BLACK COUNTRY COMMUNION, the supergroup featuring legendary vocalist/bassist Glenn Hughes (DEEP PURPLE, BLACK SABBATH),guitarist Joe Bonamassa, drummer Jason Bonham (LED ZEPPELIN) and keyboardist Derek Sherinian (DREAM THEATER, ALICE COOPER, BILLY IDOL),has shared the official music video for its new single, "Letting Go". The track is taken from BLACK COUNTRY COMMUNION's fifth studio album, "V", which is being released today (Friday, June 14).
Resonating with the band's signature fusion of hard rock and soul-stirring blues, "Letting Go" stands as a testament to BLACK COUNTRY COMMUNION's growth and mutual admiration, symbolizing their commitment to producing music that is authentic, heartfelt, and reflective of their shared experiences and vast musical expertise.
"This band allows me to embrace all of it," comments Bonamassa. "It's funny because the four musicians up here — everybody brings a certain thing to this that’s very specific. Every part is irreplaceable. For me, it's about playing old-style rock guitar, loud."
Hughes adds: "We make music for the five of us. We make music that we love and like, hoping it registers with everyone else. We don't make it for record companies, or this guy or that guy." Sherinian credits producer Kevin Shirley for keeping the band's creative energies focused, adding, "We've got to give Kevin Shirley massive credit because he controls. He keeps it all flowing."
Produced by Shirley, "V" marks a monumental chapter in the band's storied career, embodying a renewed spirit and an evolution of their unmistakable sound. Shirley captures the essence of the band's journey, stating: "For a band that started out as a collection of the best practitioners of their instruments, they very quickly found a unique sound. This time around, it has more purpose, the riffs are tougher, and there are hooks! Yes, hooks! It's the most cohesive record, full of soul and grit, and I think this is the one that's going to be the benchmark for BLACK COUNTRY COMMUNION." Glenn agrees: "In my opinion, we had the best time recording this record at Sunset Sound in Hollywood, tons of fun and a magical recording. Meet you inside the music.”
"Stay Free", the lead single, is a powerhouse track that blends hard rock's raw energy with a heavy dose of blues, channeling the spirit of legends like AC/DC and LED ZEPPELIN. It sets the tone for what fans can expect from "V" — a testament to the band's dynamic synergy and creative evolution.
Since their debut in 2010, BLACK COUNTRY COMMUNION has delivered a series of critically acclaimed albums, each showcasing the group's ability to fuse British blues-rock with American soul in a way that captivates audiences worldwide. Their return with "V" reaffirms their status as rock royalty and showcases their growth as musicians and storytellers.
Shirley's insight into the recording process highlights the unique chemistry and camaraderie within the band. "When we convened in 2023 to start recording the album 'V', it really was like picking up the day after the most recent gig," Shirley reflects. "The camaraderie is immediately evident. Once they start playing, everyone is deadly serious, and the music sounds like this band, and nothing else sounds like it."
"V" is a milestone that celebrates the journey, talent, and vision of BLACK COUNTRY COMMUNION. As the band embarks on this new chapter, they invite fans old and new to join them in experiencing the depth and power of "V".
"V" track Listing:
01. Enlighten
02. Stay Free
03. Red Sun
04. Restless
05. Letting Go
06. Skyway
07. You're Not Alone
08. Love And Faith
09. Too Far Gone
10. The Open Road
During an appearance on an August 2023 episode of SiriusXM's "Trunk Nation With Eddie Trunk", Hughes stated about the musical direction of the new BLACK COUNTRY COMMUNION material: "It sounds like BLACK COUNTRY COMMUNION. There's not too many left turns, there's nothing happening that's weirdly different. We followed a vibe of the first four albums, so it it's an extension, but it's really a progression, if you can call it a progression. Everybody's playing out of their skin. The vibe in the camp has never been so friendly and fun. It's a really, really great vibe in the band. And we had a great time at Sunset Sound [studios] in Hollywood. And I can't wait for you to hear it."
Bonamassa told "Trunk Nation With Eddie Trunk" about the new BLACK COUNTRY COMMUNION album: "The thing about BLACK COUNTRY COMMUNION, whether you like the way we sound or not, when we all get together, it has a very specific thing that it does. Everybody brings a very specific thing to the table, and it's a special band."
According to Joe, he brought the BLACK COUNTRY COMMUNION members back together to make the follow-up to "BCCIV", which was released in September 2017 and marked BLACK COUNTRY COMMUNION's first studio effort since 2013's "Afterglow". "I was the one that kind of initiated the text, be, like, 'Hey, is there anybody interested in doing a fifth one?'" he said. "And Derek got back to me. Jason got back to me pretty quickly. And Glenn called me and said, 'I can't do anything until this DEAD DAISIES situation goes one way or the next.' And I said, 'Fair enough.' So when Glenn left THE DEAD DAISIES [in 2022], that was kind of the green light for us to get back together."
Regarding the songwriting process for BLACK COUNTRY COMMUNION's fifth album and how it compared to that on the band's previous efforts, Joe said: "This was the same. I went over to Glenn's house about six times and we hashed out some ideas — pretty rough, loose ideas. Nothing in stone. And so I had a playlist on my phone, voice memos, BCC 1 through 10. And that was it. So, so day one, we just [said], 'Okay, let's start with BCC 1.' And we sat in the courtyard at Sunset Sound — they have this really nice courtyard with a bunch of chairs — and we sat out there with an acoustic guitar and a couple of things and we just bashed out the arrangement. We were, like, 'Okay, that's cool.' We went in, played it three or four times and that was it. Nobody charted anything; we just kind of memorized it and did it. And we would go into the control room, listen a little bit, maybe tweak something, but once it fired up and after the second day, we really hit our stride, going, 'Okay, the band's back.' 'Cause we hadn't played together in six years."
As for the recording process for the new BLACK COUNTRY COMMUNION disc, Joe said: "There's not a lot of overdubs. I rarely double the guitars, 'cause Glenn's bass sound is so big and distorted, you know what I mean? It's, like, why do I need to double the guitar? Same thing with Derek. It's almost like playing in the band FREE. All of the sound comes from the four of us. And Jason takes up a huge amount of bandwidth; he's such a big drummer."
In a September 2022 interview with Andy Hall of the Des Moines, Iowa radio station Lazer 103.3, Bonamassa stated about what it is about a "band situation" that appeals to him, considering he has spent most of his career as a solo artist: "I like nothing more than to be a member of a band and playing guitar. I don't have to front it; I don't have to sing all the time. And it's a lot less pressure than being the front person. Being the person in front is a special skillset. You have to be an entertainer. You can't just sit up there and stare at your guitar and go, 'Wow. Look, I can play guitar pretty good.' That's not gonna fill the theater. You have to put on a show. And to put on a show requires being an entertainer. So being in a band, the sum of the parts is greater than the single entity. So this thing where Glenn co-fronts BLACK COUNTRY COMMUNION, I can just sit back and play rhythm guitar and watch him do his thing. He's a legend. And then conversely, Glenn doesn't have to sing all night; I'll sing three or four [songs]. So we kind of spread out the whole workload a little bit."
BLACK COUNTRY COMMUNION's inception took place when Hughes and Bonamassa fused their styles on stage in Los Angeles for an explosive performance at Guitar Center's King Of The Blues event. With the help and guidance of Shirley, they further added to their rock lineage by recruiting Bonham and Sherinian.
In a 2017 interview, Hughes talked about the chemistry between the BLACK COUNTRY COMMUNION members, especially since all the musicians have had successful careers prior to launching the group.
"This band was meant to be," Glenn said. "It was formed out of a friendship with Joe and I. We got the [other] guys to come in, and it's always been a strong brotherhood. And we're just very lucky and fortunate to have met. I've known Jason since he was [a kid]. I just think that these four guys in this band are the right guys to play in the band."
In the Metal Injection video below, Evergrey guitarist Henrik Danhage shares the riffs that shaped the vibe of his playing from Van Halen, Yngwie Malmsteen, George Lynch and Black Sabbath.
Sweden's Evergrey have unveiled a video for “Cold Dreams” from their new studio album, Theories Of Emptiness, released on Friday, June 7 via Napalm Records. This sonic majesty cut from the new album showcases an out-of-this-world vocal performance by band leader and vocalist Tom Englund, alongside a guest appearance by Jonas Renkse (Katatonia) and Englund’s daughter, Salina – contributing lush backing vocals that enhance the song’s dynamics and highlighting another intense facet of the album.
Theories Of Emptiness stands as the distinguished successor to their worldwide chart-topping release, A Heartless Portrait (The Orphean Testament), and is leaving critics breathless all over the world. With Theories Of Emptiness, Evergrey have crafted an absolute masterpiece and goose-bump generator, solidifying their legacy as they continue to shape metal history after 30 years in the industry.
Tom Englund on “Cold Dreams”: “’Cold Dreams’ is probably the darkest piece of music on Theories Of Emptiness. Its somber power is quite overwhelming. It's a composition that honestly leaves me feeling a bit uneasy. To have Jonas Renkse of Katatonia singing words describing fates that we both encountered makes it even more special and intriguing. Jonas' unique voice of sadness spreads like a disease and to hear him growl, again, is just fucking great! To balance the darkness, we decided to bring in some angelic qualities, and at the time of composing, I couldn't imagine anything more suiting than my daughter Salina Englund's voice. We cannot wait to hear what you feel after these 6 minutes and 46 seconds of soul searching. Enjoy!”
Watch the official video for “Cold Dreams”:
Theories Of Emptiness was produced by Tom S. Englund and Jonas Ekdahl, and was mixed by Adam "Nolly" Getgood (ex-Periphery), who worked closely with the band from the start - bringing out the vividness of the album’s overall sonic profile. Rounding out the album’s production, mastering was helmed by Thomas “Plec” Johansson (Soilwork, The Night Flight Orchestra, Onslaught, The Gems, Eleine and many more).
Theories Of Emptiness follows its chart-topping and critically acclaimed predecessor, 2022’s A Heartless Portrait (The Orphean Testament), which entered charts worldwide at #3 in Sweden (Metal), ranked #5 on the Top New Artist Albums charts in the United States, entered #7 in Finland and #12 in Germany.
