Swedish doom icons Candlemass have issued a pair of black & white photographs on social media, confirming that they are currently in an undisclosed recording studio, working on their 13th album.


The as-yet-untitled effort will be the follow-up to 2019's The Door To Doom. The aforementioned images can be seen below.










Candlemass will officially hit American shores in 2022. The band will perform at the Sold Out Hell’s Heroes Festival in Houston, TX on April 22, bookended by two other performances featuring support from special guests The Skull and Frayle.


Mats Björkman of Candlemass says:  “We are really pleased to finally get back to the US of A. Our fans have been waiting and have asked for shows for some years now, and with these three shows we are starting up again in North America. There will eventually be more shows - but that’s still in the works and will not be immediately happening, so come and see us in April if you can make it."





US 2022 dates:


April
20 - Boston, MA - The Middle East
22 - Houston, TX - Hell's Heroes Festival (Sold Out) *
24 - Chicago, IL - Thalia Hall


* - without The Skull and Frayle


Lineup:


Leif Edling - bass
Mats "Mappe" Björkman - guitars
Jan Lindh - drums
Lars "Lasse" Johansson - guitars        
Johan Langquist - vocals


(Photo - Linda Åkerberg)


 

New York stoner rock veterans Black Water Rising are kicking off the New Year with a new single and music video. The band has released a new video for their latest hard-rocking track, titled "Jokes On You". The music video was directed by Tom Flynn (Lamb Of God, All That Remains).





Speaking about the music video, drummer Mike Meselsohn says: "It was great working with Tom (director) on the video. His vision was for more of a raw stripped-down performance and I believe he really captured the energy and attitude of the song. It's straightforward while still being visually interesting!" 




"Jokes On You" is the third single from the band's upcoming studio album, which is set to be released later this year. It also features original guitarist John Fattoruso - who rejoined BWR in late 2019. The new material promises to be more melodic, yet still as riff-heavy as BWR’s previous albums; featuring hooks and catchy choruses to pull you in, all while retaining a musical identity of its own.

Nameless Grave Records presents Crest Of The Martyrs Demos, an alternate/demo version of Twisted Tower Dire’s adored third album, making the recordings available for the first time.


In the days of olde, after classic heavy metal was supplanted by extreme music and before the current reignition of interest that the genre has enjoyed, Northern Virginia’s Twisted Tower Dire tirelessly defended true heavy metal in all forms as they sought to breathe new light into a then largely dead genre. By the time their now-legendary third album Crest Of The Martyrs was written they were on top of the world, having played Wacken for the first time a couple years earlier and having released two full-lengths on The Miskatonic Foundation, run by Rich Walker of Solstice fame, as well as a wide array of EPs, splits, compilation tracks, and more.


Crest Of The Martyrs was the next step: a bigger power metal label, sleeker production, and Twisted Tower Dire’s biggest hooks and choruses yet. Underneath the gleaming power metal edge provided by the production provided by the label and studio still lurked the same triumphing true metal band, however, and for the first time Nameless Grave Records is proud to present Crest Of The Martyrs the way the band originally intended it: as a devastating, lean set of heavy metal bangers untouched by modern power metal production, and alternate studio decisions.




Old fans of the band can rejoice to have this different set of recordings available for the first time, and new fans can marvel at the powerhouse of one of America’s finest bands playing at their best. Highly recommended for fans of Visigoth, Pharaoh, and Omen.


Recorded in 2002 at Killabrew Studios, produced by Matt Crooks and Twisted Tower Dire, and mastered by Dan Lowndes at Resonance Sound Studios, Crest Of The Martyrs Demos is completed with artwork personally done for this release by guitarist Scott Waldrop. The CD version features bonus tracks not included on the vinyl, including a second demo as well as a live track from Wacken 2003, and both the CD and vinyl editions bear liner notes from the band. The LP will be pressed in a total run of 500 copies, including 300 on Black and 100 on Silver. No Remorse Records (Greece) will have an exclusive 100 copies on Light Blue vinyl.


Stream the previously unreleased version of “Some Other Time, Some Other Place” below.


Crest Of The Martyrs Demos will be released through Nameless Grave Records on March 3. Preorder on Bandcamp.





Tracklisting:


“At Night”
“Some Other Time, Some Other Place”
“Axes And Honor”
“To Be A Champion”
“Infinitum”
“Fight To Be Free”
“Transfixed”
“Guardian Bloodline”
“The Reflecting Pool”


“Some Other Time, Some Other Place”:


Crest of the Martyrs Demos by TWISTED TOWER DIRE


(Photo by: Charry Jones)

"Greetings fellow Filthlings," begins Cradle Of Filth frontman Dani Filth.


"After the glorious success of our livestream extravaganza back in May last year, we have decided to undertake a second in which we will play our legendary musical excretion, Dusk And Her Embrace, in its dark cinematic entirety, accompanied by a further bout of new album tracks and fan-favourites. ⁣


Being unleashed on March 20th 2022 - the day of the Spring Equinox - and known as The Infernal Vernal Equinox, this full live-stream ritual will also premier the incredible third single video from Existence Is Futile, plus will include the entirety of our first livestream free for your vulgar delectation. ⁣




So, Children of the Night, be expectant of horrific spectacle, big production and razor sharp Black Metal mayhem ascending your way.⁣


Warning. This one-off special performance is intended solely for those tortured souls still clinging to the last of winter’s grip. ⁣Happy f**king Spring!!!⁣"


Tickets to The Infernal Vernal Equinox, priced at $25 each, can be purchased now at this location. Rewatch will be available for 169 hours after the start of the event.





(Photo by James Sharrock)


 


 

Frontiers Music Srl announcesa fourth album, Lightning In A Bottle, from the melodic rock group, Find Me. Vocalist Robbie LaBlanc and drummer/producer Daniel Flores will release their new album on March 11. Today, the band has released the first single and video from the album, "Survive".


Watch the video below, and pre-order/save "Lightning In A Bottle" here


A delightful and massive melodic rock album, Lightning In A Bottle is chock full of mighty anthemic AOR songs featuring Robbie’s soaring vocals backed by amazing performances from Flores and his band. Sonically, this album touches on both the classic melodic rock/AOR style, while also showing influences from the new guard of the genre.  




