Fantasy symphonic power metal band, France's Avaland, will release their sophomore full-length, The Legend Of The Storyteller, on Friday, March 31, via Rockshots Records. Check out a full album audio preview below:





Compared to its predecessor, The Legend Of The Storyteller is heavier and is a much more epic power metal record full of anthems upon anthems for fans to chant to as they are taken on a journey over twelve theatric tracks. The record also hears double vocal duties from Adrien G. Gzagg and Jeff Kanji, along with album guests that include Zak Stevens (Savatage / TSO), Madie (Nightmare / Faith In Agony), Pierre “Cara” Carabalona (Eltharia), Ivan Castelli (Lionsoul), Angèle Macabiès, Jens Ludwig (Edguy) and Bruno Ramos (Sortilège / Manigance).




Lead by Adrien G. Gzagg (autor / composer / lead singer / synths and orchestrations), the album's storyline is aprequel to the band's first album Theater Of Sorcery, as he explains further:


"This album, as the first one, is a journey, a trip out of our world, into the universe of Avaland. We enjoy seeing Avaland as a great saga, as a movie, or series. We feel like listening to Avaland is like watching Game Of Thrones, The Lord Of The Rings, or reading comics, it’s an escape from everyday life. For this album, we took a lot of inspiration from Game Of Thrones and Arthurian Myths. We love fantasy and mythologies and we also find ourselves having a great fascination for alchemy and esoterism. Time is also a great subject, it's mystical… in fact, time will be at the center of this saga. This new opus is showing a heavier and darker atmosphere of Avaland’s theatrical universe. Are you ready to be part of The Legend Of The Storyteller?"


Pre-save The Legend Of The Storyteller on your favorite digital platform now at this location; or pre-order a physical copy here.





Tracklisting:


"The Vision"
"Crimson Tyranny"
"Insurrection"
"To Be The King"
"Secret Night"
"Kingslayer"
"The Gift"
"Out Of The Fog"
"Betrayers"
"Madness Of The Wise"
"You’ll Be The Legend"
"Lies"
"La Folie Du Sage" (Bonus Track)


"Kingslayer" video:





"Betrayers" video:





"Crimson Tyranny" lyric video:

Boundaries, whose 3DOT Recordings’ debut album, Burying Brightness, arrived in October, have released a new song, “Bedlam”. Listen here, and below.





The song is part of a two-song digital single dubbed “Armageddon,” with the title track arriving in May. Both songs were recorded during the Burying Brightness sessions with producer Randy Leboeuf (The Acacia Strain, Kublai Khan).




“We utilized their voices for the first time,” Matt McDougal said of the band’s approach to the session that bore both Burying Brightness and “Bedlam.” “There’s definitely a new dynamic. We focused on writing some choruses. We made it a little prettier and calmer, changing up the listening experience. We wanted to use all of the tools we have at our disposal on this record. We didn’t leave anything out.”


“Our goal is to write exactly the kinds of songs we want to with no barriers,” adds guitar player Cory Emond. “I feel like we did that. We’ve always wanted to have songs with singing, but we were never able to capture it until now. We also have some of the heaviest songs we’ve ever written. It has both extremes.”





(Photo - Sarah Holick)

Frontiers Music Srl announces the upcoming release of the new studio album from dark metallers False Memories, Hybrid Ego System, on June 9.


The first single from the album, "Rising Tide", is out today. Watch the clip below, and pre-order/save the new album here.


Hybrid Ego System follows the band's last release, The Last Night Of Fall, which was composed by guitarist/producer Francesco Savino (Demons Down, T3NORS) and vocalist Rossella Moscatello. The duo also oversaw the creation of the new album, with drummer Emanuele Cossu, guitarist Moreno Palmisano, and new bassist Davide Tavecchia rounding out the lineup.




Hybrid Ego System sees False Memories continuing to explore the farthest reaches of dark metal while still exploring their fondness for progressive metal. And as a special treat, legendary vocalist Anette Olzon (The Dark Element, ex-Nightwish) joins the band for a duet with Rossella on the track, "The Storm Inside".


Beginning in 2021, False Memories have enjoyed a burst of creativity and activity that has heightened their profile. First, they released their well received album, The Last Night Of Fall, before closing out 2021 with a covers EP, Echoes Of A Reflection, where they paid tribute to Lacuna Coil, Paradise Lost, Katatonia, The Gathering, and All About Eve.


