In a thrilling announcement sure to excite fans across North America, Polish extreme metal veterans DECAPITATED have just released two new performance videos, setting the stage for their upcoming "Nihility" tour. The videos, featuring the tracks "Names" and "Eternity Too Short", were filmed live from the band's rehearsal room, offering fans a raw, intense preview of what to expect on the road.
The double video release serves as a precursor to DECAPITATED's eagerly awaited tour across North America, beginning February 4, 2025, in Tampa, Florida. These exclusive performances capture the band in a visceral, intimate setting, showcasing their technical prowess and relentless energy. "Names" and "Eternity Too Short" are both seminal tracks from their acclaimed album "Nihility", which will be played in its entirety on the tour.
DECAPITATED states: "Get ready, North America! We can't wait to make our highly anticipated return and play the entire 'Nihility' album! Let's make this one a tour to remember!"
The tour will cover 23 cities in the United States and Canada, concluding on March 2 in Santa Ana, California.
Fans can look forward to an electrifying lineup with DECAPITATED headlining, supported by the formidable talents of INCANTATION and DARKEST HOUR, with EXMORTUS opening each night. This assembly of metal powerhouses guarantees a series of high-octane performances, filled with the heavy, intricate, and soul-stirring music that has defined their genres.
Tour dates and venues:
Feb. 04 - Tampa, FL - The Orpheum
Feb. 05 - Atlanta, GA - The Masquerade
Feb. 06 - Greensboro, NC - Hangar 1819
Feb. 07 - Baltimore, MD - Baltimore Soundstage
Feb. 08 - Boston, MA - Middle East Downstairs
Feb. 10 - New York, NY - Gramercy Theater
Feb. 11 - Montreal, QC - Beanfield Theatre
Feb. 12 - Ottawa, ON - Overflow
Feb. 13 - Toronto, ON - Phoenix Concert Theatre
Feb. 14 - Lakewood, OH - Mercury Music Lounge
Feb. 15 - Joliet, IL - The Forge
Feb. 16 - Minneapolis, MN - The Caboose
Feb. 18 - Denver, CO - Oriental Theater
Feb. 19 - Salt Lake City, UT - Metro Music Hall
Feb. 21 - Calgary, AB - Back Alley
Feb. 22 - Edmonton, AB - Starlite Room
Feb. 24 - Vancouver, BC - Rickshaw Theatre
Feb. 25 - Seattle, WA - El Corazon
Feb. 26 - Portland, OR - Roseland Theater
Feb. 27 - San Francisco, CA - DNA Lounge
Feb. 28 - Las Vegas, NV - House Of Blues
Mar. 01 - Los Angeles, CA - 1720
Mar. 02 - Santa Ana, CA - The Observatory
Last October, DECAPITATED announced that it had parted ways with vocalist Rafał "Rasta" Piotrowski and replaced him with Eemeli Bodde of Finnish metallers MORS SUBITA.
Bodde made his live debut with DECAPITATED on November 1, 2024 at Damnation Festival's "A Night Of Salvation" at BEC Arena in Manchester, United Kingdom. Also joining DECAPITATED at the gig for several "classic" tracks was the group's original vocalist Wojciech "Sauron" Wąsowicz, who was previously a member of DECAPITATED between 1996 and 2005.
Across eight studio albums, DECAPITATED grew from the adolescent dream of teenagers from a small Central European town to one of the leaders of the metal genre. Each successive album further expands the band's sound with genre-bending authenticity and integrity. As Metal Injection rightfully observed, "any self-respecting death metalhead knows the name well." Like a rose in the devil's garden, the DECAPITATED story builds triumph from tragedy. The gleeful grotesquery of extreme metal imagery and riff-tastic bludgeoning beckons listeners to uncover broader truths.
Their latest studio album, "Cancer Culture", was released in 2022, with instantly recognizable devastation and deceptively sinister hooks abound. Newly minted DECAPITATED anthems like "Last Supper", "Hello Death", "Just A Cigarette", "No Cure", "Iconoclast" and "Cancer Culture" shimmer with sonically sharp production and unrelenting bombast. There's also a newly increased emphasis on melody, even venturing into darkly romantic territory. JINJER vocalist Tatiana Shmayluk and MACHINE HEAD frontman Robb Flynn make impressive guest appearances. Flynn contributes a hauntingly beautiful vocal to the "Cancer Culture" track "Iconoclast", with Shmayluk, a formidable screamer, going the clean vocal route on track "Hello Death".
DEAFHEAVEN have shared details of their new album, "Lonely People With Power", set for release March 28 via their new label home, Roadrunner Records, which they've formally announced today. The band have also shared the album's first single "Magnolia", which is available today on all streaming platforms and is joined by an official music video directed by Sean Stout. Watch it below.
Recorded with producer Justin Meldal-Johnsen (St. Vincent, M83) and mixed by Zach Weeks of GodCity Studio, "Lonely People With Power" follows DEAFHEAVEN's 2021 studio album, "Infinite Granite", which saw the Grammy-nominated band charting new ground and expanding stylistic boundaries. On "Lonely People With Power", DEAFHEAVEN again confound expectations, piling element on element, and towering towards the sky with their most ambitious release yet. Tracked at EastWest Studios, "Lonely People With Power" includes additional vocal contributions from Jae Matthews of BOY HARSHER and Paul Banks of INTERPOL.
"Lonely People With Power" is available for pre-order / pre-save today, with a 2x LP deluxe edition and several limited-edition vinyl color variants available in DEAFHEAVEN's store.
Tour dates in support of "Lonely People With Power" will be announced in the coming days. For now, DEAFHEAVEN have several U.S. and international festival appearances slated for 2025, including Sonic Temple in Columbus, Ohio (May 9),Welcome To Rockville in Daytona Beach, Florida (May 15),Rock Am Ring in Nürburg , Germany (June 8),Outbreakfest in Manchester, United Kingdom (June 14-15),and more.
