Resurrected San Francisco Bay Area thrash metal veterans FORBIDDEN will enter Sharkbite Studios in Oakland, California next week with engineer/co-producer Zack Ohren to record their first three new songs in a decade and a half. Guitarist Craig Locicero is collaborating on the material with the rest of the new FORBIDDEN lineup, consisting of Matt Camacho (bass),alongside the group's latest additions, Norman Skinner (vocals) and Chris Kontos (drums),plus VOIVOD guitarist Daniel Mongrain, who stepped in as a temporary replacement for Steve Smyth in July 2024.

On Tuesday (February 18),Craig took to the FORBIDDEN social media to write: "Hello FORBIDDEN People! We want to share with you that we're deep in our writing pre-production process presently. At this point Chris Kontos, Matt Camacho & myself spend a few night a week banging out the details and we try new arrangement ideas to improve what's already there. Norman comes down one day a week with new melodies, lyrics and more arranges suggestions. Dan Mongrain & I spend a few hours each week on WhatsApp going over the riffs, also adding and subtracting to the arrangements. He's been absolutely fantastic to work with and a great sounding board for suggestions.

"In a weird way, this is as tight of a writing circle that FORBIDDEN's ever had. Lots of listening and open minded trying of new things.

"We're going into Shark Bite Studio with Zack Ohren to record and engineer the first 3 songs next week. Once those are recorded, Dan adds his parts (that we've been working through) from Quebec. Next we get Norm in the studio to knock out the vocals as we slingshot solos and overdubs. There's some pretty grandiose stuff going on with his parts. We're very impressed with his material and work ethic.

"This record is going to be produced by myself with assistance from Kontos, Mongrain & Ohren. Who mixes it is still a bit up on the air. We have some world class mixers that are willing to test mix a song each. We'll see how that lands.

"Very exciting times with so much inspiration to draw from."

As previously reported, FORBIDDEN will embark on the "40 Years Of Twisted Evil" European tour in August. The trek will celebrate the 40th anniversary of the band's formation and the 35th anniversary of the release of FORBIDDEN's second album, "Twisted Into Form", which originally came out in March 1990 via Combat Records.

In August 2024, Locicero spoke to Bloodstock TV's Oran O'Beirne about FORBIDDEN's decision to remain independent, at least for the time being. He said: "We don't have a record label. I don't want a record label yet. I have an opportunity to finally do this with no monkey. And we're a better band than we were at any point recently because of all the things that have kind of brought us together. It feels different, and that's no knock on anyone. But from the top down, with Russ [Anderson, former FORBIDDEN singer] going through what he went through, that's kind of the stigma that stayed on us for a while. He wasn't feeling a hundred percent. So now you have Norm who's up there, he's, like, 'Yeah.' He's not trying to be anybody, and there's just a whole positive groundswell."

Elaborating on why FORBIDDEN has no interest in aligning itself with a record label right now, Craig said: "It's important to say that we have no delusions of grandeur either. I think that we understand more than anybody how much the industry has changed.

"I don't wanna get caught in the machine, and the machine can chew you up before you get creative," he explained. "You can get stunted creatively if you agree too quickly. 'Cause we've been approached already. And I'm, like, 'Not yet.' We're not gonna go there yet.

"It's important for us to feel like we got our album done and artistically put together, lyrically," Craig added. "No one needs to fucking tell us how to do it. And I feel good about our chances of at least reigniting and kind of reforging our path again. 'Cause there's a spot for us. 'Cause we've got all our Bay Area brothers, but we're that band, we're a little more heavy metal, a little more melodic. We do things a little differently. So we have our own little spot. And I hope to have it all land where it's supposed to be."

Smyth exited FORBIDDEN in July 2024, saying in a statement that he "decided it's time to part ways with FORBIDDEN, and return to my band ONE MACHINE as priority, along with other projects on the horizon, and of course session work, and teaching music as always."

The resurrected FORBIDDEN lineup made its live debut at a "secret" show in July 2023 at Baltic Kiss in Richmond, California under the TWISTED INTO EVIL banner.

Originally founded in 1985 as FORBIDDEN EVIL by Anderson, guitarists Locicero and Robb Flynn, bassist John Tegio and drummer Jim Pittman, the quintet started playing house parties and Bay Area clubs such as the legendary Ruthie's Inn soon after. After a couple of lineup changes (Paul Bostaph on drums and Matt Camacho on bass) in '86, the band quickly rose through the ranks of Bay Area thrash to gain a massive following and worldwide notoriety. In 1986, the band added Glen Alvelais as the second guitarist. It was this lineup that cemented itself into the Bay Area scene and soon after recorded 1988 release "Forbidden Evil" for Combat Records, changing the band's name to simply FORBIDDEN. In May of '89 while on a European tour with SACRED REICH, FORBIDDEN made their first appearance at the legendary Dynamo Open Air in Eindhoven, Netherlands. It was here that FORBIDDEN made their European mark and recorded the "Raw Evil" EP. The band returned Stateside and replaced Alvelais with Tim Calvert. Calvert was a missing ingredient that brought the band closer together as a team. They continued to tour the U.S. first with EXODUS and then again with SACRED REICH with Calvert on second guitar. The band went on to release "Twisted Into Form" in 1990, "Distortion" in 1994 and "Green" in 1996. However, the band, having gone though many lineup changes, disbanded in 1997.