2022 would see the band release a special live EP, Live Until The Twilightl on all digital music platforms, and embarking on a European tour with labelmates Semblant. Additionally, vocalist Rossella Moscatello and Francesco Savino contributed their songwriting talents to tracks for their labelmates Revolution Saints' album Eagle Flight. Of course, in 2022 the band also worked on their new album, Hybrid Ego System.





Tracklisting:


"The Storm Inside" (ft. Anette Olzon)
"Holding On"
"Rising Tide"
"The Other Side"
"Rise Again"
"Stains"
"Concrete"
"Insanity"
"From Dust"
"Fragments Of Your Ego"
"Shed My Skin"
"The Storm Inside" (Rossella Only Vocal) (Digital Bonus Track)


"Rising Tide" video:





False Memories are:


Rossella Moscatello - Vocals
Francesco Savino - Guitars
Moreno Palmisano - Guitars
Davide Tavecchia - Bass
Emanuele Cossu - Drums

Mentalist and former Blind Guardian drummer, Thomen Stauch, has released a drum playthrough video for the Blind Guardian song, "I'm Alive", originally featured on the 1995 album, Imaginations From The Other Side. Watch below:





A selection of Thomen's previous drum cover videos are available below:

PANTERA headlined the 2023 "comeback" edition of Japan's Loud Park festival. The two-day "limited" event took place on March 25 at Intex Osaka in Osaka and March 26 at Makuhari Messe in Chiba City near Tokyo.

Fan-filmed video of the Tokyo concert, which marked PANTERA's second live appearance of 2023, can be seen below.

PANTERA's setlist for the Tokyo show was as follows:

01. Mouth For War
02. A New Level
03. Strength Beyond Strength
04. Becoming
05. I'm Broken
06. Use My Third Arm
07. 5 Minutes Alone
08. This Love
09. Yesterday Don't Mean Shit
10. Fucking Hostile
11. Planet Caravan (BLACK SABBATH cover)
12. Walk
13. Domination / Hollow
14. Cowboys From Hell

PANTERA's surviving members Philip Anselmo (vocals) and Rex Brown (bass),along with guitarist Zakk Wylde (OZZY OSBOURNE, BLACK LABEL SOCIETY) and drummer Charlie Benante (ANTHRAX),are headlining a number of major festivals across South America, Asia, North America and Europe and staging some of their own headline concerts. They will also support METALLICA on a massive North American stadium tour in 2023 and 2024.

According to Billboard, the lineup has been given a green light by the estates of the band's founders, drummer Vincent "Vinnie Paul" Abbott and guitarist "Dimebag" Darrell Abbott, as well as Brown, who in 2021 said Wylde wouldn't tour with PANTERA if a reunion were to happen. It's unclear what changed his mind.

In December, PANTERA played seven shows in Mexico and South America.

Brown was forced to leave PANTERA's Latin American tour after testing positive for COVID-19. Filling in for him at some of the shows was CATTLE DECAPITATION bassist Derek Engemann, who also plays with Anselmo in both PHILIP H. ANSELMO & THE ILLEGALS and SCOUR.

Up until his passing, Vinnie remained on non-speaking terms with Anselmo, whom the drummer indirectly blamed for Dimebag's death.

Vinnie Paul and Dimebag co-founded PANTERA. When PANTERA broke up in 2003, they formed DAMAGEPLAN. On December 8, 2004, while performing with DAMAGEPLAN at the Alrosa Villa in Columbus, Ohio, Dimebag was shot and killed onstage by a troubled schizophrenic who believed that the members of PANTERA were stealing his thoughts.

Vinnie passed away on June 22, 2018 at his other home in Las Vegas at the age of 54. He died of dilated cardiomyopathy, an enlarged heart, as well as severe coronary artery disease. His death was the result of chronic weakening of the heart muscle — basically meaning his heart couldn't pump blood as well as a healthy heart.

A few days after the announcement of the new album Ashes Of Doom, Germany’s Stormage present the first "firecracker" from the new album: "Deniers Of Reality" is the name of the song and deals with missing values, selfishness, greed, war and violence, and that each individual can do something against it.


Ashes Of Doom is out on May 26 via El Puerto Records. Album presale is available on the El Puerto Records webshop.


Bassist Dirk Heggemann on the album: "The idea behind it is to address the things that are currently going out of control worldwide. The character stands as a representation for all of humanity, hoping for a helping hand through a broken window to turn everything around. That helping hand could be any one of us."




In the 20 years of their existence, the quartet from the German Sauerland has continuously honed their own style. For the upcoming fourth album Ashes Of Doom has Sebastian "Seeb" Levermann (Orden Ogan) co-producer. The result is a multifaceted, cleverly arranged power metal album, but just a touch "darker" than the rest.


Cover art by Harley Velasquez / cover layout by Nina Heggemann:





Tracklisting:


“Overture Of The Abyss”
“Beyond The Horizon”
“Deniers Of Reality”
“Fierce As A Dragon”
“Slide On Your Knees”
“Our Latest Endeavor”
“Ashes Of My Doom”
“The Spirit Never Dies”
“Blood Shot Eyes”
“Put The Hammer Down”
“Son Of Hatred”
“The Wind Will Take Us Home”


"Deniers Of Reality":

Finnish melodic death metal newcomer Shade Of Sorrow are the latest talent to collaborate with M-Theory Audio and are looking forward to the completion of their debut album.


The one-man project is spearheaded by multi-instrumentalist Mika Kankainen, the former drummer of Finnish bands WWOC, Soul Terror, and Warceremony. With Shade Of Sorrow, Mika plays all instruments including drums, bass, guitar, keyboard, while also handling vocals showcasing his immense talent and virtuosity.


"My dream came true as M- Theory Audio contacted me and proposed a collaboration with Shade of Sorrow,” explains Mika. “I know they have a huge amount of professional experience in the field of music business, and I really think that the company has a heartfelt purpose of lifting promising bands and music up for the masses. Needless to say, I´m super stoked about this collaboration and will make sure that we will get a hell of a debut album to release!  There is a lot of passion, big dreams and a huge work ethic behind this project and I’m really looking forward for the future release and collaboration with M-Theory Audio!”




The genesis of this band started back in 2017 when demo songs were sent to friend and collaborator Tuomas Saukkonen (Wolfheart, Before the Dawn, Dawn of Solace) who promptly agreed to produce. Fast forward to 2020, their busy schedules finally lined up and they went into the studio to record the first two Shade Of Sorrow songs -- “No Return” and “Fabricated Hope”.  Both songs were recorded, mixed and mastered by Esa Uusimaa (Wolfheart, Rain of Acid, Crowen) with vocals produced by Juha Kylmanen (Full Nothing, For My Pain…) from Whiteleaf Studios. Those two songs were then followed up by a stand-alone digital single “Meteor” in 2022, which Tuomas from Wolfheart played some acoustic guitar on. Videos were made for all three songs and all will be available on the forthcoming full-length release, along with six new ones again produced by Saukkonen.

Multi-instrumentalist Snowy Shaw has uploaded a video commentary for the reissue of the 1999 Notre Dame album Vol 1: Le Theatre Du Vampire which was made available on March 25 on all streaming platforms.


Says Snowy:


"Eventually after 18 years I have all the rights back to the Notre Dame records, I will be reissuing a total of six Notre Dame albums, one a month for 6 months, under my own artist profile Snowy Shaw on all the streaming platforms, I have been involved with so many bands and projects, I would like some new fans to discover this music"




“This is the first in a series of videos and will offer entertaining and detailed insight and background on all the Notre Dame albums.”

Grymheart has signed a multi-album deal with Scarlet Records.


Grymheart is a new heavy metal band founded in 2022 by Gabriel Blacksmith (Gábor Kovács), former leader and main songwriter of the acclaimed Hungarian power metal band Wisdom.


Combining melodic death, folk and power metal with an epic and energetic sound, Grymheart will take you into a mythological dark world where demons and monsters threaten humanity. Gabriel & his yet mysterious fellows will be fighting the evil ones and protecting the innocents.




Grymheart's debut album is expected to be released in the fall of 2023.


(Photo: Krisztina Máté)

Guitarist Thomas Zwijsen has released the new video below, in which he performs an acoustic cover of Iron Maiden's "When Two Worlds Collide", featured on the band's 1998 album, Virtual XI.


A messages states: "'When Two Worlds Collide' was written by Blaze Bayley, Dave Murray and Steve Harris and is on the Virtual XI album with Blaze on vocals. Blaze is a frequently returning guest on Thomas' Nylon Maiden albums, on tracks such as 'The Clansman', 'Judgement of Heaven', 'Como Estais Amigos' and 'Blood Brothers'. Blaze Bayley recently suffered a heart attack and had to cancel his current tours, which is a great loss of income. In order to support Blaze in his recovery, order his albums and merch at BlazeBayley.net."

earMUSIC has released the video below, featuring Annihilator performing the title track from the album King Of The Kill (originally released in 1995) live at the Masters Of Rock festival in 2008.