“For us, progression is paramount”, states Tom S. Englund when discussing the eleven track opus, Theories Of Emptiness. “We're dedicated to ensuring that our music remains innovative and avoids stagnation. With each album, we strive to introduce something new — a unique flavor, a different key or chord, fresh voices in our writing, or innovative production techniques.”
In fact, no stone has been left unturned. Tracks are created to balance each-other mutually: from the aggressive tones of “Misfortune“ contrasting the light-hearted opening of “To Become Someone Else“, to the ballad “Ghost of My Hero“ leading into the furious riffs of “We Are the North“. Album opener “Falling From The Sun” and “Say” interweave heaviness with mesmerizing keyboards and unpredictable instrumental parts, as also heard on “The Night Within“. On “Cold Dreams”, Englund’s distinctive voice is accompanied by Jonas Renkse of fellow Swedish metal icons Katatonia, splicing the song with a stellar performance that underlines another intense facet of the album. In addition, Englund’s daughter Salina provides lush backing vocals that enhance the song’s dynamics even more. Ending on a quiet note, Theories Of Emptiness depicts exactly what emptiness is about, first with the immersive “Our Way Through Silence“, and then with “A Theory of Emptiness” which, with timid piano, makes us rationalize our innermost feelings. Navigating realms of darkness and light, Theories Of Emptiness takes listeners on a carefully balanced roller coaster ride - showcasing Evergrey's ever-evolving sound in 2024 and beyond.
Tom Englund adds: “Our new album is soon to be yours! We can’t wait for that to happen, there are so many new and refreshing elements on it as well as respect paid to every part of our past. We have just refined what we always have done and tried to make it as contemporary as we possibly could to please ourselves and our sonic expectations. With the presence of Adam ”Nolly” Getgood, we felt fired up, hungry and eager to do our utmost to ensure that we would write the best songs we possibly could - I really feel we have achieved that. Sound quality wise we feel that it is on par with the best the world has to offer today. It is a brave statement that I will stand behind for the rest of my life. Taking Evergrey into a new cycle feels just as when I did it the first time. We are more motivated than ever, and with a lot of touring to be announced very soon, we cannot wait to come and play this new music for you. Finally, we need to mention that we couldn't be prouder to announce our guest vocalist for this album. Jonas Renkse has graced Katatonia's music with his unique atmosphere for decades. Now we in the band and the fans of Evergrey get to experience the same and we couldn't be more excited! You might even get to hear Jonas growl for maybe the first time in many years… Much love, Tom”
Theories Of Emptiness will be available in the following formats:
- Deluxe Bag incl. 1CD Digisleeve, 1CD Cardboard Sleeve with 2 Bonus Tracks, Pendant, Patch Album Artwork, Sunglasses with band logo, Artprint DIY Puzzle, all packed in exclusive cotton bag – Napalm Records Mailorder exclusive (strictly limited to 400 copies worldwide)
- 1LP Die Hard Gatefold Purple/White Splatter incl. 24pp booklet, record butler – Napalm Records Mailorder exclusive (strictly limited to 500 copies worldwide)
- 1LP Gatefold Translucent – Napalm Records Mailorder exclusive (strictly limited to 300 copies worldwide)
- 1LP Gatefold Black
- Digisleeve
- Digital Album
"Falling From The Sun"
"Misfortune"
"To Become Someone Else"
"Say"
"Ghost Of My Hero"
"We Are The North"
"One Heart"
"The Night Within"
"Cold Dreams"
"Our Way Through Silence"
"A Theory Of Emptiness"
Danish deathcore maniacs, Cabal, are back with their new masterpiece, "Sort Sommer". For the new song they teamed up the Danish band Fabräk and the song is written in Danish. It's probably not the sound you have in mind when you think about Cabal but the guys show once again their boundless creativity and impress with new sounds.
Singer Andreas Bjulver about the new song: "'Sort Sommer' is a very special track to us as it's done completely in our native tongue (Danish) and is a track made in collaboration with our good friends in Fabräk and it sounds very different from what most people would expect from a Cabal track. It's a track that while exploring some heavy subjects is build around friends having fun and pushing boundaries for their respective genre in the studio."
He continues about the collabortaion with Fabräk: "So the collaboration happened since one of the singers used to be a bassplayer in a metal band that was on the same management as cabal so we've known each other from the scene since forever, also our bass player is their live guitarist and I live with the other singer, so even though our sounds are quite different this probably the band that we are the most intertwined with."
Stream "Sort Sommer" here, and watch the video below:
Cabal is:
Andreas Bjulver Paarup – Vocals
Christian Hammer Mattesen - Guitars
Chris Kreutzfeldt - Guitars
Lui Broch Larsen - Guitars
Dennis Hursid - Bass
Nikolaj Kaae Kirk - Drums
ALL THAT REMAINS made an triumphant return last month with the release of the explosive new single "Divine". Watch the video here. The track was lauded by Metal Hammer as "swinging for the fences... with a chorus that is begging to be screamed by thousands of fans," while Revolver concurred that "it's an all-power anthem of pinch-squealed technicality and stadium-ready sing-along hooks — makes for a righteous metalcore return." Elsewhere, Consequence labeled it what it truly is — "a dynamic return."
Today, the band has dropped another brand new banger with "Let You Go". The track was produced by Josh Wilbur (PARKWAY DRIVE, LAMB OF GOD, TRIVIUM, A DAY TO REMEMBER),who also helmed "Divine".
Watch the video for the song, which kicks off with a gnarly riff and then goes for the jugular with a stadium-sized chorus and monster breakdown, below.
"As a lyricist, I find songs about the human condition to be most compelling," says ALL THAT REMAINS singer Philip Labonte. "'Let You Go' is a great example of that. So many can relate to being in a bad relationship that you can't seem to break out of. Be it with a substance (or with a person) and this song speaks to that struggle so many of us are familiar with."
The "Let You Go" video was directed by Tom Flynn (I PREVAIL, AS I LAY DYING, LAMB OF GOD).
"Divine" marked ALL THAT REMAINS' first original new material since the passing of their longtime guitar player Oli Herbert. "Divine" also ushered in a period of rebirth for ALL THAT REMAINS, which is, for the first in its career, 100 percent independent and will be releasing future material on its own label — All That Remains Records.
When "Divine" was first made available, Labonte said in a statement: "It's been a long time since ALL THAT REMAINS released new music. A lot has changed...in both the band, ALL THAT REMAINS, and in the world around us. When we lost Oli in 2018 it was hard to envision a path forward, six years later and I am proud to share 'Divine' with you. ALL THAT REMAINS has new life, and that is thanks to the fans for their years of support. We would not be here without them. Go listen to 'Divine' and hit me up on twiX with your comments."
Four months ago, Labonte spoke about the progress of the recording sessions for follow-up to 2018's "Victim Of The New Disease" album during an interview with Rock Feed. He said at the time: "Right now I'm sitting in one of the dressing rooms at Henson [Recording Studios] in Los Angeles. It's a historiful place [being the former headquarters for A&M Records and the location of A&M Recording Studios]. I mean, Charlie Chaplin's lot is here. Studio A, they did 'We Are The World' in. They mixed [METALLICA's] Black Record here. They mixed [Dr. Dre's] 'The Chronic' here. So I'm in this awesome place with all this history.
"This is our second trip here doing drums," he continued. "We did four songs the first trip and that was in June [of 2023]. And now we're doing four more, and then we've got another session booked in March to finish up the drums. And that should be the last of actual tracking. Everything should be done. We might have some odds and ends, like maybe some solo stuff and noodley stuff. But we should be done tracking by the middle of March."
Regarding why it has taken six years for ALL THAT REMAINS to complete a new album, Phil said: "It has been a long time coming because — well, I mean a million reasons: because of COVID, because we had some legal actions with our label. We're no longer on a label. We're self-releasing it. So we're self-financing. We're gonna own it, which is a huge milestone. We had a great agreement with our label. We were supposed to have another record, but they let us go and they let us venture out on our own, which was awesome. I've got tons of love for Fearless and Concord Music Group and stuff, 'cause they let us do our thing. So that's awesome. And we're gonna get it out as soon as we can. We don't want to rush it."
Labonte added: "We started the sessions [for the new album] — really, the first time that I got together with Josh Wilbur, who's producing it. Josh Wilbur, you guys know him from TRIVIUM, from LAMB OF GOD, from a ton of [other bands]. He's worked with us [before]. He did [2015's] 'The Order Of Things', he produced that one, he mixed 'Victim Of The New Disease', so we've got a lot of history with him. But he's here [in Los Angeles], and we started with him — I think it was 2021, is actually when we started with him. He came out the first time and started working on some riffs and some ideas. And then we got our first like real song together in February of last year, where I got with Josh and wrote lyrics for a song. It was actually a song that Jason [Richardson, ALL THAT REMAINS guitarist] wrote the whole thing and kind of gave it to us. And so that's gonna be — that'll probably be the first one. I'm not gonna give out the name yet. But it's gonna be a great debut for Jason Richardson."
Speaking about the addition of Richardson, who replaced late ALL THAT REMAINS guitarist Oli Herbert more than five years ago, Phil said: "He's super creative, so it's a ton of fun. And this being his debut with us, we wanted it to be right. Not only is it the first record that we've put out without Oli Herbert, which took us a long time to kind of get used to the idea and figure out what that means and what it looks like and all kinds of things that had to happen since Oli passed away. But this being the first record that comes out with Jason, we want it to be right. There's not gonna be any half-assed [songs] on this at all. There's not any deep cuts — nothing at all. Right now we're eight songs in and there's zero deep cuts. Every single song that we've got, if someone else was, like, 'Oh, let's put this one out as the first single,' it'd be fine. That would work as a first single. And that's a big, big deal. Usually you'll hear three or four songs or five and you're, like, 'Yeah, we've got some killer songs on this record. We've got six great songs.' And there's 10 or 11 songs on the record and you're, like, 'Yeah, these other ones are cool, but we didn't have the time to do with them what we wanted. They didn't quite come out the way we want, and the record label wants to have this many songs on the record, so we don't have time to…' blah, blah, blah. 'We've got a deadline.' So you end up making compromises, and because we're doing it ourselves, putting it out ourselves and we've got a career and we're super fortunate that people still listen to our music and we've still got people out there that support us, so we can take the time to deliver the record that the fans deserve."