Originally formed in San Francisco, DEAFHEAVEN is comprised of vocalist George Clarke, guitarists Kerry McCoy and Shiv Mehra, bassist Christopher Johnson and drummer Daniel Tracy. The band gained widespread acclaim for their groundbreaking 2013 album "Sunbather", which redefined the margins of heavy music, earning esteemed spots on Rolling Stone's "100 Greatest Metal Albums Of All Time" and Pitchfork's "200 Best Albums Of The 2010s." DEAFHEAVEN again challenged genre conventions on 2015's "New Bermuda", earning widespread acclaim, while their 2018 LP "Ordinary Corrupt Human Love" garnered the band their first-ever Grammy nomination in the "Best Metal Performance" field. Always moving forward, the band's 2021 album "Infinite Granite" continued their evolution and galvanized with a refinement pointed at lusher textures and lilting melodies. Revered for their transcendental live shows, DEAFHEAVEN have toured the world over performing at festivals such as Coachella and Primavera Sound, while sharing stages with everyone from SLIPKNOT and KNOCKED LOOSE to CHELSEA WOLFE and MONO.
"Lonely People With Power" track listing:
01. Incidental I
02. Doberman
03. Magnolia
04. The Garden Route
05. Heathen
06. Amethyst
07. Incidental II (feat. Jae Matthews)
08. Revelator
09. Body Behavior
10. Incidental III
11. Winona
12. The Marvelous Orange Tree
DEAFHEAVEN 2025 tour dates:
May 09 - Columbus, OH - Sonic Temple Art & Music Festival
May 15 - Daytona Beach, FL - Welcome To Rockville
June 08 - Nürburg, Germany - Rock Am Ring
June 12 - Nickelsdorf, Austria - Nova Rock
June 14 - 15 - Manchester, United Kingdom - Outbreak Fest
June 19 - 22 - Dessel, Belgium - Graspop Metal Meeting
June 21 - Clisson, France - Hellfest
June 25 - Oslo, Norway - Tons Of Rock
June 28 - Ysselsteyn, Netherlands - Jera On Air
Paganfest 2025 - featuring Alestorm, Ensiferum, Týr, Heidevolk and Elvenking - kicked off on January 8 in Hamburg, Germany at Grosse Freiheit. Fan-filmed video of the Alestorm's entire January 19th show in London, England at O2 Academy Brixton can be viewed below.
Setlist:
"Keelhauled"
"Shipwrecked"
"Mexico"
"Under Blackened Banners"
"Alestorm"
"Hangover" (Taio Cruz cover)
"Fannybaws"
"Zombies Ate My Pirate Ship"
"Voyage of the Dead Marauder"
"Nancy the Tavern Wench"
"Uzbekistan"
"P.A.R.T.Y."
"Shit Boat (No Fans)"
"Drink"
"Wooden Leg!"
"Fucked With an Anchor"
"Rumpelkombo"
Building on a huge touring run that saw the band visit their biggest ever venues across the UK, Europe, USA, Australia and Japan, Bury Tomorrow look forward to an even bigger 2025.
New single, "Let Go", serves as the third preview of the recently announced LP, Will You Haunt Me, With That Same Patience, and looks set to continue stoking the furnace of a fanbase already burning brightly.
On "Let Go," the band table perhaps the biggest addition to their sonic approach to date, whilst still maintaining their signature savagery. Drum and bass beats collide with breakdowns, as aggressive vocals interweave in and around the tempo in a spoken word delivery, reinforced by stadium-sized choruses.
The track explores concepts of honesty, as frontman Dani Winter-Bates expands, "Both within yourself and the people around you. To be dishonest with yourself leads to decisions based in fear and can lead to regret, while to be true to yourself can cost some of the things you hold closest."
Co-vocalist Tom Prendergast goes further, saying "There is a sense throughout the song that we can often give all of our energy to a toxic situation and need to recognize when to cut ties to grow. 'Let Go' is about how that can shape you, change you and define your choices and your path through life. There is a cost to every choice, and there are some harder to let go of than others."
For Bury Tomorrow, the last two years have been about trying to fill the space where they knew something was missing.
From the depths of uncertainty, through line-up changes and COVID-inspired road blocks, the arrival of guitarist Ed Hartwell and keyboardist/vocalist rendergast and the creation of 2023's The Seventh Sun has allowed them to lay out a whole new path of possibilities that felt unavailable before. Now, with an invigorated belief and fresh outlook on what the band can encompass, they present Will You Haunt Me, With That Same Patience, their most fantastically visceral offering to date.
Crafted more intimately and intricately than ever before by internalizing every aspect of the writing process, with Carl Bown [Sleep Token, Bullet For My Valentine, While She Sleeps] manning production duties for the first time, the result is a profoundly personal, extraordinarily expansive, and punishingly grand display of cathartic craftsmanship.
Born from a shared sense of frustration in feeling an ever-shifting disconnect from the state of modern society, the band have created an earnest, heart-wrenching, and definitive look at the overlapping effects of brutal self-sabotage, crippling anxiety, fierce despondency, and the never-ending search for peace and clarity in a world so full of noise. It is a record about division as much as togetherness, an outpouring of personal devastation but a hopeful reminder that we are all navigating it together.
"To haunt is to revisit or recur persistently to the consciousness of someone or something," explains guitarist Kristan Dawson. "There's beauty in that commitment somewhat. In a world full of distraction, discourse, instancy and demand, patience seems hard to attain. In patience, there is peace, one thing society is short of. The title serves as a call of reflection, relying on the present moment, remembering what truly matters. I think the notion of patience being haunting is quite a contrast and that's certainly reflective of the album musically."
Within such deep sonic exploration and shared emotional understanding, and despite its bleak outlook on things, Will You Haunt Me With That Same Patience still strives to represent that lingering presence, that hope, that reminds us that this isn't the be-all and end-all of this existence. That things can change for the better, just like we can change for the better with it, and persevering through such separation will bring us back around eventually. We just have to weather the storm and trust in that feeling to pull us through.
To have allowed themselves the time and space to reach this point of comfort and confidence now feels like a starting point for everything that the band will do in the future. Expanding their empire in all corners of the world and delivering their biggest statement of intent to date is the beginning of a whole new chapter in the story of one of the most devastating and dedicated assets to British heavy music.
German hard rockers, Bonfire, have released their new studio album, Higher Ground, via Frontiers Music Srl. To celebrate, the band have released a visualizer for the new single, the title track of the record, available to view below.
Guitarist Hans Ziller describes the new single, by saying: “'Higher Ground' is the title track from the new album. It features crunchy guitar riffs with a pulsing rhythm in classic Bonfire powerhouse style. All fans of real melodic anthems will love this track!”
Ziller also expresses his enthusiasm for the new album: “The new Bonfire album is a masterpiece. Bonfire have reinvented themselves with Higher Ground, never neglecting their virtues - fat hard guitars, incredible solos, great choir passages and stirring vocals. The band plays as one and is at its best.”
Watch the visualizer for "Higher Ground" below, and order the album here.
Higher Ground tracklisting:
"Nostradamus"
"I Will Rise"
"Higher Ground"
"I Died Tonight"
"Lost All Control"
"When Love Comes Down"
"Fallin'"
"Come Hell Or High Water"
"Jealousy"
"Spinnin’ In The Black"
"Rock’n’Roll Survivor" (2024 Version)
"Higher Ground" visualizer:
"Lost All Control" video:
"I Will Rise" video:
"I Died Tonight" video:
Bonfire is one of the most seminal German hard rock bands of the past 50 years. Originally founded as Cacumen in 1972 by guitarist Hans Ziller in Ingolstadt, Germany, the group initially played local venues, steadily building a fan base before releasing their first album under the name Cacumen.
In 1986, the band rebranded as Bonfire, and their debut album as Bonfire, Don't Touch the Light, marked their international breakthrough. They followed it up with Fireworks in 1987, which further cemented their status in the rock and metal scene. Despite their success, Bonfire experienced several lineup changes, including the departure of key members. However, Ziller, the band’s driving force, kept Bonfire alive, continuously adapting to the challenges faced by the group.
In the 1990s, Bonfire briefly disbanded but returned in 1996, with Ziller reclaiming the rights to the band’s name. Since then, Bonfire has released numerous albums and maintained a strong presence on the international rock scene. Bonfire has remained a resilient force in hard rock, continuing to tour and release new material well into the 21st century.
Nearly 35 years on, -(16)- remains one of the most enduring, hardest sounding rock and metal entities from North America. The San Diego band redefines heavy on their new album, Guides For The Misguided, set for release on February 7th via Relapse Records.
Bobby Ferry returns at the helm as the band's visceral vocalist and guitarist, and in true -(16)- fashion, belts out stories of pain and unhinged anguish. Standout tracks like "Proudly Damned” see the band playing at the crowd while Ferry shares tales of personal strife and depression: "To defile and offend/These are the demons found within/The sullen face of communion’s alarm/It’s an incentive to do more harm." Ferry is absolutely seething while the band plows through a virulent mix of rock, metal, and sludge. Dion Thurman's pounding drum set, Ferry and Alex Shuster's heavier-than-anything-else guitars, and the lowest low end from bassist Barney Firks herald tones so low they're nearly apocalyptic.
Today the band shares “After All”, the second single from Guides For The Misguided.
-(16)- frontman Bobby Ferry comments on Guides For The Misguided:
"The album came together after we wrapped the final mix of our last one Into Dust. It’s all about harnessing creative momentum when it strikes and we’ve been in a kind of creative autopilot for about a decade. When inspiration is there, the rest seems to fall into place effortlessly. Thankfully, we’re still driven to write and perform even after all these years. There’s no grander meaning behind it than simply following that primal urge to create—put your head down and just make something."
"Age has of course given us a fresh perspective. In the 8 years since Lifespan Of A Moth our lineup has shifted. We lost a singer, gained Alex Shuster on lead guitar/producer, and founding member Bobby Ferry slid into the lead vocalist rhythm guitarist spot. Lyrically, we’ve moved beyond the personal and inward grievances of our earlier work and embraced broader themes of conflict, like the hypocrisy of religion and its negative effects on the psyche. On the new album, there's a song called 'Blood Atonement Blues' that delves into the story of Ervil LeBaron, often referred to as the "Mormon Manson," while 'Proudly Damned' explores addiction and how it turns into a Pagan Ritual with a witch-like character posing as the opiate — both in substance abuse and the spiritual realm— in parallel. In many ways, this album might be the closest we’ve come to creating a concept record. Including the two covers on the album is meant to lessen this heavy hand and lighten the focus."
"Musically, we are still grasping for the perfect riffs married to the most ideal arrangements. We’re not afraid to lean into the stuff we love: noise, classic rock, hardcore, doom metal, and thrash. We are well aware we are not reinventing the wheel but lovingly fashioning something from us and basically for us, first and foremost."
Guides For The Misguided tracklisting:
"After All"
"Hat On A Bed"
"Blood Atonement Blues"
"Fortress Of Hate"
"Proudly Damned"
"Fire And Brimstone Inc"
"Desperation Angel"
"Resurrection Day"
"Give Thanks And Praises" (Bad Brains cover)
"Kick Out The Chair"
"The Tower" (Bonus Track) (Superchunk cover)
German thrash metal veterans DESTRUCTION will release their 16th studio album, "Birth Of Malice", on March 7, 2025 via Napalm Records. The official music video for the LP's latest single, "A.N.G.S.T.", can be seen below. Tackling fear, the song urges fans to confront their inner demons and break free from mental chains. The single is accompanied by an incredible music video that honors the horror genre and its iconic special FX — images taken from your deepest nightmares creeping in your head to stay.
DESTRUCTION bassist/vocalist Schmier comments on "A.N.G.S.T.": "Our very first German songtitle is one of two very different tracks on this new album. I wanted to write a groovin' live track with staccato riffs, evil bloodcurdling vocals and dark atmosphere."
Schmier adds about the elaborate music video: "We wanted to create a music video like a horror movie that plays with our natural fears, and to create a scary vibe that gives you the chills. It will make you press REPEAT and think, 'What was that? Let's watch this freak show again!' We hope you're entertained!"
Schmier once again combines his dual vocal/bass attack with crashing riffs from dual battle axe masters Martin Furia and Damir Eskić, while Randy Black blasts his drums to new heights. As witnessed on their previous thrash fest "Diabolical" (2022),DESTRUCTION return with their uniquely raw and brutal sound, delivering merciless songs with a touch more variety and groove this time. All 12 songs straight from the butchers hit with a direct, clean sound — resulting in addictive metal anthems for the next generation of thrashers.
The "Destruction" single was released last November and as it's named after the band, it contains everything DESTRUCTION is revered for. This thrash anthem reflects on the band’s legacy, fueled by razor-sharp riffs and Schmier's relentless vocals. With lyrics celebrating their outcast origins and unbreakable metal spirit, "Destruction" is a tribute to over 40 years of thrash dominance.