The video has been remastered in HD for the first time. Enjoy Annihilator at its best, in front of 30.000 metal fans.







Annihilator frontman / founder, Jeff Waters, invited fans to show up at the Newcastle, UK train station on Sunday, March 5 at Costa Coffee to hang out with him and bassist Rich Gray. He checked in with an update and photo gallery from the day.


Waters: "Speechless. What can I say other than THANK YOU to all the fans and friends that showed up to our fun Newcastle Train Stn. hangout! So many people, so many stories and I am grateful to meet you all! Thanks, too, for the awesome gifts!!! We all sure caused quite a fun disturbance and it was cool that station security joined in and approved!!! Looking forward to seeing all of you on the big tour coming."


Additionally, Rush On Rock has shared a recap  of the afternoon and some photos, as well as a short interview with Waters. An excerpt is below.


Waters: "It was just a goofy idea. I was sitting around wondering whether I had any fans left! On Facebook, sometimes the filters kick in but every time I put the words ‘UK’, ‘Durham’ or ‘Newcastle’ in there, they’d get through and I was thinking to myself I might just have a few fans in this area. I’m always going to see concerts at the City Hall and I’d planned to catch Blaze Bayley at Trillians, so I thought why don’t I test this theory? I just put up a few goofy posts suggesting we all meet up at Newcastle Central Station in front of Costa and the rest is pleasant history!”


Check out the complete recap, interview and photos here.


A photo gallery is available on the Annihilator Facebook page here.

On May 16, the world will see rock and classical royalty unite on Drastic Symphonies - a brand-new euphoric album featuring Def Leppard’s greatest produced tracks dramatically reimagined, and sounding more exhilarating than ever before, via the band teaming with London’s iconic The Royal Philharmonic Orchestra.


"‘Animal" Director’s Cut’ is out now. Featuring a selection of footage captured on shoot for the album’s atmospheric album artwork, the new 4K video exemplifies the re-imagining of the band’s biggest hits, and the drama of the Royal Philharmonic Orchestra as featured on Drastic Symphonies. Watch below:







Drastic Symphonies represents a bold new approach to Def Leppard’s most loved songs. Def Leppard have deconstructed and rebuilt not only some of their most well-known tracks, but also some of their hidden gems as well. By and large, they have intertwined the audio from the original tapes and performed them alongside The Royal Philharmonic Orchestra, consistently ranked as one of the world's leading orchestras. The album additionally includes new vocals and guitars that culminate in stunningly beautiful symphonic arrangements, which at different points you can hear Joe Elliott duetting with his younger self.


Vocalist Joe Elliott says, “Def Leppard has always enjoyed veering off the expected path - working with the likes of Tim McGraw, Taylor Swift & Alison Krauss for example. So, when the offer to revisit some of our back catalogue with the Royal Philharmonic was presented to us, we all jumped at it. Although we’re far from the first band to ever do this, working directly with an orchestra at Abbey Road on some of our more orchestrated songs seemed too good of an opportunity to pass up.”


The Royal Philharmonic Orchestra was recorded at Abbey Road in March 2022 and is produced by Def Leppard, Ronan McHugh & Nick Patrick (producer of the following RPO/Orchestral albums - xElvis, Roy Orbison, Beach Boys and Buddy Holly), with arrangements by Eric Gorfain (Neil Diamond, Ryan Adams, Christina Aguilera).


Guitarist Phil Collen says, “When the offer of doing an orchestral album with the RPO was suggested, we were honoured. But we didn’t just want an orchestra plonked over our previous recordings. We decided to create something special where we would have something classic but present it in a brand new way that would involve making everything work in the context of Drastic Symphonies. Recording new parts, remixing previous sounds, taking some of our instruments out so the orchestra could breathe, and literally making a new album. It was an amazingly inspirational process culminating in the live recording of the RPO at Abbey Road studios in London. An absolute team effort that took a good part of a year. It’s a new Def Leppard album, it’s a greatest hits plus album with some songs rarely heard before, it’s a live RPO album and we think it’s perfect. We’re so proud of how Drastic Symphonies turned out and can’t wait to share it to the world.”





The album will be available on CD, 2LP black vinyl, limited 2LP colored vinyl, limited 2LP picture disc, CD/Blu-Ray (Atmos) and digitally. Building upon elements from the album artwork, a collection of exclusive merch is now available for pre-order in the band's official store, here.


