not like DEF LEPPARD. We travel in sprinter vans and we have one roadie. And his name was Mark Weber, and, unfortunately, he passed away last July. And so next time we do go play, we'll be playing without Mark."
Campbell added: "It's been a rough ride with LAST IN LINE with the attrition rate. We lost [original LAST IN LINE bassist] Jimmy Bain to cancer on the eve of the release of our debut album. And we lost our manager, Steve Strange, three years ago to cancer. And now we lost Mark. But having said all of that, it is very, very cathartic for me to play on stage with LAST IN LINE. It really exercises the muscle of guitar playing furiously. It keeps me sharp and on top of my ga.me And the travel's hard, back-to-back shows, five or six hours every day in a sprinter van, cheese sandwiches, no sleep, but when we're on stage, it is just electrifying for me to play. It just kind of recharges my batteries. And then when I go back to DEF LEPPARD, I feel so, so confident about my playing again. So, yeah, I'd like to get back at it. I do miss it, to be honest. And there will be new music."
LAST IN LINE's third album, "Jericho", came out in March 2023 via earMUSIC. The LP was helmed by Chris Collier, who has previously worked with KORN and WHITESNAKE, among other bands. LAST IN LINE's first two albums were produced by former DOKKEN and current FOREIGNER bassist Jeff Pilson.
In 2022, LAST IN LINE surprised fans by releasing a unique version of THE BEATLES classic "A Day In The Life", which was made available on the limited 12-inch silver collector's EP with the same name.
Formed in 2012 by Appice, Campbell and bassist Jimmy Bain — Ronnie James Dio's co-conspirators and co-writers on the "Holy Diver", "Last In Line" and "Sacred Heart" albums — LAST IN LINE's initial intent was to celebrate Ronnie James Dio's early work by reuniting the members of the original DIO lineup. After playing shows that featured a setlist composed exclusively of material from the first three DIO albums, the band decided to move forward and create new music in a similar vein.
LAST IN LINE's debut album, "Heavy Crown", was released in February 2016 via Frontiers Music Srl, landing at No. 1 on Billboard's Heatseekers chart. Initially, the release had been preceded by tragedy when Bain unexpectedly died at the age of 68 on January 23, 2016. LAST IN LINE, honoring what they knew would be Bain's wish to keep the band moving, brought in Soussan and committed to sustained touring in support of the album before beginning work on the follow-up release, 2019's "II", which was also made available through Frontiers Music Srl.
Last fall, Soussantold Thomas S. Orwat, Jr. of Rock Interview Series about the progress of the songwriting sessions for LAST IN LINE's fourth studio album: "We had got together, and in the crazy way that we do, we usually get together and get into a room. And we don't really bring in ideas. We just get into a room and plug in and start banging around and seeing what comes out, seeing what sounds cool. And we've got a whole bunch of embryonic ideas, and so we're working that at the moment. We do have to work around the DEF LEPPARD schedule, obviously; that's part of the parcel of what we do, and it's fine. And Viv has some personal things that he has to do as well, which is not my business to talk about. So that's going to mean where it's gonna be a little hard for us to get together as much to do this record. However, the 'Jericho' album, we got together and recorded half of those ideas just before the pandemic. It wasn't a plan. We found ourselves in L.A. 'Let's go into a studio and let's just do that.' And it turned out to be somewhat prophetic because of what happened with the pandemic. At least we had half an album to work on. But in the process of doing that, we found that we were able to work on a record remotely, using file transfers and doing things. So, half of 'Jericho' was done that way. And a lot of this album is probably going to be done in a similar kind of way as well. And the plan is probably to get back out on the road again after the summer of '25."
