This week, THE ROLLING STONES achieved a significant milestone by claiming their 14th Number 1 album in the United Kingdom with "Hackney Diamonds", outperforming all other albums in the Top 5 in terms of sales.

In its first week, "Hackney Diamonds" amassed an impressive 72,200 chart units, making it the third highest-selling album of 2023 so far.

With 11 different studio albums reaching the top spot, THE ROLLING STONES have now tied with THE BEATLES, Robbie Williams and Bruce Springsteen, all of whom also have 11 studio albums that reached Number 1 on the U.K.'s Official Albums Chart.

Additionally, "Hackney Diamonds" has claimed the top position on this week's Official Vinyl Albums Chart, marking the album with the highest number of copies sold in the vinyl format over the past seven days, and making it the biggest week for vinyl sales of any album this year.

The 12-track album, was recorded in various locations around the world, including Henson Recording Studios, Los Angeles; Metropolis Studios, London; Sanctuary Studios, Nassau, Bahamas; Electric Lady Studios, New York; and The Hit Factory/Germano Studios, also in New York.

"Hackney Diamonds" album opener, the recently released single "Angry", is followed by a further 11 tracks. Late drummer Charlie Watts features on two tracks, "Mess It Up" and "Live By The Sword". "Live By The Sword" additionally features bass from former STONES bassist Bill Wyman. "Bite My Head Off" has bass from Paul McCartney, and "Get Close" and "Live By The Sword" feature piano from Elton John.

Last month, THE STONES launched the album at a globally livestreamed event from Hackney Empire in East London. The livestream was followed by the premiere of the video for "Angry" starring Emmy-nominated actress Sydney Sweeney ("The White Lotus", "Euphoria", "The Handmaid's Tale"),which to date has had over 20 million views.

"Hackney Diamonds" is THE STONES' first studio set of new material since 2005's "A Bigger Bang". Since then, THE STONES have continued to smash box office records for fun on a series of global sellout tours and released 2016's Grammy Award-winning "Blue & Lonesome", which featured their brilliant versions of many of the blues tracks that helped shape their sound, and topped album charts around the world. Last year, they thrilled European audiences totaling nearly a quarter of a million on the anniversary "Sixty" tour.

"Hackney Diamonds" marks THE ROLLING STONES' first collaboration with New York-born producer and musician Andrew Watt, who was named "Producer Of The Year" at the 2021 Grammy Awards and has worked with Post Malone, Iggy Pop and Elton John.

The bespoke artwork for "Hackney Diamonds" is by digital animator Paulina Almira.

THE ROLLING STONES' new LP is the first since Watts died in 2021.

THE ROLLING STONES released a new track, "Living In A Ghost Town", in 2020.

In 2016, the band released "Blue & Lonesome", a covers collection paying tribute to old-school blues.

Photo credit: Mark Seliger

DEAD ICARUS, the new project of former ATREYU lead vocalist Alex Varkatzas, has shared its third single, "So I Set Myself On Fire".

Alex states about the track: "'So I Set Myself on Fire' is about finding inspiration in darkness. It's about letting your inspiration consume you so fully that it changes you into something else — a driven, unstoppable force of nature."

DEAD ICARUS previously shared the songs "The Vultures Circle" and "Sellout". He described the former as "hands down… the heaviest song I've ever been involved with." He added: "It's an 'F you' to the cancel culture that has infected society. 'Savior, Saint, Sinner, or Thief. Live long enough you'll die one of these.' It doesn't matter what's living inside you; it's just about what people wanna believe."

"Sellout" was described in a press release as "a hyperkinetic slab of fast-paced, face-ripping metal with layered vocals and a pit-clearing breakdown. The song shows off a different side of the artist's musical personality. It hits hard, but it's also infused with a melody that just won't quit."

DEAD ICARUS recently signed a worldwide deal with MNRK Heavy. The band's first full-length project is slated for spring 2024.

A staple of Ozzfest in the mid-2000s with two gold albums, ATREYU is one of the defining bands of the New Wave Of American Heavy Metal, alongside groups like AVENGED SEVENFOLD and LAMB OF GOD. Metalcore classics like "The Curse" and "A Death-Grip On Yesterday" were powered by Alex's distinctive scream.

In October 2020, ATREYU surprise-released a new song called "Save Us". It was the first taste of the band's music since the departure of Varkatzas a month earlier. A couple of days before "Save Us"'s release, Varkatzas updated his Instagram stories with hashtags that seemed to throw shade at his former bandmates and their new material: #fakeheavy, #conartists and #justwaitandsee.

ATREYU's former drummer Brandon Saller, who is now focusing completely on singing after previously sharing lead vocals with Varkatzas for most of the band's two-decade-plus existence, discussed Alex's departure from ATREYU in an interview with Terry "Beez" Bezer of Knotfest.com's "Mosh Talks With Beez". Asked what he thought of Varkatzas implying in a social media post that "Save Us" was "fake heavy," Saller said: "I thought it was hilarious, because I think everyone heard it and then was, like, 'Hmm. Okay.'

"The four of us were very, very adamant on this whole thing" — referring to the split with Alex — "being very, very positive. There's no shitting on people that we wanna do. There's not a part of us that wanted anyone to shit-talk us or him. And our whole stance was, like, this is what it is, but we can still lift each other up and make our fans feel good about the fact that there's no beef; there's no whatever.

"He did his own thing, and it wasn't exactly the kind of idea of a narrative that we would have liked to put forward," Brandon continued. "We've always, still to this day, been fully positive. When people say stuff about Alex, I'm still, like, 'The dude's awesome. You should support whatever he does next.' He's learning guitar, he's taking interest in different things, and I will still, till I'm blue in the face, say, yeah, support him. If you like his voice, if you like what he did in ATREYU, he's probably gonna make more music. Now you have two bands you can listen to.

"The 'fake heavy' thing was — we don't know where that came from," Saller added. "Alex wrote 'Save Us' with us. He wrote probably seven, eight songs that are on the next record. He was a part of the beginning of the album, so for him to say it's fake heavy, then he wrote a fake-heavy song.

"I think 'Save Us' is one of the heavier songs we've ever written. It is two and a half minutes of facepunch. Another view we've had is no matter who says what, let's do what we've always done and just let the music talk. We're just gonna continue doing that and let the tunes do all the talking. And people will know what we're all about. They'll know everything they need to know from [listening to] the songs."

