In a new interview with Meltdown of Detroit's WRIF radio station, former MEGADETH bassist David Ellefson was asked what he thought about METALLICA's decision to launch legal action against Napster in 2000. Although the case was settled out of court, 300,000 users were banned from the pioneering music file-sharing service as a result and METALLICA's image took a tremendous beating in the eyes of music fans. Ellefson said (as transcribed by BLABBERMOUTH.NET): "[Lars Ulrich] was 100 percent right. And, in fact, we were told by our manager, 'Shut up. Don't say anything about it. It's too controversial. Stay out of it.' But I totally — I mean, on the sidelines, I'm going, 'He's totally right.' And like he said, he goes, 'Look, we have the money to fight this.' Unfortunately, it was an unwinnable thing and it was just such bad press, unfortunately."

David continued: "Look, he's right. You can't go to the grocery store and just decide to take a loaf of bread and go, 'It's digital bread. It should be free.' Or if you're sitting at home on Amazon or whatever, Uber Eats, it's, like, yeah, you've gotta pay for it when it shows up at the door. So, there's no free lunches… But, no, he was right. It's like, look, music costs people time, money. It's an endeavor. I mean, look, if you just wanna play for free and for fun, go in your living room and play. But when you're out selling a product, which a song is when it's professionally marketed, then, yeah, look, there's cost to these things, and for people to just take it is, you know, whatever."

Ellefson added: "A lot of it, I think, was just sort of educating people about how the Internet can't just run amok with things, as it tends to do with certain things. For me, Steve Jobs [the visionary co-founder of Apple Inc.], he's my hero anyway. I'm an Apple guy, always have been. And in a way, he kind of saved the day with that by creating the iTunes store, even if it was just so he could sell more iPods. He created his own little music grocery store to kind of create the ecosphere.

"So, look, Lars was right. Steve Jobs got the job done, and we all live happily ever after."

Ellefson previously discussed METALLICA's lawsuit against Napster in an October 2020 interview with "theFIVE10" podcast. Asked how he stayed relevant when the music industry changes so frequently, he responded: "I think you just roll with the punches. I remember when the whole Napster thing was going on, and Lars, in particular, of METALLICA was fighting the good fight, and they were absolutely right. And I remember our manager saying, 'Oh, don't jump into that controversy. You've gotta be careful.' And I said, 'Fuck that. They're wrong. They're stealing our music. They are wrong, and Larsis right.' Unfortunately, it was an unwinnable battle. It's like looting — somebody just opened the front door of Walmart, and everybody ran in and stole everything. So even they [METALLICA] had to just sort of back off and let it take its course.

"Thank God for our pal Steve Jobs who, in my opinion, saved the music business," he continued. "Even though it was self-serving 'cause he wanted to sell iPods — 'Hey, I've got a device. How do I get the music on there?' — but Steve, to his credit, in his time away from Apple, he had made friends with [David] Geffen and [Jeffrey] Katzenberg and all these guys down in Hollywood, and he understood Hollywood. He understood the film business, the music business, so with him being a computer guy, he rallied it together.

"I still buy everything on iTunes," Ellefson added. "I subscribe to Apple [Music] radio. I don't subscribe to Spotify. I don't give them my money, since they don't give me very much of my money. But Apple pays well, so thank you, Apple. And I buy all their products, and I own their stock. So I'm an Apple guy, through and through."

Asked what he thinks the next platform or medium will be for getting music out to the masses, David said: "Well, look, who knows? I mean, all I know is we live one day at a time… So, the future — who knows? I mean, China sneezes on us, and now we're doing Zoom meetings. Who knows? So to predict the future… Again, I think you just kind of take it one day at a time. I think the biggest thing about it is just be resilient. People ask, 'Do you have any advice for musicians?' And it's just learn to play along, learn to play nice, learn to play nice with your bandmates and the world around you, because things change quickly. Someone who was playing behind you last year is now the headliner over you this year, and that's how it goes. So, be resilient."

Five years ago, Ellefson lamented Spotify's meager artist payouts, telling Graspop Metal Meeting: "As great as the digital streaming is as a promotional thing, it's extremely unfair to us. They've built entire massive fortunes on the backs of our music that we don't get paid for. And that, fortunately, is gonna change… Now, as far as the fans, the user? My daughter, my kids, I don't think they hardly bought any music — they always get everything… My daughter, for sure, gets things off Spotify, so I pay attention. And certainly YouTube and all that stuff, so, of course, it's important. Because if we're not on our drums and guitars, we're probably on our phones. So it's important that we pay attention to it, because our fans are a part of it. So if we wanna connect to our fans, we need to be there.

"Thank goodness, again, like I said, the middle is getting connected better as far as the fairness of the royalty and everything, which, of course, makes us feel better, because we feel like we're being compensated for a lot of hard work," he added. "And somebody had to pay to make those records, so it's nice that everybody now starts to get a fair take on that."

METALLICA sued Napster after the band discovered that a leaked demo version of its song "I Disappear" was circulating on the pioneering music file-sharing service before it was released.

In May 2000, Ulrich famously delivered a literal truckload of paper to Napster Inc., listing hundreds of thousands of people who allegedly used the company's software to share unauthorized MP3s of METALLICA's songs.

METALLICA representatives compiled the more than 60,000-page list of 335,435 Napster user IDs over one weekend in response to Napster's promise to terminate the accounts of users who trade material without permission. Real names were not included in the list.

In later years, METALLICA embraced digital music: in December 2012, the band made all of its studio albums, as well as various live material, singles, remixes and collaborations, available on Spotify.

ASKING ALEXANDRIA's Ben Bruce has announced that he is "stepping away" from the band.

Bruce formed ASKING ALEXANDRIA in 2006 and has played on all of the British band's eight studio albums, including ASKING ALEXANDRIA's latest full-length release, 2023's "Where Do We Go From Here?" A new ASKING ALEXANDRIA EP, "Dark Void", arrived earlier this month.

In a message posted on Instagram earlier today (Friday, January 19),the guitarist thanked the ASKING ALEXANDRIA fans for their "years of love and support" before explaining that "it's time to dedicate my life to my family. On top of family medical situations, leaving my children means missing out on too many important moments in their lives."

Ben's full statement reads as follows:

"To my amazing AA family,

"First and foremost, I want to say thank you to everyone for the years of love and support. It means more to me than you can imagine.

"I've spent my entire life dedicated to music. It's been my first love since about the age of 2 and the journey I've been on has been absolutely incredible. As I've grown older and my life has inevitably changed, I have come to realize how precious time is. The time I have spent with all of you has been the time of my life. But now it's time to dedicate my life to my family.

"On top of family medical situations, leaving my children means missing out on too many important moments in their lives. It's so important for me to be there for them as they grow, and to be here for my family as they need me to be, which means, after a lot of thought, I will be stepping away from ASKING ALEXANDRIA.

"Thank you to everyone who has come and seen me play live and listened to the songs I've written over the years. The memories will love on in my heart forever. I truly love you all so much for the years of support you've given me and ASKING ALEXANDRIA. Thank you from the bottom of my heart."

Bruce has been the lead guitarist, backing vocalist and primary songwriter of ASKING ALEXANDRIA since the band's inception nearly two decades ago.

Ben Bruce has announced he is stepping away from Asking Alexandria.

Posted by The State of the Scene Podcast on Friday, January 19, 2024

A new photo has been shared online of the artist formerly known as Kanye West wearing a t-shirt from the controversial Norwegian black metal band BURZUM.

Earlier today (Friday, January 19),American rapper, singer and record producer JPEGMafia took to his social media to post a picture of him hanging out with West, who can be seen sporting the BURZUM piece of merchandise.

JPEGMafia shared the photo just days after he publicly questioned why Ye was ignoring his studio talents in favor of artists "who have less to offer u than me." JPEGMafia went on to refer to himself as "a scientist in the lab, a surgeon."

BURZUM was founded by Kristian "Varg" Vikernes (a.k.a. Count Grishnackh),who was convicted in 1994 and sentenced to Norway's longest prison term of 21 years for the August 1993 murder of MAYHEM guitarist Oystein Aarseth (a.k.a. Euronymous) and for burning down three churches, including the original Holmenkollen Chapel next to the Holmenkollen Ski Jump in Oslo. He was released from prison in 2009 after serving 16 years of that sentence.

In 2016, Kanye was featured in a rap song by Gucci Mane, "Pussy Print", which sampled BURZUM's 1996 track "Rundgang Um Die Transzendentale Säule Der Singularität".

Last month, several media outlets noted that the layout and typography for West's upcoming LP, "Vultures", echoes album covers by BURZUM.

After Vikernes was released from prison, he continued to express extreme views on his web site, claiming that "civil war, race war and a return to extreme nationalism" are "the only solution." He added: "Nothing other than a new Ice Age can stop immigration from Asia and Africa."

In recent years, West made headlines with his antisemitic remarks and was labeled "antisemite of the year" by a watchdog group named StopAntisemitism in 2022 after made posts on X in which he said he wished to go "death con 3" on Jews. Following his remarks, many of his sponsors decided to disassociate themselves from the rapper, ending their contracts with him.