Find Me is an ongoing collaboration between Swedish musician, songwriter, and producer Daniel Flores (The Murder Of My Sweet) and singer Robbie LaBlanc (Blanc Faces, ex-Fury) that was put together by Frontiers President, Serafino Perugino with a vision to unleash another AOR behemoth. Their partnership has yielded three absolute melodic rock gems in a row and "Lightning In A Bottle" will certainly be no exception.


"I really want to thank the band on this album, Jonny Trobro, Michael Palace (guitar), Rolf Staffan Pilotti, and the amazing voice, my friend, Robbie LaBlanc and, of course, our silent, but very vocal and important member, Serafino Perugino, for all the hard work on this release! But there is one person I really want to thank and that is Alessandro Del Vecchio, who is responsible for writing 10 amazing songs on this record. He will be featured heavily on my next work too. Yes, he likes to play!!! And is pretty lucky too! There is still one more BIG, BBBBBBBIG surprise on the album, featuring one of the best songwriters and keyboard players on earth at the moment, but I'll let the press team have that one...," says Daniel Flores.


The aforementioned special guest is Vince DiCola who plays keyboards on a cover of "Far From Over", a song by Frank Stallone from the Staying Alive soundtrack. Vince is actually a co-writer of the original along with Stallone.





Tracklisting:


"Survive"
"Far From Over" (Feat. Vince Di Cola)
"Sail Away"
"Back To You"
"Diana"
"Distant Echoes"
"Remember (It's Me)"
"You And I"
"Under A Bad Sign"
"Give My Heart"
"On The Run"


"Survive" video:





Lineup:


Robbie Lablanc - Vocals
Daniel Flores - Drums, Bass, Guitars, Keys

Swedish rockers, Degreed, recently announced the upcoming release of their sixth studio album, Are You Ready, on February 11. A new single and lyric video, "Falling Down", is out today. Watch the video below, and pre-order/save Are You Ready on CD/Digital, here.


”I can’t believe we’re about to release our sixth studio album. I am so proud of this band and I am very humbled that we are still around. And what could fit more perfectly than to release this album with Frontiers? The leading company when it comes to melodic rock and hard rock! Our upcoming album will be just that... a more straightforward hard rock album with great melodies. Our ”old” fans will not be disappointed, and I’m sure that we will gain a lot of new ones as well with this one,” says vocalist Robin Eriksson.


This new record indeed shows a more straightforward and focused direction for the band’s sound. Still extremely melodic and catchy, and not without some really outstanding instrumental parts, Degreed is back stronger than ever and with a great management and record label supporting them, they’ve never been more ready to take on the world.




Degreed have been releasing critically acclaimed music since the start of their career with their first album Life, Love, Loss in 2010. Over the course of their next four studio albums, the band has gone from strength to strength with every release, touring and gaining fans all over the world and they have no plans on stopping now. Degreed's sound mixes the classic melodic and hard rock sounds with more contemporary influences offering the fans a very personal, fresh and exciting mix of great rock music.


Due to the COVID-19 pandemic, the band wasn’t able to tour on the heels of the release of their latest album, Lost Generation (2019), they set out to begin work on their sixth studio album, Are You Ready. The band released the song “The World We Knew", their musical summation of the year 2020 and then in 2021, work began in earnest on what would ultimately become Are You Ready.





Tracklisting:


"Into The Fire"
"Higher"
"Feed The Lie"
"Radio"
"Are You Ready"
"Burning"
"Falling Down"
"Lost In Paradise"
"Turn Back"
"We Will Win"
"Desire"


"Falling Down" lyric video:





"Into The Fire" video:





Lineup:


Robin Eriksson
Mats Eriksson
Mikael Blanc
Daniel Johansson

Voodoo Moonshine has signed a label deal with Dark Star Records and announces their new album, Bottom Of The Barrel, is now available for pre-order. The new full-length CD will be available at all retailers worldwide as well as all digital stores on February 4. Pre-order here.


"Our new CD, Bottom Of The Barrel, is a new collection of bluesy groove raw rock-n-roll, mixed with a melodic feel and a little bit of attitude. It’s been a long time in the making and well worth the wait!" - Pedro Espada, Voodoo Moonshine


"There is incredible talent in this group of hard rockers from down south, and their new album tells real stories of love and life from a band that lives the lifestyle, and a live show that should not be missed" - Jeffrey A. Swanson / President, Dark Star Records




Voodoo Moonshine, a “bluesy groove rock band”, currently from Florida/Georgia was formed in Memphis, TN in 2003 by lead guitarist, Jeff Losawyer. The debut album, Decade Of Decay, was released in March 2005, and was well received throughout Europe. A tour was booked, including shows in England, Ireland, and Scotland. Due to the album’s success they were voted “Number One Band” seven times in England, and six times in Japan. In mid 2005, Voodoo Moonshine was introduced in Dublin, Ireland and quickly became one of the top three requested bands there.


Their debut received rave reviews in many music publications including R.I.P. Magazine. 2006 saw the band’s popularity continue to rise, and rock radio around the world stood up and took notice. Voodoo Moonshine could be heard in Portugal, Greece, Canada and of course, at home in America. Many times during the year, the band’s songs charted ahead of some of rock's so-called heavy hitters, like Bon Jovi, Skid Row, Guns N Roses and the Scorpions. The album Decade of Decay continued to do extremely well deep into 2007, more than two full years after its release. As the year wound down, the band took some much needed, and well deserved, time off. This eventually led to guitarist Jeff Losawyer's work on a solo album. Jeff continued to write music during this time, and never gave up his passion to play.


Fast forward, and suddenly 12 years had passed. Interestingly enough, he heard Pedro Espada singing in a YouTube video and really liked what he heard. He took a chance and reached out to Pedro to see if he would be interested in singing some of his songs. Initially he didn’t receive a very warm response. As a matter of fact, he was mostly ignored, but he knew he had found the right man for the job, so he was persistent. His persistence paid off and Jeff was invited to Daytona Beach Bike Week 2018 to jam with Pedro and his bandmates of Rockit Fly. Needless to say, things went well with Pedro, former Nova Rex member Eddie Cruise and Hector Acevedo, merging together to bring back Voodoo Moonshine.


There is a lot of talk for what the future has in store for Voodoo Moonshine. Stay tuned...





