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20 èþí 2024
DREAM THEATER's JAMES LABRIE Says MIKE PORTNOY Is In Charge Of Tour Setlists Again: 'He's Done A Terrific Job'
 In a new interview with Brazilian music journalist Igor Miranda, DREAM THEATER singer James LaBrie spoke about the progressive music titans' upcoming "40th Anniversary Tour 2024 - 2025". The trek — presented as "An Evening With Dream Theater" — is the first outing since drummer Mike Portnoy's return to the band last October. The European leg of DREAM THEATER's "40th Anniversary Tour 2024 - 2025" consists of stops in 23 cities and kicks off on October 20 and runs through November 24. Asked if there has been any discussion about the setlist for the upcoming tour, James said (as transcribed by BLABBERMOUTH.NET): "Well, absolutely. And just so you know, we let Mike Portnoy take over the setlist again. So he's back to creating the setlist and he's doing, like we were almost positive he would, he's done a terrific job. I mean, the setlist he put together… And the thing is with Mike, he was saying, 'Hey, guys, if there's a song you don't wanna do, let me know. If there's songs that you really wanna do, let me know.' And so there's some very strong and cool communication going on. But yeah, he's glad to be putting the setlist together."
LaBrie continued: "I can't reveal what the setlist will be, but I can tell you that it's amazing. And I can't imagine any fan walking out of the venue and going, 'Oh, shit, man, I wanted them to play this' or 'I wanted them to play that.' This setlist really touches on so many grandiose moments in the band, so it's really like a power-punch setlist, and it's really gonna be exciting to see the fans and then to start hearing the conversations once we're actually playing it live. But now we're stoked. It's gonna be a great, great evening, amazing production. And, yeah, it's gonna be awesome."
Regarding how the reunion with Portnoy came about, LaBrie said: "Well, it was something that was slowly… We could kind of see the signs in a way, although at the time, you're not really paying much attention to it. But now we can kind of reflect back and go, 'Yeah, I guess that opened a door of maybe some dialogue that would lead to the next thing.' Being like, if Mike got together with [DREAM THEATER guitarist] John Petrucci and [DREAM THEATER keyboardist] Jordan [Rudess] and did an LTE [LIQUID TENSION EXPERIMENT] album. I mean, that's one thing that opened one door there. And then Mike got together with John Petrucci and did [Petrucci's] last solo album. And then he did his first solo tour. So this kind of starts happening. Then Mike and I made amends a few years ago when DREAM THEATER was playing in New York at the Beacon Theater, and then Mike came out. And it was the first time that him and I had seen each other in — holy shit — probably 12 years at that time, at that point. So that was another thing that kind of led to…
"I think way in the back of our head, at the time were we thinking, 'Oh, yeah, it's inevitable. We're gonna get back together and put the original lineup back together'? I don't think any of us were thinking that, but I think there's probably always a little iota of that sense that it could possibly happen," James added. "And I think with us, one thing just kept leading to the other, and eventually, when we were done [with] the last world tour, we kind of… 'A View From The Top Of The World', when we finished that [tour in support of that album] and wrapped it up [in] July of '23, we kind of knew at that point that we just wanted to kind of reflect on everything and take a reading of where we were in our career. what was it that we wanted to achieve. And then the whole Mike Portnoy thing kind of started to become more a reality, where it was just kind of, like, 'Hey, you know what, guys? We're at this point in our life and career, if we're gonna do something like this, maybe now is the time that we should be considering.' But like I said, it was several things that just started to materialize, little things that grew into a little bit bigger things. And it just kind of evolves from there and it mushrooms into what was undeniable to us at some point in time where we went, 'Hey, let's do this. This makes perfect sense.' And no diss to… [Now-former DREAM THEATER drummer] Mike Mangini's an amazing, incredible fricking musician, drummer, and the albums he did with us we're all extremely proud of; they're great albums. But now here we are in this chapter, back with the original drummer and our 40th-anniversary world tour coming up. So it's huge. It's gonna be big. It's gonna be big."
LaBrie also talked about the progress of the recording sessions for DREAM THEATER's sixteenth studio album. The upcoming effort will mark the progressive metal legends' first LP with Portnoy in 15 years. James said: "Right now, keyboards are being recorded, as you and I speak. So, yeah, it's basically, record keyboards and then vocals. And then it has to be mixed and mastered and all that stuff. And then, obviously, the artwork and everything that goes along with any given new album, that also has to be put into the works, and it's being discussed and so on and so forth. So, yeah, there's a lot going on, and like any given album when you record it, there's a process. And, yeah, it's moving along and it's coming along amazingly. So, we're pretty stoked."
As for the musical direction of the new DREAM THEATER material, James said: "You know what? I would really like to save that for when we start interviewing for the new album. I'll just tell you this: I'll say, quite simply, we couldn't be happier with where it is because it's the album that we wanted to write. It's the album that we wanted to create, and we nailed it. It's everything that we wanted to achieve and more. So, what can I tell you? We're ecstatic. We're so, so happy about it. And that's really the best place to be. When you're creating something like a reunion album, you want it to be absolutely incredible. So we're stoked. Absolutely."
Portnoy co-founded DREAM THEATER in 1985 with guitarist John Petrucci and bassist John Myung. Mike played on 10 DREAM THEATER albums over a 20-year period, from 1989's "When Dream And Day Unite" through 2009's "Black Clouds & Silver Linings", before exiting the group in 2010.
Mike Mangini joined DREAM THEATER in late 2010 through a widely publicized audition following the departure of Portnoy. Mangini beat out six other of the world's top drummers — Marco Minnemann, Virgil Donati, Aquiles Priester, Thomas Lang, Peter Wildoer and Derek Roddy — for the gig, a three-day process that was filmed for a documentary-style reality show called "The Spirit Carries On".
In April, Portnoy was asked by Rolling Stone magazine if he was surprised when he was invited back into the band. He said: "Before the Covid pandemic, if you had asked me or any of these guys, 'Was a reunion in the cards?' I probably would've said I doubted that it could happen. I think if the lockdown hadn't happened, you guys probably would've been on tour, and I would've been on tour with one of my 48 bands. But once we were all locked down, John asked me to play on his solo album. Then, from there, Jordan, John, and myself did the LIQUID TENSION EXPERIMENT album. And then I did John's tour. So there were just these series of events of reconnecting us — not only on a musical level but also on a personal level for many years prior to that.
"All of our families are friends," he continued. "And my daughter and John's daughter shared an apartment together for many, many years. And John Myung lives right down the block from me, and his wife's at my house every night. There was just a series of events both personally and musically that started to feel like, 'Well, maybe this really is in the cards. Maybe this is the right time.'"
Asked if they see this reunion as healing a fractured band, Portnoy said: "I don't want to be over-philosophical about it, but as we're all getting older. Here we are in our 50s and 60s. You start to think of the reality of, 'How much time do we have left?' I would hate it if this were to become a Roger Waters-PINK FLOYD or Peter Gabriel-with-GENESIS situation where the fans want it, but it never happens."
Petrucci added: "When Mike left the band, it was traumatic for all of us. We had to figure out how we were going to move our career forward. And those years that went by, they were also healing years because you don't just have something like that happen, and all of a sudden, you're all best buddies a week later. There's some trauma there that had to heal. Thirteen years was enough time for that to happen and be, like, 'Hey, you know what, man? We love each other like we're brothers.'"
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20 èþí 2024
WARLORD To Release From The Ashes To The Archives - The Hot Pursuit Continues Album In August; Lyric Video Posted For "Invaders" (2024 Version)
 Epic metal pioneers, Warlord, will release a new album, From The Ashes To The Archives - The Hot Pursuit Continues, on August 23 via High Roller Records. Pre-order the album here, and find a lyric video for "Invaders" (2024 Version), below.
When William J. Tsamis, founder of legendary epic metal masters Warlord, sadly passed away on the 13th of May 2021 at the age of only 60, it looked as if the premature death of one of the most creative forces in American metal had come. However, Warlord bounced back, with a new lineup and a brand new studio album entitled Free Spirit Soar (on High Roller Records) to huge critical acclaim.
With guitar and bass parts of Bill Tsamis saved from original recordings, the current team of Mark Zonder (drums), Jimmy Waldo (keyboards) and Giles Lavery (vocals) (plus Eric Juris on guitars and bass on two of the songs) is now following Free Spirit Soar with an additional album called From The Ashes To The Archives – The Hot Pursuit Continues, a limited edition release to mark the occasion of the bands summer dates in 2024.
Singer Giles Lavery explains: “What we wanted to do with some of these songs was to revisit some of the songs from the Rising Out Of The Ashes record with this lineup (and using Bill’s guitar and bass tracks) – to give fans an idea of how they are going to sound live this year. Please don't get me wrong, i think Joacim Cans did a brilliant job on the Rising Out Of The Ashes originals, so these new versions are to be seen very much as a companion to the 2002 versions, rather than any kind of ’replacement’ for them.
"However, the mixes this time around are a little heavier and rawer, and to me it sounds more sonically like it's the 1980s era Warlord, (a sound which really suits the band) ironically the 1980s is when most of these songs on this new collection were written, long before they were recorded for Lordian Guard... 'Winds Of Thor' for example was part of the very first Warlord Demo back in 1982.
"It may require a little bit of imagination, but it's almost like, in an alternate reality, IF there had been a follow-up EP to Deliver Us and if we can imagine these songs had been recorded and released in 1986 or so, rather than hearing them for the first time as Lordian Guard recordings or later as Warlord in 2002... this could be a look at "what could have been” from a sonic perspective."
The vinyl of From The Ashes To The Archives – The Hot Pursuit Continues contains eight songs, whereas there are fourteen tracks on the CD version.
Once again, Giles Lavery has all the details: “Tracks 9-14 are tracks that have appeared on the various expanded reissues and compilation albums over the years, some of which are now out of print, and thus we wanted to consolidate what we thought were the best of these unavailable rarities for this collection on the CD format. Of note are the pre-production recordings of some of the Deliver Us tracks from 1983, recorded mere days before the EP was tracked ... so these are every bit as good quality wise as what ended up on the EP, however, you can hear many differences between the two versions. In addition and as mentioned, we wanted to have a special compilation for the Warlord live dates in 2024, something that celebrated the band’s past together with the present lineup."
CD tracklisting:
"Invaders" (re-recorded 2024)
"Battle Of The Living Dead" (re-recorded 2024)
"Winds Of Thor" (re-recorded 2024)
"Achilles Revenge" (re-recorded 2024)
"War In Heaven" (re-recorded 2024)
"Sons Of A Dream" (re-recorded 2024)
"Deliver Us From Evil" (re-recorded 2024)
"Winds Of Thor" (re-recorded 2024, Thomas Mergler Mix)
"Children Of The King" (demo 1984)
"Winter Tears" (pre-production demo 1982)
"Penny For A Poor Man" (pre-production demo 1982)
"Black Mass" (pre-production demo 1982)
"Soliloquy" (pre-production demo 1982)
"Hands And Feet" (Thunderchild's Farewell)
Vinyl tracklisting:
"Invaders"
"Battle Of The Living Dead"
"Winds Of Thor"
"Achilles Revenge"
"War In Heaven"
"Sons Of A Dream"
"Deliver Us From Evil"
"Winds Of Thor" (Thomas Mergler Mix)
"Invaders" (2024 Version) lyric video: | 0 | |
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20 èþí 2024
TRAUMATOMY Streaming New Track “Womb Of The Desecrated”
 Regurgitated in 2012, the international slam band Traumatomy aggressively marches forward with their ninth album Triumph Of Enslavement, coming out July 5, 2024. The second single “Womb Of The Desecrated” is out now, and coupled with the first single “Consumed Into Nothing” they provide a glimpse of the brutal music that can be expected in the EP.
The band comments on the single which will stand out amongst the other tracks:
“This may be the most groovy track on the album. For fans of true slamming brutal death metal. It’s very different from the previous single in that it’s more groove-heavy, which shows that we can find a different approach to composing and structuring music.”
“Womb Of The Desecrated” epitomizes the essence of Traumatomy's sound: slammy, primitive, crushing, gnarly, and brutal. The new EP promises to be faster, more brutal, and rawer than ever before, solidifying Traumatomy’s status in the brutal death metal genre.
Known for their coordinated and intense stage presence, Traumatomy’s live shows are a testament to their charisma and professionalism. With numerous live videos available on YouTube, fans can witness the band's ferocity and precision firsthand. “We will make slam music till we die” they declare, embodying their uncompromising commitment to their craft. They are recommended for fans of Cerebral Incubation, PeelingFlesh, and Epicardiectomy.
Available as of July 5, 2024 Triumph of Enslavement CD / Cassette pre-orders are available from Gore House Productions.
Tracklisting:
“Ingress To Horridness”
“Triumph Of Enslavement”
“Consumed Into Nothing”
“Womb Of The Desecrated”
“Acknowledge The Inevitable End”
“Womb Of The Desecrated”:
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20 èþí 2024
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20 èþí 2024
DAVID ELLEFSON On Whether He Would Attend MEGADETH's Hypothetical ROCK HALL Induction: 'When You Get Invited To The Party, You Always RSVP'
 In a new interview with Scott Davidson of Chicago's Rebel Radio 92.5 FM, David Ellefson was asked if he would attend MEGADETH's Rock And Roll Hall Of Fame induction should he and his former bandmates ever get the nod. He responded: "Who knows, man? I mean, listen, my attitude is, is when you get invited to the party, you always RSVP, yes. Just always go, because that's where the action is and why not go celebrate your own work in such a cool way like that."
Back in November 2021, Ellefson was asked by This Day In Metal if he envisions a day when bands like MEGADETH and SLAYER will finally get inducted into the Rock And Roll Hall Of Fame. The former MEGADETH bassist responded: "Here's the funny thing: out of all the people, I'm probably most supportive of the Rock And Roll Hall Of Fame. And here's why: because I'm already in it. And here's how — and it's not because I walked in and got inducted.
"In the late '90s, we did a big auction on [MEGADETH's official web site] Megadeth.com and we sold off a ton of gear that we had at our storage unit here in Arizona, when the band was based here at that time," he continued. "And a fan bought pretty much a bunch of my Jackson basses that I had from the early days, they bought some B.C. Riches. The B.C. Rich bass I used in the 'Peace Sells' video that's got the Mockingbird and that's got the fighter jet on it, a fan bought it. Actually, I think Dave McRobb, who runs the social media or the fan club of MEGADETH, I think he might have bought it and he sold it to this guy, and I think that's how it went. He sold it to this fan. And the fan, rather than doing the douchey thing of just putting it on eBay and trying to make a bunch of money from it, he put it on consignment at the Rock And Roll Hall Of Fame, and it was the first piece of heavy metal memorabilia — period — in the Rock And Roll Hall Of Fame. Then they put Dimebag's [late PANTERA guitarist Darrell Abbott] guitar. And now there's kind of a little heavy metal exhibit there. But it started with my bass. So, honestly, I'm already there. So I'm good. [Laughs] And, obviously, it represents MEGADETH. And so by way of this fan being cool, he sort of snuck MEGADETH in under the wire, which I thought was actually pretty cool."
More than six years ago, MEGADETH mainman Dave Mustaine also said that he was already in the Rock And Roll Hall Of Fame. Mustaine, who was a member of METALLICA for less than two years, from 1981 to 1983, before being dismissed and replaced by Kirk Hammett, was not inducted into the Rock And Roll Hall Of Fame with the band during the April 2009 ceremony at Cleveland, Ohio's Public Auditorium. But Mustaine insisted he had already gotten the nod because he is credited on the first two METALLICA albums and co-wrote half a dozen or so songs with the band which, inarguably, helped launch their career.
"I'm in there," he told The Richmond Register in a July 2017 interview. "Anyone who thinks that METALLICA is in there and Dave Mustaine is not has got a short between their headphones. I'm there. As far as being there and standing on my own two feet and going into the head, taking a piss and saying that I own the house, no, not yet. But I'm sure at some point if it is meant to be, it will happen. I'm patient."
METALLICA drummer Lars Ulrich explained to The Plain Dealer that Mustaine was not included into the Rock Hall along with his former bandmates because "you've got to kind of cap it somewhere. Dave Mustaine never played on any METALLICA records. No disrespect to him. But there [were] half a dozen other people that were in the lineup in the early days. We thought... the fair thing to do would be to include anybody that played on a METALLICA record." He added: "Dave Mustaine was in the band for eleven months, predominantly in 1982... I'm not trying to play it down. I have nothing but respect and admiration for his accomplishments since."
Ellefson was fired from MEGADETH more than three years ago after sexually tinged messages and explicit video footage involving the bassist were posted on Twitter.
In 2004, Ellefson filed an $18.5-million lawsuit against Mustaine, alleging the frontman shortchanged him on profits and backed out of a deal to turn Megadeth Inc. over to him when the band broke up in 2002. The lawsuit was eventually dismissed and Ellefson rejoined MEGADETH in 2010.
Ellefson was in MEGADETH from the band's inception in 1983 to 2002, and again from 2010 until his latest exit.
Photo credit: Maciej Pieloch (courtesy of Napalm Records) | +3 | |
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20 èþí 2024
ORANGE GOBLIN Premier Official Lyric Video For "The Fire At The Centre Of The Earth Is Mine"
 Streaming now everywhere is Orange Goblin's new single, "The Fire At The Centre Of The Earth Is Mine", the third song released from the upcoming Science, Not Fiction album, out July 19 via Peaceville Records. Watch the official lyric video for the song below:
Science, Not Fiction was recorded at Woodworm Studios UK in late 2023, with production and mixing duties carried out by Grammy winning producer Mike Exeter (most notable for his work with Black Sabbath, Judas Priest and Tony Iommi) and mastering conducted by the esteemed Peter Hewitt-Dutton at The Bakery in LA.
From the explosive death-boogie of opener “The Fire At The Centre Of The Earth Is Mine” onwards, the band’s tenth album crackles with energy and belligerence. Following the departure of long serving bassist Martyn Millard in 2020, Orange Goblin welcomed close friend Harry Armstrong (formerly Hangnail) into the fray, making Science, Not Fiction his first studio outing with the band. With the new line-up fizzing with chemistry, the hard rocking likes of “(Not) Rocket Science”, “The Fury Of A Patient Man” and “The Justice Knife” breathe new life into some classic Orange Goblin tropes. Meanwhile, twisted prog-doom detours like “False Hope Diet” and “Cemetary Rats” take the Londoners into epic new territory, with everything from skull-shattering punk ‘n’ roll to transcendent space rock hurled into the swirling brew.
“It is a continuation of what we’ve been doing, and that’s because when we write, it’s a big mixing bowl of all of our influences and favourite artists, and we try and create the perfect band that we always wanted to hear,” Ben states. “This album, it’s just more accomplished and mature, I guess. None of us are spring chickens anymore and we’ve got ten albums under our belts now. I feel like we’re more professional in the recording studio, I feel like we’re better musicians and writers, and now with me looking after myself, I feel like my performance is better as well. It’s all moving in the right direction.”
For the last 30 years, Orange Goblin, London-based hard rock lifers, have tirelessly flown the flag for balls-out heavy metal and maximum rock ‘n’ roll. Driven by passion, persistence and heartfelt love for metal’s dark magic, Orange Goblin have always been a vital force and a risk-free bet. But while some may be content to trade on past glories, Orange Goblin view heavy metal as a lifelong pursuit. In 2024, they open a new chapter in their heroic saga, marking it with the release of their tenth studio album: Science, Not Fiction
“People have funny ideas about what heavy metal is. But to me, it’s an attitude, it’s a lifestyle, it’s not something you decide to dip into. You either are or you’re not. And it’s for life.” - Ben Ward, Orange Goblin
Science, Not Fiction will be released on July 19 on the following formats (pre-order here):
- CD Deluxe with Bonus track presented in a digipack with a 20 page booklet
- Limited Edition Gatefold 2LP Green and Black Marble vinyl edition available exclusively from the band & Peaceville stores
- Limited Edition Gatefold 2LP Crystal Clear vinyl edition.
- Gatefold 2LP in classic black vinyl
- CD Jewel case with 16 page booklet (9 tracks)
- Digitally
Tracklisting:
“The Fire At The Centre Of The Earth Is Mine”
“(Not) Rocket Science”
“Ascend The Negative”
“False Hope Diet”
“Cemetary Rats”
“The Fury Of A Patient Man”
“Gemini (Twins Of Evil)”
“The Justice Knife”
“End Of Transmission”
“Eye Of The Minotaur” (CD Deluxe & LP bonus track)
"Cemetary Rats" video:
“(Not) Rocket Science” video:
(Photo – Tina Korhonen / Astrophography courtesy of Giancarlo Erra) | 0 | |
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20 èþí 2024
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20 èþí 2024
ATHENA XIX Feat. FABIO LIONE Release "The Conscience Of Everything" Comeback Single And Lyric Video
 2024 is set to be a historic year, especially for Italian cult progressive metallers, Athena XIX: formerly known as Athena, they are re-united with frontman and founding member Fabio Lione, who is also the vocalist of their labelmates Angra among others.
Lione's return marks a new era for the band as they're preparing the release of their much-anticipated fourth studio album which is due out later this year through Reigning Phoenix Music (RPM). While fans have been waiting impatiently for further details to be shared, Athena XIX finally present a first musical sign of life, titled "The Conscience Of Everything".
Stream/purchase the track here, and watch a lyric video below.
The band state, "This song deals with humanity in all its iterations, leading listeners through a world filled with complex melodies and deep instropection. This opus is much more of an experience than a mere song and also only the beginning of our common journey. Abandon yourselves!"
Originating in 1991, Athena released their most successful album to date, A New Religion?, in 1998 - still recognized and appropriately rewarded as the best prog metal album of an Italian band ever. The original band members finally re-united in 2019 - after several lineup changes and a hiatus - writing new songs which will be released later this year via Reigning Phoenix Music (RPM).
Athena XIX are:
Fabio Lione - vocals
Simone Pellegrini - guitars
Gabriele Guidi - keyboards
Alessio Sabella - bass
Matteo Amoroso - drums
(Photo - Damiano Tarantino) | 0 | |
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20 èþí 2024
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20 èþí 2024
MR. BIG Share New Single "Up On You"; Music Video Streaming
 Mr. Big have released "Up On You", the second single from their upcoming tenth studio album, Ten, out Friday, July 12 via Frontiers Music Srl. In a tribute to their late drummer Pat Torpey, Eric Martin, Paul Gilbert, and bassist Billy Sheehan have enlisted the exceptional talents of Nick D'Virgilio on drums for Ten, which was produced by Jay Ruston and Mr. Big
About the new single, Eric had this to say: "Who says Rock & Roll has to be serious? Most of the videos that we've done over the years have had a bit of humor in it. In our live show, at the end of the set, we do this thing that we call 'The Switcheroo' where we change instruments. I’m on bass, Billy sings, Nick plays guitar and Paul rocks the drums… it’s a lot of fun and the crowd goes wild. So the concept for the video was simple 'Do The Switcheroo and go bat shit crazy for a couple hours'."
Watch the video for "Up On You" below:
In the midst of their final tour - The BIG Finish - Mr. Big, inspired by the legions of fans that shared in their goodbye over the past year, wanted to say a final farewell with the undertaking of a brand-new studio album. Culminating over three decades of musical partnership, Martin, Gilbert, and Sheehan, with the help of D’Virgilio, ignite their spark once more and take a new form with the forthcoming Ten.
Eric Martin comments on Ten: “This new album doesn't copy anything from the 9 previous studio records its all new stuff from scratch.. this is raw, unadulterated riff rock and blues with all the Mr. Big trimmings.”
You can pre-order the album in various configurations here.
The Limited Edition 180g Color Vinyl LP comes with an A2 band poster, available in only 1,000 pieces.
Tracklisting:
"Good Luck Trying"
"I Am You"
"Right Outta Here"
"Sunday Morning Kinda Girl"
"Who We Are"
"As Good As It Gets"
"What Were You Thinking"
"Courageous"
"Up On You"
"The Frame"
"See No Okapi" (Instrumental - Japan Bonus Track)
"Good Luck Trying" video:
Mr. Big drummer Nick D'Virgilio will miss most of the upcoming European / UK leg of the band's The BIG Finish! Tour due to commitments with his other band, Big Big Train. D'Virgilio will be temporarily replaced by Edu Cominato, a drummer from São Paulo, Brazil who has previously played with Mr. Big bassist Billy Sheehan and singer Eric Martin, as well as Jeff Scott Soto and Geoff Tate, amongst others.
This past Friday, June 14, Mr. Big released the following statement via social media: "As we prepare to hit the road for another EU / UK leg of our The BIG Finish! Tour, drummer Nick D'Virgilio, due to commitments with his band Big Big Train, is unable to be with us the first part of the run. He will rejoin us for the final week — August 13th onward. In Nick's absence, we are excited to announce that Brazilian drummer, Edu Cominato, will fill in and rock with us July 13 - August 13!"
Confirmed dates for the European / UK leg of Mr. Big's The BIG Finish! Tour are as listed:
dqjM2A" title="Mr. Big "Good Luck Trying" - Official Music Video" width="600">
(Photo - Joel Barrios | Photography That Rocks) | +1 | |
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20 èþí 2024
Finland’s KING SATAN Sign With Noble Demon; “New Aeon Gospel” Music Video Streaming
 Finland's industrial metal heretics King Satan have officially inked a worldwide record deal with Noble Demon, who will release the band's fourth album, The Devil’s Evangelion, in late 2024. To kick off the excitement surrounding the upcoming release, the band has unleashed a music video for the first single, "New Aeon Gospel".
“The Devil’s Evangelion will be a concept album concentrating on the duality and the paradoxical nature of reality. This concept stems from a trickster-like narrative that becomes convinced about being possessed by the Devil, leading to an experience of reality through the Devil’s eyes," King Satan comment and further reveal details about the first single: "‘New Aeon Gospel’ as an opening song depicts beginning of this experience, which in the fashion of paradoxes, might be madness to one and yet moment of catharsis to another. We took a lot influences from old religious anthems, hymns and psalms to compose the album and this song might be one of the strongest examples of this, filtered of course through the means of our brand of extreme metal."
King Satan presents a genre-fluid extreme metal spectacle that fuses electro-industrial, symphonic black metal, and death metal elements with the raw energy of rock'n'roll, emerging as a unique blend between shameless shock rock and chaotic avant-garde theater.
Founded in late 2015, this genre-fluid group is the brainchild of enigmatic artist Mr. King Aleister Satan (Henget, Saturnian Mist), which has evolved from its electro-aggrotech origins into a full-throttle industrial metal band over the years. The act’s vision of extreme metal brings forth an anarchistic blend of carnivalesque artistry, absurdist dark comedy, occult intrigue, and in-depth philosophical ponderings, served in an intoxicating blend of rocking dance beats, thought-provoking lyrics, mesmerizing melodies, and addictive hooks the band themselves have titled as 'death metal disco’. A fusion fit for both dance floors and mosh pits. With all these elements, the band defies conventions and embraces controversy the way which should not really make much sense on paper - and yet, it has consistently helped to create more and more buzz for the band wherever they go.
But King Satan is more than just a mere musical entity; known for their infectious charisma and captivating performances, it’s a live experience that electrifies stages and captivates audiences. With a reputation solidified by three full-length albums and viral chart-climbing singles in Finland and Germany, they’ve graced renowned festivals like Tuska Festival, Nummirock Metal Festival and Dark Malta Festival. The group has also toured in Europe in several countries, headlining their own shows and supporting revered acts like Gothminister, Deathstars, Battle Beast, Hocico, Nachtmahr, and Turmion Kätilöt on the way.
Mr. King Aleister Satan about the band's future and signing to Noble Demon:
"We are absolutely thrilled to announce this devilish pact between King Satan and Noble Demon Records! We really know we are now in the right home at Noble Demon roster as we are not only encouraged to do what we do already, but to do that with their full support! Even it might get dirty! And of course, in the world of absurd, it always does. So, indeed, let’s get dirty! The Devil’s work is never done! Hail Noble Demon Records and Hail Satan! Chaos is the Law!”
King Satan are:
King Aleister Satan - Vocals & Programming
Hekate Boss - Keyboards & vocals
EF-13 - Guitars
Jerry Rock’n’roll - Bass guitar
Pete Hellraiser - Drums & Programming
(Photo – Joonas Juntunen)
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20 èþí 2024
ANCIENT SETTLERS Release “Oblivion’s Legacy” Animated Lyric Video
 Ancient Settlers have released an animated lyric video for "Oblivion's Legacy", fourth single and title track of the new album released in May 17 by Scarlet Records.
"Oblivion's Legacy" tells a story of hope and resilience in the face of despair. The authenticity of those who emerge from darkness, arising as legends, embodying the courage to make the changes. The chorus reflects a desire for perseverance, and the need to fight for a better future. The song blends narrative and emotive elements, emphasizing the relentless struggle and ultimate triumph.
The sophomore record of the Venezuelan/Spanish band was produced, mixed and mastered by Fredrick Nordstrom at Studio Fredman; Jon Toussas (Suicidal Angels, Nightrage, W.E.B.) took care of the shining artwork.
Ancient Settlers quickly gained a fierce reputation in the melodic death metal European scene thanks to a relentless live activity, and are now eager to raise the bar with their second studio album.
Guided by the demoniac vocals of frontwoman Argen Death, they master the melodeath subject with absolute confidence through storming heavy riffs, thick grooves and catchy hooks (just like the Swedish godfathers taught us all).
Oblivion's Legacy is a conceptual work that delves into the profound depths of human existence, exploring the legacy we leave behind as individuals and as a species. The lyrics contemplate the impact of our actions, the struggles we face, and the ultimate fate that awaits us all.
Set against a backdrop of cosmic wonder and existential introspection, each song serves as a chapter in the unfolding narrative of humanity's journey through time and space.
Oblivion's Legacy will be released in the following formats:
- jewel case CD
- vinyl LP
- digital
Preorder/pre-save here.
Tracklisting:
“The Circle Of Misanthropy”
“Oblivion’s Legacy”
“Stardust Odyssey”
“Wounded Heart”
“Subversive”
“Coven Garden”
“The Mechanical Threats Paradox”
“The Last Battle In The Earth”
“Cosmic Farewell”
“Redemption”
"Subversive" video:
"Coven Gardens":
"Wounded Heart" video:
Tour dates:
July
5 – Lucerne, Switzerland – Brunch Brothers
7 – Prachatice, Czech Republic – South Of Heaven Open Air
September
7 – Bree, Belgium – Metal Babes & Queens Festival
8 – Paris, France – Le Klub
(Photo – Juan Lopez) | 0 | |
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20 èþí 2024
HIRAX Streaming "Drill Into The Brain" From Upcoming Faster Than Death 7" Vinyl EP
 Legendary US thrash metal band Hirax and Doomentia Records have joined forces on the new 7" vinyl EP, Faster Than Death, for the band's upcoming European tour in August. First single, "Drill Into The Brain", is streaming below.
Details:
- Two coloured versions, each strictly limited to 250 copies
- First four tracks from upcoming full-length album
- Exclusively mixed by legendary producer Bill Metoyer
- Housed in a noble gatefold with glossy lamination
- Artwork by Thomas Pinheiro.
- Includes Hirax / Exumer tour 2024 poster
Tracklisting:
"Drill Into The Brain"
"Drowned Bodies"
"Faster Than Death"
"Relentless"
"Drill Into The Brain":
This release will be available August 1 on doomentia.com, and on the band's tour with Exumer.
Tour dates:
August
3 - Wacken, Germany - Wacken Open Air
5 - Krakow, Poland - Kamienna 12
6 - Warsaw, Poland - "Hydrozagadka
7 - Jaromer, Czech Republic - Brutal Assault Festival
8 - Vienna, Austria - Escape
9 - Passau, Germany - Zauberberg
10 - Selb (GER) "Nordclub Bayern
11 - Kortijk, Belgium - Alcatraz Fest
12 - London, UK - 02 Islington Academy (with Exodus)
13 - Plymouth, UK - Junction
14 - The Hague, Netherlands - Musicon
15 - Doetinchem, Netherlands - Engelenbak
16 - Rheine, Germany - Hypothalamus (with Flotsam And Jetsam)
18 - Carhaix, France - Motocultor Festival
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20 èþí 2024
DAVID LEE ROTH Is Living “Just Another Fu**in’ Day In Paradise”; New Song Streaming
 David Lee Roth is back at it with another song “J.A.F.D.I.P. (Just Another Fu**in’ Day In Paradise)”. A visualizer accompanying the new song from the legendary Van Halen frontman is available below:
"867-5309/Jenny" was a #4 Billboard 200 hit for Tommy Tutone, lifted from his Tommy Tutone 2 album, released in 1981 via Columbia Records. The track went on to reach #1 on the Rock Top Tracks chart in April 1982.
Van Halen singer, David Lee Roth, has shared his take on the song, releasing the new visualizer below:
Roth previously shared the video below, performing a portion of Steely Dan's "My Old School", featured on the band's 1973 album, Countdown To Ecstasy. Roth's clip features animation by Ramses Rios, TheArtOfRamses.com. | 0 | |
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20 èþí 2024
JACOBY SHADDIX: PAPA ROACH's Goal Is To Try To Stay' Musically 'Current, But Also Stay Authentic'
 In a new interview with The Rockman Power Hour, PAPA ROACH frontman Jacoby Shaddix discussed the band's musical evolution and constant need for reinvention. He said (as transcribed by BLABBERMOUTH.NET): "It's been a wild ride, and we've had some dark ages in PAPA ROACH through the years. And when we came with that album, 'Crooked Teeth', that single 'Help' was on it, and it just catapulted us back into this new space again. And we started working with these two producers, some younger producers, on that album. We really made a concerted effort. We were, like, 'Dude, we've worked with all the greats, some of the greatest rock producers, Brendan O'Brien, Howard Benson, to name a couple.' And I was, like, 'All right, we learned a lot from them, but where do we go?' And for us, it was, like, 'All right, let's go find the underground young talent,' because we've learned so much in making records that we know what we've gotta do when we go in there. And so it was nice to have this fresh blood that was just, like, 'Yo, let's shake this thing up and let's reinvent.' And we're, like, 'That's what we're talking about. That's the energy.' 'Cause sometimes you'd be in a room with a producer and have an idea and they're just, like, 'Oh, that's never been done before. And I'm, like, 'Yeah, that's never been done with us. We need to go try it.' There was this adventurous spirit that was in the room that we're, like, 'Finally. These guys get it.'
"It's been a great run for us, the last few years, and just continually trying to shake this thing up and come with something that feels authentic, but yet pushing into new territory," he continued. "And, yeah, on this last record, we did have four No. 1 singles, and that really blows my mind, especially that we are the record company. It was a bold, brave move for us. But we were ready for that move. And to make music that is still connecting in a real and authentic way is — it's what I imagined when I was a young kid in this weird way. I've always been a big fan of FAITH NO MORE and RED HOT CHILI PEPPERS. Especially RED HOT CHILI PEPPERS have really done a great job of taking their fans on this journey with them. And that was a goal for us — to try to stay current, but also stay authentic. Not current and generic — current and authentic. And it's a challenge, man. I'm up for it.
"We just went into the studio and we've got eight more songs right now. And I'm, like, 'Oh, just wait. We've got fire in the hole, dude.' I can't wait to just light the cannon."
Regarding how he deals with calls from some PAPA ROACH fans to return to a more "old-school" sound, Jacoby said: "I've got a funny story for you. Throughout our years, people have always been, like, 'Oh, why don't you go back to your old-school style?' And I'm, like, 'Okay, we've been around, we've been doing this thing for 20-plus years.' I've gotta ask them, like, 'What's old-school PAPA ROACH to you?' And they're, like, 'Oh, well, that album 'The Connection', that's old school.' Because they became a fan of PAPA ROACH in 2010. So old school to one PAPA ROACH fan can be 2010 PAPA ROACH, or another one could be the year 2000 PAPA ROACH. Which old school are you talking about? And so it's funny, man. You can't please everybody. And I think that's just fine. I feel like for us, that creative space is to just always try to impress ourselves. I feel if we step in the studio to only make music that's gonna please the fans, I feel like there's no forward progress in that. Some bands can do that and repeat this 'rinse and repeat'. But for me, I'm just, like, 'Ugh…' I can't do it. I think that's another reason why I don't have any side projects, because I scratch all the itches I wanna scratch within PAPA ROACH. We wanna make a record feel like a playlist and not just like the same thing over and over. It's that journey and that discovery in the process of that, that's where the magic lies for me.
"I saw — I think it was Noel Gallagher [OASIS] talking about creativity," Jacoby added. "And he's, like, 'Look at fashion houses, man. Fashion houses don't repeat the same thing. Fashion houses are always progressing what they're doing. And I identify with that. 'Cause it's, like, I wanna keep progressing what I'm doing and evolving. And sometimes we fall flat on our face and our fans don't get it. And then sometimes we're wildly successful, but I think that that risk is… Therein lies some of the magic, is in that risk."
This past January, PAPA ROACH shared a brand new live version of their hit single "Scars" featuring a guest appearance by Chris Daughtry.
"Scars Featuring Chris Daughtry (Live)" is not only a fresh take on one of the band's biggest hits, but it also serves as the latest release on the band's "Leave A Light On (Talk Away The Dark)" EP.
In February, PAPA ROACH's "Leave A Light On" became the band's 10th career No. 1, and its fourth from PAPA ROACH's latest album, "Ego Trip", on Billboard's Mainstream Rock Airplay chart.
"Ego Trip" debuted at No. 6 on the Top Hard Rock Albums chart in April 2022.
Previous PAPA ROACH radio hits include "Between Angels And Insects", "Gravity", "Getting Away With Murder", "She Loves Me Not", "Falling Apart", "Help" and "Last Resort".
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20 èþí 2024
SVEN GALI Debut "Coming Home" Music Video
 Sven Gali have released a music video for "Coming Home", the new single from the band's Bombs And Battlescars album. Watch below:
Sven Gali's trademark blend of heavy riffs, gritty vocals, and anthemic melodies span decades. Cutting their teeth in the bar circuit of Southern Ontario, Canada in the late 80’s, Sven Gali’s live show was a full on circus of sex, drugs and rock n’ roll.
Emerging with a record deal with BMG, Sven Gali released their debut self-titled release in 1992. From the first chord of “Under The Influence” Sven Gali made their mark. Follow up singles “Tie Dyed Skies” and “In My Garden” paved the way for the ballad number 6 CanCon song of 1993 that also went Top 10 nationwide, “Love Don’t Live Here Anymore.” As the album went Gold, Sven Gali won the MuchMusic Best Metal Video Award in 1993 for “Under The Influence” and was nominated for two Junos. With a worldwide release, Sven Gali toured with the likes of Def Leppard, Foreigner and April Wine.
Sven Gali’s follow-up, Inwire, was partly recorded in in Seattle with producer Kelly Gray and saw the band take on a more alternative experimental tone. The band broke up soon after the album’s release and played sporadic shows before solidifying a new lineup with original members Dave Wanless (vocals), Andy Frank (guitar) and TT (bass) bringing in guitarist Sean Williamson and drummer Dan Fila from former BMG labelmates Varga.
Sven Gali’s new release, Bombs And Battlescars, through Canadian label, Music In Motion Ent, combines the best of both Sven Gali eras. The album contains five new originals. “One Gun” is a relentless driver that sets the battlefield ablaze with its blistering guitar work and commanding vocals. The massive groove of “Coming Home” and fierce anthem “Monster” showcase Sven Gali's unapologetic attitude while the sonic prowess of “Life Inside” stands side by side with any current alternative metal peers. Closer “Nothing New” showcases the melodic side of the band with a catchy acoustic groove.
Bombs And Battlescars also brings the band full circle with a cover of Triumph’s “Spellbound.” Recorded at Toronto’s Metalworks studio where many of Sven Gali’s early songs were recorded and demoed, acclaimed Coney Hatch frontman Andy Curran produced the track bringing the song into the modern age. Triumph drummer Gil Moore also appears in the video. The album is filled out with three remastered unreleased tracks from the band’s 90’s recording vault.
Order the album here.
Tracklisting:
"One Gun"
"Coming Home"
"Spellbound"
"Life Inside"
"Monster"
"Hang Me Out"
"Hogs"
"All"
"Nothing New"
"One Gun" video:
"Monster" video:
Sven Gali lineup:
Dave Wanless - Vocals
Andy Frank - Guitars
Shawn Minden - Bass
Sean Williamson - Guitars
Dan Fila - Drums | 0 | |
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20 èþí 2024
KERRY KING Says He 'Covers All The Bases' Musically On His Debut Solo Album
 SLAYER guitarist Kerry King has launched the first in a series of interview videos to promote his recently released debut solo album, "From Hell I Rise". Check it out below.
Asked what fans can expect to hear on "From Hell I Rise". Kerry said (as transcribed by BLABBERMOUTH.NET): "Fans could expect basically anything from my personal history, which includes [influences from BLACK] SABBATH, [JUDAS] PRIEST, [IRON] MAIDEN, thrash, punk, hardcore. I think I cover all the bases on this record, so 13 songs of, basically, what you're used to Kerry King doing."
On the topic of his favorite track on the new LP, Kerry said: "That would probably change daily and what kind of mood I'm in, 'cause… I think 'Crucifixation''s one of my favorite songs, which is super thrashy. I like 'Shrapnel' because it's a completely different feel. But it's the first time I've written everything, so I got some money in the game on every song. So, probably my go-to, if I was gonna play a song for somebody and say, 'This is my new album,' probably would be 'Crucifixation'."
Regarding which song on "From Hell I Rise" was "most challenging" to write, Kerry said: "I'm not sure 'challenging' is the right word, but one song that sticks out to me is a standalone track in a different way that we talked about is 'Two Fists'. Because I wrote 'Two Fists' to be basically like if you stuck your hand in the 1980s and picked out a punk song. I wanted it to sound just like that. I wanted it to sound like a heavy, groovy punk song. And I went about writing the lyrics the same way, as if one of the punk singers wrote those lyrics in the '80s as well, 'cause I wanted it to be an individual music period piece, so to speak. It wasn't difficult; it was just getting my time frame musically and my time frame lyrically to work together for that particular song."
All material for "From Hell I Rise" was written by the 60-year-old SLAYER guitarist, who was accompanied during the recording sessions by the rest of his solo band, consisting of drummer Paul Bostaph (SLAYER),bassist Kyle Sanders (HELLYEAH),guitarist Phil Demmel (formerly of MACHINE HEAD) and Mark Osegueda (DEATH ANGEL) on vocals. Helming the sessions at Henson Recording Studios in Los Angeles last year was producer Josh Wilbur, who has previously worked with KORN, LAMB OF GOD, AVENGED SEVENFOLD and BAD RELIGION, among others.
In an interview with Martha Wingen of the Bleeding Metal podcast, King was asked to name "the most important message" on "From Hell I Rise". He said: "I don't know that there's a message on the album. I'm not that kind of person. I like to bring things to a conversation. Say, for instance, I've been talking today about, I think a lot of people are born into a religious belief based on being handed down from their parents, friends, whatever. What I like to present to people is ideas that if that makes them question what they believe, what they were taught… I think everybody should make up their own mind. And at the end of the day, that would be my message. Make up your own mind, be it politics, be it religion. Just be your own self."
Asked if he was able to realize something in his music he always wanted to do, like new influences or new styles, on "From Hell I Rise", Kerry said: "Realistically, my influences were influences 40 years ago and they still are my influences. And along that way, did I pick up more? Yeah, absolutely. But I think in doing this project, it's just the next record for me. I didn't have anything that I wanted to achieve that necessarily I hadn't achieved. I just wanna make up the next batch of music for people that I think are my fans, that I think they would like, because SLAYER has a gigantic amount of fans, and if I make 95 percent of them happy with what I do, I think I had a good day."
In a separate interview with with France's Loud TV, Kerry said about the prospect of launching a solo career: "It's kind of funny, right? It's kind of funny to have 40 years in this business at all, let alone be starting a new band."
Referencing the fact that SLAYER hasn't released a new studio album since 2015 and hasn't played any live shows since 2019, King added: "I'm obviously not done. I've got lots more music and lots more things to say, a lot more people to piss off and argue about. So, let's start this new endeavor now. Move on."
When the interviewer noted that it takes "courage" to launch a new project several decades into his career, King concurred: "It is a lot more difficult than I thought. I've been kind of pampered for the last at least three decades. And starting over, even though I have a gigantic history in SLAYER, starting over, you're still starting over — you're lower on the bills, you're not making the [same kind of] money. Having to figure out how to make sure everybody in my band makes money so it's worth their time. But, yeah, never for a second did I consider not going on, because at this point in life, any record could be your last. I don't think this is my last record, but I have to move on like it is. So put it out, hope the fans like it, hope the fans show up. I like it. I think the fans are gonna like it, and I think we're gonna have a lot of good times."
Asked if the lineup for his solo band is made up of "friends", Kerry said: "Absolutely. The thing that meant the most to me about moving forward in this project was getting my friends. I could get anybody in the biz — I can get people I don't know, people I've never met, but I have enough friends in this business to know that I could put a band together of outstanding musicians that are friends that, after the show, we can get on the bus and have a drink and just have fun. No drama. Nothing weird is gonna happen that we don't foresee. I look forward to getting out on the road with these guys and having a good time."
Pressed about which member of his solo band was "the most surprised" when Kerry called him to offer him a spot in the group, Kerry said: "I think the most surprising moment was when I finally gave Mark the gig. Mark put his name in the hat very early, and he's the only one that did demos with me and Paul. We had him come down every six weeks or so, and he would just come down and sing the songs he'd already sang and just every time he'd come down, make 'em better. But I didn't tell him until, like, 14 months ago that he got the gig. And I was super nonchalant about it. He was at my place in [Las] Vegas, and I said, 'Dude, if you still want the gig, I guess you can have it.' And he was super excited, super excited, like almost fan excited. He was so excited, he texted his mom and texted me by accident. [Laughs] And I said, 'I love you too, man. It's cool. It's cool.' So we went in and recorded, like, two months after that."
When the interviewer remarked that Mark sounds like he is really pushing himself vocally on "From Hell I Rise", Kerry said: "Like I said, we did demos, and we always made the demos better. And then we got to the studio in Hollywood, and I was in another room doing something, and he sang 'Residue'. And the producer got me and says, 'Hey, I want you to hear where the song is.' And I went, 'Okay, cool,' expecting to hear what I was used to hearing. And I hear the first verse and I'm going, 'How did you guys get to this register?' It's, like, I'd never heard that before. He was, like, 'Well, that's where he started singing and felt comfortable.' So I went to Mark immediately and I said, 'Hey, dude, you can recreate this, right?' It's, like, 'You're not setting yourself up to fail the first show and blow your voice out and be canceling shows all over the place.' And he assured me he can do it. So, he carried on and went on and did even crazier performances on the later songs that he sang. So, apparently, he's very confident in what he can do. And I think it sounds great. So, I'm anxious to get out and start doing it."
King told Rolling Stone about the decision to call the band KERRY KING: "It was going to be KING'S REIGN for a long time, which is really cool. But even with that one, I went to the guys, like, 'I'm not a vain dude. I don't want my name to be a part of it.' We talked about BLOOD REIGN for a while, but it didn't work. Every time I came up with anything remotely cool, it was taken by some obscure band in Eastern Europe. It became KERRY KING because I love that logo."
King said the album is about "various religious topics, some war entries, heavy stuff, punky stuff, doomy stuff, and spooky stuff, with Herculean speeds achieved," adding, "If you've ever liked any SLAYER throughout any part of our history, there's something on this record that you'll get into, be it classic punk, fast punk, thrash, or just plain heavy metal."
King added there's more to come, too. "Even with a record in the can, I've still got so many songs that need to be finished," he said. "This is what I know how to do…number one being music, number two being metal. It's been a part of my life for 40 years, and I'm nowhere near being done."
KERRY KING will be special guest on the upcoming LAMB OF GOD/MASTODON North American "Ashes Of Leviathan" co-headline tour. The six-week run will launch on July 19 in Grand Prairie, Texas and will wrap on August 31 in Omaha, Nebraska. | +5 | |
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Shadow Knell