Asked if there has been any thoughts of maybe going out on a tour opening for a bigger band and getting more exposure to LAST IN LINE, Phil said: "It would be great, if it would work out and if everything made sense. Just prior to the pandemic, we were really on a good roll, and we had been going to Europe quite a lot and we had done tours opening for SAXON, for example, that was just terrific. It was a lot of fun for everyone on the tour together, and we had a great time. When that whole period came along, it really disrupted a lot of our plans. We had plans to go to South America, to Japan and back to Europe, a bunch of festivals in Europe, and all of that vaporized. And it's been hard trying to get that impetus back on track again. Not for any crazy reasons. One of the reasons, which is no secret, it's extremely expensive to try to get to Europe now, what with the kind of costs involved in touring — the fuel costs and the transportation costs and the way that the exchange rates have been, it's almost been a little prohibitive. And we've sort of been waiting for an opportunity to be able to go there and do that. We'd love to, sooner rather than later, I hope. So, I'm keeping my fingers crossed."
Regarding how difficult is it for a band at the level of LAST IN LINE to make a profit going out on the road, Phil said: "It's not really about making a profit. It's about, basically, being able to cover everything, cover all the expenses. We're very passionate about what we do, and I think I am personally, and that's always been my mantra, is to be passionate about what I'm doing and let the money take care of itself. So it's not just about trying to make money, but sometimes it's just cost prohibitive to be able to do something. I mean, if you figure the expenses of — I don't wanna get into details, but once you start adding these numbers up, then you realize it's going to be really in the whole to do a tour. But if we can cover it and get close to covering it, then that's fine. I mean, thank God that we don't all live paycheck to paycheck and we're able to be able to do these things and get together with our fans in a way that works for everyone. I mean, that's the most important thing, is getting the music in front of the people who love our band and being able to find a way to do it."
In 2023, Vivian told Classic Rock magazine about the "Jericho" songwriting process: "One thing we insist on in LAST IN LINE is that we have to be in the room together when we cut the tracks, old school, because that's how we did the early DIO records with Ronnie [James Dio]. We started this record in January 2020 in L.A., intending to finish it that April, and then obviously COVID happened and things got… discombobulated. It wasn't until February 2022 that we were able to get back into the studio, but that break only made the record stronger."
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15 июн 2025

Sweden's LIV SIN Announces New Album 'Close Your Eyes'
 Swedish modern metal band LIV SIN has signed a worldwide record deal with Seek And Strike for the release of its new album, "Close Your Eyes", due on August 8.
Fronted by Liv Jagrell (ex-SISTER SIN),LIV SIN blends aggressive riff-driven metal with soaring melodies, steadily building its presence on the international metal scene.
The album's title track, "Close Your Eyes", is streaming now and offers a first glimpse of what fans can expect from the LP. Tackling the harrowing subject of human trafficking, the song features a guest performance from Lars Palmqvist of SCAR SYMMETRY. The album was mixed by the renowned Tue Madsen, known for his work with BABYMETAL and MESHUGGAH.
LIV SIN states: "We chose the album's title track, 'Close Your Eyes', as the first single/video for mainly two reasons. We got the amazing vocalist Lars Palmqvist from SCAR SYMMETRY to join us, and the song has a straight-up melodic chorus that everyone was instantly hooked on. The song also has a darker edge to it, since it covers the topic of human trafficking.
"Liv got the idea for the lyrics after watching a documentary about people being tricked into trafficking across eastern Europe.
"In the video, we tried to recreate the feeling of being all alone in a dark room with different strangers coming and going. Liv sings and screams out her inner frustrations reflecting on the world today with a deep longing for a better world."
A dynamic five-piece born from the ashes of SISTER SIN, LIV SIN delivers a sound steeped in modern metal, melodic hooks and uncompromising intensity. Since LIV SIN's formation, the band has built a reputation for soul-stirring live shows and an authentic connection with fans.
Joining Jagrell in LIV SIN are Per Bjevoluk (drums),Daniel Skoglund (bass),Sonny Larsson (lead guitar) and Ante Mäkelä (rhythm guitar),each bringing unique musical influences and personal passions to the table, from painting and folk music to animal rescue, yoga and music education. Their collective energy is channeled into creating cathartic anthems for a global audience.
Rooted deeply in Swedish culture, several members of LIV SIN are dedicated to preserving the nation's rich tradition of folk music, community art and craftsmanship. Sonny is an accomplished folk guitarist and painter, while Ante works in cultural education, championing the music and arts institutions that have helped define "the Swedish music wonder". Their love for traditional sounds and storytelling often seeps into their songwriting and creative aesthetic.