Tracklisting:


"Locked And Loaded"
"Give It To Me"
"Bring It Down"
"Round And Round"
"Sometimes You Just Wanna"
"What A Way To Go"
"Swallow My Pride"
"Eden In Your Eyes"
"Rise Free"
"Y’all Come Back Soon"
"Eden In Your Eyes" (Acoustic Version)





Voodoo Moonshine lineup:


Pedro Espada - vocals
Jeff Losawyer - guitar
Hector Acevedo - bass
Eddie Cruise - drums

Twinkle Twinkle Little Rock Star, the company which creates "beautiful lullaby versions of your favorite artists," has just released "Lullaby Versions Of King Diamond & Mercyful Fate" via Roma Music Group.

"Lullaby Versions Of King Diamond & Mercyful Fate" track listing:

01. Abigail (KING DIAMOND)

02. Welcome Home (KING DIAMOND)

03. Halloween (KING DIAMOND)

04. Sleepless Nights (KING DIAMOND)

05. Eye Of The Witch (KING DIAMOND)

06. Dreams (KING DIAMOND)

07. The Family Ghost (KING DIAMOND)

08. Evil (MERCYFUL FATE)

09. A Dangerous Meeting (MERCYFUL FATE)

10. Curse Of The Pharaohs (MERCYFUL FATE)

11. Come To The Sabbath (MERCYFUL FATE)

12. Melissa (MERCYFUL FATE)

The song "Abigail" can be streamed in the YouTube clip below.

Twinkle Twinkle Little Rock Star was born for the parent that wants to pass along their biggest passion to their child, music. Twinkle Twinkle Little Rock Star transforms popular music into instrumental lullabies perfect for babies, yoga or just relaxation. Now, parents can enjoy the music from LADY GAGA to METALLICA in soothing lullaby style. With over 135 titles to choose from, Twinkle Twinkle Little Rock Star is the largest line of pop, rock, metal and jamband music lullabies in the world.

These aren't novelty recordings. They are cute, they are soft but these are serious recordings. Roma Music Group, which releases Twinkle Twinkle Little Rock Star, is run by two music industry veterans who put the fidelity of these recording at the top of the priority list. Let's face it, much like the brand name clothes you buy for your infant, this music is really for you. Whether you are raising a metal baby, rocker or hippie baby, Twinkle Twinkle Little Rock Star has your music transformed from arena anthems into nursery classics.

Australian progressive metal band, Teramaze, fronted by guitarist and band founder Dean Wells, alongside Chris Zoupa, Andrew Cameron and Nick Ross, have released a brand new song, "Ticket To The Next Apocalypse", featuring guest vocalist Jason Wisdom of Death Therapy. Watch the visualizer below:





The band previously released the song "Battle". A video can be found below.




Said Dean Wells: “The song ’Battle’ was written during the extensive lockdowns that happened in Australia in 2021. Our lockdowns were especially harsh and drawn out in Melbourne where we live. The song was birthed from watching all of the protests, and people fighting for their basic human rights and freedoms. This whole event made me realize, more than ever before, the sheer power of the media and its utter manipulation of the public. It's so much greater than I ever thought it could be. ‘Battle’ is an anthem written to give hope and inspire people to stand and fight for what they truly believe in, even against all odds."

COHEED AND CAMBRIA has announced details of its widely anticipated new album, "Vaxis II: A Window Of The Waking Mind". The ambitious 13-track epic was produced by the band's own Claudio Sanchez and Zakk Cervini, and will be released worldwide on May 27.

Today the band has launched pre-orders for the album on DSPs and for the collection's deeply immersive "Vaxis II: A Window of the Waking Mind" limited-edition deluxe box set.

"Vaxis II: A Window Of The Waking Mind" welcomes us back to "The Amory Wars" as the second installment of the five-part "Vaxis" arc about a couple on the run from tyrannical forces and their mysterious new addition. The album's limited-edition deluxe box set includes the exclusive 96-page illustrated hardcover novel "A Window Of The Waking Mind" which was developed by Sanchez and written by his wife Chondra Echert with strikingly realistic color artwork by Chase Stone. The 9" x 12" box set also houses an exclusive Quintillan Speaker Containment Unit Lamp (approximately 8" diameter), a three-panel fold out poster of expanded album cover art, and the "A Window Of The Waking Mind" black card which will allow all card holders early access to tickets and early entry to COHEED AND CAMBRIA headline dates. All box sets will also come with a CD copy and download of "Vaxis II: A Window Of The Waking Mind" along with an official Certificate Of Authenticity. Furthermore, fans who pre-order the limited-edition box set before January 23 will receive autographed copies and have their name included within the pages of the accompanying illustrated hardcover novel.

Named one of Revolver's "Most Anticipated Albums Of 2022," "Vaxis II: A Window Of The Waking Mind" includes the recently released singles "Rise, Naianasha (Cut The Cord)" and "Shoulders", the latter of which vaulted into the Top 10 at Active Rock Radio, marking the group's career highest radio chart position to date. "(It) masterfully pairs heavy metal-infused riffs with sweeping, melodic vocals in a way that only COHEED can," declared MTV who placed "Shoulders" in their 2021 Favorites round-up. "COHEED AND CAMBRIA are back, and they're heavy as ever," asserted Billboard, with Guitar World attesting "COHEED AND CAMBRIA have come out swinging." Brooklyn Vegan observed, "It finds the band embracing their love of classic heavy metal riffage, before exploding into the kind of soaring chorus that COHEED have been churning out since day one… they sound pretty damn inspired."

COHEED AND CAMBRIA will celebrate the forthcoming LP with "The Great Destroyer Tour", a U.S. headline run which will feature support from special guests SHEER MAG. The coast-to-coast trek is set to get underway on February 16 with a sold-out show at the legendary Pappy & Harriet's in Pioneertown, California and will continue through mid-March, giving audiences an opportunity to see the band live in intimate clubs across the U.S.

For the last 20 years, COHEED AND CAMBRIA have continuously broken the mold of what a rock band can be, forging their own path and building a universe around their music unlike any other. Whether it is in the way their genre-spanning approach to songwriting has allowed them to bridge worlds without being contained to one, or the multifaceted story arc of their albums and comic book series which mark the longest running concept story in music, COHEED AND CAMBRIA have consistently shaped new standards, never conformed. Comprised of Claudio Sanchez (vocals / guitar), Travis Stever (guitar), Josh Eppard (drums) and Zach Cooper (bass), the band has gripped listeners and press around the globe with their visionary compositions and conceptual mastery. In 2018, COHEED AND CAMBRIA made a stunning debut with their album "Vaxis I: The Unheavenly Creatures", which debuted at No. 1 on Billboard's Hard Rock Albums chart, No. 6 current sales and Top 15 on the Billboard 200 chart.

