At last night's "Bowl For Ronnie" event in Studio City, California, Bruce Dickinson's longtime collaborator Roy "Z" Ramirez was asked by The Metal Voice about the progress of the recording sessions for the IRON MAIDEN singer's next solo album. He responded: "I can't really say much. It's being worked on. It sounds fabulous and all that. Actually, it sounds brilliant."

As for when fans can expect to see the LP released, Roy said: "I have no idea."

This past March, Bruce told Consequence about his next solo album: "I've been working on it, on and off, since [2005's] 'Tyranny Of Souls'. But between lockdowns and albums and MAIDEN tours and everything else, I'm looking for a clear space to actually nail and say, 'Okay, this is what it's gonna be,' and get Roy to put some backing tracks down. And then we can do it. So we're at the point now where we've already got — I don't know — anywhere between 50 and 70 percent of the material for the album, depend[ing] on what we pick, from things we've already got. And I think we'd like to tweak it a little bit. So I've got some time. When I finish this [U.S. spoken-word tour] in March, I've got three weeks in L.A. And so I'm gonna be tweaking a few things with Roy. And we'll see where we get to. And if we get to the point where we can start putting backing tracks down, then I'll be off touring with MAIDEN and he can be chipping away doing the backing tracks. And the technology exists now, of course, which didn't exist back in the day, to just get on a Zoom call with him and take a listen. We were already going that way on 'Tyranny Of Souls'. He actually sent me a CD of the backing tracks — just rough; no guitar solos; just rough — and I put a set of headphones on. I was in Japan on tour at the time, and I just walked the streets of Tokyo at, like, nine in the morning with a notepad, mentally writing words and melodies, and then just flew back to L.A. and did the vocals. And that worked out great; 'Tyranny Of Souls' is a great album."

Back in December 2017, Dickinson said that his next solo LP would likely include a reworked version of "If Eternity Should Fail", the opening track on IRON MAIDEN's 2015 disc "The Book Of Souls". At the time, he said that he had about "half" of his seventh record already written and he also confirmed that "If Eternity Should Fail" was originally penned as a Dickinson solo track.

He told Finland's Kaaos TV that the original plan was for his next solo record to be "a whole concept album, which was gonna be called 'If Eternity Should Fail'. And 'If Eternity Should Fail' was the title track to my new solo album," he said. "And a bit like [Dickinson's 1989 solo song] 'Bring Your Daughter To The Slaughter' [laughs], it got commandeered for IRON MAIDEN. So if I did do another solo album, which I think I will, I might just stick to my original plan and have that as the title track. I mean, I did write it — it was the first track that I wrote for it. So, yeah, I'd probably still include that song. But it would be… the feel would be slightly different — not very much, though — from the MAIDEN version."

In 2015, Dickinson told France's Hard Force magazine that "If Eternity Should Fail" ended up being used by IRON MAIDEN after bassist Steve Harris heard the demos that Bruce was working on for what was supposed to be his next solo album. "And [Steve] went, 'That's a really cool song. Can we use that? That's gonna be the opening song on the album,'" he recalled. "And I went, 'Yeah, okay.' And he was already writing, I think… He was already thinking of 'The Book Of Souls' as being the title, so he told me about the Mayan thing. And I'm, like, 'Yeah, that's cool. Okay. Yeah, I see where you're going.' But in my case, that song was written as part of a story. So the spoken word at the end is the beginning of a story that goes through the whole album. And one of the characters is Dr. Necropolis; he's the bad guy. And the good guy is Professor Lazarus; he raises people from the dead. So that introduces Necropolis in the spoken-word thing. And I asked Steve… I said, 'Look. Okay. I get having the song…' 'Cause it opens up with, 'Here is the soul of a man.' 'Yup. Get that. But what about the end?' I said, 'Will people understand what this is about? Because this is nothing to do with the Mayans or anything. This is to do with… I'd come up with a concept album that doesn't happen.' [Laughs] And he [went], 'No, no, no. It's just talking about souls and everything, and it sounds great.' I went, 'Okay.' [Laughs]"

Dickinson made his recording debut with IRON MAIDEN on the "Number Of The Beast" album in 1982. He quit the band in 1993 in order to pursue his solo career and was replaced by Blaze Bayley, who had previously been the lead singer of the metal band WOLFSBANE. After releasing two traditional metal albums with former MAIDEN guitarist Adrian Smith, Dickinson rejoined the band in 1999 along with Smith. Since then, Dickinson has only released one more solo album (the aforementioned "Tyranny Of Souls") but has previously said that his solo career is not over.