Last July, longtime ALL THAT REMAINS drummer Jason Costa announced his departure from the group, citing "deeply personal" reasons that "have nothing to do with any drama or anything within the band."
Jason was the featured drummer on the last six ALL THAT REMAINS albums: "Overcome" (2008),"For We Are Many" (2010),"A War You Cannot Win" (2012),"The Order Of Things" (2015),"Madness" (2017) and "Victim Of The New Disease" (2018). He is notable for being one of the few heavy metal drummers to play solely with the "traditional grip."
Back in March 2022, Costa left ALL THAT REMAINS' U.S. tour in order to "deal with some personal matters." He was temporarily replaced by Anthony Barone, who had previously played with BENEATH THE MASSACRE and SHADOW OF INTENT.
Earlier last year, ALL THAT REMAINS's breakthrough album "The Fall Of Ideals", was certified gold by the Recording Industry Association Of America (RIAA) for sales in excess of 500,000 copies in the United States.
In 2022, ALL THAT REMAINS embarked on "The Fall Of Ideals" 15th-anniversary tour.
"The Fall Of Ideals" was reissued in November 2021. The best-selling title features such fan favorites as "This Calling", "Six" and "The Air That I Breathe".
Oli was found dead on October 16, 2018 at the edge of the pond on his Stafford Springs, Connecticut property. He was reported missing by his wife about 3 p.m., and his body was found by police face down at the edge of the pond where the water was only a few inches deep. The medical examiner's office conducted an autopsy showing that Oli had three prescription drugs in his system — the antipsychotic olanzapine, the antidepressant citalopram, and Ambien. It also said: "Mr. Herbert's past medical history is reportedly significant for marijuana use."
ALL THAT REMAINS and MUDVAYNE will support MEGADETH on a 33-city, nationwide tour, "Destroy All Enemies", this summer. Produced by Live Nation, the trek will begin in Rogers, Arkansas on August 2 and run throughout the month before wrapping in Nashville, Tennessee on September 28.
SEVEN HOURS AFTER VIOLET, the new project featuring SYSTEM OF A DOWN bassist Shavo Odadjian, vocalist Taylor Barber (LEFT TO SUFFER),WINDS OF PLAGUE guitarist Michael Montoya (a.k.a. Morgoth Beatz, a producer and songwriter who has previously collaborated with Travis Barker, JuiceWrld, Lil Xan, Jonathan Davis, ISSUES and many more),guitarist/backing vocalist Alejandro Aranda (a.k.a. Scarypoolparty, "American Idol") and Josh Johnson (WINDS OF PLAGUE),has dropped its debut single, "Paradise". The release also marks the launch of Shavo's new joint label venture 1336 Records in partnership with Sumerian Music Group.
Speaking about "Paradise", Shavo says: "The song opens the album and showcases the various dynamics we explore throughout which makes it the perfect introduction to SEVEN HOURS AFTER VIOLET.
"I've been making music for over 30 years. I wanted to do something super heavy but melodic and come back to my roots. Until this band, every side project I've done has been outside of the walls of heavy music. I steered away from anything heavy because SYSTEM OF A DOWN is heavy. Once I got I started with SEVEN HOURS AFTER VIOLET, I had to let go of that. I said, 'Let me go with my gut and do what I'm best at.' For the first time ever in my career, I just said, 'As long as I love it, I don't give a fuck what anybody else thinks,' and that was extremely liberating. SEVEN HOURS AFTER VIOLET is the result. It's my favorite thing I've done since SYSTEM and I can't wait for the world to hear it."
The accompanying music video for "Paradise" is a collaborative effort with creative direction being overseen by Shavo and Adam Mason, who also shot the video. Editing was handled by Arben and Kuj Durollari of BOND, who are also working with the band to design their creative assets.
Shavo describes the creative process: "The video for 'Paradise' is a little trippy, it's a little psychedelic, it's a little dark and beautiful all at once. We shot it with only two takes per band member, but despite those restrictions, I think we made a really cool video."
The launch of 1336 Records is a significant milestone for Shavo. He says: "I didn't just want to sign the band to a label, which is why we signed the deal with Ash Avildsen and Sumerian. I now have my new imprint called 1336 Records. It gives me a lot of creative control and also the ability to bring other acts that I find interesting on board later in the future, so I'm really excited about that."
Sumerian Music Group founder and CEO Ash Avildsen adds: "SYSTEM OF A DOWN is one of the most important and influential bands of my generation, as well as one of my all-time favorites. When I first heard Shavo was putting together a group of young, cutting-edge musicians around him to form a new band, I immediately got excited just as a fan to hear what it was. After a first listen of SEVEN HOURS AFTER VIOLET and seeing who the metal group of Avengers he assembled around him to play in it, I knew it had to be on Sumerian. So I pursued it hard and after one epic lunch together at the Sunset Marquis, Shavo and I were creative business partners ready to unleash the next great thing in heavy music together. I am humbled and honored he has chosen to team up with Sumerian to launch SEVEN HOURS AFTER VIOLET and 1336."
SEVEN HOURS AFTER VIOLET will make its live debut at this year's Mayhem festival, set to take place on October 12 at the Glen Helen Amphitheatre in San Bernardino.
When the universe aligns, magic happens. This was certainly the case when Odadjian, the legendary bass player of SYSTEM OF A DOWN, crossed paths with platinum-selling producer, songwriter and guitarist Morgoth at a party on 2.22.22. Their initial sessions were a spontaneous combustion of creativity, transforming from a potential solo venture into a full-fledged band. Shavo recalls: "We wrote a song right away. It wasn't like any writing session I had been part of before; riffs were just flowing out of me without me even having to try. Every time I felt like I couldn't write anything. Morgoth would hand me a guitar and say, 'Go, go, go'. I needed that, you know? I needed someone to push me when I wasn't pushing myself. "
As music continued to pour out in torrents, with Shavo writing and performing all the guitar and bass parts and Morgoth producing and providing the beats, atmospherics and FX, Morgoth suggested they turn it into a Shavo solo project. However, with his eye now firmly set on the live arena, Shavo decided to create a full band.
Finding the right vocal talent to complement the musical landscape created by Shavo and Morgoth was crucial. Morgoth's recommendation of Taylor Barber from LEFT TO SUFFER was a game changer. Shavo was blown away. "He was singing in falsetto one minute and growling the next — it was ridiculous," the bassist states. "He became the singer because he knocked every song out of the park."
With Shavo on bass and Morgoth on guitar, the band also brought in Morgoth's WINDS OF PLAGUE bandmate Josh Johnson on drums and Alejandro Aranda, known for his solo project SCARYPOOLPARTY and as runner-up on "American Idol", as lead guitarist and backing vocalist.
Once the new music was complete, mixed by Zach Jones and mastered by Maor Applebaum, Shavo partnered with Avildsen to create 1336 Records, with SEVEN HOURS AFTER VIOLET being the first signing.
SEVEN HOURS AFTER VIOLET is:
Taylor Barber - Vocals
Morgoth - Guitar, Production
Shavo Odadjian - Bass
Alejandro Aranda - Guitar/Backing Vocals
Josh Johnson - Drums
In April 2023, Odadjian spoke to the 96.7 KCAL-FM program "Wired In The Empire" about his solo LP, saying: "I started this solo project with Morgoth Beatz; he's my producer and he's also the guitar player for the group. And it's heavy. I'm back to my roots — no hip-hop. I think it's the heaviest I've ever been, and it's just flowing out of me.
"We have a track with — I'm gonna say it — Jonathan Davis [of KORN]," Shavo revealed. "I'm working on that one right now. We have the choruses and the first verse, and I'm gonna do a little breakdown, and I think we've got one. That's 12 — number 12. So we're 12 songs into the solo record. I'm very excited about that."
ATREYU has released the official music video for "Dancing With My Demons". The clip, which can be seen below, was helmed by the St. Louis, Missouri-based music video director J.T. Ibanez, known for his work with SEVENDUST, HAWTHORNE HEIGHTS, P.O.D., Orianthi and many more.
"Dancing With My Demons" is taken from ATREYU's latest album, "The Beautiful Dark Of Life", which came out last December via Spinefarm.
"The Beautiful Dark Of Life" is an emotional journey through three distinct phases accompanying ATREYU's previously released three-part EP series — capturing the essence of despair on "The Hope Of A Spark", the pursuit of hope on "The Moment You Find Your Flame" and the triumphant self-discovery and purpose on "A Torch In The Dark".
The album features sonic numbers that touch every corner of the heavy music sphere — from metal to punk and alternative, via '80s classic rock and with shades of industrial, hip-hop, and unashamed pop — speaking more than ever to a generation of music fans who care little for the traditional constraints of genre.
Through the expression of deeply personal feelings and emotions, the album is soul-baring and empathetic and offers escapism, and empowerment through songs that speak openly about anxiety, depression, self-belief, love, and identity that includes three new songs, "Dancing With My Demons", "Insomnia" and the title track.
"'The Beautiful Dark Of Life' is the journey we are all on," said frontman Brandon Saller. "It is the journey we have taken the audience on through the three EPs: the highs, lows, and lessons of life. And much like living through them, you don't gain a full understanding of what it all means without the whole picture. This album is that picture."
Bassist/vocalist Marc "Porter" McKnight said: "We wanted each EP to have its own space to exist, for every song to find its audience and connect with people in its own right. But then when those songs are later collected together in the shape of the album, it will be an 'A-ha!' moment where we hope people will rediscover them in a new light, and find something in them all over again."
"I was walking with my young daughter one day when we went under a bridge," said Saller. "She pointed at something and said, 'Daddy, what's that?' I told her, 'That's a shadow, honey.' And she turned to me and said, 'Shadows are the beautiful dark of life,'" in discussing the album title.