"Vaxis II: A Window Of The Waking Mind" track listing:

01. The Embers Of Fire

02. Beautiful Losers

03. Comatose

04. Shoulders

05. A Disappearing Act

06. Love Murder One

07. Blood

08. The Liars Club

09. Bad Man

10. Our Love

11. Ladders Of Supremacy

12. Rise, Naianasha (Cut The Cord)

13. Window Of The Waking Mind

Photo credit: Alexandra Gavillet

Released in August 1971 just two months after it was recorded, Fillmore East - June 1971 was Frank Zappa and The Mothers’ masterstroke conceptual live album, a well-oiled and well-edited aural treatise chronicling the prurient feast and famine of a certain band’s somewhat salacious life on (and off) the road. In effect, it was the seemly predecessor to October 1971’s expansive, groundbreaking magnum opus, 200 Motels, the surrealistic documentary and soundtrack which ultimately took on a life of its own. Even so, Fillmore East - June 1971, the landmark live recording with the scrawled “penzil” cover art made to resemble a bootleg of the day, managed to capture its own level of then-modern zeitgeist in patented Zappa-reconstructed form.


The ever-touring Mothers closed out 1971 with a European jaunt that saw them hitting Denmark, Germany, The Netherlands, and Austria before rolling into Switzerland for a December 4, 1971 show at the Montreaux Casino that will forever live in infamy in both song and legend. This was due to an errant fan setting off a flare gun and burning the place to the ground – along with destroying all The Mothers’ gear and equipment, sans one solitary cowbell.


Thankfully, the band and audience were relatively unhurt, but subsequent shows in France and Belgium were cancelled and The Mothers had to resort to wrestling with rented equipment for a planned pair of shows slated for December 10-11, 1971 at the Rainbow Theatre in London, England. Only the December 10th show came to pass, however, due to an event that changed the course of Zappa’s life forever. After the band played a cover of The Beatles’ “I Want To Hold Your Hand,” a crazed fan attacked him by violently shoving him off the stage into the orchestra pit 12 feet below. For some time, nobody knew whether Zappa was alive and there was complete confusion inside and outside the theater. As Zappa recounted in his 1989 autobiography, “The Real Frank Zappa Book:” “My head was over on my shoulder and my neck was bent like it was broken. I had a gash in my chin, a hole in the back of my head, a broken rib and a fractured leg. One arm was paralyzed.” Once he could finally leave the hospital and be returned to the States, he spent the better part of a year in a wheelchair and a leg brace. When all was said and done, he permanently sustained a lower pitched voice, one leg shorter than the other and chronic back pain. The Rainbow Theatre show would end up being the last ever performed by the Flo and Eddie lineup as the group disbanded while Zappa was in the hospital as they needed to continue to work while he recuperated. Once Zappa recovered from his injuries he ventured into other musical territories.




It's these intriguing, intertwining roads that will be explored, examined, and celebrated like never before with the monumental and definitive new eight-disc/digital collection, The Mothers 1971, a new Super Deluxe Edition boxed set due March 18 via Zappa Records/UMe that showcases these special 1971 lineups and commemorates these storied chapters in Zappa’s legacy. Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the 100-track, nearly 10-hour set brings together every note of the fabled four shows that closed down the vaunted Fillmore East in New York City on June 5-6, 1971, including the entire John Lennon and Yoko Ono encore, along with the full Rainbow Theatre performance in London, England, on December 10, 1971. Also included is an unreleased hybrid concert culled from June 1 and June 3, 1971 performances in Scranton and Harrisburg, Penn., which denote the first time Mothers shows were recorded on Zappa’s preferred, then-newly purchased ½-inch 4-track tape machine (throughout the ’70s, this was the main tape recorder used to document shows if the budget allowed). The extensive collection is rounded out with the original rare single for “Tears Began To Fall” and its non-album-track B-side “Junier Mintz Boogie,” signifying the single’s first re-release in 50 years and digital debut, as well as a homemade radio spot and its related outtakes. This release is significant for marking the first time the complete back-to-back double-header Fillmore East concerts have been released in their entirety, allowing fans to hear the full performances that Zappa edited the album from, and for the very first time anywhere, contains the official audio of the Rainbow Theatre show’s truly shocking ending which was thought to have not been recorded until recently discovered while putting this project together.


The Mothers 1971 will also be available digitally for streaming and download, in both standard and hi-res audio (96kHz/24-bit). Pre-order is available here.





The majority of the box set’s unedited live tracks have been newly mixed from scratch by longtime Zappa Trust associate Craig Parker Adams at Winslow Ct. Studios and mastered by John Polito at Audio Mechanics. The complete historical Rainbow Theatre concert was newly mixed by legendary producer/engineer Eddie Kramer (his first Zappa Trust project to date) and mastered by Bernie Grundman. All recordings included on The Mothers 1971 were sourced from their original 2-inch, 16-track, 1-inch 8-track, and ¼-inch 2-track stereo analog master tapes discovered in The Vault and digitally transferred and compiled by Joe Travers in 2020, who then supervised the mixes in early 2021.


The Mothers 1971 boxed set comes in a CD size slimcase with all eight discs residing in their own respective mini-jackets, which are collectively housed within an inner slipcase, along with a comprehensive 68-page booklet showcasing a quite revealing, in-depth interview with key Mothers 1971 bandmember Ian Underwood as conducted by Ahmet Zappa, in addition to separate recollections and learned musings from Eddie Kramer and then-bassist Jim Pons alongside detailed, tape-by-tape liner notes from the ever-irrepressible Joe Travers, and historical photos from famed photographer Henry Diltz.


The Mothers lineup that ruled the Fillmore East roost in New York City for four extraordinary sets across two back-to-back nights on June 5-6, 1971 consisted of Ian Underwood (winds/keyboards), Aynsley Dunbar (drums), Jim Pons (bass/vocals/dialog), Bob Harris (keyboards/vocals) and was rounded out by Howard Kaylan (lead vocals/dialog) and Mark Volman (lead vocals/dialog), aka Flo & Eddie of The Turtles, with special guest Don Preston. It was a fitting Mothers collective chosen to close the renowned NYC venue, and they performed such iconic tracks like “The Mud Shark,” “Bwana Dik,” and the groupie routine labeled as “Do You Like My New Car?” (For his part, Don Preston provided Mini-Moog at Fillmore East, then rejoined The Mothers fulltime to take over for Bob Harris on keyboards and vocals for the band’s ensuing summertime dates and onward, through that December.)


The June 1971 Fillmore East finale was made even more special thanks to John Lennon and Yoko Ono appearing alongside Zappa and The Mothers to perform a final encore for the unsuspecting crowd, including a red hot version of Walter Ward's "Well" led by John on vocals (an old Beatles live favorite from the Cavern Club in Liverpool) with two solos by Zappa, a seminal reading of “King Kong” that soon enough metamorphosized into an extended jam ultimately called “Scumbag” as well as further improvisational vocal ululations from Yoko with guitar feedback by John and backing from The Mothers.


Zappa had plans to release this historical encore in its entirety after mixing it in 1971, but shelved it after John and Yoko released their own encore mixes on Side 4 of June 1972’s Sometime in New York City. Zappa eventually released his version of the encore as part of October 1992’s Compact Disc, Playground Psychotics.


After being awarded the rights to his back catalogue in the early 1980s, Zappa mulled other plans for releasing the encore, but upon inspection of the returned Fillmore East masters, it was discovered the Lennon encore tape was missing from its master tape box. In 2021 following a request via Universal, the Lennon Estate kindly provided the Zappa Trust and UMe with a high-resolution transfer of the multi-track safety reel (which FZ had made for them in 1971), thus ensuring that, for the first time in 50 years, the full encore performance could be heard, remixed, in its entirety.


Vinyl lovers will also be able to get their fill via a pair of concurrently released individual 3LP configurations. First, the expanded 50th anniversary 3LP vinyl edition of Fillmore East – June 1971 will have a remaster of the original 1971 live album on LP1 along with 2 LPs of bonus tracks, including the John Lennon and Yoko Ono encore and the complete masterpiece “Billy The Mountain,” plus liner notes by Joe Travers. Significantly, the vinyl version of Fillmore East has been expanded to include vintage, period-perfect Zappa mixes, some of which are not included in the CD box set and can’t be found anywhere else. The original album appears on Sides 1 and 2, while Sides 3, 4, 5, and 6 contain the original “Billy The Mountain” as well as Zappa’s original version of the John & Yoko encore along with other material from the original mix sessions of the Fillmore East album. The Fillmore East 50th Anniversary Edition 3LP set was cut by Chris Bellman at Bernie Grundman Mastering.


Second, Rainbow Theatre is the 3LP vinyl equivalent to the CD box’s contents, featuring a brand new 2021 mix and liner notes by Eddie Kramer. The Rainbow Theatre 3LP set was cut by Bernie Grundman at Bernie Grundman Mastering. Both vinyl sets were pressed on 180-gram high-grade vinyl by Optimal: Media in Germany.


As Travers keenly confirmed in his always enlightening liner notes, the Fillmore East 1971 tapes were “the first time that The Mothers were recorded live on 16-track analog tape. Previously, all live recordings were captured on 1-inch 8-track or lower.” Barry Keene, the recording engineer for these dates, also used a ¼-inch 2-track machine to capture a line mix. Though not all of the 16-track tapes have survived over the years, Travers and company were able to utilize the 2-track board tapes to fill in any missing gaps.


In his truly illuminating interview with Ahmet Zappa in The Mothers 1971 booklet, Ian Underwood zeroed in on Frank’s inherent talent for writing out all his original music perfectly, note for note, a la Mozart – music Underwood was always more than happy to play for its originator. “He knew what he wanted. He didn’t have to worry about mistakes,” marveled Underwood in the Ahmet Q&A. “Frank had a clear idea and he could just write it down. That is an amazing thing to be able to do.”


For his part, bassist Jim Pons synopsized the crux of Zappa’s creative biscuit. “Frank himself always seemed carefully guarded but I found he was an astute observer of the human condition – something I really admired,” Pons wrote in his portion of the liners.


Though it all came crashing down to an untimely end, The Mothers’ masterful musicianship that was on full display during multiple critical junctures in the latter half of 1971 has now been brought together for the first time in this riveting new collection, The Mothers 1971.

Author & Punisher unveil a second track from the outfit’s new album, Krüller, due February 11 via Relapse Records, with today’s release of the drone-drenched love song, “Maiden Star”.


Tristan Shone offers insight into the track and its place on the album:  “’Maiden Star’ continues the trudge of escape and survival from ‘Drone Carrying Dread’, but with a focus on the vital interpersonal conflicts and triumphs that exist in times of war and peace. This track, my personal favorite from the balance of the heavy and the melodic, is deeply personal and painful at the same time. The first note both lifts me up and beats the sh*t out of me.”







Shone began work on Krüller after returning from his opening slot with Tool across the U.S., Australia, and New Zealand, before being cut short due to the March 2020 lockdowns. "Melody has been and is still a part of my sound," says Shone. "I've always bathed them in a lot of reverb, delay, and distortion, though. This time around, I was bothered by the wall of distortion I had created. I wanted a little more clarity. I wanted to refine the sound. I wanted to step back from my own show and analyze it a bit. I had all these competing distortions that I wanted to streamline. I like contrast and wanted the vocals to be immediately noticeable. There's something about mixing punishing drones and rumble with a mellow thing on top that I really like on Krüller.”


Shone’s digitized snarls rightfully had their place on earlier tracks like “Doppler”, “Terrorbird”, and “Nihil Strength”, but contrasting mellow vocals atop Author & Punisher’s unparalleled heft made dynamic sense. Indeed, with Shone’s singing on songs like “Drone Carrying Dread”, “Maiden Star”, and the exceptional translation of Portishead hit “Glory Box”, Author & Punisher have projected an air of uncertainty around the steely, often slow-motion grind. 


Part of the Krüller revamp included refining the machines that have become synonymous with Author & Punisher. As a result, Shone is also launching a bespoke audio gear company called Drone Machines to coincide with the release of Krüller. The gear company launch follows nearly two decades of Author & Punisher honing in on his craft - meticulously inventing, machining, experimenting, and creating custom musical instruments for his incredible live performances and recordings.


Krüller pre-orders are available now at this location, with the 8-song, 52 minute collection available on a selection of limited-edition vinyl variants, CD, cassette and digitally. 





Tracklisting:


“Drone Carrying Dread”
“Incinerator”
“Centurion”
“Maiden Star”
“Misery”
“Glorybox” (Portishead cover)
“Blacksmith”
“Krüller”


“Drone Carrying Dread” video:





(Photo by: Becky DiGiglio)


 

Mass Worship has released the music video for their new track “Orcus Mouth”, off their upcoming album Portal Tombs. The video clip accompanying the release is the logical continuation of their previous track release, “Revel In Fear”. The video, which was self-produced by the band in true DIY style, with their live guitarist Niklas Sandin, can be seen below.


"In the midst of chaos, there’s comfort to be found in the cosmic, careless nothingness surrounding us — our daily struggles are of no significance in the great scheme of things," states Mass Worship about “Orcus Mouth”. 


The band adds about the music video, "Shot partly in old ruins in Stockholm during a bitterly cold December day, and partly in the middle of the night on an old, abandoned school theatre scene, with the help of our good friend and collaborator Niklas Sandin, we really went all in with our creative endeavours on this one and it ended up being an extremely cathartic experience for all of us!”




Coincidentally, Jonas Stålhammar of At The Gates practices in the same building and came by to put his magic touch on “Orcus Mouth”. The other guest on the track is Jonas Renkse of Katatonia / Bloodbath doing clean vocals. “It’s pretty mind-blowing to have members of such inspirational pioneers on our own album”, states the band.





Portal Tombs artwork and tracklisting:





"Specular Void" 
"Portal Tombs" 
"Revel In Fear"
"Orcus Mouth" 
"Unholy Mass" 
"Dunes Of Bone" 
"Scorched Earth" 
"Empyrean Halls" 
"Deliverence" 


Pre-order your copy of Portal Tombs now at this location.


"Portal Tombs"  guitar playthrough video:





 

ONCE HUMAN has released "Erasure", the fourth single from the band's upcoming "Scar Weaver" album, due on February 11.

ONCE HUMAN vocalist Lauren Hart states: "'Erasure' is a song about blood diamonds. It's about the clear-cut, horrific message that a rock is worth more than a life to their producers. Although today there are human rights laws and regulations that have eased the violent unearthing of these stones, it is still happening in certain parts of the world. My heart broke as I dove into the meaning of why it's called a 'blood diamond', and I felt compelled to tell its story."

Pieced together over the last two years, "Scar Weaver" represents a massive step forward for the band. Blessed (or perhaps cursed) with plenty of additional time during last year's lockdown situation, the band have been able to refine and redefine their sound, inspired by a sudden creative surge from latest recruit Max Karon. The result is a gloriously idiosyncratic modern metal record, with Hart's career-best vocal performance just one of its dazzling revelations. With ONCE HUMAN's most intense and explosive music to work with, the singer has pushed herself to new heights, showcasing a vastly expanded vocal range in the process.

As its title suggests, "Scar Weaver" is an album that brims and bulges with notions of pain, trauma and darkness. Lauren has once again penned a stunning collection of emotionally raw diatribes, but in contrast to "Evolution"'s overriding concept, the new record takes a more scattershot approach, reflecting the chaos of the modern world along the way. From visceral opener "Eidolon" to the corrosive claustrophobia of the closing "Only In Death", all human life is alive and screaming on "Scar Weaver".

One instant highlight of the new ONCE HUMAN record is preview single "Deadlock", featuring a typically imperious vocal cameo from MACHINE HEAD's Robb Flynn. ONCE HUMAN guitarist Logan Mader's history with MACHINE HEAD is well documented, not least in recent times when he toured the globe with Robb for the San Francisco Bay Area band's "Burn My Eyes" 25th-anniversary tour. As a result, this new collaboration needs no explanation, but Lauren remains thrilled by the whole experience.

"It was absolutely amazing. Are you kidding?" she grins. "I didn't believe it was happening until he sent something back and I heard his voice on our song. I was like, 'Holy crap! This is real!' He came back with a new chorus and it was so much better than mine, so my chorus was gone! [Laughs] But then performing with him in the video, that was insane. The energy he brings on stage, he brings in person too. It was a great experience and his energy is so powerful. The video came out amazing!"

As the world begins to open back up, ONCE HUMAN, fresh off CRADLE OF FILTH's "Lustmord And Tourgasm" tour, are in the strongest position of their careers so far. "Scar Weaver" is a manifestly superior piece of work, with countless unforgettable hooks, riffs and moments of warped savagery (if the riff at the end of "Deserted" doesn't make you want to run through a brick wall, check your pulse!) colliding to create a record of true originality and rare intensity.

"We've gotten through so many things along the way, we're in a really strong place," Logan avows. "Nothing can fuck us up now. That's an important factor in this band — that internal energy."

The perfect, invigorating antidote to the state of stasis that we've all endured over the last two years, "Scar Weaver" is the sound of a great band becoming greater, hitting their stride and discovering new levels of power, passion and punch in the process. As the world begins to open its doors once more, ONCE HUMAN are fully equipped to launch their biggest and most life-affirming assault on the world's senses.

"We have an amazing record, we're ready to crush it, we have a really good chemistry between all of us," says Logan. "We're really good friends, and that's really important. I think you can feel that when you see us onstage, like, 'These guys are actually happy to be here and they like each other!' That's a bonus. It doesn't have to be like that. But luckily, we have a really cool, strong bond. It's so important for us to get out there and connect with people in a real-life environment."

Formed in 2014, ONCE HUMAN has steadily established itself as one of the most distinctive and destructive metal bands of the modern era. Founded by Mader and Hart, the quintet has had noses to the grindstone throughout its existence, exhibiting a tireless dedication to live performance and a meticulous approach to capturing their crushing anthems for posterity.

Over the course of two full-length albums — 2015's widely hailed debut "The Life I Remember", and 2017's conceptual tour de force "Evolution" — ONCE HUMAN has pursued a militantly individual path, eschewing contemporary cliché in favor of a versatile and sinewy new strain of brutal but accessible metal, with Lauren's coruscating vocals providing an endlessly emotive and humane focal point.

Four years on from their last album, ONCE HUMAN is primed and ready to launch a fresh assault on hearts and ears. With a lineup completed by long-time bassist Damien Rainaud, drummer Dillon Trollope and second guitarist (and now chief riff writer) Max Karon, the band has mutated into an even more devastating beast, as demonstrated with face-ripping aplomb on "Scar Weaver".

Photo credit: Jeremy Saffer

MEMPHIS MAY FIRE has released a new single, "The American Dream". The band has shared the performance video for the song, which boasts rapid-fire riffing, potent breakdowns, unpredictable electronic flashes, and melodic nuances.

"We are thrilled to be dropping our sixth new single 'The American Dream'," says singer Matty Mullins. "This song was fueled by the current state of our country, and the desire to fight for resolution rather than fighting our fellow man. We are donating 100 percent of the proceeds from a new t-shirt that will be coming soon to our merch store to The Veterans Project, whose mission is to capture the legacies of veterans of the American military and tell the stories of all Allied countries and their warrior classes, as well."

In 2021, MEMPHIS MAY FIRE released a handful of new songs through its longtime label Rise Records. The band dropped a one-two punch with a pair of explosive songs — "Blood & Water" and "Death Inside". The full-on riff fest "Bleed Me Dry" followed suit. "Blood & Water" became one the fastest-growing hits of the band's career. It was accompanied by a powerful video and cruised onto the SiriusXM Octane airwaves. Revolver called it a "return to form" and noted that the song boasted an "absurdly melodic lead lick that cuts through the chugging breakdowns like a hot knife on butter." Meanwhile, "Death Inside" reminded fans of the band's sonic heft. "Somebody" arrived in the fall and features all the sonic hallmarks fans know and love about MEMPHIS MAY FIRE. The band closed 2021 with the equally explosive "Left For Dead".

All told, these four new tracks have accumulated over 28 million combined streams across platforms. Each song drop has had a philanthropic element and has been accompanied by a piece of charity-driven merch, available at the band's online store.

Swedish high-energy rock and rollers THE HELLACOPTERS will release a new studio album, "Eyes Of Oblivion", on April 1 via Nuclear Blast. It will mark their first full-length collection of new material since 2008's "Head Off". The official music video for the LP's second single, the title track, can be seen below.

THE HELLACOPTERS guitarist/vocalist Nicke Andersson states: "The album has 10 songs, and although it's obviously not easy to be objective at all, I think musically it sums up everything we've touched upon from the start in 1994 up until now. Some of the songs date back as far as 10 years or more, and some were written more recently. It's rock and roll played with high energy, so for lack of a better term, I say high-energy rock and roll. You could say it sounds like THE BEATLES meets JUDAS PRIEST or LYNYRD SKYNYRD meets the RAMONES but the best way to describe this album is that it sounds like THE HELLACOPTERS today."

Last month, THE HELLACOPTERS shared the album's first single, the anthemic album opener "Reap A Hurricane". The track continues the good old HELLACOPTERS tradition of releasing physical seven-inch singles in each album cycle. The seven-inch vinyl of "Reap A Hurricane" will be released on February 4 and it features an exclusive song called "Done Fighting" as a B-side. The seven-inch is available in two different color variants, red and green, which applies to both the vinyl and the respective cover.

THE HELLACOPTERS were formed in 1994 by ENTOMBED drummer Andersson and BACKYARD BABIES guitarist Dregen.

THE HELLACOPTERS' second album, 1997's "Payin' The Dues", was the band's last studio effort to feature Dregen before his departure to focus full-time on BACKYARD BABIES.

In October 2007, THE HELLACOPTERS announced that they would be breaking up after the release of their seventh full-length album, "Head Off", a collection of cover songs. Eight years later, the band reunited, initially for an exclusive performance at the Sweden Rock Festival to celebrate the 20th anniversary of the release of their debut album, "Supershitty To The Max!"

Robert "Strängen" Dahlqvist, who played guitar for THE HELLACOPTERS for nearly a decade, died in February 2017 at the age of 40.

Dahlqvist was a member of THE HELLACOPTERS from 1999 until the group disbanded in 2008.

THE HELLACOPTERS achieved two gold certifications, won the Swedish Grammy equivalent and a Kerrang! award, and have amassed 100 million streams to date.

Symphonic pirate metallers, Crusade Of Bards, will be sailing high tide on February 18 with the release of their sophomore album, Tales Of The Seven Seas, via Rockshots Records. With an emotional and energetic live-action production for all kinds of audiences from power to folk, from gothic to pagan, the band has been making a name for themselves with touring and festival performances in Germany, Switzerland, France, and their home country of Spain.


Today, in preview to their full-length's release, Crusade Of Bards are unveiling their next single, "Lies & Ashes" feat. Fabio Lione (Angra, Rhapsody Of Fire).


“During the pre-production of this song we felt like we already had some great oppositions between Eleanor’s and Eduardo’s voices. We needed something more powerful and we thought…well, why not try with the most iconic voice of “power”? After a quick message, Fabio was on board and he recorded some amazing vocal tracks that twisted completely the feeling of the song. Having one of our teenage heroes on board is just an overwhelming sensation. This theme is also the fastest and heaviest one of this album and really gives the listener the idea of how wide our musical boundaries are.” adds the band.




Watch the video for "Lies & Ashes" feat. Fabio Lione below.


Crusade Of Bards was formed in 2016 by Paolo Andreotti (keyboards & vocals) and Eleanor Tenebre (vocals) to create music that could mix all their favorite styles and concepts. Initially just a studio project, it soon grew into a full live production that the band describes as witnessing the “Wien-Orchestra directed by Davy Jones”.


“The live-action is definitely one of our biggest assets. Don’t expect the classical symphonic metal act filled with solemnity, blue strobes, and thick smoke. Our piracy side, our Mediterranean background, it all comes out into an energetic, vibrant, and dynamic set. Don’t get me wrong, we are not the typical Hollywoodian stereotyped pirates, and we do get serious when it is necessary…just don’t expect a liturgy.” adds the band.


On this second album, Crusade Of Bards has a mix of history-inspired songs and social themes. Paolo Andreotti (keyboards & vocals) is the lyricist and he loves history and geography so the whole concept of the record revolves around the 7 seas, 2 songs for every sea, and each of them about stories that took place or refer to the area washed by them. As you dig deeper into the lyrics, the structure chosen tends to use the same rhetorical figures of romanticism and neo-realism with a strong connection between the sound of a certain word and its meaning. This leads to inner references that may be appreciated by just reading the lyrics, even without the music.


Tales Of The Seven Seas is the band’s second album inside the “Tales” saga, a broader concept that started with their first album Tales Of Bards & Beasts. It revolves around the figure of the “Bard” and the different tales, songs, and myths that the storyteller would present to the public of the different towns and villages visited. While the first album “Tales of Bards & Beasts” was more about myths and legends, Tales Of The Seven Seas is mainly based on true historical events that have happened in each of them. The concept can be also found in the musical aspects where traditional instruments, scales, or sounds coming from the cultures that live or lived on the shores of the seven mentioned seas are blended into the songs to create the perfect environment for the listener.


The band explains further: “With this album, we want to make a statement, we want the fans to really understand who Crusade Of Bards is both musically and visually. We want them to open their minds, join us on our journeys through space and time, discover new stories and understand that we, as human beings, have changed very little. Our sins, our mistakes, our victories, and our feelings are not new or undiscovered. They are just there, floating on the ocean, waiting for us to collect them”.


Tales Of The Seven Seas is due out on February 18, and is recommended for fans of Epica, Eluveitie, Alestorm.





Tracklisting:​


"Anuri"
"The Northwest Passage"
"An Ocean Between Us – Part III – A New World"
"Dunkirk Privateers"
"Vento Aureo"
"Naupaktos"
"Manti" (interlude)
"The Red Charade"
"Hasard"
"Samudr Ka Mandir"
"Lies & Ashes"
"Leap Of Faith"
"The White Witch"
"As Above, So Below" (outro)


"Lies & Ashes" video:





"The Red Charade" lyric video:

Andorra’s extreme progressive metal unit, Persefone, are known for technical precision at its highest levels, and with their newest single, “Katabasis” - out today alongside an astounding new music video created with the support of SDADV - draw dramatic, cinematic soundscapes mixed with electronic influences. The soft, clear vocals of Marc Martins alternate with sharp growls and bleak yet dynamic riffs. This ride ties in with the well-received first single “Merkabah” and leaves you anxiously awaiting Persefone’s upcoming album, metanoia, out on February 4.


Persefone on “Katabasis”: “"Katabasis" stands as the opening track of the new album and marks an important event when it comes to the concept of metanoia, as it led us to the depths of the being. This song displays many of the elements that can be heard throughout the album, and we hope that it welcomes the listener to the journey we want to offer with all this new music.”







Outstanding progressive/melodic death metal outfit Persefone is known for their band of rich soundscapes and technically precise work that sets new standards in modern extreme progressive metal. Founded in 2001, Persefone has released five studio albums, each one showcasing the band’s myriad of musical principles: high technicality, distinct melodies, plenty of head-turning riffs and musical acrobatics. The band has toured worldwide with notable acts like Obituary and Leprous, has hit stages at important festivals such as Wacken Open Air, Metal Days, Brutal Assault, ProgPower and 70,000 Tons of Metal, and is now set to release their new album, metanoia.


metanoia sets off with the opulent opener "Katabasis”, drawing dramatic, cinematic soundscapes mixed with electronic influences. The soft, clear vocals of Miguel Espinosa alternate with sharp growls and pierce through constantly changing riffs. Persefone balances soft passages with intense walls of sound on tracks like "Aware of Being Watched” - in which clean vocals and jazzy sections alternate with intense riffing carried by dense drumming - while solid, rich sound takes on orchestral dimensions on songs such as "Leap of Faith”. Vivid and dynamic instrumentation, tempo and rhythm make up the intense ride "Merkabah”, showcasing the band’s hardest yet most vulnerable sides as screams and blast beats are followed by soft instrumentation - spanning the song’s intensity to its maximum. A special surprise is the 11-minute masterpiece "Consciousness Pt III”, which continues a series of songs from the band’s fourth album Spiritual Migration (2013). The album closes with another opulent set of songs, "Anabasis Part I”, "Anabasis Part II” and "Anabasis Part III”. "Anabasis Part I” starts off with calm, dreamy piano sounds, drifting over to the intense "Anabasis Part II” and leading seamlessly into "Anabasis Part III”, gently closing the album with a cinematic outro.


Persefone about the new album: "metanoia is the next step in our personal pursuit for existential growth through music. This album is a call for a deep change, a call for an inner journey through fear and pain, a call for a leap into a meaningful and rooted place. Making this album has forced us to face many  musical and personal hurdles and fears, and the result of that confrontation lives within all the notes and words captured on this new chapter in our journey.  May you will find meaning in all this musical chaos.”





metanoia will be available in the following formats:


- Digipack
- 2LP Gatefold Black
- 2LP Gatefold Clear (incl. Slipmat & Logopatch)
- 2LP Gatefold Marbled White & Black
- Digipack & Shirt Bundle
- Digital Full Length Album


Pre-order here.





metanoia tracklisting:


"Metanoia" ft. Einar Solberg
"Katabasis"
"Architecture Of The I"
"Leap Of Faith"
"Aware Of Being Watched"
"Merkabah"
"Consciousness Part III"
"Anabasis Part I"
"Anabasis Part II" ft. Steffen Kummerer, Angel Vivaldi und Merethe Soltvedt
"Anabasis Part III"


"Merkabah" video:





Persefone is:


Marc Martins - vocals
Miguel "Moe” Espinosa - keyboards and vocals
Carlos Lozano - guitar
Filipe Baldaia - guitar
Toni Mestre - bass
Sergi " Bobby” Verdeguer - drums


(Photo - Èric Rossell)

Volbeat have released a lyric video for "The Devil Rages On", featured on their new album, Servant Of The Mind, out now via EMI Records. Watch the clip below:





Servant Of The Mind is available in standard/digipack CD, deluxe 2LP vinyl (with various limited-edition variants, more info below), a deluxe digital edition, plus a special box set (including 2CD digipack, 28pg booklet, bandana, and hip flask, housed in a metal box, available from the official Volbeat store). Order the album here.







Tracklisting:


"Temple Of Ekur"
"Wait A Minute My Girl"
"The Sacred Stones"
"Shotgun Blues"
"The Devil Rages On"
"Say No More"
"Heaven’s Descent"
"Dagen Før" (feat. Stine Bramsen)
"The Passenger"
"Step Into Light"
"Becoming"
"Mindlock"
"Lasse’s Birgitta"
 
Deluxe 2 CD/2 LP and Digital Deluxe bonus tracks:


"Return To None" (Wolfbrigade cover)
"Domino" (The Cramps/Roy Orbison cover)
"Shotgun Blues" (feat. Dave Matrise from Jungle Rot)
"Dagen Før" (Michael Vox Version)


"The Scared Stones" lyric video:





"Temple Of Ekur" lyric video:





"Shotgun Blues" video:





"Becoming" lyric video:





"Shotgun Blues” lyric video:





"Wait A Minute My Girl" video:





"Dagen Før" lyric video: