Fresh off the release of their new album "Antibloom", acclaimed Canadian rock band SILVERSTEIN has shared a brand new music video for the song "I Will Destroy This". The video features live footage from recent shows of SILVERSTEIN's "25 Years Of Noise" tour, putting the band's explosive performance style on full display.

"Antibloom", out now via UNFD, is the first part of SILVERSTEIN's double album "Antibloom" / "Pink Moon". Written in the deserts of Joshua Tree, these records represent the band’s most eclectic and creative body of work to date — drawing upon influences from across the band’s profound discography.

This year, fans around the world are invited to join the band in celebrating their "silver" anniversary with the "25 Years Of Noise" tour. These shows offer a discography-spanning performance and fans are able to vote for their favorite songs from each record to help decide the setlist. The band recently wrapped up the first leg of North American dates and has just kicked off a European tour alongside THURSDAY and THE CALLOUS DAOBOYS. Upon their return, SILVERSTEIN will continue their trek across North America, reaching new markets alongside REAL FRIENDS, BROADSIDE and GREYHAVEN.

SILVERSTEIN enters its 25th year with two full-length albums set for 2025. The band that NME calls "legendary" and Loudwire placed among the most prolific rock and metal artists of the 21st Century continues to innovate and inspire on forward-thinking records and at crowd-embracing live shows.

"Discovering The Waterfront" (2005) remains a touchstone classic. "A Beautiful Place To Drown" (2020) earned a "Rock Album Of The Year" nomination at the Juno Awards. "Antibloom" (arriving on February 21) and "Pink Moon" (arriving later in 2025) are stunning reminders of why the group is a vital subcultural force and why Alternative Press readers voted frontman Shane Told among the five best post-hardcore vocalists.

SILVERSTEIN songs like "My Heroine", "Smile in Your Sleep", "The Afterglow" and "Infinite" are postmodern anthems for a devoted following earned with passionate performances and authentic artistry. As recently as 2024, The Needle Drop called them "emo hardcore legends." While their 500-million-plus streams reflect that, SILVERSTEIN grew up in a scene where the music and message come first.

Audiences sing and scream along in packed theaters, at festivals, and on tours around the world with groups like SIMPLE PLAN, RISE AGAINST, GOOD CHARLOTTE, PIERCE THE VEIL, BEARTOOTH and UNDEROATH.

Sam Guaiana (NECK DEEP, HOLDING ABSENCE, BAYSIDE) produced and mixed "Antibloom" and "Pink Moon" at Fireside Sound in Joshua Tree, California. The band arrived with 25 demos and chose their 16 favorites. Drummer Paul Koehler suggested splitting the music into two albums and turning 2025 into a year-long celebration. This will allow listeners the space to absorb and connect with the songs, which embrace the band's storied past and postmodern leanings in equal measure, making for diverse experiences.

"We put everything we've learned/felt/experienced into this double album," the band said in a shared statement, declaring "Antibloom" and "Pink Moon" "the absolute collection of our musical style."

SILVERSTEIN is:

Shane Told - Vocals
Paul Koehler - Drums
Josh Bradford - Guitar
Billy Hamilton - Bass
Paul Marc Rousseau - Guitar

Silverstein

California rockers PAPA ROACH have released the cinematic music video for their latest single, "Even If It Kills Me", directed by Jesse Davey and Ed Shires.

"This is one of our most epic videos yet," said PAPA ROACH frontman Jacoby Shaddix. "Jesse and Ed helped bring to life the song in a visual we did not expect — and I got to explore my inner action hero. It's a must-watch."

The band's first single release in three years is taking the world by storm. In just five weeks, the song has already amassed nearly 10 million streams and is rapidly scaling the charts in 27 countries.

In a new interview with the I-Rock 93.5 radio station, < Shaddix spoke about the lyrical inspiration for "Even If It Kills Me", which was released in late January via the group's own label New Noize Records/ADA. He said: "This one was started about two years ago, the music part of it, and I heard it first from the first musical just vibe with the strings. I was, like, 'It sounds cinematic. This sounds like it's about to be a journey we're taking the fans on.' So I hit the boys up instantly. I'm, like, 'Dude, I can't wait to get in the studio on this one.' Then life happens, and some stuff goes down. My older son went through this really traumatic heartbreak breakup. Just his whole world was leveled, and I watched my son just crumble. And that was a tough one. But to also have to go, 'Hey, man, there's some hard truths about life, and sometimes people aren't what they show themselves as, and there's two sides to people sometimes. And you got one, and then eventually discovered that other dark side of them and you were hurt.' And that was really hard for me to watch my son just fall to pieces. And that song was born from that moment of going, 'I wanna be able to help you, but I also know that you kind of gotta walk through the fire.' And knowing that, 'I'm not gonna leave you. I'm here for you, but I'm also gonna stand in that fire with you.' And I wanted to shoulder the pain. I wish I could, but sometimes we have to go through those moments in life that build character. Who are you? Can you get back up? Well, my son got back up."

PAPA ROACH recently completed the European leg of the "Rise Of The Roach" tour. The trek saw PAPA ROACH bring its biggest-ever production and journey deep through their vast music catalogue, including a celebration of the 25th anniversary of the band's iconic breakthrough album "Infest". Special guests for the global tour were WAGE WAR in Europe and will include RISE AGAINST and UNDEROATH in the U.S.

In a separate interview with Germany's Rock Antenne, Shaddix was asked if fans can expect to see a new studio album from him and his PAPA ROACH bandmates in 2025. He responded: "Definitely. At some point [in 2025], there will be a new record. Probably not — it won't be till the end of the year at the soonest. But we're really proud of the stuff that we've done. And I think the fans will be surprised. The fans that are coming to the shows are gonna be surprised at what we're doing too. And so it's gonna be a good time.

"As we evolve the music and push things forward, you never know what's gonna happen in the studio," he added. "And I've gotta tell you, what happened in the studio this time around has been just exciting.

"We've had a really good run with our [last] album, [2022's] 'Ego Trip', and a lot of successes, especially here in America as well, as well as Germany, we've had some great successes on that record, and it's just been one of those records that our fanbase has been really excited about. And so we're taking that momentum and going back into the studio and creating again, it's been a really good feeling."

PAPA ROACH are two-time Grammy-nominated, platinum-selling leaders in alternative hard rock music. PAPA ROACH are not unfamiliar with calling attention to mental health and have been doing so since the seminal release of their first hit single "Last Resort". Since then, the band has gone on to create 10 studio albums, their most recent, "Ego Trip", on their own label New Noize Records.

Papa Roach

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Former OZZY OSBOURNE and DAVID LEE ROTH guitarist Joe Holmes has shared the official music video for his new single called "The Deadfall". The track, which was made available under the Joe Holmes name, once again features a recording lineup that is similar to the one that tracked the debut album from Joe's FARMIKOS project, with Holmes on guitar, Robert Locke on vocals, and Holmes's former OZZY OSBOURNE bandmates, bassist Robert Trujillo (now in METALLICA) and drummer Mike Bordin (also of FAITH NO MORE) on drums. Also contributing melodies and lyrics to the song was Brent Hoffort.

In December 2024, Holmes released a new song called "Cross Eyed Stare" featuring Locke, Trujillo and Bordin.

FARMIKOS's self-titled debut album was released in 2015 to critical acclaim. The disc contained ten original songs written by Holmes and Locke, with writing contributions on eight songs by Hoffort. Some of "Farmikos" featured Brooks Wackerman (AVENGED SEVENFOLD, ex-BAD RELIGION) on drums.

FARMIKOS was Holmes's first venture under his own flag since first attaining local notoriety with TERRIFF, an L.A. band he formed after taking guitar lessons as a teenager from none other than original Ozzy axeman Randy Rhoads. Holmes eventually went on to replace ALS-stricken Jason Becker on the 1991 David Lee Roth "A Lil' Ain't Enough" world tour.

In 1995, Holmes was brought to the attention of Ozzy Osbourne who was looking for a new guitarist to take over Zakk Wylde's spot for the "Ozzmosis" album touring cycle. Holmes would go on to co-write three songs, "Facing Hell", "Junkie" and "That I Never Had", which appeared on Ozzy's 2001 album, "Down To Earth".

Holmes began collaborating and creating material with Hoffort and then joined forces with vocalist and Arkansas native Locke in 2011 to put together ideas for what would become FARMIKOS.

Ozzy Osbourne

DOKKEN has released the Tom Strickfaden-directed performance video for the pensive track "Saving Grace", taken from the band's 13th studio album, "Heaven Comes Down", which came out in October 2023 via Silver Lining Music.

DOKKEN leader Don Dokken said: "My studio in the Sangre de Cristo mountains has wrap-around windows staring at three mountains ranges and the city lights of Santa Fe below. It's a very different vibe. Looking at that view is what inspired me to write 'Saving Grace'. It just left me in a better place."

He added: "The song is the new single from our current album 'Heaven Comes Down'. We shot a performance video for it and I hope all the Rokkers out there will love it! See you on the road!"

The follow-up to 2012's "Broken Bones", "Heaven Comes Down" was produced by Bill Palmer and Don Dokken and was mixed by Kevin Shirley (AEROSMITH, IRON MAIDEN).

In August 2023, DOKKEN released the music video for the album's first single, "Fugitive". The clip was directed by Chris Eyre ("Dark Winds", "Smoke Signals") and was filmed at the popular immersive arts venture Meow Wolf in Santa Fe, New Mexico.

Don said about "Fugitive": "The inspiration for the lyrics came from what seems to me to be an uncertain world these days. It's an up-tempo Rokker as are many on the album. I don't know what the future holds for our world, so I decided to take a step back and watch it all unfold… Yes, I guess I've become like many these days a fugitive from life. Hence the title!"

He continued: "The song rocks and the lyrics are self-explanatory. Like many songs I've written, it came to me late at night. Inspiration and pure stream of consciousness have always been the best formula for me when composing. It has that classic DOKKEN sound… A great song to blast when driving down the highway."

In September 2023, DOKKEN released the music video for the LP's second single, "Gypsy".

Dokken said about the track: "While writing the new record, we had written a lot of music, but I sometimes got stuck with the lyrics so I decided to go camping. I came across a woman wearing a lot of necklaces and jewelry. She was driving an old wagon with one horse and she was stuck in a hole. I asked her if she needed help, but she said, 'No. The sun will be up soon.' She had a fire going and invited me to have some food that was cooking in an old pot, so I did and we began to talk. She spoke in broken English and looked Navaho. There is a reservation here in New Mexico. The first thing she said to me was, 'You make music,' and I was intrigued by that, so we sat there for several hours and talked. She looked very old yet wise. She told me about her life living on the reservation and I told her about my life. She told me I had lost my way, which I found funny since she seemed to be lost but wasn't. It was pitch black. She looked up and said, 'The stars guide me,' and started speaking Navaho. I found the experience very surreal."

Don concluded: "I got my jack out of my truck and lifted up her wagon. We both gathered a lot of rocks and filled the hole so she could get her wagon unstuck, and then she just walked away and started to drive off without saying a word, but then she shouted back to me and said, 'The sun is coming up… you need to go, the coyotes and mount lions will be hunting soon'... Very wise advice."

Working with Palmer over the course of a year at his studio in Santa Fe, the DOKKEN flavors remain as potent as ever, yet they're also sprinkled with some desert seasoning which gives "Heaven Comes Down" a richness hitherto unseen on a DOKKEN album.

You want to rock? Sink your teeth into "Fugitive", which rides some shimmering guitar work courtesy of 20-plus-year member Jon Levin, and if you want ballads, head on over to "I'll Never Give Up", hanging on that Coliseum chorus, Levin laying down a landmark solo. The pattern of "Heaven Comes Down" never falters in delivering the goods on both sides of the fence. "Just Like A Rose" brings the Pacific Coast Highway to desert plains with its smooth, effortlessly-driven gears, and "Saving Grace" carries a mystical malevolence. But "Santa Fe" is perhaps the most revealing with Don Dokken opening up with what amounts to a "life-moment biography": a spartan acoustic arrangement allowing the rich yet road-driven vocals to frame what might well prove to be the defining moment of DOKKEN's career.

Don Dokken makes one thing abundantly clear: he is excited about his new record and the future, and wholly uninterested in revisiting a DOKKEN past which has centered too much on the off-stage and out-of-studio swirl.

"I'm so tired of hearing about the fighting and the 'this' and 'that'… this is about a new record," he declared, "a new record with my new band. It's been a long process, but at the end of the day, I think we have lightning in a bottle."

"Heaven Comes Down" track listing:

01. Fugitive
02. Gypsy
03. Is It Me Or You?
04. Just Like A Rose
05. I'll Never Give Up
06. Saving Grace
07. Over The Mountain
08. I Remember
09. Lost In You
10. Santa Fe

According to Don, 15 songs were recorded for "Heaven Comes Down", with the original plan to include all of them on the LP.

"When I write records, I don't just think, 'Okay, we need 10 songs or 11.' I always write 20 per album, and then you pick the best," he explained to Tulsa Music Stream. "And sometimes you write a song, and I'm thinking, 'Oh, this is great.' And it's a good thing I owned a recording studio in L.A., so it didn't cost me anything. And I'd write and write and write. And I'd get it done, and I'd go, 'Eh… It's okay.' So you get an idea and you think it's gonna go, and all of a sudden it just didn't pay out.

"I'm very proud of the record, but then I gave it to the label… I had only written three songs in the past that never made it, and it was me playing guitar," he said. "And I wanted those on the record, because now I'm crippled, I can't play guitar anymore. I said, 'At least put those on the album,' my last hurrah. And they took 'em off. And I never heard… Most record companies, they want 15 songs or 16 songs, like METALLICA albums. And he goes, 'We can only put 10.' I go, 'But that was the old days of vinyl.' You could only put — I can't remember; I think it's 40 minutes a side or something like that. So I said, 'But these are good songs. I want 'em on the record.' Why would you wanna take off four good songs? And they said, 'Well, maybe we'll put like a bonus album out down the road and add 'em.' … Anyway, he just said, 'We want 10 songs on the record, 10 songs on the CD. We're ditching four of 'em.' And they happened to pick the ones that I was playing the guitar on and Jon [Levin, DOKKEN guitarist] was playing solos. And I think they didn't like 'em… What did my record company president say? 'They're too grungy.' And I went, 'Grungy? Well, they're old.' But it wasn't like they were grungy; they were just dark. I was probably going through a dark phase, and he didn't want any dark songs on the record; he just wanted that classic DOKKEN [sound with] tons of harmonies, uptemp… yada yada yada."

One of the songs on "Heaven Comes Down" is the aforementioned "Santa Fe", which was written about Don's adopted hometown.

"People are always asking me how I ended up here," Dokken said. "And I told the story to my engineer and producer Bill Palmer. So I literally wrote a song called 'Santa Fe', and it's four minutes and 15 seconds, 'From the day I was born in L.A., I never wanted to leave. I had a lot of jobs. I hung out on Sunset Boulevard. I traveled around the world, was always missing home.' And I was telling him this, and he was recording it on a microphone. And I told him my story, and I went, 'Huh. I can make a song out of this.' So I did… And it's a really cool bastard song. It's not a rock song. It's not country. I can't put my finger on it."

Regarding the experience of working with Shirley for the first time, Don said: "Kevin Shirley is an amazing engineer. When he first started mixing the record, I was really disappointed. He gave me the first song and I went, 'This sounds like '80s.' And he goes, 'Well, I thought that's what you were going for.' And I said, 'That ship has sailed, man. I want a modern record — punchy, aggressive, in your face. I don't want a bunch of reverb, I don't want a bunch of echo. I don't want a bunch of production — just harmonies I want still.' So he goes, 'Oh, okay, I get it.' I said, 'Look, I just heard the IRON MAIDEN album. That thing kicks ass. Just go that direction.' So he did."

The title of the new DOKKEN album is apparently not to be confused with the song "When Heaven Comes Down" which originally appeared on the band's 1984 LP "Tooth And Nail".

In March 2023, DOKKEN bassist Chris McCarvill told Sam Wall about "Heaven Comes Down": "I have to tell you is Don sounds fantastic on it. He sounds great. I talked to him on the phone about this a bunch of times, and it was, like, he re-did his vocals three times. He didn't just phone it in; he really worked hard on it. And I can honestly say that, as someone that — I liked DOKKEN growing up and stuff — I can't imagine any DOKKEN fan being disappointed by it; I really can't. Don really sounds good on it."

DOKKEN released an album called "The Lost Songs: 1978-1981" in August 2020 via Silver Lining Music. Featuring sleeve art by renowned U.S. artist Tokyo Hiro (MOTÖRHEAD, MOTLEY CRÜE),the effort contains material written and recorded by a hungry young Don Dokken as he embarked upon a journey which started in Southern California and Northern Germany.

DOKKEN's classic lineup of Dokken, guitarist George Lynch, bassist Jeff Pilson and drummer "Wild" Mick Brown completed a short Japanese tour in October 2016, marking the first time in 21 years the four performed together.

A DOKKEN concert DVD focusing on the band's reunion tour, "Return To The East Live (2016)", was made available in 2018.

At some of the recent DOKKEN shows, Lynch has been rejoining the band on stage to perform three of the classic DOKKEN songs: "Kiss Of Death", "When Heaven Comes Down" and "Tooth And Nail".

Dokken

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Three-time-Grammy-nominated hard rock heavyweights and platinum-selling band KILLSWITCH ENGAGE — Jesse Leach, vocals; Adam Dutkiewicz, guitar; Joel Stroetzel, guitar; Mike D'Antonio, bass; and Justin Foley, drums — released their new album, "This Consequence", on February 21 via Metal Blade. The official music video for the LP's latest single, "Collusion", can now be seen below.

"'Collusion' is about the struggle between people in power and the common people," explains Leach. "It speaks about the propaganda and divisiveness used to keep us in control. It's about the ruthlessness of the ruling class who use wealth to raise, manipulate, and destroy empires at their will."

He adds: "I wish for people to use discernment and intellect to read between the lines. My hope is to instill a desire for analyzation and critical thinking amidst the current rigged and corrupt forms of governments the world over."

In a recent interview with United Rock Nations, Jesse spoke about "This Consequence", which is KILLSWITCH ENGAGE's ninth LP overall, and sixth with Leach, who rejoined the band in 2012. Asked what the biggest challenge was in making the new record, Jesse said: "I think for me wanting to be, and I use this word loosely, relevant, but relevant to me and my bandmembers. I wanted what I had to say to excite them, but I also needed it to be genuine. I needed it to be something that when I looked at those lyrics, I thought, 'Yes. That's exactly what I wanna say.'

"I went through — I don't know — seven, eight songs where I was kind of just throwing it out to see what would stick," he continued. "And those guys were, like, 'This doesn't feel like you're really giving us your best.' So having that sort of rejection from them initially was very hard. It sort of felt like I was becoming insecure. I was wondering if I had it in me. But that turned into a determination to rediscover myself as a writer, to go deeper, to tap into things that I never tapped in before, and to sort of look outside of myself. I mean, after everything we've been through, there's so much to draw from. There's so much to pull from. So I started pulling from things that I was seeing on mainstream media. I started pulling from stories that I heard from people that they've been through. I started pulling from extreme relationships of abuse and just kind of dialing them all into a story — obviously coming from me and the way that I saw and felt about those things, but it ended up becoming much more of a worldview as opposed to just me going, 'I, me, I.' It was more about us — 'This is about us.' Hence the title 'This Consequence'. It's about us — all of us. How do you respond to these situations? How do you modify your behavior? What lessons have you learned? And realizing that with everything that you do, there's going to be a reaction.

"So, the big picture to me is what I was focusing on and how to how to heal our PTSD from everything we've gone through and realizing that we're still all going through it," Leach added. "We may not realize it, but we are. And how do we allow the outside sources that are constantly manipulating us to control our minds and to continue to keep us divided? The challenge was how do I crack that code? How do I get that message through to people? And I did the best I could. And I think I did pretty damn well."

Asked if writing about all those topics was a form of therapy for him, Leach said: "Yeah, absolutely. Absolutely, it is. And I think it's necessary. You can't avoid it. And I think I avoided it a lot during the pandemic. I wanted nothing to do with it, 'cause it was such a volatile time. I think we're all sort of coming down off that, and it's not so intense where people are actually open to discussions of, or maybe you weren't 100 percent accurate or correct in your belief. Maybe you have room to be wrong here, and if so, what did you learn from that? And how do you move forward without having that assumption being part of your vocabulary? I think all of that is very important. And as a writer, how do I write it in such a way where you as a listener can draw your own conclusion? So I'm not giving you the answer. I'm asking you to think about this thing. And then what do you think about that? You as the listener can sort of put the answer on that question. And that's really what I tried to do — writing with a broad enough brushstroke where the song can be yours. I penned the lyrics, but I very much want you to sort of take the torch and run with it."

In a separate interview with Joshua Toomey of the "Talk Toomey" podcast, Leach stated about the "dark", "angry" and "aggressive" nature of "This Consequence": "Yeah, I think angry, dark and aggressive, for better or for worse, is kind of what the world needs right now, I think, therapeutically speaking. I think a lot of us can relate to frustration, anger, betrayal, all those things, and that's kind of what I highlighted lyrically with this album; I was really focusing on that stuff. But I will say this: if you really read into the lyrics, there's a positivity through a righteous anger, anger that wants to sort of wake people up and have people choose their own path instead of just the blind leading the blind, which is what we see so much in society and our governments and organized religion and all these things that control us as people. It's very much about breaking out of the matrix, if you will, and carving your own path. And there's a righteous anger underneath all of it, and that's where the positivity lies. But I think with metal music, the great thing about it is you can talk about dark stuff and it is therapeutic. That's why a lot of us get into this kind of music."

Jesse also talked about the lyrical inspiration for the first single from "This Consequence", a song called "Forever Aligned", which was made available in November. Speaking specifically about the line "now my tongue must confess", Jesse said: "Yeah, I'm always weaving in and out… I was raised by a minister, I was raised in a Christian home, so even though I don't subscribe to organized religion anymore, I like using biblical words here and there to sort of tie in the themes. I'm very much a believer in in God, if you will, in general. I know people roll their eyes when other people say that, but my journey has been such where I've just seen much deeper things that I don't think can be defined by a particular human organized religion. And 'Forever Aligned' is about that. It's about love. It's about, first and foremost, the song was inspired by the love I have for my wife and the relationship we were able to have during the pandemic, especially, where it was just the two of us, nobody else, and really learning what love and sacrifice is, and then weaving that into what I believe God is. God is love, to keep it really general for people to understand. We can try to tap into that as humans, that word 'love', but it's far beyond human comprehension. So that song is very much about being broken and in a dark place and finding salvation through love."

Elsewhere in the chat, Leach touched upon his growth as a vocalist since the release of 2019's "Atonement" LP, saying: "Truth be told, ['This Consequence'] was very difficult for me to write and sort of find my inspiration again. And even vocally, learning new techniques, like the vocal fry, and trying to add that into my old technique and still sound like me, it was a long, hard process.

"Especially after my vocal surgery in 2018, I relearned how to speak differently — I speak differently than I did," he explained. "I'm more measured; I make sure my voice is placed in the right place. And through that, it went into my vocals, my singing, especially. I was really focusing on my singing first and foremost to stay in key and not go flat or sharp. Then it was, like, my screams were — I was so paranoid. I was really worried about… We do three shows in a row. That fourth show, I'm, like, 'It's getting difficult. I can feel the swelling happening.' So I was really studying vocal fry, 'cause you can do a lot of cool stuff with fry, but me with my voice, it has such a signature sound to it, I guess, according to Adam [Dutkiewicz, KILLSWITCH ENGAGE guitarist and producer], at least, that if I just went into that new technique completely, the lows were missing something, my yelling. It different. So I was going into these demos just doing fry, saving my voice, especially thinking that, once I get to the studio, it's going to be fatiguing; we're doing four- or five-hour sessions. But I kept falling flat and the voice just didn't sound right. For some of the high stuff, it works, but for the lower, mid stuff and for the death metal growls, that's all old school… It's the old-school way, the way we all started doing it in the late '80s and early '90s. So I've learned, thankfully, through a lot of trial and error, and this album had a lot to do with it, to blend the styles. So I can do my old-school stuff, and then I can sort of blend in some of the vocal fry to hit those crazy, maniacal-sounding highs without it destroying my voice."

KILLSWITCH ENGAGE will embark on a headline tour in March 2025. It's their first tour of North America since late 2022. The trek will feature support from KUBLAI KHAN TX, FIT FOR A KING and FROZEN SOUL, and will kick off on March 5 in Nashville and runs through April 12 in Portland, Maine.

Killswitch Engage

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Motörhead have released the video below, a performance of “Leaving Here” from BBC’s Top Of The Pops.

Description: “Leaving Here” features on the live EP ‘Golden Years’ which was released in 1980. The lineup for EP album included Lemmy Kilmister, Fast Eddie Clarke, and Philthy Animal Taylor. This was their first appearance on BBC’s Top Of The Pops from 1st of May 1980.

Motörhead