Swedish progressive metal pioneers MESHUGGAH have released the official music video for the song "Ligature Marks". The clip has debuted as part of the celebration around the reissue of the band's critically acclaimed album "Immutable", which is now presented in the remastered "Indelible Edition", due on April 4, 2025 via Reigning Phoenix Music.

Following the critical acclaim of the original 2022 release of "Immutable", the "Indelible Edition" arrives with a sonic enhancement, redefining the album's depth and clarity, and includes three riveting live tracks recorded during MESHUGGAH's world tours in 2023 and 2024. These additions not only showcase the band's raw live energy but also underline their commitment to pushing musical boundaries.

The video for "Ligature Marks" is directed by Anthony Dubois, known for his visionary approach that complements MESHUGGAH's complex musical landscapes. The video captures live performance footage that brings the intensity of their stage presence directly to fans.

The "Indelible Edition" of "Immutable" transcends a typical reissue, offering a fully immersive experience that extends over an hour of MESHUGGAH's meticulously crafted music. This special edition will be available in two exquisite formats: a two-LP gatefold vinyl and a single-disc digipak. Each format boasts a remastered audio experience, enriched by breathtaking new artwork and layout. Notably, the inclusion of distinctive gold foil accents enhances both the tactile and visual appeal, making it a collector's gem.

Coinciding with the album reissue, MESHUGGAH is set to electrify stages across the U.S. and Canada with a massive tour starting this March. The tour showcases the band's complex themes and intricate soundscapes, bringing their creative evolution to life.

MESHUGGAH will headline the run with full support from the iconic and equally legendary CANNIBAL CORPSE and CARCASS, both of whom are renowned for their visceral and compelling musical styles. This lineup creates a powerhouse of intense performances, blending MESHUGGAH's innovative metal fusion with the brutal death metal of CANNIBAL CORPSE and the melodic engagements of CARCASS.

"Immutable - The Indelible Edition" track listing:

01. Broken Cog
02. The Abysmal Eye
03. Light The Shortening Fuse
04. Phantoms
05. Ligature Marks
06. God He Sees In Mirrors
07. They Move Below (instrumental)
08. Kaleidoscope
09. Black Cathedral (instrumental)
10. I Am That Thirst
11. The Faultless
12. Armies Of The Preposterous
13. Past Tense (instrumental)
14. Kaleidoscope (Live)
15. Ligature Marks (Live)
16. God He Sees In Mirrors (Live)

"Immutable" was released in May 2022 via Atomic Fire. The follow-up to 2016's "The Violent Sleep Of Reason" was recorded at Sweetspot Studios in Halmstad, Sweden; mixed by Rickard Bengtsson and Staffan Karlsson; and mastered by multiple Grammy Award winner Vlado Meller (METALLICA, RAGE AGAINST THE MACHINE, RED HOT CHILI PEPPERS, SYSTEM OF A DOWN). Visionary artist Luminokaya once again created the stunning cover artwork.

MESHUGGAH guitarist Mårten Hagström discussed "Immutable" during an appearance on MACHINE HEAD frontman Robb Flynn's "No Fuckin' Regrets With Robb Flynn" podcast. He said: "It's a double album, if this was a vinyl. It's 13 tracks; 66 or 67 minutes of music. It's the longest album we've put out so far, to this date. And it's a bit funny, 'cause when we started writing, I was really adamant that, 'Let's try to make a 'Reign In Blood' album' — like the MESHUGGAH 'Reign In Blood' album; just short but sweet. Not maybe 27 minutes, but keep it just over half an hour. 'Cause albums aren't what they used to be anyways; it's singles. So, obviously, we went the opposite direction and made a double album and just built it as an album and thought of it as, like back in the day, very important with the track listing and all that shit.

"For us, it was, like we always do, trying to find the… What's the MESHUGGAH sound? How do we keep it but make it interesting to us?" he continued. "'Cause that's been our modus operandi all along: if we please ourselves, we please our fans. That's how it's been. So that's what we need to take care of.

"We started writing it when we came off that COVID truncated touring cycle, and then, after that, it was just all systems go. We've been working our asses off for almost three years now. And we're really happy with the result. We may have tried out a few things that we haven't done before — not anything mindblowing. But from the reactions we've been getting so far, I think it's pretty much what we hoped for. 'Cause people are saying that it's an unexpected album. And that might sometimes be a bad thing, but in our minds, it can never be. And nobody said that it was surprising in a bad way; only positive so far. So we'll see.

"You know what it's like. When you work on an album, you really don't know. When you're done with it, everything's so jumbled up in your head, you don't know how to feel about it. It's just, like, 'Okay. Good enough. Let it go.'

"But we're really fired up about it," Mårten added. "It's a lot of music. It's by far the most dynamic we've been on an album. And that's something we've been going for. And I look forward to see how it comes across."

Hagström previously stated about the "Immutable" title: "The title fits perfectly for where we are as a band. We're older now. Most of us are in our fifties now, and we've settled into who we are. Even though we've been experimenting all along, I also think we've been the same since day one. The way we approach things and why we still make new albums, and why we still sound the way we do, it's immutable. Humanity is immutable, too. We commit the same mistakes over and over. And we are immutable. We do what we do, and we don't change."

MESHUGGAH completed its first pandemic-era U.S. tour in September and October 2022.

In a new interview with Joshua Toomey of the Talk Toomey podcast, ex-TYPE O NEGATIVE guitarist Kenny Hickey was asked if he would be open to teaming up with the other surviving members of TYPE O NEGATIVE to stage a Peter Steele tribute concert with various guest musicians. He said (as transcribed by BLABBERMOUTH.NET): "I think so. I would do something like that, absolutely. Because at this point, the band seemed to transcend into a whole new generation and stuff. And I think it would be really cool to get a couple of key singers, real guys, or maybe one guy or whatever, to come and do it as a tribute. Absolutely. Maybe four or five shows, something like that. If we can get Josh [Silver, former TYPE O NEGATIVE keyboardist] to do it, yeah, [I'd be up for it]."

Asked if Josh is "the sticking point with stuff like that", Kenny replied: "Josh is just, like, he's done with music. He feels like he's moved on, but I don't know. We'll see.

"You get nostalgic after a time, you know what I mean?" Hickey added. "So you never know. You can never say never."

Back in June 2023, Hickey was asked by Scott Penfold of Loaded Radio if he was surprised by the enduring popularity of his former band, now nearly 15 years after the passing of the TYPE O NEGATIVE frontman. He responded: "Yeah. It's surprising, and I'm very grateful for it. I mean, the band has transcended, which is amazing. It's reached a whole new generation. We're doing better than we were doing before Peter passed. [Laughs] [There's] a whole resurgence on it. Which is good. It's a testament to the work we put into it and the honesty we put into it and the years of sweat. There was realism to the music."

Hickey also once again talked about the possibility of him and the other surviving members of TYPE O NEGATIVE staging a Peter Steele tribute concert with various guest musicians. He said: "People have approached us to try and reform the band with a singer and go on the road. 'Cause everybody wants a money grab. We personally don't think Peter is replaceable by anybody, and it just wouldn't work."