"Close Your Eyes" track listing:
01. Praise The Winners
02. Run
03. Close Your Eyes
04. Louder
05. It's Not Your Life
06. Above The Line
07. The Shadow March
08. Shades Of The Sun
09. Raven
10. I Refuse
11. The Mask
12. Hold It Together
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15 июн 2025

FOREIGNER Records Special Version Of 'I Want To Know What Love Is' With Members Of Inland Master Chorale
 Rock And Roll Hall Of Famers FOREIGNER hit the ground running with a sold-out show at the acclaimed Yaamava Theater in Highland, California on June 11, 2025. The 46-date tour continues through mid-October 2025. Tickets and full details are on ticketmaster.com and foreigneronline.com.
At the Yaamava show, FOREIGNER recorded an extra-special version of their smash hit "I Want To Know What Love Is" with members of the Inland Master Chorale, which will be shown exclusively on this year's KTLA telethon for Project Angel Food on June 28 (check local listings for info).
KTLA's on-air personality Jacob Burch was on hand to present FOREIGNER with a brand-new RIAA-certified gold plaque for their 2009 album "Can't Slow Down". The record was released on Rhino and contained two Top 20 radio hits, "In Pieces" and "When It Comes To Love". FOREIGNER is one of only three heritage bands (including EAGLES and JOURNEY) to have been currently certified gold for albums containing newly written and recorded songs.
FOREIGNER lead singer Kelly Hansen said: "What a stellar opportunity to help KTLA amplify the wonderful work of Project Angel Food. We are thrilled to be part of the telethon. The presentation of an official RIAA gold album for 'Can't Slow Down" makes this event even more special."
Project Angel Food nourishes the health and spirit of individuals facing critical illnesses by preparing and delivering medically tailored meals with compassion and dignity. Since 1989, they have provided over 19 million meals across Los Angeles County and currently serve more than 1.5 million meals annually to 6,240 clients. During the Los Angeles fires, they delivered meals, hygiene kits, and water to seriously ill individuals throughout L.A. County and assisted hundreds of critically ill and vulnerable seniors in areas impacted by the fires with the help of thousands of volunteers. And now there is a new threat. Funding from the Ryan White CARE Act, intended to feed 547 people we serve living with HIV/AIDS, has been abruptly blocked by the current administration. Only 16% of the promised $1.3 million has been delivered, leaving a critical shortfall of $1,092,000 and threatening our ability to provide life-saving meals. Last year, they raised nearly $1 million. They know they can surpass $1.1 million and bridge this critical funding gap as we face rising inflation. Produce costs are up 19%, beef 11%, poultry 40%, eggs 33%, and gas prices are ticking up.
Donations can be made on the organization's official web site: www.angelfood.org.
FOREIGNER will celebrate its 50th anniversary in 2026 with a new round of headlining tour dates, which will include a special five-show engagement at The Venetian Theatre in Las Vegas on March 6, 7, 11, 13 and 14, 2026. The band will be joined by a 20-piece orchestra, conducted by Juilliard-trained musician and orchestral arranger Dave Eggar.
Hansen announced he's stepping down rom FOREIGNER last month live during a special appearance on NBC's "The Voice". In a moving segment that aired nationally, Hansen introduced FOREIGNER guitarist and backing vocalist Luis Maldonado as his official successor — a moment that symbolized both an end and a bold new beginning for the powerhouse group.
Before Luis joined FOREIGNER, he was best known as the guitarist for TRAIN and for his work with Lisa Marie Presley. He now steps into the spotlight as FOREIGNER's new lead singer. Maldonado brings a rich blend of vocal power, stage charisma, and musical versatility that makes him a natural fit to lead the next chapter of the band's journey.
Hansen joined FOREIGNER in 2005 and played a crucial role in revitalizing the band's live presence. His powerful vocals and magnetic stage presence helped introduce FOREIGNER's timeless hits to a new generation of fans across the globe.
FOREIGNER's tour continues through 2025 and will feature both Hansen and Maldonado on stage in a symbolic handoff. The transition coincides with major milestones for the band, including next year's 50th anniversary of its formation in New York in 1976.