3 DOORS DOWN singer Brad Arnold celebrated the eighth anniversary of his getting sober on January 19. The 45-year-old musician posted a photo of his AA sobriety medallion, which has the words "To thine own self be true" and "unity, service and recovery" engraved around the roman numeral for 8.

He wrote: "January 19 is a special day for me every year. It marks the start of a new year of a new life, a life without a bottle in my hand. I feel like a different person than I did eight years ago…..and it feels so good. Without question, God took that burden from me. I was so tired of carrying it. I couldn't carry it any more so I gave it to God and I'm not taking it back! If you're struggle with something, give it to Him. He'll gladly take your burden and you'll never have to carry it again. #onedayatatime".

In a 2023 interview with Charleston.com, Arnold said that alcohol became habit forming and a crutch. "I used to think it was a way to calm myself prior to a show or to chase loneliness," he explained. "There's not one aspect of my life that isn't better due to my sobriety. Honestly I still get a bit nervous just before I go on stage, but I don't need alcohol to lean on."

Back in 2018, Brad told New Hampshire Union Leader about his decision to stop drinking: "The biggest thing about it was I could trace almost every problem in my life to alcohol, even while I was drinking. I got to a point that I knew that I was drinking too much, and I needed to stop. And our guitar player — he's in recovery, and he'd been through his own addictions, and Greg [Upchurch], our drummer, had been through alcohol [problems] as well. I'm sitting [there] miserable all the time and feeling like crap all day, every day, until I started drinking earlier and earlier.

"I've seen these guys, how much happier they were, and seeing all my problems. And I just wanted that happiness. We went on a tour over in Japan to play for the troops. I was about halfway through that week, and I couldn't even remember this week. It wasn't like I was just blacked-out drunk or did anything stupid. I just couldn't even remember what I was doing. I just became so frustrated, and I knew I had a moment. I was like, 'I have to stop this.'"

Asked if he noticed a difference in his creativity between being sober and drinking, Brad said: "Absolutely. [Before] I'd go to band practice or something and I'd be like, 'Well, you know I just need a drink to like loosen up, relax.' But it was a killer vicious cycle, because it's like my mind is lying to me. I thought I needed that to relax and be creative. But I can have one or two drinks, and the creativity was gone. It was like, 'Well, I ain't doing it today.' That's how it went so many times, and that same mindset translated to everything else in my life. It developed to the point that I thought I had this hole in my life that alcohol was covering up or filling in, when in reality, alcohol was digging that hole."

Arnold revealed that there was alcoholism in his family, saying: "At that time I was 36 or 37, and my daddy was 74 — and my daddy has two brothers that both died from alcohol. My dad didn't drink, and my daddy has long outlived his brothers. And so I just thought to myself, 'My daddy is twice my age, and I won't live to be my dad's age. If I continue to drink like this, then my life is more than halfway over.' And I don't want my life to be halfway over right now."

Formed in 1995, 3 DOORS DOWN's many accolades include selling 16 million albums globally, receiving three Grammy nominations, and winning two American Music Awards, and five BMI Pop Awards for songwriting — including "Songwriter of the Year". Their debut, "The Better Life", became certified six times RIAA platinum in 2000 and was fueled by the success of juggernaut hit "Kryptonite". This was followed by 2002's sophomore album, "Away From The Sun", which went triple platinum and saw similar success with "When I'm Gone" and "Here Without You". 2005's platinum "Seventeen Days" and 2008's "3 Doors Down" each earned No. 1 debuts on the Billboard Top 200, while "Time Of My Life" landed at No. 3 in 2011. In 2003, the group founded the charity The Better Life Foundation. In 2016, 3 DOORS DOWN released its sixth full-length album, "Us And The Night".

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In a new interview with VRP Rocks, original KISS guitarist Ace Frehley spoke about his upcoming solo album, "10,000 Volts". The 11-track LP was produced by Ace and Steve Brown (TRIXTER) and will be released on February 23, 2024 via MNRK Music Group (formerly eOne Music).

"I'm very happy with the way the record turned out," Ace said (as transcribed by BLABBERMOUTH.NET). "Now, a lot of times I've recorded records where sometimes you look at three or four songs on the album and you consider them not as good as some of the other ones and you kind of consider them as filler. But I don't think there's any filler on this album. I think every song has merit to it."

He added:  "I think it's one of the best albums I ever did. I mean, I think it's probably as good as my solo album in 1978, which everybody seems to think is my best album to date. But I think this new album is equally as good as my 1978 solo album, and I think there's more than one hit single on the album. So, if I was a KISS fan or an Ace Frehley fan, I'd go out and buy it immediately when it's released on February 23rd, because you're in for a treat."

Ace released the single "10,000 Volts" on November 28. The track's music video — directed by Alex Kouvatsos from Black Wolf Imaging — has garnered 850,000 views on YouTube.

"10,000 Volts" track listing:

01. 10,000 Volts
02. Walkin' On The Moon
03. Cosmic Heart
04. Cherry Medicine
05. Back Into My Arms Again
06. Fightin' For Life
07. Blinded
08. Constantly Cute
09. Life Of A Stranger
10. Up In The Sky
11. Stratosphere

In October, Frehley told Jeff Napier of Nuvo about "10,000 Volts": "It's probably the best record I've ever done. I'm very excited about it. It's the fIrst time I ended up writing most of these songs with a good friend of mine, Steve Brown. He used to play in TRIXTER and has a group called RUBIX KUBE. Anyway, we live 40 minutes from each other, and my fiancée Lara hooked us up. I'd met him several times over the years, but just briefly, but she knew him when she was in her twenties, and she said, 'You've gotta get together with Steve.' He's a great songwriter and guitar player. He sent me a song, and there was one line that just jumped out from his chorus, and it was 'Walking On The Moon'. So I said, 'Listen, let's get together and rewrite this song, and the hook will be 'Walking On The Moon',' because it wasn't the end of the chorus he had prepared. So, we rewrote the song, and it came out great. We were actually gonna call the album 'Walking On The Moon' until we recorded a song called '10,000 Volts', which came out amazing. I got Anton Fig, my old drummer, who played on my original '78 solo album and most of my solo stuff, to play drums on that. So, working with Steve has made a huge difference in my playing and writing because when he and I put our heads together, it just clicks. If I'm at a loss for a chord or a verse or a line, he comes up with it and vice versa, and within three or four hours, we write a song.

"So that's how the record's been going," Ace added. "Then, once you record the basic track, you gotta do the overdubs and double and triple the vocals, harmonies, and stuff. He's an excellent engineer. So I didn't have to pay an engineer to engineer this record. So I saved money on that, working with Steve as well, which is nice."

Asked if making "Origins Vol. 2", the sequel to his 2016 collection of cover songs that inspired the former KISS guitarist, affected the way he put together the new record, Frehley said: "It's one thing doing an 'Origins' record because you don't have to write the songs. Basically, I was picking songs that influenced me that were written by other people. So it's a lot easier to do than when you do a regular studio record where all the songs are original. On this record, all the songs are original except for one. I did one cover of a song called 'Life Of A Stranger', written by a gal named Nadia. When she did the song, it was Europop, and it was very sparsely recorded. I listened to it and loved the melody, and I loved the lyrics. I played it for Steve, and he said, 'We could kill this song with heavy drums and power chords and stuff and keyboards even.' It came out great. All the other songs did as well. There's really not a weak song on the record. Most people do a record, and they concentrate on three or four songs that they think might be singles, and then the rest of it is a lot of filler. But every song on this album I can hear on the radio. I hope DJs agree with me."

Frehley previously spoke about the recording process for his new album in March 2023 during an appearance on SiriusXM's "Trunk Nation With Eddie Trunk". At the time, the 72-year-old rocker marveled at the amount of material he was able to complete, saying: "Within six days I had written and recorded five new songs, which is unprecedented for me."

Ace's next all-original album will be the follow-up to "Spaceman", which was released in October 2018 via eOne.

"Origins Vol. 2" featured cover versions of THE BEATLES' "I'm Down", DEEP PURPLE's "Space Truckin'", LED ZEPPELIN's "Good Times Bad Times", THE ROLLING STONES' "Jumpin' Jack Flash", THE KINKS' "Lola" and THE JIMI HENDRIX EXPERIENCE's "Manic Depression", among others. A cover of the 1975 KISS tune "She" also appeared as a bonus track. Guests on the set included CHEAP TRICK's Robin Zander, Lita Ford and former KISS guitarist Bruce Kulick.

Simmons co-wrote two tracks on "Spaceman", "Without You I'm Nothing" and "Your Wish Is My Command", the latter of which also features Gene's bass playing.

Photo credit: Jayme Thornton

Southern California staples ALIEN ANT FARM have released a brand new song called "So Cold". The track's title is fitting after the band's musical hibernation. It calls to the fans who have been around since the beginning, with classic ALIEN ANT FARM guitar riffs leading fans into a blistering chorus. The track is taken from ALIEN ANT FARM's upcoming album, "~mAntras~", to be released April 26, 2024.

