Releasing their sixth album Hasta El Final! this past March via Rockshots Records, Bad Bones have a new music video to rock out your summer out to. Entitled "Libertad", it's an epic and powerful song that brings to mind the Hagar-era Van Halen and the Scorpions.
"We don't always get what we want, living leads us to many compromises, but when we go out and about, all we want is to be free, break the chains, and resist daily disappointments," adds the band.
Influenced by NWOBHM to the LA street rock scene, Bad Bones was formed in 2007. The band has made a name for themselves with tours across Europe along with making the move from Italy to LA in 2009 to make a foothold in the USA until returning to their home country in 2010. Over the years, the band has consistently toured the USA and Europe with appearances at events such as the Hollywood Rock Convention, Italian Gods of Metal, and Metalitalia Festival along with supporting bands like Steel Panther, Hardcore Superstar, Crucified Barbara, Entombed, Gotthard, Crazy Lixx, Strana Officina and more.
A musical amalgamation of blues, punk, classic rock, and heavy metal, Bad Bones' latest offering Hasta El Final! is a powerful record, that shakes your bones and must be listened to in one go, in its entirety, just like taking a shot of whiskey, throw it down and then enjoy it while it warms your guts.
"The sound of the band has changed since the beginning, the first album Small-town Brawlers was very raw, it sounded almost punk in some ways, in 2012 when Max Malmerenda joined the band, who has an amazing and very melodic voice, a process had begun that led us to write albums more on the ‘80s hard rock side like Demolition Derby in 2016, today, with the return of Mekk we have found a more powerful sound and we have several songs that we could define as heavy metal. We want Hasta El Final! to hit you like a punch in the face, we had this in mind, make it compact and powerful, we didn't use samples, nor quantized/triggered fake drums, everything was played live, even the overdubs were kept to a minimum, and we wanted to keep the fierce spirit of our first albums," says the band.
Making uncompromising rock that is meant to be loud in volume and make ya sweat in the pit, Bad Bones give listeners classic old-school rock n' roll fun. Their lyrics reflect the things they see and hear, from memories, and life experiences, but also from movies or places they've been, there have many sources of inspiration that fans can clearly relate to.
Hot on the heels of the 2023 Eurovision grand finals and a sold-out Australian tour, progressive rock outfit Voyager have debuted the official music video for “Ultraviolet” ahead of their highly anticipated eighth studio album, Fearless In Love, which will be released this Friday, July 14 via Season Of Mist. The haunting and dissonant track features Sean Harmanis, vocalist of Make Them Suffer, adding to the dark and modern vibe of the song. Directed by Matt Pitcher, the video delves into the human experience within the modern era, exploring themes of depression, social media/phone addition, identity, and individualism. Watch the video for “Ultraviolet feat. Sean Harmanis” below.
"Ultraviolet” is certainly one of the darkest songs on the album,” shares the band. “As the protagonist struggles to cope with the pressures of the modern world and its insane demands, the song has a message that we hope will resonate with many people, and we collaborated with director Matt Pitcher to tell this story in a cinematic way. Due to the dissonant nature of the track, we decided to enlist our good friend and fellow Australian Sean Harmanis, vocalist of metalcore band, Make Them Suffer, to perform a guest vocal spot to really portray the unsettling emotion we wanted to communicate in the track, and he totally slays."
This Friday, July 14, Voyager will release their eighth studio album, Fearless In Love, via Season Of Mist. The band comprised of Daniel “Danny” Estrin (vocals/keyboards), Simone Dow (guitars), Scott Kay (guitars), Alex Canion (bass) and Ashley Doodkorte (drums) have been creating music together for over a decade. On Fearless In Love sweeping vocals paired with emotive lyrics inspired by the grit and glam of ‘80s and ‘90s film overlay heavy guitar riffs and percussion to create a sonic journey that pushes the boundary of what fans have come to expect from Voyager. “Ultraviolet” is the latest song released from 11-song epic following “Dreamer,” “Promise,” and “Prince of Fire.”
"The Best Intentions"
"Prince Of Fire"
"Ultraviolet" ft. Sean Harmanis of Make Them Suffer
"Dreamer"
"The Lamenting"
"Submarine"
"Promise"
"Twisted"
"Daydream"
"Listen"
"Gren (Fearless In Love)"
Australia's extreme metal titans Thy Art Is Murder have released their storming new single, "Keres," the second taste of new music lifted from the band's forthcoming album, Godlike, out September 15 via Human Warfare.Pre-order Godlike here.
A stadium-sized death metal anthem, "Keres" has it all: bone crushing verses, colossal stomping choruses, an urgent guitar solo, and frontman CJ McMahon's vocals demolishing all in his wake as he rams that hook straight into your brain.
"Keres" is an absolute standout in the Thy Art Is Murder collection and guitarist Andy Marsh explains why the band can't wait to get it out there.
"It's not often we have this level of excitement to present a new single to the world," Marsh states. "'Keres' is a metal anthem filled with grinding verses and stomping choruses, stripping down some of the complexity that may have gotten in the way of previous attempts to deliver a song of this magnitude. The Keres was an evil sprite in ancient Greek mythology that would feed on the dead, but could not participate in acts of violence. We think this behavior is as relevant in the arena of news and politics as it was on those ancient battlefields."
Thy Art Is Murder ascended the ranks of extreme metal's top-tier bands with a meteoric underground rise as explosive as humankind's seemingly inevitable descent into doom and death. With their new album, Godlike, Australia's most harrowingly brutal export since George Miller's Mad Max franchise invites audiences worldwide to join them in a fresh Armageddon.
The sixth explosive album in the band's arsenal, Godlike cements Thy Art Is Murder as death metal's modern torchbearers. A soundtrack to a divisive post-modern dystopia, Godlike sees Thy Art Is Murder explore new depths and dynamics without sacrificing an ounce of intensity or urgency the band have staked their career on.
Recorded with their longtime producer and mixer, Will Putney, across the album’s 10 nihilistic tracks Thy Art are masters of their craft as they deliver sharp stabs, guttural descents and groove with muscular athleticism and confidence. Frontman CJ McMahon gives his strongest performance ever as he belts through lyrics that thematically confront how cycles of violence continue over time and feelings of separation in a hyper-polarized world.
Thy Art Is Murder’s thinking-person’s blackened death metal has challenged, provoked and inspired audiences around the world. Through relentless hard work, Thy Art have become one of the most successful extreme metal bands Australia has ever produced, making history on their own terms. Backed by an uncompromising discography, the two-time ARIA-Award nominees have smashed chart records in their native country, becoming the first homegrown extreme metal act to debut in the Top 5 with 2017's Dear Desolation.
Their electrifying and incendiary performances have seen the band do countless laps of the globe, becoming tourmates with genre-titans like Cannibal Corpse, Slayer, Kreator, Lamb Of God, Killswitch Engage, and Parkway Drive, alongside playing crucial festivals like Summer Breeze, Download, Graspop, and Wacken.
Join Thy Art Is Murder when they enter Godlike mode this coming September.
Godlike tracklisting:
"Destroyer Of Dreams"
"Blood Throne"
"Join Me In Armageddon"
"Keres"
"Everything Unwanted"
"Lesson in Pain"
"Godlike"
"Corrosion"
"Anathema"
"Bermuda"
German TV program "Rockpalast", which broadcasts on the television station Westdeutscher Rundfunk (WDR),has uploaded professionally filmed video of CORROSION OF CONFORMITY's entire May 11 concert at Luxor in Cologne, Germany. You can watch the show below.
Featured songs:
01. Bottom Feeder 00:00:00
02. Paranoid Opioid 00:02:45
03. Shake Like You 00:09:25
04. Seven Days 00:14:22
05. Diablo Blvd. 00:20:16
06. Senor Limpio 00:24:08
07. Wiseblood 00:28:58
08. Who's Got The Fire 00:32:18
09. Stone Breaker 00:35:22
10. 13 Angels 00:40:46
11. Vote With A Bullet 00:50:00
12. Born Again For The Last Time 00:54:47
13. Albatross 00:59:20
14. Clean My Wounds 01:06:19
Two months ago, CORROSION OF CONFORMITY confirmed the return of drummer Stanton Moore for its upcoming album. The "brutal-sounding" follow-up to 2018's "No Cross No Crown" is tentatively due in 2024.
In an interview with Eonmusic ahead of the kick-off of CORROSION OF CONFORMITY's European tour in Dublin, bassist Mike Dean and guitarist Woody Weatherman spoke about the loss of drummer Reed Mullin, who passed away in January 2020.
"It's a shock when you really realize [that he's gone for good]", said Dean. "Yeah, it was kind of a shock, yeah. Such an important musical contributor. Definitely an innovator. You can't replace him, for sure."
Added Weatherman: "Nobody really plays like Reed. But it's all part of moving forward. We miss him."
Regarding the decision to bring back Moore, who played on 2005's "In The Arms Of God", the pair were enthusiastic.
"We've been down to New Orleans and had a little writing session," Dean said. "We got together and picked it up pretty much where we left off." Weatherman added: "We turned the embers over a couple of times, rebuilding the fire."
On what Moore is bringing to proceedings, Mike said: "He's amped to do it, and he's got his indomitable style, so that's a good way to follow up the last one, for sure."
As for how the drummer came to be involved once again, Woody said: "He kind of spearheaded it, if recollection is clear, because him and Pepper [Keenan, guitar/vocals], they both live in New Orleans. He expressed his interest, and we were, like, 'Yes, that would be awesome, if, you know, if you got the time.' I mean, we'll make up time and we'll do it."
Regarding the sound of the album so far, Mike offered: "It's hard to say. I think you'll hear some new ideas, but I think you'll hear a little bit of the 'In The Arms Of God' vibe because that's where we're picking up with, in terms of jamming with Stanton. And he'll have his Stantonisms."
Weatherman added: "It's pretty brutal sounding. We're jamming a couple up that show promise. I mean, you never know what will happen."
When Dean first confirmed to MetalSucks last November that Moore would appear on the upcoming effort, he said: "History repeats itself all these years later. Stanton played on 'In The Arms Of God', and I think he's going to be working with us again for the next record. Having him aboard, I think you need to get a little nerdy to describe it because Stanton has got his own particular way that he wants to play. He wants to play kick drums in his jazzy way and likes to have the drums heads up front, so it's more of a traditional-sounding thing. And all of Stanton's fills are very second-line sounding, and he has these little phrases that are unique to him."
When asked if Stanton would join CORROSION OF CONFORMITY as a permanent replacement for Reed Mullin, Dean said: "Stanton is a different animal than Reed — we learned that back when we did 'In The Arms Of God' — and he brings an entirely new dynamic to the band. Stanton will take these straight, New Orleans-influenced, second-line things and throw them into a metal song; there's no stopping it. If you've seen Stanton Moore with GALACTIC, you'll know what I'm talking about. He's got his take, man. He's a character. But this isn't like Stanton joining the band per se, and I'm not sure that he would come out on the road and play with us because he's busy. It's more that Stanton is a good friend of ours, and we love working with him when we can when our schedules all sync up. Plus, Pepper and Stanton have known each other since they were little. It felt right to do another album with him because we loved what he did on 'In The Arms Of God', and we wanted to make this first record after Reed passed special. So, stay tuned, and we'll see how it all comes out."
Last October, Keenan told Guitar World that he still loves "No Cross No Crown". "It was a really fun experience to do and the last thing we did with Reed, unfortunately. So, it holds a special place in my heart. We're very happy with it."
Mullin died in January 2020 at the age of 53. The drummer, who co-founded CORROSION OF CONFORMITY in 1982 as a hardcore punk act alongside guitarist Woody Weatherman and Dean, had missed a number of shows in the preceding four years due to a variety of health issues, including an alcohol-related seizure he suffered back in June 2016.
Asked how Reed's passing affected him and the rest of CORROSION OF CONFORMITY, Pepper told Guitar World: "We lost our left arm. It was very hard to find a drummer. We have John Green [on tour with us], who is fantastic, but you just can't replace people like that. Other people have gone through it, too — but it's not easy. You spend decades with a person writing, and you don't even have to look at them; it just comes out. This was the first time we had to regroup in a long time and try to do it with a different drummer. We've got that figured out, so now we're getting ready to focus on that."
In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup DOWN, Pepper reconnected with the core CORROSION OF CONFORMITY trio of Weatherman, Dean and Mullin to hit the road hard. "Reed called me and mentioned maybe playing a couple shows," Keenan recalled back in 2017. "I said, 'Let's just go to Europe and see if it works.' So we went to Europe and then ended up going back four times in one year... We toured for a year and then started tracking."
CORROSION OF CONFORMITY recorded "No Cross No Crown" in about forty days over the course of a year at a North Carolina studio with longtime producer John Custer.
London-based thrash-metal quintet Lokust have issued a music video for a new track titled "Parasitic" off the band's debut album Infidel, which will be self-released on July 28th.
Featuring 11 tracks, Infidel is a creatively complex and thunderous dose of modern metal, brimming with pummelling drums and bass, shredding guitar riffs and blood-curdling vocals - although simultaneously featuring moments of dynamic introspection and poignancy throughout the album.
"We always meant for Lokust to exist on the border between old-school and contemporary - we use a lot of layering in our songwriting as well as aiming to integrate the full array of what a metal band can do these days, technically and production-wise - but our loyalty to imperfections, raw expression and humanity remains paramount," says the band about this new record.
"We've always aspired to follow in the footsteps of the bands we first fell in love with, who seemed to have a more transparent, expressive way of executing their music, rather than what we perceive as the more careful and polished approach of a lot of bands these days," they add.
Tracklisting:
"(March)"
"The Sin Of Doubt"
"Parasitic"
"Guiltless"
"Anima"
"War Of Opposites"
"(Futile)"
"Vilified"
"Jinn"
"Eradication:One"
"Sacrosant"
Norfolk blues-rockers Bad Touch share details of their eagerly anticipated fifth studio album, Bittersweet Satisfaction, set for release on November 10th, 2023 via Marshall Records.
Accompanying the announcement is the band’s new single / video "Nothing Wrong With That". Fans can stream the new single and pre-order the album here.
Bittersweet Satisfaction sees Bad Touch back, bigger, and bolder than ever before. The band combines classic rock riffs with choruses destined for stadiums, and their signature fun loving attitude to create a some of their best work to date. The record is a ray of positive energy, a celebration of living in the moment and leaving your troubles at the door.
“We are a feel-good, good-time rock’n’roll band.” So says guitarist Daniel “Seeks” Seekings, and really, why does it need to be more complicated than that? It’s been recorded and finished for half a year, and – with a more polished, mainstream sound than they’ve explored before, but still with its roots in the classic rock of Led Zeppelin, AC/DC and The Black Crowes – the band are bursting to let it loose on the world.
“We've never sat on anything that long because we're like kids in a candy shop, as soon as we write something, we want to get out there and play stuff,” says frontman Stevie Westwood. “So, it's very exciting. It's slightly more mature. I love every song. It's a different sound for Bad Touch. It's less balls-to-the-wall rock, and the songs seem a bit more thoughtful rather than just kind of exploded out of a tin can.”
Speaking on their latest single "Nothing Wrong With That" the band adds: “We’re delighted to present to the world our new single” exclaims Stevie. “It’s a song for everyone that encompasses the Bad Touch mantra ‘as long as you carry a song in your heart, and a smile on your face, then nothing can get you down.’”
“This song came together during a time when there was a lot of unrest, fear of the unknown, and we all were just getting through day by day, in whatever way we could. A time when we felt the world could use a little lift to somewhere a little bit brighter. So whatever is getting you down, this song is here to say you’re not alone, we are with you, and whatever way you need to get through the bad times… a good book, some good company… or some good wine!… we say… there’s nothing wrong with that.”
Bittersweet Satisfaction finds Bad Touch with a renewed sense of purpose and determination.
Recorded at The Marshall Studio in Milton Keynes, it was self-produced by the band, engineered by Marshall’s Adam Beer and Ollie Brightman, then mixed in Wales by Motörhead / Bring Me The Horizon producer Romesh Dodangoda, who has made the drums sound suitably immense. A collection of classic rock anthems with heart and soul to spare, it’s sparked grand but relatable ambitions in the Bad Touch camp, a desire to give up the day jobs and dedicate their lives to rock’n’roll, and maybe even, Seeks hopes, have a shot at hitting the charts. Really, though, it’s all about the live experience, the coming together of likeminded people to celebrate the healing powers of music.
“I love meeting new people,” says Seeks. “The ultimate thing is being on stage. Especially if you've got a roomful of people who are really enjoying the music that you've created.”
“There are so many people that come up and shake my hand and go, ‘Your music has really helped me’, and that's a really special thing,” adds Westwood. “I think that's why music resonates with people; they want to feel that their emotions are validated. That's what I always long for when I come to songwriting – I want to write a song that someone can resonate with and go, ‘I've been here, and this is not necessarily a lovely place, but as long as there's someone else who's feeling the same emotions, then at least I'm not alone.’ Doing the nine-to-five is okay, as long as you got a Bad Touch gig at the end of the week.”
Bittersweet Satisfaction artwork and tracklisting:
"Slip Away"
"This Life"
"Spend My Days"
"Bittersweet Satisfaction"
"Nothing Wrong With That"
"Taste This"
"Tonight"
"Come Back Again"
"See It To Believe It"
"Dizzy For You"
German legends Scorpions have uploaded another rare performance from May 7, 1977 at Kaléidospop, this time of Fly To The Rainbow opener, “Speedy’s Coming”.
"In Trance":
Catch Scorpions live in concert on the dates listed below.
July
8 - Barcelona, Spain - Sant Jordi Club
11 - Sevilla, Spain - Icónica Sevilla Fest at Plaza de España de Sevilla -
13 – Puerto de a Coruna, Spain – Muelle de la Bateria
16 – Braga, Portugal – Altice Forum
Canadian technical death metallers CRYPTOPSY will release their first full-length album in over a decade, "As Gomorrah Burns", on September 8 via Nuclear Blast Records. The extreme metal foursome emerges renewed and as vital as ever on its massively anticipated LP, which continues CRYPTOPSY's trailblazing path of sonic exploration and exceptionally complex songwriting, for one of their most tumultuous albums yet.
Commenting on the impending record, vocalist Matt McGachy says: "I'm excited to finally unveil 'As Gomorrah Burns'. It's an album that we have been crafting for the past five years. A meticulous endeavor that we are proud of. It's the perfect medley of old-school CRYPTOPSY with a few modern twists. We've leaned heavily into the grooves and let some of the riffs breathe just a little more than we have on the past few releases. I'm really stoked about the new era of CRYPTOPSY."
Today, CRYPTOPSY has unchained the record's first single, "In Abeyance", and accompanying video for which was directed by Chris Kells (THE AGONIST, BENEATH THE MASSACRE).
McGachy adds about the new single: "'In Abeyance' is conceptually about feeling isolated while being submerged in a new environment. The hunt for a sense of belonging while mourning a previous life. Musically, it's a slap in the face. It's a banger that appears to be straightforward yet remains ultra complex."