"The Beautiful Dark Of Life" track listing:
01. Drowning
02. Insomnia
03. Capital F
04. God/Devil
05. Watch Me Burn
06. Good Enough
07. Dancing With My Demons
08. Gone
09. I Don't Wanna Die
10. Immortal
11. (i)
12. Death Or Glory
13. Forevermore
14. Come Down
15. The Beautiful Dark Of Life
In an interview with Rock 100.5 The KATT's Cameron Buchholtz conducted at last September's Rocklahoma festival in Pryor, Oklahoma, Saller spoke about ATREYU's decision to shift their focus away from releasing albums to putting out a series of EPs.Saller said: "The whole project as a whole kind of tells sort of the same story in repeat. And we just wanted a way to kind of just be able to shine a light on the songs a little bit more individually. I feel like a lot of times you put out albums these days and you get three or four songs that get any sort of attention. The rest of them just go by the wayside, which sucks when you're creating art and putting everything you have into art."
He continued: "Each EP goes through the cycles of life, the seasons of life, if you will, to tell one big story at the end. So it's kind of a way that we can get a little bit more in depth with a kind of a story and also a way that we can have our audience really be able to focus on smaller portions of songs at a time."
Asked if he and his bandmates are seeing that sort of engagement and fans following the story, Brandon said: "Absolutely. I feel like, you just see it, just when [you look at] the [streaming] numbers, you see each song kind of getting a little bit more of a limelight and having a little bit more of kind of a day in the sun. So that feels nice for us."
Saller previously talked about ATREYU's decision to release a series of EPs last July in an interview with the "Brutally Delicious" podcast. At the time, he said: "I care less and less about the traditional kind of methods of things and more about, how do we actually get people to have the opportunity to digest all of the art? … You put out an album, put out 12 songs on an album and four of 'em get a light shined on them and are in the tens of millions of streams and have all this attention and then the other eight are in the hundreds of thousands, if that — maybe they hit a million. They're in the dark and you spent all this time on these songs.
"We're not a band that has historically put out records with a bunch of filler; it's hard to get songs past us," he explained. "So, for us, it's, like, 'Oh, well, man, it just didn't have opportunity to get shown.'
"I'm all about alternative methods of release," Saller added. "I think that physical release really only lies in vinyl and cool, like, collectors' kind of stuff these days. I don't care about CDs. I couldn't play a CD if I wanted to. I don't have a CD [player] in my car. I don't have a CD player in my computer. But as far as just releasing things, I just wanna release things that make it more accessible and easy to actually consume and digest them. And I think that that potentially is in singles and EPs. I don't know everything or anything. So we'll see how it goes."
Professionally filmed video of METALLICA performing the BUDGIE song "Breadfan" at the second show of the 2024 leg of the band's "M72" tour on May 26 at Olympiastadion in Munich, Germany can be seen below.
In support of METALLICA's latest album, "72 Seasons", the band has been playing two-night, no-repeat shows in each city— first in Europe , then in North America and now back in Europe — as part of the "M72" tour. Each concert sees METALLICA performing on a massive ring-shaped stage, with the Snake Pit in the center, and four drum sets which are equally spaced out around the circular stage so drummer Lars Ulrich can get closer to the audience at various points in the show.
METALLICA frontman James Hetfield spoke about his mindset going into the 2024 leg of "M72", telling "The Metallica Report": "What I'm going into is unknown. I know how big the stage is. I know we have breaks here and there. I know what we're walking into. When we first started with this, with the 'M72' stage, in the round in the stadium, from between setting up cones, walking around thinking, 'Oh, this is how big the stage is gonna be.' 'Oh, this is cool.' 'This'll be great.' 'This is too skinny,' and this and that. And then, between that time and then actually seeing it built, where it's kind of too late, 'Oh shit, this thing is so big.' The anxiety level was off the charts at the beginning of the 'M72' tour. Like, how are we gonna cover this stage? And, of course, my ego saying, 'Well, the other guys don't have to sing. They don't have to run over there. They don't have to do all this. And no one knows the woes I have and all the worries.' But as soon as I share them with the other guys, they're, like, 'Yeah, but I got this and I got this.' It's like, 'Oh, okay. Okay. I want mine back. That's okay.' So it's a known. We know what we're up against and we know what shape we need to be in. And it's just fun. Now it's just fun. We broke that stage in. It's well trodden on and it's worked fantastically. And so we just get to step back into it and do what we do best."
Asked if there have been any modifications to the "M72" stage at all since the 2023 shows, Hetfield said: "There have been a few things here and there that have changed — extra microphones, whatever monitors that we need. And that's typical on any stage, though. The lighting tends to show things that you don't see before: 'Yeah, we need to drape that off' or whatever it may be, just things to make it better. Just like anything we do, you wanna improve on it. So that that was the first couple months of the first touring with the 'M72' stage."
Regarding how he prepares for a METALLICA tour, especially when it comes to performing around 32 songs at each stop on the ongoing "M72" trek, Hetfield said: "Obviously, before heading out on tour, sitting there, trying to remember the myriad of pretty awesome songs we have, and then just trusting that once we get together, it's, like, 'Oh, yeah.' It's muscle memory. But, yeah, over the last month, I will say that the normal thing happens where I start to doubt myself. I start to feel insecure that, 'Whoa, we're old. We can't do this,' and blah, blah, blah, all that bullshit that everyone tells themselves before they go into something that they care about and is important. So having the nightmares of, 'I'm the only one who cares about what we're doing here. Where is everybody?' I show up at the gig. Everyone's goofing off or there's 200 people backstage. And where's my stuff? Where's the setlist? What songs are we doing? And then typical things like the guitar neck is made of rubber, and there's only two strings on it. And where's my roadie? And the guitar cord won't let me get to the microphone. You know, silly stuff like that that has to happen, and I don't freak out over it. All you do is you practice and that comes back pretty quickly."
After Munich, METALLICA continued touring throughout Europe for the first part of summer, with stops in Italy, Spain, Denmark, Norway, France and Poland, among others. Another round of North American dates will begin on August 2 in Foxborough, Massachusetts, with stops in Chicago, Minneapolis, Seattle and Edmonton. METALLICA will close out the 2024 touring season with four shows in Mexico City at the end of September.
According to Billboard, METALLICA's production travels in 87 trucks — 45 for the band and its setup, plus two groups of 21 each for the steel stage and towers. There are 130 people in the band's crew, plus 40 steelworkers, local hires and truck drivers.
METALLICA's manager Cliff Burnstein told Billboard that between 80% and 90% of fans at each concert attend both shows.
The "M72" tour launched in late April 2023 in Amsterdam.
Opening acts include FIVE FINGER DEATH PUNCH, ICE NINE KILLS, MAMMOTH WVH, PANTERA, ARCHITECTS, GRETA VAN FLEET and VOLBEAT.
A portion of proceeds from the shows go to METALLICA's All Within My Hands foundation, which seeks to assist and enrich the lives of members of the communities who have supported the band and combat food insecurity; provides disaster relief; and bestows scholarships.
THE BLACK DAHLIA MURDER will release its tenth studio album, "Servitude", on September 27 via Metal Blade Records, today unveiling the record's first single and preorders.
"Before the tragedy, no one ever thought this band was going to exist without Trevor."
That's THE BLACK DAHLIA MURDER's co-founder Brian Eschbach telling it like it is. With the tragic passing of the band's frontman and co-founder Trevor Strnad in 2022, Eschbach, bassist Max Lavelle, drummer Alan Cassidy and producer/guitarist Brandon Ellis were faced with a decision: close the door on one of the most beloved death metal bands of the last twenty years, or carry on in their fallen brother's charismatic spirit?
"Everyone that's in the band now is someone that Trevor and I searched for," Eschbach says. "We spent so much time on the road together that everyone understands the mission statement. We don't really need to talk about it. We just need to make great music and try to make people happy playing it."
After a period of profound grief and deep soul-searching, Eschbach moved from guitar to vocals, setting aside his lifelong identity as a live guitarist for the survival of the band. Former THE BLACK DAHLIA MURDER member Ryan Knight returned to the fold to take Eschbach's place on guitar. The new lineup made their debut in the band's hometown of Detroit in late October 2022 for a tribute show for Strnad.
Fast forward to right about now: THE BLACK DAHLIA MURDER's new album is the one that many would have thought impossible. "Servitude" marks Eschbach's recorded debut as THE BLACK DAHLIA MURDER's lead vocalist and lyricist — and their first with Knight on guitar since 2015's "Abysmal".
"I just had to lean into it hard," Eschbach says of approaching 'Servitude' in a completely new role. "Honestly, writing the lyrics for this album was easier for me than writing the music for the three songs that I wrote music for. I'd pick a subject, research it, and just kinda dive in. Even though it's not something I'd really ever done before, there was a natural flow to it once I started."
You can hear the thrilling results on "Aftermath" the ripping lead single, which envisions a post-apocalyptic cannibal scenario. "We wanted that one to be heard first because it's one of the faster songs on the album, if not the fastest," Eschbach says. "We wanted that very aggressive BLACK DAHLIA melodic death metal feel coming right at you. Lyrically, it's about a meteor that fucks up the whole planet, but there's still people living. Kind of like 'The Walking Dead', but with no zombies — so you get right to how people deal with it. And by the end, they're eating each other."
Watch THE BLACK DAHLIA MURDER's video for "Aftermath", created by My Good Eye: Music Visuals, below.
The members of THE BLACK DAHLIA MURDER know that some will be skeptical of an album without Trevor's inimitable presence. But many fans have already embraced the band's decision to move forward.
"More than pressures or expectations from the fanbase, I feel their trust and support," Ellis says. "We've always done what we do for them, and they've appreciated our consistency over the years. The global outcry following Trevor's passing has shown us how important the band's music has been to so many people, and how important it is that we continue in his honor. Under all that weight, I think we all knew what needed to be done."
"We put in everything we had, and this is the album that felt right to make," he adds. "I'm proud of it and proud of the five of us. You can never please everybody, but I know that this music will be a healing and positive force for those who embrace it!"
The guitars, bass, and vocals for "Servitude" were recorded at Ellis's home studio in New Jersey. The drums were recorded by Mark Lewis in Nashville, Tennessee where the album was also mixed. "Servitude" was mastered by Ted Jensen.
"Servitude" will be released on digipak CD, cassette and digital formats as well as vinyl.
"Servitude" track listing:
01. Evening Ephemeral
02. Panic Hysteric
03. Aftermath
04. Cursed Creator
05. An Intermission
06. Asserting Dominion
07. Servitude
08. Mammoth's Hand
09. Transcosmic Blueprint
10. Utopia Black
THE BLACK DAHLIA MURDER 2024 European tour dates:
Jun. 14 - Z! Live Rock Fest - Zamora, ES
Jun. 16 - Download Donington - Park, UK
Jun. 17 - Limelight - Belfast, UK
Jun. 18 - Opium - Dublin, IE
Jun. 20 - Arch Club - Athens, GR
Jun. 21 - Block 33 - Thessaloniki, GR
Jun. 23 - Graspop - Dessel, BE
Jun. 24 - Hirsch - Nuremberg, DE w/ Suffocation
Jun. 25 - The Black Lab - Lille, FR w/ Suffocation
Jun. 26 - Im Wizemann - Stuttgart, DE w/ Shadow Of Intent
Jun. 27 - Mergener - Hof Trier, DE
Jun. 28 - Club Vaudeville - Lindau, DE w/ Suffocation
Jun. 29 - Jera On Air - Ysselsteyn, NL
Jun. 30 - Hellfest - Clisson, FR
Jul. 31 - Rockstadt Extreme Fest - Brasov, RO
Aug. 02 - Dortmund Deathfest - Dortmund, DE
Aug. 03 - Wacken Open Air - Wacken, DE
Aug. 04 - Full Rewind - Roitzschjora, DE
Aug. 06 - Lifestyle Café - Cham, DE
Aug. 07 - Brutal Assault - Jaromer, CZ
Aug. 08 - Party San Open Air - Schlotheim, DE
Aug. 09 - Szene - Wien, AT
Aug. 10 - Menza Pri Koritu - Ljubljana, SI
Aug. 11 - Slaughter Club - Milano, IT
Aug. 13 - Rockhouse - Salzburg, AT
Aug. 14 - Kiff - Aarau, CH
Aug. 15 - Summer Breeze - Dinkelsbuhl, DE
Aug. 16 - Reload Festival - Sulingen, DE
Aug. 17 - Chinasstraat - Gent, BE w/ Decapitated
Aug. 18 - Motocultor - Carhaix, FR
THE BLACK DAHLIA MURDER is:
Brian Eschbach - lead vocals
Max Lavelle - bass
Alan Cassidy - drums
Brandon Ellis - lead guitar, backing vocals
Ryan Knight - rhythm guitar, backing vocals
BODY COUNT, the metal band fronted by hip-hop legend, actor and director Ice-T, has released the official music video for "Psychopath", its first new single since 2020's "Bum-Rush", which won a Grammy Award for "Best Metal Performance". The explosive new track, which features FIT FOR AN AUTOPSY vocalist Joe Badolato, shows Ice-T and crew on maximum killing overdrive and primed for the next chapter of the legendary Los Angeles-based band's 35-plus-year career. Longtime collaborator Will Putney (KNOCKED LOOSE, THE GHOST INSIDE) produced the song, which was released via Century Media Records.
Directed by Jay Scorsese, the "Psychopath" video pulls inspiration from fictional and real-life horrors, with references spanning from Jason Voorhees to Ted Bundy. Check it out below.
"Psychopath" is taken from BODY COUNT's upcoming album, "Merciless", the follow-up to "Carnivore", which was released to critical acclaim in March 2020, just a week before COVID shut the entire world down.
Regarding how "Psychopath" came together, Ice-T told Consequence: "It started with the music. It sounds like what it's like to be in a psychopath's head. The track was psychotic, and it needed me to sing about something crazy."
This past February, Ice-T told Metal Hammer magazine about the musical direction of "Merciless": "I think we are staying in the same direction. [2014's] 'Manslaughter' was a reintroduction to BODY COUNT, not to just our old fans, but to a whole new group. [2017's] 'Bloodlust' was even better than 'Manslaughter', and 'Carnivore' was better than 'Bloodlust'. We're going to stay in the same vein, sound and production, but make better and better records."
Last October, Ice-T told Darren Paltrowitz, host of the "Paltrocast With Darren Paltrowitz", about the upcoming BODY COUNT LP: "Will Putney's producing again. We've had three consecutive great albums working with Will; he understands. I call him 'the Dr. Dre of metal,' because he has the ability to produce different groups but make them sound like themselves, but just better.
"We did 'Carnivore', and right [when] our first date of touring was supposed to start, COVID hit," he continued. "COVID hit, shut down all the stateside tour; 35 European festivals shut down; and we didn't really get to really perform the album; we didn't get to go out, and that kind of sucks.
"You make albums to perform 'em; you don't make 'em just [to sit at home]. And we won a Grammy on that one. That was great; that was a great accolade. It kind of took the sting out of dropping an album to a dead scene; it took the sting out of it. But then the label's, like, 'Okay, we'll do another album.' And I'm, like, 'Wait a minute. We didn't even really get this one out good."
Regarding how he goes about recording vocals for a new BODY COUNT album, Ice-T said: "Usually when I do songs, I'll do the songs but I don't complete 'em. Like, if there's gonna be three verses, I'll sing two and then I kind of live with them, and maybe that way I can think about how I wanna end the song and how I wanna change it up.
"I'm at a point now… When I first used to do albums, I would do, like, 20 songs and then try to pick 12. Now I'm very difficult to find the music, so by the time I pick 12, those are the 12 songs. I'm not doing a whole bunch of recording just to find that… I know what I'm doing. I'm like that photographer that knows how to just wait until the right moment to take the picture: 'Okay, that's one… two.' Versus the guy [who takes a bunch of pictures one after the other]. I don't need to do that.
"So the 'Merciless' album is sounding pretty hard, though," Ice-T added. "We named the motherfucker 'Merciless'."
BODY COUNT's European "Merciless" tour will kick off on June 5 at Mystic festival in Poland and will bring the band to some of the world's biggest festivals and venues, across more than a dozen countries. After returning to the States, they will perform at Louder Than Life festival in Louisville, Kentucky and Aftershock festival in Sacramento, California.
For BODY COUNT, it's been a history of being both respected and feared — a barbed-wire thread that stretches back to the band's origins as a project between Ice-T and Crenshaw High friend Ernie C. Their first shot fired, the song "Body Count", was a mission statement on Ice-T's 1991 "O.G. - Original Gangster". That's the blueprint they've been running on for more than 35 years.
They touched a nerve with their first, self-titled 1991 album and its divisive track "Cop Killer", which inspired hatred, fear, and paranoia, but also inspired generations of bands to follow. What they took from growing up with BLACK SABBATH and being inspired by fellow L.A. legends like SLAYER and SUICIDAL TENDENCIES has only upped the ante for generations of homies and hardcore fans.
BODY COUNT's current line-up includes surviving O.G.s Ice-T, Ernie C. and Sean E. Sean joined by bassist Vincent Price, drummer Will "Ill Will" Dorsey, Juan "Juan Of The Dead" Garcia and backing vocalist Little Ice.
"Carnivore" continued the path of its uncompromising and critically acclaimed predecessors, "Bloodlust" and "Manslaugther", in pairing Ice-T's impassioned and socio-critical lyrics with thick guitar riffs and nods to metal and hardcore greats like SLAYER, METALLICA, PANTERA, SUICIDAL TENDENCIES and RAGE AGAINST THE MACHINE. Guest musicians on the LP included Amy Lee (EVANESCENCE),Dave Lombardo (ex-SLAYER),Jamey Jasta (HATEBREED) and Riley Gale (POWER TRIP).
BODY COUNT was honored with a Grammy in the "Best Metal Performance" category in the pre-telecast ceremony at the 63rd annual Grammy Awards, which was held in March 2021 in Los Angeles. BODY COUNT was nominated for "Bum-Rush", a track from "Carnivore".
EXTREME has released the official music video for the song "Beautiful Girls". The track is taken from the band's latest album, "Six", which came out in June 2023 via earMUSIC.
EXTREME says about the "Beautiful Girls" video, which was directed by guitarist Nuno Bettencourt and Rene Rigal: "Today we celebrate ALL the beautiful girls across the world with our new video. Beautiful girls come in all shapes, sizes and backgrounds and this one is for YOU!"
"Six" landed at position No. 10 on Billboard's Top Album Sales chart with first-week sales of 12,500 copies. The set marked the band's first studio album since 2008. The act was last in the Top 10 with "III Sides To Every Story", which debuted and peaked at No. 10 back in October 1992.
Last year, Nuno told Tiago Ribeiro, that he was thrilled with how "Six" turned out. "I would put our album up against anybody's album; I feel that confident," Nuno said. "And I think the album itself — never mind me or EXTREME — if I heard that album and it wasn't us, I would think the same way I think about the album now. I think it belongs there. I think it's a well-made album. I think the songs are there. I think that the musicianship, the chemistry and the guitar playing. But I think, more importantly, what's really there and what people are connecting with is the mythology of rock and roll. I think that's really what's missing a lot in guitar-driven music, is that…
"I think when people saw a guitar player that's in a band with songs and arrangements and the videos and everything, it was almost like seeing something that… People are saying it's so fresh, but for us, it's, like, this is like going back for us," he explained. "This is more of a reminder than it is anything else that you can still be passionate and have fire and do all those things. And the people are letting us know that they're starved — they're starved for rock and roll like this, I think."
Last September, Nuno told American Musical Supply about the long delay in getting "Six" released: "The recording [of 'Six'], a lot of people are saying like, 'Man, [it took] 15 years,' obviously, minus a few of the handmaid's tale years, pandemic years. But the album itself probably, if you add it up, it took the same length as an album takes to record. It didn’t take 15 years to record the album. It's just that we probably had, like, three albums' worth of material. The guys kept coming out to L.A., and we would do a crop of songs, and we'd write another crop of songs or record another couple crop of songs."
Bettencourt went on to say that he and his EXTREME bandmates had "set a bar" for themselves. "You really have to be super proud and super excited to share your music with anybody, even if it's your brother or it's your family member or if it's Tom Morello that you happen to know," he explained. "Once you have that feeling of, 'Would you play these songs in front of your peers?', then you kind of know you got something there and you're ready to go."
