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27 окт 2019
FRANK ZAPPA – Halloween ’73 Available For First Time As Limited Edition Costume Box
Now for the first time ever, Zappa's two complete Halloween shows recorded on October 31, 1973 in Chicago, are available today, October 25 via Zappa Records/UMe, just in time for Halloween. These completely unreleased live recordings total more than four and a half hours and feature songs from across his prolific catalog, including his then just-released 1973 album Over-Nite Sensation and forthcoming 1974 record Apostrophe('), as well as early arrangements of compositions like "Penguin In Bondage," "Dickie's Such An Asshole" and "Village Of The Sun" that would appear on later studio and live albums. Continuing the Halloween series that the Zappa Family Trust began in 2017 with the acclaimed Halloween 77 releases, Halloween 73 is available as a specially designed, limited run four-disc costume box complete with a FRANKenZAPPA mask and gloves, housed in a display worthy box. Produced by Ahmet Zappa and Vaultmeister Joe Travers, the boxed set is rounded out with a 40-page booklet featuring detailed liner notes from Travers and Ruth Komanoff Underwood and Ralph Humphrey, Zappa's bandmates who played in the shows, and a wealth of never-before-seen photos from the event.
The two full shows are presented on discs 1-3, with the fourth disc dedicated to unreleased rehearsals recorded just before the tour started. A single CD version titled Halloween 73 Highlights, which collects together 16 handpicked performances from both shows, is also available. The concerts were recorded on 1/2" 4-track analog tape which was stored in pristine condition in Zappa's personal Vault. The tracks were digitally transferred in 96K/24B from the original analog tapes by Travers in 2019 and mastered and re-mixed by Craig Parker Adams. Both the deluxe boxed set and Highlights album will be available digitally for streaming and download.
After Zappa's European tour that ended in September of '73, the ever-restless musician decided to shake up his lineup once again and replaced woodwind and keyboards player Ian Underwood and violinist Jean Luc-Ponty with two new members: Chester Thompson on drums and Napoleon Murphy Brock who supplied vocals, tenor sax and flute. Following a month of rehearsals, the Halloween shows in Chicago marked the second gig for this new lineup. These recordings then represent the first official recording of this new configuration which as Travers writes in the liners, "would become infamous with the shows at The Roxy Theater scheduled for that December in Los Angeles and filmed for all posterity."
Proceeding the Roxy performances, which can be heard in full on 2018's The Roxy Performances boxed set, as well as the 1974 double live album Roxy & Elsewhere, it's thrilling to hear the band dynamics and evolution. As Travers writes, "the music is fresh and going through changes, along with incorporating the new funky rhythms of Chester and the dynamic lead vocals of Napoleon. And with the mallets of Ruth Underwood prominently featured in the instrumentation, Bruce Fowler's bionic trombone, Ralph Humphrey's technical wizardry of the drum set, Tom Fowler's command of the bass and the keyboard mastery of George Duke, it's a no-brainer that this line-up would go on to be a favorite among fans. The musicianship and chemistry of the personnel blended so well together with the material Frank was writing. It would prove to be a golden period in the history of Frank Zappa and these Halloween shows are proof."
Band members Ruth Komanoff Underwood and Ralph Humphrey both provide some fascinating insight into what it was like to play with Zappa and some insightful history about these shows in the in-depth liner notes which also feature beautiful live shots and intimate backstage photos. Underwood details Zappa's desire to constantly change up the musicians he worked with and states, "Frank, though, wasn't looking back for a moment, but only characteristically ahead, relishing the excitement and challenge at hand. Personnel changes had become routine for him, and he thrived on the new musical possibilities and mix of personalities. It was evident, then and always, that Frank needed to live his life in a state of perpetual transition, a reality that could be as maddening to us as it was exciting for all. However unnerving these constant changes, the exertion made us better players, despite some figurative bumps and bruises."
These concerts would be the only Halloween shows that Zappa performed in Chicago as the Halloween tradition would start the next year in NYC in 1974 and continue for the next decade. These shows would have the same unbridled, celebratory spirit of the NY gigs that David Fricke of Rolling Stone hailed as "advanced, instrumental ecstasy, cliff-edge improvisation and impromptu theatrical hijinks."
Find Halloween ’73 ordering options at this location.
Tracklisting:
CD 1 – Show 1
“Happy Halloween To Each And Every One Of You”
“Pygmy Twylyte”
“The Idiot Bastard Son”
“Cheepnis”
“Another Assembly Of Items”
“The Eric Dolphy Memorial Barbeque”
“Kung Fu”
“Penguin In Bondage”
“T’Mershi Duween”
“The Dog Breath Variations”
“Uncle Meat”
“RDNZL”
“Village Of The Sun”
“Ecidna’s Arf (Of You)”
“Don’t You Ever Wash That Thing?”
“Montana”
CD 2 – Show 1 Continued
“Dupree’s Paradise”
“Almost Up To Date”
“Dickie’s Such An Asshole”
(Show 2)
“That Greatest Of American Holidays”
“Cosmik Debris”
“We’re Hurtin’ For Tunes”
“Pygmy Twylyte”
“The Idiot Bastard Son”
“Cheepnis”
“I’m The Slime”
“Big Swifty”
CD 3 – Show 2 Continued
“The History Of The San Clemente Magnetic Deviation”
“Dickie’s Such An Asshole”
“Another New Event”
“Father O’Blivion – Part 1”
“Father O’Blivion – Part 2”
“Pervert’s Special Holiday”
“Penguin In Bondage”
“T’Mershi Duween”
“RDNZL”
“Inca Roads”
“Medley: Son Of Mr. Green Genes/King Kong/Chunga’s Revenge”
CD 4 – Bonus Rehearsals October 20-21 1973
“The Eric Dolphy Memorial Barbeque”
“Penguin In Bondage”
“T’Mershi Duween”
“Dog Breath”
“The Dog Breath Variations”
“Uncle Meat”
“RDNZL”
“Magic Fingers”
“Inca Roads”
“Father O’Blivion”
“Cosmik Debris”
“Big Swifty”
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