FOREIGNER replaced original singer Lou Gramm with Hansen. Guitarist Mick Jones, the only remaining original member of FOREIGNER, suffered from some health issues beginning in 2011, eventually resulting in heart surgery in 2012. In February 2024, Jones revealed on social media that he was battling Parkinson's disease, which explained his absence from FOREIGNER's live shows since 2022.  | 0 |  |
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15 июн 2025

BLESSTHEFALL Announces First Album In Seven Years, 'Gallows'
 Arizona quartet BLESSTHEFALL — Beau Bokan (vocals),Eric Lambert (guitar),Jared Warth (bass) and Elliott Gruenberg (guitar) — has announced "Gallows", the band's first album in seven years. It arrives September 5 via Rise Records. Accompanying this news is the release of the new single "Mallxcore". Watch the visualizer below.
"You ever hear a song from a band and go, 'Holy fucking shit, they nailed it?,'" Bokan mused. "That's what 'Mallxcore' will make you feel. This song was so fun to write as we went in with no intentions other than writing the most BLESSTHEFALL song possible. The song title is a poke at the r/Metalcore reddit haters."
The official video for the track will arrive on Thursday, June 19.
Bokan offered an advance tease about the video, saying: "We knew the music video for 'Mallxcore' needed to be as fun as the song was. We hand-picked Tanner Gordon to direct because of his amazing work with bands like SPIRITBOX. In the video, we all have normal, mundane jobs then I'm recruited by an over-dramatic party host who needs a band to perform at her shindig...STAT. As a bonus, there are some really cool easter eggs throughout the video that we dropped in there for the hardcore fans!"
Bokan shared this additional insight about the album: "'Gallows' is a culmination of everything we love about writing music. We took our time and only wrote when we felt inspired. Every song you hear on this album was written from a place of excitement and freedom and you can hear that shine on every track. From the visceral screams over some of the most disgustingly heavy parts we've ever written to the massive sing-along choruses, there's something for everyone. If you're a die-hard BLESSTHEFALL fan since Day One or a first-time listener, 'Gallows' will end up on your Top 3 metalcore albums for 2025."
"Gallows" also features guest appearances from members of STORY OF THE YEAR, ALPHA WOLF and CASKETS.
"Gallows" track listing:
01. Mallxcore
02. Wake The Dead
03. Venom
04. Somebody Else
05. Drag Me Under
06. Gallows
07. Light The Flame
08. Fell So Hard, Felt So Right
09. Y.S.A.B.
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15 июн 2025

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15 июн 2025

MEGADETH And HALF SUMO Collaborate On 'Killing Is My Business…' 40th-Anniversary Fightwear Capsule
 Half Sumo, the Brooklyn-born art collective that blends the ferocity of combat sports with the rebellious spirit of streetwear, today announced a landmark collaboration with thrash metal architects MEGADETH. This ground-breaking partnership celebrates the 40th anniversary of the band's genre-defining debut album, "Killing Is My Business… And Business Is Good!"
The alliance is a testament to the shared discipline and aggressive artistry that fuels both worlds. MEGADETH frontman Dave Mustaine, a lifelong martial artist, holds black belts in Taekwondo and Ukidokan Karate, as well as a brown belt in Brazilian Jiu-Jitsu, making this collaboration a deeply authentic one.
Forty years after its release, the raw power of "Killing Is My Business…" remains a benchmark in metal. The Megadeth x Half Sumo capsule honors this legacy with a collection of wearable art that reimagines the album's iconic imagery through the lens of samurai lore, urban warfare, and underground resistance. For the first time ever, MEGADETH's iconic mascot, Vic Rattlehead, will be emblazoned across a full range of premium fightwear, including custom nogi rashguards, shorts, and a highly anticipated, master-crafted kimono.
"To see the raw energy of our first album translated into gear that's built for the mat is a thrilling moment," said Mustaine. "Half Sumo honored the spirit of 'Killing Is My Business...' perfectly."