In 2008 Craig being inspired at a screening of the movie "Get Thrashed", called the other members of the band and suggested getting back on stage to see if they could reignite the FORBIDDEN machine. With Anderson, Locicero, Camacho back in the mix along with new additions Glen Alvelais and Gene Hoglan they played two sold-out DEATH ANGEL shows in San Francisco. Steve Smyth came into the mix in place of Alvelais and Mark Hernandez took Hoglan's place. The band then released "Omega Wave", the fifth in the catalog and went on a U.S. tour with OVERKILL. European festivals were next but afterwards Hernandez had to walk away due to personal reasons leading to a tour cancelation. Sasha Horn was the answer to fill the drummer's spot.

After playing "Bonded By Baloff" with EXODUS and one Bay Area show, FORBIDDEN embarked for Chile to play the Metal Fest in Santiago. It was on this flight back home that Russ informed the band that he couldn't tour anymore because of the physical toll it was taking on him. With that, the band dissolved once again for 11 years.

When FORBIDDEN's "rebirth" was first announced in April 2023, Locicero said in a statement: "First off, I did NOT see this coming. When FORBIDDEN quietly disbanded the second time in 2012, I figured it was over. While I always apply the 'never say never' mantra to my life, Russ made it clear that he was completely finished with touring. My wingman and main dude from the conception of FORBIDDEN EVIL, Russ was my mentor and the guy who bought me beer when I was 15! I couldn't imagine FORBIDDEN without him, so I had little hope of a future with FORBIDDEN. Today Russ is happily retired and living the sober life. I have nothing but love for that and him. Everyone needs to respect his wishes like we do.

"So then ….. fast forward 11 years after our last show, Bay Area vocal talent Norman Skinner walks in to help us rehearse and sing a few thrash classics for the BAY AREA INTERTHRASHIONAL set at Dynamo MetalFest 2022. WHAMMO! That's when it all happened by accident. Truly. Then it happens AGAIN when Norman sings 'Chalice Of Blood' onstage alongside WARBRINGER at the one Bay Area show of BAY AREA INTERTHRASHIONAL. Holy fuck!"

Hello Forbidden People! We want to share with you that we're deep in our writing pre-production process presently. At...

Posted by Forbidden on Tuesday, February 18, 2025

John Lydon has blasted the other members of SEX PISTOLS for touring without him.

After debuting with three fundraising nights at London's Bush Hall earlier in August 2024, SEX PISTOLS guitarist Steve Jones, drummer Paul Cook and bass player Glen Matlock (who was kicked out of the band's original lineup and replaced with Sid Vicious),teamed up with Frank Carter of GALLOWS and THE RATTLESNAKES for a U.K. tour last September. They have since announced a number of appearances for 2025, including at Download, Glasgow Summer Sessions, Dreamland Margate and Rock For People festivals, as well as participating in the annual Teenage Cancer Trust concert series at the Royal Albert Hall in London.

In a new interview with The I Paper, original SEX PISTOLS singer Lydon (a.k.a. Johnny Rotten),who has been estranged from the rest of the band after unsuccessfully attempting to block the use of SEX PISTOLS songs in "Pistol", a Hulu miniseries based on Jones's 2016 memoir "Lonely Boy" that dramatized the band's story, stated about SEX PISTOLS' collaboration with Carter: "When I first heard that the SEX PISTOLS were touring this year without me, it pissed me off. It annoyed me. I just thought, 'They're absolutely going to kill all that was good with the PISTOLS by eliminating the point and the purpose of it all'. I didn't write those words lightly. They're trying to trivialize the whole show to get away with karaoke but in the long term I think you'll see who has the value and who doesn't."

He added: "I've never sold my soul to make a dollar. It's the Catholic in me — that guilt I don't want to trip. Like Nancy Reagan, I've always found it easy to just say 'no'. If something challenges your heart and your soul and your mind and your sense of purity of what is right and wrong in the world, then just say no. Which, according to the corporate thinking which riddles the music business earns me the title of 'difficult to work with' — a title of which I'm very proud."

Jones recently revealed to the "Rockonteurs" podcast that he hadn't been in touch with Lydon for nearly two decades. "I haven't spoken to him in years," he said. "2008 was the last time I spoke to him. We did 30 shows around Europe. We did a bunch of festivals and all that — Japan, Australia — [and] we ended up at Hammersmith Odeon (now Hammersmith Apollo),and then we had one more show in the Basque Country, and that was it. I was done after that. No more. It's too much, too old, too much, not enough done.”

Asked why he was doing it again, Jones replied: "This is different. It's a different vibe, mate. It's night and day." Steve went on to say Carter, who was asked to join the band as he knew Matlock's son, "doesn't try to be John" and had become "more comfortable" with the band as they continued to play together. Speaking about the partial reunion, Steve said: "We got the idea of, why don't we just do all PISTOLS songs with a different singer, because it ain't gonna happen with John."

In a separate interview with Classic Album Review, Lydon was asked if he thought the SEX PISTOLS' spirit is missing now that the band is performing without him. He replied: "I wrote the fucking songs, didn't I? I gave them the image. I was the frontman. I am the voice, what made the whole world sing. And now you're going out, as they did the year before with Billy Idol. It's just karaoke, really.

"I would love to be embarrassed by high-quality songwriting from them," he added. "They've had long enough to get that together now, haven't they? But no. They profess their hatred for me, but they can't live without me. I am the punishment that goes on giving. [Laughs]"

In recent years, Lydon has publicly voiced his support for Brexit and Donald Trump.

When asked by The I Paper what he thought of Trump once again becoming president of the United States, the British-born Lydon — who has lived in Malibu, California for the past 40 years — replied: "Meet the new boss, same as the old boss.

"I won't be fooled again," he added. "I had high hopes for Obama but then I found out he was nothing but an officious bureaucrat altering every single institution into a political entity before taking into account common sense and life experiences. But if you're going to repair a broken business, you might as well get a businessman to do it."

In a new interview with Oran O'Beirne of Overdrive, RISE AGAINST lead vocalist and lyricist Tim McIlrath spoke about the band's latest single, "Nod", which marks RISE AGAINST's first new music in three years. The track will appear on RISE AGAINST's upcoming follow-up to 2021's "Nowhere Generation" album, tentatively due later in the year. Regarding when the ideas for the new material came together, Tim said (as transcribed by BLABBERMOUTH.NET): "Let's see if I can remember. It came after the tour. We were really focused on 'Nowhere Generation' when we were touring. And then we wrapped that up. We took a break, which is pretty standard for us. The touring, it's intense and it takes a lot out of you. And that's kind of our moment where everyone can kind of go reconnect with home and then kind of recharge your batteries. And so we started writing probably a few months after we got off the road from 'Nowhere Gen'. We weren't really rushing or pressuring ourselves.

"This is our tenth record — we've been doing this for a long time — and so it's very organic in terms of timing," he explained. "We write when we feel that urgency to write. We record when we feel like it's ready. We don't do anything that's too rushed. And so that was this record, was when ideas started percolating and we started sharing them. We were, like, 'Okay, I think we have some songs here. Let's start putting them together.' And then we just took our time putting those songs together."

Asked if he and his bandmates still get nervous when they are about to release new music in terms of how it will be received by the RISE AGAINST fans, Tim said: "By the time we release it, by the time you hear it, it had to get through so many checks and balances just for the four of us — every single note, part, lyric, sound — and I'm really confident in the song at that point; we're all really confident. So it's, like, this is the best version of RISE AGAINST in 2025. And so, aside from that, there's nothing I can do about how people accept it. And that goes back to when you were first a band, and you took that leap of, like, 'I'm just gonna make music and put it out there.' And it was a surprise to see that anybody connected to it. And so, in that sense, I'm I'm always appreciative, because I don't expect people to love our band, I don't expect them to love our songs. I'm always consistently appreciative. There's a lot of gratitude when someone goes, 'Oh, I love this song.' Especially when you put out a song this late in our career, people are, like, 'Yo, this is a great song. That's awesome.' That's what you want. And if people don't like it, that's kind of okay too. We're not out here trying to shove anything down anybody's throat. But if you're hearing a new RISE AGAINST song, you're hearing what we think is the best version of ourselves right now."

As for whether "Nod" is a good representation of what fans can expect to hear on RISE AGAINST's upcoming album, Tim said: "Yeah, if I had to piece it in a group of songs that we've put together, 'Nod' is probably among the more traditional RISE AGAINST. I think that you hear it and you hear RISE AGAINST, you hear sort of what we've done and what we have been doing, but in a little bit of a new way. So I think it falls in the category of pretty like traditional RISE, which is a sound that we will always embrace. And there's stuff on the record, I think, that will be less traditional, for sure."

Asked when fans can expect to hear another new single and eventual full-length album, Tim said: "I honestly don't know… I'm sure it's out there, and I'm sure somebody knows, but I'm so focused on [our show] tonight in Dublin, I'm so focused on my day-to-day, I trust everybody else to kind of decide how we release music. So I'm not even trying to hold anything back from you — I honestly don't even know — but our plan is to trickle out new music very soon, and then hopefully let you know when an entirely new and tenth album will come out."

Out now on Loma Vista Recordings, "Nod" is a rally cry and call to action, fueled by compassion, camaraderie and the collective urge for change.

"'Nod' is about the solace we find in community," Tim previously said in a statement. "It's about the comfort in knowing that we are not alone. This comfort can temper our anger and our frustration, at least temporarily."

Produced by Catherine Marks (BOYGENIUS, FOALS, MANCHESTER ORCHESTRA, ST. VINCENT) and mixed by Alan Moulder (NINE INCH NAILS, PARAMORE, QUEENS OF THE STONE AGE, THE KILLERS),"Nod" serves as a searing statement of intent, arriving at the outset of RISE AGAINST's inspired next chapter. Just as the stakes could not be higher, the Chicago punk rock band is back bigger, louder and more progressive than ever, imploring listeners to replace reactions with action. "I swear to God this can't wait," McIlrath proclaims at the top of the song's chorus. "Not one more minute, one more day." Now is the time to resist the constant stimuli that stokes division: stop lashing out, start joining together to consider who benefits from our blind anger. "Are you saving the world so desperately, or are you holding a gun demanding peace," he asks in the second verse. "Because the line that is drawn between nightmares and dreams is thin like a razor, and we're fast asleep."

Read more in Tim McIlrath's newly published manifesto here, via the band's Transistor Revolt newsletter and broadcast channel.

Following 2021's "Nowhere Generation" — an album confronting the daunting social injustice and economic instability that has been dealt to America's youth — RISE AGAINST continues to meet the moment. Like the body of multi-gold and platinum hits that have come before it, "Nod" further amplifies the type of invigorating music, outspoken messages and bulletproof melodies that have earned billions of streams, filled arenas, topped charts, broken records, and, above all, united millions of diverse fans in a necessary embrace of vital issues.

Last month, bandmembers Tim McIlrath (lead vocals/guitar),Joe Principe (bass/vocals),Zach Blair (guitar/vocals) and Brandon Barnes (drums) hit the road for an extensive run of shows across Europe, before playing dozens of U.S. arenas, amphitheaters and pavilions with PAPA ROACH, as part of the co-headline "Rise Of The Roach" tour.

Photo by Alexa Viscius

In a new interview with United Rock Nations, KILLSWITCH ENGAGE singer Jesse Leach spoke about the band's upcoming album, "This Consequence", which due on February 21, 2025 via Metal Blade. "This Consequence" is KILLSWITCH ENGAGE's ninth LP overall, and sixth with Leach, who rejoined the band in 2012. Asked what the biggest challenge was in making the new record, Jesse said (as transcribed by BLABBERMOUTH.NET): "I think for me wanting to be, and I use this word loosely, relevant, but relevant to me and my bandmembers. I wanted what I had to say to excite them, but I also needed it to be genuine. I needed it to be something that when I looked at those lyrics, I thought, 'Yes. That's exactly what I wanna say.'

"I went through — I don't know — seven, eight songs where I was kind of just throwing it out to see what would stick," he continued. "And those guys were, like, 'This doesn't feel like you're really giving us your best.' So having that sort of rejection from them initially was very hard. It sort of felt like I was becoming insecure. I was wondering if I had it in me. But that turned into a determination to rediscover myself as a writer, to go deeper, to tap into things that I never tapped in before, and to sort of look outside of myself. I mean, after everything we've been through, there's so much to draw from. There's so much to pull from. So I started pulling from things that I was seeing on mainstream media. I started pulling from stories that I heard from people that they've been through. I started pulling from extreme relationships of abuse and just kind of dialing them all into a story — obviously coming from me and the way that I saw and felt about those things, but it ended up becoming much more of a worldview as opposed to just me going, 'I, me, I.' It was more about us — 'This is about us.' Hence the title 'This Consequence'. It's about us — all of us. How do you respond to these situations? How do you modify your behavior? What lessons have you learned? And realizing that with everything that you do, there's going to be a reaction.

"So, the big picture to me is what I was focusing on and how to how to heal our PTSD from everything we've gone through and realizing that we're still all going through it," Leach added. "We may not realize it, but we are. And how do we allow the outside sources that are constantly manipulating us to control our minds and to continue to keep us divided? The challenge was how do I crack that code? How do I get that message through to people? And I did the best I could. And I think I did pretty damn well."

Asked if writing about all those topics was a form of therapy for him, Leach said: "Yeah, absolutely. Absolutely, it is. And I think it's necessary. You can't avoid it. And I think I avoided it a lot during the pandemic. I wanted nothing to do with it, 'cause it was such a volatile time. I think we're all sort of coming down off that, and it's not so intense where people are actually open to discussions of, or maybe you weren't 100 percent accurate or correct in your belief. Maybe you have room to be wrong here, and if so, what did you learn from that? And how do you move forward without having that assumption being part of your vocabulary? I think all of that is very important. And as a writer, how do I write it in such a way where you as a listener can draw your own conclusion? So I'm not giving you the answer. I'm asking you to think about this thing. And then what do you think about that? You as the listener can sort of put the answer on that question. And that's really what I tried to do — writing with a broad enough brushstroke where the song can be yours. I penned the lyrics, but I very much want you to sort of take the torch and run with it."

In a separate interview with Joshua Toomey of the "Talk Toomey" podcast, Leach stated about the "dark", "angry" and "aggressive" nature of "This Consequence": "Yeah, I think angry, dark and aggressive, for better or for worse, is kind of what the world needs right now, I think, therapeutically speaking. I think a lot of us can relate to frustration, anger, betrayal, all those things, and that's kind of what I highlighted lyrically with this album; I was really focusing on that stuff. But I will say this: if you really read into the lyrics, there's a positivity through a righteous anger, anger that wants to sort of wake people up and have people choose their own path instead of just the blind leading the blind, which is what we see so much in society and our governments and organized religion and all these things that control us as people. It's very much about breaking out of the matrix, if you will, and carving your own path. And there's a righteous anger underneath all of it, and that's where the positivity lies. But I think with metal music, the great thing about it is you can talk about dark stuff and it is therapeutic. That's why a lot of us get into this kind of music."

Jesse also talked about the lyrical inspiration for the first single from "This Consequence", a song called "Forever Aligned", which was made available in November. Speaking specifically about the line "now my tongue must confess", Jesse said: "Yeah, I'm always weaving in and out… I was raised by a minister, I was raised in a Christian home, so even though I don't subscribe to organized religion anymore, I like using biblical words here and there to sort of tie in the themes. I'm very much a believer in in God, if you will, in general. I know people roll their eyes when other people say that, but my journey has been such where I've just seen much deeper things that I don't think can be defined by a particular human organized religion. And 'Forever Aligned' is about that. It's about love. It's about, first and foremost, the song was inspired by the love I have for my wife and the relationship we were able to have during the pandemic, especially, where it was just the two of us, nobody else, and really learning what love and sacrifice is, and then weaving that into what I believe God is. God is love, to keep it really general for people to understand. We can try to tap into that as humans, that word 'love', but it's far beyond human comprehension. So that song is very much about being broken and in a dark place and finding salvation through love."

Elsewhere in the chat, Leach touched upon his growth as a vocalist since the release of 2019's "Atonement" LP, saying: "Truth be told, ['This Consequence'] was very difficult for me to write and sort of find my inspiration again. And even vocally, learning new techniques, like the vocal fry, and trying to add that into my old technique and still sound like me, it was a long, hard process.

"Especially after my vocal surgery in 2018, I relearned how to speak differently — I speak differently than I did," he explained. "I'm more measured; I make sure my voice is placed in the right place. And through that, it went into my vocals, my singing, especially. I was really focusing on my singing first and foremost to stay in key and not go flat or sharp. Then it was, like, my screams were — I was so paranoid. I was really worried about… We do three shows in a row. That fourth show, I'm, like, 'It's getting difficult. I can feel the swelling happening.' So I was really studying vocal fry, 'cause you can do a lot of cool stuff with fry, but me with my voice, it has such a signature sound to it, I guess, according to Adam [Dutkiewicz, KILLSWITCH ENGAGE guitarist and producer], at least, that if I just went into that new technique completely, the lows were missing something, my yelling. It different. So I was going into these demos just doing fry, saving my voice, especially thinking that, once I get to the studio, it's going to be fatiguing; we're doing four- or five-hour sessions. But I kept falling flat and the voice just didn't sound right. For some of the high stuff, it works, but for the lower, mid stuff and for the death metal growls, that's all old school… It's the old-school way, the way we all started doing it in the late '80s and early '90s. So I've learned, thankfully, through a lot of trial and error, and this album had a lot to do with it, to blend the styles. So I can do my old-school stuff, and then I can sort of blend in some of the vocal fry to hit those crazy, maniacal-sounding highs without it destroying my voice."

"Atonement" was released in August 2019 via Metal Blade Records in the U.S. and Sony Music Entertainment in the rest of the world. The disc featured guest appearances by former KILLSWITCH ENGAGE singer Howard Jones and TESTAMENT frontman Chuck Billy.

KILLSWITCH ENGAGE will embark on a headline tour in March 2025. It's their first tour of North America since late 2022. The trek will feature support from KUBLAI KHAN TX, FIT FOR A KING and FROZEN SOUL, and will kick off on March 5 in Nashville and runs through April 12 in Portland, Maine.

In a new interview with Sonic Perspectives contributor Jonathan Smith, CRADLE OF FILTH frontman Dani Filth once again spoke about the decline of the music industry as consumers value access over ownership and experiences over assets. He said (as transcribed by BLABBERMOUTH.NET):"I owe it to my brethren in metal and music not to have a fucking Spotify account because they don't pay people. And it's not just them — it's just platforms in general. And I appreciate the fact that from that people could discover you from another band and whatever, whatever, whatever, whatever; I've heard it a million times. But I'm old school. I want CDs, I want vinyl, I want my bands to be paid because if they're not paid, they're not bands anymore. And I know so many people from big bands that since the pandemic have gone, 'You know what? I'm taking a proper job. So you'll see me less often. We'll still be doing albums, but probably once every five years,' because music — it just seems like daylight robbery."

Dani continued: "If you owned a delicatessen or a fucking supermarket even, people aren't allowed to just come in and help themselves to free produce, which is what people think they're entitled to do with music because it's a periphery thing and it's in the air. You can't physically touch music. But how do you expect bands to survive without that? Okay, yeah, sure, music's getting bigger and bigger. But that's because Taylor Swifts of the world and the Ed Sheerans, whom we've just done a song with, are everywhere. If you work in a delicatessen or you work at a building site and you've got the radio on, chances are you can hear one of those two or Beyoncé or whatever, or Megan Thee Stallion within fucking five minutes of putting it on. And it's kind of a mind control because you adjusted to that. You remember those songs 'cause that's all you hear."

Filth noted that producers of audiovisual content like TV shows and movies have also been hit hard by online piracy. "Obviously, they really try [to combat piracy] with movies, and there's more money involved in movies — obviously," he said. "But in England, we used to have these, not up to very recently, this whole advert they had before the movie starts where 'video piracy is killing the movie industry', and they even go to the point where they'd have this slamming prison doors, in IMAX quality sound, THX. 'You're going to prison if you watch a bootleg movie.' But not the same for… I know back in the day [they had a message on the back of albums saying that] 'home taping is killing music,' but nowadays it's like a fucking free for all."

Dani went on to say that heavy metal fans buy physical product in greater numbers than is the case with fans of other genres of music.

"I think the metal scene is probably one of the most loyal and also one of the most agitated scenes," he explained. "Everybody hates, 'Oh, that band?' 'I love ARCH ENEMY. Do you? What about IN FLAMES? Oh, no. They're fucking shit.' The metal scene is so carnivorous and so cannibalistic, yet probably the most loyal. And, yeah, people, they wear their hearts on the sleeves and wear the bands on their battle jackets. And they'll go and buy the blood-splattered vinyl or they'll buy the special edition, if there was one."

Dani previously blasted Spotify in a June 2023 interview with Sakis Fragos of Rock Hard Greece, saying: "It's been deteriorating ever since… I think 2006 was the year that everything swapped from being comfortable for musicians — well, not necessarily comfortable; it was never comfortable. But [it went to] just being a lot harder with the onset of the digital age, the onset of music streaming platforms that don't pay anybody. Like Spotify are the biggest criminals in the world. I think we had 25, 26 million plays last year, and I think personally I got about 20 pounds, which is less than an hourly work rate.

"For example, the other day my girlfriend… She's got an ill cat; her cat's very sick and needed a life-or-death operation," he continued. "She's a well-known tattooist, and she posted a thing online about… a GoFundMe for her cat, and she was gonna do a raffle and people could win a tattoo, et cetera, et cetera. The point of it is a lot of people were, like, 'Why the fuck should we pay for your cat? You're going out with a multimillionaire?' And she was, like, 'Excuse me, I don't think you understand how the music industry works nowadays. One, he's not a multimillionaire at all. Two, I'm my own person, and this has nothing to do with him.'

"I think people just have this amazing ability to [believe] that when you have stuff out there, like physical product, that you're earning a fortune from it," Filth added. "They don't realize you have so many people taking pieces of the pie — record company, management, accountants, blah blah blah blah; it doesn't matter. If you're not getting any money in the first place, there's not much money to share around. And nowadays, the reason why people put out limited-edition vinyls and stuff, it's for collectors — they're the only people that buy it; other people just stream it for nothing. That's why you're finding a lot of bands, since the pandemic, are not touring. Petrol's gone up. Tour bus hire's gone up. The cost of living's gone up. Yeah, it's very hard for bands at the moment. But it doesn't help when people just have this in-built idea that it's not a privilege to get music, that music is something that should be given away free. I mean, I don't walk into someone's shop and just pick up — I don't know — a pack of bananas and say, 'Well, these grow on trees. They should be free. I'm walking out with these.' I'd be arrested for shoplifting. But it's fine for people to download… Even before albums are out, you find fans, like, 'Oh, I've got a link to it,' and they put it up and then instantly any sales you're gonna get from people buying it for a surprise are out the window because they've already heard it and then they just move on to the next thing.

"Yeah, the music industry is on its knees at the moment," Dani concluded. "I still enjoy making music — don't get me wrong; I love it — but, yeah, the musician nowadays is finding a million things against them. It's a hard time."

CRADLE OF FILTH will release its 14th studio album, "The Screaming Of The Valkyries", on March 21, 2025 via Napalm Records.

In a new interview with Italy's Poisoned Rock, SAVATAGE guitarist Chris Caffery spoke about the reactivated band's upcoming shows in Europe and South America. Joining Chris in SAVATAGE's current touring lineup are Johnny Lee Middleton on bass, Al Pitrelli on guitar, Jeff Plate on drums and Zak Stevens on lead vocals. Caffery talked about some fans' complaints that SAVATAGE's comeback doesn't include Jon Oliva, SAVATAGE's founding vocalist and keyboardist, who in 2023 suffered a T7 vertebra fracture in three places, a severe injury that has left him relying on a wheelchair. Additionally, he was diagnosed with multiple sclerosis and Ménière's disease, conditions that have further complicated his health. Chris said (as transcribed by BLABBERMOUTH.NET): "[Jon] was the one who told us to go do it, really. He kind of wants this thing to happen as much as anyone. And he was the first one to say we were gonna be working on a new record. And then he had his health issues come up and we kind of paused things and the ability to do these shows happen. And Jon wanted us to go do it.

"I remember speaking to [Jon] right before we were about to leave for the TSO [TRANS-SIBERIAN ORCHESTRA] tour [in late 2024]. And I was, like, 'You know, Jon, I've never done a SAVATAGE show without you.' And we were getting kind of emotional talking about his brother [late SAVATAGE guitarist Criss Oliva] and things in our lives and our families and people we lost and everything like that. And he just looked at me and he said, 'Will you go play this fucking music?' So that explains everything.

"[Jon] wants to be there," Chris said. "And I think if anything, it's gonna inspire the powers that be to get with him and heal him and get with us in any way, shape or form that he can. And I know he's gonna be at our rehearsals and he's working with us on the sets and he'll be working on the production and everything else we do. And hopefully we can add him in somehow through the video screens, if we record something or whatever. But we will make sure he's there, and he is always there. I mean, it's Jon's band, basically. He just physically is not able to fly and travel right now. And I know that he wants to be there.

"I know Jon," Caffery added. "He's one of the strongest people I've ever met in my life. And he's had a whirlwind of hits on him. His wife had passed, his father passed, his son-in-law passed, [former SAVATAGE producer and TRANS-SIBERIAN ORCHESTRA founder] Paul [O'Neill] had passed away. He had multiple sound engineers and band members from JON OLIVA'S PAIN and all these — he's got so many so many reasons to push himself to stay there and be there and get out there and do this. And I think that, like I said, he's the strongest person that I've worked with in this business, physically and emotionally. And I just think that… I know the Mountain King, and we'll get him out there with us when he can."

Earlier this month, Pitrelli told Barbara Caserta of Italy's Linea Rock about Jon's absence from the SAVATAGE comeback: "There's people who are gonna complain and I understand their complaint — I get it. The two original members, Jon and Criss — well, Jon is not healthy enough to do this this year. And we're gonna do everything in our power to make sure he can come back, 'cause I want the Mountain King to come out and be amazing, not just be there for the sake of being there. And he doesn't wanna be there unless he can do a spectacular job. Now, Criss Oliva passed away 35 years ago. I have no control over that.

"I know that if you enjoyed the 'Dead Winter Dead' and 'The Wake Of Magellan' tours that we had done, and everybody seemed to have, albeit Jon Olivawas with us, then come out and see for yourself," Al continued. "Don't live in disappointment now. Come out and see it, and if you hate it, then I'll buy the ticket back from you. [Laughs] I don't know what to tell you."

Pitrelli added: "There's always gonna be people who are purists, and I respect that, and I understand that completely.

"We're going to present and articulate this music in an outstanding manner, and I hope everybody enjoys it. And for the people who are like, 'Ehhh', just give us a chance, no pun intended. Let us show you what we're working towards and we can carry on the tradition. I think the songs will supersede everything else. When Zak digs in and starts singing all of Zak songs, everybody's gonna just go, 'Wow, that's amazing.' And we will represent the Mountain King songs the best that we can.

"We know we're going up against some haters," Al concluded. "That's okay. But I'm gonna spend more time thinking about the positive side of it and all the people that are just so excited to come see us. And if in the audience, there's a couple of people with their arms folded, we're gonna work real hard to convert you guys over. Give us a shot. Give us a shot. We'll see what happens."

Asked if there are any plans for SAVATAGE to release new music in the not-too-distant future, Al said: "Jon Oliva and Paul O'Neill were constantly writing together — constantly — up until Paul's passing. So there's a lot of unfinished material or demoed material that's kind of sitting around. I know that some of the other guys in the band have gotten with Oliva and were kicking the tires, if you will, on some new material.

"I couldn't give you an answer as to any recording coming out in the near future, only because we're so concentrated on making this world tour so amazing. I would prefer not to confuse anything right now. I just wanna focus on what we have to do, and let's get through this together and see what happens.

"Everybody would love to put a new record out, new material out, but this is not the time," Al added. "This is the time to come out and just show the world this band is better than it was three decades ago."

Zak joined SAVATAGE in 1992 as the replacement for Jon Oliva. Zak sang on four albums with the band — "Edge Of Thorns" (1993),"Handful Of Rain" (1994),"Dead Winter Dead" (1995) and "The Wake Of Magellan" (1997) — before departing in 2000, allowing Jon to return. Both Jon and Zak took part in SAVATAGE's 2015 performance at Wacken Open Air, which marked the band's first, and only so far, appearance on stage since they went on hiatus back in 2002.

SAVATAGE's last album release, "Poets And Madmen", in 2001 was highlighted by Jon's return as lead vocalist, replacing Zak, who left the band citing family reasons, and the departure of Pitrelli, who accepted an offer to join MEGADETH in 2000. Pitrelli did record solos for some songs prior to his exit. Another very limited U.S. tour followed, supported by FATES WARNING in the early shows, and then NEVERMORE for the remainder. Around this time, Jon chose Zak's replacement in the form of Damond Jiniya (DIET OF WORMS). Damond performed Zak's parts on tour, with Jon having an increased vocal role in proceedings.

In September 2021, Jon Oliva was arrested on the west central coast of Florida for driving under the influence as well as possession of a controlled substance. Police charged Oliva with possession of cocaine, which is a felony, and DUI, which is a misdemeanor. Oliva was reportedly arrested again in July 2023 on another cocaine possession charge.

Back in 2016, Jon announced on social media that he suffered a stroke in April of that year. At the time, he said: "It was not as serious as it could have been, but it did leave me with some physical recovery challenges often associated with strokes."

Despite his health issues, Jon said that he didn't regret the way he had lived his life. He wrote: "I lived the rock 'n' roll lifestyle since I was 18. It's all I knew and I enjoyed the ride very much. But there comes a time in everyone's life where you have to step back and make some life-changing decisions... which I have."

Shortly after SAVATAGE's reunion performance at the 2015 Wacken Open Air festival in Wacken, Germany, Oliva claimed that he felt better than he had in 20 years because he had "stopped drinking and eating" in preparation for the concert. He explained: "It's my voice that's freaking me out, because, even when I was in my late 20s, early 30s, doing songs like '24 Hours Ago' were always really hard to do. And, of course, I didn't realize that it was all the drugs and alcohol I was doing. But, after doing that, getting my act together and stuff, singing '24 Hours Ago', it's actually easy now. [Laughs]"

In addition to his work with SAVATAGE, Oliva is well known for co-creating the aforementioned classical music-meets-prog rock and pyro act TRANS-SIBERIAN ORCHESTRA alongside O'Neill. Oliva has reportedly remained involved in TSO's activities even after O'Neill's April 2017 death of an accidental drug overdose.

Jon's brother Criss, who was one of the founding members of SAVATAGE, was killed in October 1993 by a drunk driver when he and his wife Dawn were en route to the Livestock festival in Zephyrhills, Florida. The driver of the other car was found to have a drunk driving record of seven prior DUIs and having a blood alcohol content of .294 percent.

