Copenhagen, Denmark’s Heidra have released a new music video for their track “The Eyes Of Giants”, featured on their debut album, Awaiting Dawn (Mighty Music/Target Group). Find the new clip below.
Tracklisting:
"Prelude"
"Awaiting Dawn"
"Betrayal"
"Witch Of Prophecy"
"Into Cursed Lands"
"The Eyes Of Giants"
"Wolfborn"
"The Power Of Gods"
"Harbringer Of War"
“The Eyes Of Giants” video:
“Wolfborn” video:
"Betrayal" lyric video:
Heidra is heading out on an big European tour tomorrow (April 2nd) with Ensiferum and Fleshgod Apocalypse. Find their tour schedule at this location.
Massachusetts tech deathsters Eschaton have released the video for “The Beast Is Awakened”. The track comes by way of the band's spine-twisting Sentinel Apocalypse full-length released through Unique Leader last year.
Captured at drummer Darren Cesca's House Of Grind Studios in southern Connecticut, Sentinel Apocalypse is a relentlessly abrasive exercise in technical agility and blatant aggression boasting eleven tracks of methodical guitar sweeps, fierce drum incursions and dominating vocal tirades for fans of the twisted craftings of bands like Carnifex, The Faceless, Necrophagist, The Black Dahlia Murder, and Beneath The Massacre.
"'The Beast Is Awakened' is an attempt to illustrate mankind's metamorphosis into savage and destructive animals that is the result of the perpetual struggle between man's obsession with power and inextinguishable thirst for freedom," elaborates the band of the track. "Some would rather face death than oppression while others will stop at nothing to maintain control, resulting in a cycle of horrific acts that represent the worst of who we are as a species. The video's producer, Miceli Productions LLC, went to great lengths to capture the chaotic and violent nature of the song, but also the energy and technicality of the band's performance. The goal was to blend dynamic angles, post production effects, war footage and editing techniques to give the viewer an intense and captivating experience."
Lifeforce Records will release the self-titled debut from London-based progressive metal/hardcore act, When Our Time Comes, on April 15th in Europe and May 6th in North America.
The band have released a video for their debut single, “50 Years From Now”. Produced by Justin Hill (Bury Tomorrow, Young Guns), “50 Years From Now” combines anthemic hooks with big metallic grooves that are both technical and accessible.
The self-titled debut features ten more tracks of powerful melodic rock with impressive riffery and strong songwriting, resulting in a very memorable album. Influences as diverse as SikTh, Parkway Drive, Thrice, and Periphery give a good indication of the band’s musical background, but expect a whole lot more.
Check out the band on the following dates:
April
14 - Bassment Bar - Chelmsford, UK
August
18 - Hevy Festival - Newhaven, Derbyshire, UK
MINISTRY mainman Al Jourgensen's new project, SURGICAL METH MACHINE, will release its self-titled debut album on April 15 via Nuclear Blast. The CD was recorded primarily at Jourgensen's home studio in Burbank, California with his longtime engineer Sam D'Ambruoso.
The official video for the song "I'm Invisible" can be seen below. Al states: "Hello, folks. [I] thought y'all might like to see some home videos of my last Las Vegas vacation. WARNING: do not attempt to view this unless sufficiently high!"
"Surgical Meth Machine" track listing:
01. I'm Sensitive02. Tragic Alert03. I Want More04. Rich People Problems05. I Don't Wanna06. Smash And Grab07. Unlistenable08. Gates Of Steel09. Spudnik10. Just Go Home11. Just Keep Going12. I'm Invisible
"Surgical Meth Machine" LP track listing:
Side A
01. I'm Sensitive02. Tragic Alert03. I Want More04. Rich People Problems05. I Don't Wanna06. Smash And Grab
Side B
01. Unlistenable02. Gates Of Steel03. Spudnik04. Just Go Home05. Just Keep Going06. I'm Invisible
In an October 2015 interview with In The Loop magazine, Jourgensen stated about how the idea for SURGICAL METH MACHINE came about: "You know, [guitarist] Mikey [Scaccia] died a couple of years ago, from MINISTRY, and I just figured, like, nah, it's time to quit. I don't want to have John Bonham's kid playing drums for us and having replacement parts forever; that's just not my scene. So I just figured, 'All right, let's stop this. Let's do some other stuff.' And not only that. I found that it was really unburdensome to not have the MINISTRY moniker or expectations and just do something like whatever the fuck we want. I mean, the band's name is SURGICAL METH MACHINE. It's not like we're gonna be on Top 40 radio and on 'The Voice' and 'American Idol'. [Laughs]"
He continued: "I understand it's not a real commercial project for us, it's not gonna put bank in my wallet, but it was a lot of fun to do, in that sense — of just not having the constraints of the expectations of what you've done for twenty years. So this is… It's kind of new stuff. It's pretty cool. It sounds like kind of MINISTRY, but it's a different level. It's like I literally just put my foot on the gas pedal for this record."