After a highly successful 2023 tour with THE BAND GEEKS, Jon Anderson decided to expand the creative partnership with the band to create new material for a potential new studio album. The result of this effort is "True", which will be released on August 23 by Jon's new label, Frontiers Music Srl.
The first single from "True", a song called "Shine On", can be streamed below. The accompanying official music video will make its online debut later today.
"True" is a nine-song album which will be a welcome gift to all fans of Jon's 40 years as lead vocalist of the multi-platinum Rock And Roll Hall Of Fame inductee YES. The LP's collection of songs harkens back to YES's classic 1970s sounds as well as to their latter-day success with the album "90125".
The album was co-produced, engineered and mixed by THE BAND GEEKS bassist and musical director Richie Castellano.
"True" track listing:
01. True Messenger
02. Shine On
03. Counties And Countries
04. Build Me An Ocean
05. Still A Friend
06. Make It Right
07. Realization Part Two
08. Once Upon A Dream
09. Thank God
Jon and THE BAND GEEKS embarked on their 2024 U.S. tour on May 30 in New Brunswick, New Jersey. The tour will encompass three legs and will run through September. Additional September dates will be announced in the upcoming weeks.
In a recent issue of Mojo magazine, Anderson said that he was open to reuniting with his former YES bandmates Rick Wakeman and Steve Howe.
"I was talking to THE BAND GEEKS and said, hopefully we can play in London and Steve will get up and do a couple of songs with us, maybe Rick too," Anderson said. "It just means talking. When I'm out there singing on my own, I still think I'm part of YES. They still feel like my songs."
Anderson co-founded YES in 1968 with bassist Chris Squire, and remained with the band until 2008, when YES replaced him with Benoit David, an Anderson sound-alike who previously fronted the YES tribute band CLOSE TO THE EDGE. David left YES in 2012 and was replaced by Jon Davison.
In July 2020, Howe told Rolling Stone that there is virtually no chance of the surviving members of YES reuniting for a tour.
"I don't think [the fans] should stay up late nights worrying about that," he said. "There's just too much space out there between people. To be in a band together or even to do another tour like 'Union' is completely unthinkable," referencing the group's 1990 "Union" LP and tour, which brought together the previous YES album's lineup (Jon Anderson, Chris Squire, Trevor Rabin, Alan White, Tony Kaye) and the then-ex-YES members' group ANDERSON BRUFORD WAKEMAN HOWE (Jon Anderson, Bill Bruford, Rick Wakeman and Steve Howe). "It was difficult when we went through that, particularly because of the personalities," Howe said. "I'm not saying any one person is to blame, but when you get a big hodgepodge like that together, it's pretty much a nightmare. We made a nightmare of possibly a good thing back in 1990. I don't think there is the stamina or the appetite for that kind of thing again."
Anderson, Wakeman and Rabin had started touring as ARW: ANDERSON, RABIN AND WAKEMAN in 2016 and then adopted the YES FEATURING JON ANDERSON, TREVOR RABIN, RICK WAKEMAN moniker shortly after the group's 2017 Rock And Roll Hall Of Fame induction.
Howe last toured with Anderson and Wakeman in 2004.
YES has released over 20 albums across its career, including its self-titled debut in 1969 and "Tales From Topographic Oceans" in 1973.
Ahead of its world premiere, Trafalgar Releasing has unveiled a first-look clip of GHOST's debut film, "Rite Here Rite Now". In the spirit of the feature film, the clip juxtaposes mesmerizing live footage of GHOST performing for capacity crowds, showcasing a sequence of the song "Kaisarion" from the 2022 album "Impera", with intriguing backstage machinations sure to fuel fever-pitch speculation regarding plot threads drawn from the Grammy-winning band's "Chapters" series.
Due to the overwhelming demand, further theatrical dates have been added to the worldwide launch of "Rite Here Rite Now", which will now premiere in cinemas over four days on June 20, June 21, June 22 and June 23. Tickets are available here.
Directed by GHOST's Tobias Forge and Alex Ross Perry ("Her Smell"),"Rite Here Rite Now" combines never-before-seen 2023 concert footage of GHOST with a narrative story that picks up plot threads from the band's long-running "Chapters" series.
Shot over the course of GHOST's two sold-out shows at Los Angeles's hallowed Kia Forum, "Rite Here Rite Now" fully immerses viewers in the technicolor melodrama of the vaunted live ritual that has helped to propel Sweden's foremost theatrical rock export to Grammy-winning, chart-topping, arena-headlining status the world over.
"Rite Here Rite Now" is, however, so much more than a concert movie. GHOST's debut feature film combines live performance from the two-night finale of the band's "Re-Imperatour" U.S.A. 2023 with a narrative story that picks up plot threads from the band's long-running "Chapters" series. The result is an utterly unique phantasmagorical blend: Flesh and bone renditions of favorites from all five of GHOST's albums as well as the RIAA platinum-certified "Mary On A Cross" and more are interwoven with the silver screen debuts of a few faces familiar to the band's legions of fans — all interacting behind the scenes with GHOST's Papa Emeritus IV, as his future and fate lay in the hands of the Ministry.
Whether you're a devoted disciple looking to relive treasured memories of the GHOST live spectacle or among the curious uninitiated, "Rite Here Rite Now" will put you right there: putting your phones down and living in the moment — as a shadow of uncertainty looms — completely spellbound and in the thrall of this bombastic yet intimate cinematic portrait of GHOST.
The original motion picture soundtrack to "Rite Here Rite Now" will be released on July 26 via Loma Vista Recordings. A fitting 18-song complement to GHOST's debut feature film, the band's first-ever original soundtrack will be available on all formats (digital, CD, 2xLP). Pre-orders are live now, and include the soundtrack's live version of "Absolution", captured at that now-legendary two-night stand at the Forum, as an instant grat track available on YouTube.
Forge explained: "Over a decade ago when GHOST got signed to Loma Vista, Tom Whalley (owner and CEO) asked what the story of the band was. He felt telling a story was vital in order to get new fans engaged. I said that because we were a new 'baby' band and more importantly we were an anonymous baby band, there wasn't really a compelling story to tell. Not yet anyway. But I told him that if he wanted a story, I could come up with one. This film is the fruit of that conversation."
Director Alex Ross Perry said: "Collaborating with Tobias to expand the saga of GHOST into a feature film has been a wicked delight. This movie allowed us to be inspired by everything from silent horror to 'The Great Rock N' Roll Swindle', from Ralph Bakshi to KISS 'Alive II'. The influences were many, but above all, the ultimate goal was to make a one-of-a-kind feast not only for GHOST fans, but all lovers of the cinematic alchemy between rock spectacle and spooky delights."
Kymberli Frueh, SVP of programming and content acquisitions at Trafalgar Releasing, added: "The mystery, mystique, and musical style of GHOST has created such a dedicated allegiance to the band. Our cinemas provide the perfect immersive experience to unite fans as a community and experience GHOST's elaborate performances with big screens and big sound."
"Rite Here Rite Now" is produced by Popecorn Cinematic Pictures. Producers include Kristen Mulderig, Rick Sales, Craig Butta and Jonas Åkerlund.
Last October, Forge confirmed that footage from the band's September 2023 two shows at the Kia Forum in Inglewood, California would be used as part of the film.
"When I first started putting it together, I was, like, 'Oh my god, I'm going to faint because there's so much to think about,'" Forge told Metal Hammer magazine. "Then it was, like, 'No, no, just don't think about it at all.'"
Both GHOST shows at the Forum were device-free experiences. Use of phones and smart watches was not permitted in the performance space. Upon arrival at the venue, devices were secured in individual Yondr pouches that were opened at the end of the event.
"I have never seen a crowd interact the way that they did since I was in a club band," Forge said. "They were the best shows I've ever done with GHOST, just because I didn't have to see those fucking mobile phones."
Tobias went on to say that GHOST was "essentially shooting a film. And we used two nights of crowds as extras," he explained. "It's going to be a film with a concert element. So a lot of what you experienced [at the two L.A. shows] is going to be part of this project."
Tobias was also asked if the GHOST film will be similar to METALLICA's "Through The Never", which starred members of the iconic rock band and Dane DeHaan ("Chronicle", "The Amazing Spider-Man 2"). DeHaan played a young band crew member who is sent out on an urgent mission while the band is playing a rousing live set in front of a sold-out crowd and unexpectedly finds his world turned completely upside down. Forge replied: "In the sense that it's a concert with something else combined."
At the Forum shows, GHOST performed the song "Twenties" live for the very first time live. They also played their cover of Roky Erikson's "If You Have Ghosts", which was originally reimagined by GHOST for their 2013 EP "If You Have Ghost". The band's version of the track at the Forum featured two cellists with a piano playing, and it was performed on a separate stage from the rest of the set.
Back in 2019, Forge told Revolver that there was a GHOST feature film in the works. He added, however, that this wouldn't be your typical "rockumentary" or even a concert film, but something else entirely.
"Most films about bands are biographical, and I see no reason to tell our story yet," Forge said. "It's a little bit like premature ejaculation. You have to have a career first and then you can tell the real story, so that was never an option. And when you yank away that, what do you have? Well, that would be a fictional story."
When Forge spoke to Revolver about the GHOST film four years ago, he explained that it would be a while before the project came to fruition.
"The cog wheels are turning on that one," he said. "We're just trying to figure out a lot of the practicalities. Making a film is a big endeavor. Another problem that I have had over the course of my career is that I don't have a shit-ton of time. I've learned over the years that it's really important not to do everything at once."
Charismatic Dutch singer-songwriter Charlotte Wessels (ex-Delain) returns with a captivating new single, “Chasing Sunsets”. The track, which is at once melancholic and upbeat, highlights her inimitable voice and memorable hooks, complemented by a mesmerizing music video.
Taken from her first traditional full-length solo album, The Obsession, set to be released on September 20, 2024 via Napalm Records, this album is promising a storytelling exploration of fear and liberation. Featuring guest appearances by Simone Simons of Epica and Alissa White-Gluz of Arch Enemy, it blends catchy elements with progressive and heavier soundscapes, marking the most significant step in Wessels’ solo career.
Wessels and her band will bring this story to the stage for a release show on October 4 at Utrecht’s TivoliVredenburg. In addition, there’ll be some exciting festival appearances this year, and it was recently announced that Charlotte Wessels will join Vola on their Friend of a Phantom EU Tour 2024, kicking off November 1. Don’t miss the chance to undergo this astonishing live experience.
Charlotte Wessels on the new single and official music video: “When I released the initial version of 'Chasing Sunsets' on Patreon, it was an instant favorite, and it grew so much since then as we worked on it for the album, I can’t wait to share this track with the world! There’s an underlying theme of self-preservation and greed in the song that we visualized in the music video. I’ve never felt so much like we’re living in the hunger games where parts of the world continue lavish lifestyles while others suffer complete devastation. We worked with this theme in the music video through an artificial beautiful landscape and styling, all staged in a barren space with burning trees."
Watch the official music video for “Chasing Sunsets”:
While still writing and producing the songs in her Six Feet Under basement home studio and sharing their first incarnations with her patrons, Charlotte Wessels now takes the songs from her new album, The Obsession, to the next level with a band of her fellow ex-Delain cohorts Timo Somers (guitars, additional arrangements), Otto Schimmelpenninck van der Oije (bass) and Joey Marin de Boer (drums) as well as Sophia Vernikov (piano/hammond), contributing to the new heavier sound. The album also features arrangements by Vikram Shankar (Silent Skies, Pain of Salvation), cello by Elianne Anemaat, was mixed by Guido Aalbers (Muse, Coldplay, The Gathering) and was mastered by Andy VanDette (Porcupine Tree, VOLA, Dream Theater).
Charlotte Wessels about the new album: "On the one hand, this album tells a very personal story – through its unintended theme of fear, obsessive thoughts and the escapes from them – and at the same time it represents the joy of finding the song's true forms with everyone involved in the making of this record. That’s why I chose The Obsession as a title. It refers to my personal challenges with OCD that inspired many of the songs - but I’ve also started referring to the band as The Obsession - because there were moments in the studio with them that truly reminded me of why I'm obsessed with making music in the first place."
Themes of fear, obsessive thoughts and escapism run rampant on the album, presenting dark and heavy on songs like “The Exorcism”, “The Crying Room” and “Ode To The West Wind” (feat. Alissa White-Gluz of Arch Enemy). In addition, there are songs that offer a more upbeat approach to the subject – like “Dopamine” (feat. Simone Simons of Epica) which deals with SSRI-induced numbness, or “Praise” – which sings the gospel of needing external validation in order to feel anything. The reimagining of fan-favorite “Soft Revolution” won’t leave a dry eye in the room, while “Soulstice” and “Serpentine” present an unprecedented dark sensuality. Each song itself functions like an exorcism, an attempt to cast out a little of the fear it deals with.
Charlotte Wessels about the guests: “I’m extremely grateful and proud to add Simone Simons and Alissa White-Gluz to the line-up of this album. They are creative powerhouses that I have so much love and respect for. Whenever we get to work together is an absolute treat and they really elevated the songs with their performances.”
The Obsession will be available in the following formats:
"Chasing Sunsets"
"Dopamine"
"The Exorcism"
"Soulstice"
"The Crying Room"
"Ode To The West Wind"
"Serpentine"
"Praise"
"All You Are"
"Vigor And Valor"
"Breathe"
"Soft Revolution (2024)"
"The Exorcism" video:
(Photo - Tim Tronckoe + Claire Stuart/Blond en Blauw Films)
Just in time for the upcoming festival season, which will take the Austrian band Mastic Scum to stages in the Czech Republic, Croatia, Romania and Slovakia, the tech/groove deathers have release “Roomd 23”, a video clip for a track from their latest album Icon.
This is the perfect opportunity to get into the groove or to be reminded that the album is still available on CD and red vinyl. Order at the MDD Records webshop.
Festival dates:
June
22 – Czech Republic – Apocalyptic Form Of Death
Icelandic post-rockers Sólstafir have revealed the brand new single, “Hin Helga Kvöl". Meaning "The Holy Torment," the new offering conjures up nostalgia as it harkens back to the band's heavy roots while still layered with thick ambience and deep emotion. The song can be found along with a music video, which was directed by Karl Ágúst Guðmundsson for Polarama below.
"It is a song about dying,” says guitarist/vocalist Aðalbjörn Tryggvason (guitar, vocals). “It is about the realization that you will die sooner than later and consciously witnessing the end of your own world. It is one’s own personal idea of Ragnarök - or Armageddon. What happens afterwards? Are we reborn or are we simply food for the worms…”
Sólstafir recently announced signing to Century Media Records. They are no strangers to the music world with their 20+ years of performing across the globe as they consistently amaze audiences with their hearts on their sleeves from the first note. With a full catalog of truly exceptional timeless hits to perform, as well as some much-anticipated new music, the atmospheric Icelandic rock n’ roll sound that is uniquely Sólstafir always delivers to those who bear witness to their epic sets that take you on a journey through the ice and snow, fire and lava and breathtaking soundscapes of their homeland.
Dates:
November
13 - Groningen, Netherlands - Oosterpoort
14 - Nijmegen, Netherlands - Doornroosje
15 - Maastricht, Netherlands - Muziekgieterij
16 - Brussels, Belgium - Botanique
17 - Bielefeld, Germany - Forum
19 - Lille, France - Splendid
20 - Brighton, UK Concorde 2
21 - Manchester, UK - Club Academy
22 - Dublin, Ireland - Opium
23 - Glasgow, UK - Queen Margaret Union
24 - London, UK - Electric Brixon
26 - Paris, France - La Machine Du Moulin Rouge
27 - Rennes, France - Antipode
28 - Toulouse, France - Metronum
29 - Pamplona, Spain - Totem
30 - Madrid, Spain - Sala Mon
Guitar virtuoso John 5 is giving fans a look into his life and career with a brand-new song called "A Hollywood Story". The track, and accompanying video, details John 5's incredible journey, from picking up his first guitar at the age of 7 to recording acclaimed solo material and touring the world with the likes of Marilyn Manson, Rob Zombie, JUDAS PRIEST's Rob Halford and — currently — MÖTLEY CRÜE.
Says John 5 of the song: "'A Hollywood Story' is a look back on my career and how lucky I am to have had the experiences that I've had. When you're a little kid, in your room, dreaming of your future, I never could've dreamt of what has happened to me in real life. I'm so appreciative and so happy. So go after your dreams whatever they may be."
The new track comes after the release of the instrumental masterpiece "The Ghost" last October as well as a series of sold-out tour dates in 2023. John 5 will hit the road again this fall on the "Strung Out" tour, with special guest TURNING JANE, beginning September 1 in Boston, Massachusetts and ending October 24 in Novato, California, with a number of Canadian dates. These new solo appearances will be in addition to John 5's confirmed dates with MÖTLEY CRÜE, including Summerfest, Louder Than Life and Aftershock festivals.
Tickets for John 5's fall tour go on sale this Friday, June 14.
John 5 "Strung Out" 2024 tour dates:
Sept. 01 - Boston, MA @ City Winery
Sept. 02 - Hampton Beach, NH @ Wally's
Sept. 04 - Albany, NY @ Empire Live
Sept. 05 - Montreal, QC @ Le Studio TD
Sept. 06 - Toronto, ON @ Lee's Palace
Sept. 07 - Cadillac, MI @ Venue Event Center
Sept. 08 - Westland, MI @ Token Lounge
Sept. 09 - Chicago, IL @ City Winery
Sept. 10 - Madison, WI @Majestic Theater
Sept. 12 - Sioux Falls, SD @ Bigs Bar
Sept. 13 - Fargo, ND @ Sanctuary Events Center
Sept. 14 - Winnipeg, MB @ Park Theatre
Sept. 15 - Regina, SK @ The Exchange
Sept. 17 - Edmonton, AB @ Starlite Room
Sept. 18 - [to be announced]
Sept. 19 - Kelowna, BC @ The Revelry
Sept. 20 - Vancouver, BC @ Rickshaw Theater
Sept. 21 - Seattle, WA @ El Corazon
Sept. 22 - Portland, OR @ Bossanova Ballroom
Oct. 23 - Menlo Park, CA @ The Guild Theater
Oct. 24 - Novato, CA @ Hopmonk
For over 30 years, John 5 has been one of the most in-demand guitar players on the planet. As well as being a songwriter/guitarist for hire, John 5 has shared the stage as axe-man for Rob Zombie, Marilyn Manson and Rob Halford. He has also worked with an impressive array of names, from all walks of music, including KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Tina Guo, LYNYRD SKYNYRD, Meat Loaf, Dolly Parton and Ricky Martin. In October 2022, it was revealed that John 5 would be joining MÖTLEY CRÜE as their guitarist following the announcement that Mick Mars would be retiring. John 5 continues to tour with MÖTLEY CRÜE on their 2024 world tour.
Keeping the tradition of releasing new music every three years alive, vocalist/guitarist/songwriter Myles Kennedy — known for his work with rockers ALTER BRIDGE and SLASH FEATURING MYLES KENNEDY & THE CONSPIRATORS — is back with his third solo album, "The Art Of Letting Go". The album marks the return of Myles, backed by his band comprised of Zia Uddin on drums and Tim Tournier on bass. The album is scheduled for release via longtime label home Napalm Records on October 11, 2024, and is available for pre-order in multiple configurations.
From the opening guitar riff of the title track "The Art Of Letting Go" to the haunting melody of album closer "How The Story Ends", Myles Kennedy is back with a collection of songs that is sure to cater to old and new fans alike. Songs like "Mr. Downside", "Miss You When You're Gone" and "Saving Face" showcase the memorable storytelling that has become synonymous throughout all of Myles's projects. The debut single — currently impacting radio around the globe — is the upbeat rocker "Say What You Will". The song is now available via all DSPs.
The "Say What You Will" music video was directed by Gordy De St Jeor (MAMMOTH WVH) and tells the story of a bullied and timid student who breaks out of her shell with the help of a teacher, janitor and lunch person portrayed by Kennedy, Uddin and Tournier in the school talent show.
The track listing for "The Art Of Letting Go" is:
01. The Art Of Letting Go
02. Say What You Will
03. Mr. Downside
04. Miss You When You're Gone
05. Behind The Veil
06. Saving Face
07. Eternal Lullaby
08. Nothing More To Gain
09. Dead To Rights
10. How The Story Ends
To celebrate the release of "The Art Of Letting Go", Myles Kennedy and his trio will be hitting the road in support of the new album. A six-date U.K. run with support from Devin Townsend recently went on sale for November and December. Twenty more newly announced dates are being added to "The Art Of Letting Go" tour 2024 all across Europe starting in October. The additional European dates will feature support from BLACK RIVER DELTA and CARDINAL BLACK. The band will also be bringing the tour to North America with dates set for January and February 2025. The 2025 dates will feature special guest Tim Montana.
A special BLABBERMOUTH.NET presale for Myles Kennedy's 2025 North American tour will begin on Wednesday, June 13 at 10:00 a.m. local time and end on Thursday, June 13 at 10:00 p.m. local time. When prompted, type in the presale code "BBMMK" to access tickets before the general public. Check back here on Thursday for ticketing links to individual shows. General on-sale will be Friday, June 14 at 10 a.m. local time.
"The Art Of Letting Go" European tour 2024:
October 27 - Hamburg, DE - Gruenspan ^
October 28 - Copenhagen, DK - Pumpehuset ^
October 30 - Gothenburg, SE - Valand ^
November 01 - Stockholm. SE - Debaser ^
November 02 - Oslo, NO - John Dee ^
November 05 - Berlin, DE - Columbia Theater ^
November 07 - Warsaw, PL - Club Progresja ^
November 08 - Prague, CZ - Palac Akropolis ^
November 10 - Budapest, HU - Akvarium Klub ^
November 11 - Vienna, AT - Arena ^
November 13 - Milan, IT - Alcatraz ^
November 14 - Zurich, CH - X-Tra ^
November 16 - Munich, DE - Technikum ^
November 17 - Luxembourg, LU - Rockhal ^
November 19 - Frankfurt, DE - Zoom +
November 20 - Tilburg, NL - 013 +
November 22 - Cologne, DE - Kantine +
November 23 - Paris, FR - Le Cabaret Sauvage +
November 25 - Glasgow, UK - SWG3 #
November 27 - Manchester, UK - Academy #
November 29 - Nottingham, UK - Rock City #
November 30 - Birmingham, UK - O2 Academy Birmingham #
December 02 - Cardiff, UK - The Great Hall, Cardiff Uni Students Union #
December 03 - London, UK - O2 Forum Kentish Town #
December 05 - Dublin, IE - The Academy +
December 06 - Belfast, IE - Limelight +
^ with special guest BLACK RIVER DELTA
+ with special guest CARDINAL BLACK
# Previously announced date with Devin Townsend acoustic performance
"The Art Of Letting Go" North American tour 2025:
January 17 - Joliet, IL - The Forge *
January 18 - Minneapolis, MN - Varsity Theater *
January 21 - Flint, MI - The Machine Shop *
January 22 - Toronto, ON - The Concert Hall *
January 24 - Uncasville, CT - Wolf Den at Mohegan Sun
January 25 - Glenside, PA - Keswick Theatre *
January 27 - Boston, MA - Brighton Music Hall *
January 28 - Asbury Park, NJ - The Stone Pony *
January 30 - Baltimore, MD - Baltimore Soundstage *
January 31 - Charlotte, NC - Neighborhood Theatre *
February 02 - Nashville, TN - Brooklyn Bowl *
February 03 - Atlanta, GA - Variety Playhouse *
February 05 - Destin, FL - Club LA *
February 07 - San Antonio, TX - Vibes Event Center *
February 08 - Dallas, TX - Echo Lounge & Music Hall *
February 11 - Lawrence, KS - Liberty Hall *
February 12 - Denver, CO - Summit *
February 14 - Mesa, AZ - The Nile Theater *
February 16 - Los Angeles, CA - El Rey Theatre *
February 18 - Sacramento, CA - Ace of Spades *
February 20 - Seattle, WA - The Neptune *
February 21 - Spokane, WA - Knitting Factory *
* with special guest Tim Montana
As a prolific songwriter, powerhouse vocalist, and proficient guitar player, Kennedy tunes into the rhythm of his surroundings and goes with the flow. Fronting ALTER BRIDGE, his soaring vocals, open-hearted lyrics, and airtight riffs have fueled the group's global impact as a gold-certified, arena-filling force of nature over two decades-plus. On the microphone for SLASH FEATURING MYLES KENNEDY & THE CONSPIRATORS, his towering range has consistently stunned audiences since 2010. Becoming a celebrated collaborator, he's the rare presence just as comfortable on a track with DISTURBED, HALESTORM and SEVENDUST as he is with GOV'T MULE and Darryl "DMC" McDaniels. It's why he's generated over one billion cumulative streams, earned gold and platinum certifications worldwide, uplifted countless fans, and Kerrang! christened him "one of rock's finest vocalists." It's also why he's carved out his own lane. 2021 saw him deliver his acclaimed sophomore opus, "The Ides Of March". It impressively notched a total of four No. 1 debuts across three countries, toppling the Billboard U.S. Top Current Hard Music chart, the U.K. Official Rock & Metal chart and Official Independent Album chart, and Canada's Hard Music Albums chart. Beyond generating 10 million-plus streams, it incited unanimous critical applause from American Songwriter, Guitar.com, Loudwire, Guitar World and more. RIFF hailed it as "a fantastic and must-listen record," while Classic Rock magazine awarded it "4.5 out of 5 stars," going on to attest, "'The Ides Of March' confirms Myles Kennedy as a musical powerhouse."
ARMORED SAINT has released a brilliant rendition of "One Chain (Don't Make No Prison)". The classic track was originally written by Dennis Lambert and Brian Potter and was first released by PEOPLE in 1970. Additional covers include THE FOUR TOPS (1974),SANTANA (1978) and THE DOOBIE BROTHERS (1989).
Comments ARMORED SAINT vocalist John Bush: "[Bassist] Joey [Vera] came up with the idea of doing the song. We've always been huge fans of old-school soul and R&B music, so it was a no-brainer. It's got a great groove, perfect for our rhythm section, and Jeff's [Duncan] and Phil's [Sandoval] guitars are screaming. Plus, the cool lyrics make it ideal for the SAINT style. Levi Stubbs [THE FOUR TOPS] was such a rad singer; I just tried to do him justice. I think this would make him a metal fan."
Watch ARMORED SAINT's video for "One Chain (Don't Make No Prison)", directed by My Good Eye: Music Visuals, below.
"One Chain (Don't Make No Prison)" was produced by Joey Vera, mixed by Jay Ruston and mastered by Maor Applebaum.
In a recent interview with "THAT Rocks!", Vera stated about ARMORED SAINT's cover version of "One Chain Don't Make No Prison": "We kind of went for this '70s retro R&B thing. There's this tune called 'One Chain Don't Make No Prison' by the FOUR TOPS, and it's been one of my favorite songs forever. I always imagined it with John singing it, so I just did this demo, kind of like a more heavier version of the song. And then we did this demo, and we said, 'Wow, this is, this is amazing. We should just do this as a one-off.' Not really associated with a record per se, but just for fun, kind of. We've never done a single before. It's always been, record 10, 11 songs, put out an album. So all the kids nowadays are doing singles. So we're, like, 'Let's do a single.'"
Added John: "It's cool. It's a really cool version of the song. And I was trying to really pay tribute to Levi Stubbs, who's one of the best R&B singers from that era. He just has a cool soulful, powerful, almost a rock voice, and I think a lot of people — Glenn Hughes probably in particular — would admire his singing. And he just had this vibe. And so I was, like, 'Okay, I'd better pull it out of me.' But we did a great job."
On the topic of the music video for ARMORED SAINT's version of "One Chain Don't Make No Prison", Bush said: "I'm kind of wearing these suits. It's not quite campy, but it does look kind of cool and retro, and it just kind of shows a little different side of the band."
In March, Bush told Nikki Blakk of the San Francisco radio station 107.7 The Bone about ARMORED SAINT's cover of "One Chain Don't Make No Prison": "[It came out] really cool. It's kind of a throwback. I love that sound from — especially [FOUR TOPS] in the '70s was really cool. That's when they got a little bit more edgy. The '60s stuff was, of course, great, but Levi Stubbs, the main singer, was awesome. He had a cool, just soulful, powerful voice. So Joey had this idea of doing it. We did the song. I don't know when for sure it's coming out. We did a video for it that we're all wearing suits. So it's pretty funny. It's a little different for us. It was really aesthetically looking pretty cool. We filmed it at somebody's house somewhere here in Hollywood. The guy had all these crazy decorations inside of his house that he lived in. So, the director found it. And so we shot it kind of in a circle, which is really cool. It was fun."
ARMORED SAINT was inducted into the Metal Hall Of Fame last July at the legendary Whisky A Go Go in West Hollywood, California.
More than a year ago, ARMORED SAINT's long-awaited documentary, Armored Saint: Band Of Brothers", had its world premiere in the band's hometown at the Harmony Gold Theatre in Hollywood, California.
ARMORED SAINT's eighth full-length album, "Punching The Sky", came out in October 2020 via Metal Blade Records.
ARMORED SAINT released the "Symbol Of Salvation Live" CD/DVD in 2021 via Metal Blade Records. The release came in celebration of the seminal album's 30th anniversary. "Symbol Of Salvation Live" was a combination live album and video of the band playing the album in its entirety at New York City's famed Gramercy Theatre during its 2018 tour.
ARMORED SAINT recently wrapped up a successful North American tour with QUEENSRŸCHE and is currently working on music for its upcoming full-length album. Next month, the band will return to European stages for a 16-date run of shows, which will include appearances at Headbangers Open Air, Wacken Open Air, Fezen, Brutal Assault and more.
ÑØÀ
Black Country Communion![=]](/img/news-bord-shr.gif){kind=small}
Ãðåöèÿ
Èòàëèÿ
Øâåöèÿ
Íèäåðëàíäû
Àâñòðèÿ
Èñëàíäèÿ
