American grindcore icons TERRORIZER have signed a worldwide deal with Earache Records.

Before drummer Pete Sandoval recorded MORBID ANGEL's first album, 1989's "Altars Of Madness", he performed on two demos and a split album with his original band TERRORIZER. Today, the group's 1989 full-length debut "World Downfall" is still considered a pinnacle for death metal and grindcore, featuring impossibly fast blast-beats and double-bass drumming along with a blitzkrieg attack by late guitarist Jesse Pintado (NAPALM DEATH), and ex-vocalist Oscar Garcia (NAUSEA). The 1989 lineup was rounded out by Sandoval and then-fellow MORBID ANGEL bandmate David Vincent on bass.

Over the next twenty-three years, Sandoval took time between MORBID ANGEL albums to continue working with TERRORIZER, recording two more cataclysmic full-lengths, 2006's "Darker Days Ahead" and 2012's "Hordes Of Zombies". Six years down the burning highway, TERRORIZER released 2018's "Caustic Attack", described at the time as "their heaviest and most eclectic album to date."

Earache founder and managing director Digby Pearson commented: "TERRORIZER was one of the first wave of bands I worked with and were true pioneers of grind, back when only a handful of musicians even played extreme metal. The band lasted for too short a time because two members quickly joined other bands (NAPALM DEATH and MORBID ANGEL) who both began to tour the world and never looked back. Working with TERRORIZER once again, in 2021… Finally… It's their time to take center stage on the grindcore world they helped create."

Sandoval said: "For me, this isn't just an exciting and enthusiastic moment in my life to once again work with Dig Pearson, Al and the rest of the Earache staff, but it somehow also brings back strong and unforgettable memories from the early '90s and so on. We can never forget classic albums like TERRORIZER's 'World Downfall' and MORBID ANGEL's 'Altars Of Madness' and 'Blessed Are The Sick', which helped us grow musically and mentally, and helped shape and prepare the road for tons of other new young bands to follow and succeed. We did it together with Earache! So I'm looking forward to a new powerful and majestic TERRORIZER release and for a positive, great and successful relationship with Earache. Thank you guys!"

TERRORIZER vocalist and bassist Sam Molina added: "We are very appreciative for the opportunity to sign with Earache Records and eagerly look forward to a successful working relationship with a label holding the outstanding history that Earache has in the music industry."

TERRORIZER guitarist Lee Harrison stated: "Lots of stuff going on with the TERRORIZER camp and we are happy to report the new signing with Earache Records. We know Digby and Al are very supportive of what we're doing and are looking forward to big things coming in the future. It's great to have a powerful team behind us for this next record. Look forward to seeing all the fans on the road when we get out and support the release."

TERRORIZER is:

Pete Sandoval - drums

Lee Harrison - guitar

Sam Molina - bass/vo

TESLA has announced that it is "postponing" its next few shows due to members of the touring party contracting COVID-19. No further details have been made available, but the band "look forward to returning to the road soon," according to a statement released earlier today.

As BLABBERMOUTH.NET reported yesterday, TESLA played the first two shows of its summer 2021 tour — August 5 in Grants Pass, Oregon and August 6 in Grand Ronde, Oregon — without guitarist Frank Hannon. Filling in for him was Howie Simon (JEFF SCOTT SOTO, GRAHAM BONNET, STRYPER), who previously stood in for Hannon in September 2018. No reason was given for Frank's absence from the tour.

TESLA will release a brand new single, "Cold Blue Steel", on August 27. In an interview with Rob Rush Radio, Hannon described the track, which he co-wrote with singer Jeff Keith, as "a very real-sounding rock and roll new song. It's influenced by [late LYNYRD SKYNYRD singer] Ronnie Van Zant."

In June 2020, the members of TESLA got together — virtually — to jam out a quarantined version of "Breakin' Free" as part of their online series "Home To Home".

The original recording of "Breakin' Free" appeared on TESLA's 2008 album "Forever More".

TESLA spent most of 2019 touring in support of its latest album, "Shock", which was released in March 2019 via UMe. The follow-up to 2014's "Simplicity" was produced by DEF LEPPARD guitarist Phil Collen.
























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Canadian metal legends ANVIL are about to enter the studio to begin recording their new LP. Earlier today (Monday, August 9), the band's guitarist/vocalist Steve "Lips" Kudlow tweeted: "Starting our recording of our 19th studio album in Germany tomorrow!! Nice to be back in Europe!!"

ANVIL released its latest album, "Legal At Last", in February 2020 via AFM Records as a digipak, on digital, black vinyl and some limited colored vinyl. In an interview with the "Music Mania" podcast, Lips stated about the effort: "Some people feel that it's the best record we've ever done. To tell you the truth, that's what's actually going on out there. I'm not surprised in a certain way, because it's the momentum like I was talking about has never been this intense. I think there's a certain truth to it. Probably the best album we've ever done."

ANVIL recorded "Legal At Last" at Soundlodge studios in Rhauderfehn in the northwest of Germany. Speaking about the LP's musical direction, drummer Robb Reiner told The Metal Voice: "It's just a continuation of what we've been doing for the last four or five years, really. Some very powerful riffs. It's gonna be more smashing, crushing ANVIL."

Added Kudlow: "Of course, it's all fresh and new, but the roots are still very much ourselves. Everybody who liked us before is gonna like us still, and people who didn't like us are still not gonna like us. Ultimately, that's where it's gonna sit, 'cause I am not gonna tailor my music and my songs to the people that don't like us and hope that they will. I'm gonna do the exact opposite. The people that love us, they wanna hear specific kind of tempos and riffs, and I look for those things, 'cause it's really my vocabulary, and I'm gonna continue with that — with new subjects and new things to sing about."

He continued: "I think that this album has some of the best slow pounders and some of the best fast stuff that we've ever done. You're trying to be different 'cause you don't want it to be exactly the same, 'cause then you're just repeating yourself — you're not being creative."

Regarding the "Legal At Last" title, Reiner said: "'Legal At Last' is mainly about two things. We celebrate the legalization of the ANVIL bong because Canada changed its marijuana laws last year, which means we no longer sail close to the wind all the time. That's why the album title announces that ANVIL are legal at last. Our fans have always known that, but the public at large treated us like criminals for a long time." Kudlow added: "'Legal At Last' is our way of telling the public: 'It's okay, ANVIL are okay, you're allowed to like us at last!'"

ANVIL, a Toronto-based group, was formed in 1978 by childhood friends, Kudlow and Reiner. Both came from Jewish families and had been playing music together since their teens. ANVIL is considered to have been an influence on many metal bands, including METALLICA, MEGADETH, SLAYER and ANTHRAX.

Though initially a four-piece band, ANVIL's current lineup includes Kudlow, Reiner and bassist Chris Robertson.

ANVIL gained popularity and new fans since the 2008 theatrical documentary, "Anvil: The Story Of Anvil", which is currently available on Netflix.




Starting our recording of our 19th studio album in Germany tomorrow!! Nice to be back in Europe!!

— LIPS ANVIL (@LIPSANVIL) August 9, 2021

COHEED AND CAMBRIA has shared the official music video for "Shoulders", the band's first proper studio recording in almost three years. Streaming now on COHEED AND CAMBRIA's YouTube channel, the Max Moore-directed video captures the band delivering a powerful performance of the track set within a cavernous industrial space.

COHEED AND CAMBRIA said: "As a band, we've always been a little outside of the mainstream and that's helped keep us true to ourselves. As people, it's important to focus on your strengths and who you are, and not try too hard for acceptance. Everyone is special and has their own unique contributions and that's what the video represents."

The song "Shoulders" was officially released on July 21 and has since amassed over a million streams and become the first song inside the top 40 at Active Rock radio in the band's history, currently sitting at No. 31 with a bullet.

For the last 20 years, COHEED AND CAMBRIA have continuously broken the mold of what a rock band can be, forging their own path and building a universe around their music unlike any other. Whether it is in the way their genre-spanning approach to songwriting has allowed them to bridge worlds without being contained to one, or the multifaceted story arc of their albums and comic book series which mark the longest running concept story in music, COHEED AND CAMBRIA have consistently shaped new standards, never conformed.

"Shoulders" touches on the highs and lows of this journey, and how at times it can be frustrating to be an outsider to trendy circles, but in the end, doing it your own way has the biggest rewards.

Last monthCOHEED AND CAMBRIA vocalist/guitarist Claudio Sanchez confirmed to Consequence Of Sound that he and his bandmates have been working on new music during the coronavirus downtime. Regarding what fans can expect, he said: "I'll be honest. A lot of times, with bands who've been around and built a strong fanbase like we have, I think there might be a tendency, intentionally or unintentionally, to try to give the fans what they want and not take too many risks. But after making music for so long and entering a pandemic, we didn't want limitations to the creative process. The [next] record is going to be what I hope people perceive this band to be in 2021/2022."

He added: "It's a modern record. It's a COHEED AND CAMBRIA record, but it's looking forward, not backwards."

As for what is influencing COHEED AND CAMBRIA's new music, Claudio said: "I think the biggest influence of the record is my son and navigating parenthood within this strange new world we all found ourselves in."

It's been over two years since COHEED AND CAMBRIA's 2018 album, "Vaxis I: The Unheavenly Creatures", was released as the band's "return to concept" album. After stepping away with a more introspective album in 2015, Sanchez and the band returned to the sci-fi universe of "The Amory Wars" in what was said to be the first of a five-part series of albums. With 2021 upon us, and a major summer tour now announced, the volume of fans' chatter for "Vaxis 2" and what and when that will entail are loading up the band's social media pages.