According to Jourgensen, the sound of SURGICAL METH MACHINE's debut release leans heavily on the aggressive side, but fans can also expect to hear a few surprises. "There's a couple of real poppy things on there, which brings me full circle, because, literally, I don't give a fuck anymore," he said. "So I'm actually almost acknowledging that first horrible pop record I did in 1983. I'm crooning on some songs, I've got some pop songs on there, and then there's just brutal assault for the rest of it. It's a very dichotomous record, but it's me, and I'm acknowledging everything that's been me through, like, the last 35 years. Let's just throw my balls on the table and hope somebody doesn't have a meat cleaver running."
As far as the future of MINISTRY, Jourgensen has said in recent interviews that there will be no more MINISTRY albums, making 2013's "From Beer To Eternity" the band's swan song following Scaccia's death.
"Mikey died during the recording," Al told the Illinois Entertainer. "He just got finished with his last parts, went back to Dallas to play a show with RIGOR MORTIS and I got the call two days later that he was dead. I had to mix the record with his death still fresh in my mind, so the final playback on that one was extra special, and that album to me is very special."
"Now Fear This", the new video from former MARILYN MANSON and current ROB ZOMBIE guitarist John 5, can be seen below. The clip was directed by Matt Zane and contains live footage that was edited and directed by Zane.
"Now Fear This" will appear on John 5's new solo album, "Guitars, T!ts And Monsters", due later in the year.
'This is my fourth video for the fourth month of the year," the guitarist tells Loudwire. "I'm having a lot of fun releasing a new video the first of every month. At the end of the year, I will release the physical CD called 'Guitars, T!ts And Monsters' with a documentary, all the videos, and all the songs. I hope you enjoy this new song 'Now Fear This'."
He adds: "All my life I've really enjoyed music: making music, playing it, and recording it. It's such a relief and a joy to do what I do for a living. I know it sounds corny, but I think the meaning of life is to do what you love and be happy."
John has had an illustrious career collaborating with chart topping artists such as LYNYRD SKYNYRD, Ricky Martin, and Rod Stewart. John has performed on critically acclaimed world tours with Marilyn Manson and Rob Zombie. Later, John ventured into the world of film score composing for Rob Zombie's "The Lords Of Salem". In 2004 he branched out into a successful solo career and has since released eight studio albums.
Beastmaker have released a video for “The Mask Of Satan”, a track from their debut, Lusus Naturae, out now via Rise Above Records.
Beastmaker hail from the unlikely locale of Fresno, California. Sweating profusely in a parched no man's land about three and a half hours northeast of Los Angeles, the city isn't exactly a cultural mecca-and yet it's the birthplace of Hollywood outsiders and weirdos like Sid Haig, Slim Pickens and director Sam Peckinpah. Still, it suffers from an unsurprising dearth of musicians interested in heavy rock. Though Church had the concept for Beastmaker as far back as 2006, it wasn't until he and drummer Andres Alejandro Saldate, aka Juan Bonham, hooked up with bassist John Tucker in 2014 that the band was fully realized.
"I was really inspired by old bands and metal," mastermind Trevor William Church explains. "From the Zombies to Slayer, from Frankie Valli & The Four Seasons to Black Sabbath. I was really into NWOBHM and what bands like Witchcraft are doing now. After many failed attempts and at least five bands in between, we found John and finally had a solid lineup."