"MEGADETH's debut was a declaration of war on the status quo," said Half Sumo founders Luigi Scarcella Perino and Alberto Marchetti. "It was technically brilliant, unapologetically aggressive, and it set a new standard for heavy music. That is the same energy we inject into our gear — the spirit of the underdog fighting a bigger battle. This collection is for them."
The Megadeth x Half Sumo "Killing Is My Business… And Business Is Good!" 40th-anniversary capsule will be released in four highly limited waves at HalfSumo.com.
Wave 1: The Streets (available today, June 12)
Marking 40 years to the day of the album's original release, the first drop unleashes a limited run of premium streetwear.
"Katana Vic" Tee: A fearless graphic tee showcasing a reimagined Vic Rattlehead, drawn in signature Half Sumo style — bold, raw, and battle-ready.
Rattlehead Ronin Tee: A throwback-style tee with a bold front graphic of the Ronin Vic design, printed on an off-white sand tee for an old-school, battle-worn vibe.
Half Sumo x Megadeth Anniversary Logo Tee: An iconic crossover piece celebrating 40 years of thrash. This tee features an oversized Vic Rattlehead face reinterpreted through the Half Sumo lens, with the vintage MEGADETH logo blazing across the chest.
"Katana Vic" Pullover Zip Hoodie: A premium heavyweight zip hoodie engineered for durability, featuring the "Katana Vic" artwork in full glory — ready for war, but made to chill.
Rattlehead Ronin Hoodie: Vic Rattlehead goes full ronin in an intricately detailed graphic printed on a vintage shiitake-colored heavyweight hoodie. Built like armor.
"Mechanix" Tech Joggers: Heavyweight fleece joggers built for grit and comfort, finished with the anniversary logo printed cleanly under the knee — subtle, but loud.
Wave 2: The Mats (to be released in July 2025)
The second wave delivers high-performance gear engineered for combat.
"Rattlehead" Nogi Fightwear Kit: A fully sublimated rashguard and shorts set, designed for intense MMA and Jiu-Jitsu training, featuring anti-odor and moisture-wicking technology.
Wave 3: The Dojo (to be released in August 2025)
The centerpiece of the collection arrives.
"Chosen Ones" Custom Kimono: A master-crafted pearl weave kimono built for the discerning Jiu-Jitsu practitioner. Features intricate, direct embroidery of MEGADETH and Half Sumo iconography, a custom-printed interior lining, and a collector's edition gi bag.
Wave 4: The Arsenal (to be released in September 2025)
The final wave delivers unique accessories forged from signature materials.
"Looking Down the Cross" Bomber Jacket: A satin-lined bomber jacket constructed from premium, heavyweight kimono fabric—the same signature material used in high-performance BJJ gis—and finished with intricate, full-back embroidery.
Vic Rattlehead Tactical Backpack: A rugged backpack forged from ultra-durable kimono gi fabric. Built for the mission, it features custom anniversary patches and reinforced compartments.
Every item in this collection is a collector's piece, individually hand-numbered with no restocks planned. Surprise "flash drops" of unannounced items may occur. This is not for the faint of heart; it is for the dedicated who have followed every riff and every round.
To receive immediate alerts for each drop, fans are urged to subscribe to the official mailing list at halfsumo.com/collections/megadeth and follow @halfsumo_collective on Instagram. When these items sell out, they are gone forever.
About Half Sumo: Half Sumo is a Brooklyn-based independent fightwear brand blending martial arts, combat culture, and conceptual streetwear. Known for its narrative-driven collections, limited drops, cult art direction, and one-of-a-kind pieces, Half Sumo collaborates with legends across combat sports, music, and design to tell stories that hit like a roundhouse to the face. For Jiu Jitsu practitioners, Half Sumo captures the soul of the art: a place where technique beats size, where David can take on Goliath — and submit him with a rear naked choke. It's for anyone facing a challenge bigger than themselves and refusing to back down. Because let's face it, the underdog is always more fun to root for.
TODAY MARKS 40 YEARS OF METAL.
June 12, 1985 → June 12, 2025
Happy anniversary to Killing Is My Business…
The Half Sumo...