COHEED AND CAMBRIA is a rare band whose music can transcend "scenes" and effortlessly cross genres of rock — from indie to progressive, to metal and pop-punk to classic rock. The band is frequently compared to progressive, operatic rock bands of the '70s, ala QUEEN, SUPERTRAMP or RUSH, due to their thrilling concept albums that take you on a grand journey of sounds and often clock-in around 110 mins, but still somehow include sugary pop-laden hooks.

COHEED AND CAMBRIA will embark on a co-headlining tour with THE USED in late August. Support one the trek will come from MEET ME @ THE ALTAR.

LIMP BIZKIT has canceled the remaining dates of its August 2021 tour amid health and safety concerns. The trek was called off a day after the band scrapped its concert Friday (August 6) at the Stone Pony Summer Stage in Asbury Park, New Jersey about an hour before the show was scheduled to begin. No reason for the Stone Pony cancelation was given, but one fan who spoke to frontman Fred Durst outside the venue stated that guitarist Wes Borland — who is said to be fully vaccinated — apparently felt "really sick" after the band had already completed its soundcheck. Borland has since taken to his Instagram to shoot down rumors that he has COVID-19.

Earlier today, LIMP BIZKIT released the following statement: "Out of an abundance of caution and concern for the safety of the band, crew and most of all the fans, the LIMP BIZKIT show this Monday and the remaining August tour is being cancelled. Refunds are available at their points of purchase. All tickets purchased online will be automatically refunded."

Affected shows:

Aug. 09 - Buffalo, NY @ Rapids Theatre
Aug. 12 - Gilford, NH @ Bank of New Hampshire Pavilion
Aug. 13 - New York, NY @ Irving Plaza
Aug. 15 - Huntington, NY @ The Paramount
Aug. 16 - Norfolk, VA @ The NorVa
Aug. 19 - Lincoln, NE @ Centennial Mall & Street
Aug. 21 - Austin, TX @ Stubb’s Waller Creek and Amphitheater
Aug. 24 - Los Angeles, CA @ Palladium

THE OFFSPRING played its first show since the departure of drummer Pete Parada on Sunday, August 8 as part of iHeartMedia Los Angeles's ALT 98.7 FM and the Los Angeles Chargers FanFest in the American Airlines Plaza, just outside SoFi Stadium in Inglewood, California. The concert also marked THE OFFSPRING's first live appearance since March 15, 2020.

Sitting behind the drum kit for THE OFFSPRING in Inglewood was Josh Freese, a top L.A. session musician who has played with DEVO, THE VANDALS, NINE INCH NAILS, A PERFECT CIRCLE and GUNS N' ROSES. Freese previously played with THE OFFSPRING on a number of occasions, including during the recording sessions for the "Splinter" (2003), "Rise And Fall, Rage And Grace" (2008) and "Days Go By" (2012) albums.

Freese played a show with THE VANDALS Saturday night and managed to make it back to L.A. in time for THE OFFSPRING gig by being flown there by the latter band's singer, Bryan "Dexter" Holland, who has a pilot's licence and owns a private jet.

On Saturday, Freese shared an Instagram photo of him with Holland in front of the plane, and he included the following message: "'Hey Josh, can you play on Sunday w/THE OFFSPRING in LA?' 'Yeah sure Dexter but I'm playing Saturday in Denver w/THE VANDALS. Might be cutting it close.' 'We'll how about I fly you to your gig on Saturday and back the same night?' 'You're on!'"

On August 2, Parada announced that was being dropped from THE OFFSPRING's upcoming tour after refusing the COVID-19 vaccine for medical reasons.

Pete said a doctor had advised him not to get the shot because he has a rare autoimmune disorder. The musician said he first experienced Guillain-Barré syndrome, where a person's immune system damages their nerves, in childhood and the effects had got "progressively worse over my lifetime". He also revealed that he contracted COVID-19 over a year ago and only had mild symptoms, "so I am confident I'd be able to handle it again", he wrote.

Parada wrote on social media that he's "unable to comply with what is increasingly becoming an industry mandate". As a result, "it has recently been decided that I am unsafe to be around, in the studio and on tour", he said.

Parada added that he had "no negative feelings towards my band". He wrote: "They're doing what they believe is best for them, while I am doing the same."

It is not clear if Parada, who joined the group in 2007, has now left THE OFFSPRING permanently.

THE OFFSPRING's tenth studio album, "Let The Bad Times Roll", arrived in April via Concord Records.


























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One of The Big Four turns the Big 4-0 this year and is celebrating with a number of special activities and events to honor the landmark anniversary. Formed by guitarist Scott Ian and bassist Dan Lilker in Queens, NY on July 18, 1981, Anthrax was one of the first thrash metal bands to emerge from the East Coast and quickly became regarded as a leader in the genre alongside Metallica, Slayer, and Megadeth.

Anthrax have been delivering a series of video testimonials sent in by former band members, fellow musicians, colleagues, and industry veterans sharing behind-the-scenes stories of working with the band and what Anthrax's legacy has meant all these years on. These videos honor each album in chronological order beginning with the original release, Fistful of Metal. Watch Episode #24: For All Kings below.

BraveWords is bringing the noise (and the tunes) with a new ultra-exclusive contest!!! And this one is very rare and highly collectible! Fans can win an ultra-limited edition Anthrax 3” mini-turntable and four special 3” vinyl singles. This record player was available for purchase on Record Store Day (July 17th), but thrashers can get caught in a mosh by entering our contest - just fill out the form here! Trust us, these are long, long gone! Head here to find the Anthrax record player nearest you. Not only that, but BraveWords holds the golden ticket as well – the winner of the contest will also receive a phone call from the members of Anthrax!

The four vinyl singles are also special Record Store Day releases and they include supercharged live tracks from the For All Kings tour – “Madhouse”, “I Am The Law”, “Got The Time”, and “Discharge”.

Turntable specs: Built-in Speaker Belt-driven Turntable Mechanism Fully Supported Turntable Platter USB or Battery Powered (4AA Batteries Required) AT-3600 Moving Magnet Cartridge Clear Dust Cover Pitch Control Two 3" Vinyl Large-hole Post Adapters Included Aux Out Cables Included: Aux Cable, Aux to RCA Adaptor, USB to Mini USB Charging Cord Unit: 6.125” (w) x 2.875” (h) x 4.75” (d) Unit Weight: 1 lb.

Visit our contest page here to enter now!

(Photo - Jimmy Hubbard)




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A short video of SCORPIONS rehearsing a brand new song, apparently titled "Seventh Sun", at their studio in Hannover, Germany can be seen below.

Drummer Mikkey Dee uploaded the clip to his Instagram, writing in a caption: "SCORPIONS - rehearsing new songs for upcomming Tour. Pretty damn heavy."

SCORPIONS recently completed work on a new album for a tentative early 2022 release. The LP was recorded primarily at Peppermint Park Studios in Hannover, Germany and was mixed at the legendary Hansa Studios in Berlin, Germany with engineer Michael Ilbert, who has earned multiple Grammy nominations for his mix work with producer Max Martin on albums by Taylor Swift and Katy Perry.

SCORPIONS' new album will mark their first release since 2017's "Born To Touch Your Feelings - Best Of Rock Ballads", which was an anthology of new and classic material.

SCORPIONS originally intended to record the new album in Los Angeles with producer Greg Fidelman, whose previous credits include SLIPKNOT and METALLICA. However, because of the pandemic, some of the initial work was done with Greg remotely, after which SCORPIONS opted to helm the recordings themselves with the help of their engineer Hans-Martin Buff.

Singer Klaus Meine previously told Talking Metal that the goal with using Fidelman to produce the new LP was to bring "the old vibe from albums like 'Blackout', 'Love At First Sting' or even 'Lovedrive'. We try to focus on those albums and this attitude," he said. "If we get there, who knows — it's so many years later. But it's the spirit and it's the whole vibe around this album. This time, the focus is on the harder songs."

According to Meine, SCORPIONS' new LP features "no outside writers at all," unlike 2015's "Return To Forever", which was largely co-written by the album's producers, Mikael Nord Andersson and Martin Hansen.

SCORPIONS' last full-length collection of new recordings was the aforementioned "Return To Forever", partially comprising songs the band had in the vault from the '80s. It was the final recorded appearance of SCORPIONS' longtime drummer James Kottak, who was dismissed from the band in September 2016. He has since been replaced by Mikkey Dee, formerly of MOTÖRHEAD.
























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MEGADETH has officially completed the recording process for its long-awaited sixteenth studio album.

Earlier today, MEGADETH leader Dave Mustaine shared a photo of him in the studio with his engineer, and he included the following caption: "Sending the album in for mixing. Final step. I can't wait to play the new songs for you! #Megadeth @megadeth".

Last month, Mustaine confirmed that the new MEGADETH album will be titled "The Sick, The Dying And The Dead".

Dave previously floated "The Sick, The Dying And The Dead" as a "tentative" title for the new MEGADETH disc during a January 2021 Zoom chat with fans.

Mustaine has yet to reveal who played bass on the new MEGADETH album after David Ellefson's tracks were removed from the LP following his dismissal from the band in late May.

Ellefson laid down his bass tracks on MEGADETH's sixteenth LP in May 2020 at a studio in Nashville, Tennessee.