Bleak and burly overtones of Sabbath, Pentagram and Witchfinder General ring through Lusus Naturae like echoes from a haunted past. Slow-rolling bruisers "Eyes Are Watching”, "Arachne" and "It" set the tone of doom and despair with nods to heavy '70s classics, cult horror flicks and the inimitable work of one Mr. Glenn Anzalone.
"When it comes to genre, I think of us as a much slower version of the Misfits or Danzig, but I've come to love the word 'Doom' whether or not it really relates to us," Church offers. "It just feels like home."
Beastmaker's lyrical landscape is awash in imagery from midnight movies and the dark arts, but that's only part of the picture. "I like to make up stories," Church says simply. "I use horror movies and the occult as influences but rarely directly. For instance, 'Mask of Satan' is me paying homage to the great horror film Black Sunday very directly. On the other hand, 'You Must Sin' is about a woman longing for love and finding it in the most bizarre place, but John will tell you it's a political song. I like to think that people come up with their own interpretations of what the songs mean and let their minds run free."
Lusus Naturae tracklisting:
“Clouds In The Sky”
“Eyes Are Watching”
“Arachne”
“Skin Crawler”
“Find The Stranger”
“You Must Sin”
“Burnt Offering”
“Mask Of Satan”
“It”
“Astral Corpse”
“Lusus Naturae”
“The Strain”
Bristol, UK-based classic rockers with a modern roll, Tax The Heat, are set to release of their full-length Nuclear Blast Entertainment debut, Fed To The Lions on April 8th. A new video for the track “Learn To Drown (You’re Wrong)”, as well as the first part of an album track-by-track video series, can be found below.
Fed To The Lions shows why there is so much excitement at the release of this record. Previous singles “Some Sympathy”, “Highway Home” and “Fed To The Lions” sit alongside future classics such as “Caroline”, “Animals” and “Stood On The Platform To Leave”. The driving rhythms of Jack Taylor (drums) and Antonio Angotti (bass) overlaid with the powerful riffs of JP Jacyshyn (guitars) and distinctive melodies of Alex Veale (vocals, guitars). The album is available on CD and vinyl. Pre-order Fed To The Lions here.
Tracklisting:
“Highway Home”
“Animals”
“Under Watchful Eye”
“Fed To The Lions”
“Hit Me Hard”
“Stood On The Platform To Leave”
“Some Sympathy”
“Devil's Daughter”
“Learn To Drown (You're Wrong)”
“Caroline”
“Your Fool”
“Lost Our Way”
Finnish masters of melancholic metal, Amorphis, played a special set at the 26th Wacken Open Air, featuring only songs from their earliest records. Check out perfomances of “Black Winter Day”, “Against Widows” and “My Kantele” below:
Amorphis recently released an official live video for the track “The Four Wise Ones”. The track is featured on the band’s Under The Red Cloud album, released last September via Nuclear Blast. The new video was shot late last year in Amsterdam, The Netherlands. Check it out below:
Amorphis tour dates:
March (with Textures)
31 - Nova Gorice, Slovenia - Mostnova
April (with Textures)
1 - Novi Sad, Serbia - The Quarter
2 - Sofia, Bulgaria - Mixtape 5 Club
3 - Bucharest, Romania - Arenele Romane
5 - Budapest, Hungary - Barba Negra Club
6 - Wroclaw, Poland - Alibi
7 - Vienna, Austria - Szene
8 - Munich, Germany - Backstage
9 - Geiselwind, Germany - Music Hall
10 - Milan, Italy - Fabrique
12 - Frankfurt, Germany - Batschkapp
13 - Berlin, Germany - PBHF Club
14 - Ludwigsburg, Germany - Rockfabrik
15 - Pratteln, Switzerland - Z7 (no Textures)
16 - Antwerp, Belgium - Trix
17 - Bochum, Germany - Matrix
London-based rock trio, Black Orchid Empire, have unveiled the epic video for their second single, “God Is Awake”.