He continued: "A tribute I'd love to do. I'm sure Johnny [Kelly, drums] would love to do it. I know Josh wouldn't do it, because Josh is picking up body parts in East New York [during his work as a paramedic]. He's not gonna stop that to start rehearsing. But yeah, we would do it with guest musicians and stuff. If somebody had the idea and got it together and got the logistics together, sure — I would be into it."

When Penfold noted that Kelly previously picked HEART's Ann Wilson as a singer he would like to tackle Steele's parts during a hypothetical tribute concert, Hickey said: "Ann Wilson would be great, but she probably never heard of us."

As for whom he would choose to sing at such an event, Kenny said: "Axl Rose [of GUNS N' ROSES]." He added that "it would be very fucking cool" to hear Axl sing a song like TYPE O's "Love You To Death".

Steele passed away in April 2010 from heart failure at the age of 48. Born Petrus T. Ratajczyk on January 4, 1962 in Brooklyn, New York, he stood 6' 7" (201 cm) tall, and had a low, bass-heavy voice, which was one of the most recognizable features in TYPE O NEGATIVE's music.

Before forming TYPE O NEGATIVE, Steele played for the metal group FALLOUT and the thrash band CARNIVORE.

In a February 2022 interview with Loaded Radio, Kelly was asked if there has ever been any talk of staging a concert in honor of the band's late frontman Peter Steele. He responded: "Coffee talk. There was never any serious consideration, like, should we do something? Is there even a point of doing it? Or also, is it just a blatant cash grab? So all these things go through your head.

"People celebrate [Peter] all the time," he continued. "They do it daily. I see it online all the time and the impact that he had.

"Maybe somewhere down the road there may be something that's… I don't know. But I know that for me, it would have to include Kenny and Josh as well. Anything that we do, it would have to be the three of us. And there's no way you're getting Josh to do anything like that. [Laughs]"

Asked who would handle Peter's vocal parts if they ever did end up doing a tribute concert, Johnny said: "I don't know. I'd want a girl to do it. I'd want a female vocalist — like Ann Wilson or something like that. [Laughs] But even so, that's the first thing. When you think about doing some kind of tribute show, you're just gonna get all these people… Yes, Peter was very highly regarded by our peers and stuff like that, and you'll just get a bunch of dudes up there just trying to sound like Peter. And you can't do that. And it's, like, all right, so what's the most remote thing from Peter? You'd have to do something completely abstract. And I would say get a female vocalist. I think Peter would get a kick out of… He would get off on seeing a girl sing his songs, seeing a female sing them. And it would really stress the point of doing something as a tribute instead of trying to recreate something."

Five years ago, Kelly told Meltdown of Detroit's WRIF radio station about Steele: "Peter, for the most part, he was a clown. He was always joking around — sarcastic, very self-deprecating humor. Just the opposite of what the music portrayed. When we were working on music and stuff, the end result, he was very serious about what he wanted, how he wanted something to sound. Other times, he was a clown.

"I always said that he wanted to be a normal person, but because he was Peter, that was just not in the cards for him; it was completely impossible," he continued. "I bet he would love to just be able to hang out, go to the bar, have a few drinks. And we would try to do that, and the minute he would come out to the bar, everybody gravitated towards him. He couldn't go to the store by his house without something happening to him."

Asked if that was because of Peter's size, Johnny said: "I think so. He just had this very striking look. He didn't look normal. And he had fangs. [Laughs] He was six and a half feet tall, [had] long black hair and fangs. You're not gonna get the normal response when you're going grocery shopping."

TYPE O NEGATIVE 1996 promotional photo courtesy of Roadrunner Records (photo credit: Bela Borsodi)

Celebrated guitarist and singer Orianthi spoke to Guitar Interactive magazine about her upcoming album, "Some Kind Of Feeling", due later in the year via Woodward Avenue Records. She said (as transcribed by BLABBERMOUTH.NET): "I'm really excited. Yeah, this record came together really organically with my band. We recorded it at Robby Krieger's [THE DOORS] studio out here in L.A. So we went down to Love Street Sound. And Robby's such a legend and him letting us use his space was such a sweet thing and I'm really grateful for that. And I produced half the record myself and then had legend Kevin Shirley produce the rest of it. So it was really cool. And I got my band in there, and it was, honestly, really easy — really fast, really easy. Most of the tracks have a really live feel to them, because they are pretty much live. We probably cut them three or four times and then chose the best one, and then added some backgrounds and whatnot and a few fixes and whatnot, but ultimately what you're hearing is very live, and I wanted to keep it that way."

Regarding the decision to title the album "Some Kind Of Feeling", Orianthi said: "Everything was kind of going on a feeling. Every song is sort of a little different, like from 'Ghost' to 'First Time Blues' to 'Some Kind Of Feeling'. They're kind of a little different-sounding — not style-wise, but sort of in a way. Like 'Some Kind Of Feeling' sounds Motown — it's sort of like blues, country, pop — and then 'Ghost' sounds like a pop ballad, and then you've got 'First Time Blues', which is like kind of rock blues. So I don't know. It's kind of like every song is going on a feeling. And I think that that kind of title sums it up somewhat."

Asked if she enjoys working with outside producers, like Kevin Shirley, or if she prefers doing everything on her own, Orianthi said: "I produced my first record, so I learned how to produce and engineer when I was really young. So, I kind of wanted to do it again. And I love doing a lot of stuff here myself. And even when I'm in the studio working with different producers, I kind of do sort of co-produce; I'm very hands-on, like, 'No, I want my tone like this. No, I wanna re-sing it like this.' I'm kind of bossy in a way, so it has to be the right producer to work with me, because, unless I really respect them, I'm not gonna trust them, if that makes sense, to really make a record. [I don't wanna] waste my time or their time, us going in together, because otherwise it just feels like… If it's not gonna be the right fit, I kind of know straight off the bat, like when I meet them for dinner or drinks or whatever, and we chat about what we're gonna do, I know if that person is the right one to produce my record — not only from their body of work [from what they've done] before, but as a person, their personality, they've got to be very alpha because I am. They have to be really opinionated in the sense of what they're looking for, and that way there's no wavering. It's, like, [I want them to tell me] … 'We need to do this. We need to get this miked this way. This drum sound needs to sound like this.' I love that in a producer. I need that sort of situation."

Orianthi's recording lineup includes keyboardist Ed Roth, bassist Justin Andres, guitarist Nick Maybury and drummer Jimmy Paxson, with those sublime background vocals provided by Jade MacRae, Justin Andres and Orianthi herself.

Orianthi (Orianthi Panagaris) looks as much like a rock star as she does a supermodel. But it's her extraordinary guitar chops that turn the most heads. She began playing professionally when she was thirteen years old before going on to perform and/or tour with Carlos Santana, Steve Vai, Alice Cooper, Richie Sambora and Dave Stewart. She was hired by Michael Jackson for his "This Is It" tour before his untimely death and performed with the supergroup HOLLYWOOD VAMPIRES (Cooper, Joe Perry, Johnny Depp and Tommy Henriksen). Orianthi's debut album, "Violet Journey", was released in 2005 and she has issued five solo albums to date. She was featured accompanying Carrie Underwood during a Grammy Awards telecast, performed on "American Idol" and appears in Jackson's documentary concert film "This Is It". Elle magazine named Orianthi one of the "12 Greatest Female Electric Guitarists" and she won the 2010 "Breakthrough Guitarist Of The Year" award from Guitar International magazine.

Photography by Alex Brown

In a new interview with The Adventures Of Pipeman, ANTHRAX singer Joey Belladonna spoke about the progress of the recording sessions for the band's long-awaited follow-up to 2016's "For All Kings" album. He said (as transcribed by BLABBERMOUTH.NET): "We have nine or ten songs — I forgot; I lost count — but I've got maybe two or three more to go, and then we'll be done with the record. I'm still working on it. I haven't finished it yet."

When the interviewer noted that ANTHRAX is still putting on energetic live shows and making great new music after more than four decades, Belladonna concurred. "One thing I can say is it's always good quality, it's well thought out, and we always bring it," he said. "I mean, if anything, I would say that we're way better than we've ever been.

"We just got off a four-week run of U.K. and Europe, and it was smoking, man," Joey added. "It was great. It's always good. It's tight."

At last month's NAMM convention in Anaheim, California, ANTHRAX bassist Frank Bello told American Musical Supply that the band's new LP is "supposed to come out [in] September [or] October."

Last November, Bello returned to Dave Grohl's Studio 606 in Northridge, California to resume recording the bass tracks for ANTHRAX's next effort.

ANTHRAX is once again working with producer Jay Ruston, who previously helmed "For All Kings" and 2011's "Worship Music" albums.

Last September, ANTHRAX guitarist Scott Ian told Jon Wiederhorn of Guitar World magazine that he and his bandmates hoped to finally release their new album in early 2025.

"We're taking our time and not rushing anything because we want it to be exactly how we want it," Ian said.

"We're not in a place in our lives anymore where we could have dropped everything and said, 'All right, we've got two months of studio time. Let's finish writing and then get in there and record it all and do the vocals. Mix, master and we're done — like in the old days.' We have families and commitments now, so it can't work that way anymore and hasn't in a long time."

Regarding the musical direction of the new ANTHRAX material, Ian said: "There are crushing riffs and great, hooky choruses. Even some of the thrashiest songs have great choruses. We're always looking for the hook, and I think we've accomplished that."

He added: "With the songs we've written, we'd be able to put together a nine- or 10-song record that would be thrashier than anything we've done in a long time. But there would also be a way to make it a very different kind of album depending on which songs we choose. And I can tell you, I know which way I'm leaning. And I think we're all on the same page. We want this record to punch people in the face. And then we can use the bonus tracks for other things, but in the context of the record, I really want it to hit hard."

As for his expectations for the new ANTHRAX album, Scott said: "I'd like to think this record will be a slew of songs that people are going to be very excited about hearing live for the next few years. I generally feel the riffs, the grooves and the breakdowns – we used to call them mosh parts in the old days — I think they're gonna connect with our fans. And a lot of these songs are tailor-made for our live show, so I hope we'll be playing them for a long time."

In August 2024, ANTHRAX drummer Charlie Benante told Metal Hammer magazine about the band's upcoming LP: "There's a song which has the same kind of epic feel as 'In The End' [from 2011's 'Worship Music'] and 'Blood Eagle Wings' [from 'For All Kings']. It revolves around the journey we've been on in the band. And there are three songs that don't sound like anything we've done before. One called 'The Edge Of Perfection' I had way before COVID, and it has just stayed with me — the melody and the chords, but also the aggression."

In January 2024, Bello told Rodney McG about the long delay in getting new ANTHRAX music out: "There wasn't a rush, obviously. I know it's been eight years since our last record, but we wanna make sure it's right, and it is [right]. We are very confident. I'm not worried about how right it is. It's right on exactly where I think, and the rest of the band think, we need to be. I love that it's more complicated for me to play. I love the challenge of that. I think we stepped it up a little bit, the heaviness. Again, everybody's gonna prop their record. Doing this for so long, this is how I feel.

"I don't wanna get complacent," he continued. "I want the challenge, 'cause I'm a fan. I'm a fan, and it has to stimulate me. And it has to get me going on stage."

As for the musical direction of the new ANTHRAX material, Bello said: "On this record, there's stuff that we've never done before. I'm just saying right out — there's stuff, in a heavy way, which I'm very proud of. I like that we went that way with it and just went, 'What the fuck was that?' Some of the things that Charlie Benante does on drums, Scott and I were just, 'What the fuck was that?' And that's great, 'cause you wanna raise your game after that. I think it makes everybody step up a little bit. I'm doing some bass stuff that I had some fun with on this that I would never have done. I think there's a lot of cool stuff that's going on vocally, melody-wise. I'm really happy where the next ANTHRAX record is going."

In October 2023, Ian told "THAT Rocks!" that he and his ANTHRAX bandmates had "only really been working on" their new LP "for a year-ish, I would say… But then once lockdown and all that stuff happened, we just all walked away; nothing creative was happening at all with us through that whole period," he explained. "And then, slowly but surely, when we started playing shows again in '21 and going into '22, that's when we started working again, really. And then in the last year, we really started to put stuff together and Charlie and Frankie and I getting together and having writing sessions and arranging stuff."

In September 2023, Belladonna was asked by Tulsa Music Stream if he is typically presented with finished lyrics to sing or if he gets to contribute a lot lyrically to the content. Joey said: "I love doing lyrics, but there's a lot of lyrics that Scott — he just loves to do it. It's his thing. He just digs into such — these topics that he likes to go and get into, and we all kind of have our own little thoughts on the songs. But I get in there and I really kind of — I dig into the whole thing a lot further. There's a lot of stuff that I have to… When you start singing on something, you really have to find the pockets of what you wanna do, what kind of tone I wanna throw on it and how I wanna go for a certain range for certain things and how I approach it is very important. There are lyrics, but at the end of the day, I have to go in there and still sing as good and catchy and appropriate as I can to make this stuff my thing, my style. Obviously, we're not the hit-oriented type of thing, but I'm always going for something cool to catch you off guard and neat and different. I have my own style, so I just kind of do my thing."

During an August 2023 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Ian said about the musical direction of the new ANTHRAX material: "Certainly of the nine [songs] we've tracked so far, from a riff point of view, it's definitely — I mean it's riffs with all capital letters. Like if you were going to write, you would write 'riffs' in all capitals with an exclamation point. The riffs are killer. It's very riff-centric. There's a lot of faster uptempo material, certainly."

Ian added: "I will say there is a song — I won't say any titles yet, 'cause it's still probably a working title — there's definitely one song, it's the fastest thing we've ever done. There's another song that we haven't recorded yet that's also in the vein, more of a 'Gung-Ho' or a 'Caught In A Mosh'. Because Charlie and I talk all the time. I said, 'We still need something that's like a three-and-a-half-minute just ripper. You know, something like that.' And then we come up with something like that and I'm, like, 'Hey, I forgot I'm 60 now, and now I have to play this song for the next three years.' Just make my life harder."

Earlier in 2023, Benante was asked by Robert Cavuoto of Metal Rules why it has taken so long for ANTHRAX to complete the writing process for a new LP. Charlie said: "If we didn't get hit with this whole global pandemic thing, it would have been out probably two years ago, three years ago. But we all know what happened. But now, being that some of the songs were [written] before the pandemic hit, they're old to me. So now there's a bunch of new songs that kind of came in the mix. So that's a good thing. You can never have enough… We're still working on the older ones because we really like a lot of those."