In July, Mustaine announced during an episode of his Gimme Radio program "The Dave Mustaine Show" that Ellefson's bass tracks would not be used on the new MEGADETH LP.

In early May, on the same day that sexually tinged messages and explicit video footage involving Ellefson were posted on Twitter, he released a statement on Instagram denying all social media chatter that he "groomed" an underage fan. He also filed a report with the police department in Scottsdale, Arizona alleging unlawful distribution of sexually explicit images of Ellefson by unknown offenders. In the report, Ellefson admitted that he had been exchanging sexual text messages with a Dutch teenager, who captured a video of several of their virtual "masturbating encounters" without his consent and shared them with friends. (According to Ellefson, the woman was 19 at the time of their first virtual sexual encounter.) The 56-year-old Ellefson, who lives in Scottsdale, first became aware of the video on May 9, when the claim "David Ellefson of MEGADETH is a pedophile" appeared on Instagram. Ellefson told police he was notified on May 14 by MEGADETH that the band would be parting ways with him. Three days later, he was fired.

On May 24, Mustaine — who formed MEGADETH with Ellefson in 1983 — announced the bassist's departure from the band. Two days later, Ellefson released a follow-up statement in which he vowed to file a "defamation lawsuit" against the person who "illegally posted a very private video" of the bassist and made "false allegations" against him. He also said he was working with the police in Scottsdale "in their investigation into charges regarding revenge pornography to be filed against the person who posted the video. This person will be prosecuted to the fullest extent of the law," Ellefson wrote. He went on to say that he was "taking this time to be with my family" and wished his "bandmates" the best with their upcoming tour.

MEGADETH is currently scheduled to take part in "The Metal Tour Of The Year" with LAMB OF GOD, beginning on August 20 in Austin.

Ellefson was in MEGADETH from the band's inception in 1983 to 2002, and again from 2010 until his latest departure.
























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Reunited San Francisco Bay Area thrashers VIO-LENCE debuted a new song, apparently titled "Upon Their Cross", during their concert this past Friday (August 6) at Strummer's in Fresno, California. The track will appear on the band's upcoming EP, "Let The World Burn", which is due in early 2022 via Metal Blade Records. The effort was recorded at Trident Studios in Pacheco, California with producer Juan Urteaga, who has previously worked with TESTAMENT, MACHINE HEAD and EXODUS, among many others. Mixing duties were handled by Tue Madsen.

The Fresno show marked the first live appearance by VIO-LENCE's current lineup, consisting of guitarist Phil Demmel, singer Sean Killian and drummer Perry Strickland, along with the band's latest additions, guitarist Bobby Gustafson (ex-OVERKILL) and bassist Christian Olde Wolbers (ex-FEAR FACTORY).

Last month, Killian told Ireland's Overdrive about VIO-LENCE's decision to make an EP after initially being reluctant to work on new music: "It was after [a] show [we played with SACRED REICH] in Arizona when Phil [Demmel, guitar] and I really started to talk about it because we're the guys that wrote 'Eternal Nightmare'. We talked about who would be involved and made the decision that if we do this, we've gotta be sharp, you know? We have to be tight, on it, spending time in the studio and really putting in 100%. It took some time — about eight months or so — to get things up and running with regards to schedules, but when it began to take shape, and we were vibing off each other in the studio, writing new songs, and lyrics, etc., everything felt really natural from start to finish. The album is currently in the mixing stages, and we're really happy with the way it all came out."

Regarding the recording process, Killian said: "[Urteaga] was really digging deep with all of us in order to get the best out of us. Like I'd be doing my vocal lines and he's in the booth saying, 'Come on, man. I know you can do better than that. You've gotta get more aggro. I want to you sound like you're about to kill somebody!' [Laughs] Also when we were doing the drums, we were all saying to Perry [Strickland, drums], 'That sounds great.' He [Juan] was, like, 'No, it doesn't. You can do better. C'mon. Dig deep.' He really pushed Perry a lot. [Laughs]"

In August 2020, VIO-LENCE released a new digital single, "California Über Alles", a cover version of the DEAD KENNEDYS classic. The band also filmed a music video for the song with director Scott Kirkeeng.

VIO-LENCE released three studio albums between 1988 and 1993. The group reunited soon after Demmel left MACHINE HEAD in late 2018.

The band performed its first comeback concert in April 2019 at the Oakland Metro in Oakland, California and spent most of the ensuing months playing select shows in the U.S. and Europe.

Although MACHINE HEAD frontman Robb Flynn was part of VIO-LENCE's classic incarnation and played on the band's debut album, "Eternal Nightmare", he wasn't approached about taking part in any of the comeback shows.

Killian underwent a successful liver transplant surgery in March 2018. The year before, Killian was diagnosed with stage four liver cirrhosis, which was caused in part by a genetic condition called hemochromatosis.

VIO-LENCE's last album, "Nothing To Gain", was recorded in August 1990, but wasn't released until 1993.

Photo credit: James Willard
































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TESLA played the first two shows of its summer 2021 tour — August 5 in Grants Pass, Oregon and August 6 in Grand Ronde, Oregon — without guitarist Frank Hannon. Filling in for him was Howie Simon (JEFF SCOTT SOTO, GRAHAM BONNET, STRYPER), who previously stood in for Hannon in September 2018. No reason was given for Frank's absence from the current tour.

Fan-filmed video footage of the Grants Pass show, as well as video of the TESLA soundcheck from Grand Ronde, is available below.

As previously reported, TESLA will release a brand new single, "Cold Blue Steel", on August 27. In a new interview with Rob Rush Radio, Hannon told described the track, which he co-wrote with singer Jeff Keith, as "a very real-sounding rock and roll new song. It's influenced by [late LYNYRD SKYNYRD singer] Ronnie Van Zant. It just turned out that when I was in the garage playing my guitar, writing the riff for the music, JK [Jeff Keith] had called up and he was listening to 'Saturday Night Special' by LYNYRD SKYNYRD. And so we decided to kind of touch on that subject. And we wrote that song. And we're really happy with the way it sounds. It's really raw and edgy. And we kept all the recordings of the demo is what we made for the single. We didn't overproduce it. And that's where we got the idea, 'Let's get real. Just keep it real.' The lyrics even say 'Let's get real' in there. And that's what our whole motto is."

Asked if "Cold Blue Steel" will appear on the next TESLA studio LP, Hannon said: "We're gonna put all our new songs together on an album and approach it that way after the songs are done. So rather than putting the pressure up, 'Okay, we've gotta write an album,' and commit to 10 or 12 songs before they even got written, we're gonna do it the other way — we're gonna do it the other way. We're gonna write the songs and release 'em as singles, and then at the end of it, we'll put 'em all together on a collection. And that, creatively, just makes much more of a free-flowing creative thing. You're not fabricating anything for the sake of making an album."

He added: "The world is different now. People listen to their iPhones and they listen to a song or an album, and it's over as quick as you came out of it, because of [people's] attention span. I like [the idea of the releasing singles first] because each song comes out in its own time, and you're not putting that idea in your mind that you have to create this bulk of material. You can just make each song as good as it can be."

In June 2020, the members of TESLA got together — virtually — to jam out a quarantined version of "Breakin' Free" as part of their online series "Home To Home".

The original recording of "Breakin' Free" appeared on TESLA's 2008 album "Forever More".

TESLA spent most of 2019 touring in support of its latest album, "Shock", which was released in March 2019 via UMe. The follow-up to 2014's "Simplicity" was produced by DEF LEPPARD guitarist Phil Collen.


Tesla - Modern Day Cowboy - Grants Pass, OR

Tesla - Modern Day Cowboy - Grants Pass, OR

August 5th, 2021 without Frank Hannon

Posted by Echoes Hub on Friday, August 6, 2021





Tesla! First stop Grants Pass!

Posted by Chris Barnett on Thursday, August 5, 2021

STAIND kicked off its 28-date tour with KORN this past Thursday (August 5) at iTHINK Financial Amphitheater in West Palm Beach, Florida. Fan-filmed video footage of the concert can be seen below. The trek will make stops in Long Island, Detroit, Irvine, Phoenix, Austin and more, before wrapping up with a performance at Dallas' Dos Equis Pavilion on September 21. Furthermore, both bands will perform at Louisville, Kentucky's Louder Than Life festival on September 23.

Two months ago, STAIND's Mike Mushok told Anne Erickson of Audio Ink Radio that he and his bandmates were working on their first studio album since 2011's self-titled effort. "Aaron [Lewis, STAIND frontman] is finishing up a country record; he's just about done with it," he said. "I think the idea is once that's completed, we're gonna… There's a bunch of [new] songs kicking around. It's just kind of [a matter of] sorting through that stuff and seeing what, if anything, we like, and figuring out… I imagine, having not put out a real record of new music in 10 years, we're gonna be pretty critical of what it is and wanna make sure that it's great. But, yes, there is talk of that. We actually signed a record deal and have a deal to do a new record."

This past March, Lewis told SiriusXM's "Trunk Nation With Eddie Trunk" that he "would certainly love to" have the new STAIND album "recorded and done by the end of this year, to be released next year. All of our plans that were kind of semi on the books and on the table, everything just had a year taken off of it [due to the pandemic]," he said. "We were gonna have a record come out sometime in 2020 or certainly in 2021, and there was a schedule that was on the table that, just like everything else, got burned to the ground as soon as [the lockdown] started."

STAIND has released seven albums since 1995, the latest being 2011's self-titled effort. The band has had a number of hit songs during its first two decades, including the Top 10 smash "It's Been Awhile" from the No. 1 album "Break The Cycle". Follow-up LPs "14 Shades Of Grey" and "Chapter V" also topped the Billboard chart.

STAIND released its first album in nine years, "Live: It's Been Awhile", on May 7 via Yap'em/Alchemy Recordings. The "Live: It's Been Awhile" album was accompanied by "The Return Of Staind", a two-part global streaming series in partnership with Danny Wimmer Presents. The series launched with STAIND's "Live: It's Been Awhile (From Foxwoods)" concert, which streamed globally on May 1. The "Live: It's Been Awhile" album and concert were recorded at the band's comeback show at Foxwoods Resort Casino in Mashantucket, Connecticut in October 2019. The never-before-seen concert celebrated the band's reunion after a five-year hiatus. STAIND also performed its iconic multi-platinum 2001 album "Break The Cycle" in its entirety for a May 8 streaming event, exactly 20 years after the album's release. The "20th Anniversary Of Break The Cycle, Performed In Its Entirety" took place at Mill 1 in Open Square in Holyoke, Massachusetts, bringing the band back to their Western Mass roots.

STAIND played its first full live show in five years in September 2019 at the Louder Than Life music festival in Louisville, Kentucky.

The band was scheduled to support DISTURBED on "The Sickness 20th Anniversary Tour" throughout North America last summer. The amphitheater trek has since been canceled due to the coronavirus pandemic which is sweeping the globe.

Fan-filmed video footage of IRON MAIDEN singer Bruce Dickinson belting out an a cappella version of the 1968 Tom Jones hit "Delilah" during his August 1 spoken-word show in at Theatre Royal in Brighton, United Kingdom can be seen below.

Dickinson famously covered "Delilah" during a 1997 appearance on the short-lived television show "Last Chance Lottery..." which featured Irish comedian Patrick Kielty calling upon some big names in music business to perform a cover of whatever song was landed on after the host spun the wheel. For his rendition, Dickinson sported a leopard print suit and a spiffy haircut while his backup band wore dark sunglasses and Afro wigs (see video below).

Dickinson is considered one of the world's most storied musicians after decades spent delivering high-octane performances with his larger-than-life persona in IRON MAIDEN. A true polymath, his accomplishments include: pilot and airline captain, aviation entrepreneur, beer brewer, motivational speaker, film scriptwriter, twice-published novelist and Sunday Times best-selling author, radio presenter, TV actor, sports commentator and international fencer….to name but a few.

Dickinson's autobiography, "What Does This Button Do?", landed at No. 10 on the New York Times "Hardcover Nonfiction" best sellers list. It was released in the U.S. in October 2017 via Dey Street Books (formerly It Books), an imprint of HarperCollins Publishers.

"What Does This Button Do?" is Dickinson's third book. He has previously published two satirical novels, "The Adventures Of Lord Iffy Boatrace" about the English upper classes and "The Missionary Position" about televangelism.

Dickinson, who turns 64 today (August 7), joined IRON MAIDEN in 1981, replacing Paul Di'Anno, and made his recording debut with the band on the 1982 album "The Number Of The Beast". He quit the band in 1993, pursuing several solo projects, and rejoined in 1999.

Following their latest, 2016- album The Blaze, October 22, 2021 will see Finland’s melodic heavy and power metal force BURNING POINT return with a brand new album! Arsonist Of The Soul will be released on October 22, 2021 through AFM Records.
BURNING POINT may had its share of line-up changes throughout their more than two decades of existence. The main constant though, mastermind/guitarist/songwriter Pete Ahonen, always kept the ship on route and his clear vision and artistic integrity made BURNING POINT one of the most reliable purveyors of excellent classic power and heavy metal.
After handling the vocals on his own from the band’s foundation up until the arrival of Nitte Valo (ex-Battle Beast) in 2015, now Ahonen and BURNING POINT present a new voice on the band’s upcoming album: Luca Sturniolo! Replacing Valo, Sturniolo turns out to be quite a discovery; his powerful, varied vocals perfectly match with Ahonen’s fiery fretwork and strong, experienced songwriting. Besides Ahonen, Sturniolo and Pekka Kolivuori, now bassist Jarkko Poussu (ex-member of Finnish thrash pioneers A.R.G.), Tuomas Jaatinen on drums and Matti Halonen (Keyboards) have joined BURNING POINT.
"I am extremely happy about the new line-up and the new record. All the guys are very, very talented and excited!“, Ahonen comments.
A little heavier than on their last album and featuring twelve blistering, razor- sharp tracks, BURNING POINT’s characteristic melodies are the distinctive core of the band’s sound, shrouded in a captivating depth of powerful melodic heavy metal and epic hard rock anthems. Songs such as the first, previously- released single Blast In The Past ( Listen HERE!), have already showcased Arsonist Of The Soul will mark one of BURNING POINT’s strongest records to date. Now, the band unleashed a brand new single and video, showing off their hard rock (and 80's) influences in glorious style!

"As anyone can hear it's very epic and very much Black Sabbath influenced," Ahonen mentions. "I think this song sums up the album pretty nicely, hard and heavy with a lot of melody!"

BURNING POINT’s new record was mastered by Juanne Huotari, and shines with its pleasant throwback to early 2000’s heavy metal sound, but with up-to-date production the band is known and loved for. With Arsonist Of The Soul, they definitely raise the bar once more!

Tracklist:
01. Blast In The Past
02. Rules The Universe
03. Out Of Control (Savage Animals)
04. Persona Non Grata
05. Arsonist Of The Soul
06. Hit The Night
07. Running In The Darkness
08. Calling
09. Off The Radar
10. Fire With Fire ´
11. Will I Rise With The Sun
12. Eternal Life

BURNING POINT is:
Luca Sturniolo (vocals)
Pete Ahonen (guitars)
Pekka Kolivuori (guitars)
Jarkko Poussu (bass)
Tuomas Jaatinen (drums)
Matti Halonen (keyboards)

QUEEN's Brian May has commented on Eric Clapton's recent announcement that he will no longer perform at any venues that require attendees to show proof of vaccination. The announcement came after U.K. prime minister Boris Johnson's mandate that "vaccine passports" be required for entrance into nightclubs and venues by the end of September.

"I love Eric Clapton, he's my hero, but he has very different views from me in many ways," Brian told Independent. "He's a person who thinks it's okay to shoot animals for fun, so we have our disagreements, but I would never stop respecting the man.

"Anti-vax people, I'm sorry, I think they're fruitcakes," May continued. "There's plenty of evidence to show that vaccination helps. On the whole they've been very safe. There's always going to be some side effect in any drug you take, but to go around saying vaccines are a plot to kill you, I'm sorry, that goes in the fruitcake jar for me."

In Clapton's statement, he said that he would refuse to play at "any stage where there is a discriminated audience present."

"Following the PM's announcement on Monday the 19th of July 2021 I feel honor-bound to make an announcement of my own," Clapton said. "I wish to say that I will not perform on any stage where there is a discriminated audience present. Unless there is provision made for all people to attend, I reserve the right to cancel the show."

Clapton previously criticized the lockdowns instituted around the world in the wake of the coronavirus pandemic and stoked fear and conspiracy theories after receiving a COVID-19 vaccine. Clapton recounted his negative experience with the AstraZeneca shot, suggesting the side effects had been so "severe" that he was afraid that he would "never play again." He also said he was inspired by another musician-turned-anti-vaccine activist, Van Morrison

Former SKID ROW singer Sebastian Bach has tested positive for the novel coronavirus after being vaccinated.

The 53-year-old musician, who lives in Los Angeles, California, revealed his positive diagnosis in a video message Friday night (August 6).

He stated in the clip (as transcribed by BLABBERMOUTH.NET): "If you're wondering why I'm by myself wearing a mask, I guess it's time to let you guys know I have been diagnosed and have tested positive for COVID. Yes, it's true. But I have to tell you that I feel totally great. [Laughs] I'm fully vaccinated. I was given the vaccine — the J&J [Johnson & Johnson], one shot and done — back in March. But I guess COVID wasn't done." Bach then went on to list the places he has been since he "was totally fine" before he left his house, including various airports and cities in Nevada, Tennessee, Arkansas and Oklahoma.

In a short message accompanying the video, Bach wrote: "After doing 2 shows & going to my wife's High School reunion, I came home & tested positive for covid. Here are the locations I could have got it in any one of these places. Thank God for the vaccine I can't wait to get another one Syringe all symptoms are gone now not canceling shows".

Bach, like many others, is showing that while vaccines are exceptionally effective in preventing death and severe illness from the coronavirus and its known variants, some are far from foolproof in preventing infection altogether.

Most of the people with so-called "breakthrough" infections are asymptomatic.

According to Centers For Disease Control And Prevention (CDC), large-scale clinical studies found that COVID-19 vaccination prevented most people from getting COVID-19. Research also provides growing evidence that mRNA COVID-19 vaccines (Pfizer-BioNTech, Moderna) offer similar protection in real-world conditions. While these vaccines are effective, no vaccine prevents illness 100% of the time. For any vaccine, there are breakthrough cases.

New variants of the virus that causes COVID-19 illness are spreading in the United States and other countries. Current data suggest that COVID-19 vaccines authorized for use in the United States offer protection against most variants. However, some variants might cause illness in some people after they are fully vaccinated.