“This story is a prequel to the video we made for “Come In” – we wanted to show the origins of the crazy soap-box character and how he was driven to insanity. Most people aren't born crazy, something in their life changes them. It explores the idea that violently shaking someone's world up could send them on a descent into obsessive madness – a complete breakdown of their personal reality. Seeing the incredible actors Anto Sharp and Terry Wood bringing it to life was amazing – those guys totally killed it.” - Paul Visser (vocals)
Black Orchid Empire burst onto the scene with their powerful and melodic debut single “Come In” earlier this year. Having performed alongside heavyweights such as Biffy Clyro, Skunk Anansie, Feeder and Editors, the band are thriving in the resurgent British rock scene.
Winners of Emergenza UK, the band includes previous members of highly-acclaimed groups Queen Adreena and Cape Fear, and is poised to be one of the breakthrough acts of the year. The full length album is on it’s way.
Swiss avant-garde extreme metal titans, Schammasch, have released a new track, "Metanoia”, from their upcoming triple-album, Triangle, which is set for worldwide release on April 29th via Prosthetic Records. Watch the new video for "Metanoia" below.
Marking the third album in their discography, Schammasch's newest epic, Triangle encompasses 100 minutes in its entirety, with three distinct 33-minute movements differing in atmosphere and style and each representing the three stages of the album's strong concept – Part I: The Process Of Dying, Part II: Metaflesh and Part III: The Supernal Clear Light Of The Void.
This unique concept is visually represented through a series of four inventive photographs packaged as a bold triple-gatefold, limited-edition 3LP set and a 3CD set with imagery realized by acclaimed photographer Ester Segarra (Watain, Behemoth) and graphic designer Valnoir (Alcest, The Black Dahlia Murder). Rarely is such a grand musical and aesthetic feat accomplished within the bounds of extreme metal.
Pre-order's are now available which include a 3CD set (limited to 2,000 copies worldwide) as well as a triple gatefold vinyl 3LP set (limited to 666 pressings worldwide), reserve your copy in North America or UK / EU.
In this rare video, Metallica perform “No Remorse”, from their 1983 debut studio album Kill ‘Em All, live at Metal Hammer Festival at Freilichtbuhne Loreley in St. Goarshausen, Germany on September 14th, 1985:
On April 15th, Metallica will release deluxe reissues of their classic albums Kill ‘Em All and Ride The Lightning.
In a lengthy interview posted via Metallica’s official website, frontman James Hetfield speaks with Steffan Chirazi about the upcoming Record Store Day release and about the reissues. A couple of excerpts follows:
Steffan Chirazi: So, back to more of the things from the Kill ‘Em All era that you’ve stumbled upon while putting this release together. Has it all been wine and roses? Has there been some comfortable stuff, or have there been some moments and memories where you’re thinking that maybe you don’t want to put them in there?”
James Hetfield: “No. No, there hasn’t at all. At least for me. Letters from people that we know that lived it and were there, great. I think the idea of having people writing their memories of the time is great too, because everyone’s got a different reality of how it was for them, and it’s great to share those because I forgot lots of stuff. So we have all got our own memories, and it’s been piecing this puzzle of how it was back then. So the more people you have involved in it, the better. Obviously, because this Master Of Puppets book is happening along with this, it’s kinda easy to get into that mode, digging up memories, interviewing people, and all of that stuff. It’s kinda all happening at the same time, which is great, and God, the sound quality of the vinyl remastering is unbelievable. You know, Greg [Fidelman] was blown away by the test pressing and how much better it sounds, and this isn’t just me blowing smoke here.”
SC: Oh, I’m excited to hear it.
JH: “And all the old stuff, some of the outtakes. We have the equivalent of the FBI working on this stuff trying to find things from back then. You know, “somebody’s gotta have this,” and after the years and years of not thinking about it, you go “wait a minute, there’s gotta be a different version of this when we recorded it. Did we only record it once and that was that? What happened to all this other stuff?” So little things are showing up from the old studio. For example, “here’s the microphone you sang Kill ‘Em All on.” Are you kidding me? So I now have that here at the studio.”
SC: Let me ask you sonically, of the Kill ‘Em All and Ride The Lightning, of all the songs you were listening back to as things were being remastered, what were the ones that you wished you could sneak in and maybe redo or remix?