In a new interview with Andrew Daly of Metal Castle, legendary hard rock vocalist Joe Lynn Turner (RAINBOW, DEEP PURPLE, YNGWIE MALMSTEEN) was asked for his thoughts on his contemporaries using backing tracks in the live setting. He said: "I think it's become too much. I understand some groups need to rely on these computers, but I'm old school, and I think live music should be live. That's what people pay for. If you are well-known and you're going out there and using backing tracks, you're not being honest; it's pantomime. It's not even karaoke. I feel it's cheating people, and it's cheating yourself. Because if you can't cut it live, well, that's what separates the men from the boys. That's what separates who's great and who's average. Anyone can cover it up in the studio, but it all comes out live, and if you can't hack it, then get off the stage.

"I understand there's a technology that certain bands use today, but if you're KISS, for example, maybe you ought to quit while you're ahead, guys. Don't you think you've got enough money to where you don't need to take all the static for doing what you're doing? All it's doing is destroying your legacy, and you'd probably be better off if you just stopped. I'm not trying to point them out individually, but they've been known to use it.

"And look, I understand how difficult it is, especially for singers, because you can only go so many nights in a row. So, if you want to be out there still, maybe cut back the nights, and maybe you can't make as much money. I think we have to look at the driving force here and then try and understand the motivation for why they do it. If you're only doing it for money, so you can have five nights instead of three, that's not a good enough reason for me. Go play for three nights and be yourself. Or stop doing it altogether."

In recent years, more and more artists have been given a pass for relying on pre-recorded tracks, drum triggers and other assorted technology that makes concerts more synthetic but also more consistent. For better or worse, pre-recorded tracks are becoming increasingly common for touring artists of all levels and genres and they're not just used in pop music — many rock artists utilize playback tracks to varying degrees.

Last month, Sebastian Bach and Ronnie Radke engaged in a war of words on Twitter over FALLING IN REVERSE's decision to cancel a festival appearance due to "missing" laptops.

Just hours before FALLING IN REVERSE was supposed to appear at the WIIL Rock festival on September 24 at Lake County Fairgrounds in Grayslake, Illinois, the singer and his bandmates scrapped their performance because their laptops — which the musicians use to "run" their "show" — were lost. At the time, Radke said in a video message that he and his bandmates had "no other option" because "as a band in 2022, you need your laptops. It's like driving a car without an engine."

One person who seemingly defended Radke and FALLING IN REVERSE is MÖTLEY CRÜE's Nikki Sixx. The bassist wrote: "Keep beating that fake bullshit drum. Sounds so 'Get Off My Lawn'. God forbid if some artists use technology as a creative tool on albums and in live settings. I get it. Just open your mind and stop fighting reality. Makes you sound outta touch and I like that you fly the rock flag."

In March 2020, SHINEDOWN guitarist Zach Myers said that "90 percent" of rock artists use at least some pre-recorded tracks during their live performances. He told Rock Feed: "It bothers me that it bothers people. I'm, like, 'Why does this bother you?' It's the way it is. People have been doing this since the '80s. And we want the sound to be the best it can be. Could we go up there, just the four of us, and put on the best rock show ever? Of course. But that's not how we wanna do it."

Bach previously said that he is "one of the last people" who are still not using pre-recorded tracks at their live shows. "I don't know how much longer I can say to you that I don't use tapes onstage, because I don't, and I never have," he told Consequence Of Sound. "And I still don't. When I have opening bands, and they're using tapes, and then I come out and I don't use tapes… sometimes, it makes me feel stupid, because I'm like, 'What am I doing, when all these kids half my age can come onstage and do all of my moves, but they don't have to warm up for an hour before the show, or weeks, before the first show?' Sometimes, I'm like, 'Why do I even bother, if the public is so used to this other way?' It's becoming very rare to come see a good band that's actually a real band — that's not miming or doing silly moves while a tape is running. It just becomes more rare as the years go on."

In 2019, IRON MAIDEN guitarist Adrian Smith said that he doesn't "agree" with certain rock artists relying on pre-recorded tracks during their live performances. "I tell you what, I see it with a lot of younger bands, and I don't think it's a good thing at all," he told the New York Post. "I mean, the music is getting too technical now. You have computerized recording systems, which we use, but I think we use them more for convenience than because we need to. We've toured with a couple bands that use tapes — it's not real. You're supposed to play live; it should be live. I don't agree with using tapes … I think it's a real shame."

Sixx has been open about MÖTLEY CRÜE's use of taped vocals during live performances, saying, "We've used technology since '87." He added the group employed "sequencers, sub tones, background vox tracks, plus background singers and us. [MÖTLEY CRÜE also taped] stuff we can't tour with, like cello parts in ballads, etc.... We love it and don't hide it. It's a great tool to fill out the sound."

In a 2014 interview, MÖTLEY CRÜE guitarist Mick Mars admitted that he wasn't comfortable with the fact that his band used pre-recorded backing vocals in its live shows, claiming that he preferred to watch groups whose performances are delivered entirely live. "I don't like it," he said. "I think a band like ours… I have to say '60s bands were my favorite — '60s and '70s bands — because they were real, like, three-piece bands or four-piece bands, and they just got up there and kicked it up. Made a mistake? So what? Sounded a little bit empty here or there? So what? It's the bigness and the rawness and the people that developed and wrote the songs and made them and presented them. To me, that's what I really like. I mean, I could put on a MÖTLEY CD and play with it all day long. I don't wanna do that."

KISS lead singer Paul Stanley, who has been struggling to hit the high notes in many of the band's classic songs for a number of years, has been accused of singing to a backing tape on KISS's ongoing "End Of The Road" tour.

Back in 2015, KISS bassist/vocalist Gene Simmons slammed bands who used backing tapes for not being honest enough to include that fact on their concert tickets.

"I have a problem when you charge $100 to see a live show and the artist uses backing tracks," Simmons said. "It's like the ingredients in food. If the first ingredient on the label is sugar, that's at least honest. It should be on every ticket — you're paying $100, 30 to 50 percent of the show is [on] backing tracks and they'll sing sometimes, sometimes they'll lip sync. At least be honest. It's not about backing tracks, it's about dishonesty.

"There's nobody with a synthesizer on our stage, there's no samples on the drums, there's nothing," Gene continued. "There's very few bands who do that now — AC/DC, METALLICA, us. I can't even say that about U2 or THE [ROLLING] STONES. There's very few bands who don't use [backing] tracks."

In a new interview with Robert Cavuoto of Metal Rules, JUDAS PRIEST guitarist Richie Faulkner spoke about the musical direction of the band's upcoming follow-up to 2018's "Firepower" album. He said (as transcribed by BLABBERMOUTH.NET): "You know what? The Internet seems to know everything these days about what the new album's going to sound like based on a couple of words that [we've] put out there [in previous interviews]. I think we've used the word 'progressive', and everyone thinks it's gonna become 'Nostradamus' [PRIEST's controversial 2008 symphonic heavy metal concept double album about Nostradamus], or RUSH, which is two different things. I've definitely used the word 'progressive' [to describe the new PRIEST material in previous interviews], purely because it's got a few musical turnarounds that 'Firepower' doesn't have. But that doesn't make it a RUSH record. It just makes it — instead of, like, a verse into a bridge into a chorus, there might be a couple of more musical passages in there to make it a bit more… interesting; might be the wrong word. I don't know. You've gotta be careful with the words you use these days. So it's not 'Firepower 2', but it's the same band a few years later, so there's obvious connections to the last record. But it's not 'Firepower 2' by any means."

Richie continued: "No PRIEST records have sounded the same, but it's got a common DNA. And you always try and make the next one sound a bit better — or whatever 'better' may be; 'better' is subjective. So, is it better written? Are the lyrics better? Does it sound better? And 'better' is always subjective. So it's hard to pinpoint, really. But it's a bit more of a musical adventure than the last one, I'd say. But then again someone might listen to it, when it does come out, and have a totally different interpretation of what it is. So it's always tough to sum up your own music without sounding up your own butt."

Asked if longtime PRIEST guitarist Glenn Tipton, who was diagnosed with Parkinson's disease eight years ago after being stricken by the condition at least half a decade earlier, will play on the band's album, Richie said: "He will be, yeah. I don't think he's recorded his guitar parts yet, but he's definitely involved in the writing of it. Obviously, we're all aware of his challenges with Parkinson's, so we were adamant that if he couldn't play that particular day that he was involved in the writing. He'd share his ideas with me and I'd kind of be his… he would share his ideas through me."

Last month, PRIEST singer Rob Halford told Q104.3 New York's "Out Of The Box With Jonathan Clarke" that the band's upcoming studio album is "close" to being completed. "All the writing's done; the bulk of the recording is done," he said. "I've still gotta put my vocal tracks down. So, in essence, it's done, which is a great feeling, because that really points us to the metal future. Everything that we've done in PRIEST over the last 50-odd years has been driven by the latest music that we're making. So this is no exception.

"We'll finish this 50th-anniversary celebration down in São Paulo, Brazil on December the 18th, and that'll be this year done," Rob added. "And then next year we're kicking off with our good friend Ozzy [Osbourne] in the U.K.; we'll do some shows with him. And [in the rest of] Europe. And then a few other bits and pieces we've got going over in Europe. And then we stop. And then we plan the next release sequence for the next PRIEST album."

Earlier in October, Halford told AXS TV's Katie Daryl about what PRIEST fans can expect from the upcoming LP: "The same energy, the same vitality, the same determination, and it really is, again, another affirmation of what you love about JUDAS PRIEST. If you listen to any album from PRIEST from 'Rocka Rolla' in the '70s up to the 2000s with 'Firepower' and everything that went on between there, whether it was 'Turbo Lover' or whether it was the 'Painkiller' or '[You've Got] Another Thing Comin'', all of these pinpoints connect the dots of this great 50 years of metal, this journey that we're on. And it ain't over yet, folks, because that means another album and another tour. And we can't wait to keep pouring out the metal, 'cause that turbo power isn't gonna get turned off anytime soon."

Also last month, Faulkner told The Entertainment Outlet about the progress of the recording sessions for the band's next LP: "We're getting there. We've been trying to get it done. The first obstacle was the pandemic, because we couldn't get together and do it as a group. And then when the pandemic restrictions were lifted, then we could go out on tour. So the next obstacle, if you wanna call it that, was the tour. So we had to go out and tour and record bits and pieces in between the tour legs. So we've got drums done, we've got guitars done, we've got the bass done. I think the main thing we have to do now is vocals. So we've got the U.S. leg of the tour coming up, so Rob's gotta protect his voice and use his voice sparingly before that. So maybe after that. I mean, we've got [dates in] the U.S. and we've got South America, which takes us into December. So maybe in the New Year we can start working on vocals."

Regarding when fans can expect to see the next PRIEST LP released, Richie said: "It's always tough to talk about timeframes, because, as we know, things change. But Rob always says, 'It's done when it's done.' There's no point in rushing anything at this point in the band's career. But it's getting there — we're working on it and it's getting there. And we're using the time we've got. These days as well, we don't need 18 months in a 10,000-square-foot studio in Fiji to do a record. The way things are these days, we can do it in a lot more economical way. So we're making technology work and we're making all that work for us so we can get it done in the best way we can so we can get it out when we can. But it'll be done when it's done."

This past February, Halford was asked by Remy Maxwell of Audacy Check In if he agreed with Faulkner's recent comment that the band's upcoming album will be more musically "progressive" than "Firepower". He responded: "Yeah, the metal is there. But here's the thing: we've tried our best not to replicate anything that we've done. From 'Rocka Rolla' all the way through to 'Firepower', each record has had a distinctive character. And it's tough because fans go, 'We want another 'Painkiller',' 'We want another 'British Steel'.' And [it's, like], 'Dude, we've already done that.'

"Fans know that we're a band that is always full of adventure and trying new stuff," he continued. "And so, yeah, this has got probably some more progressive elements that we've never really delved into before. And that's exciting, because, again, it gives us and our fans another opportunity to see a different side of PRIEST. But it's still metal. There's just more of it. There are more notes than there were before."

Also in February, Faulkner told Canada's The Metal Voice about the overall sound of the new PRIEST music: "Whenever you start a record, you never know how it's gonna turn out. So you might start with an idea of what it's gonna be, and as it kind of rolls on, it comes out something different. So you don't quite know. And also it's really hard to sum up your own music, I find, without sounding really pretentious. But I think this one — it's not 'Firepower 2', I don't think. It's its own thing, it's its own animal. If anything, I would say it's a bit more progressive in places, and in places it's got a bit more of that 'Killing Machine' swagger."

Faulkner added: "I know everyone says, 'Oh, is it the next 'Painkiller'?' or 'Is it the next…?' whatever… I don't know if they'd ever done it, but I know we've never done it when I've been in the band; we've never tried to recreate an album. It's always we try to create an album that stands on its own legs. So I think it's definitely a little bit more progressive than 'Firepower' and, as I said, in places it's got a little bit of that 'Killing Machine' angry swagger attitude going on. But again, as I said, we're waiting to see what it turns out like, 'cause it could turn out completely different."

A year and a half ago, Halford confirmed that PRIEST's next album would see the band reuniting with the "Firepower" production team consisting of Andy Sneap, longtime collaborator Tom Allom and engineer Mike Exeter (BLACK SABBATH).

Bassist Ian Hill is the sole remaining original member of PRIEST, which formed in 1969. Halford joined the group in 1973 and guitarist Glenn Tipton signed on in 1974. Rob left PRIEST in the early 1990s to form his own band, then came back to PRIEST in 2003. Founding guitarist K.K. Downing parted ways with the band in 2011, and was replaced by Faulkner.

Tipton announced in early 2018 he was going to sit out touring activities in support of "Firepower". He was replaced by Sneap, who is also known for his work in NWOBHM revivalists HELL and cult thrash outfit SABBAT.

The popular vinyl collectible company Funko — best known for its big-headed Pop! figures — has unveiled another one of its latest artist collaborations: PANTERA.

Announced as part of Funko's 2022 Popapalooza (also styled as Pop!apalooza) lineup, the PANTERA Pop! four-pack features Pop! Philip Anselmo, Pop! Vinnie Paul, Pop! Dimebag Darrell and Pop! Rex Brown. Vinyl figures are approximately 4 to 4.2 inches tall.

The new PANTERA Funko Pop! four-pack can be pre-ordered at Funko.com.

Other artists who have gotten the Pop! treatment in the past include KISS, IRON MAIDEN, METALLICA, GUNS N' ROSES, AC/DC, Ozzy Osbourne, DEF LEPPARD, Rob Zombie, SLIPKNOT, SLAYER, GHOST, MOTÖRHEAD and Joan Jett.

A Funko vinyl Pop! figure, or popularly known as a "Pop!", is packaged carefully inside a box with a transparent front. The figurine is made out of vinyl and may come as a bobblehead.

Headquartered in Everett, Washington, Funko designs, sources and distributes merchandise based on some of the world’s most coveted licenses across multiple categories, including vinyl figures, board games, action toys, plush, apparel, housewares, NFTs, vinyl records, posters and accessories.

Funko products are created for consumers who seek tangible ways to identify and connect with their favorite pop culture brands and characters.

The company was founded in 1998 by Mike Becker who started Funko as a bobblehead company; The company was sold in 2004 to Brian Mariotti who then introduced the iconic Funko Pop! figures.

Popapalooza is a music-themed virtual event in which Funko reveals new collectibles inspired by popular singers and bands.

Funko continues to invest in the music vertical with Pop! Rocks, Pop! Albums, Gold and most recently, announced a co-branded retail store with Snoop Dogg, Tha Dogg House, that will open in early 2023.

Thrash metal veterans SADUS have joined the Nuclear Blast Records family. Led by founding vocalist/guitarist Darren Travis and drummer Jon Allen, the band is armed with a resurgent arsenal of massive riffs and blistering solos, crushing drums and shredding bass, and is currently preparing the release of its first new album in 16 years, due out in 2023.

Commenting on the signing, Nuclear Blast's A&R veteran Monte Conner states: "I am thrilled to be reunited with Darren Travis and the mighty SADUS. Signing a band I have worked with in the past is never a given. Quite the opposite, in fact. I need to be blown away, and let me tell you, this new SADUS material is some of the best work I have ever heard from the band. It is the SADUS you know and love, with the same elements that made them unique in the past, but now with even stronger, more focused songs, and with crushingly heavy modern production."

With the signing comes SADUS's ferocious new single "It's The Sickness". The first taste off their impending record is a contemporary thrash classic with colossal, groove-laden riffs that was made to get the pit moving.

When asked to comment on the new track, Travis said: "As Joe Perry from AEROSMITH says... 'Let the music do the talking!!!'"

SADUS rose to notoriety amidst the San Francisco Bay Area's burgeoning thrash scene in the mid-1980s. The band's introductory album, "Illusions" (1988),led to their signing with Roadrunner Records by A&R guru Monte Conner and eventual release of the quintessential record "Swallowed In Black" (1990). Over the next decade and a half, the band went on to release the hailed albums "A Vision Of Misery" (1992),"Elements Of Anger" (1997) and "Out For Blood" (2006) as well as toured with the likes of MORBID ANGEL, SEPULTURA and OBITUARY, among others.

Next year will mark the twentieth anniversary of the release of "Fallen", the major label debut by EVANESCENCE that became a monster, multi-platinum hit for the Amy Lee-fronted rock band.

Led by the smash single "Bring Me To Life", which also appeared on the soundtrack to the movie "Daredevil", "Fallen" sold a whopping seven million copies in the U.S. and yielded three more singles with "Going Under", "My Immortal" and "Everybody's Fool". EVANESCENCE also won Grammys in 2004 for "Best New Artist" and "Best Hard Rock Performance".

Asked in a new interview with Rock Sound if there are any plans for EVANESCENCE to commemorate the "Fallen" anniversary, Lee said (as transcribed by BLABBERMOUTH.NET): "I do have an idea. It's gonna take a little bit of work. But I think it probably won't be what everybody expects. I think everybody just is, 'Oh, why don't you do a show that's, like, [playing] the album front to back?' We've been playing so many shows, I would rather do something that, to me… I don't know. I don't wanna give it away, in case it doesn't work out. Maybe I'll do nothing. Expect nothing, and then if I do something, you'll be really, really grateful. [Laughs]"

Amy also talked about the fact that "Bring Me To Life" experienced a resurgence this past summer, 19 years after its original release. The song, which initially reached No. 5 on the U.S. Billboard Hot 100 and was EVANESCENCE's first U.K. No. 1 single, reached No. 1 on the U.S. iTunes chart in August.

"It is satisfying," Lee said about the track's renewed popularity. "And it's cool now, because I remember a lot of the feeling in the beginning. It was so much about, like, 'What's next?' And, 'Are we gonna be able to make it?' And, 'Are we gonna be able to survive?' And, 'Are people gonna listen to our next song?' And, 'What about the next record?' And just getting to the next place always.

"There is an element to a song like 'Bring Me To Life' that didn't exist before, which is this nostalgia," she explained. "The song has grown live. It's something that we've added to. But part of how it's grown is with its history and with what it means to everybody in the room. It's not something new; it's just something that you already have known for so long that has a place in your heart. It's just able to be more than it would have been then. So I, in a lot of ways, love it more than I did."

The success of "Fallen" led to turmoil within the group, as founding guitarist Ben Moody left in late 2003, leaving Lee as the only original member of the band.

Lee continued with new members, and EVANESCENCE issued "The Open Door" in 2006. While a hit, it did not equal the sales of "Fallen". Lee told The Pulse Of Radio at the time that she wasn't concerned about matching the previous album's success. "I just haven't ever looked at it that way," she said. "'Fallen' is a great record, but I don't think you can try to match the success of another body of work. I think that's only gonna frustrate you. And if, honestly if what you really care about is record sales and money, there's no way you're gonna make a great piece of art, because then you're just gonna get all confused and make something ingenuine."

This past February, EVANESCENCE's music video for "Bring Me To Life" — which featured guest vocals from Paul McCoy of 12 STONES — surpassed one billion views on YouTube. The Philipp Stölzl-directed clip, which was uploaded to YouTube in December of 2009, was filmed in Romania in January 2003. It features Lee in a night gown and barefoot, in her room, inside a tall building in the city at night. The rest of the band is playing on a higher floor of the building.

In March 2021, Lee told Alternative Press that EVANESCENCE's original record label Wind Up threatened not to release "Fallen" if she and her bandmates didn't add a male voice to lead single "Bring Me To Life" to make it more palatable for radio.

EVANESCENCE's latest album, "The Bitter Truth", arrived in March 2021 via BMG. It was EVANESCENCE's first album of original music in ten years.

LAMB OF GOD singer Randy Blythe has revealed to Metal Hammer magazine that he is working on two new books. The first is said to be "a long-term project" called "Frontman", which, as its title suggests, focuses on other people who share his profession. The second is a sort-of sequel to his 2015 memoir, "Dark Days: A Memoir", which focused on his ordeal in a Czech Republic prison and his subsequent acquittal.

"The last book was about personal accountability," Randy explained. "The vehicle to that was the story about me getting arrested and going to trial. This book is about perspective — the core theme is perspective and changing it to a healthy one. In recent years, I've been listening to other people's perspectives rather than just trying to figure out everything myself, because I'm not going to. The book is a collection of stories about different experiences I've had with people and what I've taken away from those experiences."

Last month, Blythe told the Illinois Entertainer that he was working on a new "non-fiction book." He added: "I wanted to write fiction, but my agent said, 'You need another non-fiction book.' And he was pushing me toward what they call, I guess, an 'inspirational memoir' or whatever. So I'm writing this book, and it's about different perspectives from other people that I've tried to incorporate into my own life and take something from. Something positive from — things I have learned from people other than me. And it's been very difficult to maintain any sort of positivity for a while now. It really has."

This past May, Blythe was asked by Full Metal Jackie's nationally syndicated radio show how writing prose is different from writing lyrics. He responded: "Well, they're two different things — two very different things. I always say that writing a book makes writing an album look like going to kindergarten. It is a much more intense, much more sustained [and] much more nerve-racking extended creative effort. There's pros and cons to it, of course. And the thing that I dislike about it, just as a lazy bum, is I'm having to do it all by myself. If there's something bad in the book or it doesn't work, then I can't blame it on my bandmates. 'Cause we're a democracy — we really are a democracy — and if someone is unhappy with something, then we won't move forward with it creatively, if they're really emphatic about that. That being said, we make a lot of compromises with each other in order to work as a band. So, if there's something that I don't particularly like in one of our songs or on an album or a song that I'm not particularly feeling great about but the rest of [the guys] love the song, then I'm, like, 'Oh well. So be it.' It's part of the business of being in a band. And then if it comes out and I still don't like it, I can be, like, 'Well it was their decision, not mine.' When you write a book, if you screw up something or something's not good or something later you review and it doesn't pass muster, that's on you. So it's a bit more nerve-racking. No, conversely, that's kind of the same thing I like about it, because I don't have to bounce my ideas off of anyone else. I say exactly what I want to say without having to go through any sort of filtration process with anyone else — it's just me. So, in a way, it's a much more creative process — or a purely creative process, I would say — because it's just you and the blank page. But it is nerve-racking — it really is. And also, as I get older, I just enjoy quiet more and more and more, and writing is a very quiet and solitary activity — at least it is for me. So I enjoy that. My ears don't ring after writing a book, but they sure as hell do after writing an album."

In July 2021, Blythe said in an Instagram post that he was about to begin writing his second book. The now-51-year-old singer wrote: "It's been six years since my 1st book, Dark Days, came out. I've been kinda busy but I can't screw around any longer- it's finally time to write a new one. The proposal is done, the publishers accepted it, & the contract is hammered out & in the mail.

"Shit- that means I actually have to write this thing! All I'll say is: A) it's another non-fiction book, & B) I just spent over two weeks utterly consumed by writing the freaking introduction. 2,296 words in 15 days- that not a lot, but I want it to be RIGHT. Plus, I'm just stretching the old muscles, getting back in shape for the brutal long haul that lies ahead. The sustained creative heavy lifting required to write a book makes writing the lyrics for an album look like preschool finger painting. Plus, if what you're doing is turning out shitty, you can't just blame the rest of your band. (sorry dudes)

"Most books on writing of are bullshit, collections of pointless 'exercises' from people who haven't sold any other books of their own (I should know, I've bought most of them.) No book on earth is gonna turn you into a good writer. There is no magic pill. Just like playing music, shooting photos, or pursuing any other creative endeavor- the ONLY way to find out if you're any good is to DO IT. You gotta write, & the hardest part of writing is sitting your ass down to do it, & then repeating that process day after day after day."

In 2012, Blythe was arrested in the Czech Republic and charged with manslaughter for allegedly pushing a 19-year-old fan offstage at a show two year prior and causing injuries that led to the fan's death. Blythe spent 37 days in a Prague prison before ultimately being found not guilty in 2013.

Blythe's prison experience inspired two songs on LAMB OF GOD's 2015 album "VII: Sturm Und Drang": "512", one of his three prison cell numbers, and "Still Echoes", written while he was in Pankrac Prison, a dilapidated facility built in the 1880s that had been used for executions by the Nazis during World War II. It also led him to write the aforementioned "Dark Days", in which he shared his whole side of the story publicly for the first time.

On Thursday, November 17, SKID ROW performed the song "The Gang's All Here" at Avicii Arena in Stockholm, Sweden as part of a special event celebrating 100 years of Swedish ice hockey. During the "Tidernas Hockeygala" event, Swedish ice hockey's great successes was celebrated, classic moments were revisited and the greatest heroes of hockey history were honored. In addition, a specially composed jury consisting of former players/managers as well as journalists selected prestigious awards.

SKID ROW's participation in the event was first announced by the band's Swedish-born singer Erik Grönwall on November 10 via his social media. Erik, who joined the band in January, shared a photo of SKID ROW's current lineup, and he included the following message: "These guys will be flying to Sweden to perform a song at Avicii arena on November 17th to celebrate 100 years of Swedish hockey. @officialskidrow played there with @gunsnroses back in the day and I won Swedish Idol in that same arena. Another full circle. The show will be aired live on @svt".

Grönwall went from auditioning for the competition show "Swedish Idol" back in 2009 by singing a cover of "18 And Life" to being asked to front SKID ROW earlier this year.

Erik, who was diagnosed with acute lymphoblastic leukemia in March 2021, reflected on his journey in a recent interview with 80's Metal Recycle Bin. He said: "I wouldn't call myself a religious man [laughs], but I would call myself… After all of this, I'm way more spiritual. I'm, like, 'Okay, who planned this?' I was on my way to a completely different life [before my diagnosis], but it was kind of like someone just nudged me.

"I was scrolling on Instagram a couple of days ago and I just saw a post, and it was a text saying, 'I'm sorry I had to make you uncomfortable, but I had to make you move. God.' And I was, like, 'Oh, fuck, man.' [Laughs] That's what it feels like.

"I'm not sure if everything happens for a reason, but that's the only way I can explain this — getting leukemia, then ending up in my favorite band," he continued.

"When I was on stage in [Las] Vegas [with SKID ROW in March and April], I was interacting with the audience, and I told them that, 'Do you know how amazing it feels to be here singing the song that started your career?' 'Cause '18 And Life' was the song I auditioned with for the 'Idol' show; that's what got me on 'Idol'. And I told them, 'Do you know how it feels to be here on stage with your favorite band of all time singing the song that started your career?' And someone commented on it, and it was, like, 'Did he just quote the 'Rock Star' movie script?' And I was, like, 'Yeah, I didn't even think about that, but it's that movie," he said, referencing the film in which an average kid from Pittsburgh gets tapped to be the new lead singer for his favorite heavy metal band. "So it's kind of like a movie script.

"It's just incredible," Erik added. "I'm still trying to process it. It feels like I've been in the band for two years. It's been four months. We've done, like, 30 shows in four months. We recorded an album. We started working on a new album. We recorded a music video. Everything has been happening so fast. It's overwhelming in so many ways."

Erik also credited his wife with providing him with the emotional strength and support that he needed through his ordeal.

"I wanna say my wife has been incredible this whole journey, especially during the treatments, 'cause when I was ready to give up, she was, like, 'Hey, you're not giving up now. You've got so many people that love you and need you in their lives.' She was tough," he recalled. "And I needed that. So I was, like, 'Yeah, I know.' And I can mention I also have a two-and-a-half-year-old son at home. So that was really, really tough — coming back from the hospital and seeing him. That was my weak spot. She really helped me a lot, and she's very understanding. And obviously, when you have this kind of lifestyle, you need someone who really understands that lifestyle and supports it. And it's kind of a selfish lifestyle in many ways. But she totally gets it, and she's got my back."

Grönwall, who was a member of the Swedish hard rock band H.E.A.T. for nearly a decade before exiting the group in October 2020, announced in September 2021 that he was cancer free after receiving a bone marrow transplant one month earlier.

"There's been a lot of tears, and I still get emotional now talking about this," Erik said. "I think I'm done with the crying [laughs] — I think — but somehow I feel grateful that I went through all of this, 'cause it gave me a lot of perspective. I'm 34, and I just feel like I've gotten a lot of perspective on things.

"Being in this business, you see a lot of comments, and you've gotta be tough in many ways," he explained. "And back in the H.E.A.T. days, negative comments could really get to me. Now I'm just, like, 'Dude, I don't care.'

"I'm so happy to wake up every day above ground. It's, like, 'Shit, I get another day? What am I gonna do with this day?'

"I was happy before SKID ROW," Erik added. "I am very happy in SKID ROW. Everything is temporary. I will be happy after SKID ROW. I'm just happy. I've got perspective, and I'm just happy to be alive. And I'm gonna keep singing until this voice can't sing anymore."

Grönwall sang on H.E.A.T.'s last four studio albums — "Address The Nation" (2012),"Tearing Down The Walls" (2014),"Into The Great Unknown" (2017) and "H.E.A.T II" (2020).

In September 2021, Grönwall released his new cover version of "18 And Life" via all streaming platforms.

In 2018, Grönwall debuted in the U.S. for 10 million viewers in NBC's live broadcast of Andrew Lloyd Webber's and Tim Rice's musical "Jesus Christ Superstar". Along with John Legend, Alice Cooper, Sara Bareilles and others, Erik played the key role of Simon Zealotes.

This past January, Grönwall told Headbangers Lifestyle about beating cancer: "Some anonymous wonderful human being somewhere in the world donated his/her blood cells so that I could get a second chance at life. Sometimes I can just get tears in my eyes when I think about it. It's so beautiful that one person who is not connected to me in any way wanted to do that for me. He/she doesn't know that the blood cells were for me. It's completely anonymous."

In late March, SKID ROW released its first single with Grönwall, "The Gang's All Here". The song is the title track of the band's latest album, which arrived on October 14 via earMUSIC.

SKID ROW played its first show with Grönwall on March 26 at Zappos Theater at Planet Hollywood Resort & Casino in Las Vegas, Nevada as the support act on the rescheduled dates for SCORPIONS' "Sin City Nights" residency.

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