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15 июн 2025

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14 июн 2025

JAMES MICHAEL On SIXX:A.M.'s Future: 'We Don't Have Anything Planned, And I'm Okay With That'
 In a new interview with Tim Louie of The Aquarian, SIXX:A.M. singer James Michael was asked why there are seemingly no plans for the band to record more new music or play live shows. He responded: "You know, it's a good question. When SIXX:A.M. formed, we never really had the intention of being a band. We were three guys that were pals and loved creating together, and, really, the first music that we created for SIXX:A.M. was so outside of the bounds of what was going on in music at the time. We enjoyed that. That's kind of like a guilty pleasure. We loved the fact that we could just break the rules of what was going on in music at the time, so we carried that through pretty much our entire career, but we reached a point where we admitted to ourselves that we were a band that had to go out and keep being a touring band and do all of that stuff that bands do. We always said to ourselves, 'Hey, let's keep doing this as long as it's fun,' and it's not that it ever stopped being fun, but we did reach a point where we all looked at each other and said, 'I think it's time for us to put a period at the end of this sentence. I think it's time for each of us to go on and do other things.' At least for me, there was… I don't want to call it a fear, but there was this concern that we were going to reach the point of diminishing returns, you know? I didn't want to have albums that I looked back on with regret. A couple of songs that we did towards the end, to be quite honest with you, I was not as excited about. I'm not ashamed of them, but I feel like had we kept going, there would have been a larger handful of those types of moments and of those types of songs."
He continued: "Listen, we never did SIXX:A.M. for the money. We never did it to put money in our bank accounts. So we thought, 'Why are we doing this if we are not feeling the same way that we used to feel about what we are doing?' When we did 'Prayers For The Damned' and 'Prayers For The Blessed', I think all three of us knew at that time that it would likely be the end of our album making."
James went on to say that he is still in contact with both his SIXX:A.M. bandmates, bassist Nikki Sixx (also of MÖTLEY CRÜE) and guitarist Darren James "D.J." Ashba (formerly of GUNS N' ROSES). "We still get along great," Michael revealed. "You know, every time I sit down and decide to put on one of our records just to kind of relive old memories, there is such an electricity about it. I have to admit, a part of me kind of goes, 'What if we just tried something else? What if we just tried something new?' I will bet you that both Nikki and D.J. have those same moments."
James added: "We don't have anything planned, and I'm okay with that, because I feel like we wrapped things up very earnestly and very respectfully. But, yeah, every once in a while when I go back and listen to things, I'm, like, 'I know we could make some more cool stuff.' I know we could. Especially with where we all have grown as human being, so the idea of that… I mean, let's put it this way: I am very sincerely retired, and I'm enjoying that, right? But SIXX:A.M. was a magical thing, and there's always going to be a part of me that thinks there's something cool right around the corner."
During a May 28 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Ashba was asked about any possible future activities for SIXX:A.M. and whether he is still in contact with Sixx and Michael. Ashba said: "Yeah, I talked to Sixx, like, two weeks ago. We talked for quite a while just to catch up. We're still all great friends. Me and James talk, but James lives in Ireland now. He's pretty much just at a point in his life where he's kind of… I mean, I read it on the Internet like you guys do. He's putting out videos where he's retired. And I have nothing but mad respect for James and Nikki. There has been talk, 'Hey, let's get together and create some new shit.' But if it never happens, it never…
"SIXX:A.M.'s been weird," D.J. explained. "It's a labor of love. We've never looked at it like a band. I know the world and the label, when 'Life Is Beautiful' hit, they're, like, 'You guys are now a band,' and we're, like, 'No. We're just three producers, three best friends that love to create songs together.' So we've never truly looked at SIXX:A.M. like a band. We still, to this day, don't have a drummer. Every time we tour, we have to get a drummer. But it's one of those weird, weird projects that the radio loves us. Every time we release a song, it seems to get a lot of love there. The fans have been incredibly supportive. And listen, I'm open to doing… That would be the only way I would come back and do a band thing would be if Nikki and James wanted to do another tour. I'd absolutely be down for that. But outside of that, I have no interest of joining a new band or doing anything band-wise. But that would be the one exception, for sure. But I would say, I don't know, honestly. I think we're all pretty open to the possibility of us doing something else in the future. We've never really closed the book on it. I'm down. I know Sixx is busy doing his thing, and James is doing whatever he's doing. So I think if the timing was right, I think we'd all be probably down to do something in the future.