JH: “That stuff used to bug me a lot more, say 20 years ago listening to "Seek And Destroy”. Like they’re playing "Seek And Destroy" from the album at the Shark Tank as the [San Jose] Sharks come out. And there’s the guitar sound. And I'm thinking “oh, no, wish that it could be fatter and heavier,” but that’s how it was. Why would I change that? Why? That was where our heads were, that’s where we were sonically. That’s as good as we got it, and could have got it. So there you go, why would you change that? It’s the sound that is a part of the feel, is a part of the history, a part of the time.”
SC: One of the things I always loved about that Kill 'Em All, especially when I first heard it, was it was supper toppy and it was super punky. It wasn’t about speed, it was about attitude.
JH: “Right. Yeah, it was definitely not over-produced. You could say that.”
SC: So that was down to not being over-produced more than looking for a vibe, then.
JH: “God, we didn’t think about it. We might have said, “hey, we like how this sounds,” put on Discharge or something and they go “OK, we can do that.” I’m sure there were greater, more experienced minds in there that thought we knew what we were talking about but we didn’t. By Ride The Lightning and for sure by Master Of Puppets we had more of an idea what our sound should be and could be. You know, Ride The Lightning, it was night and day after Kill ‘Em All, learning that “wow we can do this?” and sonically making a huge leap.”
Metallica are streaming "Creeping Death" from the remastered edition of Ride The Lightning. Remastered by Howie Weinberg At Howie Weinberg Mastering in Los Angeles, CA.
Check out complete details of the Kill 'Em All - Deluxe Remastered Box Set here. All details of the Ride The Lightning - Deluxe Remastered Box set can be found here.
Metallica's recently announced headlining concert at Minneapolis' brand new US Bank Stadium on August 20th has completely SOLD OUT. Presale fan club tickets were made available earlier this week, followed by this morning's public on-sale, which sold out in less than 10 minutes.
Metallica's show in Minneapolis will be the first rock concert at US Bank Stadium, the new home of the Minnesota Vikings, as part of the opening weekend festivities.
Avenged Sevenfold will provide direct support, marking one of only a few shows the hard rock band will play in the country this year. Volbeat will open the show with their unique blend of rock, metal, and rockabilly.
In celebration of this year’s Record Store Day, on April 16th Metallica will be releasing a special exclusive CD titled Liberté, Égalité, Fraternité, Metallica! The artwork for the upcoming release can be seen below.
The nine-song set was recorded live at Le Bataclan in Paris, France on June 11th, 2003 and Metallica are donating all profits to victims of the attacks in Paris in 2015.
Tracklisting:
"The Four Horsemen”
"Leper Messiah”
"No Remorse”
"Fade To Black”
"Frantic”
"Ride The Lightning”
“Blackened"
"Seek & Destroy"
"Damage, Inc.”
"Let All The World Believe", the new video from the Minneapolis, Minnesota hard rock/industrial metal outfit AMERICAN HEAD CHARGE, can be seen below. The song is taken from the band's fourth album, "Tango Umbrella", which was released on March 25 via Napalm Records. The cover artwork was created by Sam Shearon. Comments AMERICAN HEAD CHARGE's Chad Hanks: "'Tango Umbrella', sonically, feels like a combination of 'The War Of Art' and 'The Feeding'. It's a logical progression for us, as we continue experimenting with different feels, sounds, vocal styles, etc. It's heavy in every way possible, and I really think our fans are going to love it. We made the record we wanted to hear, and I feel like we definitely achieved that."
AMERICAN HEAD CHARGE's sound remains firmly rooted in catchy alternative metal, the NWOAHM, with industrial influences and groovy heaviness. "Tango Umbrella" track listing:
01. Let All The World Believe02. Drowning Under Everything03. Perfectionist04. Sacred05. I Will Have My Day06. A King Among Men07. Suffer Elegantly08. Antidote09. Prolific Catastrophe10. Down And Depraved
AMERICAN HEAD CHARGE released the "Shoot" EP in July 2013. The disc was recorded by Don Debiase at Studio D Productions in Cleveland, Ohio and was mixed by Dave Fortman at Balance Productions in New Orleans, Louisiana.