After doing 2 shows & going to my wife's High School reunion, I came home & tested positive for covid. Here are the locations I could have got it in any one of these places. Thank God for the vaccine I can't wait to get another one ? all symptoms are gone now not canceling shows pic.twitter.com/RHTK9iglC3

— Sebastian Bach (@sebastianbach) August 7, 2021

During an appearance on Zetro's Toxic Vault, the YouTube channel of EXODUS frontman Steve "Zetro" Souza, former MACHINE HEAD drummer Chris Kontos and Zetro recalled Chris's brief stint as the drummer for EXODUS when the San Francisco Bay area thrash act opened for MOTÖRHEAD for two shows in Argentina in 1993. Speaking about the backstage shenanigans that took place during the short tour, Zetro said: "Me and Rick [Hunolt, then-EXODUS guitarist] bought crank [Editor's note: slang term for methamphetamine] off of [MOTÖRHEAD mainman] Lemmy… We were at the venue 'cause we had the soundcheck. And you guys went back. But me and Rick stayed there, and Lemmy was in his dressing room. We knew he had crank. And Rick goes, 'Let's ask Lemmy for some. Zetro, go ask him.' 'You ask him.' 'You ask him.'… So I walk up to him [and say], 'Lemmy, hey, bro, you think you can sell me and Rick some of your whizz?' 'Cause they called it whizz. And he's all, [imitates Lemmy's voice] 'I didn't know you guys did this stuff. I thought you did that cocaine shit.' And I was, like, 'No. We like crank. We like to get wired.' He fucking pulls out this… He's got it in his jacket — in a patch. He had this patch that was there, and then [he would pull it back], and it was right there. And I'm, like, 'You brought that in?' 'Cause back then you didn't carry. It was the '80s. You didn't fucking transport shit. If you got caught with anything, you were in trouble, especially in South America. And so he gives it to us. And Lemmy tells me, he goes, 'You know, when you're on speed, you're 80 percent smarter going up, but you're 80 percent dumber when you're coming down.'"

He continued: "We just sat there drinking Jack. And so me and Rick, we snorted it. [Lemmy] took a spoonful and he put it in his mouth. And I went, like [makes puking sound]. I wanted to puke… And we sat there for five hours in MOTÖRHEAD's dressing room — me, Rick and Lemmy, drinking Jack and doing crank. [It was] not the first day [of the tour]; it was the second day. And I was telling everybody, 'Till the day I die, I'm gonna be telling this fucking story to my grandkids.' And I'm telling this fucking story now. Lemmy's gone. And I even said that, 'I'll be telling this story way after Lemmy's gone.' And I tell the story. And it's just, like, oh, man, it was the time… It was early '90s. It was still on. The game was still on, bro."

In a 2009 interview with Kerrang! Radio, Lemmy said that drugs never became a problem for him. "I was always in control of it," he said. "You can't let it get control of you. You can let it do things for you, and then when it gets to the point where you think, 'I can't move a muscle if I don't have something,' then that's bad; then it's taking you. The only thing I ever saw anybody die on was heroin and downers, which is a longing for heroin. I never did heroin. I always had enough sense, touch wood, to stay away from it, because it killed my old lady and it killed a lot of my friends, and it didn't kill them well. First it turns you into a thief and then it kills you. It's a miserable drug, I wish people would realize that. It's fashionable again now, isn't it? Escapism. But you can only escape so far. When you wake up after escaping, the problem's still there, so it's worse."

Asked what he thought of people going to rehab, Lemmy said: "I just think that the people pretend that they never took drugs. 'I'm clean now,' as if it's a good thing. It's all a personal joy. A lot of people died and a lot of people didn't; a lot of people went into rehab and a lot of people didn't. It's a personal thing, and it's up to you."

Lemmy died on December 28, 2015 at the age of 70 shortly after learning he had been diagnosed with cancer.

MOTÖRHEAD had to cancel a number of shows in 2015 because of Lemmy's poor health, although the band did manage to complete a European tour a couple of weeks before his death.

Wendy Dio says that she doesn't think there ever would have been a reconciliation between Ronnie James Dio and Vivian Campbell if the legendary heavy metal singer was still alive.

Ronnie, Vivian, drummer Vinny Appice and bassist Jimmy Bain collaborated on the first three DIO albums — 1983's "Holy Diver", 1984's "The Last In Line" and 1985's "Sacred Heart" — before Irishman Campbell left to join WHITESNAKE in 1987. Vivian later publicly took issue with Ronnie's need for total control of the band, claiming that finances played a major part in the bad blood that preceded his exit. Specifically, Campbell said that "it had become increasingly clear" to him that "Wendy (as Ronnie's manager) was determined to separate Ronnie from the band. She didn't see DIO as one creative unit. Ronnie knew better, but I suspect that in an effort to win back Wendy's love" after the couple split, "he was willing to bend to her whims. Thus began the beginning of the end for the original DIO band."

Asked in a new interview with Ultimate Classic Rock if it was important for her to detail Ronnie's falling out with Vivian in the singer's just-released memoir, "Rainbow In The Dark: The Autobiography", which she, along with writer Mick Wall, completed after Ronnie's death, Wendy said: "I wanted to, because I am so sick to death of hearing Vivian saying things like, 'Ronnie paid me a hundred dollars a week.' Well, how did he buy a Ferrari with a hundred dollars a week? Ronnie was always fair to his people. It costs a lot of money to put that show on. All of the time, we paid for everything — buses, trucks, hotels, per diems, lighting, sound and everything else. I think he treated the band very fairly. The problem is Vivian, for some reason, decided he wanted to be Ronnie. Well, you know, the band was called DIO. But the fact was that Ronnie had already been in RAINBOW and paid his dues and then in BLACK SABBATH and paid his dues. He wasn't just off the street and a nobody. I got really upset. I get really upset when I hear him saying all of the things about Ronnie. Ronnie isn't here to defend himself. I will. I have all of the paperwork to prove that. How much he did get paid. That just kind of upsets me that people will say, 'Oh, Ronnie was cheap.' Well, Ronnie was never ever cheap at all."

Asked if she thinks there would have been a chance to build any sort of bridge between Ronnie and Vivian, Wendy said: "No. I don't think so, because there was too many nasty things by both of them said in the press, and I think you can't undo those things."

Campbell, Appice and Bain reunited in 2012 alongside singer Andrew Freeman to form LAST IN LINE. The band's initial intent was to celebrate Ronnie James Dio's early work by reuniting the members of the original DIO lineup. After playing shows that featured a setlist composed exclusively of material from the first three DIO albums, the band decided to move forward and create new music in a similar vein.

In a 2019 interview with Ultimate Guitar, Vivian spoke about the financial dispute that led to his exit from DIO. He said: "When the band was first formed, Ronnie told Vinny and Jimmy and myself that for the first three records, if we were willing to not be participants in the album sales or the tour receipts or the merchandise money or anything like that, if we were willing to work a very modest wage, that by the third album he would make it an equity situation and we would get part of the record and part of the tour, etc. So we worked for less than the road crew. We did the [1983] 'Holy Diver' album, we got paid $100 a week. When we started the 'Holy Diver' tour, our pay was bumped up to $400 a week. And so on over the years, over the 'Holy Diver' tour and [1984's] 'The Last In Line' tour and the [1985's] 'Sacred Heart' tour, our wages were gradually increased from tour to tour. But we were getting paid less than our lighting designer, for example. But we were also writing the songs with Ronnie; we were part of the creative process. But we got none of the record sales, we got none of the merchandise money and none of the concert money. We were okay with that because Ronnie had promised us that by the third album, that would all change. We were all working towards this goal and the band was becoming more and more successful. When the third album came along, I was the first one to say to Ronnie, to remind him of the promise that he made us back in 1982 when the band was formed, before we did the 'Holy Diver' record. I brought it up to Ronnie when we were recording the third album, 'Sacred Heart', and Ronnie said, 'Let's get through the record first and then we'll discuss it.' So I waited until the record was done and then I brought it up again. And Ronnie said, 'Let's get on the road and get rehearsed and as soon as the tour starts we can discuss it with Wendy.' Wendy was his ex-wife and manager of the band.

"You know, with benefit of hindsight, I see it very clearly now. It really came down to this — there were only four people in the room when Ronnie made that promise, and that was Ronnie and Jimmy and Vinny and myself. Wendy Dio wasn't in the room, and Ronnie really never stood up to his ex-wife and he never had the courage to tell her that he had made this promise to us. And she never saw the value in the original band. She was creatively shortsighted that she could only see that with Ronnie. She didn't see value in who played on stage with Ronnie or who wrote songs with Ronnie. She just thought that everyone could be replaced, whereas I think Ronnie really realized the chemistry that the original band had and he really valued that. But when it came down to it, he didn't have the courage to stand up to Wendy and he figured that it was easier to just get rid of me. And that's what he did.

