Silent Skies, the cinematic ambient project of Evergrey’s Tom S. Englund and classically trained pianist and composer Vikram Shankar (Redemption), have just released another new single, “Leaving”, cut from their luminescent upcoming second studio album and label debut, Nectar, out February 4 via Napalm Records.
This infinite, heartfelt full-length enchants with sounds like pure poetry lifting off the page and wrapping around its listener with a gentle glow as it combines the reminiscence of the likes of producers and composers such as Olafur Arnalds, Nils Frahm and Ludovico Einaudi, and bands ranging from Sigur Rós to Anathema. The balance between haunting instrumentals and vocal intensity that complement each other in perfect harmony walks a delicate line where listeners are treated to the best of both worlds.
The intense second single “Leaving” combines gloomy ambient and infectious pop influences, all topped by Englund's outstanding vocal interpretation, that embodies fragility and strength at the same time and creates a setting where the meaning of time and space does not matter any longer. Blended with the sensitive atmosphere of renowned pianist Vikram Shankar, the composition creates a sonic universe in which one only wants to dive deep into and get lost forever.
Silent Skies on “Leaving”: “And now for something rather different: we present our second single from Nectar, the dark and brooding 'Leaving'. Our most intense and powerful song to date is paired with a stunning video by the ever-talented Patric Ullaeus, who helped set our most fiery track yet to an appropriate visual. 'Leaving' is a song about closure, moving on and finding a new peace - we hope that you find this song as satisfying to listen to as we felt making it.”
In 2017, the paths of Swedish progressive band Evergrey's vocalist Tom S. Englund and multi-instrumentalist Vikram Shankar crossed fatefully. Both artists set themselves free from limitations to captivate their listener with Nectar - a soulful ten-track offering, produced by Englund and Shankar themselves and mixed/mastered by Jacob Hansen at Hansen Studios.
Silent Skies on the new album: “We are tremendously proud to announce our second record, Nectar, will be released on February 4th, 2022. Nectar represents an expansion and an elevation of all things that make us who we are; simultaneously grander and more intimate, more futuristic yet more organic and thoughtful. This record represents who we are, and it means so much to both of us, that we cannot wait for you to experience it.”
With Gothenburg’s Evergrey known as one of the most prolific bands in progressive metal, Englund is by far no stranger to the scene. After partnering with North Carolina, USA-based piano player Vikram Shankar – who had already worked with greats like Anneke van Giersbergen – this fateful encounter, now known as Silent Skies, set its first milestone with the release of their spine-tingling debut Satellites back in 2020. Two years later, this fruitful collaboration returns with Nectar, marking the sequel of something that’s far more than just a side project of Englund’s. Rather, it’s the brainchild of two highly talented individual artists with deep knowledge and many years of experience, whose creativity and spirit culminates in an exceptional form of musical expression. Shankar’s sensitive yet intense piano tunes merge with the poignant vocal interpretation of Tom S. Englund to take the listener on a touching, melancholic ride that wanders through the darkest facets of life, while always leaving a spark of hope to hold on to. This otherworldly sonic collaboration is graced by the outstanding contributions of Leprous' cello player Raphael Weinroth-Browne, who appears on nearly every track of the album to spice up the stirring sound even more.
Silent Skies’ sophomore full-length sets off with the soulful, ethereal “Fallen From Heart”, immediately creating a tapestry of sound to get lost in. Tracks like delicate “Taper” and shimmering “Neverending” are dominated by the yearning vocals of Englund, but never fail to give Shankar’s instrumental virtuosity the well-deserved space to shine bright like the first sunray welcoming the day. Beautifully honest “Let It Hurt” addicts with its remarkable chorus hitting on point, blending cinematic strings and piano with hooky modern vocals. Darker realms lure with heart-breaking “Leaving”, combining gloomy ambient and infectious pop influences, and dramatically accented, heart-beating “Cold”, with its lingering electronic elements that build a tangible, gripping maelstrom of emotions. Instrumental title track “Nectar” closes this new chapter of Silent Skies but leaves its audience with a long-lasting impact and the key to a door that’s worth entering over and over again.
Nectar will be available in the following formats:
- 6p Digisleeve
- 2LP Gatefold Black
- Digital Album
Steve Vai and Favored Nations / Mascot Label Group have released an official visualizer for "Zeus In Chains". The composition is featured on Vai's upcoming studio album titled "Inviolate" which will be released digitally and on CD on January 28. The vinyl will follow on March 18.
Vai states: "The title for this track 'Zeus In Chains' was told to me by the track when I was listening back and asked it… 'What's your name?' This happened during the heavy guitar breakdown with the dissonant high note that happens right before the solo. It sounded like Zeus in chains. Hey, it's art. You can make up anything you want and it's legitimate."
Over the course of a more than 40-year career, Vai has routinely transformed what would appear to be outrageously impossible into something very, very possible… and still also pretty outrageous. From his days as Frank Zappa's "stunt guitar" player to his more recent expansive and exploratory solo work, Vai has continually challenged notions of traditional guitar playing and composition — and on more than one occasion even reimagined the very instrument itself.
Which, he'll admit, is not necessarily his intention. "I don't sit around and say, 'Okay, what can I do now that pushes the boundaries?" Vai explains about his approach to the guitar. "What I do say to myself is, 'Okay, Vai — what are you going to do now that's going to interest you, that's going to fascinate you, and that's different than anything you've done before?" The answer to that question comes in the form of Vai's newest and 10th solo album, "Inviolate", a nine-song opus that (sorry Steve) does indeed push the boundaries of instrumental guitar music — this time out, Vai quite literally invented not just a new guitar, but also a new guitar-playing technique.
At the same time, "Inviolate" presents his most focused, streamlined and perhaps invigorating music in years. "It's very 'Vai,' whatever that means," he says, and then laughs. "Someone else might be better than me at explaining what that is. But it's just very honest music. Because a lot of my records, they're long and there's a lot of concepts and playing around with stories. This one has none of that. This is nine pretty dense all-instrumental compositions that I wanted to capture and record so I could get out there and play them live for people."
The album's mesmeric opener, "Teeth Of The Hydra", a sinuous, Latin-fusion-tinged composition that Vai wrote and recorded with a one-of-a-kind custom guitar he coined the Hydra. But calling the Hydra a mere guitar is selling it way, way, way short. Built in conjunction with the designers at Hoshino and based on a "steampunk motif" idea of Vai's, the Hydra is a beast of an instrument — a one-bodied, two-headstock-ed, three-neck-ed creature that encompasses, among other things: seven- and 12-string guitars; a four-string bass; sympathetic harp strings; half-fretless necks; single-coil, humbucking, piezo and sustainer pickups; floating and hardtail tremolo bridges; phase splitters; and much, much more. "It's an incredibly-built machine," Vai says. "I told the guys at Hoshino, 'Anything that you think is conventional, don't do that.' This was an opportunity to exercise brutal creativity. And they went beyond."
As did Vai in his performance. Throughout the track he employs the Hydra's full range of tone and timbres to craft a guitar part that sounds, in its expansiveness and expressiveness, positively alive. "The interesting thing about the song and the guitar is that it all came at the same time," Vai says. "It was one of those 'inviolate' inspirations — boom!"
That said, he continues, "I knew that I needed to create something with the Hydra that sounded like a real piece of music. It couldn't be just a novelty. Because if you knew what my hands were doing, and how I'm using my left hand to create phrasings that work when I can't pick a note because my right hand is off somewhere else…my god. But the finished piece had to stand on its own. It couldn't sound like I was just trying to juggle stuff."
Over the course of 2021, several of these compositions were shared publicly. Vai composed and recorded the song "Knappsack", following his shoulder surgery, at a time when his right arm was in a sling (or, as his surgeon, Dr. Knapp, called it, a "knappsack"), and thus was able to use only his left hand when playing the piece. He released a one-handed performance video. He says with a laugh, "pretty soon after I started to see some clips of young kids pulling it off, too. It's really fascinating."
Those kids will likely face a greater challenge attempting to take on another "Inviolate" track, "Candle Power". For this one, Vai not only set up parameters outside of his comfort zone (Strat-style guitar; clean tone; no whammy bar; no pick), but also — why not? — developed an entirely new guitar technique that he calls "joint shifting." The core concept there, he explains, is to enact simultaneous multiple string bends in opposite directions, which "requires bending only the top joint of the finger independently from any other finger." And while he acknowledges that bending multiple strings is not a new concept in and of itself, "I had not seen any of it done in the way I envisioned it," he says.
Like "Knappsack", Vai released "Candle Power" an accompanying performance video earlier in 2021. But he added a little something extra to the version that appears on "Inviolate", with a newly recorded drum track from fellow Zappa alumnus Terry Bozzio (to that end, additional crack players who lent a hand to the record include bassists Bryan Beller, Philip Bynoe and Henrik Linder, keyboardist David Rosenthal and drummer Vinnie Colaiuta).
On "Apollo In Color", Vai's soaring runs on his Ibanez PIA signature guitar (the newly-designed model's first appearance on a Vai studio album are surrounded by filigrees of sound played on all manner of exotic stringed instruments. "I thought, 'Okay, what can I do to color this thing up?'" Vai says. "So, I pulled out all these little acoustic instruments I've collected through the years and I said, 'I'm going to use every one of them somehow.'" These included a cavaquinho, a saz, a sitar, an oud and more. "Some of the instruments, I don't even know their names," Vai admits with a laugh.
In essence, it all comes down to finding your own voice, and then having the courage and conviction to follow your musical and creative instincts wherever they may take you — something Vai has never been shy about in his playing. "One of the great things about the guitar is you don't need to be a virtuoso to express your creative vision," he says. "I mean, Bob Dylan plays the guitar perfectly well for his expression. So does John McLaughlin. You just need to decide how much technique you want or need to get there. For myself, I came out of the chute wanting and needing it all. When it comes to my music, I don't feel like I have to prove anything or conform to anything. I just love to think up creative ideas, and then use whatever skill I have to manifest them."
"An inviolate inspiration is one that comes to you completely pure," Vai explains. "It appears almost in its completeness, and there's a recognition of it as being right for you — perfectly right for you. There's no excuses in it. There's no fantasy in it. There's just a recognition of 'yes.' And then you capture that in a way that's authentic to your unique creativity. Hopefully, that's what I've done with this record."
"Inviolate" track listing:
01. Teeth Of The Hydra
02. Zeus In Chains
03. Little Pretty
04. Candle Power
05. Apollo In Color
06. Avalancha
07. Greenish Blues
08. Knappsack
09. Sandman Cloud Mist
Vai will begin an extensive tour of the U.S., with 54 scheduled appearances on January 27 at the House Of Blues in Las Vegas. Vai will be joined by his long-tenured ensemble members Dave Weiner (guitar / keys), Philip Bynoe (bass), and Jeremy Colson (drums). Vai shares: "A performer thrives on performing. It's been my life for the past 49 years, with the exception of the last two years, so we are chomping at the bit to get out there and play for people. A music concert has the ability to dissolve the many challenges we face, and celebrate one of the good things in life, live music."
YouTube registered user Dennis Justus has just uploaded fan-filmed video of JUDAS PRIEST's entire September 9, 2021 concert at Veterans United Home Loans Amphitheater in Virginia Beach, Virginia. You can watch the footage below.
The band's setlist was as follows:
01. Battle Hymn/One Shot At Glory
02. Lightning Strike
03. You've Got Another Thing Comin'
04. Freewheel Burning
05. Turbo Lover
06. Hell Patrol
07. The Sentinel
08. A Touch Of Evil
09. Rocka Rolla
10. Victim Of Changes
11. Desert Plains
12. Blood Red Skies
13. Invader
14. Painkiller
Encore:
15. The Hellion/Electric Eye
16. Hell Bent For Leather
17. Breaking The Law
18. Living After Midnight
This past Monday (January 10), JUDAS PRIEST announced that it will perform as a four-piece on its upcoming tour. A few hours later, the band's former touring guitarist Andy Sneap, who co-produced the British heavy metal legends' 2018 album "Firepower", released a statement to BLABBERMOUTH.NET in which he said that he wasn't involved in PRIEST's decision to carry on as a quartet and thanked the Rob Halford-fronted outfit for the "mind-blowing" opportunity to share the stage with one of his favorite bands.
Sneap said: "Rob called me last Monday and said they wanted to move on as a four-piece, which I find incredibly disappointing after this amount of time but I respect his decision as they obviously have a vision how they want this to play out.
"This always was a temporary situation, and like I've said before, I'll always help the band any way I can, and that applies going forward also," he continued.
"I've been a huge fan of the band since the early '80s and it was mind-blowing to play onstage with the guys and quite frankly terrifying in the beginning at such short notice.
"We are moving forward with the new album next month and look forward to making a killer follow-up to 'Firepower'," he added.
Sneap, who is also known for his work in NWOBHM revivalists HELL and cult thrash outfit SABBAT, began touring with PRIEST four years ago after longtime guitarist Glenn Tipton — who was diagnosed with Parkinson's disease eight years ago after being stricken by the condition at least half a decade earlier — announced in early 2018 he was going to sit out touring activities in support of "Firepower".
Bassist Ian Hill is the sole remaining original member of PRIEST, which formed in 1969. Halford joined the group in 1973 and Tipton signed on in 1974. Rob left PRIEST in the early 1990s to form his own band, then came back to PRIEST in 2003. Founding guitarist K.K. Downing parted ways with the band in 2011, and was replaced by Richie Faulkner.
Two and a half years ago, Sneap said that he would continue to play guitar for JUDAS PRIEST "as long as they want me to." During an appearance on the "Talking Bollocks" podcast, Sneap stated: "It'd be great if Glenn was up there doing it. That's the thing that really… it's always in the back of my mind; it really is. But it's just nice that he asked me to do it. As long as they want me to help out, I'll help 'em out. That's kind of the way I'm looking at it, really."
Last June, Halford told Metal Pilgrim that Sneap would likely continue being the second guitarist for PRIEST in a live situation. "Andy is still standing in that spot for Glenn with Glenn's blessing," he said. "It's pretty much a given [that Andy will be going out on tour with us again]. And my gratitude to Andy. It couldn't have happened in a better way, if you wanna try and make something good out of it. It was a really important day when Glenn said, 'I think it's probably best if I step to the side and maybe we should let Andy come in.' That was just a really beautiful act of selflessness. That's Glenn treasuring PRIEST and PRIEST's reputation, particularly in live concert more than anything else. So bless Glenn for that. And as a result, Andy stepped in and did amazing work on the 'Firepower' tour, and we're looking forward to doing the same thing with him on this 50th-anniversary [tour]. And don't discount the fact that Glenn can show up. He plays the guitar differently, but there's no reason why Glenn can't show up and do some work. I mean, I've said to Glenn, 'Just walk out on stage and do that to everybody [flashes devil horns], and the people will just go fucking crazy, 'cause you are loved so much.' But I've got a feeling that Glenn's gonna be making the occasional appearance on this 50th-anniversary [tour]."
In 2019, Hill said that it was up to Sneap to decide if he wanted to carry on playing guitar for JUDAS PRIEST after the completion of the "Firepower" tour. "It is something to be discussed, really," he told "Talking Metal". "I mean, Andy is now, these days, first and foremost a producer. Whether he wants to go back and do that full time or not, it'll be a mutual decision when the time comes. Andy will be more than welcome to stay. He's done a tremendous job over the last year or so, really. He's done a great job stepping in for Glenn. It would have been very difficult if he hadn't been there, on such short notice, because we didn't realize that Glenn couldn't handle the intensity of touring anymore until… We were only about three weeks away from starting the tour [laughs], and Andy stepped in and did a great job. He pulled a real rabbit out of the hat in learning a complete setlist of songs in such a short period of time. He pulled it off anyway. And as time's gone on, obviously, his stage presence, he got more comfortable with that, and he's performing great now. So when the time comes… We'll give it to the end of this run and then see what everybody wants to do. As I say, he'll be more than welcome to carry on with us if that's his plan."
Last November, JUDAS PRIEST announced the rescheduled "50 Heavy Metal Years" North American tour dates for March-April 2022. Support on the trek will come from QUEENSRŸCHE.
Frontiers Music Srl will release Before The Sun Sets, the debut album from City Of Lights, on February 11. A lyric video for the new single, "Heat Of The Night", can be found below.
City Of Lights is a new melodic hard rock collaboration between British newcomer songwriter/guitarist Neil Austin and Greek vocal sensation Manos Fatsis (Odyssey Desperado, Hideaway). They deliver hard-edged melodic anthems driven by crunchy riffs and lush keyboard textures combined with soaring, passion-filled vocal melodies.
City Of Lights was born when Austin, armed with a collection of songs inspired by the classic hard rock sounds of the '80s and the new wave of current AOR bands, began the search for a vocalist who possessed the tone, range and emotion to take the songs to the next level. After hearing Fatsis' work on Odyssey Desperado's Don't Miss The Sunset and Hideaway's self-titled debut, he knew he had found the right man. The two connected via Facebook and together began working on honing the songs to perfection. When the time came to find a rhythm section, Austin reached out to members of his favourite band, brothers Robin (bass) and Mats (drums) Eriksson from modern Swedish melodic rock monsters degreed and after hearing the demos, both agreed to contribute to the album.
Guest guitar soloists Nathan Doyle, Daniel Johansson (degreed), Christoffer Borg (Taste/ex-Art Nation), and Mike Kyriakou join in on the fun and the album also features appearances from Creye's Joel Selfors (piano) and degreed/Paralydium's Mikael Blanc (keyboards).
Mixed and mastered by AOR producer extraordinaire Erik Gavfelin Wiss (Creye, Cruzh, Cap Outrun).
Tracklisting:
"Racing On The Redline"
"Heart's On Fire"
"Emily"
"Heat Of The Night"
"Dying Light"
"Give Me Back My Heart"
"Put Your Heart On The Line"
"Snake Eyes"
"Joanna"
"Midnight Club"
"How To Love"
"Before The Sun Sets"
Knoxville, Tennessee rockers 10 YEARS have released a visualizer for the song "Déjà Vu" from the album "Violent Allies". Guitarist Brian Vodinh states: "'Déjà Vu' is a song about trying to tune out the monotonous stuff we face in our everyday lives, and find inspiration in new ways. This relates to our songwriting process, but also to our personal lives as well. We can get stuck in the repetitive cycle of reading the same news, looking at social media, and hearing a rehashed version of the same stories over and over. Sometimes it feels good to check-out, turn off your brain, and connect to other aspects of life."
The lead single from "Violent Allies", "The Shift", has been streamed over 9.1 million times on Spotify, with 15.9 million collective plays across all platforms. Repertoire from "Violent Allies" has been streamed 15.8 million times on Spotify, while collective streams across all platforms exceeds 28.6 million.
10 YEARS will return to the road this spring with an extensive run of the U.S. that will play 33 markets. BLACK MAP has been confirmed as direct support, with VRSTY opening. Prior to the launch of the trek, 10 YEARS will appear on ShipRocked 2022 from January 22-27. On April 8, the Official Fan Summit will be staged in Las Vegas at 24 Oxford, where the band will perform its "Feeding The Wolves" album in its entirety, featuring the singles "Fix Me" and "Shoot It Out", for the first, and likely only time ever.
Confirmed appearances include:
Mar. 14 - Pittsburgh, PA - Crafthouse
Mar. 15 - Hampton Beach NH - Wally's
Mar. 16 - Portland, ME - Aura
Mar. 18 - Lititz, PA - Mickey's Black Box
Mar. 19 - Asbury Park, NJ - Asbury Lanes
Mar. 21 - Baltimore, MD - Ottabar
Mar. 22 - Knoxville, TN - The Concourse
Mar. 23 - Nashville, TN - Basement East
Mar. 25 - Jacksonville, NC - Limelight
Mar. 26 - Atlanta, GA - The Loft
Mar. 27 - Destin, FL - Club LA
Mar. 29 - Fayetteville AR - George's Majestic
Mar. 30 - Tulsa, OK - Vanguard
Apr. 01 - Dallas, TX - Trees
Apr. 02 - San Antonio, TX - The Rock Box
Apr. 03 - Corpus Christi, TX - Brewster Ice House
Apr. 06 - Phoenix, AZ - Crescent
Apr. 08 - Las Vegas, NV - 24 Oxford (Fan Summit)
Apr. 09 - Anaheim, CA - Chain Reaction
Apr. 10 - Sacramento, CA - Goldfield
Apr. 12 - Seattle, WA - El Corazon
Apr. 13 - Portland, OR - Hawthorne Theater
Apr. 15 - Missoula, MT - Wilma
Apr. 16 - Spokane, WA - Knitting Factory
Apr. 17 - Boise, ID - Knitting Factory
Apr. 19 - Denver, CO - Oriental
Apr. 20 - Colorado Springs, CO - Black Sheep
Apr. 22 - Sauget, IL - Pop's
Apr. 23 - Indianapolis, IN - The Vogue
Apr. 24 - Chicago, IL - Bottom Lounge
Apr. 26 - Flint, MI - Machine Shop
Apr. 27 - Ft. Wayne, IN - Piere's
Apr. 29 - Harrison, OH - The Blue Note
10 YEARS' latest album, "Violent Allies", was released in September 2020 via Mascot Records. The disc was recorded at West Valley Recording Studios in Woodland Hills, California with Grammy-nominated producer Howard Benson, who previously worked on 10 YEARS' 2010 effort, "Feeding The Wolves".
10 YEARS' major label debut, 2005's "The Autumn Effect", featured the single "Wasteland", which topped Billboard's Hot Modern Rock Tracks chart. The follow-up effort, "Division", was also a success, with the single "Beautiful" cracking the Top 10 on Billboard's Hot Mainstream Rock Tracks chart.
10 YEARS' 2017 album, "(How To Live) As Ghosts", earned the band a Top 5 mainstream rock hit in the song "Novacaine", while the LP itself also went Top 5 on the Hard Rock album chart.
THE LUCID, the four-piece hard rock band featuring bassist David Ellefson (ex-MEGADETH), vocalist Vinnie Dombroski (SPONGE), guitarist Drew Fortier and drummer Mike Heller (RAVEN, FEAR FACTORY), has released a music video for the song "Deaths Of Despair". The clip, which was directed by Fortier, can be seen below.
In other news, THE LUCID has announced a short U.S. tour in May. The band will play the following shows, with more to be announced:
May 20 - Clifton, NJ - Dingbatz
May 21 - New Bedford, MA - The Vault
May 26 - West Dundee, IL - Rochaus
May 27 - Westland, MI - The Token Lounge
May 28 - Akron, OH - Empire Concert Club
Last month, THE LUCID filmed four new music videos. Three of the tracks are taken from THE LUCID's self-titled debut album, which was released on October 15 via SpoilerHead Records.
Ellefson announced the completion of the videos in a social media post in December. He wrote: "THE LUCID knocked out 4 music videos in L.A. over the weekend. 3 songs from our debut album and one that is a total off the wall cover that will see the light of day in a few months. What a great time it was!"
"The Lucid" was produced by Heller and mixed/mastered by Lasse Lammert.
Ellefson previously stated about the LP: "It's been a real blast making a record with these guys and I must say that it’s refreshing to explore some new musical avenues… to step out a bit from what each of us have done stylistically in our own careers. There was an effortless synergy that came with creating these songs together which is always amazing when working with new people. I'm looking forward to everyone checking it out!"
During a November 2020 appearance on "The Chuck Schute Podcast", Ellefson stated about how he got involved with THE LUCID: "Drew sent me a track and said, 'Hey, can you throw a bass on here?' And I was writing a new ELLEFSON solo record at the time, so my studio ears were on. I was plugged in and ready to go. He sent it over and I was, like, 'Yeah, this is freaking cool, man.' I'd seen Drew play, I know his BANG TANGO history and the other stuff he's done. But this was really cool stuff that spoke to me. And then he called me up and he said, 'Hey, Vinnie is gonna come in and write some vocals and lyrics and lay down some tracks.' And it turned into a thing."
"I love [Vinnie]. I love SPONGE," David continued. "He's such a rock star. He's just a cool guy. And he writes such great lyrics — very trippy lyrics. He's the type of lyricist I'd never worked with before, so it's fun with that. And Drew is a great guitar player. Mike Heller — he's good friends with [MEGADETH drummer] Dirk Verbeuren. And Dirk's, like, 'Mike's awesome.' They're good friends. We all met in L.A. We got the songs together and we all met in L.A. in mid-July. I plugged in and banged out 10 songs in two days. And it was fun. Mike was very good in the studio; he really knows his way around."
As for THE LUCID's musical direction, Ellefson said: "It's cool stuff, and it's very different. It's, obviously, not thrash metal, hence the name LUCID. [The name] kind of feels like what the music sounds like."
Ellefson was fired from MEGADETH last spring after sexually tinged messages and explicit video footage involving the bassist were posted on Twitter. At the time, Ellefson was accused of grooming an underage girl through videos and online messages. David has denied the allegation and has repeatedly said the woman in question had been a willing, consenting adult at the time of their virtual sexual encounter. Ellefson accompanied his denial with an alleged screenshot of a statement from the woman with whom he was supposedly involved at the time. In it, the woman admitted to recording the alleged intimate communications she had with Ellefson and called herself "naïve" for sharing them with a friend without the musician's permission.
David was in MEGADETH from the band's inception in 1983 to 2002, and again from 2010 until his latest exit.
In 2004, Ellefson filed an $18.5-million lawsuit against Dave Mustaine, alleging the MEGADETH frontman shortchanged him on profits and backed out of a deal to turn Megadeth Inc. over to him when the band broke up in 2002. The lawsuit was eventually dismissed and Ellefson rejoined MEGADETH in 2010.
David, a Christian who launched the Mega Life Ministries worship group in 2007, studied for a year at Concordia Lutheran Seminary in St. Louis a decade ago.
Hatebreed has released an official live video for their track “Instinctive (Slaugherlust)”, taken from their 2020 album Weight Of The False Self.
The band says, “Thanks to all of our diehards who came out to see us in 2021. We look forward to seeing everyone on the road in 2022.”
Hatebreed rhythm guitarist, Frank Novinec, guested on an episode of Three Sides Of The Coin - the unofficial KISS podcast that celebrates the hottest band in the world, KISS in November.
A message states: "Frank Novinec from Hatebreed is back and this week he offers up his review of KISS Kruise X. Frank also offers his opinion of the Rolling Stone article and what COVID and COVID protocols have meant to him as a touring musician."
Frank also issued an update on what Hatebreed are up to these days. Watch below:
After their debut full-length album, Puritan Masochism, took the entire doom and heavy metal scene by storm upon its release two years ago, March 11 will see Danish blackened death doom outfit Konvent return with a sophomore offering that doubles down on the band’s songwriting talent and brutal, heavy sound.
The sonic evolution of Konvent over the course of just two years is immediately evident on Call Down The Sun, surprising with new elements at every turn. Undoubtedly inspired by recent dark times, the ongoing pandemic and cancellation of live performances, the new album sees the Copenhagen-based band more pissed off, fast-paced and pitch black throughout. Rikke Emilie List’s guttural, sublime growls and fierce screams perfectly integrate with a heavy as hell wall of blackened death and funeral doom metal riffs from guitarist Sara Helena Nørregaard, backed by a thick, profound rhythm section provided by bassist Heidi Withington Brink and drummer Julie Simonsen.
But give ear, as today Konvent has unleashed a first single taken from Call Down The Sun. “Grains” is a ground-shaking, stomping black doom metal epos that will be a must-hear on the band’s upcoming live setlists - showcasing their deep black soul with a hint of post-metal and even progressive elements.
"'Grains' is about realizing the repetition of self-destructive patterns and not knowing how to break out of that cycle. It is the first Konvent song containing Danish lyrics, as we felt like the song called for it," vocalist Rikke comments.
Watch the music video for "Grains" below.
"In our search for a video producer, we found Martin Goltermann and we quickly shared the same vision for the video; atmospheric shots of sand and the sea reflecting the lyrics and a black-haired woman's journey. As we were in a hurry, Julie had to step in and embody the part of the woman. After two days of shooting by the windy coast and in our cold rehearsal space, Martin wanted to go out again with Julie to get a few final shots. However, it had been snowing during the night and he managed to capture these beautiful shots of Julie gliding through the winter landscape. We loved it so much that we scrapped all the other footage."
Recorded and mixed by Lasse Ballade at Ballade Studios, Copenhagen and mastered by Brad Boatright at Audiosiege Studio, the new album’s thunderous apocalyptic sound is impossible to escape. Call Down The Sun a refreshing, vibrant record that is not only poised to top 2022 Album Of The Year lists, but reign as one of the best death and blackened doom metal records of modern times.
Call Down The Sun will be available in the following formats:
- 1-CD Digisleeve
- 1-LP Gatefold Vinyl Black
- 1-LP Gatefold Vinyl Marbled Red/Black/White (Napalm Records exclusive, ltd to 500)
- MC (Napalm Records exclusive, ltd to 100)
- Bundle - 1-CD Inside Out Digisleeve + Shirt
- Digital Album
UXB Press has uploaded audio of Venom's full performance on March 31, 1985 at The Concert Hall in Toronto, ON (Canada). The band were supported by Razor and Slayer. The clip features live photos by Rita Laberto, with audio recording by Ray Berkis.
Setlist:
"Too Loud (For The Crowd)" - 0:16
"Black Metal" - 2:40
"Die Hard" - 6:49
"Nightmare" - 10:15
"Countess Bathory" - 13:58
"Seven Gates Of Hell" - 17:35
Bass Solo - 22:00
"Powerdrive" - 23:18
"In Nomine Satanas" - 26:12
"Welcome To Hell" - 30:45
"Buried Alive" - 36:24
"Don't Burn The Witch" - 39:24
"Warhead" - 42:38
Guitar Solo - 46:38
"Poison" - 49:42
"Leave Me In Hell" - 53:58
"Bloodlust" - 57:20
"Schizo" - 1:00:58
"Too Loud (For The Crowd)" - 1:04:23
METALLICA's Robert Trujillo has shared a short video of him jamming at home.
The bassist uploaded the one-minute clip to his Instagram earlier today (Tuesday, January 11) and included the following message: "I'm just tryin’ to get my groove on. @chloetrujillo #groovy #jamsession".
Trujillo, who was born on October 23, 1964 in Santa Monica, California, tasted success as the bassist in punk-funk pioneers SUICIDAL TENDENCIES and Ozzy Osbourne's band. But in 2003, he successfully auditioned to replace Jason Newsted in METALLICA, a process chronicled in the warts-and-all documentary "Some Kind of Monster".
METALLICA's much-loved former bassist Cliff Burton died in 1986 when the band's tour bus crashed travelling through Sweden on the "Damage Inc. Tour" in support of "Master Of Puppets".
Trujillo told Exclaim! in a 2016 interview that he feels no pressure when compared to his low-end predecessors.
"Whether it's Jason or myself or Cliff, we're all different types of players coming from a different place, but delivering what is best for the band," he said. "That's all I ever do, just try and do the best I can and cater to the song, cater to the music."
METALLICA frontman James Hetfield praised Trujillo during a 2017 interview with the 94.5 The Buzz radio station, saying: "Who else could [have come in and done the job]? I mean, there were a few people we auditioned, I know. It might have worked out with other people, but it's hard to find people that are, say, your age; kind of your upbringing, musically, obviously; ability-wise; they've been on the road. It's not like you're bringing some kid out for his first time, and it's, 'Oh my God!' He's going through all the stuff that you did twenty-five years ago. He's got kids. He's married. It just jelled, and it's still jelling. And his personality is probably one of the best contributions, I think, to the band, 'cause he's so chill, he's so up for anything, he's always in there rehearsing. So he does fit in."
Chicago-based thrash trio and recent MNRK Heavy signees, Misfire, will release their crushing Sympathy For The Ignorant debut full-length on April 1, today unveiling the record’s first single, tracklisting, cover art, and pre-orders.
Misfire makes old-school flavoured thrash metal devastation with the kind of bombastic firepower that could wake the dead. In the tradition of classic metal trios like Venom, Motörhead, and Raven the band makes more noise than bands twice their size, unleashing song after song of unrelenting fury. It’s music that could have arrived in the thrash golden age of 1986, when bands like Metallica, Megadeth, Slayer, Dark Angel, and Sodom delivered vital records. And yet Misfire is forward-thinking, injecting modern metal mastery into their brew for a powerful, timeless sound.
The excellence in execution within the band owes much to the longtime chemistry between its blue-collar members. Guitarist/vocalist Jay Johnson and drummer James Nicademus started jamming together as teenagers. They played in the band Diamond Plate before reuniting in Misfire. Bassist/vocalist Sean Coogan is another young veteran, having cut his heavy metal teeth in the band Vitrial. While Coogan sings, most of the trio plays multiple instruments. Everyone contributes to songwriting.
“I was originally going to play second guitar, but I switched over to bass,” Coogan explains. “I think the three-piece setup rocks. The band’s dynamic works well. We’ve all really gelled as a band.”
Created in a small studio and engineered by Coogan himself, the debut album for Misfire is free from click-tracks and other unnecessary frills, projecting the purity of what three musicians raised on Pantera and the "Big 4" sound like in a room together. Sympathy For The Ignorant is heavy, confident, and filled with the kind of earworm thrash metal riffs that sends aspiring players to the guitar store.
“The album is a sonically badass version of what you’ll hear live. It’s real, no fake shit,” Nicademus says. “It’s very much a throwback to the way things used to be recorded. Like, just turn the shit on, press record, layer some stuff in after that, put some words on top of it, mix it, and it’s done.”
In advance of the record’s release, today the band unveils a video for first single, “Fractured.” Notes Nicademus of the track, “Featured as the first song of the album, ‘Fractured’ unearths the feelings of uncertainty and dread we were faced with in 2020. Inspired by the current state of the world, it delves into the madness that is the pandemic. The song poses the question, ‘What’s left of who we are?,’ as we are left with humanity divided and fractured. The album has a common theme revolving around situations that many people have gone through or will go through. We’re all going through this shit right now so this is our take on it: ‘No matter what you believe, we are fractured, divided, diseased.’ We are looking forward to sharing it with the world!”
Watch the clip below.
Sympathy For The Ignorant will be available on CD, LP, cassette, and digital formats. Find pre-orders here.
Sympathy For The Ignorant tracklisting:
"Fractured"
"Red Flag"
"War Of Mine"
"Skin Of Mirrors"
"Death Trap"
"No Offense "
"R.I.P."
"He Said, She Said"
"L.Y.S. "
"Sympathy For The Ignorant"
"Fractured" video:
Armed with the attitude and songs to follow in the footsteps of Slayer, Metallica, and Lamb Of God, the three men of Misfire are heavy metal lifers. “I started playing drums when I was eleven, and ever since, it’s all I talk about,” says Nicademus. “Jay and I started jamming together at ages twelve and thirteen.”
In just a short couple of years, Misfire quickly shared the stage with thrash legends Sacred Reich and modern throwback bands like Iron Reagan and Warbringer. As long-running tastemakers Metal Crypt wrote in a review of Sympathy For The Ignorant, “these fellows are ready for the big leagues.”
“Whatever happens, we’re going to be here for a long time because we can’t live without doing this shit,” Nicademus declares. “All we want is to make records, tour, and have a good time doing it.”
Misfire lineup:
Jay Johnson – vocals/guitar
Sean Coogan – vocals/bass
James Nicademus – drums
German quintet There's A Light have released a drum playthrough video for "Even In The Darkest Place...", featured on the new album, f̶o̶r̶ ̶w̶h̶a̶t̶ ̶m̶a̶y̶ ̶I ̶h̶o̶pe̶? for what must we hope? ( Napalm Records). Watch below:
Thematically, on f̶o̶r̶ ̶w̶h̶a̶t̶ ̶m̶a̶y̶ ̶I ̶h̶o̶pe̶? for what must we hope? There's A Light take a deeper look at the question of the true meaning of hope as well as at the different facets of it: On the one hand, hope can be something positive - a flourishing force that always gives a new impulse to grow beyond oneself. On the other hand, it can also do harm, for example, if one holds on to something that will never become reality.
f̶o̶r̶ ̶w̶h̶a̶t̶ ̶m̶a̶y̶ ̶I ̶h̶o̶pe̶? for what must we hope? tracklisting:
"...The Storm Will Set The Sails"
"Within The Tides"
"Magnolia"
"Like The Earth Orbits Sun"
"Dark Clouds Behind, Bright Skies Ahead"
"Refugium"
"Elpis"
"Fear Keeps Pace With Hope"
"Be Brave, Fragile Heart"
"Appearance Of Earth"
"Even In The Darkest Place..."
"Dark Clouds Behind, Bright Skies Ahead" video:
"Elpis" video:
There's A Light is:
David Christmann - guitar
Jonas Obermüller - piano, synth percussion
Markus Dold - guitar
Andreas Richau – vocals, bass
Jan Lüftner - drums
Following their powerful single “The Last Crossing”, Dagoba’s brand new track, “On The Run”, marks a melodic moment for the French modern metal upstarts on their upcoming album, By Night, out February 18 via Napalm Records. A harmonic duet of soothing juxtaposed vocals shows Dagoba breaking free from genre limitations once more, proving them to be on the cusp of entering the hall of fame of modern metal.
Dagoba on the new single “On The Run”: “I always wanted to release a track which verses only contain a piano and vocals and now it’s done! The main idea was to create a contrast between the calm of the vers and the huge chords leading to the chorus, where the voice is the main line. From the begining of the writing process, I knew that a female vocalist would join me on that track, and that is also brand new for us. On The Run is a daring track, but it will make you want to play it on repeat!”
After putting their stamp on the metal scene with their unique blend of metal and neckbreaking grooves, and relentlessly touring and sharing the stage with legendary acts like Metallica, Machine Head and In Flames, the French four-piece is gearing up to reach the next level with their most ambitious material yet.
Watch the music video for “On The Run”:
Dagoba deftly aces the balancing act between harsh breakdowns, dense walls of sound and grooving passages with ease. Even in its hardest passages, the album never gets too overwhelming - one smashing track is followed by the next, moving breathlessly with ease. By Night is a beast of an album showcasing how far Dagoba can take a multitude of influences and styles and combine them effortlessly. This is a must-have for true fans of searing modern metal.
Dagoba on the creation process of By Night: “We live in challenging times, and that’s not only because of the strength-sapping pandemic. Sometimes the world seems to be a dark place. We know it’s an ambitious project, but we really want our fans to feel good, and contribute to their happiness. Therefore, we deliver our blend of metal music. During the weeks and months in the lockdown period we had so much time to have a focus on the album production. We could look at every detail in each track, and after all By Night has become our most accomplished album so far. We are really happy with the new record and cannot wait to share it with our fans and the world.”
Varying in individual territories, By Night will be available digitally, as a CD (bundled with an exclusive t-shirt), as well as black and exclusive red transparent vinyl. Order here.
Tracklisting:
"Neons"
"The Hunt"
"Sunfall"
"Bellflower Drive"
"On The Run"
"Break"
"City Lights"
"Nightclub"
"Summer's Gone"
"The Last Crossing"
"Stellar"
Nick D’Virgilio (Big Big Train, ex-Spock’s Beard), Neal Morse (Transatlantic, NMB, ex-Spock’s Beard), and Ross Jennings (Haken, Novena) will release their debut album, Troika, on February 25.
Today, the band share the new video for the album’s second single and opening track, “Everything I Am”, directed by Christian Rios.
Neal Morse had this to say about the track: “A long time ago my parents allowed my brothers and I to go see the “Woodstock” movie in the theater. It was rated R and that was kind of a big deal at the time. I was rather overwhelmed with all the great music in that film and one of the groups that I fell in love with and stayed in love with was Crosby, Stills And Nash. You can definitely hear their influence in this song as the vocal blend that we got I believe almost gets to that level! I wrote this song one morning when my wife was having a bad day and it’s about how no matter what happens our lives are fully intertwined no matter what."
Recorded during lockdown, the process began with Neal Morse writing some acoustic songs that he thought would be enhanced by strong vocal harmonies. He already knew how well his voice blended with former Spock's Beard band-mate and Big Big Train drummer/ vocalist, Nick D'Virgilio who came on board and, considering a third man, the Americans sought out Haken's Ross Jennings from the UK to complete the trio. All three found they had songs that would benefit from the three part harmonic blend, and so they pooled their resources, inputting creatively into each others compositions.
Neal comments: “What a great pleasure it’s been to work on this album with these amazing artists! It was kind of funny… We had been working on the songs remotely for several months before I finally heard all of us singing together at the same time. The first time I brought the faders up, I knew we had the magic!“
Nick adds: “I've known and worked with Neal for over 30 years and I've been a big fan of Ross and the music he makes for a long time. I felt confident right away that this would be a fun project to be a part of. I was so right.”
Ross comments: "Receiving ‘The Call’ from Neal to participate in this project was somewhat of a prayer answered… As a long time fan of their work, I’ve been singing along to Neal’s & Nick’s records for years, so it felt really natural for my voice to slot right in."
The tracks took shape with the musicians recording all of the music and vocals separately, yet the eclectic performances burst with the energy and excitement of the collaboration. Acoustic anthems, charged rockers and sensitive ballads are all part of the mix, and the unique blend of Ross, Neal and Nick's voices and styles have created an album in which you will encounter these musicians in a way you've never heard before.
Troika will be available as Ltd. CD Edition / Gatefold 2LP+CD / Digital Album. Each format includes a bonus alternative version of the track "Julia" and is available for pre-order here.
Tracklisting:
"Everything I Am"
"Julia"
"You Set My Soul On Fire"
"One Time Less"
"Another Trip Around The Sun"
"A Change Is Gonna Come"
"If I Could"
"King For A Day"
"Second Hand Sons"
"My Guardian"
"What You Leave Behind"
Norwegian black metal titans ABBATH, the solo project of former IMMORTAL frontman Abbath (real name Olve Eikemo), has released the Francisco Munoz-created music video for a new song called "Dream Cull". The track is taken from the band's new opus, "Dread Reaver", which will arrive on March 25 via Season Of Mist. The cover artwork for the LP was created by Bjørn Stian Bjoarvik and the photos were taken by Francisco Munoz.
"Dread Reaver" track listing:
01. Acid Haze (04:51)
02. Scarred Core (03:29)
03. Dream Cull (04:15)
04. Myrmidon (04:33)
05. The Deep Unbound (04:05)
06. Septentrion (04:30)
07. Trapped Under Ice (03:59)
08. The Book Of Breath (04:35)
09. Dread Reaver (04:43)
10. Make My Day (04:16)
Two years in the making, ABBATH's third full-length is the culmination of everything before it. A fusion of debut "Abbath" (2016) and follow-up "Outstrider" (2019), the aptly titled "Dread Reaver" extends its fantastical fangs outward and drives its cloven hooves onward. Indeed, there's nothing like an ABBATH record. This is the darkest metal for epic journeys and ancient battles. Comprised of eight riveting tracks and a red-hot cover of METALLICA's "Trapped Under Ice", "Dread Reaver" shows ABBATH triumphing over all trials and tribulations, riding hard into merciless glory as the one and only "Lemmy of black metal."
Powered by Abbath's creative musical imagination, "Dread Reaver" runs riotously out of the gate. The album's edifice affords tracks like "Acid Haze", "Scarred Core", "The Deep Unbound" and the album's closing title track ample room to champion the extremes of black metal, heavy metal, and hard rock. While there are nods to NWOBHM greats, thrash metal's luminaries, and black metal icons, "Dread Reaver" is unmistakably ABBATH. There is no other fingerprint. Paired with thought-provoking lyrics based on the historical figure of Othryades, ABBATH's third album not only shouts exultant but reads like an ancient pyrrhic tale steeped in violence, sorrow, and grit. The idea of a Dread Reaver — a fearless duelist — can also be read as a metaphor for life's actions and subsequent struggles.
"Dread Reaver" was produced by Endre Kirkesola, ABBATH, and Dag Erik Nygaard at Dub Studio in Kristiansand and Bergen Lydstudio, respectively. Kirkesola and Nygaard also engineered. Mixing was performed by ABBATH and Kirkesola, while the mastering was done by maestro Maor Appelbaum (FAITH NO MORE, HALFORD) at Maor Appelbaum Mastering in Los Angeles. The goal was to field a storming production that sat firmly at the crossroads of Abbath's heroes KISS, MOTÖRHEAD, MANOWAR and BATHORY. From the anthemic thrust of opener "Acid Haze" and the epic pound of "Dream Cull" to the rampaging "The Book Of Breath" and the wicked cover of "Trapped Under Ice", "Dread Reaver" sounds as massive as Norwegian mountain and as fiery as the depths of Hell. Truly, the recording lineup of Abbath (guitar, bass, vocals), Ukri Suvilehto (drums), Ole André Farstad (guitars) and Mia Wallace (bass) found their sonic muse.
Recording lineup:
* Abbath - Guitar, bass, vocals
* Ukri Suvilehto - Drums
* Ole André Farstad - Lead, acoustic guitars
* Mia Wallace - Bass on "Acid Haze", "Scarred Core", "The Deep Unbound" and "Dread Reaver"
British progressive rock luminaries JETHRO TULL recently announced details for the group's first studio album of new material in over 18 years. "The Zealot Gene" will see a January 28 release on InsideOut Music. Today they are pleased to reveal the video for the albums third single and title track, once again directed by Iranian filmmaker Sam Chegini who previously created a clip for "Sad City Sisters".
TULL bandleader Ian Anderson comments of the track: "The title track offers many allusions to the radical, politically charged world of populism in leadership. As a song lyric, it sums up, for me, the divisive nature of societal relationships and the extreme views which fuel the fires of hate and prejudice, more so today perhaps, than at any time in history. Perhaps you think you know who I might have been thinking about here but, in reality, there are probably right now at least five prominent, dictatorial national figures who could fit the bill."
A record that began to take shape as early as 2017, "The Zealot Gene", in many ways, seeks to defy convention during a time when the business of being a touring and recording artist has never faced more uncertainties.
Anderson holds no reservations about the role for which the mythos and themes of Biblical storytelling played in the lyrical content of the new album, saying: "While I have a spot of genuine fondness for the pomp and fairytale story-telling of the Holy Book, I still feel the need to question and draw sometimes unholy parallels from the text. The good, the bad, and the downright ugly rear their heads throughout, but are punctuated with elements of love, respect, and tenderness."
Looking back on the earth-shaking disruption of the coronavirus pandemic, which ultimately ended the band's touring plans and hopes of a 2020 release for "The Zealot Gene", Anderson shares, "It was so sudden. Amidst the concerns and warnings of the scientific community and a few more enlightened politicians, we all retreated in disbelief to our homes to wait out the storm."
Both artbook editions feature a second CD of demos and initial ideas, plus extended liner notes and an interview with Ian Anderson undertaken by Tim Bowness.
The deluxe 3LP+2CD+Blu-ray artbook comes on white vinyl and includes a third LP with the rough demos. It also includes a slipmat and a numbered art print.
"The Zealot Gene" track listing:
01. Mrs. Tibbets (5:54)
02. Jacob's Tales (2:13)
03. Mine Is The Mountain (5:40)
04. The Zealot Gene (3:54)
05. Shoshana Sleeping (3:41)
06. Sad City Sisters (3:40)
07. Barren Beth, Wild Desert John (3:37)
08. The Betrayal Of Joshua Kynde (4:06)
09. Where Did Saturday Go? (3:53)
10. Three Loves, Three (3:30)
11. In Brief Visitation (3:00)
12. The Fisherman Of Ephesus (3:41)
With more than 30 albums to their credit and sales totaling more than 50 million, JETHRO TULL is one of the most successful rock bands of all time with a catalog that contains classics that still resonate today. Led by Ian Anderson, TULL still continues to tour throughout the world, entertaining audiences of all ages.
The band currently consists of:
Ian Anderson - Flute, Acoustic Guitar, Harmonica, Vocals
TOOL kicked off its 2022 tour in support of the "Fear Inoculum" album Monday night (January 10) at the Matthew Knight Arena in Eugene, Oregon. It marked the band's first live appearance since March 2020 when TOOL's trek was cut short following a gig in Portland, Oregon due to the burgeoning pandemic.
The setlist for last night's concert was as follows:
01. Fear Inoculum
02. Opiate (extended version)
03. The Pot
04. Pushit (first time since 2014; album version)
05. Pneuma
06. The Grudge
07. Right In Two (first time since 2011)
08. Hooker With A Penis (first time since 2014)
09. Descending
Intermission
10. Chocolate Chip Trip
11. Eon Blue Apocalypse
12. The Patient
13. Invincible
A year ago, TOOL singer Maynard James Keenan revealed that he battled COVID-19 twice in the span of just a few months. He told "Strombo" on Apple Music Hits that he suffered a second COVID-19 infection around "mid-November [2020] and ended up in the ER on December 1."
Keenan previously discussed his first bout with coronavirus in October 2020, telling AZ Central that he suffered symptoms of the disease in February 2020 and was still recovering eight months later. "I'm still dealing with the residual effects," he said at the time, "But it was ugly. I survived it, but it wasn't pretty. So I definitely had to deal with that."
Last week, it was reported that TOOL was one of several artists utilizing specially trained sniffer dogs to detect COVID-19 at their shows. The dogs are able to sniff for traces of the virus on anyone involved backstage, including members of the band’s crew and entourage.
TOOL was honored with a Grammy in the "Best Metal Performance" category in the pre-telecast ceremony at the 62nd annual Grammy Awards in January 2020 at Staples Center in Los Angeles. TOOL was nominated for "7empest", a track from "Fear Inoculum".
TOOL already had three previous Grammy Awards under its belt: "Best Metal Performance" in 1997 and 2001 for "Ænima" and "Schism", respectively, and "Best Recording Package" in 2006 for "10,000 Days".
TOOL formed in 1990 and has released five studio albums thus far: "Undertow" (1993), "Ænima" (1996), "Lateralus" (2001), "10,000 Days" (2006) and "Fear Inoculum"; two EPs: "72826" (1991) and "Opiate" (1992); and the limited-edition boxset, "Salival" (2000). The band has won four Grammy Awards: Best Metal Performance (1998, "Ænima"), "Best Metal Performance" (2002, "Schism"), "Best Recording Package" (2007, "10,000 Days") and "Best Metal Performance" (2020, "7empest").
"Fear Inoculum" arrived in August of 2019, following years of anticipation. The album debuted at No. 1 on Billboard's Top 200, shattering sales and radio records while also earning widespread critical praise.
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