Bruce Dickinson has released the official music video for his new solo single, "Afterglow Of Ragnarok". The Ryan Mackfall-directed motion picture short is based on the graphic novel written by Dickinson and Tony Lee and features original artwork by Staz Johnson.
"Afterglow Of Ragnarok" is the first single from the IRON MAIDEN singer's upcoming solo album, "The Mandrake Project", which will arrive in early 2024 via BMG.
"Afterglow Of Ragnarok" is a dramatic and epic track that introduces the world not just to the music of the album but to the compelling narrative that forms the basis of "The Mandrake Project".
"It was important to set the tone of the project with this track," Dickinson explained. "As befitting its title, it's a heavy song and there's a great big riff driving it… but there's also a real melody in the chorus that displays the light and shade that the rest of the album brings… and just wait until you see the video!"
"The Mandrake Project" is a dark, adult story of power, abuse and a struggle for identity, set against the backdrop of scientific and occult genius. Created by Dickinson, scripted by Tony Lee and stunningly illustrated by Staz Johnson for Z2 Comics, the series features 12 episodes that collect into three graphic novels and will be launched in 2024.
An eight-page comic prequel to "The Mandrake Project", titled "Afterglow Of Ragnarok", is included within the vinyl seven-inch single booklet which accompanies the single of the same name and sets the scene for the story to come. The seven-inch single also features Dickinson's original solo demo version of the song "If Eternity Should Fail", which first appeared on IRON MAIDEN's album "The Book Of Souls" in 2015.
More details regarding "The Mandrake Project" will be revealed when Dickinson appears as the keynote speaker on the opening day of CCXP23, Brazil's huge Comic-Con event in São Paulo, on November 30.
Having initially announced Brazilian and Mexican live dates for April and May next year, Dickinson and his phenomenal band — which features guitarist Roy "Z" Ramirez, drummer Dave Moreno, bass player Tanya O'Callaghan and keyboard maestro Mistheria — will continue their touring with a run of European shows, alongside a number of festival appearances in Europe.
Dickinson previously stated about "The Mandrake Project": "This album has been a very personal journey for me and I am extremely proud of it. Roy Z and I have been planning, writing and recording it for years, and I am very excited for people to finally hear it. I'm even more excited at the prospect of getting out on the road with this amazing band that we have put together, to be able to bring it to life. As you can see, we're playing as many shows as we can, in as many places as possible, for as many people as we can!"
"The Mandrake Project" will be Dickinson's seventh solo album and his first since "Tyranny Of Souls" in 2005. It will be released via BMG worldwide on multiple formats.
Back in December 2017, Dickinson said that his next solo LP would likely include a reworked version of "If Eternity Should Fail", the opening track on IRON MAIDEN's 2015 disc "The Book Of Souls". At the time, he said that he had about "half" of his seventh record already written and he also confirmed that "If Eternity Should Fail" was originally penned as a Dickinson solo track.
He told Finland's Kaaos TV that the original plan was for his next solo record to be "a whole concept album, which was gonna be called 'If Eternity Should Fail'. And 'If Eternity Should Fail' was the title track to my new solo album," he said. "And a bit like [Dickinson's 1989 solo song] 'Bring Your Daughter To The Slaughter' [laughs], it got commandeered for IRON MAIDEN. So if I did do another solo album, which I think I will, I might just stick to my original plan and have that as the title track. I mean, I did write it — it was the first track that I wrote for it. So, yeah, I'd probably still include that song. But it would be… the feel would be slightly different — not very much, though — from the MAIDEN version."
