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22 апр 2025
See Pro-Shot Video Of THE CULT's Entire Performance At Chile's VIÑA DEL MAR Festival
Featured songs:
00:52 Ride Of The Valkyries (Intro)
01:57 Rise
06:00 Wild Flower
10:00 The Witch
15:00 Mirror
18:55 War (The Process)
23:56 Fire Woman
30:02 Love Removal Machine
35:22 She Sells Sanctuary
44:28 Premiacion Gaviota De Plata
THE CULT's latest album, "Under The Midnight Sun", arrived in October 2022 via Black Hill Records. The LP was produced by Tom Dalgety (PIXIES, GHOST, ROYAL BLOOD). Dalgety is the first British producer THE CULT has worked with since its second album, "Love" (1985).
Born out of the ashes of the U.K. post-punk scene, THE CULT evolved to become one of the most influential and controversial rock bands of the late 20th century, selling millions of albums, headlining arenas and stadiums around the world, infusing innovative possibilities into the worlds of music and art, and quickly ascending through the ranks of the indie music world to achieve global status. THE CULT, whose music transformed from punk rock to post-punk, psychedelia, heavy dance music and transcendental hard rock, became one of the handful of important bands in the U.S. post-modern and hard rock communities, and was embraced by a generation that was waking up to the influence of 1960s and 1970s rock icons like LED ZEPPELIN, THE NEW YORK DOLLS and David Bowie.
The constant core of THE CULT is the "head and heart" of the band, singer Ian Astbury and guitarist Billy Duffy. Attitude incarnate, the chemistry between these two vastly different artists — equal parts genuine affection and palpable tension — remains the source of their long-standing partnership. Duffy grounds Astbury's esoteric side with a hard rock perspective, and there is no doubt that at all times, these two have each other's back. THE CULT's current lineup also includes former WHITE ZOMBIE, EXODUS and TESTAMENT drummer John Tempesta.
THE CULT holds a significant place in musical history due to its pioneering use of post-punk, hard rock, and experimentalism, pushing boundaries and influencing countless bands across multiple genres. With their musical prowess, uncompromising attitude and captivating stage presence, they forged a distinct identity while charting new territory for bands to explore. From Duffy's formative, and influential, years in the Manchester underground, to Astbury's groundbreaking "Gathering Of The Tribes", the duo has left an indelible mark on modern music, shaping its trajectory in profound ways.
In a recent interview with Brazilian music journalist Igor Miranda, Astbury was asked if there are any plans for the band to release new music as the follow-up to "Under The Midnight Sun". Ian responded: "If it happens, it will happen organically. And there's no hard plans, but there are recordings that are already nearly finished, things that we were working on previously.
"We released [the songs] 'Flesh And Bone' and 'C.O.T.A.'. That only came out as a seven-inch. Nobody even knew it came out. I decided they were DEATH CULT [a stepping stone between Astbury's previous band SOUTHERN DEATH CULT and THE CULT] songs. Call it whatever you want. For me it felt like DEATH CULT songs. And now people are beginning to listen to those songs and go, 'Oh, these are really interesting. Do you have any more?' And we go, 'Well, we have a few more from that period.' And there's plans to drop some other recordings, maybe from DEATH CULT. But definitely THE CULT…"
"I mean, there's definitely plans to do things, but a formal album in the studio? I don't know," he continued. "It could happen. It may not happen. We're talking about music right now. We're always talking about music. But… I don't know. There's no formal plans to go in the studio and make an album right now.
"If you know about the way the streaming works, the algorithm, you can spend so much time, you can make a masterpiece, and you can put it out in the world and the algorithm doesn't like it, and then it disappears very quickly. You're competing with thousands and thousands and thousands of thousands and thousands of individual artists.
"[It] seems to me there's a decline in bands, and there's an increase in artists who are making records in their bedrooms and studios, small studios.
"I'll definitely be releasing music," Ian added. "There will be CULT music this year of some description. But it's not gonna be in a conventional format. There will be one record released maybe in the middle of the year that will be in conventional format, a live concert, but I can't say much more than that. You have to wait for that. We'll see. We have to do some negotiations to get it finished."
"With THE CULT, we're very intuitive in that way. We don't follow a plan or a schedule. We kind of work in harmony with the rhythm of what's happening around us.
"'Under The Midnight Sun' is referring to the pandemic 'cause it was this anomalous moment where a once-in-a-lifetime experience — not even once-in-a-generation [or] once-in-a-lifetime; once-in-a-century experience — so it was this anomalous moment. There's just so many layers. But ultimately, it has to translate with four musicians on stage and then you have to use your emotional intelligence to convey this. So, a lot of time is spent living, documenting, studying, reading.
"I don't really watch — I don't watch TV. I have two TVs in my house. They're never on. Maybe football, and that's about it. Everyone's saying, 'Have you seen this TV show, seen this TV show, seen this film, seen this TV show?' I'll go to a theater to see a film, like the last 'Dune' film. I had to see that on a big screen, 'cause on TV it's just blergh. I don't watch much television. I've watched a lot of film in my life, but if it's an important film, I'll watch it or I'm interested in it. But mostly I'm reading and listening to music. And then training in martial arts. And then doing creative direction for the band. And then working on other projects — my material. I wouldn't even call it solo projects. They're collaborations.
"So my intention is there'll be more CULT at some point, there'll definitely be DEATH CULT, there'll be more CULT, and then I'll be working on other things myself, other collaborations," Astbury concluded.
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