Schmier previously commented on DESTRUCTION's eponymous battle hymn: "The crushing song 'Destruction' is the perfect opener for this album: it builds a bridge between our old-school sound and riffing, including songtitle phrases from classic DESTRUCTION tracks and more shredding and melodic twin lead guitars, that will pinch your brain with its razor-sharp leads! The message 'we are DESTRUCTION' unites us with our fans worldwide and manifests the bond we have together!
"I see this track in the tradition of a cult song like 'Curse The Gods' in the way it is composed — a thrash metal rollercoaster ride galore!"
Regarding the "Destruction" music video, Schmier said: "We filmed this clip in São Paulo, Brazil, one of the top-notch capitals of metal around the globe and a city that means a lot to us as a band. We played here for the first time in 1989 and have returned countless times for amazing concerts, festivals, visits... I feel at home here. Many friends live in this crazy town. I got my first tattoo, the 'Release From Agony' album cover, in São Paulo. We met SEPULTURA here the first time and the fans are simply mind-blowing! We wanted to catch the energy of a DESTRUCTION show and appreciate the faithful fans that breathe thrash metal to the core. Without them we are nothing, the lyrics of this song honor and acknowledge our supporters, they are our backbone, they are DESTRUCTION!"
DESTRUCTION's newest onslaught is opened by the aforementioned "Destruction", with a luring intro transforming into a true thrashing hymn with razor-sharp guitars honoring the band's 40-plus-year legacy, where mastermind Schmier reflects on the old days. Like the title "Birth Of Malice" suggests, lyrically, Schmier delves deep in human errors — like selfish behavior on "Greed" and "Evil Never Sleeps", while stomping "A.N.G.S.T." delivers shredding guitar solos and flirts with our paranoid instinct, criticizing evil forces who prey on the weaknesses of others. A clear statement is made with carnage on "Scumbag Human Race", exploring the mistakes mankind makes and pushing authorities in its memorable chorus "I will count your days!" The same rebellious attitude can be witnessed on the banging "No Kings – No Masters". DESTRUCTION also shifts to futuristic topics on the album, like the unconscious influence of technology and new forms of war on "Cyber Warfare". To close this brutal tour de force on a positive note, the thrashing legends celebrate their strong allyship with metal colleagues ACCEPT by presenting their own version of classic neck breaker "Fast As A Shark". All of these heavy topics are combined in the brutal cover artwork, designed by talented Hungarian artist Gyula Havancsák, known for his works for bands like ACCEPT, KREATOR and BLIND GUARDIAN.
"Birth Of Malice" was recorded at Switzerland's Little Creek Studio by V.O. Pulver. Guitarist Martin Furia mixed and mastered the masterpiece at The Black Mancave in Hannover, Germany.
"Birth Of Malice" track listing:
01. Birth Of Malice
02. Destruction
03. Cyber Warfare
04. No Kings - No Masters
05. Scumbag Human Race
06. God Of Gore
07. A.N.G.S.T.
08. Dealer Of Death
09. Evil Never Sleeps
10. Chains Of Sorrow
11. Greed
12. Fast As A Shark
DESTRUCTION's massive career has seen many successes, with the band hitting stages at the world's biggest festivals around the world like Hellfest, Wacken Open Air, Graspop Metal Meeting and México Metal Fest.
DESTRUCTION, known as one of the "Teutonic Four", alongside KREATOR, SODOM and TANKARD, were reunited with the other three acts at the "Klash Of The Ruhrpott" concert on July 20, 2024 in Gelsenkirchen, Germany.
In a January 2023 interview with Felipe Canales of Chile's iRock, Schmier was asked if he and his DESTRUCTION bandmates have ever considered changing their sound in order to reach a wider audience. He responded: "In Germany, we say, 'Don't change your winning recipe. Stick to the guns. Stick to what you can do best.' And for me, what I can do best is playing thrash metal. Every album we do sounds a little bit different, but it always will sound like DESTRUCTION.
"When you get older, it's very easy to slow down," Schmier explained. "A lot of musicians, when they [get] older, they wanna slow down; they wanna play blues; they wanna play more mellow music. For me, that's never been the case. I think the older you [get], the more you go crazy about it. You wanna still show the young kids how it's done. When we go out there to the festivals, we compete… To all those young bands, I could be [their] father, so I have to be the role model. So that's how I see it. Slowing down and changing something is not what we do."
As for whether it's harder for him to play physically challenging music as he gets older, Schmier said: "It's like in football — the old, experienced player, he has the feel for it. The young player runs more and runs faster. The old player has the eye and the brain. And it's the same in music. Of course I have to train harder to go on stage, but my experience of my age is great because I have better voice control. I know more what I want. I know what I don't want and where the band belongs. So this experience of a certain 40 years in the music business is, of course, a great one."
DESTRUCTION's latest studio album, "Diabolical", came out in April 2022 via Napalm Records.
In August 2021, DESTRUCTION officially parted ways with founding guitarist Michael "Mike" Sifringer and replaced him with Martin Furia. The Argentinian-born, Belgian-based Furia is best known for his work as sound engineer and producer for such bands as NERVOSA and EVIL INVADERS.
Sifringer was the only member of DESTRUCTION to have remained constant throughout the band's career. Schmier appeared on DESTRUCTION's first three albums before exiting the band and being replaced by POLTERGEIST vocalist André Grieder. André's sole recorded appearance with DESTRUCTION was on the "Cracked Brain" album, which came out in 1990. Schmier rejoined DESTRUCTION in 1999.
DESTRUCTION 2025 is:
Schmier - Bass, Vocals
Martin Furia - Guitars
Randy Black - Drums
Damir Eskić - Guitars
PARADISE SLAVES, the brand new band featuring former members of 36 CRAZYFISTS and DIECAST, will release its debut album, "With Hell In His Eyes", on May 2 via Spinefarm.
"To me, the overall concept of 'With Hell In His Eyes' is to never surrender, continue to fight, and continue to be grateful for life," states PARADISE SLAVES singer Brock Lindow. "Those were my thoughts. I'm a 49-year-old man who has lived and learned a lot. No one is perfect. Coming to this realization, trying to be better each day is a definitely goal."
Today, the band has also shared the video for "Dreamers". It follows PARADISE SLAVES' debut single, "A Fever To Defeat".
Watch the "Dreamers" video, comprised of footage of the band in performance mode, below.
A chugging palm-muted riff slips into an airy verse punctuated a breathy melody. The rush climaxes on a chantable chorus "I would've traded everything, but it kept running from me."
