Stockholm, Sweden's Metalite will release their new live EP, Live At Sweden Rock Festival 2022, on October 28 via AFM Records.
The first single from the EP, "We Bring You The Stars", is available Friday. Pre-save here, watch the official video below, and stay tuned for updates.
Swedish death metallers, Defleshed, have set October 28 as the release date for their new full-length, Grind Over Matter. For a first preview of the album, a new video (directed by Magnus Ewald) for the single "Grind Over Matter" can be viewed below.
Gustaf Jorde comments: "We're excited to present the first song off our first album in 17 years - 'Grind Over Matter'! Together with Lawrence Mackrory we've worked hard to produce an audial bitch slap for all of us who need one from time to time. Enjoy the madness - fast forward to the front!"
Grind Over Matter was tracked at Rorysound Studios, Uppsala, Sweden, with Lawrence Mackrory, with two weeks devoted to drums, another two for guitar and bass and two three-day sessions for vocals. "It was pretty straightforward, the hardest part was to not get carried away by impulsive ideas too much, but stay put to the original plan," says Jorde.
Grind Over Matter can be pre-ordered here in the following formats:
- jewelcase-CD
- 180g black vinyl
- ochre brown marbled vinyl (EU exclusive - limited to 300 copies)
- gold black splatter vinyl (EU exclusive - limited to 300 copies)
- gold silver splatter vinyl (EU exclusive - limited to 300 copies)
- blood splatter vinyl (EU exclusive - limited to 300 copies)
- clear red brown w/black swirls vinyl (Sound Pollution Sweden exclusive - limited to 300 copies)
- smoky grey w/black swirls vinyl (US exclusive - limited to 700 copies)
Tracklisting:
"Bent Out Of Shape"
"Grind Over Matter"
"One Grave To Fit Them All"
"Heavy Haul"
"Dear Devil"
"Staring Blind"
"Blood Well Spent"
"Unburdened By Genius"
"Behind Dead Eyes"
"Blast Beast"
"Last Nail In The Coffin"
"Grind Over Matter" video:
Defleshed lineup:
Gustaf Jorde - vocals/bass
Lars Löfven - guitars
Matte Modin - drums
Frontiers Music Srl will release Perfect Plan's third studio album, Brace For Impact, on October 14. Over the course of their first two albums, All Rise and Time For A Miracle, the Swedes have quickly established themselves as a new gold standard in not only the Scandinavian melodic rock genre, but the melodic rock genre as a whole. Brace For Impact does nothing to slow that momentum and fans should do exactly as the album's title says in preparation for their latest opus.
Watch the new video for the single "Can't Let You Win" below, and pre-order/save Brace For Impact on CD/LP/Digital here.
The band will appear live and play songs from their new album as well as their two previous releases on October 8 at Slaktkyrkan in Stockholm for Frontiers Rock Sweden. Labelmates Treat, Art Nation, Seventh Crystal, Wildness, and Fans Of The Dark will also be playing. Tickets are now available and can be purchased here.
Asked about the musical direction of the album, vocalist Kent Hilli says, "Well, hard question...we didn’t think too much about that when we started writing as we want everything to come naturally to us. All we focused on and wanted to do was to write really great melodic rock songs with great riffs and melodies. But I think we have more ”rockers” on this album than before. I would say that it's melodic rock in general, but maybe slightly harder than our previous albums. But much like our second album, Time For A Miracle, we have a great mixture between hard rock, melodic rock, and AOR in there...and some songs even have some elements of progressive rock and some bluesier elements mixed in also. And we have just one ballad on this album. Our goal when writing an album is that it should feel like playing songs on a jukebox and I think we have succeeded with that on this album. Everything sounds like Perfect Plan 3.0, really! I think we have definitely pushed everything up a notch from songwriting and lyrics to arrangements and overall performance and sound. With the addition of the great Tobias Lindell who does the mixing…everything sounds really big and majestic I think!"
Sometimes the stars align and create a perfect balance of talent within a group. A band like Perfect Plan is the “perfect" (pun intended) example of that: a superb singer, a well-oiled band of experienced players, and a great songwriting talent with a knack for unforgettable melodies and driving rhythms. Add to that the right single released at the right time and Perfect Plan’s emergence as immediate rising stars on the melodic rock scene is no surprise. The song that “built” their reputation is of course the awesome “In and Out of Love,” the first single/video that kicked off the promotion of the band’s 2018 debut album All Rise, released on Frontiers in April of that year. The band followed their debut album with the sophomore release Time For A Miracle in 2020. Hyperbole aside, it was a major step forward across the board. Opting for a slightly heavier and more “in your face” sound, Perfect Plan matured and created an outstanding balance of melodies and energy, with the obvious references to the sound of the classics (think Foreigner, Survivor, The Storm, Giant, etc.) and Scandinavian AOR with a recognizable and personal feel.
Brace For Impact tracklisting:
"Surrender"
"If Love Walks In"
"Can’t Let You Win"
"Gotta Slow Me Down"
"Stop The Bleed"
"My Angel"
"Devil’s Got The Blues"
"Bring Me A Doctor"
"Still Undefeated"
"Emelie"
"Walk Through Fire"
"Can’t Let You Win" video:
"Surrender" video:
"If Love Walks In":
Lineup:
Kent Hilli - Lead vocals
Rolf Nordström - Guitar
Leif Ehlin - Keyboards
Fredrik Forsberg - Drums
Mats Byström - Bass
Back in August, Me And That Man - the folk outfit fronted by Behemoth's Adam "Nergal" Darski - played upon the W:E:T Stage at the 2022 edition of Germany's Wacken Open Air festival.
With "My Church Is Black" they opened their first appearance at the festival. Watch below:
New York death metal pioneers, Suffocation, performed at the 2022 edition of Belgium's Alcatraz Metal Festival on August 14th. Professionally-filmed video of the band's full set can be found below.
Setlist:
"Liege of Inveracity"
"Effigy of the Forgotten"
"Catatonia"
"Thrones of Blood"
"Pierced From Within"
"Clarity Through Deprivation"
"Funeral Inception"
"Bind Torture Kill"
"Infecting the Crypts"
The new Delain line-up features founder / keyboardist Martijn Westerholt, vocalist Diana Leah, original guitarist Ronald Landa, original drummer Sander Zoer, and bassist Ludovico Cioffi.
