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14 окт 2010
CRYPTOPSY, Ex-MORBID ANGEL, MAYHEM Members To Guest On NADER SADEK's Album
Says Tucker: "I've been looking forward to doing this recording for months. Nader does some very interesting art and I enjoy helping him achieve his twisted vision. It's rare to get to play alongside a drummer with the abilities that Flo possesses. It's a bonus that I get the opportunity to jam with professionals such as Rune and Flo. It'll be brutal."
Says Mounier: "It's amazing that artists with different backgrounds can come together to create something so extreme and so dark but yet have so much fun doing so! It has been a pleasure working with Nader and Steve in the past and I'm looking forward to experimenting with Rune's unique style, I can't wait to start laying down the extreme with my boys."
Says Eriksen: "When first being approached by Nader to collaborate with him, Steve and Flo, I was immediately caught up by the idea of it. Not only is Nader's concept and reasons for doing this of an inspirational character in itself, but also the very thought of collaborating with musicians such as Steve and Flo seemed like an opportunity not to miss."
Through his association with Attila Csihar (SUNN O))), MAYHEM), Sadek gained considerable exposure as the artist responsible for the stage imagery on MAYHEM's 2009 U.S. tour. The stage sets featured silicone-based sculptures, which resembled entrails and impaled heads, with the centerpiece being a fully detailed flesh-like rendering of the MAYHEM logo. Sadek's work has also included the costumes and silicone "earth masks" worn by Csihar on all his bands. Sadek's use of petroleum-based raw materials is not coincidental. His work revolves around the notion that all petroleum energy originates from death and, in a morbid vicious cycle, also ends in death, where human lives are expendable and sold for the support of an unending addiction to money and power.
Before his work with MAYHEM, Sadek had implemented two very successful interconnecting art projects: "B'Doun Wag'h", a live performance event; and "Faceless", a drawing exhibit featuring recorded music.
Says Sadek: "My general association with death metal deals with the notion of false perceptions, and how great individuality can be smothered by the weight of an overwhelming environment. This idea is ever-present throughout all my work. Each of the players in this album played key roles in their respective bands, facing difficult challenges, and yet taking their bands to higher levels. Their talent as well as their tenacity has always intrigued me. As such, they fit perfectly in this project."
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