AMERICAN HEAD CHARGE split in August 2009 and reformed two years later.
Northern Germany's infernal extreme metal duo, Mantar, have released an official track video for “Praise The Plague”, a song featured on their forthcoming album, Ode To The Flame, out on April 15th via Nuclear Blast. Check it out below:
About the album artwork, the band states: "Actually we discussed the possibility of having no cover at all. We kinda liked the idea of boycotting the need of any so called "art" which bands try to get people's attention with. The theme of the record is so one-dimensional and obvious that we decided to skip artwork and just put the title on the record to make it look more like an old book. A manifest, a challenge. We don't want people to speculate about any meaning. The meaning is clear: kill, destroy, fuck shit up."
Regarding the album title: "The title Ode To The Flame is chosen in tradition of the debut record, Death By Burning to maintain the cleansing power of fire as the key theme. Fire is able to reset anything and will erase this planet one day from any plague that's been around. Furthermore it's obviously an ode to passion and iron will. Ode To The Flame isn't dramatic, it's drastic. By all means."
Tracklisting:
“Carnal Rising”
“Praise The Plague”
“Era Borealis”
“The Hint”
“Born Reversed”
“Oz”
“I, Omen”
“Cross The Cross”
“Schwanenstein”
“Sundowning”
Audio snippets:
“Schwanenstein”:
In-studio video teaser:
Ever since their inception in 2013 and the release of their first album in 2014 the band has been recognized as one of the hardest working in the German extreme metal underground. Melding the most sinister elements of styles like black metal, doom and punk, representing unfiltered pure primal rage, Mantar have proven to be one of a kind. Their extremely intense live shows have been seen all over the world and have blown away unaware audiences with their unconditionally tight and brutal performances. Mantar is a pure evil elemental force captured by only two uber passionate artists that strife for ultimate raw sonic power.
Inner Wound Recordings will release symphonic/film score metal band Ravenia’s debut album, Beyond The Walls Of Death, on April 29th in Europe and North America. A video for the album track “We All Died For Honor”, directed by Markus Nieminen, can be found below.
The sound of Ravenia is characterized by the massive orchestrations and the beautiful and emotional vocals from Armi and can be described as a mix between composers like Two Steps From Hell and Hans Zimmer, and metal bands like Nightwish and Epica.
Beyond The Walls Of Death was mixed by Nino Laurenne (Wintersun, Battle Beast, Ensiferum) at Sonic Pump Studios and mastered by Svante Forsbäck (Volbeat, Sonata Arctica, Apocalyptica) at Chartmakers. The album artwork was created by Jan Yrlund (Korpiklaani, Apocalyptica, Leah).
Beyond The Walls Of Death tracklisting:
“For Those We Forsakened”
“Into Oblivion”
“We All Died For Honor”
“There Is But One Path”
“In Silence”
“When Darkness Reigns”
“The Fallen”
“We Stand As One”
“We All Died For Honor” video:
Ravenia is:
Armi Päivinen - Vocals
Samuli Reinikainen - Guitars
Veikko Ringvall - Drums
Toni Hintikka - Bass
Ville Koponen - Violin
Erkki Lasonpalo - Violin
Janne Ahvenainen - Viola
Juuli Ilmonen - Cello
Tommi Laitinen - Contrabass
Denmark’s Helhorse will release their new self-titled album on May 13th via Spinefarm Records. The band have released a music video for the album track “Hell Of A Ride”, streaming below.
Since 2011, Helhorse have purveyed their instantly identifiable brand of sludgy yet rocking metal, leaving a firm footprint in the Danish metal scene. Now, with the backing of multi-national metal powerhouse Spinefarm Records, these Danes are poised to go places.
On stage channeling the subtlety and restraint of a rhinoceros with a PMS, Helhorse are a live act not to be missed. Steadily gaining ground and taking over stages ever bigger since the days of their debut album For Wolves And Vultures (2011) Helhorse have not lost a step over the years. They’re a veritable asphalt paver running over you, halting, backing up and running all over you again, with a sound that’s both true to its chemically induced influences and refreshing in its groove.
A sweat-drenched symbiosis of Alice In Chains and grungy High On Fire intense enough to burst at the seams, Helhorse the album is the apex of the Copenhageners’ careers this far and its eponymous name par for the course for the group’s no-nonsense image – an album that defies naming, pigeonholing and further explanation.
Tracklisting:
“Carry Your Own”
“Among The Wolves”
“Fortune Favours The Bold”
“I”
“The Blood Boiler”
“Hell Of A Ride”
“II”
“Raise The Black Flag”
“III”
“My Haven / Your Hell”
“No Fucks Given”
“Hell Of A Ride” video:
Says the band: “May 13th is going to be a huge day for Helhorse and a day we have longed for. The creation of our third album has by far been our most challenging yet, truly a product of blood, sweat and tears. But it also marks our greatest artistic triumph so far. We are extremely proud of this album, the songs are deeply personal, honest and the sound of Helhorse firing on all cylinders. So strap in kids – it’s gonna be a hell of a ride.”
Helhorse are:
Mikkel Wad Larsen – Vocals
Aske Kristiansen – Vocals
Stephan C. Krabsen – Guitars
Jakob Møgelvang – Guitars
Theis Roed Thorgersen – Bass
Jesper Bergstedt – Drums
Hammer Fight, the whiskey-drinkin', beer guzzlin' bros who spawned from New Jersey, released their Napalm Records debut, Profound And Profane, on March 25th. The band’s new video for the album track “Good Times In Dark Ages” can be found below.
Hammer Fight brings a sound that many kids these days may have missed; hard rockin' metal. Versatile enough to share the stage with the most extreme death metal acts to classic hard rock bands and everything in between, Hammer Fight are ready to make an impression on the today's heavy music scene.
Profound And Profane tracklisting:
“Picking Up Change”
“Target Acquired”
“Into The Dark”
“Good Times In Dark Ages”
“Gods Of Rock N’ Roll”
“Low & Broken”
“Private Stock”
“The Ultimate Sacrifice”
“Cell Mates”
“West Side Story”
“The Crate”
“Cult Of Conceit”
After three albums and several European tours, Phazm has delivered a unique mixture of shuffled blast-beats, occult and sharpened riffs, virtuoso guitar soli and scary possessed vocals. They return with a new album, deeply inspired by old-school black metal and Ásatrú.
Scornful Of Icons is out now via Osmose Productions. Check out a new video for the album track “Howling For You”, streaming below.
Tracklisting:
“Ginnungagap”
“Ubiquitous Almighty”
“The Soothsayer”
“The Godless Pope”
“Howling For You”
“Conquerors March”
“Scornful Of Icons”
“Never To Return”
As they close out their last week of their extensive 8-week-long North American tour, Savannah, GA’s Black Tusk have unveiled a music video for their “God’s On Vacation” single from their latest album, Pillars Of Ash (January 29th, Relapse). Check out this NSFW video, directed by Alixandra Petrovich, below:
Since their formation over 10 years ago, Black Tusk have established themselves as one of the hardest working bands in rock. After four full-lengths, numerous splits and EP's and thousands of shows under their belts, the punk/metal power trio was faced with an immense and unexpected tragedy in late 2014 when founding bassist/vocalist Jonathan Athon passed away after a motorcycle accident in his hometown.
Now, as a testament to his profound and lasting legacy on the heavy music scene, the band, which also features guitarist Andrew Fidler and drummer James May with Corey Barhorst now on bass, are releasing Pillars Of Ash, the culmination of three brothers-in-arms' blood, sweat and tears, and is Black Tusk's finest accomplishment to date.
Pillars Of Ash tracklisting:
“God's On Vacation”
“Desolation Of Endless Times”
“Bleed On Your Knees”
“Born Of Strife”
“Damned In The Ground”
“Beyond The Divide”
“Black Tide”
“Still Not Well”
“Walk Among The Sky”
“Punk Out”
“Leveling”
Album stream:
Black Tusk tour dates are listed below.