"People can say it's about money," he continued. "And yes, in black-and-white terms, it is about money. But more importantly to me is that it was about principle. I believe strongly in principle, I always have. I believe in integrity in people and when I look someone in the eye and I shake their hand and I make a deal with them, I will uphold my end of the deal and I expect the same of other people. And Ronnie didn't do that for me. That's why I was fired from the band and it left such a bad taste in my mouth for so, so many years. I was so hurt by the whole process that after that, I did make a mistake of saying very hurtful things about Ronnie in the press, as indeed he said the same about me. I think that was a mistake for both of us to do that. But it was a very painful thing for me because I never wanted to leave that band. I was fully invested in it, I enjoyed it immensely, I believed in it, and I gave blood, sweat, and tears on everything over the course of three albums to build that band. And then to be unceremoniously dumped like that was very, very painful for me. So it took me a long time to come full circle. To be honest, I think it also took Ronnie's passing [in 2010] to be able to look at that in a different light and realize that it was as much Jimmy Bain's heritage and Vinny Appice's heritage and my heritage as it was Ronnie's — we all owned those records and that history. So now I've come to fully embrace it, whereas for many, many years it was too painful for me to listen to it. If it came on the radio, I would turn the radio off. I didn't own any of the records, I wanted nothing to do with it. And now I see it in an entirely different light. I realize that we owned it as much as Ronnie and that it's a joyous thing to embrace. It makes me incredibly happy to be on the stage with Vinny, and with Jimmy while he was alive, and to play that music again. It's something I'm very proud of. But it took me a long time to get here, and that's the reason why."

In a May 2011 interview with Brazil's Roadie Crew magazine, Wendy stated about the controversy surrounding Ronnie's relationship with Campbell (in 2003, Vivian called Ronnie "an awful businessman and, way more importantly, one of the vilest people in the industry."): "[Vivian] always said that he hated all the albums that he played on with Ronnie, and that was very hurtful to Ronnie. Very hurtful. Would you like someone who said something like that about your albums? He said a lot of things in the press that I don't wanna get into, because it really wasn't Ronnie's feud at all. Ronnie didn't fire him. I fired [Vivian]. He wanted as much money as Ronnie wanted. He thought he was as important as Ronnie was, and that was just wrong. But I don't wanna get into that. It's water under the bridge. It doesn't matter."

A video clip of Ronnie James Dio calling Campbell "a fucking asshole" and saying that "I hope he fucking dies" in reference to his former bandmate was posted on YouTube in October 2007. The two-minute clip was shot on March 30, 2007 while Ronnie was signing autographs for fans after HEAVEN & HELL's show at the Radio City Music Hall in New York City. "He's a piece of shit," Dio said. "You ever heard the things he ever said about me? He called me the most despicable human being that ever lived. I went, 'I thought I gave you a chance and made you somebody. And now you're playing with who? DEF fucking who?' There's a fucking rock band for you to fucking have diarrhea wi

TWISTED SISTER singer Dee Snider has dismissed the notion that rock is dead.

While rock and roll has been king of the music world for decades, in the past few years, it's been unseated by the growing popularity of hip-hop. This has caused many pundits to proclaim the genre "dead" from an industry perspective, noting that it has been eclipsed in all measures by pop, hip-hop, and EDM.

A few years ago, KISS bassist/vocalist Gene Simmons told Esquire magazine that "rock did not die of old age. It was murdered. Some brilliance, somewhere, was going to be expressed and now it won't because it's that much harder to earn a living playing and writing songs. No one will pay you to do it."

A number of hard rock and heavy metal musicians have weighed in on the topic in a variety of interviews over the last several years, with some digging a little deeper into Simmons's full remarks and others just glossing over the headline.

Snider, who is currently promoting his new solo album, "Leave A Scar", spoke about rock's supposed diminishing status during a recent interview with Consequence Of Sound. Addressing Gene's "rock is dead" comment, Dee said: "He makes me crazy. I mean, I love him, I love KISS., but I wish he would just shut the hell up with this. And he doubles down on it. This statement of 'rock's dead, there are no rock stars, don't bother,' all that shit, it's just so self-serving and self absorbed. It's selfish. It's, like, ''Cause it's not doing it my way, it doesn't have value. It's not the way it was when I was coming up, so it's not rock and roll anymore.' Anyway, that's bullshit."

"Leave A Scar" was released on July 30 via Napalm Records. The album was once again produced by HATEBREED frontman Jamey Jasta, with co-production, mixing and mastering by drummer Nick Bellmore.

In a new interview with Tulsa Music Stream, legendary bassist Billy Sheehan (MR. BIG, TALAS, DAVID LEE ROTH) spoke about the upcoming third album from THE WINERY DOGS, his power trio with guitarist/vocalist Richie Kotzen and drummer Mike Portnoy (DREAM THEATER, AVENGED SEVENFOLD). Asked if the band is still writing material for the follow-up to 2015's "Hot Streak" or if it has begun recording, Sheehan said (as transcribed by BLABBERMOUTH.NET): "A little of both, but it's mostly writing. We write like people used to write in the old days: the band gets together in a room and we start figuring things out. And I love it that way as opposed to getting outside writers or having one guy be the writer and everybody plays his songs. So we work together as a band quite well."

Sheehan went on to say that the latest THE WINERY DOGS writing session in Los Angeles in early July "went really swimmingly. We weren't killing ourselves, but we were working hard," he said. "We've got about eight or 10 things ready to go. We're gonna go back and do it again at the end of this month for another session. And if, at that point, we feel we've got a great record, in our humble opinion, we wil go ahead and [record] it. If not, we'll write some more."

Billy also addressed the long gap between "Hot Streak" and THE WINERY DOGS' upcoming album, which is not expected before 2022, saying: "THE WINERY DOGS, we did really great. That first record [2013's 'The Winery Dogs'], we got lucky. Eddie Trunk was a huge help to us. And it sold great. Our attendance at shows was amazing. And we're very, very grateful for it. Then, not long after, we did our second record, 'Hot Streak', and that did really well too. Usually the second record, it's a little bit more iffy, but it was fantastic. So we thought instead of just doing record, tour, record, tour, record, tour, record, tour and burning out, let's all go off and do our thing and meet back up here in a couple of years when we have some stories to tell again. I think that was the beauty of the first record, and even the second record — the stories that we had saved up for years were the basis of songs. [The songs were] not necessarily about those things, but [they] were the inspiration for songs. And so it enabled us to open up a broad spectrum of subjects to write about. So now that we've all gone off and lived our lives for a few years and done a lot more things, back together we've got a lot more stories to talk about. We're very happily inspired."

THE WINERY DOGS were founded in 2012 after Portnoy and Sheehan — who initially aimed to collaborate with former WHITESNAKE and BLUE MURDER guitarist John Sykes — reached out to Kotzen, who played with Sheehan in MR. BIG from 1997 to 2002. The group's self-titled debut reached No. 27 on the Billboard 200 after selling more than 10,000 copies in the U.S. during its first week of availability. The initial sales of follow-up effort "Hot Streak" were even better, as the album debuted at No. 30 in late 2015 after shifting 13,000 equivalent album units in America during its first week of availability.

In January 2020, Portnoy told Sonic Perspectives that THE WINERY DOGS' 2019 tour was done "just for the fun of it — just for no other reason than to play together again, because it had been a few years. I think it reignited our love for each other, and I think it showed us that there's still so many fans out there that love this band," he explained. "It reignited our desire to make another record, so I think as soon as we can, we will."


Posted by Tulsa Music Stream on Friday, August 6, 2021

Florida death metal veterans DEICIDE kicked off their U.S. tour with KATAKLYSM, INTERNAL BLEEDING and BEGAT THE NEPHILIM last night (Thursday, August 5) at The Orpheum in in Tampa, Florida. Fan-filmed video footage of DEICIDE's performance can be seen below. The trek will make stops in Austin, Chicago, and New York before concluding on August 29 in Spartanburg, South Carolina.

Two months ago, DEICIDE guitarist Chris Cannella spoke to Jason Saulnier about the progress of the songwriting sessions for the follow-up to the band's 2018 album "Overtures Of Blasphemy". He said: "Since I moved out [to Florida from Arizona] a year ago, we were writing a lot of music, and then we kind of started over when I got out here and I was able to rehearse all the time rather than just meeting up when I was commuting for work. [Editor's note: Cannella works as a product manager for Dean Guitars.] So we've been really focusing and writing just really — in my opinion — some amazing stuff. And when we do record it, you will definitely hear a different vibe with the band, because the camaraderie is so strong. I mean, the four of us in a room, we just have a great time. We love being around each other, [and] we like writing music together. You're gonna hear a lot of that. It's just a really strong, aggressive… A lot of guitar work, a lot of cool drumming. Glen's [Benton, bass/vocals] stuff that he is working on — it's great. It's exciting. I couldn't be happier."

In 2019, DEICIDE parted ways with guitarist Mark English and replaced him with Cannella.

English joined DEICIDE in 2016 following the departure of longtime guitarist Jack Owen.

In a 2018 interview with Revolver, Benton stated about "Overtures Of Blasphemy"'s slightly more diverse musical direction: "You know what works best for me? Whenever I develop this soured-ass I-don't-give-a-fuck attitude — whenever that's intensified for whatever reason — I just have a tendency to come up with my best stuff. Say you're at a casino and you've spent your whole night losing. You're like, What the fuck? So you put in your last quarter in the machine and you win all your money back and then some. That kind of fluke is, in a way, why this worked out. I kind of look at it like, "Hey, what the hell do we have to lose anymore? We know it's not going to go anywhere. So let's just do it for us and focus on what we like. Let's take the music we grew up on and just have fun with it."

Sammy Hagar joined MÖTLEY CRÜE singer Vince Neil's solo band on stage at a private event this past Thursday (August 5) in Austin, Texas to perform a cover version of the LED ZEPPELIN classic "Rock And Roll". Fan-filmed video footage of his appearance can be seen below.

Thursday night's show came more than two months after Neil struggled to complete his solo concert at the Boone Iowa River Valley Festival in Boone. Based on fan-filmed video footage of the gig posted on YouTube, the 60-year-old rocker, who hadn't performed in more than a year and a half due to the COVID-19 pandemic, began losing his voice several songs into his set, which consisted exclusively of CRÜE classics and cover songs previously recorded by the band.

14 songs into the performance, Vince attempted to sing CRÜE's smash hit "Girls, Girls, Girls" but gave up mid-song, explaining to the crowd: "Hey, guys… I'm sorry, you guys. It's been a long time playin'. My fuckin' voice is gone… Eh… We love you, and we'll hopefully see you next time, man. Take care."

After Neil walked off the stage, his backing band — which still consists of bassist Dana Strum and guitarist Jeff "Blando" Bland from SLAUGHTER, along with drummer Zoltan Chaney — continued to play the song, singing along to what appeared to be pre-recorded backing vocals.

MÖTLEY CRÜE's "The Stadium Tour" with DEF LEPPARD, POISON and JOAN JETT & THE BLACKHEARTS was originally scheduled to take place last summer but ended up being pushed back to 2021, and then to 2022, due to the coronavirus pandemic.

DEF LEPPARD has announced a worldwide broadcast premiere event celebrating the 40th anniversary of the band's "High 'N' Dry" album.

Watch singer Joe Elliott, drummer Rick Allen and bassist Rick Savage reveal behind-the-scenes stories from their legendary 1981 release, while guitarists Phil Collen and Vivian Campbell discuss the album's impact on their own musical trajectory and the world of rock and roll.

Complete with "High 'N' Dry" influences from fellow colleagues with answers to fan questions sourced directly from the Def Leppard Vault and DEF LEPPARD socials, this hour-plus filmed event premieres only inside the Def Leppard Vault.

Have a question about "High 'N' Dry"? Send your questions (written or as a video) to [email protected] for a chance to contribute to this incredible broadcast.

Broadcast date: Saturday, August 28, 2021

Broadcast time: 9 p.m. BST / 4 p.m. EDT / 1 p.m. PDT

Admission grants entry to the livestreamed event, a 24-hour replay pass, and access to exclusive merch bundles.

Digital event tickets and limited-edition event bundles are on sale now. Get your tickets here.

Note: There is no guarantee that fan questions and/or videos submitted for this event will be featured in the event broadcast.

"High 'N' Dry" charted at No. 38 on The Billboard 200 and No. 26 on the U.K. albums chart. Following the success of "Pyromania", the LP re-entered the Billboard chart and reached No. 72 in 1983.

"High 'N' Dry" was reissued on May 31, 1984 with two bonus tracks: "Bringin' On The Heartbreak" (Remix), and "Me & My Wine" (Remix). Videos for both were made, featuring guitarist Phil Collen (who was not in the band at the time of the album's recording). Both bonus tracks were omitted from the mid-1990s re-releases of the album.

Elliott talked about how DEF LEPPARD's approach to making "Pyromania" was different from the way "High 'N' Dry" was recorded. He said: "When we worked with [producer] Mutt [Lange] on 'High 'N' Dry', it was done in three months, and we did it as quickly as we could. He also insisted that we do it his way. When we did 'Pyromania', we came to the conclusion we could make another 'High 'N' Dry', or we could utilize the new technologies that had come available. He was really excited about that. He told us we could try to make an album no one else had ever made, which appealed to us. We were always turned on by QUEEN, for example, who took their arrangements to the extreme."




SATURDAY NIGHT ON THE RUN ?Tickets for our High ‘n’ Dry 40th Anniversary Retrospective on 28 August are NOW available on LeppardVault.com ?

https://www.leppardvault.com/collections/livestream-event

Grab your tickets now and leave your questions in the comments for a chance to contribute to this incredible broadcast ?

Posted by Def Leppard on Friday, August 6, 2021

Earlier today (August 6), three-fourths of the "Burn My Eyes" lineup of MACHINE HEAD — guitarist/vocalist Robb Flynn, drummer Chris Kontos and guitarist Logan Mader — teamed up with the band's current bassist Jared MacEachern to play the classic album in its entirety in celebration of its 27th anniversary. The event, which was held in the band's San Francisco Bay Area rehearsal facility, was streamed live for fans around the world and is now available for viewing below.

As well as all the classic tracks featured on the album, the boys run through some deep cuts and covers that haven't been performed live by this line up in over quarter of a century. They bust out "Frontlines" and "My Misery", both of which were written on the "Burn My Eyes" touring cycle, and period-correct covers of POISON IDEA's "Alan's On Fire" and CRO-MAGS' "Hard Times".

Featured songs:

0:00:00 Welcome and Beers Up!

0:04:22 Davidian

0:10:15 Old

0:15:22 Alan's On Fire (POISON IDEA cover)

0:22:09 A Thousand Lies

0:30:55 None But My Own

0:38:20 Rage To Overcome (w/"Wrong" Sawyer intro)

0:44:16 My Misery

0:54:39 Death Church

1:00:57 The Frontlines

1:11:17 A Nation On Fire

1:17:53 Blood For Blood

1:26:55 Hard Times (CRO-MAGS cover)

1:29:42 I'm Your God Now

1:36:19 Thunderkiss '65 (WHITE ZOMBIE cover)

1:38:37 A Lesson In Violence (EXODUS cover)

1:41:24 Creeping Death (METALLICA cover)

1:45:10 "Burn My Eyes" Certified Gold in the UK! Gold disc presentation

1:49:16 Fuck It All

Released worldwide on August 9, 1994, "Burn My Eyes" was and still is considered to be one of the most important albums of its genre, garnering the band an unprecedented level of recognition and spawning a myriad of imitators — all from just MACHINE HEAD's first record.

In 2019, Flynn, Kontos and Mader reunited — along with MacEachern — to celebrate the LP's 25th anniversary on tours in Europe and the U.S.

Asked by Metal Hammer if it bothers him that some fans still regard "Burn My Eyes" as MACHINE HEAD's best album, Flynn said: "No. The clincher for me, and this rarely happens, is when someone says, 'You should write 'Burn My Eyes' again,' but it'd be so phony! I'm not 24, fuckin' running around on the streets. It was real and that's why it came out the way it did. If I tried to do it now, it wouldn't be real. Those times made me who I am and affected me forever and I'm fearless because of them, but I'd like to think that I've aged gracefully and I hope to continue to do that. How dumb would it be for some [50]-something dude to be acting like some teenage gangster? It'd be ridiculous."

Kontos left MACHINE HEAD before the release of the band's second album, 1997's "The More Things Change", and was replaced by Dave McClain.

McClain and guitarist Phil Demmel exited MACHINE HEAD in the fall of 2018.

Adam Duce, who played bass on "Burn My Eyes", was fired from MACHINE HEAD in February 2013. He was replaced four months later by MacEachern. Adam later sued MACHINE HEAD, claiming that the other bandmembers "simply kicked him out of the band and presumed he would forget about over two decades of hard work, dedication, and effort" he put into the group. Duce also said his likeness was used on the band's web site and in promotions without his authorization. The lawsuit was settled out of court in July 2014.

SKID ROW celebrated the 30th anniversary of its classic second album, "Slave To The Grind", by performing it in its entirety last night (Thursday, August 5; postponed from July 11) at The Amphitheater at Rolling Hills Casino And Resort in Corning, California. Fan-filmed video footage of the show can be seen below.

Last summer, SKID ROW bassist Rachel Bolan told SiriusXM's "Trunk Nation With Eddie Trunk" that he and his bandmates would embark on a "Slave To The Grind" 30th-anniversary tour in 2021. "We'll do the album in its entirety, and then we're gonna do a bunch of stuff to coincide with it," he said. "We're pretty psyched, and the shows are booked. We're keeping our fingers crossed that everything is gonna come to pass… It'll be cool, to go out there and do 'Slave To The Grind' top to the bottom. That'll be fun."

According to Bolan, SKID ROW didn't celebrate the 30th anniversary of the band's self-titled debut album in 2019 because "the timing didn't really work out. We had so much other stuff planned, and then all of a sudden, boom, it was here," he explained. "Maybe down the road [we'll celebrate it]. Maybe [for the] 40th [anniversary]. [Laughs]"

As previously reported, former SKID ROW singer Sebastian Bach will also celebrate the "Slave To The Grind" anniversary on a U.S. tour this fall. He will perform the LP in its entirety at all shows on the trek, which will kick off in October.

Bach previously performed "Slave To The Grind" in its entirety in October 2019 at the Whisky A Go Go in West Hollywood, California. Earlier that fall, he completed a U.S. tour during which he celebrated the 30th anniversary of SKID ROW's self-titled debut album.

In June 2019, Bach issued an "open invitation" to the other members of SKID ROW's classic lineup to "get onstage and jam" during the vocalist's last tour. A few days later, during an interview with Finland's Kaaos TV, guitarist Dave "Snake" Sabo confirmed that he would not accept Bach's latest overture. "I'm working with my band," he said. "This is SKID ROW, and this is what I do."

Drummer Rob Affuso — who left SKID ROW in 1998 and claims to be "the only former member that keeps in contact with all former SKID ROW bandmates and is still good friends with them all" — subsequently joined Bach in September 2019 at Sony Hall in New York City to play the band's classic song "Makin' A Mess".

Asked by Rolling Stone if he thinks his former bandmates are offended that he put his invitation out there publicly, Bach said: "No. I think it's an ego thing. They don't like when I get attention, and they don't get attention. It's always been like that. I can already see them getting mad, because I'm selling out shows, and they're not part of the show, and blah, blah, blah."