According to Brandon, he and his ATREYU bandmates wanted to avoid making the split with Alex more dramatic than it needed to be in the eyes of the public, preferring instead to give everyone a taste of the new music they were working on.

"A lot of people got really butthurt because of the lack of detail that we gave [in our statement announcing Alex's departure]," Saller said. "And I feel like we just felt so strongly that in this day and age, click culture and clickbait, every headline's looking for, 'Guitar player of ATREYU slept with the singer's wife' — some weird drama. But we had no interest in that. We just wanted to keep it about the music and keep it positive and let our fans know that this is what's happening, we're separating, it is what it is, and let's just think about the future."

"I think people think a lot of it is a lot more quick than the reality," Brandon theorized. "I think that people think that we just made this decision and posted it on the Internet, and that was it. But we've been going through this for months and months and months. When you're in a business and a relationship — a marriage, essentially — with someone for 20 years, there's a lot of steps to go through before you can say anything. We were very much wanting to say really nothing — just be positive and let's be adults. And luckily, we have so many people that really, really are showing us a lot of love."

In December 2020, Brandon implied in an interview with "Sappenin' Podcast With Sean Smith" that ATREYU was no longer on speaking terms with Varkatzas: "We'll call it a breakup," he said. "There's obviously a separation, so I think that's something that, in our hopes, the future will heal. But the five of us in the current situation are tighter than ever."

Grammy Award-winning musician, producer, author as well as founding member of hard rock bands ALTER BRIDGE, CREED and TREMONTI, Mark Tremonti has just released his first-ever Christmas album, "Christmas Classics New & Old".

The official music video for the LP's third single, the original composition "Christmas Morning", can be seen below. The song was penned by Tremonti and tells the story of the excitement of waking up on Christmas morning. The song draws from personal experience and how special that moment is to him and his family. The music video is a claymation work of art created by Ollie Jones and follows a father who finds Santa's naughty/nice list and ventures to bring it back to him. The visual masterpiece is the perfect backdrop for song produced and arranged by Carey Deadman.

"Christmas Classics New & Old" is Mark's interpretation of nine holiday classics and one original penned song from the acclaimed songwriter himself. After the success of his interpretation of songs Frank Sinatra made famous on his album "Mark Tremonti Sings Frank Sinatra", Mark decided to partner up with the orchestra from that album to work on the holiday album.

From the opening horns of "The Most Wonderful Time Of The Year" to the slow fade of the Donny Hathaway classic "This Christmas", Tremonti showcases the music that was the bedrock of his childhood holidays. Mark's interpretations of songs like "Jingle Bells", "The First Noel" and "Have Yourself A Merry Little Christmas" find their place among the many great versions that preceded them. "O Holy Night" is one of Mark's personal favorites and finds new life in the inspired arrangement by producer Carey Deadman. Mark also took the time to create his own holiday composition called "Christmas Morning". Piano twinkles as a marching band drum roll picks up the momentum. As if changing from black-and-white to technicolor, horns herald a wonderfully warm picture on the track's finale, "My lady and me will make sure our children believe in the glory of Christmas morning."

"Christmas Classics New & Old" will sit alongside the most cherished holiday albums and continues to showcase the musical diversity inside Tremonti.

"Christmas Classics New & Old" track listing:

01. The Most Wonderful Time Of The Year
02. Jingle Bells
03. The Christmas Song
04. Christmas Morning
05. The First Noel
06. Santa Claus Is Comin' To Town
07. Have Yourself A Merry Little Christmas
08. Let It Snow! Let It Snow! Let It Snow!
09. O Holy Night
10. This Christmas

As a Grammy Award-winning multiplatinum musician, Tremonti's dynamic musical career spans influential bands from ALTER BRIDGE and CREED to his own TREMONTI, leaving an indelible imprint on hard rock with over 40 million albums sold, chart-topping debuts, countless television appearances and magazine covers, sold out arenas everywhere, and dozens of other accolades. To say he broadened his horizons with 2022's "Mark Tremonti Sings Frank Sinatra" might just be the understatement of the century though. He paid homage to 14 Sinatra classics backed by surviving members of Ol Blue Eyes' band in addition to a cadre of A-list session players. Right out of the gate, it incited widespread audience and tastemaker applause. Beyond features from Billboard, CBS New York, Washington Post and many more, Carson Daly spotlighted the project on "Today" and raved, "Bar none the best Frank Sinatra cover I've ever heard." Donating 100% of the album's proceeds to the National Down Syndrome Society (NDSS) as part of his Take A Chance For Charity organization, NDSS notably honored Mark and his family at its annual gala and auction in 2023. Moreover, the album hit No. 1 on the Billboard Top Jazz Albums chart, and he would go on to play a handful of sold-out shows in support of the album. However, he has yet to musically contribute to the happiest season of all — until now. Just in time for the holidays, he delivers "Christmas Classics New & Old" with nine renditions of holiday anthems and one original tailor made to "put a smile on your face, make you feel good, and get you into the Christmas spirit," according to Mark.

Photo credit: Chuck Brueckmann

Former MARILYN MANSON and ROB ZOMBIE and current MÖTLEY CRÜE guitarist John 5 has released a new instrumental song called "The Ghost".

About this release, John 5 says: "This song called 'The Ghost' is pretty much about my guitar that came out earlier this year. The guitar is, to me, the perfect guitar. It has everything; looks, durability, amazing sound, so the only thing I could do is create a song that shows all of its glory. When the guitar came out, I went right into the studio and recorded this song with the new guitar, and I couldn't think of a more fitting title than 'The Ghost'."

JOHN 5 AND THE CREATURES, the band led by John 5, recently announced the first tour since he joined MÖTLEY CRÜE as the replacement for Mick Mars. The trek will kick off NAMM weekend in January 2024 with two special Southern California performances with special guest Jared James Nichols before continuing through early March.

For over 30 years, John 5 has been one of the most in-demand guitar players on the planet. As well as a songwriter/guitarist for hire, John 5 has shared the stage as axeman for ROB ZOMBIE, MARILYN MANSON and JUDAS PRIEST singer Rob Halford. He has also worked with an impressive array of names, from all walks of music, including Steve Perry, KD Lang, Rod Stewart, David Lee Roth, Alice Cooper, Tina Guo, LYNYRD SKYNYRD, Meat Loaf, Ricky Martin and Steven Adler.

John 5 has worked with a varied range of artists, performing as guitarist for some of the biggest headlining rock bands in the world. Slash has called John 5 "one of the most mind-blowing guitarists around" and Rob Zombie has dubbed him "a fucking shredder". John 5 has released seven solo albums to date, as well as a remix album.

In 2015, following a series of web shows to celebrate the release of his solo album "Careful With That Axe", John 5 decided to take his solo set on tour and formed THE CREATURES band to support his live shows. Initially joined by long-term friend Rodger Carter on drums, the band continues touring to this day, and now work as a unit on 5's solo albums, including "Season Of The Witch", the live album "It's Alive", "Invasion" and 2021's "Sinner".

In October 2022, it was revealed that John 5 would be joining MÖTLEY CRÜE as their guitarist following the announcement that Mick Mars would be retiring. John 5 is currently on the road with MÖTLEY CRÜE as part of "The World Tour" with DEF LEPPARD.

Photo credit: Israel Perez (courtesy of Adrenaline PR)

Former L.A. GUNS and W.A.S.P. drummer Steve Riley has died at the age of 67.

Riley's death was confirmed to BLABBERMOUTH.NET by his son Cole, who said that Steve passed away this past Tuesday, October 24.

The Riley family has released the following statement to BLABBERMOUTH.NET: "We are devastated to share that Steve Riley has passed away at the age of 67. Steve had been battling a severe case of pneumonia for several weeks, and on Tuesday, Oct. 24, succumbed to the illness. His wife Mary Louise and son Cole were by his side in his final moments.

"Steve spent the past five decades building up a rich music legacy, touring the world countless times, selling millions of records, sharing the stage with incredible bandmates and bringing joy to fans across the globe. His style was unmatched, influenced by the greats like Buddy Rich, Ginger Baker and John Bonham, and his passion for the craft was evident until the very end. But Steve's greatest legacy was his role as a loving husband and caring father. At home, he was more than just a rocker — he was a Boston sports fanatic, a World War II buff and an avid reader. As much as he loved being on the road, nothing brought him more joy than coming home to his family.

"Steve is survived by his wife and son, as well as his brothers Michael and Daniel."

The news of Riley's death was first reported by Metal Sludge and was confirmed by his longtime friend Jason Green, who shared a new video on his Waste Some Time With Jason Green YouTube channel in which he said that Steve had suffered from various health issues prior to his passing.

A source close to Riley told Metal Sludge that the drummer died after he had been recently hospitalized. He had also been using a cane to walk in recent months.

Riley was the drummer for W.A.S.P. on the band's second and third albums — 1985's "The Last Command" and 1986's "Inside The Electric Circus" — and world tours from 1984 to 1987. After leaving W.A.S.P., Riley joined L.A. GUNS and played on that group's most commercially successful LPs.

In 2016, singer Phil Lewis and guitarist Tracii Guns reunited in a new version of L.A. GUNS that didn't include Riley. Steve later launched his own version of L.A. GUNS, which played its debut concert at the M3 Rock Festival in Maryland in May 2019.

In April 2021, an out-of-court resolution was reached between Riley and Guns and Lewis over the rights to the band's name. Under the terms of the settlement agreement, Tracii and Phil continued to operate under the L.A. GUNS trademark, while Riley and his bandmates from the other version of L.A. GUNS carried on under the new name RILEY'S L.A. GUNS.

Last month, RILEY'S L.A. GUNS released a new single, "The Dark Horse", via Golden Robot Records. The track was set to appear on the band's upcoming sophomore album of the same name, tentatively due in early 2024.

RILEY'S L.A. GUNS featured Riley alongside Orlando, Florida-based guitarist/vocalist Kurt Frohlich, Nickels and guitarist Scott Griffin, who played bass for L.A. GUNS from 2007 until 2009, and then again from 2011 to 2014.

In a 2011 blog for Modern Drummer, Riley wrote that he was "blessed to be involved in both waves of hard rock and metal in 1980s Los Angeles." He explained: "The first of the two was the MÖTLEY CRÜE, RATT, W.A.S.P. and DOKKEN movement. Then came the GUNS N' ROSES, L.A. GUNS and FASTER PUSSYCAT bunch. I'm one of those rare drummers that played in two successful bands from both waves. Pretty cool stuff!"

Three years ago, Massachusetts native Riley spoke fondly about his early years on the Sunset Strip rock scene, telling Antihero Magazine: "I've said it in many interviews, W.A.S.P., RATT, MÖTLEY CRÜE, DOKKEN, GREAT WHITE, that first wave of metal out of Los Angeles, we were working so much, we were on the road all of us so much that we never really even noticed what was happening in Los Angeles because we'd only be back for a few weeks or a few days actually sometimes, and then back out on the road or back into the studio. So we didn't notice the second wave of metal coming out of L.A. with GUNS N' ROSES, L.A. GUNS, FASTER PUSSYCAT and JETBOY, we didn't see that happening. So when Blackie [Lawless], then behaved by firing Randy Piper, then he fired me and then eventually fired Chris [Holmes]. He disbanded that great band. But when that happened with me in 1987, and he let me go, I was just fortunate. I was approached by these guys in L.A GUNS. They were big, big fans of W.A.S.P. I mean, huge fans, the guys in GUNS N' ROSES were too. I didn't realize that, that they were all huge fans of W.A.S.P. and they approached me, and they asked me if I wanted to join. And I kind of went right from headlining Long Beach Arena to playing a club show with L.A GUNS. So I didn't really know about the second wave of metal and I was really fortunate to go right from W.A.S.P. into L.A GUNS."

Photo courtesy of Golden Robot Records
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In a new interview with Steffan Chirazi of METALLICA's fan-club magazine So What!, Lars Ulrich was asked to reflect on the band's latest album, "72 Seasons", which came out in April. He said: "I think every METALLICA record has its own journey, its own story, its own path forward. They're all unique, and I think you accept all of them. The one common thread between all the METALLICA records is that they're done with the best intent, the purest intent, and always an attempt in that moment to write the best songs to create the best collection of songs. Then there's a set of practicals that play a role in that at some level. So obviously, now with '72 Seasons' being out a couple, what, four or five months, the record's still very fresh to me. I like what I'm hearing. I don't listen to it very often, but just six weeks ago, when we started the North American run in New York, there were a couple more songs that we wanted to learn. So I listened to those songs and listened to the record. I don't think I'd heard it in six weeks, but it still sounded very fresh, weighty and cohesive.'

He continued: "You know, I've said this many times: there's what I call the 'honeymoon period,' which is when you make a record and finish a record, you put that record in your back pocket, and then you go off into the world. And at some point, you listen to that record again, and at some point, you start having some questions about the choices that were made. [For] different records at different times, that honeymoon period can be short, can be long, whatever. So, four to five months later, I still don't have a lot of questions. I'm happy with what I'm hearing, I'm appreciative, and I like the choices that were made.

"The interesting thing about this record is also — and this kind of dawned upon me as I was doing interviews for '72 Seasons' in the spring — that every record, through no choice of your own, is always related to the previous record. If you like the previous record, that affects where you're going with the next record. If you don't like the previous record, that affects where you're going with the next record. So, in terms of the lineage of the records, the next record is always tethered to the previous record in some way, shape, or form.

"I have made no secret of the fact that 'Hardwired[... To Self-Destruct]', certainly for the most part from '16/'17 forward, has been a record that, in my ears, has aged really, really well. So, when we started the process of what became '72 Seasons', there was no radical attempt to alter the course forward because 'Hardwired' felt like a really good jumping-off point. Obviously, the parameters were different in that we were in lockdown. There was a lot of uncertainty; the band was trying to figure out its place. And how do we pick the pieces up again? That's already been talked about a little bit with 'Blackened 2020' [reimagined version of the 1988 classic 'Blackened']. And then, during that awful and unprecedented time in lockdown, how do we make music? How do we connect to our fans and to our friends and family out there? How do we make a difference as METALLICA? And that eventually led us to start writing songs and to do the stuff remotely and through computers and Zoom sessions, etc., etc., etc. Then, ending up here at HQ [METALLICA's headquarters in Northern California], masked and under many Covid restrictions. Eventually, as things got more and more 'along,' the process became more and more normalized, whatever that means in the context of making a record. So, in hindsight, now the record's been out for five months, I'm happy with it. We've played eight of these songs live, [and they're] super fun to play. I think all eight songs that we played live are connecting with the audience, with the fans, maybe a few of them slightly at a deeper level than others. We're digging what we're doing, and as I said, the easy way to sum it up is that there are no radical red flags."

"72 Seasons" sold 146,000 equivalent album units in the U.S. in its first week of release to land at position No. 2 on the Billboard 200 chart. It marked METALLICA's 12th Top 10-charting album, of which eight have reached the top two.

"72 Seasons" had the biggest week for any rock or hard rock album since TOOL's "Fear Inoculum" arrived in September 2019 with 270,000 equivalent album units.

"72 Seasons" was released on April 14 via METALLICA's own Blackened Recordings. Produced by Greg Fidelman with guitarist/vocalist James Hetfield and Ulrich, it is METALLICA's first full-length collection of new material since "Hardwired…To Self-Destruct".

In the seven years since the arrival of "Hardwired… To Self-Destruct", METALLICA has reissued some of its classic albums, released a second live album with the San Francisco Symphony, commissioned a covers album featuring the likes of GHOST, VOLBEAT, WEEZER, Corey Taylor and THE HU, and landed on the Billboard songs chart with "Master Of Puppets" after a prominent placement in the hit Netflix show "Stranger Things".

METALLICA's "M72" world tour launched in late April in Amsterdam. The trek sees the band playing two nights in every city it visits — with each "No Repeat Weekend" featuring two completely different setlists and support lineups. The "M72" tour features a bold new in-the-round stage design that relocates the famed METALLICA Snake Pit to center stage, as well as the "I Disappear" full-tour pass and the debut of discounted tickets for fans under 16 years of age.

Opening acts include Floor Jansen, EPICA, FIVE FINGER DEATH PUNCH, ICE NINE KILLS, MAMMOTH WVH, PANTERA, ARCHITECTS, GRETA VAN FLEET and VOLBEAT.

METALLICA promises fans who purchase a two-day ticket that they won't see the same song twice for a total of over 30 songs spanning the band's 40-plus-year career.

In a new interview with Colombia's El Expreso Del Rock, GOJIRA drummer Mario Duplantier was asked if he and his bandmates have commenced work on the follow-up to 2021's "Fortitude" album. He responded (as transcribed by BLABBERMOUTH.NET): "Yeah. Oh, yeah, yeah. We work on new stuff for a long time, actually. We have a lot, a lot, a lot of ideas. We have structures of new songs. But we are so picky that we really want to take this time to drop something very unique. And why not having more songs to record? Instead of having 10 songs, maybe have like 15 songs; I don't know. But we are working on it very hard. But it's a bit early in the process to talk about the date of release and all that. But what I can tell is it's on a good way. We are very proud of what we have right now."

Asked if there is "a lot of difference between this new material" and the songs on "Fortitude", Mario said: "Um, I almost wanna say yes. It's different. It's a bit early to say but I have a feeling it is going to be heavier."

As for whether he and his bandmates are working on new material in New York, where Mario's brother, GOJIRA guitarist/vocalist Joseph Duplantier, lives and owns a recording studio or they are working separately on music, Mario said: "We did work on tour a lot, actually, because we were touring so much that we share ideas and we jammed a little bit in dressing room. And then, yeah, we're working in New York, in France. It's our secret formula, but we send ideas to each other. We jam together sometimes. But definitely most of the work will be done in New York."

This past April, Joseph told Ireland's Overdrive that Mario "was very busy recording drum patterns and song structures over the pandemic period, and I have a few new things also. We're just sending a few ideas to each other here and there.

"Right now, I feel like I squeezed myself like a lemon for 'Fortitude', and I have nothing left in the tank," he explained. "I believe that the slow process is best for us. Some bands just pump out new music with lightning speed, and from what I've seen with a few bands, it's not a good vibe. In fact, it's very stressful and can cause bands to implode. I don't want that to happen to GOJIRA. I want to take it slow and do the very best that we can do when it comes to writing music and lyrics."

Duplantier also talked about how important having his own recording studio, Silver Cord, which is located near his home in New York City on the border of Ridgewood, Queens and Bushwick, Brooklyn, has been for GOJIRA's creativity. He said: "Building the studio was one of the best decisions I have ever made. For me, it's mandatory to have a place where I can work and not be interrupted. I can just be there feeling miserable and trying to come up with ideas, and it's okay if they don't come at once. Silver Cord is a place where ideas are born, nurtured and grow into bigger things, or perhaps not at all. [Laughs] Either way, it doesn't matter because I can just leave and come back tomorrow.

"Before Silver Cord, we had a studio in France [we recorded three albums there], and when I moved to New York in 2009-2010, I was between creative places, and away from the rest of the band… which was a really weird time," he explained. "But that's when I started thinking about building a studio, and Mario moved over for a few years and helped me build Silver Cord.

"I am notoriously slow when I work, because I like to go through everything with a fine-tooth comb, and then after a while, there might be a creative explosion where lots of music or lyrics are written in short period of time, so just being able to have this special place to do all of that, is absolutely vital for me personally.

"I'm not very organized," Joseph added. "I know people who prepare all their demos, go the studio, record, and then that's that. For me, I'm kind of all over the place. [Laughs]. Sometimes, I may start the writing process by mixing before I even have one song. For example, I have recorded an entire demo in the past, just to research how it sounds and how we are gonna do things going forward."

In October 2022, GOJIRA released a new song titled "Our Time Is Now". The track appears on the soundtrack to EA Sports' long-running NHL video game franchise "NHL 23".

"Fortitude" came out in April 2021 via Roadrunner Records. The follow-up to 2016's "Magma" was recorded and produced by Joseph at Silver Cord and mixed by Andy Wallace (NIRVANA, RAGE AGAINST THE MACHINE).

GOJIRA initially laid the foundation for "Fortitude" in 2020 with the surprise release of the single "Another World".

The artwork for "Fortitude" was created by Joseph.

GOJIRA and MASTODON recently completed two legs of "The Mega-Monsters Tour", a massive co-headline run across North America, along with special guests LORNA SHORE on all dates.

Back in May, San Diego, California-based deathgrind behemoths, Cattle Decapitation, released their herculean tenth studio album, Terrasite, via Metal Blade Records. Today, the band unleash their brand new video for "Solastalgia". Watch below.


The video was directed by David Brodsky and vocalist Travis Ryan and produced by Allison Woest for My Good Eye: Music Visuals.







Terrasite, which features the artwork by longtime collaborator Wes Benscoter (Vader, Kreator, Bloodbath, Hypocrisy), was produced by Dave Otero (Cephalic Carnage, Allegaeon) and includes Tony Parker of Midnight Odyssey handling piano and synths. Order here.





Terrasite tracklisting:


"Terrasitic Adaptation"
"We Eat Our Young"
"Scourge Of The Offspring"
"The Insignificants"
"The Storm Upstairs"
"…And The World Will Go On Without You"
"A Photic Doom"
"Dead End Residents"
"Solastalgia"
"Just Another Body"


"Scourge Of The Offspring" video:





"We Eat Our Young" video:





"A Photic Doom" video:





Cattle Decapitation's Terrasitic Infestation North American headlining tour will commence on November 10 in Santa Ana, California and make its way through over two-dozen cities, coming to a close on December 16 on the band's home turf of San Diego. Support will be provided by Immolation, Sanguisugabogg, and Castrator.





Tour dates:


November
10 - The Observatory - Santa Ana, CA
11 - The Nile Theater - Mesa, AZ
12 - Rock House Bar & Grill - El Paso, TX
14 - Diamond Ballroom - Oklahoma City, OK
15 - Granada Theater - Dallas, TX
16 - Vibes Event Center - San Antonio, TX
18 - Chelsea's Live - Baton Rouge, LA
20 - The Masquerade - Atlanta, GA * No Immolation
21 - The Orpheum - Tampa, FL
22 - The Abbey - Orlando, FL
24 - Hanger 1819 - Greensboro, NC
25 - Peabody's Nightclub - Virginia Beach, VA
27 - Baltimore Soundstage - Baltimore, MD
28 - Brooklyn Bowl - Philadelphia, PA
29 - Brighton Music Hall - Boston, MA
30 - Warsaw - Brooklyn, NY


December
1 - Beanfield Theatre - Montreal, QC
2 - Opera House - Toronto, ON
4 - St Andrews Hall - Detroit, MI
5 - House Of Blues - Chicago, IL
6 - Fine Line - Minneapolis, MN
8 - Gothic Theatre - Englewood, CO
9 - Urban Lounge - Salt Lake City, UT
10 - The Shredder - Boise, ID
11 - The Crocodile - Seattle, WA
12 - Hawthorne Theatre - Portland, OR
14 - Goldfield Trading Post - Roseville, CA
15 - The Belasco - Los Angeles, CA
16 - Observatory North Park - San Diego, CA


Cattle Decapitation have announced their first European tour in support of Terrasite. Support comes from Metal Blade labelmates 200 Stab Wounds as well as Signs Of The Swarm and Vomit Forth.


Tickets here.





Dates:


March
1 - Nijmegen, Netherlands - Doornroosje
2 - Zürich, Switzerland - Züri Gmätzlets Fest
3 - Paris, France - Petit Bain
4 - Brighton @ Chalk
5 - Southampton, UK - Engine Rooms
6 - Exeter, UK - Phoenix
8 - London, UK - O2 Academy Islington
9 - Manchester, UK - Rebellion
10 - Glasgow, UK - Cathouse
11 - Newcastle, UK - Reds Bar
13 - Limerick, Ireland - Dolan's Warehouse
14 - Dublin, Ireland - Academy
15 - Leeds, UK - The Key Club
16 - Birmingham, UK - Asylum
17 - Bristol, UK - The Fleece
19 - Wiesbaden, Germany - Schlachthof
20 - Munich, Germany - Backstage
21 - Vienna, Austria - Szene
22 - Budapest, Hungary - Barba Negra
23 - Prague, Czech Republic - MeetFactory
25 - Berlin, Germany - Lido
26 - Copenhagen, Denmark - Pumpehuset
27 - Stockholm, Sweden - Fryhuset Klubben
28 - Oslo, Norway - Inferno Metal Festival
29 - Gothenburg, Sweden - Pustervik
30 - Hamburg, Germany - Logo
31 - Essen, Germany - Turock


(Photo - Nick Van Vidler)

Brooklyn, New York-based sludge metallers Somnuri have issued their new video for “The Way Out.” The stirring track comes by way of the band’s third full-length, Desiderium, released in July via MNRK Heavy.





Recorded at Gojira’s Silver Cord Studios, mixed by Justin Mantooth at Westend Studios, and mastered by Brad Boatright at Audiosiege Mastering, on Desiderium, the band - singer/guitarist Justin Sherrell, drummer/producer Phil SanGiacomo - weaves seamlessly through a variety of tempos and sounds, giving some well-trodden genres new roads to travel. Songs like “Paramnesia'' swing in like a sludgy wrecking ball, calling to mind the likes of Eyehategod and Crowbar in their heaviest moments. Instead of going for all-out mosh parts, the band pulls back, allowing Sherrell to get a few clean vocals in before charging back up on full assault. Sherrell’s voice is insanely versatile, both able to deliver soul-filled clean vocals and some grim screams. It’s the perfect counterpoint to the band’s instrumentals, weaving a ladder between sludge, grunge, psych-rock and more. All of this leads to something like Alice In Chains if they got way into acid and wanted to go full-tilt heavy.




Somnuri will close the year playing with Spotlights and Netherlands at Mercury Lounge in New York City December 1 with a 2024 North American tour to be announced in the weeks to come. Stay alert.


Desiderium features cover art by Alex Eckman-Lawn and is available on CD, LP, cassette, and digital formats. For orders, head here.





"What A Way To Go" video:





Somnuri:
Justin Sherrell – guitar, vocals
Phil SanGiacomo – drums
Mike G – bass
Chris Drapeau – guitar


(Photo - Somnuri)

CHILDREN OF BODOM's final concert, which took place on December 15, 2019 at the Black Box in Helsinki Ice Hall in Helsinki, Finland, will be released as a live album, "A Chapter Called... Children Of Bodom (Final Show In Helsinki Ice Hall 2019)", on December 15, 2023 via Spinefarm.

Released with the blessing of late CHILDREN OF BODOM frontman Alexi Laiho's estate, the concert album completes the legendary band's career which began in Espoo, Finland in 1993 as INEARTHED. Over their career, CHILDREN OF BODOM released ten studio albums, two live albums, two EPs, two compilation albums and one DVD. The final lineup of the group upon their split in 2019 consisted of Alexi Laiho (lead guitar, lead vocals),Jaska Raatikainen (drums),Henkka Seppälä (bass),Janne Wirman (keyboard) and Daniel Freyberg (rhythm guitar).

Freyberg said: "It's great to have that final show transformed into a live album. For those who attended, it's a time travel back to that moment. And for those who didn't, it's an opportunity to experience how the chapter called CHILDREN OF BODOM was closed."

Seppälä stated: "Needless to say that this night was very special. When 'In Your Face' started, the reality hit me and I had to turn away from the audience 'cause I actually started crying. But the beauty is that the memories and Alexi's music will live forever!"

Wirman said: "It felt surreal to be on that stage in Helsinki Ice Hall as I knew that I was probably not gonna play with the guys ever again nor get to perform for the amazing fans anymore. It felt sad but also somewhat relieving. It is great that the last show and its emotional rollercoaster can now be enjoyed by everyone who couldn't make it to the show."

Raatikainen added: "When I got on the stage, I felt calm, probably because I no longer felt the need to prove anything but to enjoy the music and the presence of all the fans. I was just so grateful to have been a part of all this, knowing that our music wouldn't disappear even if we never ever played together again."

"A Chapter Called... Children Of Bodom (Final Show In Helsinki Ice Hall 2019)" track listing:

01. Under The Grass And Clover
02. Platitudes And Barren Words
03. In Your Face
04. Shovel Knockout
05. Bodom Beach Terror
06. Everytime I Die
07. Halo Of Blood
08. Are You Dead Yet?
09. Blooddrunk
10. I Worship Chaos
11. Angels Don't Kill
12. Follow The Reaper
13. Deadnight Warrior
14. Needled 24/7
15. Hate Me
16. Hate Crew Deathroll
17. Lake Bodom
18. Downfall

Laiho passed away in December 2020 due to alcohol-induced degeneration of the liver and pancreas connective tissue. Furthermore, Laiho had a cocktail of painkillers, opioids and insomnia medication in his system. He had suffered from long-term health issues leading up to his death.

In a July 2023 interview with BLABBERMOUTH.NET, Wirman opened up about the string of events that led to the band's 2019 demise and the deterioration of Laiho's health.

"Alexi's downfall started in 2016," Janne said. "I don't know what caused him to do that. He told me but didn't tell anyone else in the band — he made sure no one else was in the room — and told me, 'Dude, from now on, I'm going to drink until I die.' I said, 'Fuck, man. You can't say that to me.' He said it another time in 2018. I knew that was what he was doing — he said he wouldn't take any help for his medical issues. He was going to keep drinking. That's what he did, which is fucking crazy."

Janne continued: "A lot of people who haven't had a family friend or work buddy or someone who is sick with alcoholism, a lot of people don't understand you cannot help the person who doesn't want help. He had decided he didn't want help and would keep drinking until he died. That's what he did."

Wirmen then detailed BODOM's final years, beset by infighting largely stemming from Laiho's substance abuse issues. "The last years were pretty bad," he said. "There was a lot of bullshit. It's so crazy because he was in such a good place a couple of years before. He was happy about being sober and on tour, and the shows were good. I don't know what happened to him. Something pushed him over the edge where he decided, 'Fuck it. I'm going to keep drinking.'"

Alexi's ashes were buried in December 2021 — nearly a year after his tragic passing. He was laid to rest at the Malmi Cemetery, a large cemetery located in the Malmi district in Helsinki, Finland.

Alexi and drummer Jaska Raatikainen founded CHILDREN OF BODOM in 1993, and the band was one of the most internationally acclaimed metal acts in Finland up until their very last farewell concert in December of 2019. In 2020, Alexi put together BODOM AFTER MIDNIGHT, which recorded three songs and shot one music video, all of which were released posthumously.

Besides CHILDREN OF BODOM, Laiho had played in such acts as WARMEN, SINERGY, KYLÄHULLUT and THE LOCAL BAND. Awarded with a Metal Hammer Golden God and several other international prizes, the guitarist was also the main star, leading a group of one hundred guitar players at the Helsinki Festival in 2015 in "100 Guitars From Hel" — a massive concert piece he composed.

Last year, Wirman and fellow former CHILDREN OF BODOM members Raatikainen and Henri "Henkka T. Blacksmith" Seppälä discussed publicly for the first time the circumstances that led to the band's split and ultimately Laiho's death. In an interview with Finland's Helsingin Sanomat, the three surviving members of CHILDREN OF BODOM said the real reason for the band's breakup was not that they wanted to stop touring in order to spend more time with their families, which is how Laiho explained it to Helsingin Sanomat in November 2019. Instead, what caused the group to split was Laiho's substance abuse, and that is also what eventually killed him a year after they went their separate ways.