Their first new single, “The Quest And The Curse”, features rademark bombastic riffs, lush orchestrations, elements from film music, metal, pop, electronic; an amalgamation of the old and new, and build the next chapter of the band's history. In honor of the single's one month anniversary, Delain have shared a piano version of the song. Check it out below.
On August 27th, Delain's new line-up payed their first official live show at the Riverside festival in Aarburg, Switzerland. Fan-filmed video is available below.
The setlist on the night was as follows:
"Hands of Gold"
"Suckerpunch"
"Go Away"
"Burning Bridges"
"Invidia"
"The Quest and the Curse"
"April Rain"
"Sing to Me"
"Stay Forever"
"The Hurricane"
"The Gathering"
"Don't Let Go"
"Fire with Fire"
"Not Enough"
"Creatures"
"Mother Machine"
"Pristine"
Swiss multi-talent Seraina Telli has released a video for for "Modern Warrior", the first single from her forthcoming solo debut, Simple Talk, set for international release on October 21st via Metalville Records. Check it out below.
The former frontwoman of Burning Witches combines everything that the modern rock world urgently needs: great songwriting, vocal power, musical versatility, artistic depth, and a really strong attitude. Coupled with her authenticity, Seraina Telli is the ideal mixture of power woman and promising artist.
The charismatic Swiss singer leaves a lasting impression, visually and musically. Her music is as colorful and varied as her hair colors, one of her typical distinguishing features. The multi-talent is reluctant to be tied to one style, as her previous musical career shows. As the former frontwoman of the Swiss heavy metal band Burning Witches, she shook the stages of major rock festivals such as Bang your Head and Leyendas del Rock for four years.
Now the time is ripe for her solo project, named after herself: Seraina Telli.
"I am what I am, and that's just right!" This message is very important to Seraina Telli. She wants to motivate other women in particular to believe in themselves, to be completely with themselves and, above all, to stay that way.
Colorful, loud, different, and above all, unique With a style of music that "straight in your face rock" couldn't describe better.
Tracklist:
"Modern Warrior"
"I’m Not Sorry"
"Take Care"
"I Dare To"
"Remedy"
"Soldier Of Fortune"
"G.E.B."
"Dreamer"
"Not One Of Your Kind"
"Fever"
"Remember You"
"Medusa"
Line-up:
Seraina Telli - vocals, guitar
Alice Lane - bass
Rico H. - drums
The Clash Of The Titans tour began in the fall of 1990 with a three-week European leg featuring Megadeth, Slayer, Testament and Suicidal Tendencies, promoting their then-current albums Rust In Peace, Seasons In The Abyss, Souls Of Black and Lights...Camera...Revolution! respectively.
A second leg in 1991 in the United States and Canada had a slightly different lineup: Megadeth, Slayer and Anthrax headlined, and Alice In Chains supported; while Megadeth and Slayer were still promoting their respective albums Rust In Peace and Seasons In The Abyss, Anthrax was supporting their fifth studio album Persistence Of Time and Alice In Chains was touring behind their debut album, Facelift.
Alice In Chains was not originally on the bill for the US tour. According to the documentary Get Thrashed, Death Angel was to be the supporting act however, after a near-fatal tour bus crash, they were forced to bow out.
Sepultura was also mooted for the tour, but, according to then-frontman Max Cavalera, "got kicked out", and instead embarked on the New Titans On The Block tour with Sacred Reich, Napalm Death and Sick of It All.
Anthrax guitarist Scott Ian stated in an interview with Guitar World that they wanted Pantera as the opening act of the Clash Of The Titans tour. Other bands, such as Exodus, Vio-lence, Kreator and Obituary, also reportedly declined to take part in the tour as the opening act.
Menza Nation has shared a "micro-documentary" of the tour featuring a compilation of interviews and news reports. Check it out below.
Frontiers Music Srl will release the self-titled debut album from melodic rock band, About Us, on November 11. Watch a video for the new single, "Gimme Gimme", below, and pre-order/save the album here.
About Us hail from Nagaland, India, and more specifically from a district in the state of Nagaland called Wokha (‘Land of Plenty’). The band first formed in the winter of 2019, with the members having spent the last 15 years or so in different bands and projects before coming together. Their collective musical taste runs the gamut from AOR, hard rock, metal, and more, with all of these varied influences reflected on their debut album.
Tracklisting:
"Right Now"
"Gimme Gimme"
"Lead My Heart"
"Our Fairyland"
"Loaded Love"
"Rock On Top"
"Rise"
"Golden Troops"
"Open Your Heart"
"Love And Affection" (Bonus Track)
Poland's extreme metal overlords BEHEMOTH have revealed their latest visual feast, "Opvs Contra Cvltvram", a streaming event shot on the roof of Warsaw's renowned Palace Of Culture And Science. This landmark event heralds the arrival this Friday, September 16 of the band's epic 12th studio album, "Opvs Contra Natvram".
BEHEMOTH's leader and artistic alchemist Adam 'Nergal' Darski comments: "Legions! We have gathered atop Poland's infamous Palace Of Culture to perform four brand new tracks from our record 'Opvs Contra Natvram', released this Friday!
"For a long time, BEHEMOTH have been censored and pursued by the Catholic Church at the behest of our fascist government. This performance, with the backdrop of this building, represents a monumentous middle finger to those pigs and another for Joseph Stalin and his Soviet circle jerk. Viva Freedom!"
The band's upcoming 12th studio album is a stark reminder of the rebellion, individuality and unflinching self-expression that BEHEMOTH's phenomenal work imbues, shaped by a literary worldview. It also reflects a musical evolution, as there's little doubt that "Opvs Contra Natvram" is BEHEMOTH's strongest and most sophisticated musical collection to date.
BEHEMOTH are not only the creators of Poland's extreme metal scene, but they are masters of their vision and showcase what a band can achieve when the brakes are off. With "Opvs Contra Natvram" they have created 10 fresh chapters, created at a very strange time for the world. Their goal to create something new, something that doesn't sound like anything that has gone before, was an ambitious one.
As with previous studio outings, "Opvs Contra Natvram" was produced by BEHEMOTH, with mixing by studio legend Joe Barresi (NINE INCH NAILS, TOOL, QUEENS OF THE STONE AGE, ALICE IN CHAINS).
"Opvs Contra Natvram" features twin cover art available in both black and white and will be released in an array of physical formats designed by Bartek Rogalewicz (Lodge.Black),certain to thrill collectors of limited editions.