"As Gomorrah Burns" track listing:
01. Lascivious Undivine
02. In Abeyance
03. Godless Deceiver
04. Ill Ender
05. Flayed The Swine
06. The Righteous Lost
07. Obeisant
08. Praise The Filth
CRYPTOPSY has also teased an upcoming fall headlining "Carnival Of Death" tour of North America in support of "As Gomorrah Burns". Dates will be announced soon.
"As Gomorrah Burns" is CRYPTOPSY's first album for Nuclear Blast. On the LP, the Montreal-based quartet — featuring founding member/drummer Flo Mounier, guitarist Christian Donaldson, vocalist Matt McGachy, and bassist Olivier "Oli" Pinard — advances its signature Northern power as they celebrate 30-plus years of extremity. The merciless blasts of "Lascivious Undivine" and "Flayed The Swine" see CRYPTOPSY at their most intense and maniacal, while "In Abeyance" and "The Righteous Lost" groove savagely. "As Gomorrah Burns" underscores the animus of fan-favorite "None So Vile" (1996) and the meticulous technicality of "And Then You'll Beg" (2000) with a strikingly sinister vibe.
"As Gomorrah Burns" isn't merely the follow-up to EPs "The Book of Suffering - Tome I" (2015) and "The Book of Suffering - Tome II" (2018). It's another beast entirely. Crafted over two years during the pandemic, the initial sessions took place in a cabin in the forests of Quebec. McGachy calls the horror-like backdrop "surreal," but, as with everything CRYPTOPSY, the songwriting process was expectedly arduous. Donaldson was the primary motivator behind "As Gomorrah Burns". The guitarist and producer served as taskmaster and advocate, grinding out of his bandmates in McGachy, Mounier and Pinard eight slabs of unadulterated barbarity.
Conceptually, "As Gomorrah Burns" pits the Biblical story of Sodom and Gomorrah against the modern-day Internet. McGachy's idea was to show how it's both the birthplace of invention and a cesspool of exploitation. The stories are based on real-life incidences — online stalkers, cults, misinformation, isolation, and intimidation — but ornamented deviously to enhance their potency. CRYPTOPSY commissioned Italian artist Paolo Girardi (POWER TRIP, TEMPLE OF VOID) to complement the old-world lyrical themes. If Renaissance masters Hieronymus Bosch and El Greco were thrust into McGachy's modern mind, the stunning cover of "As Gomorrah Burns" would be the outcome.
As with "The Unspoken King" (2008) and the self-titled (2012),CRYPTOPSY enlisted their bandmate Donaldson to helm the production, mixing, and mastering of "As Gomorrah Burns". Dom Grimard, of ION DISSONANCE fame, also came into the production fold. McGachy says the time in the studio took much longer than anticipated, but with Donaldson directing and everyone finally in the same room again post-pandemic, CRYPTOPSY were able to capture newfound vigor (and velocity) on "As Gomorrah Burns". Tracks such as "Godless Deceiver", "Ill Ender" and "Praise The Filth" demonstrate Donaldson's death metal mastery.
Aggressive to a fault yet thoughtful in its entirety, "As Gomorrah Burns" — with songs such as "In Abeyance", "Flayed The Swine" and "Lascivious Undivine" — pierces mundanity thoroughly and relentlessly. This is no-quarters death metal, the kind our bellicose world needed and only CRYPTOPSY could deliver.
"We are back," says McGachy. "I want our fans to know we're more than a legacy band. Yes, we have had massive cult favorite albums — like 'None So Vile' — but we are creating modern and relevant extreme music 30 years later. We're so proud of 'As Gomorrah Burns', and we can't wait for you to hear it!"
Swedish heavy metal commando Lancer will release their fourth, new studio album Tempest worldwide on August 11, 2023. Today, the band reveals their second single and a music video, for the song "Entity".
"Musically it's a strong piece with multiple key changes and a really redemptive, catchy and fast chorus. Still it has a dark feeling over it, being about hearing destructive voices in your head, controlling your life", comments the band.
Tempest will be released in the following formats:
CD Digipak incl. 2 bonus-tracks
2-LP Gatefold Vinyl incl. 4 bonus tracks (purple, limited to 300 copies)
2-LP Gatefold Vinyl incl. 4 bonus tracks (orange, limited to 300 copies)
Digital
At the Atomic Fire Records Records Webshop you can also order any format along with an exclusive bundle t-shirt. Preorder here.
"I can't believe it's been six years since last time we released an album," says guitarist Fredrik Kelemen and adds: "But with the line-up changes, the pandemic and the intention of making Tempest a great comeback album, we let it take its time. We have developed our sound, it's a bit darker, especially lyrically. Production-wise, more dynamic and gritty. A bigger picture of sound, with elements we have never used before.
“We wanted the artwork of the cover to symbolize this change, with the devastating storm drawing in with the wasteland it creates. We have been known for using birds on our previous album covers, so the demon raven of Tempest seemed only natural, and the title is just a more epic and stronger word for storm, in my opinion.
“Overall I want to use the most well-known cliché of all time: this is the best album we have done so far! And it's totally true, all jokes aside. We are absolutely thrilled to release it to the world!"
Tracklisting:
“Purest Power”
“Fan The Flames”
“Entity”
“Out Of The Sun”
“Tempest”
“Corruption”
“Blind Faith”
“We Furiously Reign”
“Eye For An Eye”
“The Grand Masquerade”
“End Of The World” (Bonus Track)
“Postlude” (Bonus Track)
"Entity" video:
"Fan The Flames" lyric video:
Lancer is:
Jack L. Stroem - Vocals
Per-Owe "Ewo" Solvelius - Guitar
Fredrik Kelemen - Guitar
Emil Öberg - Bass
Pontus Andrén – Drums
Outlanders, the unique project of Finnish soprano legend Tarja Turunen, and EDM pioneer, Torsten Stenzel, recently released their long-awaited self-titled album on CD and blue curacao limited edition vinyl. Order here.
Today, Outlanders release a visualizer for the album track, "Mystique Voyage". Watch below:
They worked on the album for over 10 years and had support from some of the most influential guitarists of our time. Each song features a special guitarist as a guest including Al Di Meola, Trevor Rabin, Joe Satriani, Jennifer Batten, Steve Rothery, Mike Oldfield, Walter Giardino, Ron "Bumblefoot" Thal, Vernon Reid, and Marty Friedman.
Outlanders have succeeded in creating something exciting and new: the music combines relaxed but exciting electronic beats with Tarja's emotional, classically trained voice and unique guitar performances. The sound is mysterious, gentle and yet powerful, catchy and dreamy, modern and classic at the same time. The music contains opposites that attract each other in a magical way.
Tracklist:
"Outlanders" (Feat. Walter Giardino)
"Closer To The Sky" (Feat. Trevor Rabin of YES)
"The Cruellest Goodbye" (Feat. Al DiMeola)
"World In My Eyes" (Feat. Vernon Reid of Living Colour)
"Mystique Voyage" (Feat Steve Rothery)
"The Sleeping Indian" (Feat. Joe Satriani and Nkoye Zifah)
"Land Of Sea And Sun" (Feat. Marty Friedman)
"1971" (Feat. Walter Giardino)
"We Own This Sky" (Feat. Ron "Bumblefoot" Thal)
"Never Too Far" (Feat. Mike Oldfield)
"Echoes" (Feat. Jennifer Batten)
"A Peaceful Place (Return To Oasis)" (Feat. Walter Giardino)
Cleveland extreme metal legends, Ringworm, have delivered another brutal taste of their ninth full-length album, Seeing Through Fire, that’s out August 18 via Nuclear Blast Records. Today, the band has released “Thought Crimes”, a track of epic brutality and relentless aggression.
Commenting on the song, vocalist Human Furnace says: “‘Thought Crimes.’ Speed. Aggression. Attack. All the things that come to mind, sonically, when I think of this song. It's a manic song. It makes you move. Lyrically, it's not a political song. It's about trying to have your own thoughts amongst an ocean of controlled marketing, algorithms, and forced tribalism. It's a natural emotional response to being sculpted, directed, and sometimes, ordered, to believe in one thing or the other.”
Stream “Thought Crimes” here, and watch an art track video below.
With aggressive tendencies in metal on the rise again, Ringworm's return is warmly welcomed. The band has been violating the eardrums of listeners for years with more cataclysmic grit and intensity than peers half their age. As listeners of the first new single can attest, Ringworm have emerged angrier than ever with no signs of slowing down any time soon."
"Seeing Through Fire"
"Carved In Stone"
"No Solace, No Quarter, No Mercy"
"Death Hoax"
"Thought Crimes"
"Unavoidable Truth"
"House Of Flies"
"You Want It To"
"Mental Decontrol"
"Power And Blood"
"Playing God"
"No Solace, No Quarter, No Mercy" video:
Extreme metal pioneers, Venom Inc., have announced the second leg of the tour with labelmates Ringworm, Satan, and 72 Legions. The Better To Reign In Hell Part II tour will start on September 27 in New York and will make stops in Chicago, Atlanta, and Clifton before ending in Boston on October 15.
Venom Inc. will be touring in support of their latest offering, There’s Only Black. Their sophomore album is a no-holds-barred assault on bigoted hypocrisy and conformism in today's society, as well as a demonstration of musical superiority delivered by some of the genre's true originators.
Venom Inc. comments, "I’m so very pleased to tell you we are back… this time in the East!!! The West of the USA has been magnificent and incredible fans with the best, craziest shows ever and so now it’s time for the East to show them how it’s done!! See you all soon AVE!!!”
September
27 - New York, NY - Meadows
28 - Clevand, OH - No Class
29 - Milwaukee, WI - X-Ray Arcade
30 - Chicago, IL - Cobra
October
1 - Iowa City, IA - Wildwood
3 - St. Louis, MO - Red Flag
4 - Covington, KY - Madison Live
5 - Spartanburg, SC - Groundzero
6 - Atlanta, GA - The Masquerade
7 - Tampa, FL - Brass Mug
10 - Raleigh, NC - Pour House
11 - Leesburg, VA - Tally Ho Theater
12 - Wilmington, DE - The Queen
13 - Clifton, NJ - Dingbatz
14 - Portland, ME - Genos Rock Club
15 - Boston, MA - Brighton Music Hall
Ringworm is:
James ‘Human Furnace’ Bulloch (vocals)
Matt Sorg (guitar)
Mike Lare (guitar)
Ed Stephens (bass)
Now nearing 30 years as a band, The Flower Kings return with their 16th studio album, Look At You Now, out September 8. With its vintage vibes, and the warm and inviting sounds that are reminiscent of legendary and classic 70's albums - Look At You Now is all about the invention of grandiose soundscapes and that analog feel that will transport you to a bygone era of rock with swirling synths & guitars and thematic long-form pieces.
Listen to the first anthem, “Beginner's Eyes”, here. The video can be found below.
The Flower Kings comments on the new release: “Here’s news from veterans The Flower Kings - Album Nr. 16! Like a ghost ship sailing in from faraway places - a set of new songs leave their mark on 2023 - A year most of us will remember for the wars, the migration & refugees, the wildfires, the lost youth, the melting ice, the economic crisis, too many dead heroes, the political unrest. But also, a year that opens to possibilities, re-birth - new ways of thinking - We think this new album from The Kings of the North gives a bit of both.”
The album will be available in the following versions:
- Ltd. CD 6-Panel Digipak
- Ltd. Gatefold Black 2LP 180g Vinyl
- Ltd. Gatefold Transp. Orange/Black Marbled 2LP 180g Vinyl – Limited to only 500 copies
- Ltd. Gatefold Transp. Blue 2LP 180g Vinyl – Limited to only 300 copies
- Ltd. Gatefold Transp. Sunflower Yellow 2LP 180g Vinyl – Limited to only 300 copies
- Digital Album
"Beginner's Eyes"
"The Dream"
"Hollow Man"
"Dr. Ribedeaux"
"Mother Earth"
"The Queen"
"The Light in Your Eyes"
"Seasons End"
"Scars"
"Stronghold"
"Father Sky"
"Day For Peace"
"Look At You Now"
"Beginner's Eyes" video:
Roine Stolt adds on the album release: “The first track out - and likewise the opening track - is 'Beginner’s Eyes'. A song that has its origin in the very early 90's - a time before The Flower Kings were gathering - but now finally and finely developed and recorded properly. A happy tune with plenty of flowery sunny themes Roine & Hasse vocals united - and a good groove, cool Hammond and Moog blipping' and bloppin' sounds, over a solid beat from Mirko & Michael. There's no doubt that The Flower Kings plays no 'style' - or in no league - other that their own - a style they created and crafted carefully for more than 25 years strong. The album is a celebration of the imagination and craft of those who lead rather than follow. Artwork came in like magic from Joey Tessier - a world of magic and flowery creatures.”
Remember to catch The Flower Kings on their upcoming European tour. Dates listed on the flyer below:
Los Angeles-born guitar hero Nita Strauss has released the official music video for the song "Digital Bullets", featuring a guest appearance by Chris Motionless of MOTIONLESS IN WHITE. The track is taken from Nita's brand new album "The Call of the The Void", which is being released today (Friday, July 7) via Sumerian Records.
In a recent interview with Jorge Botas of Portugal's Metal Global, Nita revealed that "Digital Bullets" was written about Internet haters who spend much of their time criticizing her every career move. She said: "It really talks about these trolls online firing the 'digital bullets'. They'll never come to you to your face and say, 'You suck,' 'You whore,' 'You money-grubbing whore,' or whatever. No one has ever said that to my face, but you go on social media and it's, like, 'I hope you die in a fire.' [Laughs] It's just people being tough on the Internet. It's not new. It's not going away."
She continued: "My boyfriend said it to me personally one time… And it was hurtful — I can't lie and say that it was not hurtful. Of course it was hurtful. But he said, 'You know, no one's coming and spitting on your face in the street. People aren't coming to you, being rude to you. It's just fake. It's just online.'
"People will talk online," Nita added. "And they have a saying, 'Living well is the best revenge.' So those people can keep spending their time on Facebook, talking their shit. I will keep touring the world, eating fabulous food, staying in nice hotels, playing guitar with some of the biggest stars in rock and pop and metal. And I think that's a good compromise. I'm happy with that. [Laughs]"
"The Call Of The Void" is a star-studded affair featuring guest vocals from DISTURBED's David Draiman, ARCH ENEMY's Alissa White-Gluz, HALESTORM's Lzzy Hale, MOTIONLESS IN WHITE's Chris Motionless, IN FLAMES' Anders Fridén, Hungarian-born vocalist/writer Dorothy Martin, Alice Cooper and Lilith Czar.
Regarding her decision to make her second album half vocal songs and half instrumental, Nita told The Rock Experience With Mike Brunn in a new interview: "It was really just a natural progression, I think. As an artist, I think you always have to keep growing and pushing yourself. And I didn't wanna stay in the same place and just keep doing the same thing over and over again. I try to do that in every aspect of my career, so this just seemed like the natural next best step."
Asked how she decides which songs to put vocals to and which to keep as instrumental tracks, Nita said: "For me personally, the process for writing an instrumental song is so different to the process of writing a song that's gonna be for a singer. And it's really because for an instrumental song there are no rules. The song can be two minutes; the song can be 15 minutes; it can be as fast or as slow with as many key changes and as many tempo changes… It's the Wild West. [Laughs] And if you're writing for a vocalist, suddenly all of these restrictions fall into place: it can't be too short; it can't be too long; it has to be a key that's comfortable enough for the singer you have in mind to sing in; it can't be so fast that they can't sing the vocals or so slow that it's uncomfortable for their delivery. If it's gonna go to radio, it has to follow sort of a specific format of length and arrangement. All these constraints pop up. So, for me, there wasn't really any track that was, like, 'Oh, this one could go either way,' because the instrumentals I just sort of pour out and the vocal [songs] are more carefully constructed."
Regarding the album's title, Strauss previously shared: "Have you ever been at the top of a high building and had the fleeting thought, '… I could jump right now?' This feeling is sometimes called 'The Call Of The Void,' also known as 'high place phenomenon.' It's not a suicidal impulse, rather the exact opposite — a subconscious decision to live your life, to step back from the ledge, and take control. As researcher April Smith aptly put it: 'An urge to jump affirms the urge to live.'
"I wanted the follow-up to 'Controlled Chaos' to be exciting, new, and fresh, to take listeners to a new place and take myself somewhere new as an artist too. We have some amazing collaborations on this album with incredible musicians, as well as the instrumental guitar music that first inspired me to play.
"Some pieces of music come into the world gracefully and easily. This album is not one of them! 'The Call Of The Void' was born kicking and screaming, a labor of love for sure, but also of blood, sweat and plenty of tears. I couldn't be more proud of the end result. Making this album helped me learn and grow so much as a musician and songwriter and I'm excited to finally unleash it on the world."
"Digital Bullets" is the fifth song Nita has released featuring a star guest vocalist, the first being the enormously successful "Dead Inside" which featured guest vocals from Draiman and saw Nita become the first-ever solo female to have a No. 1 hit at Active Rock radio. She also returned to her instrumental roots last year with the release of single "Summer Storm", a fast-paced, emotive shred-fest. In October 2022, Nita dropped "The Wolf You Feed", an epic headbanger of a track featuring the insane vocal talent of White-Gluz. This past March, Strauss released "Winner Takes All", featuring a guest appearance by Cooper. In May, Nita released the official music video for the song "The Golden Trail", featuring a guest appearance by Fridén. Later that same month, Nita shared "Victorious", featuring Dorothy.
"The Call Of The Void" track listing:
Physical
01. Summer Storm
02. The Wolf You Feed (feat. Alissa White-Gluz)
03. Digital Bullets (feat. Chris Motionless)
04. Through The Noise (feat. Lzzy Hale)
05. Consume The Fire
06. Dead Inside (feat. David Draiman)
07. Victorious (feat. Dorothy)
08. Scorched
09. Momentum
10. The Golden Trail (feat. Anders Fridén)
11. Winner Takes All (feat. Alice Cooper)
12. Monster (feat. Lilith Czar)
13. Kintsugi
14. Surfacing (feat. Marty Friedman)
Digital:
01. Summer Storm
02. The Wolf You Feed (feat. Alissa White-Gluz)
03. Digital Bullets (feat. Chris Motionless)
04. Through The Noise (feat. Lzzy Hale)
05. Consume The Fire
06. Dead Inside (feat. David Draiman)
07. Victorious (feat. Dorothy)
08. Scorched
09. Momentum
10. The Golden Trail (feat. Anders Fridén)
11. Winner Takes All (feat. Alice Cooper)
12. Monster (feat. Lilith Czar)
13. Kintsugi
14. Surfacing (feat. Marty Friedman)
15. The Wolf You Feed (instrumental)
16. Digital Bullets (instrumental)
17. Through The Noise (instrumental)
18. Dead Inside (instrumental)
19. Victorious (instrumental)
20. The Golden Trail (instrumental)
21. Winner Takes All (instrumental)
22. Monster (instrumental)
Nita released 2018's "Controlled Chaos" to mass acclaim from fans and media alike, with Metal Injection calling it "a great debut that — as its creator intended — leaves no doubt", and Guitar World stating "'Controlled Chaos' is a panoramic view of Nita Strauss's many strengths".
In March, it was announced that Nita would return to Alice's band for his 2023 tour.
The Alice Cooper North American tour, with an all-new show dubbed "Too Close For Comfort", kicked off in late April in Michigan and will continue through late September, including a handful of August stadium shows with DEF LEPPARD and MÖTLEY CRÜE, followed by a co-headlining late summer "Freaks On Parade" tour with Rob Zombie.
Nita spent eight years playing with Alice before joining Demi Lovato's band last summer,
Strauss played her first full live show with Demi in August 2022 at the Grandstand at the Illinois State Fair in Springfield, Illinois.
Nita made her live debut with Demi in July 2022 with a performance of "Substance" on ABC's Emmy Award-winning late-night show "Jimmy Kimmel Live!".
Strauss had been playing with Cooper since 2014 when she replaced Australian musician and former Michael Jackson player Orianthi. She joined Alice in time for a mammoth MÖTLEY CRÜE tour. She was recommended to Cooper by the legendary rocker's former bass player and WINGER frontman Kip Winger.
Vintersea recently completed their tour supporting Moonspell, Eleine and Oceans Of Slumber and captured some footage of the band performing live, as well as their travels. It can all be experienced in the Portland-based group’s latest video, “Lonesome Tide”.
“Our recent tour with Moonspell, Eleine, and Oceans Of Slumber was special, and I thought capturing as much as I could would allow us to not only showcase a song but also show off how much we love touring and meeting our fans,” tells bassist Karl Whinnery.
"'Lonesome Tide' is one of my favorite tracks on the album - it starts with all the emotions in the vocal performance and then breaks open and goes on a rollercoaster of a journey. We played it live every night of the tour, and it was a fan favorite every show! All the love from Vintersea to you.”
“We are lucky enough to have a professional videographer in the tour van with us on every tour - and even though sometimes we don't have as much time as we'd like to pull over and shoot the beautiful places we see, Karl was able to capture some of the magnificent places we visited in this video,” further explains guitarist Riley Nix.
“This was our first time visiting Texas, Arizona, New Mexico, and British Columbia, and it was eye-opening and humbling to see how many of you came out to see us in cities we had never visited before. We hope this video serves as a love letter to our fans all over the world, because we are coming for you next!”
“Lonesome Tide” is the quintet’s fourth music video from their current album, Woven Into Ashes, following: “Into The Horizon”, “Unveiling Light”, and “At The Gloaming Void”, giving a broad sample of the majesty and breadth of the band’s third opus harnessing progressive, melodic and blackened tendencies into a profoundly unique vision.
Fresh off the road with Moonspell, Eleine, and Oceans Of Slumber and an appearance at Oregon’s Riverafest with labelmates Voices Of Ruin, Vintersea have already announced their next run of the Pacific Northwest shows with Cyborg Octopus.
August
10 – Portland, OR – Dante’s
11 – Tacoma, WA – Plaid Pig
12 – Vancouver, BC – The Astoria
13 – Seattle, WA – Madam Lou’s
A punch in the face is coming right at ya’ in the form of Rockin' Engine’s Altered By Evil EP, out July 7th. Pre-orders can be placed now at this location. For a first taste, check out the "Monsters Under Your Bed" video.
Altered By Evil is the third studio offering from Canada's Rockin' Engine, and fans will notice huge musical growth as it's more technical and refined, but punchy and heavy as hell. After the release of 2020’s The Wretched And The Damned, the band knew exactly what direction they wanted to go in - and buckle up, because they are taking listeners on a rock n’ roll road trip. Altered By Evil is creepy and dark, full of horror, while also creative, fun and theatrical.
“Altered By Evil is a tribute to everything we love about horror movies and serial killer documentaries. There’s a fascination behind the love of the macabre and the grotesque that we wanted to explore with our lyrics and expose different nuances of some classic works of art. With this record, we’re bringing the audience into a fantasy world of monsters and evil spirits, with a dash of historical elements that makes the listening experience even more interesting,” says Rockin' Engine.
Tracklisting:
"Carnival Of Evil"
"Day Of Wrath"
"Liber Ex-Mortis"
"Monsters Under Your Bed"
"Psycho Path"
"Room 185" (ft. guest vocals by Stef Jomphe of Insurrection)
For further details, visit Rockin' Engine on Facebook.
Saint Agnes have released an emotional live video for their poignant new single, "This Is Not The End", a tribute to Kitty A. Austen's grief for her late mother. The track is taken from the band's upcoming album Bloodsuckers, out July 21 via Spinefarm. Stream the single and pre-order Bloodsuckers here.
"I really wanted to write a song directly about my grief to have on the album, but it was just too difficult for the longest time," says Austen. "I was so raw and broken that I struggled to put myself in the place I needed to be in to get it done. But I did get there. The song was written and recorded as the very last thing on the album at the eleventh hour. It's a tribute to my mother and the depth of my love for her. Then for the video we recorded a live piano version of the song at Rockfield Studios, it was a very vulnerable but special moment for us as a band."
Hailing from the UK, Saint Agnes are all about honest lyrics and intense vocal performances, plus rage-fueled music intended to give a voice to those closer to the fringe than the center. With its violent riffs, venomous vocals, and punk attitude, the title track single serves as a no-holds-barred introduction to the Bloodsuckers album.
Vocalist Kitty A. Austen comments on the single and video, saying, "I wrote 'Bloodsuckers' when I couldn't take it anymore - when I decided to stop allowing people to crush me, to diminish me. I took my rage and my pain and used it as fuel and I burned. We are not defined by what has been done to us. We decide who we are. We choose who we want to be. We are whole. We are worthy. The video is an introduction to Team Bloodsuckers. Join us."
As much gang as band, Saint Agnes seek to empower those who've been battered and bruised yet refuse to lie down, and it's a thread that runs deep within Bloodsuckers - SA's first album for Spinefarm and the follow-up to 2019's Welcome To Silvertown, issued on the band's own label.
From the title track onwards, Bloodsuckers is a genre-jumping body of work, taking in elements of metal, punk, industrial, and grunge, without being bound by any specific style; the 11 tracks here come straight from the source, largely self-produced and mixed (NIN collaborator Sean Bevan lends his mixing and production skills to "Follow You"), and this self-contained approach provides an extra emotional weight throughout, with doom trap provocateur Mimi Barks further fuelling the chaos on the short, sharp shock that is "Body Bag."
Created in the months following the unexpected and untimely death of Kitty's mother, Bloodsuckers explores a number of themes, including mental illness, pent-up rage, undying love and, of course, grief; from the trash-metal howl into the night that is "Bloodsuckers" right through to broken ballad, "This Is Not The End," a poignant reflection of Kitty’s still-raw emotions, this is a call to outsiders everywhere...
Concludes Kitty, "Creating this album gave me a reason to get to my feet at a time when I really wasn't sure if I could. I've tried to put everything I've been feeling into it, all the pain, the rage, the grief, even the unexpected moments of beauty and belief. I hope it makes you feel less alone. I hope it makes you feel bigger, badder, and stronger. We might be damaged but that doesn't mean we're worthless. This is a record for the defeated, the crushed. We might be broken but that doesn't mean we're not whole. Bloodsuckers forever, Saint Agnes forever."
Tracklisting:
"Bloodsuckers"
"Animal"
"I Mean Nothing To You"
"Outsider"
"This Is Not The End"
"Follow You"
"I Am"
"At War With Myself"
"Middle Finger"
"Body Bag" (Feat. Mimi Barks)
"Forever And Ever"
"Bloodsuckers" video:
Lineup:
Kitty A. Austen - Vocals, Guitar, Bass
Jon James Tufnell - Guitar, Vox, Bass
Andrew Head - Drums
Ryan Brown - Bass
With charting at #21 in the German album charts, and formidable performances at Wacken Open Air, Full Force Festival, ArcTanGent and recently as headliners at the renowned Euroblast Festival, The Hirsch Effekt have impressively established themselves in the German progressive metal landscape.
Three years after the release of their album, Kollaps, the band marks their return with the official announcement of the the release of their upcoming full-length, entitled Urian, out September 29 via Long Branch Records.
Today, in conjunction with this announcement, the band released their new single, "Agora", alongside a brand new video. "Agora" is the second single from 'Urian', following up the release of album's title track. Find both below.
The Hirsch Effekt comments: "During stay at a vacation home in 2021, we developed a number based on a short guitar riff with acoustic guitar and electric bass. You can tell that Ilja and Nils listened to 'Californication' a lot when they were young: 'Road Trippin' was definitely in the back of their minds at the time. When Ilja's cello parts came in, however, 'Agora' drifted into another, almost Celtic atmosphere.
In terms of content, it is a very personal, autobiographical song. 'Agora' not only reflects finally arriving in the age of crises, but also a literal and genuine, humane tightness. Triggered not least by the pandemic, which lasted throughout the entire album writing phase and influenced everything, and all the lockdowns and isolations that went with it."
The Hirsch Effekt, consisting of multi-instrumentalists Nils Wittrock (i.a. vocals, guitars), Ilja John Lappin (i.a. bass, vocals) and Moritz Schmidt (drums), plays an extremely variable style of music, as well as combines various elements to the utter peak of sophistication.
The end result is nothing less than a homogenous and enormous sound monster, nearly beating your speakers to death. Although the very first impressions coalesce into an epic, aggressive, and sinister sound, there is a specific personal touch and frankness in the German lyrics. They signify authenticity and closeness and stand out as a counterpart to the musical periphery.
James Rivera's Metal Wave will release their debut album, New Wave Gone Metal, on July 28 via Massacre Records. Pre-order the album here, and watch a video for a cover of Tears For Fears' "Everybody Wants To Rule The World" below.
James Rivera sunk his teeth into selected songs by some of the greatest bands of the new wave/dark wave era, and turned them into something more metal.
Rivera's love for metal is undeniable, but his heart is also beating for the darker side of music, especially for new as well as dark wave and goth music - and James Rivera's Metal Wave's debut album, New Wave Gone Metal, perfectly combines the best of those genres.
The band puts its own mark on selected classics and thereby invents a new genre: Metal Wave.
Tracklisting:
"Black Celebration" (Depeche Mode)
"Love My Way" (The Psychedelic Furs)
"Lovesong" (The Cure)
"Shock The Monkey" (Peter Gabriel)
"Black Planet" (The Sisters Of Mercy)
"Everybody Wants To Rule The World" (Tears For Fears)
"Bela Lugosi’s Dead" (Bauhaus)
"The Killing Moon" (Echo & The Bunnymen)
"Pet Sematary" (Ramones)
"Rain" (The Cult)
Dirkschneider, featuring former Accept singer Udo Dirkschneider has shared pro-shot footage performing his former band’s classic “Balls To The Wall” live from Graspop Metal Meeting in Dessel, Belgium on June 18.
U.D.O. / Dirkschneider live:
July
14 - Balingen, Germany - Bang Your Head!!!*
21 - Pförring, Germany - Open Air Pförring
August
12 - Villena, Spain - Leyendas del Rock*
17 - Moravský Krumlov, Czech Republic - Rock Castle Open Air
20 - Vallamand (VD), Switzerland - Rock The Lakes
September
16 - Tuttlingen, Germany - Beast of Rocks @ Stadthalle
October
7 - Würzburg, Germany - Keep It True Rising III @ Posthalle*
22 - Linz, Austria - Wildstyle & Tattoo @ Tabakfabrik
29 - Salzburg, Austria - Wildstyle & Tattoo @ Messezentrum
Hard rock band Artifas has released the official music video for single "The Dark." The single is from their full length record Reflections.
The band announced that they will be hitting the road with Silvertung this summer on The Summer Meltdown Tour. The tour kicks off on July 7 in Huntsville, AL at Shagnasty's.
An event page with all currently available information for each show can be found on the band's Facebook page. Find your city, RSVP to the appropriate event page(s), share the flyer with your friends, and let’s get ready to have your faces melted off.
Dates:
July
7 – Huntsville, AL – Shagnasty’s *Artifas only
8 – Sevierville, TN – The Gym
9 – Leitchfield, KY – The Red Bird
11 – Overland Park, KS – Vivo
12 – Council Bluffs, IA – Maloney’s
14 – Cadott, WI – Rockfest
16 – West Allis, WI – Rockstar Saloon
17 – Madison, WI – Crucible
18 – Cedar Rapids, IA – Otis’ Tailgators
20 – Ft. Wayne, IN – Piere’s
21 – Columbus, OH – The King Of Clubs
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