Laiho's addiction began to take a serious toll on CHILDREN OF BODOM in 2008, when the band was the support act on a SLIPKNOT tour. In the ensuing years, Laiho promised his bandmates that he would not drink on the road anymore. Although he kept his word for a few years, Alexi "went into a tailspin again in 2016," according to Wirman. Laiho, who had a substantial income as COB's main songwriter (all other income, from gigs to merchandise, was split equally),repeatedly complained that his income was declining and threatened to pull himself out of the limited liability company, AA & Sewira Consulting Oy, he and the other members formed in 2003.

After CHILDREN OF BODOM's manager brought up Laiho's substance abuse at a business meeting in New York in early 2019, Alexi refused to go into rehabilitation but did agree to see a doctor. He was diagnosed with diabetes, and he began taking medication to treat the condition.

In the summer of 2019, Laiho filed an application with the Finnish Patent And Registration Office to register the CHILDREN OF BODOM name to Laiho. This infuriated his bandmates who saw this as an attempt to hijack the name and brand that was controlled by the group's LLC.

During CHILDREN OF BODOM's tour of Russia in October 2019, Laiho "was hitting the bottle like back in 2008," his bandmates told Helsingin Sanomat.

"I told Alexi that you don't usually drink starting at breakfast before a gig, and now you don't even warm up with the guitar before going on stage like you always do," Raatikainen recalled.

Laiho later apologized and stopped drinking for the last concerts of the tour.

"His hands were shaking for two days, but the gigs in Moscow and St Petersburg went pretty well," Raatikainen said.

Raatikainen, Seppälä and Wirman decided to go with Alexi's wish from a few years back and buy him out of the LLC. Laiho retained the rights to his music and was paid royalties on performances and record sales as before, but sold his part of the LLC that owns the name of the band and the merchandising rights.

According to the trio, Alexi was sober for CHILDREN OF BODOM's entire final tour of Finland in December 2019 and he "exchanged cordial messages" with them even after the start of the pandemic.

Alexi's sister Anna Laiho told Helsingin Sanomat that the three surviving members of CHILDREN OF BODOM "have the full support of our family."

Anna, Alexi's Australian wife Kelli Wright-Laiho and a few close friends attempted to get him professional help in the fall of 2020, but he refused.

"At heart, he was a warm and caring person, always ready to help others. But he had his demons, and he wanted to fight those alone", Alexi's sister said. "He wanted to make his own choices. For better or worse."

On October 19, The Rolling Stones took over New York City club, Racket NYC, to celebrate the release of their new album, Hackney Diamonds, the band's first album of new material in eighteen years.


The Stones have released the official live video for their performance of the album track, "Sweet Sounds Of Heaven", featuring Lady Gaga. Watch below:







The Rolling Stones' Hackney Diamonds is out now. The 12-track album, was recorded in various locations around the world, including Henson Recording Studios, Los Angeles; Metropolis Studios, London; Sanctuary Studios, Nassau, Bahamas; Electric Lady Studios, New York; and The Hit Factory/Germano Studios, also in New York. Late drummer Charlie Watts is featured on two tracks, "Mess It Up" and "Live By The Sword". "Live By The Sword" additionally features bass from former Stones bassist Bill Wyman. "Sweet Sounds Of Heaven" featuring vocals from Lady Gaga and keys & piano from Stevie Wonder, "Get Close" and "Live By The Sword" with piano from Elton John, and "Bite My Head Off" with bass from Paul McCartney.


Hackney Diamonds is their first studio set of new material since 2005's A Bigger Bang. Since then, the Stones have continued to smash box office records on a series of global sell-out tours and released 2016's Grammy Award winning Blue & Lonesome, which featured their brilliant versions of many of the blues tracks that helped shape their sound, and topped album charts around the world. Last year, they thrilled European audiences totalling nearly a quarter of a million on the anniversary Sixty tour. The Rolling Stones have sold over 250 million albums worldwide.


Hackney Diamonds marks The Stones' first album produced by producer and musician Andrew Watt.





Tracklisting:


"Angry"
"Get Close"
"Depending On You"
"Bite My Head Off"
"Whole Wide World"
"Dreamy Skies"
"Mess It Up"
"Live By The Sword"
"Driving Me Too Hard"
"Tell Me Straight"
"Sweet Sounds Of Heaven"
"Rolling Stone Blues"


 "Sweet Sounds of Heaven" lyric video:





"Angry" video:





(Top photo courtesy of Kevin Mazur/Getty Images for The Rolling Stones)

In a new interview with Troy Culpan of May The Rock Be With You, STAIND guitarist Mike Mushok was asked to name the one thing that has remained consistent throughout the band's nearly three-decade existence. He responded (as transcribed by BLABBERMOUTH.NET): "Probably the working relationship I feel like that Aaron [Lewis, STAIND frontman] and I have in that kind of that chemistry. When we get together, I feel like he takes what I have and helps me make it better and really completes what it is and really nails what I'm looking for and having a song. He just does such a great job with the melody and the lyrics."

He continued: "When we got together for the first time trying to work on [STAIND's first album in 12 years, the recently released 'Confessions Of The Fallen'], and you're just, like, 'Oh, what's this gonna be like? We haven't done this in a long time.' It was like we just picked up where we left off."

In an April 2023 interview Jason Bailey of Audacy Check In podcast, Mushok was asked if he has ever had discussions with Lewis about not being so vocal about his political views during STAIND shows. He responded: "There's not really a conversation [about that]. I mean, I do feel like — and even Aaron said, he goes, 'My country career is really where I deal with that. STAIND, not so much.' That's something that he's kind of said. So I mean, listen… People in the audience know who Aaron is and what he says. So sometimes that comes up — certain chants will happen during our shows from time to time. And, you know, whatever."

Last December, Mushok was asked by Loaded Radio podcast how he feels about Lewis publicly voicing his political views. He responded: "Listen, [Aaron is] a very opinionated person. He feels he needs to go out there and say what his opinion is. And listen, he's got the right to do that, right?"

"Confessions Of The Fallen" arrived on September 15 via Alchemy Recordings/BMG. STAIND's first new LP album since 2011 was produced by Erik Ron (GODSMACK, PANIC! AT THE DISCO, BLACK VEIL BRIDES).

STAIND has released eight albums since 1995, including 2011's self-titled effort. The band has had a number of hit songs during its first two decades, including the Top 10 smash "It's Been Awhile" from the No. 1 album "Break The Cycle". Follow-up LPs "14 Shades Of Grey" and "Chapter V" also topped the Billboard chart.

STAIND released its first album in nine years, "Live: It's Been Awhile", in May 2021 via Yap'em/Alchemy Recordings. The "Live: It's Been Awhile" album was accompanied by "The Return Of Staind", a two-part global streaming series in partnership with Danny Wimmer Presents.

STAIND and GODSMACK recently completed a 25-city co-headlining 2023 tour, produced by Live Nation. The trek launched on July 18 at Hollywood Casino Amphitheatre in St. Louis, Missouri, with stops across the U.S. before wrapping up in Austin, Texas at Germania Insurance Amphitheatre on August 31.

Chile death metal veterans Sadism will release their tenth album, Obscurans, on November 24 via Hammerheart Records.


Obscurans is the creation of a work process that started in July 2022, until the album was finished in the studio in February 2023.


Sadism comment:




“It is fair to say that around 1988 it was absolutely crazy to think about recording ten(!!!) albums as a band... and now it is with great pleasure that we can present our tenth studio album Obscurans. The record was made with enough time to regain our strength and hit our brutal and simple roots, and above everything else, to connect with our essence and characteristic style, driven by dark chords and blasphemous lyrics... a logbook to the most gloomy part of human history and the madness that pulls the strings to create our own decadent and miserable existence. We are very proud of this production in every way, a great triumph for us and of course we promise that there will be more than ten albums.”





Tracklisting:


“Exsanguination”
“On Your Knees”
“Diabolution”
“Lower Astral Entities”
“Because We Are Rotten To The Core”
“Freewill Archangels”
“Ars Goetia”
“The Void Devourer”
“Parousia”
“Made Of Sulfur”
“Nyctophile”
“When The Christians Lie”

Legendary Rock And Roll Hall Of Famers KISS are donating a trip with the band onboard their private jet along with an experience at one of their final shows of the "End Of The Road" U.S. tour. Proceeds will benefit Children Of The Rainforest and its mission to protect our pristine natural lands and indigenous cultures. All fans that contribute to the cause will be automatically entered into a sweepstakes for a chance to win.

As KISS embarks on their final tour ever, the iconic quartet has partnered with digital fundraising platform Fandiem to award a lucky fan with the chance to join the band on their legendary private jet as they fly from their Indianapolis, Indiana date to their next show in Chicago, Illinois. The winners will be personally hosted by the band's renowned manager Doc McGhee.

These lucky fans will attend KISS's last show ever in Indianapolis, Indiana on Saturday, November 25, 2023, where they'll enjoy the full VIP experience, including backstage access for a tour of the final stage setup, the opportunity to watch the show and pre-show soundcheck from the Pit area, take a photo with the band, and more.

After the show, the winner's party will continue as they join KISS and go wheels up aboard the band's private jet to Chicago for their concert on Monday, November 27, 2023.

And as bonus prizes for entering, anyone who donates $100 or more will receive a KISS "Shock Me" t-shirt. And every donation entry automatically receives 250 bonus entries on Fandiem towards the digital platform's next KISS fundraising sweepstakes — a KISS signed setlist from their final show at the Hollywood Bowl in Los Angeles, California and a surprise KISS-signed special item.

The fan-sourcing fundraising sweepstakes is running until November 15, 2023 exclusively on Fandiem and fans can "Donate To Win" at www.fandiem.com/kiss.

For as little as $25, participants can "Donate To Win" this prize, which includes:

* A private jet flight for two (2) with KISS on the legendary KISS private jet
* Hang with KISS band members onboard their jet while you fly from their show in Indianapolis, Indiana to their Chicago, Illinois stop on the "End Of The Road" world tour
* You and your guest will be personally hosted by KISS's legendary manager Doc McGhee
* Photo with KISS before they go on stage
* Two (2) KISS Ultimate VIP Packages for the KISS: "End Of The Road" world tour at the Gainbridge Fieldhouse in Indianapolis, Indiana on Saturday, November 25, 2023, including:
* Watch the KISS set from the Ultimate location...the Pit! You'll be in the crew area directly in front of the stage
* You'll also be in the Pit for KISS's four-song pre-show soundcheck and Q&A
* Exclusive access to the final KISS stage with an opportunity to take photos with Gene Simmons, Paul Stanley, Tommy Thayer and Eric Singer's instruments
* One (1) signed, limited-edition KISS 2023 tour poster shipped directly to your house
* Invitation to the KISS Army Captain's Lounge and more

The more fans donate the more chances they have to win – and the more they support the Children Of The Rainforest nonprofit.

About Fandiem: Fandiem is a digital contest fundraising platform that harnesses the power of the fan community to do good in the world. With their donation to a selected nonprofit, fans are entered to win once-in-a-lifetime experiences with their favorite artists, festivals, athletes, and creators. These are the opportunities that were previously available only to a select few but through Fandiem are awarded to the everyday fan at the heart of the community.

The Fandiem Foundation is a project of The Giving Back Fund, a national 501c3 organization that encourages and facilitates charitable giving. The Giving Back Fund grants donation proceeds to each campaign's partner nonprofit.

About Children Of The Rainforest: Children Of The Rainforest (COTR) is led by Isku Kua Yawanawa, the chief of New Hope Village in the Amazon Rainforest. COTR is on a mission to help Yawanawa save their language and protect 500,000 acres of pristine rainforest. COTR believes the most effective way to protect the Amazon is to strengthen Indigenous guardians who care for it. COTR funds and maximizes the impact of Isku Vakehuhu, a school dedicated to cultural reclamation and rainforest preservation. Because, we are all Children Of The Rainforest.



Win TWO seats on our PRIVATE KISS JET and join us as we travel to one of our fianl shows on the KISS: End of the Road World Tour!

You and a guest could be flying on our private jet where you'll be personally hosted by the our manager Doc McGhee PLUS you'll get two Ultimate VIP package tickets to see us play one of our FINAL shows in Indianapolis on Nov. 25.

Donate now to support @ChildrenoftheRainforestFB and indigenous communities in the Amazon rainforest.

Donate To Win at: fandiem.com/kiss

@winwithfandiem

Posted by KISS on Monday, October 23, 2023