IRON ALLIES, the new band featuring former ACCEPT members Herman Frank and David Reece, has released the official music video for the title track of its debut album, "Blood In Blood Out". The LP will arrive on October 21 via AFM Records.
Last month, IRON ALLIES released its first single, "Full Of Surprises". At the time, Frank stated about the track: "The unusual triplet beat, the guitar work I can put my soul into, combined with David's distinctive voice that is always full of melody and never just screaming — this surprising mix serves as the perfect appetizer for our album."
A third single/video, "Destroyers Of The Night", will also be made available.
Frank comments: "This record cannot be compared to anything David or I have produced in our past. It's at the same time standing on its own, while sounding like it came from the one and the same mold. You could say: the two of us have sought and found each other."
Although these two exceptional musicians had known each other for a very long time, sparks really started to fly during Frank's visit to Piacenza, Italy, where the American-born Reece has been living after marrying an Italian woman.
"We hit it off right away because David — like me — is not only an old warhorse, but a total music lover," Herman says. "It's only with this unswerving passion for music that you can last as long as we have in this shark tank.
"I love David's voice, that unique blend of metal, rock and blues. Also, he's an awesome lyricist and as a U.S.-American he obviously has a much greater range of vocabulary than non-English-speaking singers."
"In a way, 'Blood In Blood Out' is the motto of IRON ALLIES," Herman explains. "This band was formed as a blood brotherhood, and no one gets out of here without shedding blood.
"Blood In Blood Out" was recorded at Horus Sound Studio in Hannover, Germany with co-producer Arne Neurand. Joining Frank and Reece on the IRON ALLIES album, which was mixed and mastered by Dennis Ward, are drummer Francesco Jovino (U.D.O., PRIMAL FEAR, VOODOO CIRCLE, JORN),bassist Malte Burkert and rhythm guitarist Mike Pesin.
Frank says: "We left nothing to chance. All positions were perfectly cast."
IRON ALLIES are more than sure that this concept will also convince concert organizers, tour promoters and especially their fans. Because, as Frank puts it, "People love strong characters. They want to see real men, not little boys. IRON ALLIES is made up of old-school knights and 'Blood In Blood Out' provides the perfect soundtrack for that."
Last October, Reece discussed his collaboration with Frank in an interview with the "Heavy Metal Mayhem" radio show. He said: "The ironic thing about Herman and I, we played festivals many times and not even met each other. And here we are, part of the same band and their history. And we would miss each other by, like, two minutes. We always wanted to see each other, but something came up [and] we never really got to meet. So Herman and I started talking, and we said, 'Yeah, let's put a band together. Who do you wanna get?' We talked to [drummer] Mike Heller from FEAR FACTORY a few times, and that didn't really work out. And then I said, 'I've got Francesco Jovino, dude, on my [solo] album. This guy is a beast.' So then we got the band together."
Regarding the musical direction of IRON ALLIES, Reece said: "It's got some of those elements of old [ACCEPT circa] 'Restless And Wild'. It's got Dave's voice — [as heard on my solo albums] 'Cacophony [Of Souls]' and 'Blacklist [Utopia]'. It's ripping shit, man. I'm really excited about it."
According to Reece, part of the motivation for putting IRON ALLIES together is the negative publicity surrounding their respective departures from ACCEPT. "They badmouth him, they badmouth me, there was this back-and-forth all the time, and then [Herman] said, 'You know what? Screw it. I'm gonna call David Reece,'" David explained. "And I'd never really talked to him. He just came down to Italy about two weeks ago, and we got to actually meet face to face. We went out to a great dinner, hung out for about six hours. He was just driving around Europe, relaxing, 'cause he had just finished another VICTORY album and his solo album, so he needed a break."
David said that he was excited about the prospect of hitting the road with a seasoned veteran like Herman.
"This is a band of guys who have been around and done it all," he said. "So we're not gonna have that, 'Oh, I don't wanna go there. Do we have to get up so early?' We know what we've gotta do. We've gotta travel and we've gotta rock."
"Blood In Blood Out" track listing:
01. Full Of Surprises
02. Blood In Blood Out
03. Destroyers Of The Night
04. Fear No Evil
05. Evil The Gun
06. Martyrs Burn
07. Blood On The Land
08. Nightmares In My Mind
09. Selling Out
10. Freezin'
11. Truth Never Mattered
12. We Are Legend (You And I)
Herman joined ACCEPT in 1982 shortly before the release of the band's "Restless And Wild" album and exited the group for the first time after the arrival of 1983's "Balls To The Wall" LP.
When ACCEPT reunited for festival appearances in 2005, Herman handled second-guitar duties alongside founding axeman Wolf Hoffmann, with Stefan Schwarzmann sitting behind the kit.
Frank and Schwarzmann were involved in ACCEPT's comeback with singer Mark Tornillo and appeared on the reunited group's first three studio albums: 2010's "Blood Of The Nations", 2012's "Stalingrad" and 2014's "Blind Rage".
Two years ago, Herman told All That Shreds about his decision to exit ACCEPT in December 2014: "It was just time to leave the band. Let's put it this way: I wanted to do music the way I started to. I wanted to have my own band. I wanted my own music and just wanted to just play my own leads. Not to follow somebody's guitar. I was getting too old for it. It's fine to be a backup, but after a couple of years, it's time for a different thing."
Reece was recruited for ACCEPT's "Eat The Heat" LP in 1989 following the departure of Udo Dirkschneider. Reece's higher-pitched delivery was in sharp contrast to Dirkschneider's distinctive style, and overall, the album was a critical and commercial disappointment. Midway through the "Eat The Heat" tour, differences between the band and Reece had come to a head, leading to the altercation between the singer and bassist Peter Baltes in Chicago. By the end of 1989, ACCEPT had hung it up.
David spoke about the circumstances that led to his dispute with the bassist during an interview with Metalliluola. He explained: "Peter had told my girlfriend I was having an affair. And I asked him, 'Did you tell her?' And he said, 'Yes.' So I slapped him. That ended it. It was bad before that, the communication. Ticket sales weren't good. We were opening for W.A.S.P."
He continued: "I think they really thought that getting the American [singer] in, they were gonna break the United States. But ACCEPT aren't really huge in America, like [in Europe]. That's why they hired me — they wanted a change. And the tour was going kind of slow. We did a headline tour first in the States, [playing in the] clubs. That was good. And then we went out with W.A.S.P. and METAL CHURCH, and it was half[-filled] rooms. So they were feeling the stress of that, and the communication was bad. So it was building."
David went on to say that he is sorry for assaulting his former bandmate. "Peter and I are friends now," he said, adding that "it was a bad decision" that was made while he and the rest of the group were under "a lot of stress. Being in a band, it can be a lot of drama. He had no right to tell her, and I had no right to slap him. So, I regret it."
Italian heavy rockers LACUNA COIL have released the official Trilathera-directed music video for a new version of their song "Swamped". The new version of the track will appear on "Comalies XX", a "deconstructed" and "transported" version of LACUNA COIL's third album, "Comalies", which will be made available on October 14 via Century Media Records.
Back in 2002, LACUNA COIL released an album which is now undeniably an anthem-laden millennial classic that established them as a band with the stamina to go the distance. Now, 20 years later, the current lineup of LACUNA COIL decided to revisit the songs, but not to just re-record them as they were but deconstruct and transport them into 2022.
"This is not a reboot or a spin-off or anything like that," says LACUNA COIL vocalist Cristina Scabbia. "We just wanted to give these songs a 2022 dress and see how this guy or girl who was born 20 years ago would still look fucking slick in 2022."
"Comalies XX" track listing:
CD 1:
01. Swamped XX
02. Heaven's A Lie XX
03. Daylight Dancer XX
04. Humane XX
05. Self Deception XX
06. Aeon XX
07. Tight Rope XX
08. The Ghost Woman And The Hunter XX
09. Unspoken XX
10. Entwined XX
11. The Prophet Said XX
12. Angel's Punishment XX
13. Comalies XX
CD 2:
01. Swamped
02. Heaven's A Lie
03. Daylight Dancer
04. Humane
05. Self Deception
06. Aeon
07. Tight Rope
08. The Ghost Woman And The Hunter
09. Unspoken
10. Entwined
11. The Prophet Said
12. Angel's Punishment
13. Comalies
As previously reported, LACUNA COIL will celebrate the 20th anniversary of "Comalies", by performing it in its entirety at a one-night-only concert on Saturday, October 15 at Fabrique in Milano.
"Comalies" was originally released on October 29, 2002 through Century Media Records. The LP, which featured the band's breakthrough single "Heaven's A Lie", has reportedly gone on to sell over 300,000 copies in the United States alone.
Regarding the "Comalies" title, Scabbia said: "[During the album's recording], we had a sort of creative explosion. We were working in a coma, sort of like in a different dimension. First of all we just wanted to use the word 'coma' but there was something missing so we played with the two words coma and lies."
The "Comalies" song "Swamped" is available as a downloadable track for the music video game series "Rock Band" and also appeared in the 2004 video game "Vampire: The Masquerade – Bloodlines".
LACUNA COIL played its first show in front of an audience in more than two years on April 7 as the support act for APOCALYPTICA at the Masquerade in Atlanta, Georgia.
Prior to the Atlanta concert, the last time LACUNA COIL played together was at the group's special September 2020 livestream event where the bandmembers performed their latest album, "Black Anima", in its entirety with no audience in attendance at the Alcatraz Club in Milan, Italy. That show was released as a live album, "Live From The Apocalypse", via Century Media.
LACUNA COIL hadn't played in front of a crowd since the completion of the band's South American tour in February 2020.
In June 2021, Scabbia told Revolver that she and her bandmates didn't use the coronavirus downtime to work on new music. "We didn't want to force the fact that because we were home, we had to write music," she explained. "We always thought that to write music, you need to be inspired. And inspiration comes from the outside, comes from experiences that you have, things that you live. At least this is valid for us.
"Everything we do in a regular life, in a normal life enriches us and gives us input that we can put in our music," she said. "And also we like to write together. So, if Marco [Coti Zelati, bass] creates the basis of the music together with the other musicians in the band, then Andrea [Ferro, vocals] and I jump in with the lyrics and vocal lines. But we do that together. We need to enter in songwriting mode. So we didn't really like the fact that we had to write separately just because we have to put a record [together] because it's quarantine. Now we are starting to collect ideas 'cause we feel a little bit happier."
Scabbia continued: "We didn't want anything connected to the negativity of the pandemic… That's why I used my time to do something completely different. Because I know that what I did that it's completely different from what I usually do will make me start again to do what I did before with passion — with the same passion. I was just afraid that if I would have used all the downtime making music when I didn't really want to, it would have had a negative influence on me. And it would have been, like, 'I really don't want to do that.' And I also wanted to prove to myself that, yeah, music is main passion. I love what I do for a living, and I hope that I can do it until the day I die. But I also wanted to show myself that I can be capable of doing something else as well."
Butcher Babies performed upon the Ronnie James Dio Stage at the 2022 edition Bloodstock Open Air 2022. Professionally-filmed footage of the band performing "Monsters Ball" can be viewed below:
Las Vegas-based, dark rock/pop/industrial artist, rue vox, recently teamed up with Butcher Babies frontwoman, Heidi Shepherd, on her single, "Bitch Don't Come For Me". With the music video produced and directed by Shane O'Neal, and cinematography by Deed Debruno, "Bitch Don't Come For Me" was produced by Brian Steele Medina (Gemini Syndrome) and features Henry Flury (Butcher Babies) on guitar.
Click here to purchase/stream "Bitch Don't Come For Me". Watch the music video below.
Wolfheart unleashes the ice age on the melodic death metal scene with their blazing third single, “Cold Flame”, cut from their upcoming full-length, King Of The North, out this Friday, September 16 via Napalm Records.
King Of The North continues right where their last two releases - Wolves Of Karelia (2020) and the Skull Soldiers EP (2021) - left off, taking every aspect of their trademark blend of colossal melodies, earth-shaking vocals, gripping lyricism and driving rhythms to searing new levels. The new album manifests Wolfheart at the top of their genre - millions of streams on Spotify alone prove that they are here to stay.
“Cold Flame” showcases Wolfheart’s trademark melodic death metal sound at artistic levels never heard before, featuring none other than icon Karl Sanders of legendary extreme metal group, Nile.
Wolfheart’s Tuomas Saukkonen about “Cold Flame”: “’Cold Flame’ is deep diving trip into the mythology behind the northern lights. The mystic phenomenon that has been enchanting people in the nordic realm for ages. Cold and grandiose are words to describe both the stories behind the lyrics and the music itself. Monstrous growls from Karl Sanders were a cherry on top of a cake to rise the song into a new level."
Each song on King Of The North is dedicated to a different story of Finnish mythology – underlined by Wolfheart’s grand, crushing songwriting and production. “The King”, for instance, tells the tale of the forest god with horns and pianos accompanying heavy guitar riffs and solos, before raising the energy levels once more on the relentless “Cold Flame” featuring Karl Sanders of legendary extreme metal group Nile. King Of The North is a true masterpiece of melodic death metal, crafted with loads of attention to detail and intricate mythology-driven storytelling – showcasing Wolfheart at never-before-heard artistic levels!
Tuomas Saukkonen about King Of The North: "After Wolves of Karelia it made a lot of sense to continue writing thematic albums, but this time I wanted to travel a lot further in history than 2nd world war and went straight to the tales about creation of nordic world, ancient gods of north and the majestic nature. The colorful theme also inspired me to write the musically most diverse Wolfheart album and also bring the biggest variation of vocals than ever before, putting Lauri and Vageliss in their well-earned spotlight."
King Of The North will be available in the following formats:
- LP Gatefold Vinyl Black
- LP Gatefold Vinyl Die-Hard Edition Marbled Crystal Clear/Black + Poster + Slipmat (limited to 300)
- LP Gatefold Vinyl Marbled Orange/Yellow
- CD 6-page Digisleeve
- Digital album
P.O.D. frontman Sonny Sandoval joined EVANESCENCE on stage this past Tuesday (September 13) at Spokane Arena in Spokane, Washington to perform EVANESCENCE's breakthrough 2003 hit "Bring Me To Life". Video of his appearance can be seen below.
Last month, "Bring Me To Life" experienced a resurgence 19 years after its original release. The song, which initially reached No. 5 on the U.S. Billboard Hot 100 and was EVANESCENCE's first U.K. No. 1 single, landed at No. 1 on the U.S. iTunes chart.
This past February, EVANESCENCE's music video for "Bring Me To Life" surpassed one billion views on YouTube. The Philipp Stölzl-directed clip, which was uploaded to YouTube in December of 2009, was filmed in Romania in January 2003. It features singer Amy Lee in a night gown and barefoot, in her room, inside a tall building in the city at night. The rest of the band is playing on a higher floor of the building.
The album version of "Bring Me to Life" — which featured guest vocals from Paul McCoy of 12 STONES — was included on the soundtrack of superhero film "Daredevil".
Stölzl previously stated about the video: "On the one hand, it brings out the most catchy part of the song, the bridge, the duet with the male and female vocals. On the other hand, it reflects the ['Daredevil'] soundtrack background of the song. I did not know if I would have to use a stunt double for most of the angles, which would have restricted me a lot, but then it turned out that Amy did everything herself, hanging on Paul's arm for hours without getting tired. In the end, she is the one who made that shot strong."
Last year, Amy spoke to Germany's Sonic Seducer about the lyrical inspiration for "Bring Me To Life".
"I remember what I wrote 'Bring Me To Life' about, because I wrote it about my current husband before we were married," she said. "There was this moment — I was in a tough place and in a bad relationship. And my husband now, Josh, at the time was just a friend and a person that I barely knew; it was maybe the third or fourth time we'd ever met. And we went in to go grab a seat at a restaurant while our friends parked the car. And we sat across from each other, and he looked at me and he just said, 'So, are you happy?' And it took me so off guard, and I just felt like it pierced my heart, because I felt like I had been pretending really well, and it was, like, somebody could see through me. And then that whole first verse came out of it: 'How can you see into my eyes, like open doors.' It really made me feel and recognize the sense of yearning that I had to get to a better place. And it really kind of set me out on a journey. And it's amazing that that became the song, the first song that broke us on to the scene and made everyone hear of us, because it was about something — I don't know — something so personal that I was recognizing in my life."
In March 2021, Lee told Alternative Press that EVANESCENCE's original record label Wind Up threatened not to release the group's debut album, "Fallen", if she and her bandmates didn't add a male voice to lead single "Bring Me To Life" to make it more palatable for radio.
"Fallen" sold 17 million copies and won two Grammys, including "Best Rock Performance" for "Bring Me To Life".
Swedish/American metallers IN FLAMES will release their fourteenth studio album, "Foregone", on February 10, 2023 via Nuclear Blast. The LP will feature the two songs IN FLAMES released earlier this year, "State Of Slow Decay" and "The Great Deceiver".
IN FLAMES frontman Anders Fridén states: "Going into the 'Foregone' sessions, we wanted to make a record that was heavily guitar-driven, and that had a strong foundation between the bass and drums. We still approached our songwriting the same way, as we always have, as a juxtaposition between melody and aggression. That's the DNA of our music. From the lyrical end of things, there was no shortage of inspiration to draw from, especially the concept of time."
He continues: "Humanity as a whole was forced to slow down and take breather. In that break, many of us spent time evaluating and reprioritizing. Time is a constant, but what do we do with it and how we perceive it varies. Especially now looking at where the world seems to be headed faster than ever before."
Fridén concludes: "It's crazy that after everything we are still here and on our fourteenth album. I feel that we've found a great balance between the past, the present and the future with 'Foregone'. This is a new era of IN FLAMES!"
IN FLAMES has also shared the visualizer for "Foregone Pt. 1". The clip was created by Oleg Rooz and can be seen below. The Ukrainian graphic designer used groundbreaking AI technology to create the visuals. As one of the first bands relying on AI for a music video, IN FLAMES remain on the cutting edge.
"I thought that everything we've been through these past few years would be a reminder that life is precious, and that time is not on our side," offers Fridén. "Unfortunately, I feel that we've woken up in a world that's more hostile and bleak than ever before. The clock is ticking and the countdown has begun…"
"Foregone" features artwork designed by Blake Armstrong.
"Foregone" track listing:
01. The Beginning Of All Things That Will End
02. State Of Slow Decay
03. Meet Your Maker
04. Bleeding Out
05. Foregone Pt. 1
06. Foregone Pt. 2
07. Pure Light Of Mind
08. The Great Deceiver
09. In The Dark
10. A Dialogue In B Flat Minor
11. Cynosure
12. End The Transmission
Fridén recently spoke to MoreCore.TV about IN FLAMES' upcoming album. Asked if the LP's first single, "State Of Slow Decay", is a good representation of what fans can expect from the record, Anders said (as transcribed by BLABBERMOUTH.NET): "IN FLAMES has always been about melody and aggression. The short answer is yes, but it's not gonna be all fast. We try to explore all corners of metal with our music. Let's put it like this: if you're a fan of IN FLAMES, then you will love this album."
Elaborating on what fans can expect from the upcoming IN FLAMES album, Anders said: "This is the fourteenth album. So if you know IN FLAMES, you know sort of what you're gonna get. But I think this is a good mix of the past, the present and wherever we're going, and [it] has a little thing for everyone; it has the heavy, it has the melodic, it has the uptempo and the slow parts. I think it's amazing, and it really represents who we are at this time."
Asked if the pandemic influenced the songwriting process for the new IN FLAMES effort, Anders said: "Well, in a certain way. Lyrically, for sure. I thought this two-year break would make us see us who we are as people and maybe come out on the other side being a little bit more nice and gentle and with more understanding, but I think it's the opposite. So it definitely inspired the lyrical side.
"Of course, a break like that, it's a pause, so when you get back into it, maybe unintentionally you have more energy across the board, [and] with the music as well," he explained.
IN FLAMES performed "State Of Slow Decay" — which was produced by Howard Benson, mixed by Joe Rickard and mastered by Ted Jensen — live for the first time on June 10 at the Sweden Rock Festival in Sölvesborg, Sweden.
This past March, guitarist Björn Gelotte confirmed that IN FLAMES' upcoming album was once again recorded with Grammy-nominated producer Benson and Howard's longtime engineer Mike Plotnikoff.
In early July, Fridén told Chaoszine about the songwriting process for the new IN FLAMES album: "Me and Björn, we live on different sides of [Sweden] — he lives in Gothenburg; I live in Stockholm — and we only saw each other once or twice during the whole pandemic. But towards the end, when we kind of felt like it's gonna open up for real, we started talking and then we decided to take a trip to the U.S. and just get the machine rolling again — write some stuff; just get things out of our system. So we spent some time — like, three weeks — in L.A. And then we flew home and had Christmas and so on, and then we flew back again and started recording stuff for real. But as soon as we got together, a few weeks in the writing process, it felt like it always has."
Anders went on to say that he and Björn "had to be in the same room" in order to maximize their songwriting efforts. "We feed off each other's energies and ideas and so on, and I don't think we can write apart," he explained. "I mean, we can, but it won't be the same. So we have to get in the same room and be amongst everyone in the band… Me and Björn, we are the ones that are writing everything. The other guys are obviously partaking and bringing in their energy and their skills to the band, but when it comes to the writing, it's not much different."
Speaking in more detail about the contributions of IN FLAMES' three American members — drummer Tanner Wayne, bassist Bryce Paul and guitarist Chris Broderick — Anders said: "They are great individual musicians, so they bring in their skills and their way of playing, and it's very unique from person to person. And that's what they bring. And also the feeling — it's such a good atmosphere within the band; there's no arguments, really, and we're just having a good time being around each other. And that helps the whole creative process. And what they've done… I mean, you will hear it whenever we… We released one new song, but more to come. You can hear it, what they do. They're amazing guys and amazing musicians and really good friends."
Wayne joined IN FLAMES following the departure of Joe Rickard, who played on "I, The Mask" and 2016's "Battles".
Tanner made his live debut with IN FLAMES in July 2018 in Brno, Czech Republic.
Longtime IN FLAMES drummer Daniel Svensson announced in 2015 that he was leaving the band to focus on his family life.
Paul has been playing most of the shows with IN FLAMES since longtime bassist Peter Iwers's November 2016 exit.
In August 2020, IN FLAMES released a special 20th-anniversary edition of its seminal, critically acclaimed album "Clayman". "Clayman 20th Anniversary Edition" came entirely remastered by Ted Jensen (PANTERA, DEFTONES, GOJIRA) and featured all-new artwork in a 16-page booklet, a brand-new instrumental medley plus four re-recorded versions of fan favorites such as "Only For The Weak" and "Pinball Map".
Christian rockers STRYPER have released a new single, "Transgressor". The song will appear on their upcoming studio album "The Final Battle", which is due on October 21 via Frontiers Music Srl. The follow-up to 2020's "Even The Devil Believes" was produced by guitarist/vocalist Michael Sweet and was once again recorded at SpiritHouse Recording Studios in Northampton, Massachusetts.
Sweet commented: "'Transgressor' is a ride like no other. You take off at 100 MPH and it doesn't let up until the very last note. It's definitely one of our heaviest songs yet we wanted to incorporate melody and structure. We're really excited about this one and we can't wait to perform it live!"
In a recent interview with "The Chuck Shute Podcast", Sweet discussed the inspiration for the title and artwork for "The Final Battle". He said: "The story behind the title and the artwork is the battle of Armageddon, which is ultimately the final battle, biblically speaking. And that's really what we're referring to, for the most part."
Asked if he thinks the battle of Armageddon — which refers to the final war between human governments and God, ultimately bringing human rulership to an end — is something that "coming soon," Sweet said: "Well, I'll tell you, man, if you say that in today's world, boy, you are labeled an instant loon — you're a loon, you're crazy and you need to be committed and you're out of your mind. But yet at the same time, when you go through the Bible, if you were to really dive deep into the Bible and have someone explain the theory of it to you and the stories that are behind the stories — so someone really smart, who isn't me — they could explain to you stuff that would make your chin hit the floor. And all the stuff that the Bible predicted that has already taken place, and really the only thing left is God's return and what follows after that, one of those things being the battle of Armageddon.
"People can laugh and sneer and think Christians are crazy, and that's fine," Michael continued. "I believe in the Bible, I believe what it says, and I think those times are coming. I think we're living in those times — absolutely, for sure. We live in a very interesting world, and I think everyone could at least agree on that — that times have changed dramatically in the past two years."
When asked by host Chuck Shute to clarify whether he truly believes we are "on the cusp" of the battle of Armageddon, Michael said: "Yeah, I do. Those people out there who watch this moment, when I say 'yeah,' who roll their eyes and think I'm crazy, that's fine. You guys can go ahead and keep thinking people like myself are crazy. The only thing I can say to that is when that day comes and it's reality, obviously everyone will know that those who believed weren't crazy, and then at that point it'll be too late for the people who thought those people were crazy."
When Shute noted that the people who are labeled "crazy" are the ones who claim that they know the exact date and circumstances leading up to the big apocalypse, Michael said: "And the Bible is very clear about that too: 'No man will know the hour.' No man knows the hour. You can't sit and [say], 'Okay, according to this timeline, yeah, He's coming on this day.' And that's what people try to do. You can't.
"I think we're definitely living in the end times, but that could be short, that could be relatively soon, in the very near future, or that could be in a relatively distant future," Sweet explained. "I don't think it's gonna be hundreds of thousands of years from now, but I think that it's coming and our time is marked. And look, we may get hit by a giant comet before God comes back. Who knows?
"I think sometimes we think we're invincible — nothing can hurt us — and, obviously, COVID kind of taught us a lesson on that, didn't it?" Michael added ."We are not invincible and anything can happen at any given time unexpectedly that leaves us in awe, saying, 'Oh my gosh. I had no idea. I never even imagined that ever happening.' And it can and will happen. It's just a matter of time."
Formed 39 years ago, STRYPER's name comes from Isaiah 53:5, which states: "But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed."
STRYPER's albums include "To Hell With The Devil", "Second Coming", "No More Hell To Pay", "Fallen", "God Damn Evil" and the band's latest effort, "Even The Devil Believes".
In a 2018 interview with the Detroit Free Press, Michael said that STRYPER was never fully embraced by the heavy metal and hard rock communities, largely because of the band's Christian lyrics.
"We've never been accepted by either side," he said. "The secular side, the mainstream, they've never accepted us to this day. We're probably that band that everyone's going to go to whenever there's a time to mock. We'll be the band used for that in most cases. Now on the Christian side, we've never really had the full support of the Christian side because we don't fit into their little club. We're not wearing suits and ties and going to every church and preaching."
Canadian rock band NICKELBACK has shared the official music video for its new single, "San Quentin". The clip was filmed on August 30 at the Simon Fraser University Convocation Mall in British Columbia. According to CTV News, hundreds of NICKELBACK fans attended the shoot, including one fan who one fan traveled all the way from Edmonton.
"San Quentin" is taken from NICKELBACK's long-awaited tenth studio album and and first release in five years, "Get Rollin'", which will arrive on November 18 via BMG.
"San Quentin" was inspired after frontman Chad Kroeger met a real-life warden from the notorious high security California prison. The song follows the story as he plots his clever escape. In addition to "San Quentin", the band's forthcoming collection will feature 10 new songs all penned by NICKELBACK.
Regarding why it took so long to produce the follow-up to 2017's "Feed The Machine", Chad told the WRAT radio station: "Well, we should have been making a record a lot sooner, with all that time off [due to the coronavirus pandemic]. But it's weird to say this, but for 25 years it feels like someone's been standing behind us with a cattle prod and telling us, 'Hey, the record's gotta be done at this time. We're gonna tour at this time. We're gonna do Australia and then we're gonna go do Europe and then we're gonna come back. We'll go across Canada. We'll hit America.' Just like every other band that has to do this stuff, you wanna get a chance to see your fans all around the world. But with this, we were, like, 'We'll get to it when we get to it.' [Laughs] And yeah, we took our time with it, which was just a wonderful luxury, to be able to sit back and [go], 'No. I'm gonna play this guitar solo 40 more times for another three days and make sure it's just exactly how we want it as opposed to deadline, deadline, deadline."
Asked about some fans' reaction to a 10-second clip of "San Quentin" that it sounds on initial listen like the heaviest song the band has ever written and unlike anything NICKELBACK has done before, guitarist Ryan Peake said: "It's funny. We've been hearing that quite a bit. It's actually interesting because I think NICKELBACK fans would know for sure [that it's us once they heard the full song]. I don't think it's unusual… It's a heavy rock song, and if you've seen us live, you would definitely get it. But I kind of like that people are feeling like it's a surprise that we can have rock songs like that in the repertoire."
As for whether "San Quentin" is representative of the musical direction of the rest of the album, Chad said: "All of our records are all over the map. We don't have one record that really sort of sounds the same in terms of songwriting from top to bottom. I mean, they're all all over the map, and I absolutely love that. I don't know how we sort of did that and how we got the acceptance from our fans to be able to do that, but we're very lucky because we don't have to record the same kind of music thinking to ourselves, 'Well, the fans are expecting this, so we've just gotta give 'em a whole album of that.' We can kind of do whatever we want. It's so all over the map, and it's fulfilling as an artist to be able to get in, and as a songwriter, for us to be able to get together and go, 'Let's do something completely left field. Let's try something heavier than we've ever done. Let's try something lighter than we've ever done.' Whatever we're feeling that day, we just do it."
Chad also talked about the lyrical inspiration for "San Quentin", saying: "I met the [San Quentin prison] warden at a party. And I couldn't believe how young he was. I was, like, 'There's just no way that you're the warden of San Quentin,' and everyone was, like, 'Yup. He is.' Guy Fieri's [American restaurateur, author and Emmy Award-winning television presenter] a buddy of mine, and I was at his birthday party a few years back. And the entire time we were talking, I'm, like, [laughs] I'm speaking to this guy, but in my head all I could think about was, 'I'm gonna write a song called 'San Quentin'. That's it.' And I stuck it in my notes in my phone. And then once the riff was down, I think I screamed out this line, 'Can somebody please keep me the hell out of San Quentin?' And we just took it from there."
"Get Rollin'" and "Get Rollin' (Deluxe)" will be available via digital platforms and physical CD format. The deluxe edition includes four bonus tracks — acoustic versions of "High Time", "Just One More", "Does Heaven Even Know You're Missing?" and "Horizon". Standard and exclusive versions of the album will also be released on vinyl in 2023.
"Get Rollin'" track listing:
01. San Quentin
02. Skinny Little Missy
03. Those Days
04. High Time
05. Vegas Bomb
06. Tidal Wave
07. Does Heaven Even Know You're Missing?
08. Steel Still Rusts
09. Horizon
10. Standing In The Dark
11. Just One More
12. High Time (Acoustic) *
13. Does Heaven Even Know You're Missing? (Acoustic) *
14. Just One More (Acoustic) *
15. Horizon (Acoustic) *
* "Get Rollin'" deluxe version
Amassing hits for over two decades, NICKELBACK is the 11th best-selling musical act of all time, counting over 50 million units sold and over 4.7 billion career streams to date. The band has released 23 chart-topping singles, with 19 reaching the U.S. Billboard Hot 100 chart. Their undeniable success has resulted in over 26 awards, including Billboard Music Awards, American Music Awards, MTV Video Music Awards, MuchMusic Video Awards, People's Choice Awards, JUNO Awards, and more. Among their numerous accolades the band has also achieved 12 consecutive sold-out tours, with nearly 10 million tickets sold worldwide.
Named the "most successful rock back of the decade" by Billboard in 2009, NICKELBACK is one of the most commercially viable and important rock acts of the past two decades. The four-piece, comprised of Chad Kroeger, Mike Kroeger, Ryan Peake and Daniel Adair, is globally celebrated for its career-defining and award-winning hits, including "How You Remind Me", "Photograph", "Far Away" and "Rockstar", which all held top spots on the Billboard 100. Their success includes worldwide sales of more than 50 million units, solidifying their status as one of the top-selling acts of all time and the second best-selling foreign act in the USA in the 2000's decade, behind only THE BEATLES. Their inescapable, irresistible smash "How You Remind Me" was named Billboard's "Top Rock Song Of The Decade". It was the number-one most played song on U.S. radio (any format) in the 2000s decade according to Nielsen Soundscan, with over 1.2 million spins.
Amongst all these accolades, they've also been named Billboard's "Top Rock Group Of The Decade" and received nine Grammy Award nominations, three American Music Awards, a World Music Award, a People's Choice Award, twelve JUNO Awards, seven MuchMusic Video Awards, and have been inducted into Canada's Walk Of Fame (2007). With more than 23 chart-topping singles and fans spanning the globe, NICKELBACK boasts twelve consecutive sold-out world tours, playing to well over 10 million diehard and adoring fans.
British heavy metal legends IRON MAIDEN have released the official live video for their song "Stratego" from. The track, which was written by guitarist Janick Gers and founding bassist Steve Harris, is taken from the band's 17th studio album, "Senjutsu", which came out in September 2021 via BMG.
Says IRON MAIDEN: "The U.S. & Canadian leg of the 'Legacy Of The Beast' world tour is now underway! Here is 'Stratego (Live)' — dedicated to you, our incredible fans across the world!"
"Senjutsu" was recorded in 2019 in Paris with longstanding producer Kevin Shirley and co-produced by Harris.
For "Senjutsu" — loosely translated as "tactics and strategy" — the band once again enlisted the services of Mark Wilkinson to create the spectacular Samurai-themed cover artwork, based on an idea by Harris.
IRON MAIDEN singer Bruce Dickinson told France's La Claque FNAC about the LP: "It's always a big thrill when you get a new IRON MAIDEN album and it comes out. We thought it was a great album when we made it. But it was three years ago now. So we just have to pinch ourselves and go, 'Let's just check.' It's one of my favorite albums. And after 17 albums, it's pretty cool."
Regarding the writing and recording process for "Senjutsu", Bruce said: "I would like to say that everything was very organized, but actually, we're not. We turn up and we sort of go, 'Oh, has anybody got a couple of ideas?' And Steve said, 'I've got one idea. I've got this track 'Senjutsu'. What do we think about having a Samurai Eddie?' And we were, like, 'Oh, yeah. Cool. Why haven't we done that before?' Because we had an Egyptian Eddie and we had a sci-fi Eddie and we had a Mayan Eddie. The album is like the picture that's in the frame. But just because the frame is Japanese doesn't mean every song is organized to be about Japanese themes."
"Senjutsu" bowed at No. 3 on the Billboard 200 chart, charting higher than even the band's early classics like "Powerslave" and "The Number Of The Beast". Nearly 90 percent of the LP's 64,000 equivalent album units earned came from pure album sales. The critically acclaimed double album debuted one place higher than 2015's "The Book Of Souls" and 2010's "The Final Frontier", which both peaked at No. 4.
"Senjutsu" was MAIDEN's 13th album to top in the Top 40 in the U.S.
MAIDEN's first two Paul Di'Anno-era albums, "Iron Maiden" (1980) and "Killers" (1981),as well as with those recorded with singer Blaze Bayley, "The X Factor" (1995) and "Virtual XI" (1998),all failed to dent the Top 40 in the U.S.
According to Billboard, "Senjutsu" logged the second-largest week of 2021 for a hard rock album in both equivalent album units earned and in traditional album sales. It trailed only FOO FIGHTERS' "Medicine At Midnight", which debuted on the February 20, 2021 chart with 70,000 units (of which 64,000 were in album sales).
"Senjutsu" topped the charts in several European countries upon its release, including in Belgium, Finland, Germany, Italy, Sweden and Switzerland.
Kid Rock has released the official music video for his new single "Never Quit". The track is taken from his latest album, "Bad Reputation", which came out in March.
"Bad Reputation" includes the three songs Kid Rock released in January — "We The People", "The Last Dance" and "Rockin'" — as well as his November 2021 single "Don't Tell Me How To Live", which was recorded with Canadian hard rockers MONSTER TRUCK.
"We The People" features the chorus of "Let's go, Brandon," conservative code for "Fuck Joe Biden" (born when a NASCAR reporter misheard a crowd, reporting that they chanted in support of racer Brandon Brown when they were actually chanting expletives toward the U.S. president),and also takes aim at the mainstream media, CNN, TMZ, Twitter and Facebook, as well as mask mandates and COVID-19 restrictions.
"We the people in all we do reserve the right to scream, 'Fuck you!" Kid shouts in the song. "Wear your mask. Take your pills. Now a whole generation is mentally ill," he adds.
Elsewhere in the song, he raps: "COVID's near. It's coming to town. We gotta act quick, shut our borders down. Joe Biden does, the media embraces. Big Don does it, and they call him racist.
"Inflation's up like the minimum wage. So it's all the same. Not a damn thing changed," he exclaims.
He then calls for politically polarized Americans to come together, saying: "We gotta keep fighting for right to be free. And every human being doesn't have to agree. We all bleed red, brother, listen to me. It's time for love and unity."
The track concludes with sampled crowd chanting, "Let's go, Brandon."
In a Facebook video announcing the three tracks in January, Kid Rock described "We The People" as a "hard rock-rap tune."
"[It's] about, well, all the craziness going on in our world in the last few years and the politics and the polarization and social justice," he said. "You know, constantly for just being a Trump fan attacked in the media day in day out."
He added: "I don't mind taking a punch, but I hit back, motherfucker, and I hit hard."
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