ANTHRAX celebrated its 40th anniversary in 2021 with a number of special activities and events. Formed by Ian and bassist Dan Lilker in Queens, New York on July 18, 1981, ANTHRAX was one of the first thrash metal bands to emerge from the East Coast and quickly became regarded as a leader in the genre alongside METALLICA, SLAYER and MEGADETH.

Active over the past five decades, ANTHRAX has released 11 studio albums, been awarded multiple gold and platinum certifications, received six Grammy nominations, toured the world since 1984 playing thousands of shows, including headlining Madison Square Garden and playing Yankee Stadium with the "Big Four".

"For All Kings" was called by some critics ANTHRAX's strongest album to date. Its arrival followed a five-year period during which the group experienced a rebirth of sorts, beginning with ANTHRAX's inclusion on the "Big Four" tour, and continuing with the release of comeback LP "Worship Music".

Frank played his first show with ANTHRAX in nearly a year and a half on October 12, 2024 at the Aftershock festival in Sacramento, California.

Bello and ANTHRAX were supposed to perform at the Louder Than Life festival in Louisville, Kentucky on September 27, 2024, but their show ended up being canceled due to severe weather.

Prior to Aftershock, Bello last played with ANTHRAX in May 2023 at the Milwaukee Metal Fest in Milwaukee, Wisconsin.

In April and early May 2024, Bello sat out ANTHRAX's South American tour as well as two U.S. festival dates due to "personal reasons." Filling in on those shows was ANTHRAX founding member and original bassist Dan Lilker, marking his first appearance with the band in 40 years. Lilker, who co-wrote and played on ANTHRAX's debut album "Fistful Of Metal", was also a member of STORMTROOPERS OF DEATH with ANTHRAX drummer Charlie Benante and guitarist Scott Ian.

Progressive death metal progenitors RIVERS OF NIHIL will release their eponymous fifth full-length album on May 30 via Metal Blade Records.

Sixteen years and five albums into the Pennsylvania band's career, RIVERS OF NIHIL is upping the ante with "Rivers Of Nihil". Traditionally, a self-titled record can signal a return to basics and/or a fresh beginning, and in ten powerful songs, it's clear that both those factors are in play. Founding bassist Adam Biggs became the band's new lead vocalist/bassist in 2023; the same year marked the appearance of additional guitarist Andy Thomas (ex-BLACK CROWN INITIATE),whose vocals also play prominently on "Rivers Of Nihil". Producers Carson Slovak and Grant McFarland at Atrium Audio captured the new dynamics across more than fifty minutes of music.

"I feel like these songs are the perfect blend of all our albums, with all the fat cut away," says founding guitarist Brody Uttley. "There are more technical songs that call back to 'The Conscious Seed Of Light' and 'Monarchy' sound, but with a more mature understanding of how to pace a song. There's a fair bit of the 'Where Owls Know My Name' and 'The Work'-type experimental stuff, but with a more refreshed perspective on those styles for the current era of the band."

On June 15, 2023, RIVERS OF NIHIL released a new single, "The Sub-Orbital Blues", the first track with Biggs handling lead vocals following the 2022 departure of singer Jake Dieffenbach. It was also the first track to feature Thomas. A second single, "Hellbirds", dropped on October 19 of that year. On April 29, 2024, the band released the cut "Criminals" and an accompanying music video. Both "Criminals" and "The Sub-Orbital Blues" appear on "Rivers Of Nihil".

The new album's first single of 2025, "House Of Light", is a track that "encapsulates the nature of what it is that we do perfectly while offering a different perspective on the sound with the new lineup," explains Uttley, who also plays piano and does the programming in the band. "Everything that our fans have come to love about our sound is demonstrated in this song with the new addition of Andy singing and Biggs on main vocals. It has the riffs, it has the big chorus, it has the prog, it has the solos, it has the sax. Just a real classic example of what we do as a band in 2025."

"Rivers Of Nihil" also showcases additional musicians, including Patrick Corona on alto saxophone, Stephan Lopez on banjo, McFarland on cello, and a slate of other guest vocalists. Despite the fresh approach on "Rivers Of Nihil" however, the album fits neatly into the band's discography. With "Where Owls Know My Name" (2018),RIVERS OF NIHIL transcended all labels applied to them, and with its 2021 follow-up, "The Work", they forged further into new territory with Metal Injection calling the latter album "the group's most cohesive, ambitious, meditative, and varied effort, with greater uses of philosophical significance and transcendental respites."

"Rivers Of Nihil" track listing:

01. The Sub-Orbital Blues
02. Dustman
03. Criminals
04. Despair Church
05. Water & Time
06. House Of Light
07. Evidence
08. American Death
09. The Logical End
10. Rivers Of Nihil

Later this month, RIVERS OF NIHIL will kick off their "Aggressive Progressive" European headlining tour with support from CYNIC, BEYOND CREATION and labelmates DÅÅTH. In May, the band will return to North American stages for another month-long headliner with support provided by HOLY FAWN, INTER ARMA and GLACIAL TOMB.

RIVERS OF NIHIL is:

Adam Biggs - bass guitar, vocals
Andy Thomas - guitar, vocals
Brody Uttley - guitar, piano, keys, programming
Jared Klein - drums, vocals

Photo credit: Mike Truehart

Mark Morton, guitarist and songwriter for the five-time Grammy-nominated, platinum-selling band LAMB OF GOD, has released his powerful new track "Brother", featuring acclaimed country artist Cody Jinks. The song is taken from Mark's upcoming solo album, "Without The Pain", set for release on April 11 via Snakefarm.

"Brother" was written by Mark, Cody and country artist Travis Denning. The song's poignant lyrics explore themes of regret, reconciliation, and personal accountability, set against a backdrop of southern rock and bluesy guitar riffs. The track is a deeply emotional reflection on the complexities of family relationships and the scars of unresolved conflict.

"On a long bus ride, somewhere in the middle of a LAMB OF GOD tour, I scribbled some lyrics down in my notebook," said Mark. "Sometime after, having paired them with a simple chord progression, I presented my idea to Cody Jinks and Travis Denning during a writing session in Nashville. Three hours later, we walked out with 'Brother'."

"'Brother' is a deeply personal song that speaks directly to the theme of family separation and estrangement. I have learned through observation and my own lived experience that it is a universal and all too common phenomenon. We all poured a lot of ourselves into this song and I'm grateful to Cody for singing on it with me. I hope you'll enjoy listening to it as much as we enjoyed making it."

In addition to the release of the song, fans can also experience the official music video for "Brother", which brings the track's raw emotion to life with a cinematic visual representation. The video serves as a perfect complement to the song's message, illustrating the themes of separation and longing that permeate the lyrics.

The upcoming album, "Without The Pain", marks a significant departure from Mark's work with LAMB OF GOD, diving into his southern roots and leaning heavily into the southern rock lane. The album features collaborations with artists like Cody Jinks, Jaren Johnston (THE CADILLAC THREE),Charlie Starr (BLACKBERRY SMOKE),TYLER BRYANT AND THE SHAKEDOWN, Travis Denning plus guitar solos from Grace Bowers, Jason Isbell, and more, making it a unique and exciting project that blends blues, southern rock, Americana and outlaw country influences with Mark's signature guitar work.

"Without The Pain" track listing:

01. Hell & Back feat. Jaren Johnston of THE CADILLAC THREE (Mark Morton, Jaren Johnston, Josh Wilbur)
02. Brother feat. Cody Jinks (Mark Morton, Cody Jinks, Travis Denning)
03. Without The Pain feat. Matt James of Blacktop Mojo (Mark Morton, Jaren Johnston, Josh Wilbur)
04. Kite String feat. Travis Denning (Mark Morton, Travis Denning)
05. Come December feat. Charlie Starr of Blackberry Smoke & Jason Isbell (Mark Morton, Charlie Gray, Matt Connor)
06. Dust feat. Cody Jinks & Grace Bowers (Mark Morton, Jaren Johnston, Cody Jinks)
07. Forever In The Light feat. Tyler Bryant & The Shakedown (Mark Morton, Tyler Bryant, Caleb Crosby)
08. Nocturnal Sun feat. Troy Sanders & Jared James Nichols (Mark Morton, Josh Wilbur)
09. The Needle And The Spoon feat. Neil Fallon of Clutch (Allen Collins, Ronald W Vanzant)
10. Home feat. Travis Denning (Mark Morton, Travis Denning, Josh Wilbur)

Mark co-wrote every song on "Without The Pain" except for the track "The Needle And The Spoon", which is a cover of the iconic LYNYRD SKYNYRD song. Throughout the album, Mark's songwriting explores themes of healing, growth, and self-reflection, with each track reflecting his journey of personal evolution. Drawing from his deep southern roots, Mark embraces the sounds of southern rock, blues, and outlaw country, while maintaining his signature edge — blending honest, raw lyricism with intricate guitar work. This album represents a true reinvention for Mark, as he embraces a more introspective and reflective phase in his career, marking his second solo release after his critically acclaimed debut.

The themes explored on "Without The Pain" are a natural progression from Mark's deeply personal autobiography, "Desolation: A Heavy Metal Memoir". In the book, Mark delves into his struggles with addiction, mental health, and the toll of his heavy metal career, offering a raw, unfiltered look at his life and the journey toward finding peace and redemption. "Without The Pain" picks up where the memoir left off, providing a soundtrack to Mark's continuing journey of growth and reconciliation.

Sharon Osbourne has told The Sun that her husband Ozzy Osbourne is struggling to walk amid his battle with Parkinson’s disease, but that his singing voice is "as good as ever".

Sharon addressed Ozzy's health while discussing the legendary heavy metal singer's upcoming farewell concert called "Back To The Beginning", which will take place on July 5 at at Villa Park in Birmingham, United Kingdom.

Ozzy announced his final gig on Wednesday, revealing that the original members of BLACK SABBATH are reuniting for the first time in 20 years for the show. Joining them will be a host of metal bands they inspired, including METALLICA, SLAYER, LAMB OF GOD, MASTODON, PANTERA and ANTHRAX.

In an exclusive interview with The Sun, Sharon said: "[Ozzy's] very happy to be coming back and very emotional about this.

"Parkinson's is a progressive disease. It's not something you can stabilize. It affects different parts of the body and it's affected his legs. But his voice is as good as it's ever been."

Earlier this week, the 76-year-old Ozzy talked about his condition on his SiriusXM radio show. He said: "I have made it to 2025. I can't walk, but you know what I was thinking over the holidays? For all my complaining, I'm still alive. I may be moaning that I can't walk but I look down the road and there's people that didn't do half as much as me and didn't make it."

Proceeds from the "Back To The Beginning" show will support Cure Parkinson's, the Birmingham Children's Hospital and Acorn Children's Hospice, a Children's Hospice supported by Aston Villa.

The concert will mark the first time that Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward have played together in 20 years.

Ozzy, who revealed in 2020 that he had been diagnosed with Parkinson's disease, will play a short solo set before joining his SABBATH bandmates for the show's finale, marking his last-ever concert.

Sharon told BBC News about Ozzy: "He's doing great. He's doing really great. He's so excited about this, about being with the guys again and all his friends. It's exciting for everyone."

According to Sharon, Ozzy, who paused touring "for now" in 2023 after extensive spinal surgery and rescheduled his "No More Tours 2" shows from going ahead several times because of illness, the pandemic and logistical issues, will not play any more shows after the Villa Park event.

"Ozzy didn't have a chance to say goodbye to his friends, to his fans, and he feels there's no been no full stop," she explained. "This is his full stop."

In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE),Wolfgang Van Halen (VAN HALEN, MAMMOTH WVH) and Tom Morello (RAGE AGAINST THE MACHINE).

"It's an endless amount of people," said Sharon. "They're going to be doing some SABBATH songs, some Ozzy songs, and they'll all mix together. Different little groups will be coming on, but they're all icons."

The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.

"For Ozzy right now, it's definitely: 'I love you and good night'," Sharon told Reuters.

She added that Ozzy was doing well and excited about the gig. "It's stimulated him," she said. "He's very, very excited and very thankful that he can do it."

Tickets will go on sale on February 14.

The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.

Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.

While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.

Osbourne's previously announced European tour with guests JUDAS PRIEST, originally set for 2019 and then rescheduled three times, was officially canceled in early February 2023.

Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.

BLACK SABBATH is considered a pioneer of heavy metal and was formed in 1968 in Aston, Birmingham.

BLACK SABBATH has sold over 75 million albums worldwide and were inducted into the Rock And Roll Hall Of Fame in 2006, awarded a Lifetime Ivor Novello Songwriting Award in 2015 and were presented with a Grammy Lifetime Achievement Award in 2019.

The band has a star on the Broad Street Walk Of Stars in Birmingham, alongside individual stars in their own right, together with a bench in their honor.

In February 2017, SABBATH finished "The End" tour in Birmingham, closing out the quartet's groundbreaking 49-year career.

"The End" was SABBATH's last tour because Iommi — who was diagnosed with lymphoma in late 2011 — can no longer travel for extended amounts of time.

Iommi revealed his cancer diagnosis in early 2012, shortly after SABBATH announced a reunion tour and album. He underwent treatment throughout the recording of the disc, titled "13", and the subsequent tour to promote it.

The BLACK SABBATH guitarist successfully underwent an operation in January 2017 to remove a noncancerous lump from his throat.

"13" was the first album in 35 years to feature Iommi, Osbourne and Butler all playing together.

Ward was on board for the SABBATH reunion when it was first announced 13 years ago, but backed out soon after. The drummer later claimed that he sat out the recording and touring sessions because of unfair contractual terms, although the members of SABBATH have hinted in other interviews that he wasn't physically up to the task.

All four original members of SABBATH were present when the band announced its final reunion in late 2011. But Ward split from the group in 2012, citing an "unsignable" contract, and Osbourne, Iommi and Butler carried on with their Rick Rubin–produced "13" LP and extensive international touring without him.

In a new interview with Marko Syrjala of Metal-Rules.com, former QUEENSRŸCHE singer Geoff Tate spoke about his upcoming third and final chapter in the band's classic "Operation: Mindcrime" album series. Regarding how the idea for the LP came together, Geoff said: "Well, I don't know. I just started writing, and it sort of happened. [Laughs] Really, there wasn't anything more to it than that. But over the last couple of years, while preparing for this upcoming ['Operation: Mindcrime - The Final Chapter'] tour, we've written quite a few songs for the album. We have enough material for a full album, and it's all ready to go. We're planning to release it in segments — like two songs here, then another two songs, then three songs — and kind of release it in parts. The plan is to start putting songs out in March when the U.S. tour begins and then do a physical release toward the end of the year."

As for the musical direction of the material that will appear on "Operation: Mindcrime III", Geoff said: "It definitely has a strong early QUEENSRŸCHE vibe, with some tracks being super heavy and technical. The album is also deeply emotional, marking the final chapter in the 'Mindcrime' saga. It continues the story of Dr. X, Nikki and Sister Mary, focusing on a specific point in their journey. I'm thrilled with how it's turning out and can't wait for people to hear it."

Geoff went on to say that he wrote the songs for "Operation: Mindcrime III" mostly with his guitarists Kieran Robertson from Scotland and Alex Hart from Boston. "I think that's it — the three of us primarily wrote the whole thing," he said.

Tate also addressed the risks of creating sequels to classic albums like the original "Operation: Mindcrime", saying: "Am I worried about people's expectations? No, I've never been worried about that. [Laughs] Never. I didn't worry about it with the first or second one. Why would I start worrying about the third? … Honestly, I don't care. [Laughs] I don't write records to make people happy or to impress them. I make them simply to make records. Whether people like them or not doesn't matter to me. You can't try to please everyone's musical tastes because we're all affected by music differently. And if it's a matter of sales, well, that's a whole different can of worms, as they say. That depends entirely on the company's expertise in trying to sell it and who they've hired for promotion — it's all up in the air, you know? I mean, Jesus, look at GUNS N' ROSES. They built a massive 30-year career out of just three albums. [Laughs] It's crazy. They must've had a great promo team, I guess."

Originally released in May 1988, QUEENSRŸCHE's third studio album, "Operation: Mindcrime" took the quintet to an entirely new level. The concept, revealed through the songs, revolves around the character of Nikki, a recovering drug addict disillusioned with a corrupt society. Drawn into a cult-like revolutionary group headed by Dr. X (voiced by the late and beloved British actor Anthony Valentine),Nikki is manipulated to assassinate political leaders until his friendship with nun Sister Mary finally opens his eyes to the truth. Regarded as one of the greatest concept metal albums of all time, "Operation: Mindcrime" was certified platinum in 1991 in the U.S. and was ranked in the "Top 100 Metal Albums Of All Time" by both Kerrang! and Billboard magazines. Rolling Stone included it on a similar list, noting that "nearly 30 years after its initial release, 'Mindcrime' feels eerily relevant."

The original "Operation: Mindcrime" album weaved themes of religion, drug abuse and underground, radical politics. By contrast, 2006's "Operation: Mindcrime II" was regarded as an unnecessary sequel that many felt cheapened the original album, despite being a decent record in its own right.

Last month, Geoff told 96.1 KLPX afternoon jock Larry Mac about the upcoming third and final chapter in the classic "Operation: Mindcrime" album series: "Well, I wouldn't call it a sequel. I'd call it a continuation of the story. We're doing it in kind of an interesting way. We're not gonna release an album, so to speak, right off the bat. We're going to release the album once all the songs are released, if that makes sense. We're gonna release a song a month or every quarter, and then when it's all finished, we're gonna do a special presentation with all the songs included."

Regarding how he comes up with the musical and lyrical ideas for his albums, Geoff said: "It's all different, really. Sometimes it's a musical figure that you're fiddling around with in the studio that leads to a complete song or a few songs. And sometimes it's the lyrical idea. Sometimes it's a sentence that just sparks your imagination and gets you rolling on something. With the 'Operation: Mindcrime' albums, it was a story that came about really quickly, actually — I wrote it very quickly — and then expanded on it over the years to explain a little bit more in depth as to what was happening within the story. 'Cause the first album is a little bit vague in what it's talking about in it. The second album explains even more as to what the characters are going through. And the third album, again, will be even more explanation, but taken from a number of different viewpoints, which kind of is interesting, I think."

Tate previously discussed his plans for "Operation: Mindcrime III" in a November 2024 interview with "Rock Of Nations With Dave Kinchen And Shane McEachern". Speaking about the musical direction of his new solo material, Geoff said: "I would say it has more of an early QUEENSRŸCHE feel. [The new songs are] super heavy, and some of 'em are incredibly technical. They're like algebra. [Laughs] You need a calculator when you're listening to the song. [Laughs] And, of course, some of them are very emotional. It's the last chapter in the 'Mindcrime' series. So it's following the exploits of Dr. X and Nikki and Sister Mary, and picks up at a particular point in their story and kind of does the microscope of what is happening at that particular time with them. And I am just in love with it. I am so happy with everything so far, and I can't wait for people to hear it."

Asked if there will once again be "some of those political interplays" within the lyrical themes on "Operation: Mindcrime III", Tate said: "Oh, I think so. Yeah, I think that people will be able to detect little bits of what's happening around them. And it's an interesting time right now — very interesting. Especially next week [after the 2024 U.S. presidential election], it's gonna be really interesting [laughs] what happens. So, we'll see."

Pressed about whether "a familiar voice" will play Dr. X on "Operation: Mindcrime III", Geoff said: "I can't tell you, actually. But thanks for asking. [Laughs]"

In a 2016 interview with East Valley Tribune, Tate said that he looked back fondly on "Operation: Mindcrime II". "I haven't listened to that album since I recorded it," he admitted. "However, it was a new story. Overall, it went down well live with the audience. I have no complaints or regrets about it."

During QUEENSRŸCHE's 2012 legal battle with Tate over the rights to the band's name, guitarist Michael Wilton submitted a sworn declaration in which he said the idea to make "Operation: Mindcrime II" was first brought to the table by Geoff's wife and QUEENSRŸCHE's then-manager Susan Tate. "The band was hesitant and did not want to lessen the original," the guitarist claimed. "But Susan Tate and Geoff Tate hired a budget producer and took control without really any other input. Scott Rockenfield [drums], Eddie Jackson [bass] and I were squeezed out of having any input in the musical direction or business decisions, thus the project suffered. During the initial writing phase, I would show up to bring my input to the creative process only to find that the producer, the new guitar player (who were both staying with the Tates at the time),along with Geoff Tate had been up late the night before or up early that morning and had written the songs without me. I was then told my ideas were not needed as the songs were now done. I could, however, 'bring my own style' in during the recording after learning to play what they wrote for me. In frustration, I gave up on the writing process knowing that I would at least get to make changes in the studio to bring back the QUEENSRŸCHE sound into these songs that we were known for. The final straw was when they refused to let me to be a part of the final recordings and mixes. I was shut out and they had the nerve to replace some of my parts on my songs. They denied me flying to San Francisco to be a part of my band, telling me that everything was ready to go and I was not needed. Had the communication been better, and had I been aware that parts needed to be recorded or rewritten, I would have been there. It was not until years later that I even became aware of the issues during the final recording and mixing of 'Operation: Mindcrime II'. It was all under the control of Geoff and Susan Tate. Call it delusions of grandeur, but they were convinced that this was going to sell three times more than the original, and to date (six years later) this album has sold fewer than 150,000 copies. The original album sold over 500,000 copies within a year."

In April 2014, Tate and QUEENSRŸCHE announced that a settlement had been reached after a nearly two-year legal battle where the singer sued over the rights to the QUEENSRŸCHE name after being fired in 2012. Wilton, Rockenfield and Jackson responded with a countersuit. The settlement included an agreement that Wilton, Rockenfield and Jackson would continue as QUEENSRŸCHE, while Tate would have the sole right to perform "Operation: Mindcrime" and "Operation: Mindcrime II" in their entirety live.

Tate's replacement, Todd La Torre, has released four albums thus far with QUEENSRŸCHE: 2013's "Queensrÿche", 2015's "Condition Hüman", 2019's "The Verdict" and 2022's "Digital Noise Alliance".

Swedish/Canadian/American extreme metal titans ARCH ENEMY have released the video for a new song called "Paper Tiger". The track is taken from the band's upcoming album, "Blood Dynasty", which is slated due on March 28 via Century Media Records.

ARCH ENEMY founder and guitarist Michael Amott states: "With 'Blood Dynasty' almost here, we thought we'd sneak in another single for you. 'Paper Tiger' is a personal favorite — these riffs are so much fun to play. The accompanying video was shot on a German airfield last summer with our visionary friend Mumpi. Turn it up and let it roar!"

Following the surprise drop of their single "Dream Stealer" in July 2024, the subsequent release of "Liars & Thieves" in October 2024 and the "Blood Dynasty" title track in December, "Paper Tiger" marks the fourth single offering from the highly anticipated album.

Amott previously stated about "Blood Dynasty": "This new album pushes the boundaries of what we've done before — it's everything you've come to expect from this band, and then some! We can't wait for you to hear it and feel the energy we've poured into every track. Welcome to the 'Blood Dynasty'!"

"Blood Dynasty" track listing:

01. Dream Stealer
02. Illuminate the Path
03. March Of the Miscreants
04. A Million Suns
05. Don't Look Down
06. Presage
07. Blood Dynasty
08. Paper Tiger
09. Vivre Libre
10. The Pendulum
11. Liars & Thieves

Next to the limited deluxe editions that feature two exclusive bonus tracks, fans can direct their attention to the limited liquid blood vinyl that is exclusively available in the band stores and limited to 666 copies.

"Dream Stealer" marked ARCH ENEMY's first new music since the release of the "Deceivers" album, which came out in August 2022.

"Dream Stealer" was mixed by Jens Bogren and mastered by Tony Lindgren at Fascination Street Studios. The video was directed and produced by Patric Ullaeus.

Six months ago, Amott told Pulp Magazine about "Dream Stealer" and ARCH ENEMY's plans for new music: "We've been staying busy for sure and are really focused on writing and recording new stuff in between the touring we're doing. I'm kind of always coming up with new musical and lyrical ideas though — I just keep going as it's what I enjoy doing anyway. Making music is a natural process, and it's pretty much a daily thing, so it can be hard to pinpoint exactly when everything was conceived. I do, however, actually remember that the initial seed for 'Dream Stealer' was written during a songwriting session I did with Daniel [Erlandsson, drums] in Los Angeles, California, two years ago, and then it's been rearranged and updated a lot till it reached its final state that you're now hearing."

Asked if it was a conscious decision to go back to the "classic ARCH ENEMY" direction and approach with "Dream Stealer", Amott said: "I've seen some seriously great feedback from the fans, and that's always very encouraging, of course. Personally, I don't know if I’d necessarily say 'Dream Stealer' is a throwback to the sound of the past, but I get what they mean — the song has the energy and speed that is very exciting and infectious. Maybe there is a hint of vintage ARCH ENEMY in there, and why not? I'm looking forward to playing it live on stage — I think it is going to be intense as hell."

ARCH ENEMY played its first concert with new guitarist Joey Concepcion on April 24, 2024 at Musinsa Garage in Seoul, South Korea. The show was part of ARCH ENEMY's 2024 Asian tour.

In December 2023, ARCH ENEMY announced that it had "amicably" parted ways with longtime guitarist Jeff Loomis.

Jeff, who was the main songwriter in his previous group, NEVERMORE, joined ARCH ENEMY in late 2014, but was not involved in the writing for the latter act's last two albums, 2017's "Will To Power" and the aforementioned "Deceivers".

ARCH ENEMY is:

Alissa White-Gluz - Vocals
Michael Amott - Guitar
Joey Concepcion - Guitar
Sharlee D'Angelo - Bass
Daniel Erlandsson - Drums

Photo credit: Katja Kuhl

L.A. GUNS' new album, "Leopard Skin", will be released on April 4, 2025. It will mark the first fruit of L.A. GUNS' reunion with Cleopatra Records, a label known for its diverse roster and innovative approach to music production. The LP's first single, "Taste It", was released today on all digital outlets, along with a Jason Wisch-directed music video which can be seen below.

"There's the saying, 'a leopard never changes its spots,'" L.A. GUNS' founding guitarist Tracii Guns says. "But even so, they have a million different spots. And they're all unique. It's the same with L.A. GUNS. We can't shed our leopard skin, but there's a lot of different spots in this band."

Those spots run the gamut from early anthems like "Electric Gypsy", "Rip And Tear" and "Over The Edge" to indelible ballads like "It's Over Now" and "The Ballad Of Jayne" to more recent classics like "Speed", "Cannonball" and now, the ten tracks that comprise the new album.

Not only is "Leopard Skin" hot on the heels of 2023's "Black Diamonds" album, but is also L.A. GUNS' fifth studio effort in seven years, since the core team of guitarist and band founder Tracii Guns and singer Phil Lewis reunited in 2017. "Leopard Skin", like the last few L.A. GUNS records, reconvenes the tight-knit lineup of Guns, Lewis, bassist Johnny Martin, guitarist Ace Von Johnson and studio drummer Adam Hamilton, but beyond that it is its own unique beast. True to form, it's a hard-and-heavy, tough-as-nails L.A. GUNS set. But the music also presents the band at their funkiest, rowdiest, most classic-rock-worshipping best. And it's clear they're having a helluva lot of fun playing it.

Explains Tracii: "When we started doing records again in 2017, I wanted to be really aggressive. We hadn't put out anything new in a lot of years, and we needed to be focused to have an impact. This one was a different approach. Musically, it was more about James Brown and soul music, with some '70s sensibilities — things like Joe Walsh and THE ROLLING STONES and the NEW YORK DOLLS. And the process was more organic. It was, 'Here's a riff, go for it. Let's see how many riffs we can build after this riff, and then going into the next riff.'"

The results speak for themselves. You want a four-on-the-floor AC/DC-style stomper? Cue up anthemic opener "Taste It". Slippery funk-rock? Try out "Lucky Motherfucker" or "Don't Gimme Away". Rollicking '70s-style glam? Drop the needle on "If You Wanna". Swampy, slide guitar-laced grooves? Crank up the ZEP-tastic "The Grinder".

Where does that position L.A. GUNS in 2025? Tracii returns to "Leopard Skin". "The song title 'Lucky Motherfucker' kinda says it all," he says. "Because I don't know how many other bands that have been around almost 40 years are still out there not just touring consistently, but putting out records consistently, and the thing just keeps getting bigger and bigger from year to year."

He continues: "So the work ethic is yielding what it's supposed to, you know what I mean? The fans stay excited, we stay excited, and we keep making records. And as long as we have that opportunity and there's a place for this music in the world, there's no reason to ever stop."

"Leopard Skin" track listing:

01. Taste It
02. Lucky Motherfucker
03. The Grinder
04. Hit And Run
05. Don't Gimme Away
06. I'm Your Candy Man
07. Runaway Train
08. Following the Money
09. The Masquerade
10. If You Wanna

Last July, Tracii told On The Road To Rock podcast with Clint Switzer about the sound of L.A. GUNS' new LP: "It's different than the other records. That's the thing about L.A. GUNS, is I never know what's gonna come out. I don't know what mood I'm gonna be in or whatever, but I'm really proud of what I was able to record. And all the management and Phil and the guys, they're freaking out, like, 'Where'd this shit come from?' So, yeah, I'm always most excited about L.A. GUNS. It's the complete playground for me. I love it."

L.A. GUNS' latest studio album, "Black Diamonds", came out in April 2023. It was the fourth studio album since the much-welcome reunion of the band's core foundation of Lewis and Guns. It followed the well-received studio albums "The Missing Peace", "The Devil You Know" and "Checkered Past", plus the live release "Made In Milan", and a covers EP "Another Xmas In Hell".

In April 2021, a settlement was reached between drummer Steve Riley and Guns and Lewis over the rights to the L.A. GUNS name. Under the terms of the settlement agreement, Guns and Lewis continue to operate under the L.A. GUNS trademark, while Riley and his bandmates from the other version of L.A. GUNS were allowed to perform and record under the new name RILEY'S L.A. GUNS. Riley died in October 2023 at the age of 67.

L.A. GUNS was formed in 1983 and have sold over six million records, including 1988's "L.A. Guns" and 1990's "Cocked And Loaded", both of which were certified gold. "Cocked And Loaded" contained the hit single "The Ballad Of Jayne" that went to No. 33 on Billboard's Hot 100 and No. 25 on the Mainstream Rock charts. From the mid-'90s to the mid 2000s, L.A. GUNS continued to tour and release new music. Following their successful performance at SiriusXM's Hair Nation festival in September 2016, L.A. GUNS went into the studio to record the critically acclaimed "The Missing Peace", which was the highest-selling release for Frontiers Music Srl in 2017. Their 12th album, "The Devil You Know", was released in 2019 to the same critical acclaim. Since reuniting, Tracii and Phil continue to tour around the world with L.A. GUNS.

Photo by Joe Schaeffer

MASTERS OF REALITY will release its first new album in 16 years with "The Archer", via Mascot Records. The album will be available digitally on March 28 and be available physically on CD and LP on April 11.

To celebrate, MASTERS OF REALITY have revealed a new song, "Mr Tap N' Go", which you can listen to below. They will also be touring in April, with stops in The Netherlands, Belgium, U.K. and Germany as well as Azkena Rock Festival (Spain) and Hellfest (France) in June.

Chris Goss is one of the elusive geniuses of American music. As the singer, guitarist and driving force behind MASTERS OF REALITY, he's spent more than 40 years charting his own musical journey, travelling from mystical blues to desert rock to psychedelia-edged beauty via all points in between.

Goss has positioned himself as one of the most important and influential producers of the last 30 years. The list of bands and artists he has worked with in that capacity is long and illustrious: QUEENS OF THE STONE AGE, KYUSS, Mark Lanegan, FOO FIGHTERS, THE CULT, UNKLE, STONE TEMPLE PILOTS singer Scott Weiland, former HOLE bassist Melissa Auf Der Maur, even Hollywood star Russell Crowe. He's the connective tissue which links so much modern music.

"'The Archer' is whoever one perceives as their invisible ruler of fate," explains Goss. "Often, the archer is very visible to those who pay attention. Maybe some even think he is the dictatorial god. Or even a conjured entity. But all can agree that the archer has impeccable skill at hitting the target."

When it was released in May 2024, "Sugar" was their first new music in 15 years. Hypnotic, poignant, and vulnerable, it builds from a stirring melody into a grand, orchestrated swell of emotion, with Goss's ethereal yet soulful voice floating over the top of it.

The characters that occupy "The Archer" are the nameless and faceless people that one sees at times or regularly observes driving on whatever road we're both on briefly.

"Everyone has a story. And their own story is the most important thing in the world to them," he says. "No one is special. Everyone is heading towards, or actually in, their own 'Gethsemane' moment — a New Testament narrative that exemplifies the cold realization of one's fate. Sweating blood is more common than most can imagine."

MASTERS OF REALITY remains in a perpetual evolution. "This album intentionally broke away from the heavier riff rock that we dominated for over three decades," he says. "I hope one can see Nina Simone just as powerful as a heavy blues force, in her emotion, rebellious attitude, raw presentation and not just gothicized blues riffs."

He continues. "The 'stoner and desert rock' riffing was a reason for MASTERS OF REALITY to break away on this record and present our blues in a different light for a minute. Blues isn't a three-chord riff progression. It's life itself. I can easily provide a thousand heavy riffs at the drop of a dime. But I dare any self-proclaimed heavy riff band to have the balls to throw the curve ball that we've thrown with this album."

"Mr Tap N' Go" is a bloodthirsty vaudevillian dancing monster entertaining the planet with a syringe in one hand and a child in the other. "The unauthorized veterinarian trying to scramble all of us animals into sick acceptable submission. And he remains invisible to a large portion of the zombified walking corpses left in the world," he says.

The arrival of "The Archer" — produced by Goss and featuring guitarist Alain Johannes, drummer John Leamy and bassist Paul Powell — heralds the welcome return of MASTERS OF REALITY.

Future-facing, Goss is going to take 2025 with both hands. "The challenge of creating the dynamic range of the new music is a bit daunting at the moment because we haven't done these songs live yet," he says. "But I believe once we're in rehearsals with a bit of sweat, we'll have a blast. A weird, sometimes melancholic blast but that's what the blues is; Laughing at both the devil and our own human folly at the same time."

"The Archer" track listing:

01. The Archer
02. I Had A Dream
03. Chicken Little
04. Mr. Tap N' Go
05. Barstow
06. Sugar
07. Powder Man
08. It All Comes Back To You
09. Bible Head

Tour dates:

April 03 - Nijmegen, Doornroosje - Netherlands
April 04 - Ghent, Democrazy - Belgium
April 06 - Southampton, 1865 - UK
April 07 - Manchester, Rebellion - UK
April 08 - Glasgow, Classic Grand - UK
April 09 - London, 229 - UK
April 11 - Cologne, Artheater - Germany
April 12 - Hamburg, LOGO - Germany
April 13 - Berlin, SO36 - Germany
April 15 - Leipzig, Werk II - Germany
April 16 - Nűremberg, Z-BAU - Germany
April 18 - Frankfurt, Das Bett - Germany
June 19 - Azkena Rock Festival, Vitoria-Gasteiz - Spain
June 20 - Hellfest, Clisson - France