March
29 - Denver, CO - Marquis Theater
30 - Kansas City, MO - Riot Room
31 - St. Louis, MO - Fubar
April
1 - Indianapolis, IN - 5TH Quarter
2 - Newport, KY - Southgate House
3 - Atlanta, GA - Drunken Unicorn
Philadelphia’s Nothing have released a music video for “Eaten By Worms”, a track from their sophomore LP, Tired Of Tomorrow, due for release on May 13th via Relapse Records. Watch the new video below.
Tired Of Tomorrow will be available on CD / LP / Deluxe 2xLP (with two bonus tracks) / Cassette / Digital. Physical pre-orders and bundles are available via Relapse.com here, and digital downloads can be pre-ordered via Bandcamp at this location.
People often wonder why Nothing are so damn loud. In the case of many artists, the volume stems from a preoccupation with negativity, misanthropy and the human condition. But while Nothing's attitude lines up with these ideas, their personality isn't one that the band picked from a list of clichés. It's one moulded by their own experiences, from family troubles and personal tragedy to a string of bad luck that Murphy's Law would balk at. And that volume, rather than a selling point, is the only way the band has been able to translate the difficulty of real-life events into musical form.
Tired Of Tomorrow is a record born out of a chain of events that forced frontman Domenic Palermo to drastically re-think and re-shape his perspective about both life and music. Borrowing from personal memoir and external works alike, Nothing have worked the deepest influences of their youth and maturation into a package that's ultimately at its most relevant in the present day.
Tired Of Tomorrow was originally set for release via Collect Records, until the band discovered that the label had been funded by the now-infamous hedge fund manager Martin Shkreli, whose roster subsequently dissolved under the weight of the unsettling controversy surrounding him. Though the album was written before the Shkreli debacle, Palermo sees those events to only have strengthened the sentiments and ideas behind Tired Of Tomorrow, rather than confuse its message. It's a mess to think about, but as always, the contradictions and paradoxes of the kind Nothing harnesses ultimately lead to the greatest revelations, and the band's personal and tragic path has nonetheless led Nothing to produce deeply heartfelt and inspiring music. Whichever way you want to look at it, you can't deny that Nothing feels good.
The band’s 2014 debut LP Guilty Of Everything, a record inspired largely by the events surrounding Palermo’s incarceration in 2002 following an aggravated assault charge (to which he pleaded self-defense), garnered widespread critical acclaim. After having toured relentlessly across North America and Europe, playing with the likes of DIIV, Merchandise, Torche, Failure, Hum and many more, Nothing will announce tour dates for 2016 imminently.
Tired Of Tomorrow tracklisting:
“Fever Queen”
“The Dead Are Dumb”
“Vertigo Flowers”
“ACD (Abcessive Compulsive Disorder)”
“Nineteen Ninety Heaven”
“Curse Of The Sun”
“Eaten By Worms”
“Everyone Is Happy”
“Our Plague”
“Tired Of Tomorrow”
Monstrance, featuring former Carcass guitarist Carlo Regadas, vocalist Tony Glover (ex-Devoid), bassist Aleksandar Kokai, drummer Nicholas Barker (Cradle of Filth, Dimmu Borgir, Testament, etc.) and rhythm guitarist Steven Hargraves, have released a new video for the track “Karma After The Storm”.
Carlo Regattas explains: “OK, here's something of a surprise for you guys. This is the original vocal for "Karma After The Storm". We were asked by a particular label to try a deeper vocal style, something more guttural, so we gave that a try and the results are what you hear on the original video (also below). This vocal mix is the one that is preferred by the band, what do you guys think?”
“Karma After The Storm” (Original Vocal Mix):
“Karma After The Storm” (album demo):
Monstrance have also released a new teaser video, featuring excerpts of the demo track “A World On It’s Knees”. Watch below:
A previous teaser video can be seen below:
For more information and updates go to Monstrance's official Facebook page here.
Monstrance is:
Carlo Regadas - Lead & Rhythm Guitars
Nicholas Barker - Drums
Tony Glover - Vocals
Steven Hargraves - Rhythm Guitar
Aleksandar Kokai - Bass
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