"~mAntras~" track listing

01. The Wrong Things
02. Last dAntz
03. Fade
04. No. 1
05. Storms Over
06. So Cold
07. What Am I Doing
08. Prosperous Futures
09. Glasses
10. Everything She wAnts
11. ~mAntras~

"~mAntras~" comes after a nearly decade-long hiatus and finds ALIEN ANT FARM re-energized and ready to take on the world. As the band says in a joint statement: "The new album might not be for the faint of heart, but it might be for the heart broken…"

The newest installment of songs flexes moments of intricate metal, to haunting acoustic ballads that might make Ray Lamontagne shiver. The band continues: "If you're an ALIEN ANT FARM fan true and true, you won't be disappointed, and if you're just a visitor from another planet, we hope you enjoyed your extra terrestrial visit."

ALIEN ANT FARM is confirmed to perform at Welcome To Rockville 2024 with the likes of FOO FIGHTERS, EVANESCENCE, DISTURBED, SLIPKNOT, FLYLEAF and more. The band will also perform in Ashland, Kentucky on June 8 at Paramount Arts Center.

ALIEN ANT FARM formed in 1996 with the raging singer/songwriter Dryden Mitchell, guitarist Terry Corso, bassist Tye Zamora, and drummer Mike Cosgrove. All were bored with their day jobs and sought something else to break them from corporate norms. Music allowed them to freely express themselves, and a friendship was born. They independently released their quirky debut, "Greatest Hits", toward the end of the '90s and soon enough noise surrounded the band. It won the award for Best Independent Album at the 1999 L.A. Music Awards.

Two years later they made their major-label introduction with "ANThology", issued in March 2001. Debut single "Smooth Criminal" was a funky metal mix of Michael Jackson's original song, and pop kids of the "TRL" generation loved it. The song hit number one on the modern rock charts, and the album eventually went platinum. The song was recently profiled with the Los Angeles Times as it went viral again in 2022.

ALIEN ANT FARM is vocalist Dryden Mitchell, guitarist Terry M. Corso, drummer Mike Cosgrove and bassist Timmy Pee. They have released five studio albums, and have sold over five million units worldwide.

After surprising and captivating the audience on the Nashville stop of the "Revolutions Live" tour with a performance of "Scars" with surprise guest Chris Daughtry, California rockers PAPA ROACH have shared the brand new live version of their hit single. This track is out now and streaming below.

"Scars Featuring Chris Daughtry (Live)" is not only a fresh take on one of the band's biggest hits, but it also serves as the latest release on the band's latest EP, "Leave A Light (Talk Away The Dark)". The track saw its debut performed live preceded by an emotional PSA delivered by PAPA ROACH frontman Jacoby Shaddix, who pledged a donation to the American Foundation For Suicide Prevention (AFSP) on behalf of each city's attendees, culminating in a $155,000 donation presented in Denver, Colorado. Three months later the song now sits in the top 10 at Rock radio becoming the band's 26th song to reach that plateau.

Shaddix states: "Joining voices with the legendary Chris Daughtry on 'Scars' was not only a surprise for fans at a sold-out show, but the live recording was so great that we wanted to share it with the world. Immediately, Chris was all in on this track also benefitting the AFSP and their mission to save lives and bring hope to those affected by suicide — a cause that means so much to us both."

Last year, PAPA ROACH was so impacted by the emotive response each night of the "Revolutions Live" tour and the work done by the AFSP that they have since officially re-named the song "Leave A Light On (Talk Away The Dark)" after the organization's "Talk Away The Dark" campaign, and pledged a perpetual royalty from the song's use, to be donated directly to the AFSP to continue their mission to save lives and bring hope to those affected by suicide long after the "Revolutions Live" tour concluded.

"Scars Featuring Chris Daughtry (Live)" royalties will also be donated to the AFSP in support of their "Talk Away The Dark" campaign. This impactful initiative teaches you the warning signs for suicide, and how to have a conversation that could save a life — whether it's someone else's or your own. Help is available — talking is the first step to preventing suicide.

Daughtry shares: "It was an honor to perform this classic which has been a personal favorite with my friend Jacoby and the boys when they came to Nashville. It's an even greater honor that it is being used to do some good for an organization that is close to my heart."

PAPA ROACH are two-time Grammy-nominated, platinum-selling leaders in alternative hard rock music who in 2020 celebrated the 20th anniversary of their iconic album "Infest". PAPA ROACH are not unfamiliar with calling attention to mental health, and have been doing so since day 1 with the iconic release of "Last Resort". Since then, the band has gone on to create 10 studio albums, along their most recent "Ego Trip" on their own label New Noize Records. "Ego Trip" has garnered over 260 million global streams to date, and has produced three No. 1 singles, bringing the band's total to 26 career Top 10 hits and 11 career No. 1s. 23 years into their career, the band continues to have global success.

In a new interview with Greg Prato of Ultimate Guitar, Alex Lifeson was asked what the chances are of him working on new music with his RUSH bandmate Geddy Lee again at some point in the future. He responded (as transcribed by BLABBERMOUTH.NET): "Um, I don't know. Ask him. I don't know. There's certainly a lot of interest in us doing something. I think for a lot of RUSH fans, they've been hoping for… Geddy had his book tour. I went out on a few of those dates with him. I think that's kind of sparked more interest in us working together.

"Ged's a very busy guy," Alex continued. "He's written a couple of books over the years. He has a lot of stuff that he's into. This is my studio in my apartment. I've been working on the ENVY OF NONE stuff as well as a few other projects. So I've been playing and recording for all these years.

"When he's ready, he always says, 'Come over for a coffee and we'll go down to the studio and bash around a few notes.' Yeah, call me. And so far he's been so busy, but I think maybe in the new year — or this is the new year — maybe soon we'll find the time to sit down and see what happens," Lifeson added. "Maybe nothing happens. Maybe it's not there anymore. Maybe it's gonna be amazing. I don't know. We'll see. Honestly, it's not a priority for us. We're happy in our lives. So, it's not like we need to go back to something. And that's my fear. That if we — that would be the expectation, this is like RUSH 2. But by necessity it has to be something different. And it can never be RUSH. Without Neil [Peart, late RUSH drummer], it can never be RUSH. That's it. It's over. But you never know what can happen. So we'll see."

For the past couple of decades, Lifeson has been suffering from psoriatic arthritis, a chronic, autoimmune form of arthritis that causes joint inflammation and occurs with the skin condition psoriasis. During an appearance on the January 10 episode of SiriusXM's "Trunk Nation With Eddie Trunk", the now-70-year-old Canadian musician opened up about the severity of longtime physical ailments, saying: "I would say that's slowly getting worse, as to be expected. I have psoriatic arthritis, and I've been dealing with it for quite a while — for almost 20 years. I'm on two biologics [biologic drugs for the treatment of arthritis], so sort of like a double whammy in dealing with it. And it's been very, very effective. Despite the side effects and all of that, it's been a really effective regimen for me, and it's really helped my hands. I have times where the inflammation has its own mind, and that's when you'll see me shaking my hands [while I am playing]. But it is what it is, and I can still get by, and I'm so used to it, I don't really even think about it that much anymore. "

Lifeson also talked about the possibility of him returning to the road, either with Lee or with another project. He said: "[After] 40 years of touring, I'm not interested in touring anymore. I enjoyed it when we did it. There were lots of ups and downs. The gig is great, the show is great, and for the other 21 hours in a day, you're just waiting for those three hours. And it gets tiring, especially when you have a family and you have loved ones at home that you're estranged from for months and months and months at a time. I don't miss that aspect of it. Do I like playing in front of people? Yeah. I still like that — maybe not to the point where I have to do it. But when [Geddy and I] did the Taylor Hawkins benefits and we did the 'South Park' thing in Denver, and I do these Christmas shows with Andy Kim and lots of great musicians that I get to play with, then it's fun. I really enjoy that, and it's controlled, and it's great. To make a big deal and do a tour and get back into that thing, I don't really have an interest in that. I know Ged would like to play again and he would like to spend some time writing. But beyond that, honestly, we haven't talked about anything beyond just getting together and having a coffee and just bashing out a few notes."

Alex continued: "[Geddy] has a lot of stuff in his life. He's a very busy person. He's really enjoying this phase of being [a book] author. He's on the go, go, go, go all the time. And I'm here, and I'm playing on all these different projects. So, in a way, I've continued being that musician, and he's gone off to do other things. So, whenever he's ready, like usual, I only live five minutes away from him, like we have all our lives. I go over and hang out and we'll turn the recorder on and do some stuff, but there's no plan for a tour. There's no plan for anything. And I know rumors get started and people have their desires and lots of people would love to see us get back and play again. Well, I don't know. I don't know. Who knows? Maybe if we're together, we're messing around and we get excited… Certainly after we did those gigs, it was quite heady and very exciting. But I really love my life right now, and I don't know if I'm gonna disrupt it by being away from the things that I'm really enjoying, for any reason."

Lifeson also reflected on RUSH's final tour, which concluded in August 2015 in Los Angeles. According to Rolling Stone, the trek took the novel approach of presenting the band's music in reverse chronological order, meaning Alex and his bandmates — Lee and drummer Neil Peart — began the show with songs from their most recent albums and slowly worked back to their earliest material. As time went backwards, stagehands would swap out the backdrop to match the period they were visiting. That meant by the time they reached the encores, it looked like they were playing in the high school gyms of their youth.

"The last tour I thought was a terrific tour for RUSH," Alex said. "I thought we played really well. I thought the show was really fun. Going back in time to the beginning was a great way to celebrate the end of the band. I don't know if, at 70 years old, 10 years later, if I can play like I played back then. I haven't played that material in nine years. And if I can't play it like I played it nine years ago, then I really have no interest in doing it. I think RUSH has a strong legacy because of the way things ended. We ended on a high note, and that's the way people remember us. And I think that that also is partly the reason why so many people would love to see us back out, because that's the memory they have of us. We were dedicated to what we were doing. We practiced a lot. We were passionate. We played our hearts out. Physically, ten years later, at this stage, [after] these ten years, I don't know if we can do that. I don't know, can Ged sing like he did? Can I play guitar? Can he play bass like he did? I don't know. Unless we did a big rehearsal and tried to do all that stuff, we'll never know. But just thinking intellectually how this would work, I'm not keen on doing it, really."

Peart died on January 7, 2020, after quietly battling brain cancer for three and a half years. RUSH waited three days to announce Peart's passing, setting off shockwaves and an outpouring of grief from fans and musicians all over the world.

In 2022, Geddy revealed that Neil wanted to keep his cancer diagnosis a secret prior to his death.

Lee went on to say that he and Lifeson had to be "dishonest" to fans in order to protect Peart's privacy.

As one of the most successful Canadian music group in history, RUSH has performed before millions of fans around the world.

Lifeson made his mark on the music industry over 50 years ago, redefining the boundaries of progressive rock guitar. His signature riffing, copious use of effects processing and unorthodox chord structures befitted him the title by his RUSH bandmates as "The Musical Scientist." While the bulk of Lifeson's work in music has been with RUSH, he has contributed to a body of work outside of the band as a guitarist, producer and with the release of his 1996 solo album "Victor". Lifeson ranks third overall in the Guitar World readers' poll of "100 Greatest Guitarists" and is also included in Rolling Stone's "100 Greatest Guitarists Of All Time."

Former CANNIBAL CORPSE and current EXHORDER guitarist Pat O'Brien has announced plans to work on a solo project.

The 58-year-old musician, who made headlines in December 2018 when he was arrested for burglary and assaulting a police officer while his Florida home was in flames, touched upon some of his future plans while addressing his status with EXHORDER, the pioneering New Orleans thrash metal band that he has been a touring member of since May 2022.

In a statement shared on EXHORDER's social media, Pat said: "I am in EXHORDER and will be contributing as well moving forward. I will also be on tour with the band when I'm permitted to. I also will be doing a solo project at some point but no solid plans on that as of yet."

EXHORDER also commented on O'Brien's involvement in the band, writing in a separate statement: "We have been getting a lot of questions asked about whether or not Pat O'Brien is a permanent member of EXHORDER, or if he will perform with us when we play Latin America in December/February. The good news is Pat is our guy. He wants to be in this band moving forward and we want him with us as long as he wants to be. Unfortunately, he is still sorting out his travel restrictions, and is limited to shows in the United States at this time. Therefore, we are fortunate that our friend and brother, Waldemar Sorychta [GRIP INC.] is once again stepping up to help us bring the show to you all in Latin America! We're looking forward to seeing everyone on tour soon!"

O'Brien made his live debut with EXHORDER at the 2022 Maryland Deathfest. The gig took place three months after guitarist Marzi Montazeri left EXHORDER, explaining at the time in a statement that he "decided to no longer be a part of it."

When O'Brien was arrested more than five years ago, police said he burglarized a house and charged at a deputy with a knife.

O'Brien, who was born in Northern Kentucky, allegedly broke into a Northdale, Florida home and shouted that "the rapture is coming" before pushing a woman to the ground. He ran toward a responding deputy with a knife and was subdued with a stun gun.

Less than half a mile from where O'Brien was arrested, a fire broke out at the house he was renting, sending flames billowing into the night sky from the roof.

The owner of the home where O'Brien was arrested wouldn't go on camera but told ABC Action News he thought the guitarist was hallucinating when he spoke to him and claimed "someone was after him." The homeowner added O'Brien seemed scared and at one point even hid in his closet.

Fire marshals found a large cache of weapon, locked safes and potential explosive devices inside O'Brien's home, including 50 shotguns, 20 semiautomatic rifles, two Uzi-style firearms, 20 handguns and two flamethrowers. Authorities also discovered thousands of rounds as well as additional weapons.

O'Brien, who had been a member of CANNIBAL CORPSE for more than two decades, was released from Hillsborough County jail on December 14, 2018 after posting a $50,000 surety bond. Several days earlier, at a hearing, a judge told the now-58-year-old musician, clad in an anti-suicide vest with his hands and ankles chained together, that he would first have to pass a drug test before he would be allowed to post bail and leave jail.

In March 2021, O'Brien was sentenced to time served and five years of probation and ordered to pay $23,793.45 in restitution. He was also ordered to get drug and alcohol evaluations and render 150 hours of community service. In addition, O'Brien was ordered to abstain from using alcohol and controlled substances and to be subject to random testing.

In a June 2022 interview with BLABBERMOUTH.NET, EXHORDER frontman Kyle Thomas spoke about O'Brien's first appearance with the band and how the crowd reacted upon seeing the guitarist re-emerge on stage more than three years after his arrest.

"He was as apprehensive about it as anybody," Kyle said. "Having not been onstage for a while, he wondered, 'Are these people going to want me around?' We were, like, 'Come on, Pat. You're Pat O'Brien. These people want to see you.' I can appreciate how he felt about it after all he had been through. I could imagine there was an intimidation factor about it. We got up there and he said, 'I think I'm going to lay low in the back, get up and play and be done.' As soon as we got onstage and people saw him, the place went nuts. I said to the crowd, 'Hey, look, you all know Pat, right? Show Pat some love.' And they went nuts. They adore this man. Who wouldn't? If you ever met him, he's one of the nicest people you'd ever meet. He's one of the greatest at what he does, too. Then he started taking pictures with people and talking [after the gig]. He had a big smile on his face. That was so worth it. Here was a guy who needed a good break in his life and we needed help from him to get the show done. It couldn't have been any more perfect."

During an appearance on a June 2019 episode of "The Jasta Show", the podcast hosted by HATEBREED's Jamey Jasta, CANNIBAL CORPSE frontman George "Corpsegrinder" Fisher expressed his shock over O'Brien's arrest, saying: "I don't wanna speculate about what could have happened that night, but it could have been way worse — for him.

"When people were seeing [TV reports about] it — I think on the Tampa news, they were pretty good with him," he continued. "They just said he was one of the best guitar players in death metal in America, and in the world, and he's highly respected. And they didn't really trash him at all. And they showed him on TV."

Fisher went on to say that most of the CANNIBAL fans were very supportive of Pat while he was dealing with his ordeal. "In the metal world, I think in general, 95 percent [of the people], everyone was, like, 'Get well soon,'" he told "The Jasta Show". "I didn't spend too much time reading stuff online, because that's when you get people who just wanna say nasty stuff just to be nasty."

At the time, Fisher said that he and his bandmates were looking forward to O'Brien's return to CANNIBAL CORPSE. "We love him," he told "The Jasta Show". "We want him back. But when I saw him in the court with the vest, dude, I cried. Because we just got home from tour… We wish the best for him, and we're just waiting to see [what happens]. He's got a road ahead of him still with legal issues, and that's out of our hands. We support him 100 percent; we're behind him 100 percent."

In early 2021, it was announced that O'Brien had been replaced in CANNIBAL CORPSE by Erik Rutan, one of the death metal's most acclaimed guitarists who is known for his time as part of MORBID ANGEL throughout the '90s and early 2000s, as well as handling vocals/guitars for HATE ETERNAL.

Shortly after the Houston-based Montazeri announced his departure from EXHORDER, the remaining members of the band — Thomas, bassist Jason VieBrooks and drummer Sasha Horn — said that they and Marzi had been "moving in different directions" and assured fans that they would "continue to thrive"

Thomas is now the sole remaining founding member of EXHORDER, which released its debut album, "Slaughter In The Vatican", way back in 1990. In February 2020, EXHORDER parted ways with its original guitarist Vinnie LaBella, who wrote much of the material on 2019's comeback album "Mourn The Southern Skies". The remaining members of the group later issued a statement saying that they would fulfill their "touring and recording obligations for 2020 and beyond."

EXHORDER released two albums in the early 1990s through the Roadrunner label — the aforementioned "Slaughter In The Vatican" and 1992's "The Law" — before breaking up, with Kyle going on to form FLOODGATE and also briefly appearing live as the vocalist for TROUBLE, which he later joined on a full-time basis (and is still a member of).

EXHORDER, which is cited by many as the originator of the riff-heavy power-groove approach popularized by PANTERA, completed a U.S. headlining tour in late 2021 during which it performed "Slaughter In The Vatican" in its entirety.

EXHORDER will release its fourth full-length album, "Defectum Omnium", on March 8 via Nuclear Blast Records. The follow-up to "Mourn The Southern Skies" features 12 tracks and cover artwork by Travis Smith (KATATONIA, OPETH).

Photo credit: Erik Hernandez

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MERCYFUL FATE has recruited Becky Baldwin as its new bass player.

The Birmingham, England-based musician previously toured with MERCYFUL FATE in the fall of 2022 as the temporary replacement for Joey Vera who was unable to make the dates due to a scheduled conflict with his longtime group ARMORED SAINT.

Becky said in a statement: "It is a great honor to now be a permanent member of MERCYFUL FATE. I can't wait to join the recording of the new album.

"When I joined as a stand-in on the 2022 U.S. tour, the acceptance and encouragement from the fans was exceptional. A huge thanks to the band, team and fans for the warm welcome.
See you in Chile and Brazil this coming April."

After playing the piano as a child, Becky picked up the bass guitar as a teenager and began performing with bands at school. In 2009 she moved from Trowbridge to Bristol to study at BIMM Bristol and became closely involved in Bristol's music scene. Becky holds a BA Honours degree in Professional Musicianship and now lives in the birthplace of heavy metal — Birmingham, U.K.

Becky is an energetic live performer and efficient recording musician who specializes in fingerstyle bass guitar playing, and rock and metal genres. Since 2012, Becky has performed approximately 100 gigs per year, offering her skills for a wide variety of bands (including covers and original bands, genres ranging from metal to folk, urban, funk, pop, jazz and more.) Music has taken Becky all over Europe and into the USA for touring and recording sessions.

Becky is a co-founder of specialist private tuition company Bristol Rock Centre, which runs a teaching and rehearsal studio in Mangotsfield. She has aided exam board Rockschool in the writing and proofing of tuition/exam books including "Let's Rock Bass", the "Popular Music Theory" collection and the 2014 Vocal syllabus. She has led workshops with Bristol Rock Centre and Rockschool, and has given lectures at BIMM Bristol, ACM Birmingham and Access Creative College. Becky has received tuition from top musicians such as Stuart Clayton (CARL PALMER band),Damon Minchella (OCEAN COLOUR SCENE, PAUL WELLER) and Jim Barr (PORTISHEAD, GET THE BLESSING).

Earlier in the month, it was announced that MERCYFUL FATE and Vera had "mutually" decided to part ways.

In 2019, it was announced Vera would be replacing original MERCYFUL FATE bassist Timi Hansen for the band's summer 2020 European festival appearances due to Hansen's cancer diagnosis. Hansen passed away in November 2019 and MERCYFUL FATE's 2020 summer festival appearances were rescheduled for 2021, and then to 2022.

MERCYFUL FATE's North American tour, which featured support from by KREATOR and MIDNIGHT, followed the band's headlining performance at the 2022 edition of Psycho Las Vegas.

MERCYFUL FATE is currently working on a new album and recently gave fans a taste of the new material when they debuted a song called "The Jackal Of Salzburg" in Germany in June 2022 as well as at Psycho Las Vegas. The band's current lineup is rounded out by Hank Shermann and Mike Wead on guitars, and Bjarne T. Holm on drums.

MERCYFUL FATE was formed in early 1981 in Copenhagen, Denmark by vocalist King Diamond and guitarist Hank Shermann. They were later joined by guitarist Michael Denner and bassist Timi Hansen, and soon thereafter drummer Kim Ruzz would join to complete the band lineup. The band recorded two demos in 1981 and later signed with Rave On Records in Holland for the recording of their successful self-titled EP, released in November of 1982. The "Mercyful Fate" EP was soon in heavy rotation around core metal radio stations, launching a new breed of heavy metal with their unique sound.

The band joined Roadrunner Records in 1983 and their debut full-length, "Melissa", was recorded and released that same year. The following year, MERCYFUL FATE returned to the studio to record their now legendary "Don't Break The Oath" full-length, released in September of 1984.

MERCYFUL FATE embarked upon a two-month U.S. tour in support of the record, which took them across the States several times sharing the stage with the likes of MOTÖRHEAD and EXCITER. The shows had created a brush fire within the metal community. The band reaped recognition globally, closing the year with a five-date tour in Germany with MOTÖRHEAD, GIRLSCHOOL, HELIX and TALON.

MERCYFUL FATE's first concert of 1985 was in their hometown of Copenhagen at an old movie theater with a large capacity. The show sold out and their stage show exhibited a new level of distinction. The night was a huge victory and a new highlight for the band. By April of 1985, however, MERCYFUL FATE decided to part ways for each to pursue new challenges. The KING DIAMOND band was born and reaped critical acclaim the following years with five studio albums on Roadrunner Records. KING DIAMOND has since signed with Metal Blade Records and is going stronger than ever before.

In the summer of 1992, MERCYFUL FATE decided to reunite and penned a new deal with Brian Slagel and his label, Metal Blade Records. "In The Shadows" was released in 1993 and was an instant triumph furthered by a sold-out U.S. tour.

MERCYFUL FATE has gone on to release another five studio albums and have toured Europe, the U.S. and South America multiple times. The highlight of 1999 was their critically acclaimed album "9" which was followed by a European tour with METALLICA, where King Diamond and Hank Shermann joined the band onstage several times for the medley "Mercyful Fate" which METALLICA had recorded on their "Garage Inc." double tribute album the year prior. Tours in the U.S. and in South America followed, marking the band's last live performances for over a decade. MERCYFUL FATE then went on hiatus, but made a brief appearance when members joined METALLICA onstage in 2011 for their 30th-anniversary show in San Francisco, California.

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The reunited all-female band MEANSTREAK — comprised of guitarists Marlene Portnoy (wife of DREAM THEATER drummer Mike Portnoy) and Rena Sands Petrucci (wife of DREAM THEATER guitarist John Petrucci),vocalist Bettina France, bassist Martens Myung (wife of DREAM THEATER bassist John Myung) and drummer Yael Rallis — will release a new EP, "Blood Moon", in February via Step Off Records distributed through ONErpm. The EP's first single, "Giant Speaks", will be made available on January 19.

MEANSTREAK is an all-female metal band from New York, formed in 1985 by Marlene and Rena, who, along with bandmates Bettina, Martens and Yael, forged their way into male-dominated territory, becoming one of the first all-female thrash metal bands. With influences such as IRON MAIDEN, JUDAS PRIEST and METALLICA, they were true pioneers for women in metal and recorded an album with legendary producer Alex Perialas (TESTAMENT, OVERKILL, FLOTSAM AND JETSAM, NUCLEAR ASSAULT, S.O.D., M.O.D., CARNIVORE) at Pyramid Sound in Ithaca, New York.

MEANSTREAK's 1988 release, "Roadkill", put them on the metal charts and landed them spots as the supporting act to nationally touring bands such as OVERKILL, MANOWAR, ANTHRAX, MOTÖRHEAD and others. They headlined shows at legendary clubs such as L'Amour, Cat Club, Limelight, CBGB and China Club in New York City, as well as many other famed venues. They disbanded in the early 1990s and recently reunited, bringing back their hard-hitting, melodic, heavy metal blend to the studio and stage. In the fall of 2022, MEANSTREAK concluded a U.S. tour in support of John Petrucci's successful solo tour and reunion with Mike Portnoy.

Marlene says: "The MEANSTREAK reunion has been nothing short of incredible!! It's been almost 30 years and once we were together, it felt like not a day had passed. Making music with these talented ladies has been the highlight of my life and I'm so excited to see what the future holds for all of us."

Rena adds: "We realized this MEANSTREAK reunion had to happen when we had a Zoom party during the pandemic. We weren't sure if it would go over after 28 years apart but during a two-month U.S. tour, the crowds were overwhelmingly supportive and gave us the strength and determination to finish our 'Blood Moon' EP and continue our never-ending journey. We can't wait to get on the road again and share our new material with our amazing fans!!!"

Says Bettina: "MEANSTREAK as a band is kind of a Gestalt philosophy. I mean, MEANSTREAK has lasted so long because we all perceive ourselves as one sound. The five of us are the sum of its parts. That is, we all bring different attributes that are uniquely ourselves but playing together as a band makes us the one. No one else sounds like us when we are all together. I am she as you are he as you are me — 'Goo goo g'joob'."

Yael says: "I always thought we had something unique and special. The chemistry and energy is undeniable to witness between the band on and off stage with all the shows and road stories of metal under our belts…We laugh…a lot ! The music! It all comes right back. (So many reunions of bands we align with since Covid hit.) Our two-month tour of USA and Canada proved metal horns and fists in the air are alive and well. Our first international appearance and a blast! Would love to get across the big pond, hit Japan, Australia, U.K., Europe with my MEANSTREAK girls. Hell — let's open for MAIDEN, KING DIAMOND, ANTHRAX and DREAM THEATER all over again! Passports Ready LFG!"

Martens states: "MEANSTREAK musically is heavy, melodic, and fun, like hanging out with your besties head banging, singing, and screaming at the top of your lungs on your way to a great concert. So proud of our new music and can't wait for the world to hear!!!"

MEANSTREAK is:

Bettina France - Vocals
Martens Myung - Bass
Yael Rallis - Drums
Marlene Portnoy - Guitar
Rena Sands Petrucci - Guitar

Photo credit: Marissa Ann (courtesy of Adrenaline PR)

German metal queen Doro has prepared a special New Year's gift for her fans and is excited to announce the digital release of the cover of METALLICA's classic "The Four Horsemen". This track will also be included on the forthcoming digital EP "Conqueress – Extended", due to be released on March 1.

Doro's cover of "The Four Horsemen" was included on the physical products of her latest studio album, "Conqueress - Forever Strong And Proud", which came out last October.

Doro comments: "METALLICA's debut album, 'Kill 'Em All', has just celebrated its 40th anniversary. I can still remember the first shows we played together in Europe in the mid-'80s. The METALLICA guys (back then with Cliff Burton) were just great and we quickly became friends. There was a very special spirit of optimism in the metal scene that I like to remember. That's why I re-recorded 'The Four Horsemen', one of the early METALLICA classics. I still love the song."

"Conqueress – Extended" EP track listing:

01. Warlocks And Witches
02. Horns Up High
03. True Metal Maniacs
04. Heart In Pain
05. The Four Horsemen

In a recent interview with DJ Ramo (a.k.a. Omar Rodriguez) of The Metal Mixtape, Doro reflected on the first time she met the members of METALLICA, in particular the band's then-bassist Cliff Burton. The singer, who was fronting the band WARLOCK at the time of her METALLICA encounter, said: "[Cliff] was so relaxed. He was so relaxed, like really like cool and he played fantastic bass. And he was always smiling, always in a good mood. He was really, yeah, very cool. And he had more like a — can I say? — more like a hippie attitude, like totally relaxed and cool.

"The first time I met them, that was actually in '84, I think," she continued. "We got a phone call and it was a promoter in the Netherlands. And he said, 'Hey, you guys wanna play a show? I have a little club here.' And we said, 'That's cool.' And there was one band pulling out and, I just found out who it was; it was actually TWISTED SISTER. They were supposed to play, but they didn't play. I don't know. And they said, 'You guys wanna play?' And we said, 'Yes.' And the guy said, 'Wait, but there's another band from America. They're coming from far away, from San Francisco. You guys have to play before that band.' And we said, 'Yeah, no problem. Super.' So we went to the Netherlands. And we were playing a show. It was maybe 400 people there, all going crazy, headbanging, sweating. It was fantastic. And then we said, 'Hey, let's check out this band, the other band.' And it was METALLICA. And they walked onstage, and I thought, 'Wow.'

"Back in the day, it was very hard to even get information — no Internet, no cellphones," she explained. "You just had like these little fanzines, and usually it was like handwritten notes and then photocopies, maybe a black-and-white photo, but a photocopy, so we didn't know them so well before. And then they did a fantastic show. And you could tell they would be big; you could tell. And then I fell in love with their music and 'Kill 'Em All' and 'Ride The Lightning'. And then we did another big festival. Actually, VENOM was the headliner. It was the Metal Hammer festival in Germany. It was based on the Rhine River. It was really nice. It's called Loreley. And VENOM was headliner, and METALLICA and WARLOCK and all the other bands, we were kind of the support bands. And then it was a big deal. And then, soon after, METALLICA, they blew up and they were, like, 'Wow.'

"I always loved them. And I was a big fan. That's the reason why I wanted to [cover METALLICA's] 'The Four Horsemen' [for my new album, 'Conqueress - Forever Strong And Proud'] because I love that song so much. And I love the early METALLICA. I love it all, but the early stuff, it was, yeah, it was so influential. And they were all so nice. They were so nice to us — James Hetfield and Kirk Hammett and Lars Ulrich and Cliff Burton.

"And then we were actually supposed to play a big festival in Scandinavia. We were on tour with JUDAS PRIEST in 1986. It was my first big tour. I couldn't believe it. And we were supposed to play a big festival in Scandinavia — METALLICA, JUDAS PRIEST and WARLOCK. And we were in our tour bus, and I could feel there was something not right — really dark skies. It wasn't cold but it was bad weather. We were sitting in the tour bus and we had a strange feeling. And suddenly I had a really, really strange vibe. And I thought, 'Man, I hope everything is okay.' And then we went to the — it was a big festival setting. Then we came there, and nobody showed up. And we thought, 'Hmm, that's really strange.' And then later on, a couple of hours later, we found out that METALLICA had this bad accident and that Cliff lost his life. That was the first time that we felt, 'Oh, one of us is gone.' It was so unbelievable. And the show didn't take place then, and the whole tour was… Yeah, we were all, like, really, really shocked and sad. And at first, we couldn't believe it. We were just watching some rumors and stuff, but we thought, 'Everything is okay.' You know when you're a teenager, you think, 'Oh, fuck it, it will be okay.' But no, it wasn't.

"I saw [METALLICA] last time [in 2015]," Doro added. 'We played together. I was in Rock In Rio, in Brazil, and I played there with ANGRA, a Brazilian band, and Dee Snider was there, and METALLICA played there, and that's when I last saw them.

"Yeah, [METALLICA] was always one of my favorite bands."

The 20-song "Conqueress – Forever Strong And Proud" LP is described in a press release as "the result of intensive hard work that took the incomparable singer and songwriter back to studios in Miami, New York and Hamburg, amongst others. The album presents Doro at the height of her creative powers."

Last June, Doro released "Time For Justice", the first single from "Conqueress - Forever Strong And Proud", along with a "Mad Max"-style video. The clip was filmed with director Mirko Witzki.

"Conqueress - Forever Strong And Proud" arrived one day before Doro's 40th-anniversary concert at the Mitsubishi Electric Halle in Düsseldorf, Germany.

Photo credit: Jochen Rolfes

In a new interview with Scott Itter of Dr. Music, SOULFLY mainman Max Cavalera was asked if he has heard any of the SEPULTURA albums that were recorded following his departure from the group. He responded (as transcribed by BLABBERMOUTH.NET): "I haven't. It's like… People say if you break up with your wife and she marries somebody else, you don't really go on Facebook and go see what they're doing. [You keep your] distance. I feel kind of like that. So I have no interest. I've got a lot of stuff to keep me busy. It's a fair question, and I'm sure a lot of people wonder about that, but, yeah, I haven't [heard anything]."

Max previously addressed the question of whether he has heard any of the music SEPULTURA recorded after his exit from the group nearly three decades in a 2015 interview with Sticks For Stones. At the time, he said: "Fuck no! I don't give a shit about SEPULTURA or what they're doing. I just heard from fans that people don't like their albums, and they're shitty, and the band's just going down and down, and, I don't know… I really can't care, can't care less what they're doing. It don't concern me at all. I've got my things going, and, for me, it's just so sad to see a band that was so important and special in the '90s turn to shit like that so fast. But whatever, that's what they're doing. But I've got my things, I've got my things to do, and I'm proud of what I did with them. We did great records and we did cool stuff, and that's there forever, and I'll leave it at that."

Asked if he would still call his former bandmates in SEPULTURA friends, Max said: "Not really, 'cause there is a lot of animosity and bad vibes in that camp, and a lot of bad things happened between us and them. So, yeah, I wouldn't, man. I really don't care. Like, life goes on. For me, it's, like, I'm more focused on the moment, what I have in front of me and I have a lot in front of me. A lot of projects… So, I've got to move on forward."

SEPULTURA fell apart in 1996 with the exit of Max after the rest of the Brazilian four-piece split with the vocalist/guitarist's wife Gloria as their manager. Max's brother, drummer Igor "Iggor" Cavalera stuck around with the group for another ten years before leaving SEPULTURA and re-teaming with Max in CAVALERA CONSPIRACY.

Max discussed the possibility of a classic SEPULTURA lineup reunion in a February 2023 interview with Thomas S. Orwat, Jr. of Rock Interview Series. He said: "I'm very, very busy right now with all the projects, 'cause I've got so many — SOULFLY being my main band, but also GO AHEAD AND DIE with my son Igor, and KILLER BE KILLED. And I'm already playing a lot of the old stuff with my brother; that, to me, right there, it fills the void anyway.

"So, yeah, I don't think about that at all," Max said in regard to a SEPULTURA reunion. "At this moment, I don't need to do anything like that. I think at this moment I'm so busy with the stuff that I have in front of me, and the fans love all the stuff that I've been doing anyway. There's no point, really. 'Cause I haven't even thought of that idea in a long time. But I think that my main thing right now is SOULFLY… And I love the fact that SOULFLY just keeps getting stronger and stronger with every record. And I look forward to the time to write the next one. It'll be another challenge and another chance to make something good again."

In the summer of 2022, Igor told the "Mike Nelson Show" about the possibility of him and Max returning to SEPULTURA: "I have to be honest with you, man. The reunion, in my opinion, it's me and my brother — that's the person that I wanna be united with. So, for me, if the other stuff, it doesn't happen, I can't really be too bummed about it. Of course, it would be amazing, but the real reunion for me is just me and my brother being together. That's what makes me happy."

Although SEPULTURA has maintained a diehard fanbase in all parts of the world throughout the band's nearly four-decade history, Max-era albums "Roots" and "Chaos A.D." were by far SEPULTURA's most commercially successful, having both been certified gold in the U.S. for sales in excess of five hundred thousand copies.

Max was asked in a December 2021 interview with "General Population With Marco Lesher" what he thinks of his replacement in SEPULTURA, vocalist Derrick Green. "It doesn't bother me," he insisted. "It is what it is. At the end of the day, the fans know what the band was and what it is now, the difference [between the two]. And I really don't care. I'm not bitter. They do what they do; I do what I do. It's been like that for a long time now. But you can't touch the classics; those records that we did [in the 1980s and 1990s]. It still goes, but it is what it is.

"If you wanna really hear something that sounds close to what it was, you have to come see me and Igor play," he added. "That's the only thing that is gonna be close to what it was, to that time."

Igor and Max have spent much of the last eight years celebrating the 20th anniversary of SEPULTURA's "Roots" and 30th anniversary of "Beneath The Remains" and "Arise" albums on tour all over the world.

In 2020, SEPULTURA bassist Paulo Xisto Pinto Jr. said that he has had "zero" contact with Max, adding that a reunion with the band's original frontman would have to happen "naturally."

Back in 2017, Igor told The Salt Lake Tribune that he and Max "believe SEPULTURA doesn't really make sense nowadays, to do what they're doing." The drummer also downplayed the possibility of a reunion of SEPULTURA's classic lineup, saying: "Unless it's something really solid — and we haven't seen that from their part — of doing something totally professional and coming together, trying to do something like that. At the end of the day, it would be special for the fans, so it's not like a closed door, but at the same time, we have no time to spend energy with this kind of thing. So we just move forward."

Max echoed his brother's sentiments, telling The Salt Lake Tribune that he doesn't even think about his former bandmates much. "For a time — for a long time — there was a war in the press, like, 'He'll talk this, I'll talk that,'" he explained. "I got really tired of it, honestly. I'm not gonna do that anymore. So let them go their way and do their thing, and we're gonna do our thing, and I think that's the best for everybody."

While stopping short of completely ruling out a reunion of SEPULTURA's classic lineup, Max said: "Right now, we don't even need it. It's been so much of that kind of bad vibes through the years that I don't even know how that would even really work out. I think what [Igor and I] are doing is the closest thing to that, and it works great, it works like a charm. It's amazing."

Last month, SEPULTURA announced that it will celebrate its 40th anniversary this year by embarking on a "farewell tour" which will cover the entire globe. Starting in March 2024, SEPULTURA will spend 18 months celebrating the band's past and the present one final time.

In the works for two years, SEPULTURA's final tour, titled "Celebrating Life Through Death", will start with dates in Brazil, and will include shows in Latin America and the United States, with the promise of additional dates to be revealed soon.

SEPULTURA's current lineup comprises guitarist Andreas Kisser, vocalist Derrick Green, bassist Paulo Xisto Pinto Jr. and drummer Eloy Casagrande.

In a new interview with Meltdown of Detroit's WRIF radio station, JUDAS PRIEST guitarist Richie Faulkner spoke about the band's upcoming album, "Invincible Shield", which will arrive on March 8, 2024 via Sony Music. Asked about his previous comment that the follow-up to 2018's "Firepower" would be "a little bit more progressive", he clarified (as transcribed by BLABBERMOUTH.NET): "I think 'progressive' means different things to different people, so it's not super, super complex DREAM THEATER magic, but I think it's complex and progressive in the way that there's some twists and turns and it doesn't really follow any scripts if it doesn't have to. There's two solos in [the LP's first single, 'Panic Attack']. There's a part in it that's 7/8 time [signature]. There's two kind of bridges. So it just goes out of the box a little bit, without being unaccessible, that's what I mean. So I think compared with 'Firepower', it's a little bit more progressive, a few more twists and turns along the journey of the song."

Asked what the inspiration was to make the music a bit more progressive this time around, Richie said: "That was the stuff we were coming up with. When I come up with music, it's usually the riffs first. I sit down with the guitar and the guitar kind of pulls it out of me, really, wherever it comes from. And it just so happened that some of those parts were a bit more unorthodox, time-changey stuff or different time signatures. And the record takes on its own character by itself. As you write a record, you might have an idea of where you wanna go, but the record takes on its own flavor by itself, and you go with that — you recognize where it's going and go with that. So, that's what we were coming up with, and sort of went with that mindset, really."

Regarding his own personal contributions to the songwriting process on "Invincible Shield", Faulkner said: "Well, it's a fairly shared thing. I'm not a lyricist, and obviously Rob [Halford, PRIEST singer] is, for example. Me and Glenn [Tipton, PRIEST guitarist] write a lot of the guitar parts and musical parts and Rob writes a lot of the vocals and vocal melodies. And Rob's got a great sense of phrasing as well. He might come in one day with an idea for a song and it's got some melody and it's got some timing and you can attach yourself to that timing and come out with a riff. So it's kind of — we get in a room, like me and you put a band together, and 'what have you got?' and 'what have I got?' and we put them together and come up with new songs. And it's fairly organic like that."

Richie also addressed the fact that the main "Invincible Shield" album contains 11 songs, with three additional tracks being made available on various versions of the album. He said: "We wanted to keep it around 10, 11 tracks on the main record. But the bonus tracks, we didn't wanna put them on the shelf never to see the light of day. We wanted to get them out. We wanted people to hear those as well without being part of the standard release. So we released everything we had in different formats."

Faulkner then elaborated on the musical direction of "Invincible Shield", saying: "It's a pretty intense record. There's no real moment where there's a ballad or something like that. It stays up there.

"When you release a record, it's exciting," he explained. "It's also scary at the same time, 'cause is it gonna be well received or not? You never quite know when you let it out in the world. So it's an exciting time, for sure."

JUDAS PRIEST will release the official music video for "Crown Of Horns", the third single from "Invincible Shield", on Friday, January 19. A teaser for the clip is available below. The official music videos for the LP's first two singles, "Panic Attack" and "Trial By Fire", can also be seen below.

The release date for PRIEST's follow-up to "Firepower" was announced on October 7, 2023 during the band's performance at the Power Trip festival in Indio, California.

After BLACK SABBATH's "War Pigs" played as the intro to PRIEST's set, a graphic was displayed on the video screens announcing "The Invincible Shield".

The cover artwork for the CD and vinyl versions of "Invincible Shield" can be found below.

To pre-order "Invincible Shield", visit shop.judaspriest.com.

"Invincible Shield" track listing:

01. Panic Attack
02. The Serpent And The King
03. Invincible Shield
04. Devil In Disguise
05. Gates Of Hell
06. Crown Of Horns
07. As God Is My Witness
08. Trial By Fire
09. Escape From Reality
10. Sons Of Thunder
11. Giants In The Sky

Deluxe edition bonus tracks:

12. Fight Of Your Life
13. Vicious Circle
14. The Lodger

Last June, Faulkner told Anne Erickson of Audio Ink Radio about the musical direction of the new PRIEST material: "There are definitely a few more twists and turns on this record. There are a few more musical parts. So, there might be a bit of... As I said, there are twists and turns. I've used the word 'progressive' before, and the Internet ripped me a new asshole. But it is progressive in the sense that it's not like verse-chorus-verse-chorus-solo-chorus-finish. It's musical part-verse-musical part. It might do a few twists and turns, musically. It veers from the path of it, a bit like 'Sinner' or 'Tyrant' or something like that. So, it's a bit more '70s PRIEST, which I welcome as a guitar player… It's '70s PRIEST, but it's not a retro album, by any means. It's the influence of '70s PRIEST in the progressive sense, but it sounds like PRIEST in 2023."

He added: "Every PRIEST album has kind of stood on its own, stylistically. It's had that DNA of JUDAS PRIEST, because the characters are so strong. But it's always been a little bit different — retaining that DNA but having its own character. So, this one's no different, really, in the sense that it's obviously JUDAS PRIEST, but it's its own animal; it stands on its own two legs."

In November 2022, Faulkner told Robert Cavuoto of Metal Rules that some PRIEST fans misconstrued his previous comments about the musical direction of the band's upcoming LP. He said: "I think we've used the word 'progressive', and everyone thinks it's gonna become 'Nostradamus' [PRIEST's controversial 2008 symphonic heavy metal concept double album about Nostradamus], or RUSH, which is two different things. I've definitely used the word 'progressive' [to describe the new PRIEST material in previous interviews], purely because it's got a few musical turnarounds that 'Firepower' doesn't have. But that doesn't make it a RUSH record. It just makes it — instead of, like, a verse into a bridge into a chorus, there might be a couple of more musical passages in there to make it a bit more… interesting; might be the wrong word. I don't know. You've gotta be careful with the words you use these days. So it's not 'Firepower 2', but it's the same band a few years later, so there's obvious connections to the last record. But it's not 'Firepower 2' by any means."

Richie continued: "No PRIEST records have sounded the same, but it's got a common DNA. And you always try and make the next one sound a bit better — or whatever 'better' may be; 'better' is subjective. So, is it better written? Are the lyrics better? Does it sound better? And 'better' is always subjective. So it's hard to pinpoint, really. But it's a bit more of a musical adventure than the last one, I'd say. But then again someone might listen to it, when it does come out, and have a totally different interpretation of what it is. So it's always tough to sum up your own music without sounding up your own butt."