"We've just never seen ourselves like a band," Ashba repeated. "And we just love writing songs. It's a lot of fun. It's therapeutic. It's effortless for us. When we get in a room, we can't write songs fast enough. It's just this weird chemistry the three of us have, and we laugh our way through every record we've ever made. We'll sit on the floor in hotel rooms and order pizza and just laugh our way through the lyrics. And we just always have had such a fun time. And I think it's because the lyrics to our songs cut pretty deep in all three of us. We all dig pretty deep into those wounds. So I think laughing our way through it is kind of a weird — it's very therapeutic, I think, for the three of us. It's our therapy session. [Laughs]"
When host Eddie Trunk suggested that "the likelihood of another" SIXX:A.M. record or a single is "maybe a little higher than actually going out and playing shows," Ashba said: "Yeah. I have no idea. I know if we three were to walk into a room, we'd have four songs written easily before we left the room. That's just how we've always been. I can't explain it. Something magical happens when we get in a room together, and it'd be hard for us to be in the same room without writing a song. So, who knows? I don't know what the future holds."
Regarding how SIXX:A.M.'s hiatus came about, Ashba said: "I do know at the time, I had been touring with GN'R around the world, like, six times or something crazy. We would tour for, like, eight months out of the year, and then as soon as I'd get off tour with GN'R, SIXX:A.M. would book me to go out on another tour. So for six, seven years, I really didn't get much of a break. And I know Nikki was kind of doing the same thing with MÖTLEY. So me and him were burning hard at both ends of the candle. So I think everybody just needed a break. We were just so burnt. And I think it was much, much needed at that point."
SIXX:A.M. released "Prayers For The Damned & Blessed Deluxe Edition" on June 6 via Endurance Music Group. The new album is available as a special limited-edition smoke-colored three-LP set as well as on all streaming platforms.
Nearly a decade after the release of SIXX:A.M.'s 2016 albums "Prayers For The Damned" and "Prayers For The Blessed", this deluxe edition set features both albums together with brand-new renditions of "Maybe It's Time" (Piano Version),"Prayers For The Damned" (Piano Version),and an alternative mix of "We Will Not Go Quietly".
Originally formed in 2007, SIXX:A.M. — whose name is a combination of all of the members' last names (Sixx, Ashba, Michael) — emerged as a passion project for Sixx, initially coming together to record a companion soundtrack for his The New York Times best-selling memoir "The Heroin Diaries". Over the years, the trio toured the globe and released six studio albums, a live album, multiple hit singles, including "Life Is Beautiful", "Stars", "Lies Of The Beautiful People", and — from "Prayers For The Blessed" — "Maybe It's Time". SIXX:A.M. announced their hiatus in 2021, marking the end of an era for the band.
With over 500 million streams across digital platforms, SIXX:A.M.'s music continues to resonate with fans worldwide. As the first time both original albums have been available on vinyl in years, this is a must-have for collectors of rock history and fans alike.
"Hits" was released in October 2021 via Better Noise Music. The album was a retrospective celebration of SIXX:A.M.'s biggest hits and fan-favorite songs that also included five previously unheard tracks and mixes, marking the band's first official album with new material since 2016.
Inspired by the release of Sixx's "The First 21: How I Became Nikki Sixx", SIXX:A.M. members Michael, Ashba and Sixx made "Hits" available as a companion piece to the book.
To date, SIXX:A.M. has three U.S. Billboard top 20 albums and a string of hit singles, with its full catalog consisting of five studio albums — "The Heroin Diaries Soundtrack" (2007),"This Is Gonna Hurt" (2011),"Modern Vintage" (2014),"Prayers For The Damned" and "Prayers For The Blessed" (2016) — and three EPs, "X-Mas In Hell" (2008); "Live Is Beautiful" (2008) and "7" (2011).
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