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Burton C. Bell

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21 апр 2025 : 
DINO CAZARES Disagrees With BURTON C. BELL's Comment About FEAR FACTORY Members Musically 'Locking' Themselves 'In A Box'

21 апр 2025 : 
BURTON C. BELL Felt Pressure To Deliver A 'Certain Sound' With FEAR FACTORY: 'As A Band, We Locked Ourselves In A Box'

17 апр 2025 : 
Ex-FEAR FACTORY Singer BURTON C. BELL On Opening For OZZY OSBOURNE Nearly 30 Years Ago: His Fans 'Didn't Wanna See Us'

11 апр 2025 : 
BURTON C. BELL On His Exit From FEAR FACTORY: 'I've Moved Forward And I Feel Good About It'

8 апр 2025 : 
BURTON C. BELL On CHRISTIAN OLDE WOLBERS's New Band ANGST FABRIK: 'There Was Really Only One FEAR FACTORY'

31 мар 2025 : 
Ex-FEAR FACTORY Singer BURTON C. BELL On His New Solo Music: 'I Found The Sound That I Wanna Do'

20 фев 2025 : 
Ex-FEAR FACTORY Singer BURTON C. BELL To Release Two New Singles Before The Summer

3 фев 2025 : 
Ex-FEAR FACTORY Frontman BURTON C. BELL: 'I've Got Some New Music On The Horizon Very Soon'

8 янв 2025 : 
Watch: Ex-FEAR FACTORY Singer BURTON C. BELL Plays Solo Concert In Los Angeles

14 дек 2024 : 
Watch: Ex-FEAR FACTORY Singer BURTON C. BELL Plays Solo Concert In San Diego

8 дек 2024 : 
Ex-FEAR FACTORY Singer BURTON C. BELL Calls SPOTIFY 'Evil', Says DANIEL EK Is 'Reaping In Billions Off Backs Of Artists'

11 авг 2024 : 
Former FEAR FACTORY Singer BURTON C. BELL Releases New Solo Single 'Technical Exorcism'

7 авг 2024 : 
Former FEAR FACTORY Singer BURTON C. BELL To Release New Solo Single 'Technical Exorcism' This Week

16 июн 2024 : 
Watch: Former FEAR FACTORY Singer BURTON C. BELL Plays First-Ever Solo Concert

29 мар 2024 : 
BURTON C. BELL Says His Upcoming Live Show Will Include 'Deep Cuts' From FEAR FACTORY, Songs From Other Projects

8 мар 2024 : 
Former FEAR FACTORY Singer BURTON C. BELL Releases Debut Solo Single 'Anti-Droid'
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|||| 21 апр 2025

DINO CAZARES Disagrees With BURTON C. BELL's Comment About FEAR FACTORY Members Musically 'Locking' Themselves 'In A Box'



zoom
FEAR FACTORY guitarist Dino Cazares has responded to Burton C. Bell's claim that the bandmembers "locked" themselves "in a box" be delivering a "certain sound" on most of their albums.

Earlier this month, the former FEAR FACTORY singer was asked by Rock Hard With Phil And Tish if and his bandmates ever felt the pressure that they had to release a certain type of music. Bell responded: "I feel, as a band, we locked ourselves in a box. And the label was expecting a certain sound, certain members were expecting a certain sound and, to be honest, a lot of fans were expecting a certain sound. Releasing anything else would have been — what's the word? — would have just been heresy, like, 'What are doing? That doesn't sound like FEAR FACTORY.' 'Well…'"

Burton went on to say that FEAR FACTORY released one album that didn't fall in line with what the fans expected from him and his bandmates. "We did a record [in 2005] called 'Transgression'. And the title in itself was a transgression of the actual sound of what FEAR FACTORY was. Instead of being an industrial metal band, on that record we were like a hard rock band almost. And fans treated it as such. So we did it to ourselves. But now as a solo artist, I don't feel that [kind of pressure] at all. I feel the sky's wide open."

Earlier today (Sunday, April 20),Cazares shared a screenshot of BLABBERMOUTH.NET's headline focusing on Bell's original comment, and he included the following message: "FEAR FACTORY didn't 'lock themselves in a box', we destroyed the box and evolved while maintaining a core sound. It's a choice driven by passion not pressure."

He continued: "I live, die, and regenerate FEAR FACTORY, loyal to the end. Machines Of Hate".

In a separate post on X, he added: "Innovation doesn't come from following the map it comes from redrawing it completely. Revolutionizing a new path forward."

Responding to a fan on X, Dino elaborated on why he disagrees with Burton's comment, saying: "It's just 2 different people's perspective on when they were in the band. One felt like he was boxed in, like he was doing it because he had to not because he wanted to, the other (me) did it out of love and passion it genuinely matters to me it's a choice, driven by passion not by pressure."

He later added: "The idea that FEAR FACTORY 'locked themselves in a box' doesn't really hold up when you look at our evolution. Sure, we had a core sound — tight, mechanical riffs, syncopated rhythms, and that signature clean/growl vocal contrast — but within that framework, we pushed boundaries constantly."

FEAR FACTORY created a sound that revolutionized extreme metal, defined in no small part by Bell's innovative scream/sing dichotomy and the influences he brought from post-punk and industrial.

Bell was the only musician to appear on every FEAR FACTORY release from 1992 through 2024.

After years of behind-the-scenes bandmember turmoil and legal issues, Bell left FEAR FACTORY in the fall of 2020.

The 56-year-old Bell had been largely inactive on the musical front since officially announcing his departure from FEAR FACTORY in September 2020. At the time he said that he could not "align" himself with someone whom he did not trust or respect, an apparent reference to Cazares. Bell has since been replaced in the band by the Italian-born singer Milo Silvestro.

Bell issued two solo singles in 2024 — "Anti-Droid" and "Technical Exorcism" — and a cover of RAMMSTEIN's "Du Hast" in 2023.

A new single from Burton called "Savages" is expected to be released later this spring.

Bell played the first concert with his solo band on June 13, 2024 at 1720 in Los Angeles, California.

Backing Bell at his recent gigs have been guitarist Henrik Linde (THE VITALS, DREN),drummer Ryan "Junior" Kittlitz (ALL HAIL THE YETI, THE ACID HELPS),bassist Tony Baumeister (ÆGES) and multi-instrumentalist Stewart Cararas.

Photo credit: Stephanie Cabral (courtesy of Nuclear Blast)
Fear Factory didn't "lock themselves in a box." , we destroyed the box and evolved while maintaining a core sound. It's a choice driven by passion not pressure.
I live, die, and regenerate Fear Factory, loyal to the end.
Machines Of Hate
Happy Easter 🐇 pic.twitter.com/YegMEYT3Cm

— Dino Cazares (@DinoCazares) April 20, 2025


Innovation doesn't come from following the map it comes from redrawing it completely. Revolutionizing a new path forward.

— Dino Cazares (@DinoCazares) April 20, 2025


It's just 2 different people's perspective on when they were in the band. One felt like he was boxed in,like he was doing it because he had to not because he wanted to, the other(me) did it out of love and passion it genuinely matters to me it's a choice, driven by passion not by… https://t.co/m8iFdKOcTb

— Dino Cazares (@DinoCazares) April 20, 2025


Honestly, that comment makes no sense to me.
The idea that Fear Factory “locked themselves in a box” doesn't really hold up when you look at our evolution. Sure, we had a core sound—tight, mechanical riffs, syncopated rhythms, and that signature clean/growl vocal contrast—but… https://t.co/GSfTFcVUDo

— Dino Cazares (@DinoCazares) April 20, 2025

Fear Factory didn't "lock themselves in a box." , we destroyed the box and evolved while maintaining a core sound. It's a choice driven by passion not pressure.
I live, die, and regenerate Fear Factory, loyal to the end.
Machines Of Hate
Happy Easter рџђ‡ pic.twitter.com/YegMEYT3Cm



Innovation doesn't come from following the map it comes from redrawing it completely. Revolutionizing a new path forward.



It's just 2 different people's perspective on when they were in the band. One felt like he was boxed in,like he was doing it because he had to not because he wanted to, the other(me) did it out of love and passion it genuinely matters to me it's a choice, driven by passion not by… https://t.co/m8iFdKOcTb



Honestly, that comment makes no sense to me.
The idea that Fear Factory “locked themselves in a box” doesn't really hold up when you look at our evolution. Sure, we had a core sound—tight, mechanical riffs, syncopated rhythms, and that signature clean/growl vocal contrast—but… https://t.co/GSfTFcVUDo






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21 апр 2025
А с Энгельсом или Каутским согласен?
21 апр 2025
Довелось общаться с Дино, прикольный мужик
22 апр 2025
Exceptional, а во многих комментах на Ютубе я видел и такие мнения, и то, что он, наоборот, озлобленный (Ч)удак. Когда люди раксидывают такие характеристики после мит-н-грита или просто после встречи, понять можно, но не принимать как объективную характеристику
21 апр 2025
на счет страсти я бы согласился до того момента, пока они и в частности Дино не начали подсчитывать продажи альбомов Korn, Deftones и Limp Bizkit, как раз перед выпуском "Digimortal". Были даже упреки, что им не нужно "бегать в маске свиньи, чтобы греметь" (явный намек на успех первой изданной лейблом пластинки Slipknot). Limp Bizkit в том интервью вообще с говном смешали, указывая на "правильных ребят" RATM.
А тут классная история, которая случилась между Dino и Fieldy.
https://www.loudersound.com/features/korn-we-blew-the-whole-metal-scene-wide-open
21 апр 2025
gravitgroove, Рыхлый всегда воду мутил. Тут ничего нового по сути.
22 апр 2025
gravitgroove, Фига се новости.
21 апр 2025
Даже в душной бетонной коробке...
21 апр 2025
Ну по факту было сказано, жутко однообразный и унылый материал. Как раз сейчас пытаюсь осилить их дискографию
21 апр 2025
Crane76, Так там нечего осиливать) первые 2 отличные, диджимортал тоже хорош, остальное лучше не слушать
21 апр 2025
Papa, Digimortal зашёл, первые не плохи, но однообразие прям добивает. Остальные чисто принципиально послушаю, не люблю частями слушать) Мало ли, вдруг зайдёт неожиданно
21 апр 2025
Crane76, Mechanize и Archetype тоже крутые альбомы с хоть какими-то попытками обновиться. Если напрягает однообразие, то остальное слушай очень аккуратно:)
22 апр 2025
father, в Mechanize круто то, что Дино разнообразил свои привычные трещотки всякими приколюхами, которые делал в Divine Heresy, в целом риффы охрененно агрессивные и зубастые на альбоме. А вот Бертон на нем подкачал - никаких интересных припевов не выдал, очень пресно по вокальным мелодиям
22 апр 2025
Вашингтон Ирвинг, ну тут зависит от того, что понимать под "интересными припевами". Я так вообще увлёкся FF после концерта в 2010 (на разогреве у Метлы), и моё сердце покорил как раз припев Powershifter:) Ну и Final Exit тоже дико заходит. Industrialist ещё хоть как-то не по рельсам сделан, а с попытками найти что-то новое, а Genexus и последний, как он там называется, это тупо копипаст старых треков. Кое-что мне из этих альбомов тоже очень заходит, но я не могу не понимать, что это пережёвывание пережёванного.

Мне кажется, Бёртон в FF просто очень в кассу конкретно со своей манерой, технически он всегда был довольно слабым вокалистом. Хуй знает, какие он там пытается раздвинуть рамки, учитывая его довольно скромные возможности, но он прав в том плане, что FF в какой-то момент действительно забили хер на любую креативность и творческие риски.
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