"My wife is from South Africa, and we battled immigration for five years," Lindow explains, offering a deep look at the highly personal subject matter. "She couldn't leave the entire time, and her parents had gotten sick. It was really rough. It's about our situation, the personal struggle, the hardships we dealt with."
The Boston-by-way-of-Anchorage quartet cements an uncanny union between aforementioned vocal powerhouse Lindow (36 CRAZYFISTS),solo artist and guitarist Tyler Stroetzel, guitarist Jon Kita (DIECAST),bassist Brad Horion (DIECAST),and drummer Ryan Manning (PENTAGRAM, BLITZKID).
Mutual admiration and respect sparked the initial flame for PARADISE SLAVES, yet their newly forged friendship lit up their chemistry as brightly as a pyre. That same energy surges through their full-length debut album.
As the story goes, KILLSWITCH ENGAGE guitarist Joel Stroetzel shot a text over to Lindow mid-pandemic. As it turned out, his younger brother Tyler was putting together a solo album, "Dark Verses, Vol. 1", and wanted Lindow to sing on a track. Right away, the duo hit it off as collaborators and buddies.
Following the first song, they continued to write and record. Given his longstanding friendship with Brock, Kita naturally fit in and joined the fold followed by Horion and Manning. Jamming away, they nodded to formative inspirations such as SOUNDGARDEN and ALICE IN CHAINS twisted up with just the right amount of hardcore grit and heavy metal eloquence. In between, they performed alongside the likes of KILLSWITCH ENGAGE, FIT FOR AN AUTOPSY, and more. Eventually, the group congregated at Tin Bridge Studios in Massachusetts in order to record.
"This band is something I didn't expect," admits Lindow. "After it fell in my lap, I was making new music with new people and we became brothers, and for that, I'm so grateful. When you get a gift like this, you need to put your best foot forward and have some fire. I definitely still have the same fire and love for making music as I always had and it manifests in PARADISE SLAVES."
"With Hell In His Eyes" track listing:
01. For Those Who Watch The Sea
02. Aesthetic Of Serpents
03. A Fever To Defeat
04. Dreamers
05. With Hell In His Eyes
06. Glass Mountain
07. Swim North (feat. Trevor Phipps)
08. How Far From Fragile
09. Somebody To Shove (SOUL ASYLUM cover)
10. Always Have Always Will
Massachusetts’s Aversed share more new music from their forthcoming album. Today, the group’s new digital single and music video “Lucid Decapitation” makes its way online, showcasing their intense, progressive, and blistering performance.
"In 1905, French physician Dr. Jacques Beaurieux performed an experiment on prisoners condemned to die by guillotine. Immediately after his subjects were decapitated, he called out their names seeking to determine to what extent and for how long consciousness remained in their detached skulls,” explains drummer Jeff Saltzman. “In ‘Lucid Decapitation,’ we explore the horrifying prospect of being subjected to such a test, and our world’s hunger for knowledge, regardless of the cost. What does it feel like to be a head, detached from your body? Can science ever be justified in performing such grisly experiments?"
Interesting themes for an interesting album that takes extreme, gothic and melodic death metal inspirations and builds them to create something uniquely Aversed. “Lucid Decapitation” follows up “Cross To Bear”, which weaved wondrous awe with righteous anger and left fans anxious for more new music.
Packaged with intriguing artwork from Adam Burke (Unto Others, Gatecreeper, Cloak) of Nightjar Illustration, and self-produced by guitarists Alden Marchand and Sungwoo Jeong with orchestrations composed/arranged by Vikram Shankar (Redemption, Silent Skies, Pain Of Salvation), the album is mixed by AJ Viana (Wormhole, Hath, Cognitive) and mastered by Brad Boatright (Code Orange, Obituary, 200 Stab Wounds) at Audiosiege.
Erasure Of Color will be in stores and online March 21, 2025 and preorders are now available on CD
Danish death metal/metallic hardcore outfit Lifesick is pleased to kick off the year with a new video for "Peace Through Superior Firepower." The track comes by way of the band's critically lauded Loved By None, Hated By All full-length, released last Fall on Metal Blade Records.
LIfesick manifests brutal and brutally honest songs with lyrics inspired by the turbulent nature of life. Musically influenced by Swedish death metal, the band's authentic and explosive mixture of crushing tones and modern breakdowns create an uncompromising sound and vision.
Comments the band on "Peace Through Superior Firepower," "The idea of trying to spread peace around the world with bombs and guns is one of the most bizarre aspects of the human race. Some of us are raised with love, and a subtle hint of hate for others. This song features heavy and catchy guitar riffs, with plenty of sing-along vocal parts. The track includes layers of samples and pitched-down guitar, giving the breakdown a distinct feel compared to the rest of the songs on the album. 'On
Melodic hard rockers, Alliance, are pleased to announce the release of their new studio album, Before Our Eyes, out March 28 via Frontiers Music Srl. The first single and accompanying video, “Tell Somebody”, are also available now. Find the clip below.
Alliance comment on the new album: “We are excited to have a new label and to be working with the team at Frontiers. With 5 albums released over the last 30 years we are feeling even more creative and energized by the possibilities that lie ahead. We are looking forward to reaching a wider audience and are already hard at work on album 7.”
About the new track, they add: “The first single from the new album is 'Tell Somebody'. The songs narrative applies to everyone of us having things going on in our lives that other’s might not see but the hidden meaning alludes to the divisive climate in the world. An open heart, truth and clarity, are the goals.”
Renowned melodic hard rock band Alliance, with a nearly thirty-year collaboration, and six highly regarded studio albums, return with their new release, Before Our Eyes, their first on the Frontiers label, and the first in several years following Bond Of Union (1996), Alliance (1997), Missing Piece (1999), Destination Known (2007), Road To Heaven (2008) and Fire And Grace (2018).
For the new album, the core of the band remains the same with guitarist Gary Pihl (Boston), drummer Mr. David Lauser (Sammy Hagar) and bassist Robert Berry (3, GTR). After Sammy Hagar stopped his solo career to join Van Halen, his drummer David Lauser, along with guitarist Gary Pihl still longed for the allusive missing pieces for a new project outside of their main gigs.
Early in 1993, Robert Berry received a call from Lauser. They reached out to keyboardist Alan (Fitz) Fitzgerald (ex-Night Ranger), and gathered together at Hagar's studio in Mill Valley to work through songs from their demos. According to a witness, “there was an immediate connection. Everybody in the room could feel it. The vibe was powerful and inspiring”. They immediately recognized the common thread that would feed their creativity.