Bach fronted SKID ROW until 1996, when he was fired. Instead of throwing in the towel, the remaining members took a hiatus and went on to play briefly in a band called OZONE MONDAY.

In 1999, SKID ROW reformed and, after a bit of shuffling over the years, featured a lineup consisting of Bolan and guitarists Sabo and Scotti Hill, alongside Hammersmith and singer Johnny Solinger.

SKID ROW fired Solinger over the phone in April 2015, a few hours before announcing ex-TNT vocalist Tony Harnell as his replacement. Eight months later, Harnell exited the band and was replaced by South African-born, British-based singer ZP Theart, who previously fronted DRAGONFORCE, TANK and I AM I.

In February 2019, Sabo told "Trunk Nation With Eddie Trunk" that SKID ROW came "pretty close" to reuniting with Bach after Harnell's exit from the band. But then he clarified: "I said 'pretty close,' and that's actually not true. Because we didn't get beyond text messaging each other, to be quite honest. The same old stuff just seemed to exist where there was this confrontational sort of demeanor going back and forth between myself and Sebastian.

"I'm so proud of what we were able to create throughout the entire history of this band, and that will never change," he continued. "But some things just don't work anymore and people go their separate ways and you can't get that back together. And I'm fine with that.

"I play music to be happy," Sabo added. "I don't play music for a paycheck. It's great to get paid to do what you love. But I've never done it for the money. It's always been about my love of music, and that's what it still is. At my old crusty age, it's still because I love the guitar and I love creating. And I love the response. I love being able to connect in some way with an audience. That's why I started playing music — because I didn't know how to communicate, so it came out through music, through songs.

"Playing with [ZP] in the band has brought a real joyousness back to our lives. You can see it — it's not faked or phony. You can see it when we play. And that's what I live for — I live for those moments of just absolute joy.

"A reunion [with Sebastian] would have been great for a lot of other people who have wanted to see that happen," Snake said. "But for us, it would not have been pleasurable, to be quite honest."

Former SOULFLY guitarist Marc Rizzo has confirmed that he is focusing on his solo projects following his departure from the band.

Although Rizzo's exit from SOULFLY was never officially announced, it was revealed yesterday (Thursday, August 5) that FEAR FACTORY's Dino Cazares will play guitar for SOULFLY on the Max Cavalera-fronted band's upcoming U.S. tour, which kicks off on August 20 in Albuquerque, New Mexico.

Rizzo addressed his absence from the SOULFLY trek while chatting with fans on Facebook Live yesterday morning. He said (as transcribed by BLABBERMOUTH.NET): "I'm just going full forward with my solo project. It's just better for me. It's more of a healthier environment for me and my family. And being home more, and do my solo project, which I'm super stoked about. I've also got [my new band] HAIL THE HORNS. We're releasing the video that we did for a KISS cover today. I've got REVENGE BEAST. I've got ACOUSTIC VENDETTA. Things are good. And I'm doing a lot of good shit. I'm going full forward with my solo project. That's really where my heart is at, where I get my writing credit, where I get credit for my work and all my hard work gets proper credit. It's a healthier environment."

Rizzo joined SOULFLY in 2004, and has since appeared on all of the band's subsequent records, including "Prophecy" (2004), "Dark Ages" (2005), "Conquer" (2008), "Omen" (2010), "Enslaved" (2012), "Savages" (2013), "Archangel" (2015) and "Ritual" (2018). In 2007, Rizzo became a member of CAVALERA CONSPIRACY, the side project of SEPULTURA co-founders, brothers Max and Igor Cavalera, and has performed on all CAVALERA CONSPIRACY releases including "Inflikted", "Blunt Force Trauma", "Pandemonium" and the critically acclaimed 2017 LP "Psychosis".

Back in 2018, Max praised Rizzo, telling "The Classic Metal Show": "He loves what he does; he loves playing in SOULFLY; he loves working with me. We are totally connected. He gives 150 percent every show, no matter if there's ten people or ten thousand, which is rare. Sometimes when there's not a lot of people, it's hard to go out there and still be excited and he does it. I do believe he's underrated big-time, but I'm kind of happy about that because if he gets too big, then he will go away. He will join a big band. I'll be out looking for another guitar player and it would suck. It would really suck to lose Marc. I'm kind of happy. It's almost like a secret thing that we have, this treasure that we have. He's fantastic. He's an amazing guitar player. I sit sometimes around the dressing room just to hear him play. Just go in the dressing room to hang out while he's practicing just to hear him playing some of the flamenco sections in the dressing room or when he's just shredding. He's killer. He is a true, true guitar hero."

Rizzo was originally a member of New Jersey Latin metal favorites ILL NIÑO, appearing on their classic 2001 Roadrunner release "Revolution Revolucion" and the 2003 follow-up "Confession".




Posted by Marc Rizzo on Thursday, August 5, 2021

Sicksense is here to break down barriers by delivering their relentless blend of thought-provoking lyrics and explosive music. Hard-hitting and melodic. Pissed off and groovy. Relevant and catchy, Sicksense is pushing the envelope with their unique sound.

Check out the official video for their debut single, "Make Believe", below.

Sicksense is:

Vicky Psarakis (The Agonist) aka “Killer V” - vocals / keys
Robby J. Fonts (Stuck Mojo, Divinity Plague) aka “Rob The Ripper” - vocals
Branislav Panic aka "Breakdown Bran" - guitars
Samuel Bedard aka “Spot-On Sam / SOS” - bass
Cody Taylor aka “The Trve Cody Taylor” - drums

"Make Believe" was recorded, mixed and mastered by Christian Donaldson. The official video was filmed, directed and edited by Chris Kells.

Check out the official Sicksense Facebook page here.




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Phoenix-based rockers Halocene teamed up with Lauren Babic from Toronto's Red Handed Denial, and Sao Paulo-born Violet Orlandi for a cover of Metallica's "Enter Sandman". The official video is available below.

Previously , the trio of vocalists were joined by First To Eleven's Audra Miller for a cover of Queen's "Bohemian Rhapsody". The official video is available below.




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Iron Lizards have released "Obey / Annihilate", the second single leading up to their debut album Hungry For Action. The French power-trio combines raw, primitive rock ‘n’ roll with ‘80s hardcore into a tasty mixture of energetic, straightforward garage rock.

Fast, direct, and punchy, "Obey / Annihilate" captures the essence of Iron Lizards' unfiltered sound. Iron Lizards' debut album 'Hungry for Action' will be released on The Sign Records on September 17. The album is released on LP and CD, as well as digital format, and can be pre-ordered now.

Iron Lizards are a power-trio from Paris, France. The band was formed in 2015 by Elio with their goals already set; honoring the old gods of Detroit (MC5, The Stooges) whilst paying their homage to the ‘90s action rock scene (The Hellacopters, Zeke, New Bomb Turks). This was then mixed with influences taken from everything from ‘60s garage punk to ‘80s punk hardcore (Zero Boys, Minor Threat, Gang Green) and psychobilly (The Cramps). Their first EP was released in 2016 by German JanML Records, following this with playing as the opening act for bands such as Get Dead, Zeke, Mammoth Mammoth, Sonic Wolves, The Hip Priests, and Christmas.




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Cruzh are back with a new vocalist, Alex Waghorn, and a new album, Tropical Thunder, out on August. Waghorn was first introduced to Cruzh fans in 2019 with the release of an acoustic version of the song “Aim For The Head”. Now, Waghorn, along with Dennis Butabi Borg, Anton Joensson, and Matt Silver, are at long last ready to unleash the band’s long-awaited second album.

Melodic rock fans will not be disappointed with the cavalcade of melodies, hooks, and catchy songs on display on Tropical Thunder. Watch a lyric video for "New York Nights" below and pre-order/pre-save the album here.

Cruzh was put together after the demise of Swedish glam rockers TrashQueen, in which both Anton Joensson and Dennis Butabi Borg played. They shared a love for melodic rock and AOR and joined forces with Tony Andersson, who previously worked as a studio musician on the never released TrashQueen record.

In March 2013, Cruzh was officially announced. An image of the silhouette of the three band members, the debut song "In A Blink Of An Eye," information that the band was Swedish, and the text "Get ready for the Cruzh" was all that was revealed. The song quickly spread and in May of that year came the sequel, "Stay". Meanwhile, the band, still ‘incognito’, shared various clues on social media regarding their identity and location. In the fall of 2013, Cruzh “unmasked” and released the Hard To Get EP, the first of two very well-received self-produced demos.

Hard To Get and its successor, the darker Aim For The Head got great reviews and by late spring of 2015, just when Cruzh was about to release a new EP, they were approached by Frontiers Music Srl who wanted to sign the band to a deal. Cruzh started the album recording process by the end of summer 2015 and their self-titled debut was released in 2016 to rave reviews from the melodic rock community.

After introducing new vocalist Alex Waghorn to the public via an acoustic version of their track “Aim For The Head” in 2019, the band spent 2020 working on their second album, Tropical Thunder. Now, in 2021, the long wait for a follow-up album from Cruzh is over.

Tracklisting:

“Tropical Thunder”
“We Go Together”
“Turn Back Time”
“Are You Ready?”
“Cady”
“New York Nights”
“All You Need”
“Line In The Sand”
“Moonshine Bayou”
“Paralyzed”
“R.J.C.”

"New York Nights" lyric video:

“Tropical Thunder” lyric video:

“Turn Back Time”:




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