In February 2022, Halford was asked by Remy Maxwell of Audacy Check In if he agreed with Faulkner's comment that the band's upcoming album would be more musically "progressive" than "Firepower". He responded: "Yeah, the metal is there. But here's the thing: we've tried our best not to replicate anything that we've done. From 'Rocka Rolla' all the way through to 'Firepower', each record has had a distinctive character. And it's tough because fans go, 'We want another 'Painkiller',' 'We want another 'British Steel'.' And [it's, like], 'Dude, we've already done that.'

"Fans know that we're a band that is always full of adventure and trying new stuff," he continued. "And so, yeah, this has got probably some more progressive elements that we've never really delved into before. And that's exciting, because, again, it gives us and our fans another opportunity to see a different side of PRIEST. But it's still metal. There's just more of it. There are more notes than there were before."

Also in February 2022, Faulkner told Canada's The Metal Voice about the overall sound of the new PRIEST music: "Whenever you start a record, you never know how it's gonna turn out. So you might start with an idea of what it's gonna be, and as it kind of rolls on, it comes out something different. So you don't quite know. And also it's really hard to sum up your own music, I find, without sounding really pretentious. But I think this one — it's not 'Firepower 2', I don't think. It's its own thing, it's its own animal. If anything, I would say it's a bit more progressive in places, and in places it's got a bit more of that 'Killing Machine' swagger."

Faulkner added: "I know everyone says, 'Oh, is it the next 'Painkiller'?' or 'Is it the next…?' whatever… I don't know if they'd ever done it, but I know we've never done it when I've been in the band; we've never tried to recreate an album. It's always we try to create an album that stands on its own legs. So I think it's definitely a little bit more progressive than 'Firepower' and, as I said, in places it's got a little bit of that 'Killing Machine' angry swagger attitude going on."

Bassist Ian Hill is the sole remaining original member of PRIEST, which formed in 1969. Halford joined the group in 1973 and Tipton signed on in 1974. Rob left PRIEST in the early 1990s to form his own band, then came back to PRIEST in 2003. Original guitarist K.K. Downing parted ways with the band in 2011, and was replaced by Faulkner.

Photo credit: Matt Owen (courtesy of Nuclear Blast Records)



CROWN OF HORNS. FRIDAY.

Posted by Judas Priest on Tuesday, January 16, 2024

CD cover:

Vinyl cover:

Front Row Warriors are about to release their next big banger - the power metal influenced song, "Dystopian Time", with a warning message, influenced by the myths of Indian cultures.


A song whose lyrics couldn't be more haunting and stirring, with a terrific vocal performance by Todd Michael Hall (Riot V) and Elkie Gee in a soulful duet.


Enjoy their new masterpiece and check out their album Wheel Of Fortune, which was released on June 9, 2023 via ROAR! Rock of Angels Records as vinyl and CD/Digipak. The album was awarded the "Best Hard Rock Album" for 2023 by Deutscher Rock & Pop Musikerverband e.V and the Deutsche Popstiftung. Get the album here.







Front Row Warriors lineup:


Elkie Gee – Vocals
Jay-G – Drums
Sorin Badin – Guitars
Richie Seibel – Keyboards
Timo Michels – Bass
Stef Binnig-Gollub – Guitar

Vocalist Dani Filth of British extreme metal titans CRADLE OF FILTH spoke to Poland's Pełna Kulturka about the progress of the recording sessions for the band's next studio album. He said (as transcribed by BLABBERMOUTH.NET): "Well, strangely enough, I begin my vocals tomorrow. We started back in July, but we've been so busy. We've done loads of summer festivals and we had our annual break for holidays for everybody. Then we did a couple of weeks. So we've done all the music. Then I was away for 12 weeks on recording in L.A. CRADLE were playing in South America, and then we did a full American tour, co-headlining with DEVILDRIVER, the second part of that. Then I did a couple of more weeks in the studio, getting some ideas down, getting everything ready to sing. And then the producer had a baby. So we haven't actually been back since November. And then obviously we're only gonna be doing a couple of weeks 'cause then we go out on the road. So the album's gonna take a bit longer than usual because we're doing a lot of touring as well. But we're hoping to release it by the end of the year. It's gonna be a big record for us. [I'm] very excited about it. At the moment it's in development stage, so we're being very creative. I'm staying at home. I just got back from France last week where I was visiting with my girlfriend for New Year's. And now I'm just alone in my fortress of solitude at home getting all creative and getting all prepared for the album and the tour."

Asked about the musical direction of CRADLE OF FILTH's new material and whether there will be any "surprises" on the upcoming album, Dani said: "Well, one of the surprises, obviously, but it's not so much a surprise is that we've got a song that we have [pop superstar] Ed Sheeran guesting on. It's gonna be on the album. And people have heard it and loved it. But it is what you imagine — it's CRADLE OF FILTH and it's Ed Sheeran. It sounds like Ed Sheeran, it sounds like CRADLE OF FILTH. There's a blast beat in it. I think it's gonna surprise a lot of people, the album. But it doesn't necessarily mean the album is commercial. It's a very heavy record. We just upped the game as a band. We moved one step further toward the future from our previous record. We see everything as an evolution, everything as an evolutionary step, everything as a necessary link in the chain. And this album's gonna be an important record for us — our first for Napalm Records, if you discount, obviously, the live record. But, yeah, we're very much looking forward to this year. And there's no rush. We've got plenty of shows. But expect the first single probably about September, October time."

Asked if he heard Sheeran's collaboration with BRING ME THE HORIZON on a new version of the former's "Bad Habits" song, Dani said: "I did hear it, yeah. They decided to do that after we started working [with Ed]. 'Cause we actually did the song with Ed over a year ago now. And before then, the idea happened off the back of 'Bad Habits', the album. So, it's been about two and a half years, and it's probably gonna be three and a half years before anybody actually hears the song. But it is what it is. Obviously, he's one of the biggest artists in the world, and we have to kind of abide by his rules because… He's a lovely guy — don't get me wrong — but his management, obviously, have his vested interest at heart. And I think this year he's taking a complete year off. And obviously we want him in the video, so if that's gonna happen, we have to release that single with him on next year. But that's not gonna affect the rest of the album."

Filth originally broke the news about potentially working with the 32-year-old singer/songwriter, who is one of the most successful musicians on the planet, during an interview with Kerrang! Radio"Breakfast Show" at the 2021 Bloodstock Open Air festival in the U.K. At the time, Dani said: "I've actually been e-mailing with [Ed]… He actually touched base with me. I've been invited up to his place. Well, he said he could come down to mine, but I pointed out to him that I don't own my own bar or village, and it'd be better if I went there.

"He said he'd do anything," he added. "Quite literally. He said he's a massive fan. He seems like a genuinely very nice guy actually."

Filth went on to say the prospect of collaborating with someone like Sheeran is not as far fetched as one might think. "We've always been like that," he explained. 'If someone tells us not to do something, then we'll do it. That's been our prerogative the whole time. I did this rap song with this band called TWIZTID in America. It's actually turned out more like RAMMSTEIN and BEASTIE BOYS than full-on rap. So, in that respect, I think it the Ed Sheeran collaboration would be great fun. I think it'd be great if we did it for charity, because at least it would bring a bit of credibility to it. Because obviously to his public, it'd be, like, Oh my god, he's got this weird comical guy,' and to my public it'd be, like, 'Oh my god, this is a bit weird, isn't it? But I think that sort of thing nowadays works."

In July 2021, Sheeran floated the possibility of exploring a more extreme musical path while speaking to The Sun. He said: "I was really into death metal as a kid. I listened to CRADLE OF FILTH and SLIPKNOT and all that stuff. I'm not saying I could ever step into that world. I learnt all those riffs on guitar as a kid. That's something I've never thought about doing — but something I would not be opposed to creating."

Sheeran had previously dabbled in a variety of genres, including rock, dance, rap and reggae.

After The Sun published Sheeran's comments, Filth posted a screenshot of an article headlined "Ed Sheeran is open to recording a death metal album after spending his youth listening to CRADLE OF FILTH" and wrote in an accompanying caption, "I'll believe it when I see it. Fellow Suffolk lad could come good in the end. 'Dracula's Castle On The Hill' anyone?"

Last May, Dani was asked by BLABBERMOUTH.NET if he envisions the next CRADLE OF FILTH studio album staying in the same vein as "Cryptoriana" or "Existence Is Futile". He responded: "It's not going to be a million miles away from that. I've been working on some of the material today. We're putting the finishing touches on the songs we're going to record, whether all of them make the grade or not. It has a 'Dusk… And Her Embrace' vibe to them. Musically, it plays across 'Dusk' and 'Midian', but lyrically, and the vibe of it, it has a 'Dusk… And Her Embrace' feel to it. I don't know why. History repeats itself. Maybe it's because we wrote 'Dusk' around this particular time of year, but it has that vibe. It sounds great, but I would say that, wouldn't I?"

In April 2023, CRADLE OF FILTH released its first live album in over 20 years, "Trouble And Their Double Lives", via Napalm Records. The LP was recorded between 2014 and 2019 at different performances in the USA, Europe, Australia and beyond during the band's "Cryptoriana" world tour and dates following. Produced, mixed and mastered by Scott Atkins at Grindstone Studios, with recording captured by Danny B, the effort not only features a slew of fan favorites encompassing the band's discography but also two bonus tracks and two entirely brand new songs, "She Is A Fire" and "Demon Prince Regent".