A signature style was beginning to emerge, and the band was bonding even though they were spread geographically throughout the country, with Pihl in Boston, Fitz based in Texas, Lauser in Southern California and Berry in the heart of Silicon Valley.
Over the years and up to today, Alliance continues to solidify and bolster their long-distance collaborations. Though the scheduling remains challenging their passion and commitment remains energized. Their musical benchmark, perhaps a product of
KILLSWITCH ENGAGE has shared the official music video for a new song called "I Believe". The track is taken from the band's upcoming album, "This Consequence", due on February 21, 2025 via Metal Blade. "This Consequence" is KILLSWITCH ENGAGE's ninth album overall, and sixth with singer Jesse Leach, who rejoined the band in 2012.
"'I Believe' is about undying hope," says Leach. "During difficult times perspective is everything. Knowing deep down that 'this too shall pass' has been a beacon of light for me. I do believe there is meaning behind suffering. If we are able to push through difficult times and come out the other side, there is a renewed sense of purpose."
He continues: "I know there are much more commonalities between all of us as humans than there are differences. The good far outweighs the bad. This is my message to anyone who's listening, things will get better! However you have to believe that they will!. There is power in faith, there is power in manifestation and prayer! Keep the faith and push forward with the confidence of better days ahead. Do not let this world pull you down into despair. Tomorrow is a new day and a new possibility for change!"
In a recent interview with Joshua Toomey of the "Talk Toomey" podcast, Leach stated about the "dark", "angry" and "aggressive" nature of "This Consequence": "Yeah, I think angry, dark and aggressive, for better or for worse, is kind of what the world needs right now, I think, therapeutically speaking. I think a lot of us can relate to frustration, anger, betrayal, all those things, and that's kind of what I highlighted lyrically with this album; I was really focusing on that stuff. But I will say this: if you really read into the lyrics, there's a positivity through a righteous anger, anger that wants to sort of wake people up and have people choose their own path instead of just the blind leading the blind, which is what we see so much in society and our governments and organized religion and all these things that control us as people. It's very much about breaking out of the matrix, if you will, and carving your own path. And there's a righteous anger underneath all of it, and that's where the positivity lies. But I think with metal music, the great thing about it is you can talk about dark stuff and it is therapeutic. That's why a lot of us get into this kind of music."
Jesse also talked about the lyrical inspiration for the first single from "This Consequence", a song called "Forever Aligned", which was made available in November. Speaking specifically about the line "now my tongue must confess", Jesse said: "Yeah, I'm always weaving in and out… I was raised by a minister, I was raised in a Christian home, so even though I don't subscribe to organized religion anymore, I like using biblical words here and there to sort of tie in the themes. I'm very much a believer in in God, if you will, in general. I know people roll their eyes when other people say that, but my journey has been such where I've just seen much deeper things that I don't think can be defined by a particular human organized religion. And 'Forever Aligned' is about that. It's about love. It's about, first and foremost, the song was inspired by the love I have for my wife and the relationship we were able to have during the pandemic, especially, where it was just the two of us, nobody else, and really learning what love and sacrifice is, and then weaving that into what I believe God is. God is love, to keep it really general for people to understand. We can try to tap into that as humans, that word 'love', but it's far beyond human comprehension. So that song is very much about being broken and in a dark place and finding salvation through love."
Elsewhere in the chat, Leach touched upon his growth as a vocalist since the release of 2019's "Atonement" LP, saying: "Truth be told, ['This Consequence'] was very difficult for me to write and sort of find my inspiration again. And even vocally, learning new techniques, like the vocal fry, and trying to add that into my old technique and still sound like me, it was a long, hard process.
"Especially after my vocal surgery in 2018, I relearned how to speak differently — I speak differently than I did," he explained. "I'm more measured; I make sure my voice is placed in the right place. And through that, it went into my vocals, my singing, especially. I was really focusing on my singing first and foremost to stay in key and not go flat or sharp. Then it was, like, my screams were — I was so paranoid. I was really worried about… We do three shows in a row. That fourth show, I'm, like, 'It's getting difficult. I can feel the swelling happening.' So I was really studying vocal fry, 'cause you can do a lot of cool stuff with fry, but me with my voice, it has such a signature sound to it, I guess, according to Adam [Dutkiewicz, KILLSWITCH ENGAGE guitarist and producer], at least, that if I just went into that new technique completely, the lows were missing something, my yelling. It different. So I was going into these demos just doing fry, saving my voice, especially thinking that, once I get to the studio, it's going to be fatiguing; we're doing four- or five-hour sessions. But I kept falling flat and the voice just didn't sound right. For some of the high stuff, it works, but for the lower, mid stuff and for the death metal growls, that's all old school… It's the old-school way, the way we all started doing it in the late '80s and early '90s. So I've learned, thankfully, through a lot of trial and error, and this album had a lot to do with it, to blend the styles. So I can do my old-school stuff, and then I can sort of blend in some of the vocal fry to hit those crazy, maniacal-sounding highs without it destroying my voice."
When "This Consequence" was first announced in late November, Leach said in a statement: "'This Consequence', to me, is the combination of everything the past five years has thrown at us as a band, as humans, and society as a whole. This album is just as much about everybody and their stories as it is for me about my journey personally. Sonically, I love the combination of everybody's ideas and contributions on this album. It feels more like a collaboration than the past few records have been. When all is said and done, I wouldn't change anything about this album."
He added: "I think it's the exact record we needed to make. I'm honored and proud of what we all were able to create and refine through this music and message."
"This Consequence" track listing:
01. Abandon Us
02. Discordant Nation
03. Aftermath
04. Forever Aligned
05. I Believe
06. Where It Dies
07. Collusion
08. The Fall Of Us
09. Broken Glass
10. Requiem
In March 2024, KILLSWITCH ENGAGE guitarist Joel Stroetzel told Mathias Henrixon of A Swedish Fika With… about Leach's comment that the band's upcoming LP has been the most difficult KILLSWITCH album for the singer to make: "Yeah. He came back and retracked a lot of stuff because he had… Over the past few years, he's kind of trained his voice to do the fry technique live, which, it's been great. It's been kind of a godsend for him live, because he never blows his voice out anymore. But I think him and Adam were finding when he was tracking, using that technique, he wasn't getting all the different growls and things he used to get. So, he decided to go back and kind of revisit things, maybe swallow some glass and go for it. [Laughs] He's been doing great."
Regarding the musical direction of the new KILLSWITCH material, Joel said: "It definitely sounds like a KILLSWITCH record. I think a lot of the songs are on the heavier side. A lot of fast songs. There's still all the melody and stuff that we normally do, but there's a lot of aggressive stuff on this one."
"Atonement" was released in August 2019 via Metal Blade Records in the U.S. and Sony Music Entertainment in the rest of the world. The disc featured guest appearances by former KILLSWITCH ENGAGE singer Howard Jones and TESTAMENT frontman Chuck Billy. It marked the band's third full-length release since the return of Leach, who rejoined the group in 2012.
KILLSWITCH ENGAGE will embark on a headline tour in March 2025. It's their first tour of North America since late 2022. The trek will feature support from KUBLAI KHAN TX, FIT FOR A KING and FROZEN SOUL, and will kick off on March 5 in Nashville and runs through April 12 in Portland, Maine.
Fans of the iconic Canadian progressive metal band VOIVOD are in for a treat with the unexpected discovery and release of the "Blame Us" performance video from their self-titled 2003 album, featuring ex-METALLICA member Jason Newsted on bass. This long-lost video, found deep in the production archives, captures VOIVOD in a raw and electrifying performance that showcases their unique blend of metal and progressive rock.
The discovery of this footage is nothing short of serendipitous, coming at a time when the meaning of the song and singer Denis "Snake" Bélanger's lyrics feel more prescient and potent than ever in today's world. The themes of "Blame Us" resonate deeply with contemporary issues, making this release both a nostalgic trip and a reflective commentary on the present.
In 2003, Jeff Ertl and Keith McCabe, both accomplished ILM Visual Effects artists, directed the VOIVOD video "We Carry On", which was prominently featured on MTV's "Headbangers Ball". During the band's tour of the Southwest with SEPULTURA in April 2003, the duo traveled with VOIVOD, filming in Tucson, Arizona, Albuquerque, New Mexico and El Paso, Texas. Additional footage was compiled from the Bourbon Street Bar and Grill in Concord, California, marking VOIVOD Mark 3's first show, and at Newsted's Chophouse recording studio.
"Uncovering this video was like finding a missing puzzle piece from VOIVOD's illustrious history," said Ertl. "It's a privilege to share this moment with the world, giving fans a glimpse of a powerful performance that many thought was lost to time. The timing of its discovery makes the song's message all the more powerful today."
The "Blame Us" performance video is now available for viewing on YouTube and below, offering fans an opportunity to reconnect with VOIVOD's classic sound and energy. Don't miss this chance to witness a piece of metal history brought back to life.
Formed in 1982, VOIVOD has become a pioneering force in the progressive metal scene, known for their innovative approach to music and their ability to evolve with each album. Over the decades, VOIVOD has remained influential, continuously pushing the boundaries of metal music.
VLTIMAS (pronounced 'uhl-tuh-mas'),the multinational quintet featuring Norwegian guitarist Rune "Blasphemer" Eriksen (ex-MAYHEM, AURA NOIR),American vocalist David Vincent (ex-MORBID ANGEL) and Canadian drummer Flo Mounier (CRYPTOPSY),has released the official music video for the song "Mephisto Manifesto". The track is taken from VLTIMAS's second album, "Epic", which came out in March 2024 via Season Of Mist.
After three decades on the throne, even the most Satanic rulers are guilty of sitting back and admiring their dirty work. But VLTIMAS are still doing the devil's work. "Mephisto Manifesto" declares their unholy dominion over extreme metal. "I'm righting all their wrongs", Vincent growls with righteous disdain at his lesser demons. His captors may put a stop to his grand plan in the song's devious video, but the closing solo from Eriksen seals the band's oath to extreme excellence in blood.
VLTIMAS will join forces with SEPTICFLESH and EX DEO for the "Modern Primitive In North America" tour in February.
Vincent says: "We are teaming up with our metal brothers SEPTICFLESH and EX DEO for VLTIMAS's first-ever North American tour next month. We look we look forward to sharing our strength and misery with our friends and fans. This indeed will be EPIC!"
Rounded out by Dutch bassist Ype TVS (ex-DODECAHEDRON) and Portuguese guitarist João Duarte (CORPUS CHRISTII),VLTIMAS fortified its signature with wicked invention, as applauded by Decibel magazine, BangerTV, Louder and many others, on their debut, "Something Wicked Marches In" (2019).
"We wrote every bit of 'Epic' together at my ranch in Dime Box, Texas," offered Vincent. "The writing sessions were as organic as they could be. There were times when, at the end of the night, Rune would take his guitar and play something ridiculous. Flo would play something even more ridiculous on top of it. I'd say to the guys, 'I need to capture this.' So, the magic [of VLTIMAS] is being in the same room together, discussing, playing, and recording music and everything else we're doing together. We have unbelievable camaraderie."
While the members of VLTIMAS are not atavists, their preferred creative methods are time-tested and battle-hardened. Technology has its place, but the group thrive when they're together, not separated by the world. Eriksen, renowned as a riff innovator, is more effective when he's got a highly capable sideman like Vincent or Mounier, whose drumming in CRYPTOPSY and his celebrated instructional "Extreme Metal Drumming 101" DVD has proven to be a no-limits player, by his side. Whether it's the moody, angular attack of "Miserere", the wicked groove of "Mephisto Manifesto" or the dark fury of "Nature's Fangs", the chemistry and enterprise of VLTIMAS is undeniable.
"The main goal [of VLTIMAS] is to be real," Eriksen revealed. "To channel the very moment, to let true inspiration out. I don't believe I ever set myself a goal on what an album should or needs to sound like before I or we write it because that means I have to compromise during the process. For 'Epic', we focused on more direct songs, trimming the fat, as opposed to 'Something Wicked Marches In', which had a progressive and 'playful' flair."