Photo credit: Josh Ruzansky

In a new interview with "The Garza Podcast", hosted by SUICIDE SILENCE guitarist Chris Garza, former CANNIBAL CORPSE and current SIX FEET UNDER vocalist Chris Barnes was asked if his replacement in CANNIBAL CORPSE, George "Corpsegrinder" Fisher, is "still blocked" from Barnes's social media. Barnes responded (as transcribed by BLABBERMOUTH.NET): "I haven't had him blocked. In fact, on Instagram, I follow him. And I don't know if he follows me, but at one point I confronted him because I saw a video on YouTube where during a live performance, he's poked at me pretty good. And I wrote him 'cause I was, like, 'Look, man, I never have said anything nasty about you at all. I don't know why you're doing this on stage about me.' And I said, 'We met and I thought everything was cool that one time. And listen, I'll give you my phone number.' … I said, 'If you wanna talk on the phone, I'll give you my phone number. We can talk it over.' And I sent him the link to the YouTube video, and magically it disappeared after that. But he never responded to me. He saw the message, 'cause it said 'seen.' But he wouldn't talk to me about it."

Chris admitted that he hasn't been impressed with George's execution of the CANNIBAL material which was originally written and recorded during his era with the band. Chris said: "I don't think he sings my songs very well. I don't. I think he walks through 'em. And on this [current SIX FEET UNDER] tour, I poked back at him a little bit just because I felt like it was funny. But it was all in good humor."

Barnes added that Fisher has said some "insulting" things about him in the press, particularly as it relates to CANNIBAL CORPSE's early material.

"I saw a couple interviews with him where he said that he believed that my songs that I wrote are more his now," Chris claimed. "And that really upsets me. Because they'll never be his. He's a karaoke singer when it comes to my songs. He is. Those aren't his songs. He says they're his songs because he's sung them more times than I have. He didn't write 'em. He doesn't get publishing checks from 'em. Those are my songs. Those lyrics are from my brain. And for him to insult me that way, I take that really serious. And I think that that's so ignorant and just so — just wrong. I think it's wrong that he even signs the CDs or the album covers that he didn't perform on. I don't sign [CANNIBAL CORPSE's 1998 album] 'Gallery Of Suicide'. Why would I? I wasn't on it. So, hey, if he wants to settle it, like get in a race car on a track, see who can drive better. [Laughs] But I know he doesn't know how to drive, so I'd probably win that race too."

After Garza opined that Barnes and Fisher should get in a room and work things out, Chris said: "Listen, man, I tried to. I tried to. I've got no problem with him. Like I said, when I met him, I thought everything was cool, because we got into a room. We were at an IRON MAIDEN concert in one of the boxes. [Metal Blade Records founder Brian] Slagel kind of got us all together in the same room, and I was talking to him. I was having a good time talking about video games. I'm a 'Call Of Duty' guy; he's a 'Warcraft' guy — two different types of games."

Barnes continued: "I respect that he's been a great vocalist for the band for many years. I just don't like being poked at. I've never done anything to the guy… "I have respect for him. It's just I wish people had a little more respect from that camp for me, but they have their reasons not to, so. I mean, I reached out to Alex [Webster, CANNIBAL CORPSE] the other day. Me and Jack [Owen, former CANNIBAL CORPSE and current SIX FEET UNDER guitarist] thought it would be cool to have him come up when we played Portland to play bass on 'Stripped[, Raped And Strangled]' and 'Hammer [Smashed Face]'. But he passed. We knew he wasn't gonna do it, but I told him, I said, 'Those songs are so important to us all, I thought you might want to.'"

Barnes added: "I don't know what grudge they're holding against me, but they just don't like me. So, it's okay. Like I said, I'm happier, and I've been happier in SIX FEET UNDER than with those guys. I mean, those songs that I wrote with them, they are really important to me. That's why we still do a couple of 'em."

Barnes fronted CANNIBAL CORPSE from its inception in 1988 until his exit in 1995, one year after the release of the band's "The Bleeding" album.

After Barnes left CANNIBAL CORPSE, he formed SIX FEET UNDER, whose current lineup also includes another former CANNIBAL CORPSE member, the aforementioned guitarist Jack Owen.

In a recent Cameo video message requested by one of his fans, Barnes reflected on CANNIBAL CORPSE's "The Bleeding" (1994) album, saying: "In CANNIBAL CORPSE, with 'The Bleeding', those guys as musicians were really wanting to progress the band musically in a way. I could kind of say why — I think they were wanting to, in a way, prove themselves as well-skilled musicians. And I thought they always were, because it was always very interesting music, the arrangements and stuff in CANNIBAL CORPSE on the first three albums. But I think they wanted to really hyper focus their skills and weren't able to do that. And I just was along for the ride, man. I can write to anything. It was really challenging to me. And I really liked 'The Bleeding' too. I liked what we were doing with Bob [Rusay, former CANNIBAL CORPSE guitarist]. I didn't want Bob to leave the band, and I didn't want him to be forced out of the band, and neither did Jack. So it kind of was a strange thing with that whole situation, but it did bring about a good album with 'The Bleeding'. And 'Stripped, Raped And Strangled' is probably my favorite song that I've written. And 'Hammer Smashed Face' is probably the most successful song that I've written. But something about 'Stripped, Raped And Strangled', to me, it showed something with the band that never appeared again with any of their albums after that, even 'Created To Kill'. [Editor's note: 'Created To Kill' was the original title of CANNIBAL CORPSE's 1996 album 'Vile', which was partly completed before Barnes was dismissed from the band due to creative differences.] But that is a purposeful thing. I was told by one of the members I will never write another song like that, which I thought was a big mistake. So it's a special song to me in that way, and I love that song. I'll play that song forever."