In 2015, Dickinson told France's Hard Force magazine that "If Eternity Should Fail" ended up being used by IRON MAIDEN after bassist Steve Harris heard the demos that Bruce was working on for what was supposed to be his next solo album. "And [Steve] went, 'That's a really cool song. Can we use that? That's gonna be the opening song on the album,'" he recalled. "And I went, 'Yeah, okay.' And he was already writing, I think… He was already thinking of 'The Book Of Souls' as being the title, so he told me about the Mayan thing. And I'm, like, 'Yeah, that's cool. Okay. Yeah, I see where you're going.' But in my case, that song was written as part of a story. So the spoken word at the end is the beginning of a story that goes through the whole album. And one of the characters is Dr. Necropolis; he's the bad guy. And the good guy is Professor Lazarus; he raises people from the dead. So that introduces Necropolis in the spoken-word thing. And I asked Steve… I said, 'Look. Okay. I get having the song…' 'Cause it opens up with, 'Here is the soul of a man.' 'Yup. Get that. But what about the end?' I said, 'Will people understand what this is about? Because this is nothing to do with the Mayans or anything. This is to do with… I'd come up with a concept album that doesn't happen.' [Laughs] And he [went], 'No, no, no. It's just talking about souls and everything, and it sounds great.' I went, 'Okay.' [Laughs]"
Dickinson made his recording debut with IRON MAIDEN on the "Number Of The Beast" album in 1982. He quit the band in 1993 in order to pursue his solo career and was replaced by Blaze Bayley, who had previously been the lead singer of the metal band WOLFSBANE. After releasing two traditional metal albums with former MAIDEN guitarist Adrian Smith, Dickinson rejoined the band in 1999 along with Smith. Since then, Dickinson has only released one more solo album (the aforementioned "Tyranny Of Souls") but has previously said that his solo career is not over.
SKID ROW has released the official music video for "Resurrected", the fifth single from the band's latest album, "The Gang's All Here".
SKID ROW was never a band that was going to let anything get in its way, and the "Resurrected" clip takes that idea to the ultimate next level. Directed by Frank Gryner, who has created eye-popping videos for ALICE COOPER and DEF LEPPARD, and from an original concept by SKID ROW bassist Rachel Bolan, the video captures the band in a new environment, showcasing their versatility as they confidently tackle a formidable challenge.
"Being a fan of animation, I was very excited when the opportunity to do an animated video was presented to us," recalls Bolan. "I really wanted to give the video a sci-fi feel that would convey that you can conquer anything, no matter how big the monster. Even if it lives within the parameter of your inner circle."
In a recent interview with Tulsa Music Stream, SKID ROW guitarist Dave "Snake" Sabo was asked if he and his bandmates have begun work on material for the follow-up to "The Gang's All Here". The LP marked SKID ROW's recording debut with Swedish singer Erik Grönwall, who joined the group in January 2022 as the replacement for ZP Theart.
"We've written a few things, getting Erik involved as well," Snake said. "We've toured quite a bit, so that takes up… We're not really adept at writing on the road; we're pretty crappy at it, actually. One thing that we do do is we come up with soundcheck riffs and we utilize those riffs. And when we have, when we go, 'Okay. Let's start writing for the next record,' we'll stop touring for a while and really get down to it and start getting in a room and shutting the door and shutting the phones off and cranking them out."
Sabo continued: "We're still old school, man. It's, like, we record these riffs on the dictaphone. And then I can remember we had built this studio at my house in New Jersey years ago, this big-ass studio. And Rachel [Bolan, SKID ROW bassist] and I would be in the live room and we'd come up with an idea. And instead of hitting the tape machine or something like that, we both just lie instinctively pulled out our dictaphones. And we looked at each other, like, 'What? We just spent this crazy amount of money building this studio, and we're still [using a] dictaphone.' The iPhone is our dictaphone now. So it's actually really cool to sit there and be able to get in a room after you're done touring and stuff like that, and go back and listen to these riffs. And you look at the date and you're, like, 'Oh my God. All right. That was soundcheck in Seattle,' or 'That was soundcheck in Boise.' There's something that attaches itself to that, and that helps to spur the creative process. It kind of reminds me, or it reminds you, as a writer, of where you were at that particular moment when this came to you, and then potentially what it could be. It's an exciting process."
Two months ago, SKID ROW postponed the third North American leg of "The Gang's All Here" tour with BUCKCHERRY until early next year. Erik later explained that he needed "more time to recover" from a recent illness due to the fact that he received a bone marrow transplant after being diagnosed with acute lymphoblastic leukemia two and a half years ago.
SKID ROW's fourth leg of "The Gang's All Here" tour in December with BUCKCHERRY is still scheduled as planned.
"The Gang's All Here" arrived in October 2022 via earMUSIC. The group recorded most of the LP in Nashville, Tennessee with producer Nick Raskulinecz, who has previously worked with FOO FIGHTERS, STONE SOUR, HALESTORM, EVANESCENCE, RUSH and ALICE IN CHAINS, among many others.
Theart, who had been in the group for more than six years, played his final gig with SKID ROW in February 2022 before being officially given the boot.
Sid Falck (ex-Overkill) has released a new song, "Blood Of Khan", with special guests Dano Hibbs (Breeding Thorns) and Evie Austin (Inscribed & Faethom), under the Falck name.
Sid Falck: "Clearly this is inspired by Genghis Khan. However, it’s not really about the brutal butcher. Though there are enough history to fill books about him This is actually, from my POV in writing, about standing up for yourself, your ideals, your beliefs and, especially, your self worth and right to be.
"It seems too often, society, or elements of society, will just about publicly Lynch you, if your opinion doesn’t exactly match theirs. So really, for me, this is about standing by your right to believe that your opinion is just as valid as others; That you have the right to want to be safe even if you don’t fit “someones” vision of what’s “normal or acceptable“. So really, as far as I’m concerned, you should be free to live life as you see fit, as long as you allow everyone else to do the same. So, yeah. It’s about being ready to stand up for yourself, find your inner warrior if necessary, finding your inner Genghis Khan.
"Once again, I turned to Dano Hibbs for the guitar leads. There’s just something really special about his feel, that I have become a huge fan of. It’s somewhere along the Cannavino/Zakk Wylde school of playing to my ears.
"On this song, I also asked a young bass player, Evie Austin, who’s from the Miami, FL area, to do the bass. Here’s the crazy thing, Evie was only 17 when she recorded her track, actually, she just turned 18 two days ago!! The pure talent of that bass track, for someone that young, just absolutely blows me out of the water. I mean, holy crap. I can definitely see myself inviting Evie to help on future songs."
"Blood Of Khan" can be downloaded here for “set your own price”, making it a free download, should you so choose. An accompanying video can be viewed below. "Blood Of Khan" is / will also be available on all streaming and digital platforms.
Following their 2019 album, BrotherhoodOof Metal, January 19 sees heavy metal icons, The Rods, release their new studio offering, Rattle The Cage. The album will be available as CD Digipak, Ltd. Vinyl LP and Digital formats via Massacre Records. Pre-order here.
After the band shared a first appetizer, the album title track, today they are premiering a music video for their new single, "Shockwave".
Says David "Rock" Feinstein: "This again, like 'Rattle The Cage', was a title that Carl had sent me with some lyric ideas, and came to completion the same way as 'Rattle The Cage'. It’s basically just a rock song that interprets how you feel, as the artist playing it, or a fan listening. It’s reminiscent of a Motörhead song, as an all out balls to the wall rock 'n' roll song. Basic, and to the point. There have been times when The Rods have been referred to as the "American Motörhead", so in this song that’s what it feels like. Fast, Loud, and always proud.
The Rods are a storied heavy metal band that rocked their way through the ‘80s with a powerful, raw energy that had fans and critics alike calling them “The American Motörhead.” Once the go-to opening act for some of the biggest metal bands in the world, The Rods toured throughout the ‘80s with the likes of Judas Priest, Ozzy Osbourne, and Iron Maiden, among others. Along with contemporaries like Anvil and Raven, The Rods are an integral part of what is commonly recognized today as Heavy Metal’s “golden age,” and emerged during the New Wave of British Heavy Metal.
Heavy, dark, deep, insightful, and maybe even a bit more inciteful than ever before: Rattle The Cage is The Rods at their incendiary best! Lyrically, they’ve taken a cue from David "Rock" Feinstein’s cousin, Ronnie James Dio, providing the listener with a similar sense of hope and resiliency in the face of an ever-changing world. Musically, the band is tighter than ever! Founding members David "Rock" Feinstein and Carl Canedy are joined by new bassist Freddy Villano (Quiet Riot, Widowmaker), and the results are simply sublime: The songs are rhythmically tighter, yet more musically unbound, the grooves heavier, and the melodies more dynamic.
Mixed and mastered by Chris Collier, Rattle The Cage benefits from his masterful, modern touch, with the kind of sound that will simultaneously appeal to core fans as well as new generations of listeners! The Rods epitomize the term power-trio, and the word “power” has never been more evident in their music than it is now. 2024 will mark The Rods' 45th anniversary, in support, they will be playing many special dates and performances to commemorate 45 years together. With such an impressive history firmly notched in their collective belt, The Rods are still firing on all cylinders, and as eager as ever to crank it up, louder than loud!
Rattle The Cage tracklisting:
"Now And Forever"
"Wolves At The Door"
"Cry Out Loud"
"Rattle The Cage"
"Can’t Slow Down"
"Metal Highways"
"Hell Or High Water"
"Play It Loud"
"Shockwave"
"Hearts Of Steel"
"Rattle The Cage" video:
The Rods are:
David “Rock” Feinstein – Vocals, Guitars
Freddy Villano – Bass
Carl Canedy – Drums
Ravage, the traditional heavy metal rockers from Boston, Massachusetts have returned with their first new music since the pandemic. The band has posted an official music video for the song "Manmade Ice Age" - the first single from their forthcoming full-length album Spider On The World, which is due out in early 2024 on a date and record label to be announced.
Singer Al Ravage comments: "We put together a remote video during the pandemic, but this is our first attempt at an actual video since 2010's "Grapes Of Wrath" video. It was fun to work on. We'll have a few more videos coming out before and after the album release."
In regards to the new single, "I think this song is a good summation of what we've been working on for the last couple of years coming out of the pandemic. Lots of guitars, lots of melody and lots of attack. We brought in Pete Rutcho of Damage Studios, who mixed our The End Of Tomorrow album, to help give this latest record a crisp, modern, sound. But the guys in the band are pretty much slaves to the traditions of classic heavy metal, so I think we've achieved a good balance, and fans of killer melodic metal of all stripes will be pleased with it. This is just a taste of what we have in store for the full-length, which I think features the best material we've yet done. Crank it! Ravage The Earth and Ravage In Peace!"
Swedish progressive rockers, Moon Safari, recently announced their new album, Himlabacken Vol. 2. Ten years in the making, their 5th studio album will be released on December 6 through Marquee Inc. in Japan and worldwide on December 8 through the band's own Blomljud Records Inc.
Moon Safari are now pleased to share the video for album's second single "Emma, Come On".
The band had this to say about the track: "Do people still have posters of their favourite artists or movie stars on the walls in their room? This song is about celebrity worshipping, the slightly unhealthy kind. All dressed up in swirling moogs and guitars, as if Genesis in the mid ‘80’s kept one foot in their past and didn’t care for airplay. Which celebrity poster did you hang on your bedroom wall?”
About the making of the album: "It took us ten years, for a million different reasons. But we're not dead yet. We return with what we know is a worthy comeback album, filled with our own special brand of symphonic rock cultivated over 20 years as an antidote to the long, dark winters of northern Sweden, with those trademark vocal group-inspired harmonies, uplifting melodies and soulful romantic lyrics that our fans have come to expect. With the addition of ex. Black Bonzo drummer Mikael Israelsson to the band we've totally revamped and boosted the low end of our sound, tightened it up, and that attitude shift is felt through our entire arrangements.Tying it all together is the mix by the great Rich Mouser. He's been the go-to guy for the big boys in the genre for many years, and now we understand why. The mix is clear and punchy, booming and never flat. It just sounds expensive, and we couldn't be happier. You'll get almost 70 minutes of this heady brew, spread over nine tracks, with zero fillers. And of course there's the obligatory epic. The whole thing is a banger, and we're immensely proud of it."
Tracklisting:
"198X (Heaven Hill)"
"Between The Devil And Me"
"Emma, Come On"
"A Lifetime To Learn How To Love"
"Beyond The Blue"
"Blood Moon"
"Teen Angel Meets The Apocalypse"
"Forever, For You"
"Epilog"
"Between The Devil And Me" lyric video:
Moon Safari is:
Petter Sandström - Lead and Backing vocals, Acoustic Guitar
Simon Åkesson - Lead and Backing Vocals, Piano, Organ, moog.
Pontus Åkesson - Lead and Backing Vocals, Electric and Acoustic Guitar
Sebastian Åkesson - Backing Vocals, assorted keys, percussion.
Mikael Israelsson - Backing Vocals, Drums, percussion, keyboards, piano
Johan Westerlund - Lead and Backing Vocals, Bass Guitar
Special guest performance by Jamison Smeltz - saxophone on "Forever, For You"
British heavy metal legends JUDAS PRIEST have released the official music video for "Trial By Fire", the second single from their upcoming studio album, "Invincible Shield". Check it out below.
"Invincible Shield" will arrive on March 8, 2024 via Sony Music. The LP's first single, "Panic Attack", can also be streamed below.
The release date for PRIEST's follow-up to 2018's "Firepower" was announced on October 7 during the band's performance at the Power Trip festival in Indio, California.
After BLACK SABBATH's "War Pigs" played as the intro to PRIEST's set, a graphic was displayed on the video screens announcing "The Invincible Shield".
The cover artwork for the CD and vinyl versions of "Invincible Shield" can be found below.
This past June, PRIEST guitarist Richie Faulkner told Anne Erickson of Audio Ink Radio that the band's new album was "sounding great. I was in Phoenix with [producer and touring guitarist] Andy Sneap and Rob a few weeks ago, putting the vocals down," he said. "And it's always exciting to hear new PRIEST tracks, because they become PRIEST tracks when Rob sings them. It's, like, the world hasn't heard them yet, but there's new PRIEST tracks that we're hearing for the first time. It's really exciting, hearing that characteristic voice that we've heard for decades singing new stuff. It's an incredibly exciting thing, so I can't wait for the world to hear it all."
Elaborating on the musical direction of the new PRIEST material, Faulkner said: "There are definitely a few more twists and turns on this record. There are a few more musical parts. So, there might be a bit of... As I said, there are twists and turns. I've used the word 'progressive' before, and the Internet ripped me a new asshole. But it is progressive in the sense that it's not like verse-chorus-verse-chorus-solo-chorus-finish. It's musical part-verse-musical part. It might do a few twists and turns, musically. It veers from the path of it, a bit like 'Sinner' or 'Tyrant' or something like that. So, it's a bit more '70s PRIEST, which I welcome as a guitar player… It's '70s PRIEST, but it's not a retro album, by any means. It's the influence of '70s PRIEST in the progressive sense, but it sounds like PRIEST in 2023."
He added: "Every PRIEST album has kind of stood on its own, stylistically. It's had that DNA of JUDAS PRIEST, because the characters are so strong. But it's always been a little bit different — retaining that DNA but having its own character. So, this one's no different, really, in the sense that it's obviously JUDAS PRIEST, but it's its own animal; it stands on its own two legs."
Last November, Faulkner told Robert Cavuoto of Metal Rules that some PRIEST fans misconstrued his previous comments about the musical direction of the band's upcoming LP. He said: "I think we've used the word 'progressive', and everyone thinks it's gonna become 'Nostradamus' [PRIEST's controversial 2008 symphonic heavy metal concept double album about Nostradamus], or RUSH, which is two different things. I've definitely used the word 'progressive' [to describe the new PRIEST material in previous interviews], purely because it's got a few musical turnarounds that 'Firepower' doesn't have. But that doesn't make it a RUSH record. It just makes it — instead of, like, a verse into a bridge into a chorus, there might be a couple of more musical passages in there to make it a bit more… interesting; might be the wrong word. I don't know. You've gotta be careful with the words you use these days. So it's not 'Firepower 2', but it's the same band a few years later, so there's obvious connections to the last record. But it's not 'Firepower 2' by any means."
Richie continued: "No PRIEST records have sounded the same, but it's got a common DNA. And you always try and make the next one sound a bit better — or whatever 'better' may be; 'better' is subjective. So, is it better written? Are the lyrics better? Does it sound better? And 'better' is always subjective. So it's hard to pinpoint, really. But it's a bit more of a musical adventure than the last one, I'd say. But then again someone might listen to it, when it does come out, and have a totally different interpretation of what it is. So it's always tough to sum up your own music without sounding up your own butt."
In February 2022, Halford was asked by Remy Maxwell of Audacy Check In if he agreed with Faulkner's comment that the band's upcoming album will be more musically "progressive" than "Firepower". He responded: "Yeah, the metal is there. But here's the thing: we've tried our best not to replicate anything that we've done. From 'Rocka Rolla' all the way through to 'Firepower', each record has had a distinctive character. And it's tough because fans go, 'We want another 'Painkiller',' 'We want another 'British Steel'.' And [it's, like], 'Dude, we've already done that.'
"Fans know that we're a band that is always full of adventure and trying new stuff," he continued. "And so, yeah, this has got probably some more progressive elements that we've never really delved into before. And that's exciting, because, again, it gives us and our fans another opportunity to see a different side of PRIEST. But it's still metal. There's just more of it. There are more notes than there were before."
Also in February 2022, Faulkner told Canada's The Metal Voice about the overall sound of the new PRIEST music: "Whenever you start a record, you never know how it's gonna turn out. So you might start with an idea of what it's gonna be, and as it kind of rolls on, it comes out something different. So you don't quite know. And also it's really hard to sum up your own music, I find, without sounding really pretentious. But I think this one — it's not 'Firepower 2', I don't think. It's its own thing, it's its own animal. If anything, I would say it's a bit more progressive in places, and in places it's got a bit more of that 'Killing Machine' swagger."
Faulkner added: "I know everyone says, 'Oh, is it the next 'Painkiller'?' or 'Is it the next…?' whatever… I don't know if they'd ever done it, but I know we've never done it when I've been in the band; we've never tried to recreate an album. It's always we try to create an album that stands on its own legs. So I think it's definitely a little bit more progressive than 'Firepower' and, as I said, in places it's got a little bit of that 'Killing Machine' angry swagger attitude going on."
Bassist Ian Hill is the sole remaining original member of PRIEST, which formed in 1969. Halford joined the group in 1973 and guitarist Glenn Tipton signed on in 1974. Rob left PRIEST in the early 1990s to form his own band, then came back to PRIEST in 2003. Original guitarist K.K. Downing parted ways with the band in 2011, and was replaced by Faulkner.
German hard 'n heavy metal band, CobraKill, recently signed to Frontiers and are set to release their second album, Serpents Kiss, on January 19.
The band has dropped the first single and accompanying video, for the track "Same Ol’ Nasty Rock N’ Roll". Watch the video below, and pre-order the album here.
The band show excitement for the upcoming album: “Serpent's Kiss’ is a testament to our musical evolution. Recorded in the studio, it showcases a remarkable diversity, giving birth to infectious earworms right from the initial sessions. The album is a testament to our growth since our debut, radiating with creativity and displaying a newfound maturity. With drummer Toby Ventura taking the reins in production, mixing, and recording, we had unparalleled freedom to sculpt our sound. "Serpent's Kiss" undoubtedly marks a significant leap forward for us."
Formed in 2020, CobraKill swiftly garnered attention for embracing the sound, attitude, and ferocity reminiscent of iconic artists such as Mötley Crüe, Judas Priest, W.A.S.P., Lizzy Borden, and Ratt. Their ambitious goal is to reignite the flames of heavy metal's glory days from the '80s and conquer the world with their unique music. Drawing inspiration from the likes of these legendary bands, the quintet, featuring Nick Adams on vocals, Randy White on lead guitar, Tommy Gun on rhythm guitar, Crippler Ramirez on bass, and Toby Ventura on drums, not only captures the essence of the '80s but embodies it in both sound and appearance.
CobraKill's rise to prominence has been marked by electrifying performances and meticulously crafted songs. Fans attending their shows often describe the experience as magical, with many likening the atmosphere to witnessing the young Mötley Crüe commanding the stage.
The band's debut album, Cobratör, released in 2022, achieved remarkable success, selling out its physical format within weeks - a testament to the band's rapid ascent in the music scene.
CobraKill's music seamlessly blends metal, rock, sleaze, and glam, creating a sonic landscape that not only pays homage to the glory days of hair metal in the '80s but also asserts the enduring vitality of rock n' roll in 2024. Serpent’s Kiss promises to be an infectious rock record that will undoubtedly set the tone for the musical landscape in the year ahead.
Tracklisting:
"Above The Law"
"Bazooka"
"Concrete Jungle"
"Razor Blade"
"Monstrous"
"Same Ol’ Nasty Rock N’ Roll"
"Torture Me"
"Hungry Heart"
"Seventeen"
"Silent Running"
"Ride My Rocket"
"Velvet Snakeskin"
"Same Ol’ Nasty Rock N’ Roll" video:
CobraKill lineup:
Nick Adams - vocals
Randy White - guitar
Tommy Gun - guitar
Crippler Ramirez - bass
Toby Ventura - drums
Greek black metal legends, Rotting Christ, performed "Elthe Kyrie" at the 2022 edition of Norway's Midgardsblot Festival. Professionally-filmed video footage can be viewed below. "Midgardsblot Festival" is featured on the band's 2016 album, Rituals.
Rotting Christ's 15th album is expected to be released via Season Of Mist in early 2024. Stay tuned for updates.
Professionally-filmed footage of Epica's full live set from the Exit Festival in Serbia, recorded and broadcasted live on July 7, 2023, is available for streaming below.
Setlist:
"Alpha"
"Abyss Of Time"
"The Essence Of Silence"
"Victims Of Contingency"
"Unleashed"
"Martyr Of The Free Word"
"The Final Lullaby"
"Unchain Utopia"
"The Obsessive Devotion"
"The Skeleton Key"
"Code Of Life"
"Cry For The Moon"
"Beyond The Matrix"
"Consign To Oblivion"
Recorded in early 2023 at the band’s biggest Dutch headline show to date, Live At The AFAS Live captures the electrifying stage energy of symphonic metal titans Epica with some of their biggest hits.
Recently released on all digital platforms, this will be the final sign of life before the band returns to the studio to write their new album. Stream the full EP on all platforms now, here.
You can watch the live video for "Code Of Life" (Live At The AFAS Live) below.
Guitarist Isaac Delahaye comments: “It’s always a pleasure to play this fan-favorite track, and to take the crowd with us while we build up to the massive groove and have a headbang party together. Enjoy listening & watching 'Code Of Life' as performed earlier this year in Amsterdam!”
Watch "Beyond The Matrix" from the same show, below:
Sweden’s Siena Root have released a video for "Leaving The City", featured on the band's eighth studio album, Revelation, released earlier this year via Atomic Fire Records. Watch below:
Fittingly titled Revelation, the new album serves as the group’s most versatile offering of their long-spanning career, guiding listeners through a true journey rather than simply stringing together song after song. The eleven-track offering was recorded analogously at Silence Studio in Koppom, Sweden and Root Rock Studios in Stockholm, Sweden where it was also mixed. Mastering was handled at Stockholm’s Cutting Room.
Founded in the late ’90s, Siena Root are constantly working on something new. They’ve continually changed their approach and experimented with their sound — not only to keep their music fresh but to challenge themselves, which is among the main reason why the group’s relevance remains after all these years. Besides touring with acts such as Deep Purple and Dewolff, the quartet — founding members drummer Love Forsberg and bassist Sam Riffer with guitarist Johan Borgström and vocalist/keyboardist Zubaida Solid — have always brought an infectious performance to stages globally and consistently gaining new fans with every show.