VLTIMAS was a profane concept — a constellation of riffs against a modest frame — when formed by Eriksen in 2015. After departing MAYHEM in 2008 and putting his gothic doom outfit AVA INFERI to rest in 2013, the Norwegian's fingers still itched with infernal fury. VLTIMAS was his vent, and when Mounier and Vincent joined, he finally had the cadre of professionals to make it a reality. Together, they devised complementary schemes and themes rooted in rightness. In a world gone mad, VLTIMAS had a vision. On "Something Wicked Marches In", they commanded attention with metaphors about the apocalypse, the ancient goddess Lilith, and truth. Lyrically, "Epic" spears into the very nucleus of strength through Vincent's brio of double entendre and clever wordsmithing. The songs are designed to be heard, read, and interpreted — there are no shortcuts.
"Everything we're doing and messaging is about strength and honor," said Vincent. "These are the fundamentals that I incorporate into my life, which I believe in. I want to share with others, hoping they'll incorporate strength and honor into their lives. I wouldn't say I like spelling lyrics out. I use a lot of double meanings on purpose because I want to inspire the listener to think. I'm not a short attention span guy, and I don't appreciate it. 'Epic' is holistic and meant to be experienced that way."
"Epic" was recorded by producer Jaime Gomez Arellano (PARADISE LOST, GRAVE MIASMA) with engineer Jonathan Mazzeo (first fragment, sickening) at Arda Recorders in Porto, Portugal. VLTIMAS tracked the album throughout May 2023. Arellano also handled the mix and master. Like everything the band does, the main goal was to be honest. The maxim of no sample replacement or re-amping — "Epic" was captured on outboard gear — was adhered to and enjoyed by the team. The result is a sonic expression that sounds like nothing else. From the crushing title track to the epic musicality of closer "Spoils Of War", "Epic" is an absolute beast.
"Stress, long walks, too much alcohol, yet very focused once in the recording mode," Eriksen said of the sessions. "We booked a month, but somehow, that flew by instantly. We worked up until the very end. I even added a few solos at my local Soundscape Studio in Almada, Portugal. Art unfolds, and once you think you are done, there's always another idea popping up."
VLTIMAS brought Italian artist Daniele Valeriani (MAYHEM, UNANIMATED) to visualize "Epic". The aesthetic, as illuminated by music and message, was iconic boldness. The three-eagle head crest with three different crowns, accompanied by transfigured symbols of the Passion and the "impossible triangle," projects effortlessly. In "Epic", the group will dominate. There's no escape from "Miserere", "Mephisto Manifesto", "Scorcher" and "Invictus". Together, they thrust, by resolve and inventiveness, VLTIMAS into the uppermost echelons of extreme metal.
"['Epic' is] old meets contemporary, a symbiosis of all the great things we love about extreme metal," offered Eriksen. "All combined into one album."
"I want to be as emotional and honest [with VLTIMAS]," Vincent added. "I want to tell stories; I want to have the themes that appeal to me; I want to have some messaging that someone can take away, in this case, strength. 'Epic' is strength."
VLTIMAS is:
David Vincent - Vocals
Rune Blasphemer Eriksen - Guitars
Flo Mounier - Drums
Ype TVS - Bass
João Duarte - Guitars
Photo credit: Jolanda Siemonsma (courtesy of Season Of Mist)
Perfect Plan have released their new single and accompanying video, “Heart Of A Lion”, the title track from the upcoming studio album, set for release on February 28 via Frontiers Music Srl.
Lead singer Kent Hilli describes the title track by saying: “'Heart Of A Lion' is inspired by our Swedish football hero Zlatan Ibrahimovic and his story and career. A magnificent football player with a very inspiring story. I can relate to the struggles he had as a youth growing up in Sweden turning his setbacks and people talking him down to fuel for development and reaching higher. The passion, ambition and drive he has is truly one of a kind. He also has the Lion as his “spirit animal” which - together with his unique drive - inspired me for the lyrics and theme of the song."
Perfect Plan’s fourth studio album, Heart Of A Lion, marks the culmination of the band’s musical production to date. Over the course of their first trilogy of albums, All Rise, Time For A Miracle and Brace For Impact, the Swedes have quickly established themselves as a new gold standard in not only the Scandinavian melodic rock genre, but the melodic rock genre as a whole.
Talking about Heart Of A Lion, Hilli continues: “The new album is once again showcasing that we have developed and matured as a band in terms of songwriting and production. The melodies, riffs, and hooks that we have created on this album are overall the best we’ve done so far. I am extremely proud of what we have accomplished. Although our main influences like Survivor, Foreigner, Europe, and Whitesnake are still shining through, there’s that unmistakable Perfect Plan sound that is the driving center of it all. And I think we have strengthened that sound and identity.
“With Brace For Impact we wanted to discover a new heavier and 'in your face' sound but on this album, we are back to the sound of the first two albums, with more keyboards and bigger sound taking you back to the 80’s with a modern touch and feel. On this album, we once again teamed up with Mårten Eriksson, whom we worked with on Time For A Miracle."
Hilli adds: “Mårten brought his extreme talent to the songs both co-producing with us and also did he mixing. Mårten's long experience as both a songwriter and producer in the pop industry brought so much to the table and the end result is simply fantastic. If you liked our previous albums, you are gonna love Heart Of A Lion!”
Kent Hilli is a one-of-a-kind singer that gained a world-class reputation almost from the start. His class, range, tone, and heartfelt expression caught the attention of his heroes Giant, who picked him to sing on their latest album Shifting Time, and saw Kent releasing two solo albums in 2021 (The Rumble) and 2023 (Nothing Left To Lose).
Completing the lineup is: Rolf Nordström, guitarist extraordinaire, Mats Byström, the music mastermind who plays bass and forms a solid, rock-hard base with drummer Fredrik Forsberg. The subtle textures, so important in AOR, come from Leif Ehlin’s keyboards.
Heart Of A Lion is a powerful statement from the band offering their absolute best songwriting and production ever: a strong offering with roots very well planted in the 80’s AOR sound. Produced in collaboration with Mårten Eriksson, the band was determined to top the musical results they had previously reached and took a few months to come out with the right musical material.
Sometimes the stars align, and the result is absolutely stunning: a perfect balance of energy and unforgettable melodies is what you are going to find in Heart Of A Lion.
Perfect Plan offers the “perfect” (pun intended) combination: a superb singer, a well-oiled band of experienced players, and a great songwriting talent with a knack for unforgettable melodies and driving rhythms.
With Heart Of A Lion, Perfect Plan has crafted an outstanding piece of work which, while paying tribute to the obvious references to the sound of the classics (think Survivor, Foreigner, The Storm, Giant, etc) and Scandinavian AOR, has a recognizable identity and personal feel.
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