- Album Pre-Order
- Hero Link (Pre-Order & Pre-Save)





Tracklisting:


"Turn To Dust"
"Paper Sun"
"Animal"
"Pour Some Sugar On Me" (Stripped version)
"Hysteria"
"Love Bites"
"Goodbye For Good This Time"
"Love"
"Gods Of War"
"Angels (Can’t Help You Now)"
"Bringin’ On The Heartbreak"
"Switch 625"
"Too Late for Love"
"When Love & Hate Collide"
"Kings Of the World"
"Have You Ever Needed Someone So Bad" (Vinyl and Atmos bonus track)


"Animal":





Trailer:








Def Leppard and Mötley Crüe's The World Tour continues on May 22 at Bramall Lane in Sheffield, UK. Check local listings for complete ticket details including VIP offerings. To purchase tickets please visit motley.com and defleppard.com.

On April 28, UMe/Mercury and Anthem Records continue the comprehensive Rush 40th anniversary album series with new and expanded editions of the band’s decade-defining 1982 release, Signals, an album that signified how the band was in no way detached and subdivided from the ever-shifting 1980s musical landscape.


Today, the band release a new visualizer for the Signals track, "Digital Man". Check it out below:







Signals-40th Anniversary will be available to fans in three distinct configurations, including the (1) Super Deluxe Edition, (2) one-LP Picture Disc Edition, and (3) Dolby Atmos Digital Edition. There will also be a limited edition Super Deluxe box featuring eight lithographs of Neil Peart’s original hand-drawn lyrics for each song on Signals only available through the official Rush online store.


All configurations can be pre-ordered and pre-saved, here. Watch an unboxing video below.


Signals, Rush’s ninth studio album, was originally released in September 1982, and its technology-embracing riffs and rhythms, continued the forward-thinking trajectory of the acclaimed Canadian trio as it continued to chart the demands of a new decade. The album’s eight songs built upon Rush’s penchant for adapting to the flow of the times without compromising its flair for melding long-established progressive roots with radio-friendly song arrangements. Signals, co-produced by Rush with longtime band confidant Terry Brown and engineered by Paul Northfield, was the third of numerous Rush recording sessions held at Le Studio in Morin-Heights, Quebec. The band’s synergistic recording process at Le Studio had been well-established during sessions for the aforementioned Moving Pictures, as well as the sessions for that album’s predecessor, January 1980’s Permanent Waves.


“Subdivisions,” the generation-defining lead-off track on Signals, succinctly captures the angst of the perennial restless dreams of youth, and this synth-driven song subsequently became one of Rush’s most celebrated FM favorites as well as a cherished concert staple for many years to come. Next, the band shifts gears and leans back into the wide-eyed yearnings of “The Analog Kid,” a propulsive track that also reached No. 19 on the Mainstream Rock chart. Meanwhile, the quest for emotional interactivity reaches a combustive head in the connective musical tissue of “Chemistry.” Side A closes out with the fast-forward thinking of “Digital Man,” presaging our eventual reliance on the 0s and 1s that now permeate our daily lives.


Side B commences with the angular thrust of “The Weapon” (subtitled as being “Part II of Fear”), a rumination on personal apprehension and doubt that also serves as a modernized offshoot of the mob-mentality prejudices of “Witch Hunt” (a.k.a. “Part III of Fear”) from Moving Pictures. “The Weapon” also became another Rush concert favorite featuring a videoscreen-projected introduction courtesy of Count Floyd, one of Joe Flaherty’s many notable characters from SCTV. The kinetic, reggae-tinged lilt of “New World Man” peaked at No. 21 on the Billboard Hot 100 singles chart, Rush’s singular Top 40 hit in the United States. The truly beautiful “Losing It,” a starkly honest assessment of knowing when the optimal-performance curtain is coming down and how to gracefully deal with its consequences (or not), features poignant electric violin accompaniment from guest performer Ben Mink. “Losing It” was never played onstage until Rush’s final R40 Live Tour in 2015, with Mink reprising his role at the tour’s stop in Toronto and Jonathan Dinklage of the Clockwork Angels Ensemble playing on it when the song was performed in the States. The album wraps up with the optimistic skyward views of “Countdown,” an unabashed celebratory chronicle of the launch of the Space Shuttle Columbia in 1981. “Countdown” also features approved audio of the voice communications between the Columbia astronauts and ground control.


The Super Deluxe Edition includes one CD, one Blu-ray Audio, one high-quality 180-gram black-vinyl LP with new artwork from original album designer Hugh Syme in a premium tip-on jacket, and four 7-inch singles (“Subdivisions,” “Countdown,” “New World Man,” and “The Weapon (Single Edit”), all of them with new artwork from Syme. The set encompasses the Abbey Road Mastering Studios 2015 remastered edition of the album for the first time on CD. The Blu-ray Audio disc contains the core album newly mixed from the original multi-tracks in 48kHz 24-bit Dolby Atmos (the second Rush album to appear in Atmos, following Moving Pictures) and 96kHz 24-bit Dolby TrueHD 5.1 as done by esteemed producer/engineer Richard Chycki, alongside the previously available 48kHz 24-bit PCM Stereo mix. Also included on the Blu-ray are new animated visualizers for all eight songs, as well as two bonus remastered vintage promo videos: the high-school halls narrative of “Subdivisions” and “Countdown,” the latter of which features authorized Space Shuttle Columbia launch footage. Additionally, the LP in the Super Deluxe Edition has been cut via half-speed Direct Metal Mastering (the second Rush album to have been done as such, again following Moving Pictures) on a 180-gram audiophile black-vinyl LP, and it has been pressed at GZ Media in the Czech Republic.


The Super Deluxe Edition of Signals-40th Anniversary will also include several exclusive items, including a 40-page hardcover book with new song illustrations and new artwork by original album designer Hugh Syme and unreleased photos from the Signals Tour, along with three lenticular lithographs that transition from the original black-and-white band headshots into the original album’s “Digital Man” color headshots; four Signals Tour band lithographs; Syme’s original album cover sketch lithograph; and a double-sided 24x24-inch poster featuring Syme’s new Signals artwork on one side, and an outtake photo from the original album cover shoot on the other side. All contents are housed in a premium lift-top box, which features significantly reimagined cover artwork by Hugh Syme.


The second configuration Signals-40th Anniversary will be released in is a one-LP Picture Disc Edition. The picture disc is housed in a transparent plastic sleeve, and it showcases new Hugh Syme artwork on both album sides.


Finally, the third configuration, the Dolby Atmos Digital Edition, is the digital equivalent of Richard Chycki’s expert Atmos mix of all eight tracks from the original album.





Tracklistings:


Super Deluxe Edition:


CD - Disc 1: Original Album - Produced by Rush and Terry Brown / 2015 remaster on CD for the first time:


"Subdivisions"
"The Analog Kid"
"Chemistry"
"Digital Man"
"The Weapon"
"New World Man"
"Losing It"
"Countdown"


Blu-Ray Audio - Disc 2 (Dolby Atmos* / Dolby TrueHD 5.1* / PCM Stereo; * Previously unreleased mixes):


"Subdivisions"
"The Analog Kid"
"Chemistry"
"Digital Man"
"The Weapon"
"New World Man"
"Losing It"
"Countdown"


Bonus Promo Videos (Dolby TrueHD 5.1* / PCM Stereo; * Previously unreleased mixes):


"Subdivisions"
"Countdown"


1LP - Signals (DMM Half-Speed Mastering / Original Album - Produced by Rush and Terry Brown):


Side A


"Subdivisions"
"The Analog Kid"
"Chemistry"
"Digital Man"


Side B


"The Weapon"
"New World Man"
"Losing It"
"Countdown"
 
7" Singles (All four singles feature brand-new Hugh Syme artwork):


Single 1 - Side A:


"Subdivisions"


Single 1 - Side B:


"Red Barchetta" (Live)


Single 2 - Side A:


"Countdown"


Single 2 - Side B:


"New World Man"


Single 3 - Side A:


"New World Man"


Single 3 - Side B:


"Vital Signs" (Live)


Single 4 - Side A:


"The Weapon" (Single Edit)


Single 4 - Side B:


"Digital Man"


1LP Picture Disc Edition:


Signals (DMM Half-Speed Mastering / Original Album - Produced by Rush and Terry Brown; Both sides feature brand-new Hugh Syme artwork):


Side A
"Subdivisions"
"The Analog Kid"
"Chemistry"
"Digital Man"


Side B


"The Weapon"
"New World Man"
"Losing It"
"Countdown"


Signals (Dolby Atmos Digital Edition* / previously unreleased):


"Subdivisions"
"The Analog Kid"
"Chemistry"
"Digital Man"
"The Weapon"
"New World Man"
"Losing It"
"Countdown"


"Chemistry" visualizer:





"The Analog Kid" visualizer:





Unboxing video: