The YouTube channel of Housecore Records, the record label launched in 2001 by PANTERA frontman Philip Anselmo, has uploaded video of Housecore artists in NEST, SCOUR and SPIRIT IN THE ROOM as they bravely venture through the Housecore Home Haunt of 2025 Halloween night. Check out the video, which was shot and edited by Metal Dave Media, below.

A smaller scale haunt was created this year due to Anselmo's extensive touring and the breaking ground of what will become the official Housecore Home Haunt.

According to Housecore, Anselmo has created a haunted house for family and friends for the past five years.

A huge fan of all things horror, Anselmo in 2013 joined forces with internationally renowned, best-selling true crime author Corey Mitchell ("Hollywood Death Scenes", "Dead And Buried") to create Housecore Horror Film & Music Festival, an underground, three-day horror and heavy metal fan event that combined live concerts from some of the biggest bands in metal and hard rock with screenings of horror, true crime, and heavy metal films, music videos, and more — and special guest appearances from some of the world's most revered underground directors of horror.

In a 2010 interview with ARTISTdirect.com, Anselmo talked about when he first became a horror aficionado. "[When I was growing up] we had a black and white TV, and there was the 'Saturday Matinee', which was a horror fest," he said. "As a matter of fact, I was home alone and I saw Mario Bava's 'Black Sabbath', but that's a later memory. There was the afternoon show, and then the Saturday night show had a horror host, 'The Guru.' Honestly, the most impactful one was the 'Sunday Morning Movie' — films like 'Fiend Without A Face' and 'How Awful About Allan'. Believe it or not, those were on TV! Shit like that flipped me out. I would sneak up and beg my mother every night, 'Can I stay up and watch 'Night Gallery'?' [Laughs] I was sneaking out of bed, too, though."

Asked in a 2014 interview with Austin American-Statesman what horror flick first scared the bejesus out of young Anselmo, he said: "I won't say it scared me, because it actually made me cry my eyes out, but 'King Kong' was the first movie that really touched me as a kid. As far as scaring me and giving me the fear when I was a youngster, there was a movie called 'How Awful About Allan' starring Anthony Perkins of 'Psycho' fame. That movie scared me. And of course, there's no denying the power of 'The Exorcist'. In grade school I saw 'Don't Go In The House' at the theater. I saw 'The Changeling' at the theater — which scared the living, flying [crap] out of me! I saw 'Silent Scream' with Barbara Steele and that was insane."

A few years later, a friend invited Anselmo over to watch "The Evil Dead", which had a lasting impact on the musician.

"Man, I will just say it was a long walk home on these empty, desolate streets," Anselmo said. "Oh my God, I was pretty much awake all night. It outdid 'The Exorcist', because at that age you go through this gore phase where the gorier the better. That one hit a nerve, man."

Asked in a 2013 interview with Full Metal Jackie to name some of his favorite horror films, Anselmo said: "Oh my God. Now you're really opening up this vast box; you better send someone else for some extra beer. It's funny you ask because yesterday 'The Exorcist' came on and I watched that sucker from the beginning to the end because I had not watched it in so long because there's so many copycat films that came after that film all throughout, but it's shot so beautifully and so well and it leaves an impact especially as a young boy — it left an incredible impact. I guess later on when you're going through your teens, I call it the 'gore phase,' where all you want to see it blood and guts but I also love the movie with an edge even a supernatural edge and at the time I guess 'Evil Dead' the first one really got me. I saw it in perfect timing with growing up. This isn't fair. There's so many movies. I can really reach in here and think about Mario Bava films and Lucio Fulci films and, of course, I'm talking Italian horror, but Bava crossed over a whole lot before Fulci, but movies like 'Black Sabbath', which is incredible, great atmosphere and then some lesser known films like 'House With The Laughing Windows'. Later on in life, I guess the films got more intense. In the '90s, they were the necromantic films which I think are super effective. Gosh, my favorite horror films of all time that's like asking me what my favorite cigarette I smoke is — there's so many of 'em. [Laughs]"

Sharon Osbourne, the wife and manager of the late Ozzy Osbourne, has released a lengthy response to Jim Simpson, the first manager of BLACK SABBATH, over Simpson's plans to release an album of tracks from the pre-BLACK SABBATH days of Ozzy, Tony Iommi, Geezer Butler and Bill Ward.

Sharon's latest comments come a day after Jim issued a press release highlighting what he called "inaccurate and unfair criticisms" made by Sharon in the latest episode of "The Osbournes" podcast.

Simpson, now in his late 80s, claims to have paid for the recordings back in 1969 when Ozzy and the other three musicians were youngsters in a band called EARTH. He says that he has since restored and remastered each track and plans to release them on an album called "Earth: The Legendary Lost Tapes", currently delayed due to what "Sharon's threats to sue", according to Jim.

Earlier today (Saturday, November 15),Sharon shared the following statement via her social media:

"In response to Jim Simpson's press release of 14 November 2025, I am enclosing his original email to Tony Iommi and my subsequent emails to Mr. Simpson. As you can see, my emails to Mr. Simpson were not threatening. I was clearly stating the facts about BLACK SABBATH's legal position.

"Regarding his claim that Big Bear Records is the 'longest-running independent record label in the UK', this is a false claim. 'Topic Records' is a British folk music label. It began as an offshoot of the Workers' Music Association in 1939, making it the oldest independent record label in the world. It still operates today. Big Bear is not even a Limited company and does not file open accounts in public.

"Simpson also states that he is '….in the process of relaunching Big Bear Records in a new distribution partnership with Trapeze Music & Entertainment Ltd (director being John Cooper),a well-established company with a huge catalogue including the likes of Johnny Cash, Buddy Holly, Marlene Dietrich, Count Basie, Duke Ellington, Digby Fairweather and hundreds of other artists. I seriously doubt that the artists he mentions, or their estates, would have authorized them to be sold in the USA.

"Let it be known that Trapeze Music is an 'out-of-copyright' UK based label that is in debt for £539,000 and the entertainment division is in debt for £1.442 million. A previous entity under the Trapeze banner, with the director, (being John Cooper),was Discovery Records Limited, which went into liquidation in 2018 with an estimated deficiency of £1,407,388. These artist recordings he mentions appear NOT to be out of copyright in the USA, but Trapeze sells through a us domestic import distributor called MVD who they claim inadvertently put the BLACK SABBATH recordings online digitally in the USA and then quickly withdraw them when Simpson's lawyers were told the BLACK SABBATH material is not out of copyright, despite the fact they had agreed not to release them to the public without giving us 14 days prior notice. A full legal opinion from Kings Council was provided to their UK lawyer. Trapeze's owner previously ran several companies that ended up in bankruptcy.

"We would never have allowed any BLACK SABBATH product to be released through Big Bear Records or Trapeze Music, and at no time did Simpson ever offer the band royalties, and he has continuously refused to let BLACK SABBATH hear the recordings that he claims are his. Their integrity is dubious.

"In closing, Mr. Simpson may claim that he invited me to have coffee with him on 4 July 2025 but I was out of contact which he well knew as I was at Villa Park at soundcheck all day, and I later heard that Mr. Simpson was busy that day doing a Q&A about his time managing BLACK SABBATH from '68-'70 at a pub called 'Ye Olde Foundry' in Dudley for personal commercial gain."

When Simpson first responded to Sharon's original "The Osbournes" comments, he said that it was "a shame Sharon" had "decided to go all out on the attack without sitting down to talk about this." He added: "It's also very unfair of her to make such inaccurate and potentially defamatory comments."

Simpson went on to say that he is the legal owner of the recordings, despite Sharon's suggestions to the contrary. "The fact is that I did pay for the EARTH recordings, and they belong to me," he said.

Jim also insisted that he gave the members of BLACK SABBATH an opportunity to be included in the process of having the recordings officially released, but that they declined.

"I approached members of the band about this on 24 September 2024," he said. "The message I got back was that they didn't want it released and wanted nothing to do with it. This included two very threatening e-mails from Sharon. But the band had every chance to be involved."

Jim also disputed Sharon's claim that "no major record company" would have wanted to be involved in releasing the recordings, with Simpson saying that "the label for 'Earth: The Legendary Lost Tapes' is actually on Big Bear Records, the U.K.'s longest-established independent recording company that I have owned and operated since 1968." Simpson went on to say that he was "in the process of relaunching Big Bear Records in a new distribution partnership with Trapeze Music & Entertainment Ltd, a well-established company with a huge catalogue including the likes of Johnny Cash, Buddy Holly, Marlene Dietrich, Count Basie, Duke Ellington, Digby Fairweather and hundreds of other artists. They might not be what Sharon calls a 'major', but they are certainly not 'little'. They are our new partner for the relaunch of all Big Bear Records, not just the EARTH album."

Simpson added: "My reason for launching this album now is because it will become a crucial segment of music history. It contains recordings that clearly demonstrate what fine music Ozzy, Tony, Geezer and Bill were producing right from the very beginning in their pre-SABBATH days. It shows how these four young men from Birmingham, barely out of their teens, were already remarkable musicians when they existed as EARTH, and that they fully deserved all the success that was to come their way as BLACK SABBATH."

"Earth: The Legendary Lost Tapes" reportedly features three blues covers — "Blue Suede Shoes", "Evenin'" and "Wee Wee Baby" — as well as two versions of a track called "Song For Jim", with the name in the title "referring directly to Simpson," according to Jim. Iommi plays guitar in the first version, while the second version features a rare performance on the flute. There is also an "Untitled" track and three more songs, "Free Man", "Wicked World" and "Warning".

Simpson added: "If we can finally release this album, it will be a great gift to the music world and to millions of SABBATH fans."

15 November 2025

In response to Jim Simpson's press release of 14 November 2025, I am enclosing his original email to...

Posted by Sharon Osbourne on Saturday, November 15, 2025

Jim Simpson, the first manager of BLACK SABBATH, today rejected what he says were "inaccurate and unfair criticisms" made by Sharon Osbourne, the wife and manager of the late Ozzy Osbourne.

Speaking on the latest episode of "The Osbournes" podcast, Sharon expressed outrage over Simpson's plans to release a unique album of tracks from the pre-BLACK SABBATH days of Ozzy, Tony Iommi, Geezer Butler and Bill Ward.

Simpson, now in his late 80s, paid for the recordings back in 1969 when Ozzy and the other three musicians were youngsters in a band called EARTH. He has now restored and remastered each track and planned to release them on an album called "Earth: The Legendary Lost Tapes", currently delayed due to Sharon's threats to sue.

Today, Simpson rejected Sharon's angry claims and said: "It's such a shame Sharon has decided to go all out on the attack without sitting down to talk about this. It's also very unfair of her to make such inaccurate and potentially defamatory comments."

On the podcast, Sharon questions Simpson's ownership of the recordings, saying: "He says he paid the bill for the studio, which he says was £500 … He would have never had that money to pay for a studio in those days."

In response, Simpson, still ubiquitous on the Midlands' music scene with his Big Bear Music company, said: "At the time, EARTH were just the newest of the bands I managed. During those years, I regularly recorded and paid for recording sessions with bands I managed or played in. I'd already had a hit single with LOCOMOTIVE, and record deals with major labels like EMI Harvest and Parlophone. How can Sharon possibly know what I could afford back then? The fact is that I did pay for the EARTH recordings, and they belong to me."

Sharon then claims on the podcast: "He's kept it quiet for all these years because they're now out of copyright, which is 50 years."

Simpson said: "That's not the case. The truth is that when BLACK SABBATH walked out of my management contract, I turned my hand to re-discovering a total of 35 neglected black American blues men, touring them through U.K. and Europe, and recording them.

"In the early 1980s I got more deeply involved in jazz, launching the Birmingham Jazz & Blues Festival and publishing The Jazz Rag — both still ongoing. I produced more than 80 albums for Big Bear Records, ran 23 festivals across Britain, and managed various other U.K. bands, including THE QUADS, who had a hit single. All in all, I've been pretty busy, although I always intended to release the EARTH records.

"I approached members of the band about this on 24 September 2024. The message I got back was that they didn't want it released and wanted nothing to do with it. This included two very threatening e-mails from Sharon. But the band had every chance to be involved."

Sharon claims on the podcast that Simpson intends to keep all profits for himself, saying: "He's never said you'll get a royalty, not one penny. He thinks he's going to put out these tapes and he's going to get 100% percent of everything … You are a pig, you want it all."

Simpson said: "Sharon is very mistaken. I wanted all bandmembers to receive royalties from the album in the usual way, and I'm still more than happy for that to happen."

Sharon alleges that Simpson is being dishonest about donating any proceeds to charity, saying: "He's lying, saying he will give money to charity. He's never said what charity or how much money."

Simpson said: "This is so unfair and potentially defamatory. I have correspondence with St Basils, a charity for homeless young people in Birmingham, dated 21 January 2025, which clearly states that if BLACK SABBATH refuse to accept royalties, then we will pay them to this charity."

Sharon also derides Simpson's album plans, saying: "He finds a little record company, because no major record company would have taken it … to take the tapes and distribute them."

Simpson said: "This is another misrepresentation of the truth. The label for 'Earth: The Legendary Lost Tapes' is actually on Big Bear Records, the U.K.'s longest-established independent recording company that I have owned and operated since 1968.

"We are in the process of relaunching Big Bear Records in a new distribution partnership with Trapeze Music & Entertainment Ltd, a well-established company with a huge catalogue including the likes of Johnny Cash, Buddy Holly, Marlene Dietrich, Count Basie, Duke Ellington, Digby Fairweather and hundreds of other artists. They might not be what Sharon calls a 'major', but they are certainly not 'little'. They are our new partner for the relaunch of all Big Bear Records, not just the EARTH album."

In the podcast, Sharon also belittles Simpson's role in the founding and development of BLACK SABBATH, and claims: "For the first 10 years of their career, they made millions and never got a penny."

To this, Simpson responded: "Under my management, we renamed EARTH as BLACK SABBATH and they became one of the biggest names in heavy rock music, touring extensively and appearing on radio and TV. I was manager when we released their seminal debut eponymous album 'Black Sabbath' in February 1970 and followed it up with the equally adored 'Paranoid' in September 1970. Both charted worldwide and sold millions, with hit single 'Paranoid' reaching No. 4 in the charts. While under my management, which ended in September 1970, they received proper payments. It was when they broke their contract that it all went wrong for them."

Sharon goes on to say that she has threatened to sue Simpson if he goes ahead and releases the album. But she also offers a laurel leaf, adding: "He could have come to us with the tapes and he would have made a lot of money and SABBATH would have done well. Let it go to a proper record company and be properly distributed, properly produced."

Despite the row, Simpson says he's more than willing to discuss a resolution. He said: "In my e-mail to Sharon on 4 July 2025, when she was in Birmingham, I suggested it might be fruitful for her and I to meet for coffee to discuss this issue. If they want to strike a deal with me to launch this album, I would therefore be delighted to discuss that with them."

Simpson added: "My reason for launching this album now is because it will become a crucial segment of music history. It contains recordings that clearly demonstrate what fine music Ozzy, Tony, Geezer and Bill were producing right from the very beginning in their pre-SABBATH days. It shows how these four young men from Birmingham, barely out of their teens, were already remarkable musicians when they existed as EARTH, and that they fully deserved all the success that was to come their way as BLACK SABBATH."

"Earth: The Legendary Lost Tapes" features previously unheard studio recordings, capturing EARTH's evolution as they pushed toward the heavy metal sound that would change rock music forever. The album begins with three blues covers: "Blue Suede Shoes", "Evenin'" and "Wee Wee Baby". There are two versions of a track called "Song For Jim", the name in the title referring directly to Simpson. Tony Iommi plays guitar in the first version, and then a rare performance on the flute in the second version. The beginnings of heavy metal then start to emerge with an "Untitled" track and three more called "Free Man", "Wicked World" and "Warning".

Simpson added: "If we can finally release this album, it will be a great gift to the music world and to millions of SABBATH fans."

Former METALLICA bassist Jason Newsted joined BLACKBERRY SMOKE on stage last night (Thursday, November 13) at the State Theatre in Ithaca, New York to perform a cover of the BLACK SABBATH classic "Children Of The Grave". Fan-filmed video of his appearance can be seen below.

BLACKBERRY SMOKE first covered "Children Of The Grave" earlier this year as a tribute to late SABBATH singer Ozzy Osbourne.

In March 2003, Newsted — who played in METALLICA from 1986 until he left the band in 2001 — joined Osbourne's group as the replacement for Robert Trujillo, who quit a month earlier to join METALLICA.

Newsted was officially welcomed to Ozzy's band with a press event at 3rd Encore Studios in North Hollywood, where Ozzy and the rest of his group ran through BLACK SABBATH's "War Pigs", and three Osbourne classics: "Believer", "No More Tears" and "Crazy Train".

At the time, Jason confirmed to Bass Player magazine that it was a "surprise" when he was approached about joining Ozzy's band. "Totally," he said. "I didn't put it all together until Sharon Osbourne called me. Mike Bordin and I have been friends for years — he was one of Cliff Burton's best friends — so I got Ozzy's setlists for the last two tours, figured out the tunings they were using live, and made a tape with 13 tunes — six SABBATH songs and the rest Ozzy.

"I did everything that I had heard you're supposed to do, or that I had done before, to get a gig," he explained. "I played until I could not play anymore. The flesh on my fingertips was actually cracking; it got down to the nerve, and the pain was shooting up my arm. That's when I'd stop. But I'd sleep with the headphones on, with my work tape playing on repeat. When I'd take 30 minutes to eat something, I'd watch old SABBATH videos. So I was literally living, breathing, eating, and sleeping Ozzy for eight days. It was full-on preparation – just like what I did with METALLICA. When the day came, I felt pretty good about everything."

Asked if he considered it an audition, Jason said: "The guys told me it wasn't an audition and that I was already in the band, and Ozzy had already mentioned it in a radio interview. But that didn't stop me. First I played with just Zakk [Wylde] and Mike. I had all the songs I'd learned written on a list, and I had pinpointed my questions: 'Zakk, how does this resolve, what is that note.' I got all those things tight, and we jammed for a while. Then Ozzy came in. I wanted him to be able to point to any one of those songs on the list and for me to be able to just knock it out. He picked five of the tunes, and from the first bit of 'Paranoid', when I began playing, he started bouncing around the room. He made a couple of comments in between songs; I didn't talk much. After the fifth tune he said, 'If you want a job, you've got it.' And I said, 'Yes, Oz, I want it. Wherever you want me to be, I'll be there.'"

Regarding his love of SABBATH, Jason said: "BLACK SABBATH is my all-time favorite band, and it has been ever since I started playing. They influenced me so much that with every riff I wrote for METALLICA or anyone else, the guys would always say, 'We can't play that — it sounds too much like SABBATH' — or, 'Nice ripoff.'"

Jason left METALLICA back in 2001 but was inducted into the Rock And Roll Hall Of Fame, along with guitarist/vocalist James Hetfield, drummer Lars Ulrich, guitarist Kirk Hammett, and the man who replaced him, bassist Robert Trujillo, in 2009.

In May 2023, Jason performed with his NEWSTED project for the first time in nearly a decade at Revolution Live in Fort Lauderdale, Florida.

Back in 2020, Newsted bought a home on Skaneateles Lake in the village of Skaneateles, New York for $6.1 million.

Newsted and his wife Nicole have been longtime residents of Jupiter, Florida.

Former AC/DC bassist Mark Evans spoke to ABC News In-depth about the band's recently launched first Australian tour in a decade. Referencing the fact that AC/DC lead guitarist Angus Young is the only remaining founding AC/DC member, Mark said (as transcribed by BLABBERMOUTH.NET): "Let's not forget, he's the only person on the face of the earth that's been to every AC/DC gig. He's been there for every one of them. And there's been some really, really tough times for him."

Mark joined AC/DC in 1975 and remained with them through their barroom days, their first international tours, and the majority of the Bon Scott-era albums: "High Voltage", "Dirty Deeds Done Dirty Cheap", "T.N.T.", "Let There Be Rock" and the U.S.-only '74 "Jailbreak" collection-recordings that have since sold in excess of 10 million copies in the U.S. alone. Mark was sacked from the band in 1977. At the time it was reported to be over musical differences.

"The separation was difficult," Evans recalled. "I was the right guy for the band when I started. Looking back, there's only one reason I didn't continue on with the band, is 'cause I didn't take it seriously enough. It all happened so easily that I probably didn't give it its correct weight."

Over the years, Mark has had legal issues with the band over royalties, but his connection to AC/DC has now come full circle.

"What the band has achieved and now what Angus is carrying on, I love it to bits, man," Mark said. "I think it's really special. And now they have the chance to pass it on to young people."

During a January 2021 appearance on the "Let There Be Talk" podcast, Evans denied that he harbored any resentment toward AC/DC or the band's success.

"I like a philosophical attitude," he said. "“Some people could get bent out of shape by something like that, that happened, but I look back and I've just nothing to put but good memories. A lot of love and respect for the band."

In a 2011 interview with Music Radar, Mark spoke about the distance he felt between him, Angus and AC/DC's founding rhythm guitarist Malcolm. He said: "It was difficult. They didn't let people in very easily, and once they felt there was an issue, things could get even more difficult. With Angus and Malcolm, they were put on this earth to form AC/DC. They're committed big time. And if they feel your commitment is anything less than theirs, well, that's a problem."

He continued: "Angus was intense. He was AC/DC 100 percent. His work ethic was unbelievable. When I was with him, he expected everybody to be just like him, which is pretty impossible. Aside from Malcolm, there was no way anybody could be as committed to the band as he was. I was totally into AC/DC and never wanted out of the band for a second."

Regarding the circumstances that led to him being kicked out of AC/DC, Mark said: "I did have some questions about it. At the time, Malcolm said something about them wanting a bass player who could sing, but I think that was a smokescreen. I don't know if there was any one reason. It's just the way it went down. I felt the distance growing between me and Angus and Malcolm. When I was fired, it wasn't so much a surprise as it was a shock.

"There was a lot of tension in the band at the time," he explained. "We'd just been kicked off a BLACK SABBATH tour, and this was right when a trip to the States was cancelled because the record company rejected the 'Dirty Deeds Done Dirt Cheap' album. So it was a hard period.

"Maybe it was the whole atmosphere that led to my being sacked," he added. "The group had a month off, so perhaps Angus and Malcolm thought, 'Okay, time to make some changes.' It was hard for me. I was very dedicated to the band. I loved the music we were playing, and I could feel that real success was right around the corner."

Evans's memoir, "Dirty Deeds: My Life Inside/Outside Of AC/DC", was released in 2011 via Bazillion Points Books. The book was described at the time as "a rare 'been there, done that' perspective of touring with the group" by Library Journal, and "a rich bounty of insight into the struggles and camaraderie that fueled hard rock's most successful group." Evans's stories captured the energy and essence of Malcolm Young, Angus Young, Phil Rudd and the late Bon Scott. Encounters with rock and roll icons like George Harrison, Gene Simmons, Phil Lynott, BLACK SABBATH, Ahmet Ertegun and METALLICA were also included.

Swedish metallers SABATON kicked off their "The Legendary Tour" Friday night (November 14) at Lanxess Arena in Cologne, (or Köln in German),Germany.

The band teased the 20-city European trek as "a huge celebration of SABATON's music, storytelling and the incredible bond they share with their fans", featuring "The Legendary Orchestra and other surprises," resulting in "something unprecedented." "The Legendary Tour" is SABATON's first headlining tour in support of the band's eleventh studio album, "Legends", which arrived on October 17 via Better Noise Music.

SABATON's setlist for the Cologne show was as follows, according to Setlist.fm:

01. Templars (live debut)
02. The Last Stand
03. Hordes Of Khan
04. I, Emperor (live debut)
05. Crossing The Rubicon (live debut)
06. Carolus Rex (Swedish)
07. The Red Baron
08. Stormtroopers
09. A Tiger Among Dragons (live debut)
10. Christmas Truce
11. Soldier Of Heaven
12. The Attack Of The Dead Men ("History Edition" intro)
13. Night Witches
14. Primo Victoria
15. Steel Commanders
16. The Art Of War
17. To Hell And Back
18. Masters Of The World (first time since 2007)

Fan-filmed video of the concert can be seen below.

Speaking to "Coffee With Ola", the YouTube program hosted by Ola Englund, SABATON bassist and manager Pär Sundström stated about "The Legendary Tour": "We've  got bigger stuff planned for the upcoming tour [than what we have done before]. And it's a very special kind of thing, so we have to build it around the 'Legends' album. But I don't wanna spoil too much. I think it will be exciting to see it. And we are also building a show that is a little bit more than just a rock show, so to say. So we have two stages and something that connects them.

"On the previous tour, 'The Tour To End All Tours', we used a couple of little acting things, and there was a little bit more theater than we did before," he explained. "A lot of fans liked it, and it further strengthened the topics with the show. And we thought, 'Okay, let's continue down this road.' So it's a little bit more on the theater side. And then we got this little twist there, which is the opening band, which is 'The Legendary Orchestra', which we created specifically around — this was the time, this was the album, this is the tour. It's not like SABATON and orchestra. There will be a full show with SABATON, but before that it's a full show with The Legendary Orchestra, which is pretty much — you can see it as a cover band of SABATON, playing SABATON tunes [that we won't play during our set on the upcoming tour], but in orchestral arrangements, with lead instrumentalists, lead vocalists, choirs, and it's very powerful, very emotional, and it sounds, of course, completely different — no electrical guitars, no drums, percussions… So a SABATON fan gets a lot of SABATON songs. And just that we can't play all of them ourselves, because, yeah, that would be a very long night for us and we wouldn't be able to do so many of them."

Regarding SABATON's switch from longtime record label Nuclear Blast to Better Noise Music, Sundström said:  "It was something that we were negotiating with for over a very long period of time. It's an important step because we had been with Nuclear Blast since 2010. So it's 15 years working with Nuclear Blast. And to move away from them, it was a decision because we wanted to try, like what happens if we go somewhere else? What new networks, what new ideas, what comes out of it? And so it's been an interesting thing, but it's also so much people to talk to. And I found that we really needed also a label that has a strong presence in the United States. So, during this, like, one and a half year when we've been negotiating, it's a lot of nighttime calls to various departments in America and interviewing them about how they do ideas, feeling, what do you think about this? [We] shared the album with a bunch of them and to get feedback, like, are they gonna like it? And this kind of things. It's been a very interesting process to find a new record label. And then we kind of ended up where it all started, because Better Noise Music, they came to visit very early. They jumped on a flight to meet up with us and expressed [that], like, they really would like to work with us. And in their roster, they don't really have any band in the power metal genre. So it was also a challenge for them to try something that they haven't really worked before, which I liked that they were not afraid of that challenge. They were, like, 'We would like to do this, and we think that we can do a great job with it.' So it's been very exciting. And now we're living it and we're in the middle of it and seeing things unfold and we see the new networks, we see the new opportunities."

Joining SABATON at the Cologne gig was The Legendary Orchestra, a powerful musical entity that reinterprets the band's songs — both old and new — with colossal orchestrations, thunderous choirs, dramatic narration and unforgettable performances by hand-picked musicians guided by special guest stars. These include violinist Mia Asano; singer, multi-instrumentalist, songwriter and hurdy-gurdy powerhouse Patty Gurdy; acclaimed singer Noa Gruman, who will also conduct; and an ensemble of exceptionally talented orchestral musicians.

The Legendary Orchestra's performances feature newly reimagined orchestral and choral arrangements of SABATON songs crafted by award-winning producer Joost Van Den Broek. SABATON's songs are enhanced by powerful harmonies, choirs and lead vocals, commanding lead instruments and a vast array of instrumentation that stretches the boundaries of the classical and metal genres.

Throughout the aptly titled "Legends", which blends rock and history for fans of all ages, SABATON delves into some of history's greatest and most loved characters such as Jeanne D'arc (also known as Joan Of Arc),Napoleon Bonaparte, Julius Caesar and the legendary swordmaster Miyamoto Musashi.

"Legends" is available across various different physical formats and retailer exclusives, including CD, 2CD digibook, 2CD earbook (both including the exclusive Storyteller Edition),11 unique vinyl editions (including a special vinyl color and exclusive artwork each),additional exclusive vinyl colors and a limited box set (including another exclusive vinyl color, the 2CD earbook, and a colored cassette as an exclusive format).

Among 11 unique vinyl editions, each one portraying one legendary figure, "Legends" is available as the "Hannibal Edition" and the "Miyamoto Musashi Edition", which are linked to the song releases for "Lightning At The Gates" (Hannibal) and "The Duelist" (Miyamoto Musashi).

"Legends" is a rock odyssey that transcends time and borders, with melodic guitar riffs, goosebump-inducing choirs, and epic choruses. It marks a bold evolution in storytelling, plunging headfirst into the heart of history's most formidable and enigmatic figures. These are not just rock songs, they are battle hymns carved from the blood and legacy of warriors, kings, strategists, and revolutionaries.

SABATON have always had a signature focus on writing songs about historical battles, wars, and acts of heroism that have solidified their impact with their loyal and longtime fans. They've collaborated closely with its network of specialists, developed over the years since the launch of the Sabaton History Channel on YouTube, to make sure this new album is once again as close to reality as possible.

SABATON continues to work with graphic artist Peter Sallai to create the striking album artwork, and producer Jonas Kjellgren is once again behind the boards from his Swedish Black Lounge Studios to create the classic SABATON sound the band is now known for.

In the more than two decades since the band's launch, SABATON has headlined major festivals, sold-out arena concerts worldwide, and gained a legion of loyal fans by carving out a reputation for being one of the hardest working bands in the business. Since their 2005 debut album, they've earned gold, platinum, and multi-platinum certifications in territories around the world with their 10 studio albums. Eight of their albums scored Top 10 international chart status, and six claimed the Top 5. SABATON has earned eight Metal Hammer Golden Gods Awards nominations, taking home the award for "Breakthrough Artist" in 2011 and "Best Live Band" in three different years, and a Grammis nomination (Swedish equivalent to the U.S. Grammy Award) as "Best Heavy Metal" band. They've accumulated more than three billion streams across all streaming platforms and two billion views on YouTube.

Guitarist Thobbe Englund originally joined SABATON in April 2012 and amicably parted ways with the band in July 2016 to focus on his personal life and expand his creativity. He rejoined SABATON in February 2024.

Englund recorded two studio albums with SABATON, namely "Heroes" (2014) and "The Last Stand" (2016),and assisted with the songwriting of some very popular songs including "Shiroyama" and "Fields Of Verdun", among others.

Last fall, SABATON served as main support to JUDAS PRIEST on the legendary heavy metal band's North American tour.

KISS paid tribute to Ace Frehley during the band's first show in nearly two years.

The legendary rockers kicked off the "KISS Kruise: Landlocked In Vegas" with an outdoor unplugged performance on Friday (November 14) at Virgin Hotels Las Vegas.

At the beginning of the concert, KISS frontman Paul Stanley asked fans in the audience to lift the electric candles which were handed out to everyone prior to the gig in honor of the founding KISS guitarist, who died last month at the age of 74.

"Before we get going, we just wanted to take a moment to think about somebody who is at the foundation of this band," Paul said. "And we're talking about Ace. So, we certainly had differences, but that's what family is about. And why don't we take a moment, a little quiet, to think about him looking down on us — from [the planet] Jendell, probably — and let's have a moment for Ace. Candles up."

KISS's setlist for Friday's performance was as follows:

01. Comin' Home
02. See You Tonite
03. A World Without Heroes
04. Hard Luck Woman
05. Christine Sixteen
06. Nothin' to Lose
07. Goin' Blind
08. Hide Your Heart
09. Plaster Caster
10. Beth
11. Love Her All I Can

"KISS Kruise: Landlocked In Vegas" is taking place November 14-16 at Virgin Hotels Las Vegas.

Gene Simmons, Paul Stanley, Eric Singer and Tommy Thayer will also play an electric "unmasked" show this weekend, marking the first time KISS has performed together since retiring from touring in December 2023.

This special KISS Army fan event, co-produced by Pophouse, Topeka and Vibee celebrates the band's five-decade career and the 50th anniversary of the KISS Army. In addition to the "unmasked" performances, the weekend will include appearances from QUIET RIOT, Stephen Pearcy and Warren DeMartini performing the music of RATT, Bruce Kulick, Sebastian Bach, BLACK 'N BLUE, KUARANTINE, School Of Rock and more.

KISS had previously set a 12-show residency at Planet Hollywood Las Vegas in 2021 and 2022 but ultimately canceled all of the dates.

Simmons told Rolling Stone in a November 2023 interview that the second Madison Square Garden "End Of The Road" concert would mark "the final KISS-in-makeup appearance."

Regarding what fans can expect to see at "KISS Kruise: Landlocked In Vegas", Paul told "Artist Friendly With Joel Madden": "It's gonna be awesome. And we're gonna play all the songs that we normally play, but I'll be more like this [without any makeup] than I am… The KISS gear is hung up and that will stay in the bat cave.

"Look, I've always thought that you can get the biggest production and put on a big show and a band still sucks," he continued. "A band that's no good is still no good with all the trappings. And you could take a car, an old beat-up car without an engine and paint it any color you want, it may look beautiful, but it ain't going anywhere. So, I've always thought that the band at its core has always been a kick-ass band."

Ace died on October 16 of blunt trauma injuries to his head due to a fall. The Morris County Medical Examiner revealed the cause of death in a report obtained by TMZ.com. Ace's manner of death was ruled an accident.

According to the report, a CT scan of Frehley's head revealed multiple contusions, bone fractures to the back of his skull, hemorrhages, and a subdural hematoma (the type of bleeding that occurs in a person's brain after a head injury). Additional bruises were found on the musician's hip, thigh, and abdomen. The report also noted that Frehley had suffered a stroke.

Frehley's longtime manager John Ostrosky confirmed to the New York Post that the late KISS icon was laid to rest at Woodlawn Cemetery in Bronx, New York.

The legendary musician was buried on October 22 following a private memorial on October 21 at Sinatra Memorial Home in Yonkers, New York.

Frehley, whose real name was Paul Daniel Frehley, passed away peacefully surrounded by family in Morristown, New Jersey. He reportedly died nearly two weeks after a second fall at his home, which led to him being placed on life support after a brain bleed. The musician's family made the heartbreaking decision to take him off the ventilator.

Frehley's family confirmed his death, writing in a statement: "We are completely devastated and heartbroken. In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth.

"We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others. The magnitude of his passing is of epic proportions, and beyond comprehension. Reflecting on all of his incredible life achievements, Ace's memory will continue to live on forever!"

The day of Ace's death, Stanley and Simmons issued a statement in which they said: "We are devastated by the passing of Ace Frehley. He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history. He is and will always be a part of KISS's legacy. Our thoughts are with Jeanette, Monique and all those who loved him, including our fans around the world."

Simmons also wrote on X: "Our hearts are broken. Ace has passed on. No one can touch Ace's legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn't live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!"

Ace co-founded KISS with Paul, Gene and Peter in New York City in 1973. Frehley appeared on KISS's first nine albums, and returned for the band's 1998 reunion album, "Psycho Circus", only to leave again. He was inducted into the Rock And Roll Hall Of Fame with the rest of KISS's original lineup in 2014.

Frehley first left KISS in 1982. He rejoined in 1996 and parted ways with the band once again in 2002 after the conclusion of KISS's first "farewell tour." Since his departure, guitarist Tommy Thayer had assumed the role of the Spaceman.

Earlier in October, Frehley scrapped the remainder of his previously announced 2025 tour dates due to unspecified "medical issues".

The legendary rocker announced the cancelation two weeks after he pulled out of the Antelope Valley Fair in Lancaster, California after sustaining minor injuries in a fall at his home.

Frehley had a rocky relationship with Simmons and Stanley whom he blamed for exacerbating his abuse of drugs and alcohol because they allegedly minimized his contributions to KISS.

In 2019, Simmons told Guitar World that Frehley and Criss had exited KISS three times, in part because they "weren't carrying their load" and weren't dependable onstage. In response, Frehley called Simmons and Stanley "control freaks, untrustworthy and… too difficult to work with."

Ace said in a 2024 interview that he got sober in 2006 after "10 car accidents" and credited his daughter Monique with inspiring him to give up drinking in 2006.

"My daughter calls me up and goes, 'Dad, I'm not hearing good things about you.' I looked in the mirror and just said, 'Shit — she's right,'" he said. "That evening, I called my sponsor and he took me to an AA meeting, and I've been sober ever since."

Frehley married Jeanette Trerotola in 1978 before they legally separated seven years later but remained married. She survives him, along with their daughter Monique, brother Charles, sister Nancy Salvner, and a number of nieces, nephews and extended family members.

The ultimate fan event is finally here! KISS KRUISE: Landlocked in Vegas kicks off TODAY!

The legendary KISS experience...

Posted by Fans of Eric Singer on Friday, November 14, 2025

In a new interview with the The Sessions Panel, DEF LEPPARD drummer Rick Allen was asked if there is "any new music" in the works. He responded (as transcribed by BLABBERMOUTH.NET): "Lots of new music for DEF LEPPARD coming. I can't really talk about it that much, but the songs that I've been involved with, the songs that I've helped with recording. There's still quite a lot to do — details, some overdubs, that kind of thing. But the music is strong. We are fans of it, so we figure if we are fans of it, then other people are gonna love it."

This past September, DEF LEPPARD singer Joe Elliott confirmed that the band was working on its thirteenth studio LP. He told Planet Rock's Paul Anthony: "We're working through a new album right now, which won't be out next year, but we may — and probably will — release a new song in time for [the Las] Vegas [residency] and then release another one again for the British tour [in June]. That's the plan that we have right now… So, we're gonna kind of drip feed songs from the album and then it'll [album] come out late '26, early '27 maybe."

DEF LEPPARD's third Las Vegas residency. "Def Leppard: Live at Caesars Palace The Las Vegas Residency" will take place from February 3 through 28, 2026 at The Colosseum at Caesars Palace. These new shows follow the band's sold-out residency successes in 2019 and 2013.

This past January, DEF LEPPARD released a cover of Ben E. King's 1961 classic "Stand By Me". All proceeds from the song are going to FireAid, which raises money for those impacted by the fires that swept through Los Angeles early this year.

DEF LEPPARD's version of the song is featured in the Netflix film "Bank Of Dave 2: The Loan Ranger", which was released in January. The band can be seen performing the track before the credits.

DEF LEPPARD's "Just Like 73" single, featuring a guest guitar solo from RAGE AGAINST THE MACHINE guitarist Tom Morello, was made available in June 2024.

DEF LEPPARD's 12th studio album, "Diamond Star Halos", came out in 2022. A year later, the band followed it up with "Drastic Symphonies", a collection of reimagining of some of DEF LEPPARD's greatest hits with London's Royal Philharmonic Orchestra at Abbey Road. The album spent 15 weeks at No. 1 on the Billboard Current Classical chart.

Late last year, DEF LEPPARD guitarist Vivian Campbell underwent a bone marrow transplant as part of his treatment plan for Hodgkin's lymphoma, with which he was diagnosed in 2013.

In June, Campbell revealed that he is "completely in remission" from the cancer of the lymphatic system.

Campbell — who before joining DEF LEPPARD in 1992 was well known for his work with DIO and WHITESNAKE — went public with his Hodgkin's lymphoma diagnosis in June 2013.

Vivian underwent three separate spells of chemotherapy and a stem cell transplant, only for his Hodgkin's lymphoma to return.

Six years ago, Campbell underwent spine surgery.

Vivian and his DEF LEPPARD bandmates were finally inducted into the Rock And Roll Hall Of Fame in March 2019 — 14 years after the British rockers first became eligible.

David Coverdale's wife and son have commented on the WHITESNAKE singer's announcement that he is hanging up his "platform shoes and skin-tight jeans" following his legendary 50-plus year Rock And Roll Hall Of Fame career.

Cindy Coverdale shared a photo of her and David on what appears to be a chartered private plane, and she wrote: "Happy 'Official' Retirement, Baby!! I love you with all my heart. What an incredible journey I've been so lucky to go on with you! Now we just get to play!! I can't wait to see what you do next…"

She continued: "Side Note: when I met David 35 years ago he told me he was retiring…"

Referencing the picture in her post, Cindy added: "This was taken flying to the last show I went to, not knowing at the time it was my last WHITESNAKE show… bittersweet!"

In a separate post on Instagram, 29-year-old Jasper Coverdale wrote: "There aren't often moments where legends have the opportunity to rest at their own accord. After forging his own path spanning over five entire decades, my father chose his fate once again. It is no simple thing… the sheer amount of memories made, cherished relationships set to stone or broken asunder, a family blooming under the planted pines that bear our names. At twenty-nine, I can't even fathom the journey… yet I've walked the path in support and love for him every step I could. I know no greater man, nor any better father, for the family I was born into is one of international renown thanks to his empathy, talent and ability to connect with so many people the world over. And now, the next step… whatever you bloody well desire, Sir! Here's to you, David Coverdale—father, husband, storyteller, warrior, artist… hero. Bravo, Dada, for a thousand thousand jobs well done. Let the histories honor you forevermore."

On Thursday (November 13),the 74-year-old David said in a video message before a remake of WHITESNAKE's 2011 song "Fare Thee Well": "Ladies and gentlemen, boys and girls, brothers and sisters of the 'SNAKE, a special announcement for you.

"The last few years has been very evident to me that it's time really for me to hang up my rock and roll platform shoes and my skin-tight jeans. And as you can see, we've taken care of the lion's wig. But it's time for me to call it a day."

Coverdale expressed his gratitude to his loved ones and fans, who have supported him as the frontman for both WHITESNAKE and DEEP PURPLE, but said it was time for him to enjoy his retirement.

"I love you dearly. I thank everyone who's assisted and supported me on this incredible journey. All the musicians, the crew, the fans, the family. It's amazing."

Coverdale raised a glass as he delivered his parting message, "Fare thee well," referencing WHITESNAKE's song of the same name.

On June 28, 2022, WHITESNAKE scrapped three shows on its spring/summer European tour due to Coverdale's infection of the sinus and trachea. Three days later, the rest of the trek was also called off. At the time, David blamed the decision on "continuing health challenges, doctor's orders, and our concern for everyone's health and safety."

David was not the first member of WHITESNAKE to fall ill during the group's spring/summer 2022 European tour. Guitarist Reb Beach missed several shows on the trek in June 2022 after being "under the weather." On June 25, 2022, WHITESNAKE canceled its show at the Rock Imperium festival in Spain due to the fact that drummer Tommy Aldridge "went down" and "was bad enough at the time to have missed the first show ever in his career," according to Coverdale.

In April 2023, Coverdale told "Rock Of Nations With Dave Kinchen And Shane McEachern" regarding the possibility of WHITESNAKE resuming its farewell tour in 2024: "It's not really a professional decision. It's literally a health decision.

"[In 2022] it took me seven months to get rid of a sinus infection that went so deep into my body… And then we discovered a secondary one, which is why I had to cancel the U.S. tour," he explained. "So all of that appalling antibiotics I had for three months, all the damage it did to my system, was a waste of time because this other infection was canceling it out. So I had to go on to heavier medications and steroids, and at the same time ignoring a torn rotator cuff.

"When I was onstage with Steve Vai at Hellfest [in France in June 2022], which turned out to be the last WHITESNAKE show — hopefully not the last WHITESNAKE show [ever] — underneath my shirt, my shoulder was taped up like I was going into the arena to face another gladiator," Coverdale revealed. "And you couldn't really tell. And thank God I could still fling the mic stand around. But as soon as I got signed off back in January, the infection had gone, I realized that we had to sort out the shoulder, 'cause that had been of secondary importance — minor compared to this, 'Am I ever gonna be able to sing again?' That's a big deal. It's something you wake up and almost take for granted.

"So, I'm getting a lot of approaches [regarding Las] Vegas residencies. I'm not quite sure about that. I feel I owe Japan. I feel I owe the U.S. I feel I owe South America. 'Cause I've been pretty successful for 50 years, and you can't buy that. It's people who've supported you to be in this position. It was a personal choice. I didn't wanna do a video going, 'Ladies and gentlemen, boys and girls, brothers and sisters of the 'SNAKE, thank you for 50 years. I'm done.' I wanted to be there.

"I wanted to retire in 2020," David added. "I thought the appropriate age for the singer of WHITESNAKE to step down was 69. But, of course, bloody COVID came [and ruined those plans].

"We have three to five years of projects here at my studio. So I'm certainly not finished with music. But my health will dictate whether I can take on [a full tour]. 'Cause it's incredibly physically demanding for me. I don't wanna do a half-assed [tour], standing-there stuff. I love telling my stories and moving and working."

Also in April 2023, Coverdale told Ultimate Classic Rock that the illness that forced him off the road in 2022 was "the worst sinus infection I've ever had in my life. And as a singer, I know them like fucking relatives of mine," Coverdale said. "This was one of the ugliest illnesses I think I've [ever] had. For seven months, I was taking ever-increasingly strong antibiotics and horrifying prednisone steroids."

WHITESNAKE launched its farewell tour on May 10, 2022 at Dublin, Ireland's 3Arena. The band's 14-song set, which was part of a European tour with special guests EUROPE and co-headliners FOREIGNER, marked WHITESNAKE's inaugural performance with the group's two latest two additions, keyboardist, guitarist and backing vocalist Dino Jelusick and bassist Tanya O'Callaghan.

Coverdale had both his knees replaced with titanium in 2017 after suffering from degenerative arthritis. He later explained that he was in so much pain with arthritis in his knees that it hampered his ability to perform live.

Prior to the pandemic, WHITESNAKE had been touring in support of its latest album, "Flesh & Blood", which was released in May 2019 via Frontiers Music Srl.

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At last night's "Bowl For Ronnie" celebrity bowling party, the annual event benefiting the Ronnie James Dio Stand Up And Shout Cancer Fund, in Studio City, California, legendary BLACK SABBATH bassist Geezer Butler was interviewed by former ANTHRAX singer Neil Turbin for Canada's The Metal Voice. Asked about his future plans in music, Geezer said (as transcribed by BLABBERMOUTH.NET): "Well, I'm always writing, I'm always playing. So, whatever happens, happens."

Geezer also reflected on his relationship with his late SABBATH bandmates Ozzy Osbourne and Ronnie James Dio, saying: "None of us had egos or anything like that. [It was] just like four or five friends getting together and doing what we loved best."

On the topic of the "Back To Beginning" concert, which took place in July and marked Ozzy and SABBATH's final performance, Geezer said: "[Ozzy] was determined to do it. He really was. It's just a shame that he went so quickly after it, 'cause we were all planning on getting together for Christmas and reflecting back and everything."

A founding member of BLACK SABBATH, Butler is also the lyricist of such SABBATH classics as "War Pigs", "Iron Man", "Paranoid" and others.

At the aforementioned "Back To The Beginning" concert, Ozzy and the other original SABBATH members performed four songs for more than 40,000 people at Villa Park in the band's original hometown of Birmingham, United Kingdom and 5.8 million more on a livestream. Ozzy also played a five-song solo set while seated in a bat-adorned throne.

"Back To The Beginning", which was hosted by actor Jason Momoa — whose passion for heavy metal music runs deep — also featured performances by METALLICA, GUNS N' ROSES, SLAYER, TOOL, PANTERA, GOJIRA, ALICE IN CHAINS, HALESTORM, LAMB OF GOD, ANTHRAX, MASTODON and RIVAL SONS.

Less than four months ago, Geezer penned an article for U.K.'s The Sunday Times in which he reflected on his final appearance with Ozzy. Regarding what it was like to rehearse with Osbourne for "Back To The Beginning", Butler wrote: "I knew he wasn't in good health, but I wasn't prepared to see how frail he was. He was helped into the rehearsal room by two helpers and a nurse and was using a cane — being Ozzy, the cane was black and studded with gold and precious stones. He didn't really say much beyond the usual greetings and when he sang, he sat in a chair. We ran through the songs but we could see it was exhausting him after six or seven songs. We had a bit of a chat, but he was really quiet compared with the Ozzy of old."

Looking back on Ozzy's performance at Villa Park, Geezer wrote in The Sunday Times article: "Nobody knew he'd be gone from us little more than two weeks after the final show. But I am so grateful we got to play one last time together in front of his beloved fans. The love from the fans and all the bands, musicians, singers and solo artists that night was incredible. Everyone had come to pay homage to the Prince. I am so privileged to have spent most of my life with him. Of course there are millions of things I will think of that I should have written, but how can I sum up 57 incredible years of friendship in a few paragraphs? God bless, Oz, it has been one hell of a ride! Love you!"

Ozzy died on July 22 of a heart attack, his death certificate revealed. The certificate also reportedly said the 76-year-old musician suffered from coronary artery disease and Parkinson's disease.

In his tribute to Ozzy on the day of the singer's death, Geezer wrote on social media: "Goodbye dear friend- thanks for all those years- we had some great fun, 4 kids from Aston- who'd have thought, eh? So glad we got to do it one last time, back in Aston. Love you."

The original lineup of SABBATH came together with Osbourne, Butler, guitarist Tony Iommi and drummer Bill Ward. That lineup recorded and toured through 1978, and periodically reformed through the '90s and 2000s for live work.

They regrouped again in late 2011 for a new album and tour, although Ward dropped out after a few months over financial issues. SABBATH used Ozzy's touring drummer Tommy Clufetos since then for live work. RAGE AGAINST THE MACHINE's Brad Wilk laid down the drum tracks on SABBATH's reunion album "13", which came out in June 2013.

In February 2017, SABBATH finished "The End" tour in Birmingham, closing out the quartet's groundbreaking 49-year career.

"The End" was SABBATH's last tour because Iommi, who was diagnosed with cancer in 2012 and is currently in remission, can no longer travel for extended amounts of time.

SABBATH wrote and recorded "13" and toured it all over the world while Iommi was going through treatment for his illness, with the guitarist having to fly back to England every six weeks.

In 2006, Osbourne and the other members of the original BLACK SABBATH were inducted into the Rock And Roll Hall Of Fame. Ozzy was also inducted into the Rock Hall as a solo artist in 2024.

As previously reported, Butler and Paul Rodgers (FREE, BAD COMPANY) will be honored by Adopt The Arts, a nonprofit organization working to provide music education curriculum for underserved elementary schools, on Monday, March 2, 2026 at the historic Plaza Theatre in Palm Springs, California for the "Adopt The Arts: Sound & Vision Awards".

Mark "Barney" Greenway of British grindcore pioneers NAPALM DEATH joined Danish metal rock 'n' rollers VOLBEAT on stage on November 12 at the at the Utilita Arena in Birmingham, United Kingdom to perform the VOLBEAT track "Evelyn". Fan-filmed video footage of his appearance can be seen below.

In an April 2011 interview with Straight.com, VOLBEAT vocalist/guitarist Michael Poulsen spoke about Barney's appearance on the studio version of "Evelyn", which appears on the band's fourth album, "Beyond Hell/Above Heaven".

"Writing a song like 'Evelyn' was my way of showing people that it was not only the '50s elements we were inspired by, but we were actually growing up with a lot of great metal bands," Michael said. "And NAPALM DEATH was one of the first extreme metal bands I was listening to — I was listening to them when I bought my first guitar. So being able to have a singer like Barney from NAPALM DEATH on my record was a real accomplishment. It's great to see that it's actually possible for dreams to come true, in a way."

VOLBEAT's latest single, "Time Will Heal", recently became the band's twelfth No. 1 on the Billboard Mainstream chart.

The Danish rock and rollers still hold the record for the most No. 1 singles on the Billboard Mainstream Rock chart by an artist based outside of North America.

The new milestone followed "By A Monster's Hand", which topped the chart for three weeks earlier this year and marked VOLBEAT's eleventh No. 1 single. For those keeping score at home, VOLBEAT set the record back in March 2020 with "Die To Live" (featuring CLUTCH's Neil Fallon),which was their eighth No. 1.

"Time Will Heal" and "By A Monster's Hand" are both taken from VOLBEAT's ninth album, "God Of Angels Trust", which arrived on June 6.

VOLBEAT has risen from the clubs of Denmark to some of the biggest stages in the world, collecting more than 145 gold and platinum certifications along the way. The band has also accumulated 18 Top 10 singles on the Billboard Mainstream Rock Airplay chart, including twelve No. 1s — the most of any band based outside of North America. They have received multiple awards across the globe and received a Grammy nomination for "Best Metal Performance" for "Room 24" (featuring King Diamond). Their ninth album, "God Of Angels Trust", was released on June 6 and features the No. 2 hits "By A Monster's Hand" and "Time Will Heal", along with fan favorites "Demonic Depression" and "In The Barn Of The Goat Giving Birth To Satan's Spawn In A Dying World Of Doom".

VOLBEAT, consisting of Poulsen, drummer Jon Larsen, bassist Kaspar Boye Larsen, and joined by lead guitarist Flemming C. Lund while on tour, has just completed the latest European leg of "The Greatest Of All Tours Worldwide".

In a new interview with Robert Edwards of Talkin' Bout Rock, drummer Rikki Rockett was asked if he is still in communication with his POISON bandmates Bret Michaels (vocals),Bobby Dall (bass) and C.C. DeVille (guitar),more than three years after they last played together. He responded (as transcribed by BLABBERMOUTH.NET): "I  talk to C.C. all the time, at least once or twice a week. And his mom and my mom were really close. And my mom passed away, and his mom's going through a lot right now. And that's kept us close on one level. I talk to Bobby less. Bobby keeps to himself a lot these days, which is okay, if that's how he… Bobby can't help himself but to talk about business, and sometimes he doesn't wanna talk about business, so he just doesn't wanna pick up the phone, you know what I mean? But Bret and I do not talk, unfortunately. And that's a shame — honestly, it is. So we get bits and pieces of stuff."

Rikki, who has spent the last few months playing sporadic shows with his new band THE ROCKETT MAFIA, also talked about the possibility of POISON touring in 2026 to commemorate the 40th anniversary of the band's debut album, 1986's "Look What the Cat Dragged In". He said: "I'll set the record straight as far as POISON touring: at this point in time, there is nothing on the books for a 2026 40th-anniversary tour. And I said it months ago when we got presented a contract from Live Nation to go on tour [next year]. C.C., Bobby and I agreed. We thought it was great. We thought the money was great. We thought the lay of the land looked great. And then Bret looked at it and has not agreed to anything. So literally that is where we're at."

He continued: "I'm not trying to bash Bret. I'm not trying to start any fights… But one thing you have to understand is, for instance, the Bret Michaels [solo] band tours very differently from the way POISON tours. POISON tours the way DEF LEPPARD and MÖTLEY CRÜE and Luke Bryan or whoever [tours], where we basically kiss our families goodbye for three-plus months, or however long it's gonna be, and go out on a tour bus and trucks, and we're playing five nights a week, sometimes six nights a week. And that's not how Bret tours [with his solo band]. He does weekend-warrior stuff, which there's nothing wrong with that at all. Joan Jett does it — I mean, tons of bands do this. THE ROCKETT MAFIA does it. We can't play in Omaha, Nebraska on a Tuesday night and make any money. We'll be upside down. But at the level we've managed to get to [with POISON], and DEF LEPPARD and bands like this, you can play on a Tuesday night and people will come, at the right time. You still have to manage it correctly."

Asked if POISON's long-delayed North American trek with DEF LEPPARD, MÖTLEY CRÜE and JOAN JETT & THE BLACKHEARTS — which was originally planned for 2020 and later moved to 2021 and then to 2022 — was a "good experience" for him, Rikki said: "Oh, it was great. Look, it's so funny, because people go, 'Man…' You would think that in these stadiums, there would be so much room to do everything you want. It's weird, because it's set up for sports. It's not set up for a bunch of trucks and buses and all that stuff. So most of the time our bus would be two miles away in a parking lot somewhere and we'd have to take a golf cart or an Uber or a van or something like that to get to the venue. And then you get to the venue and it's, like, MÖTLEY and DEF LEPPARD got all the nice dressing rooms and we're in the electrician's room or something. [Laughs] So from that standpoint, it wasn't as nice as when we headline. But we were playing these massive places for amazing fans. I mean, it was literally a once-in-a lifetime experience.

"We've played some big shows — we've done Donington, we've done a lot of these… Texas Jam, a lot of these things like that — but to do it kind of on that level, or close to that level, for 40 nights, or whatever it was, that was amazing," Rockett added. "And it keeps you on your toes, man. You can't go out there half cocked. I mean, we don't ever do that anyway — I don't think any of us ever go out there on stage nonchalantly. We're a band that pride ourself in giving it everything we got. Even if everything that we have isn't as good as it was the night before, I'm still gonna give it everything that I have, you know what I mean? And I know the rest of the band's like that. Bret's like that, C.C., Bobby, We never half-ass anything."

This past May, Rikki told SiriusXM's "Trunk Nation With Eddie Trunk" that POISON "got a great offer" for a tour in 2026 to celebrate the 40th anniversary of "Look What The Cat Dragged In". He said at the time: "To be honest with you, it's in Bret's lap right now — honestly. So, we're good to go, and hopefully we can make a deal and do it. I think it would be a shame not to do it, because this is our 40th anniversary — all original members. We're not getting any younger. We can tear it up. We've still got it. Let's do it. That's how I feel about it."

Rockett went on to say that the offer he and his bandmates received was for a "headlining" tour and that most of the POISON members had already agreed to do it. "I'm good to go, [and so are Bobby and C.C.]. It is [up to Bret at this point]. And that's just being truthful… I mean, as far as I know, we're good to go. There just hasn't been anything solid. I haven't signed anything or anything like that. But it's more than a year away, or about a year away, so we have time. But hey, with the economy, who knows? [Laughs] I just wanna get out there while we can."

Last December, Michaels told Ethan Dometrius about POISON's 2026 touring plans: "So here's the deal. I go through '25. We're doing a bunch of these big festivals [with my solo band] … So I'm doing a bunch of those. And then 2026, C.C. and Bobby and Rikki, I'm here because of them, because of us having each other's back in the beginning, through the middle, through right now. And it'll be four years since we've toured, since 'The Stadium Tour', together, and we're just hoping to make this absolutely 40 awesome dates, and just putting every, as we do, putting every ounce of energy on that stage and just bringing an absolute party."

Regarding POISON's mindset when performing live, Bret said: "POISON just goes out there. And I say this, that stadium tour, I was so grateful to be on it. And I just hit that thrust and I couldn't stop… I told 'em, I said, 'I can't stop smiling right now. It's ridiculous.' And we just went out there, and we play real live music. We don't mess around. We just give it, thrills and frills and good times."

In September 2024, Bret told Arizona Republic about POISON's plan to tour in 2026: "Yeah, that would be incredible. We've just got to work out all the moving parts. But all original members. There's so much planning goes behind that. When I'm out as Bret Michaels, it's simpler because I'm making all the end decisions. When you're in a band like POISON, it's a committee. You go in there, and you figure it out together. You make sure everyone's good. And hopefully, we can make that work in '26."

Asked if things were "good" between him and his POISON bandmates during "The Stadium Tour", Bret said: "Absolutely. I want to be very clear. Other than an occasional throwdown fistfight — I'm not making this up — we're like best friends. But there's no gray area. All of a sudden, we'll get in a fistfight. But the next day, we'll go out and play. We'll work it out like a band of brothers. 'The Stadium Tour' was amazing. We were having fun. We didn't get too many soundchecks. We just dealt with what we were given and were grateful to be there. DEF LEPPARD and MÖTLEY, they were amazing. They played great. But we just came out, and we knew we had one hour at 6 o'clock to go out there and give it everything we had. And it was one of the only stadium tours that from Live Nation's lips to everyone's ears, it was 98 to 100% filled when POISON went on."

Earlier in September, Michaels released a statement via social media in which he said that he was planning to "perform limited shows" in 2025 to focus primarily on his health, "starting with my diabetes which needs a tune-up, not to mention a little R&R." He added that 2026 "would be the perfect" time for a POISON 40th-anniversary tour, "with 40 awesome limited dates to go out, play real live hit songs, and rock the world."

Bret's explanation came two days after Rockett revealed on social media that Michaels was no longer interested in touring with POISON in 2025.

On September 10, 2024, the POISON drummer took to his official Facebook page to write: "I keep getting asked multiple times a day, 'Why isn't POISON touring in 2025 now?' Super simple answer, Bret doesn't want to." The following day, Rikki clarified: "People, I never said that Bret is cancelling the 2025 tour. It didn't get booked. I said the reason POISON isn't touring in 2025 is because Bret doesn't want to. Doesn't matter what the reason for him is as far as what I said. I'm simply telling you why so that CC, Bobby or myself doesn't get blamed. It isn't dirt. It isn't a fight. Just the facts, ma'am. Surmise what you want from it. You will anyway!"

In 2018, POISON completed the "Nothin' But A Good Time" tour with CHEAP TRICK and POP EVIL.

POISON's last album of new material was 2002's "Hollyweird". An album of covers, "Poison'd", followed in 2007.

During an appearance on the November 12 episode of SiriusXM's "Trunk Nation With Eddie Trunk", legendary rocker Alice Cooper was asked if he ever envisions himself embarking on a farewell tour, like so many other artists have done in recent years. He responded (as transcribed by BLABBERMOUTH.NET): "Retirement's not even in my vocabulary. There's a group of guys out there that I call lifers, and that's [Paul] McCartney and Ringo [Starr] and Mick [Jagger] and Keith [Richards] and Ronnie [Wood], and Rod Stewart, people that are doing it — not because they need to pay the bills. We could have retired 30 years ago, financially. It's the fact that that's what we do."

Alice continued: "I read an article about Bob Dylan who does 200 shows a year, And they said, 'Well, why are you doing it?' And he goes, 'That's what I do. I write songs and I sing 'em in front of an audience.' And I went, 'It's that simple.' That's what I really enjoy doing. In fact, when COVID was going on, we were just getting antsy as could be, 'cause we're used to touring at least 150 shows a year. And when all of a sudden that rug is pulled out from under you and you're going, 'Wait a minute. It's been 18 months now.' It was a shock to the system. When I finally told the band that, 'Okay, it's a go, and we're gonna start rehearsing,' it was like saying, 'We're going to Disneyland.' It was, like, 'Yeah, yeah. We could do it.' Everybody couldn't wait to get back on stage. And if it's in you, if it's part of you, that's what you have to do. And to me, that's what I do. That's what I'll do till I can't do it anymore."

Asked by host Eddie Trunk if he is finding it more difficult to sing his catalog of music as he gets older, Cooper said: "I have never lost my voice, because I sing in the middle range. I don't sing up there where [AEROSMITH's] Steven [Tyler] does. I don't try to get up to those [notes]. I've got guys in the band that can sing that. So, if I sing in my middle range, which I've always done, and there's a high point in there where I can get up there pretty good, that's not gonna burn your voice out. It's when you get up there and you're doing those really, really high — Steven does that for two and a half hours, since 1970. So something's gonna — after a while, it's gonna go. It's wear and tear. That's all there is to it. And nothing he did [was] wrong; it's just that's the way he sings, and your body does wear down. I've been lucky enough to keep my vocals in the midsection, so I've never really lost my voice — ever.

"It really is one of those things where I always thought if I ever gain 30 pounds or if I don't look like the Alice I wanna see on stage, I won't do it," he explained. "I don't think the audience wants to see a version of Alice Cooper; they wanna see Alice Cooper in full regalia. And if that ever happens, where I can't play Alice the way I wanna play him… 'Cause the crazy thing is Alice is my favorite rock star, and so I designed Alice to be my favorite rock star. And I play him — I get to play the character that I designed. And what he wears, how he sings it, what the songs [are] — he's my favorite rock star. When he becomes not my favorite rock star, then I don't wanna do it anymore. [Laughs] I would be disappointed in him if he kept going and couldn't do it — just to do it. I mean, that's not fair to the fans."

When Trunk noted that Cooper doesn't appear to have had any major physical ailments which could have prevented him maintaining such an intense touring schedule at age 77, Alice said: "I think a lot of it had to do with the fact that I stopped everything 42 years ago — drinking, drugs, the whole thing. And I never smoked cigarettes, which was something that probably is a big bonus. If you're happily married — I've been married 50 years to [my wife] Sheryl. Sheryl is still in the [Alice Cooper] show — since she was 18 years old — and she's as good now as she's ever been. And that has a lot to do with it. When I leave home on a tour, Sheryl's with me; she's in the show.

"I know that people don't get this, but it's the perfect love affair, whereas we never get tired of each other," Cooper explained. "We push each other when it comes to — she'll say, 'Hey, what would be really good if the lighting was uplighting on this,' and dah, dah, dah. So we really know — we have that in common. How good is the show? Can we make it better? And she has a lot of input into the show. But at the same time, I was a long-distance runner. The longer the distance was, the better I was, in Arizona. In fact, at one point I think I had the state record for a 20-mile run or something like that. And that has a lot to do with that. I never get tired up there. I get up there and I do the show and I feel great. I still do two miles a night. [And] I've never had a, a problem with ankles, knees, hips, back, anything. And I think it's because you keep moving. Those parts just keep moving. And in fact, the only time I ever feel like 77 is if I'm sitting and watching TV too long and I get up, and all of a sudden I feel the atrophy. But if you're on tour, you don't have time to get atrophy for anything. You're moving at all times. And it has a lot to do with not weighing a lot. I weigh 155, I think, 150, and so I'm not carrying a lot of weight around. Like I said, stress, I think, it will kill you faster than anything, when you're stressing about everything. I don't stress about anything. I know the show's gonna be great. I know my marriage is great. I know my kids are great. I know my spiritual life is great. So I am so unstressed. Maybe that's why I look forward to doing the tours, look forward to making records."

Alice previously addressed the possibility of retirement in a September 2023 interview with Rock Candy magazine. He said at the time: "A farewell tour hasn't crossed my mind at all. And it's weird, because all my friends are retiring. Gene Simmons [of KISS] said to me recently, 'Look, I'm done. Come December, it's over.' And I go, 'Well, you know, these farewell tours go on for years and years now, right?' But Gene was very serious and said, 'Not this time. I promise you that come December, KISS as we know it is absolutely done.' The guys in AEROSMITH are saying the same thing, as are many other bands from my era. But none of that occurs to me. It's never been a thought that I'd retire. I feel great, and the band sounds great… I'll be up there at 90 if I'm still in good enough shape."

Alice went on to cite THE ROLLING STONES, who are still active and as relevant today as ever they have been, as his inspiration. "I'm looking at Mick Jagger as the prototype," he said. "Mick still does three-hour shows and the soundcheck. So if Mick can do it, so can I."

Cooper pioneered a grandly theatrical brand of hard rock that was designed to shock. Drawing equally from horror movies, vaudeville, and garage rock, the group created a stage show that featured electric chairs, guillotines, fake blood and boa constrictors. Known as the architect of shock-rock, Cooper (in both the original ALICE COOPER band and as a solo artist) has rattled the cages and undermined the authority of generations of guardians of the status quo, continuing to surprise fans and exude danger at every turn, like a great horror movie, even in an era where CNN can present real life shocking images. Few performers in the history of rock and roll have blended music, theater, and pure shock the way Alice Cooper has. For more than five decades, the godfather of shock rock has terrified, thrilled, and captivated audiences around the globe with a stage show unlike anything else in music. From the guillotines and snakes to unforgettable anthems like "School's Out" and "Poison", Alice Cooper turned concerts into experiences that blurred the line between rock and horror.

As part of its ongoing series of definitive reissues, Iodine Recordings will release the 30th-anniversary deluxe edition of QUICKSAND's "Manic Compression" — a landmark of post-hardcore innovation and one of the defining albums of the 1990s — on January 30, 2026. More than just a reissue, this edition restores the record's sound and visual art in full, honoring the band's enduring influence and the intensity that reshaped heavy music's trajectory.

If "Slip" announced QUICKSAND's arrival, then "Manic Compression" proved they weren't just a moment — they were a movement. Released in early 1995 on Island Records, the record built upon the foundation of their debut and expanded it into something sharper, darker, and more dynamic. Its tightly coiled songs fuse hardcore ferocity, metallic heft, and alt-rock melody into a streamlined 12-track assault that perfectly captured the tension of its time.

Opening track "Backward" throws listeners straight into the deep end with slashing guitars and rhythmic precision that set the tone for the album's relentless pacing. Lead single "Thorn In My Side" finds QUICKSAND at their most immediate — raw urgency refined into anthemic form, earning heavy rotation on MTV's "120 Minutes" and carving the band's place in the wider alt-rock landscape of the mid-'90s. Tracks like "Landmine Spring" and "Delusional" balance jagged riffs with space and atmosphere, proving QUICKSAND's ability to stretch hardcore into entirely new terrain.

Upon release, "Manic Compression" peaked at No. 135 on the Billboard 200 and earned the band an invitation to the first-ever Warped Tour — milestones that carried their sound far beyond the hardcore underground and into the broader alternative rock conversation.

"Manic Compression" remains a testament to QUICKSAND's evolution — more concise than "Slip" but no less visionary. Standing tall alongside the landmark records of its era, its DNA is unmistakably rooted in the New York Hardcore scene that forged its members. The record endures as one of the most influential documents of 1990s post-hardcore, leaving its mark on bands such as DEFTONES, CAVE IN, THRICE, and countless others.

Recorded by Walter Schreifels (GORILLA BISCUITS, YOUTH OF TODAY),Tom Capone (BEYOND, BOLD),Sergio Vega (DEFTONES, MOONDOG) and Alan Cage (BEYOND, SEAWEED),"Manic Compression" was produced by Wharton Tiers (SONIC YOUTH, HELMET) and Don Fury (SICK OF IT ALL, AGNOSTIC FRONT) — figures whose fingerprints ground the record in both New York's underground grit and its rising alternative ascent.

Out of print for years, the 30th-anniversary edition has been remastered for vinyl from the 1995 master tapes by Jack Shirley (DEAFHEAVEN, JOYCE MANOR) at The Atomic Garden. The deluxe gatefold jacket features expanded artwork, meticulously reconstructed from Melinda Beck's archival sketches, and is available in several limited vinyl variants.

In celebration of this milestone, Iodine Recordings also presents a limited-edition 64-page hardcover book chronicling the release and legacy of this influential album. The book includes a foreword by Walter Schreifels, never-before-seen photographs, original art, rare concert posters, and more from 1994–1995. It also features written tributes from members of KNOCKED LOOSE, COHEED AND CAMBRIA, NEW FOUND GLORY, BANE, ORANGE 9MM, LIMP BIZKIT, DRUG CHURCH, TOUCHÉ AMORÉ, P.O.D., FIDDLEHEAD, GLASSJAW, H2O, AT THE DRIVE-IN, and others. Complete with a case-wrapped, soft-touch cover, this definitive companion piece is an essential addition to any fan's collection.

"Manic Compression" is both a time capsule and a timeless benchmark — restored in full and re-presented for a new generation of listeners.

"Manic Compression" track listing:

01. Backward
02. Delusional
03. Divorce
04. Simpleton
05. Skinny (It's Overflowing)
06. Thorn in My Side
07. Landmine Spring
08. Blister
09. Brown Gargantuan
10. East 3rd St.
11. Supergenius
12. It Would Be Cooler If You Did

Press photo courtesy of Atom Splitter PR

P.O.D. frontman Sonny Sandoval has launched a new solo project called SONNY DREAD. The project's self-titled debut LP, for which a release date has not yet been announced, is described in a press release as "a classic reggae album rooted in heavy bass, timeless riddim, and island-driven grooves. The project features powerful collaborations with Q-Unique, Ray Riley, Dondi, Arise Roots, Marcos Curiel, Louie Castle, and Gil, Migs And Rog."

Two SONNY DREAD songs are out now, "Sleeping Lion" and "Talk To GOD", and can be streamed below.

"After over a decade of wanting to release a solo project - SONNY DREAD is here," Sonny wrote on Instagram. "'Sleeping Lion' and 'Talk To GOD' w/ @mr_q_unique is now available. Full SONNY DREAD album is coming!! Hope you dig it. Please tag & share with everyone!"

Sandoval previously discussed the SONNY DREAD project in an April 2024 interview with Anne Erickson of Audio Ink Radio. He stated at the time: "I had started a whole reggae album by myself when I was home [during the pandemic], because you couldn't go anywhere. So I just did it at home and teamed up with a lot of different producers just online. I would just see their stuff, and I'd be, like, 'Hey, send me some tracks.' I was able to do everything. So I had planned to release that, actually, two years ago now, but then because our label and everybody was, like, 'We really, really need a P.O.D. record,' all that stuff got put on the back burner."

Sonny continued: "I've always been a reggae fan. I love reggae music. I think the scene is probably bigger now than ever. There's tours all around the world now for reggae music. And so I think once we're finished with [the touring cycle for] this [new P.O.D.] record and it starts to wind down, I'm definitely…. I mean, I am gonna release either an EP or a full record. And then I would just love to play shows just locally and maybe jump on tour with some reggae bands just because I just love doing it."

He added: "I'm pretty much just sitting on it. And so now it's, like, I just want people to hear that."

P.O.D.'s most recent album, "Veritas", came out last year. The band's cover of THE BEATLES classic "Don't Let Me Down" was made available in September.

"Veritas" was written over the course of several years, with the band typically writing a tune or two at a time with the Los Angeles-based production duo called the Heavy (Jason Bell and Jordan Miller).

Sandoval's memoir, "Son Of Southtown: My Life Between Two Worlds", was released in February.

Sandoval is the founder and president of the Youth Of The Nation Foundation, which reaches out to children from underprivileged neighborhoods and gives them the opportunity to find their self-worth and value.

Sonny is married to his high school sweetheart, Shannon, and they have three children.

In a new interview with Axe Lords, Lita Ford spoke about her "reinvention" after her departure from her former band, iconic 1970s rockers THE RUNAWAYS. She said (as transcribed by BLABBERMOUTH.NET): " It was a total reinvention. I mean, coming out of THE RUNAWAYS, THE RUNAWAYS were all girls, teenage girls. We were just finding ourselves in THE RUNAWAYS days. We just were following our legends. Cherie [Currie] thought she was David Bowie, and Joan [Jett] thought she was Suzi Quatro, and I loved Ritchie Blackmore. Of course, I didn't look anything like him. But when THE RUNAWAYS broke up, I really had to become a solo artist. And then I thought, 'Well, I can't continue doing the same thing as what I did in RUNAWAYS days,' because THE RUNAWAYS, to me, were really like going through college to learn how to be the real deal. When you're in college, you look and dress and act, and you're learning stuff and you're learning a lot of things about yourself and who are you and what do you look like and what do you wanna be, what do you wanna be for the rest of your life? And so I thought, 'I need to figure out who is Lita Ford. Who is she? What does she look like? What does she wear? What kind of guitars does she play?' And we're searching for Lita kind of experience — the hair, the clothes, those guitars. And B.C. Rich [guitars] came into my life at that point. And that was it. I was sold."

This past June, Lita spoke to Ray "Boom Boom" Mancini of The Boom Boom Room about the infamous 2010 biopic on THE RUNAWAYS, which stars Kristen Stewart as Joan Jett, Dakota Fanning as Cherie Currie and Scout Taylor Compton as Lita. She said: "I felt that THE RUNAWAYS movie was all about Joan, and the stories that they told about Joan were just not accurate. They really made her to look larger than life. And I just didn't agree with any of it.

"I love Scout Taylor Compton," Lita clarified. "I thought she did a fantastic job playing Lita and that she's a really great person and great actress. And I love that they picked Scout for that role. And Scout had reached out to me multiple times, 'Lita, help me with this' and 'help me with that'. And then, of course, they had Kristen Stewart playing Joan Jett. And Kristen Stewart is not one of my favorite people, and neither is Joan Jett.

"The movie is just kind of, for me in my book, I glanced over it when it first came out and just thought, 'Okay, I've seen it. I'm done. I don't ever wanna see it again,'" Lita added.

"Yeah, I would've done it different. But maybe I will one day."

Before "The Runaways" was released 15 years ago, Scout praised Lita, saying: "Lita Ford is an icon of rock and has always been a personal hero of mine. I can't wait for her to see the film. I put my heart and soul into portraying her and to find out she is such an amazing person was truly a blessing for me. It's something I'll never forget."

The first true girl band of the 1970s, THE RUNAWAYS toured internationally and made a dent in the charts before calling it quits at the end of that decade.

In November 2018, Ford told the Daily Mail that a reunion of THE RUNAWAYS will probably never happen. She explained: "Joan Jett is very much in 'Joan Jett land,' I guess you could say. Will she ever come out of Joan Jett land? I don't think so. I think her manager controls that and it's really up to him and her. It seems to me like Joan Jett's manager just runs her life in every way, shape, or form. He's very controlling and he has a real problem with me. He has a real issue with me. He sees me as a threat, which is ridiculous, because she's like my sister and I love Joan. It's ridiculous, it's uncalled for, and it's caused a little bit of rivalry between her and I, which is totally uncalled for. It's his fault."

Ford claimed that Jett's manager has prevented her from even talking about a RUNAWAYS reunion with Jett.

"The hard part is just trying to communicate with Joan without her manager involved," she added.

"We had dinner a couple of years ago, what was supposed to be a girl's night out, and she brought her manager with her.

"So it's like, "Dude, answer the question. I'm trying to ask you a question. Are you interested in putting THE RUNAWAYS back together?' She never answered the question."

Ex-THE RUNAWAYS singer Cherie Currie told the "White Line Fever" podcast in 2016 that RUNAWAYS came close to reuniting three decades ago. "Lita had reached out to us to convince us, me and Joan, to do a RUNAWAYS reunion. And we did, with Kenny Laguna basically at the helm, he secured a tour and Lita, she just basically doesn't get along with Kenny and she just walked away from that."

In a 2015 interview with the WHMH (Rockin' 101) radio station, Lita explained that she decided against a possible RUNAWAYS reunion in the early 1990s because "NIRVANA was just kicking in, and it was really bad timing; it wouldn't have worked. People would have just turned their nose up at it."

In a new interview with Poland's Brudne Brzmienie (The Dirty Sound),URIAH HEEP lead singer Bernie Shaw weighed in on a debate about people using an A.I. (artificial intelligence) music generator as a tool to create melodies, harmonies and rhymes based on artificial intelligence (A.I.) algorithms and machine learning (M.L.) models. Bernie said (as transcribed by BLABBERMOUTH.NET): "It absolutely scares the pants off me. I don't do much, I've not messed around with A.I. or the app much, but a friend of mine, very good friend of mine, he has this on his phone and he did. He said, 'Write a song in the style of URIAH HEEP,' and in less than three seconds, his phone starts playing this song. It had all the little increments that URIAH HEEP had, it had in this manufactured song. It didn't have vocal, but the music, it had Hammond organ, it had wah-wah guitar, it had dynamics, and it sounded not 100 percent, but damn close to what something [URIAH HEEP guitarist] Mick [Box] and [keyboardist] Phil [Lanzon] would write. And that does scare me, because, first of all, the writers of the original idea of a song, they get their money from the publishing of this music. Well, who writes it if it's A.I.? So you get an album of music that it's all done by computer and A.I. — who gets paid? Because it's coming out of nowhere."

Bernie continued: "But you can't beat the emotion from a song written and recorded by real human beings. That's why I don't listen to any of this modern stuff that comes out of the computers. Even — oh boy — every pop band in the '90s had computers somewhere. I remember the band DEPECHE MODE. Now, they're a good band — they're very successful — but I remember they had to cancel a concert in London because someone stole the backing tapes. And the keyboard player, they'll play one note, because everything's on sample. And even some bands — I mean, I even heard that KISS, their drum sound, he's hitting the drum, but it's not that drum. It's all a sample of another drum. It could be a [John] Bonham snare drum sound that they're using or whoever. It's not his drum that you're hearing.

Shaw added: "That's what happened with all this computer stuff and everything that was going on with [Napster at the turn of the century]. And with the death of sales of recorded music, 'cause you don't get much in royalties anymore, everybody's gotta go out and play live. That's where the money is, is on live concerts and on merchandise, selling t-shirts. Now, if you're a studio band that are used to just using computers and samples and everything, you can't replicate that live, really. It'd just be just a bunch of machines on stage. So everybody was out on tour, but playing live, you see the difference between the real musicians and the studio guys, and never the twain shall meet."

The Canadian-born Bernie relocated to the U.K. in the late 1970s and went on to record with such bands as GRAND PRIX, PRAYING MANTIS and STRATUS before joining URIAH HEEP at the end of 1986. The 69-year-old musician has appeared on the band's nine studio albums since 1989, as well as numerous live albums.

In September 2024, URIAH HEEP announced that the band would embark on a lengthy farewell tour in 2025. The trek, which is expected to run for approximately two or three years, will include performances in all parts of the globe.

URIAH HEEP's 25th studio album, "Chaos & Colour", was released in January 2023 via Silver Lining Music. The LP was recorded during the summer of 2021 at Chapel Studios in London with Jay Ruston (ANTHRAX, COREY TAYLOR, BLACK STAR RIDERS) at the helm.

Metal pioneers Master, one of death metal’s founding bands, have announced the release of Spirit Of The West on vinyl, which will be out on January 23 via Hammerheart Records. Pre-orders are now available here.

The Spirit Of The West blends death metal, thrash metal, punky moments, and even a country song into one diverse offering. Rather than dissecting every track, here are a few highlights to give you a sense of the album’s range. The album kicks off with the thrashy “You’ll Be Blamed”, which recalls the earlier Collection Of Souls album with strong Abomination tendencies. Similarly, “Sign Up” delivers old-school thrash metal complete with those signature harsh Speckmann vocals. “The Serpents Tongue” is a straightforward, uptempo death metal tune, as is “Whatever, Wherever, Forever”. Meanwhile, “The Perfect Family” comes closest to the d-beat Master sound fans came to love on their first two albums. A pleasant surprise arrives with “Pistols, Whips and Coyotes”, which channels Macabre’s riffing style, albeit with slightly simpler drumming. Had Dennis the Menace played on this track, it could easily pass for a Macabre song. The album’s punky attitude shines brightest on “Rights Of Life” and “Envy” both of which evoke 1987–1991 era Sodom. The most notable track is the punk-driven “Another Day In Phoenix”, which features clean vocals and stands as one of the album’s undeniable highlights. Finally, the closing cover of Johnny Cash’s “Ring Of Fire” trumpets and all, caps off the record in unexpected fashion.

Spirit Of The West is one of Master’s most diverse and surprising albums to date.

In the genre of heavy music, heavy metal demands your attention with its raw power and pure adrenaline. Through the years, this now classic formula of loud sounds often played in minor keys for that eerie effect has morphed into several sub-genres. This form of extreme metal was super-charged and turned into what is now death metal. Make no mistake; Master were the leaders, right from the beginning and continue to be at the top of their game. Master is death metal personified.

There are just a handful of innovators that have proven to have the sheer determination and drive to create the monumental sound of a band armed with their weapons of Master’s destruction. Paul Speckmann has been there since the very beginning of death metal. A voice of the people and sending his messages loud and clear with constant touring and bringing his music to the world.

Among this group of audio assassins, Paul is gearing up for the next target of annihilation; A steady requirement of endless touring, recording, and writing his view of life as seen through his eyes. Paul creates songs that are topical for an audience he admires and respects. Paul and Master continue to terrorize, obliterate, and demonstrate the need to sanctify and satisfy the audience as this entity continues to grow.



Tracklisting:

“You’ll Be Blamed”
“The Serpents Tongue”
“Rights Of Life”
“Envy”
“Sign Up”
“Another Day In Phoenix”
“Whatever, Wherever, Forever”
“The Gold Mine”
“The Perfect Family”
“Pistols, Whiskey And Coyotes (The Spirit Of The West)”
“Long Knives”
“Ring Of Fire”

Primary Wave Music, the leading independent publisher of iconic and legendary music in the world, has announced a partnership with the estate of the legendary Phil Lynott, co-founder and songwriter for the critically acclaimed rock band THIN LIZZY. The partnership will see the dynamic music company work alongside the estate on Lynott's interest in his music publishing catalog, as well as his recordings. Primary Wave will provide marketing support across Lynott's iconic catalog which includes all songs written by him over the course of his two-decade long career, in addition to the acclaimed vocalist's recording interests which includes his work with THIN LIZZY, in addition to his solo work and collaborations with other artists. The estate will also now have access to Primary Wave's licensing/sync, content, and branding teams.

Referred to as "a mesmerizing frontman and uncommonly gifted singer and songwriter" by Variety, Lynott penned some of the most iconic and lauded songs in rock music including "The Boys Are Back In Town", "Dancing In The Moonlight", "Whiskey In The Jar" and others. Released in 1972, Lynott's cover of "Whiskey In The Jar" was the initial song that gained the band notoriety. While the group initially didn't want to record the song, they ultimately did under the advice of management. That decision proved successful because it became a breakthrough hit. "Dancing In The Moonlight" was released five years later, appearing on the band's "Bad Reputation" album. Upon release, the song climbed the charts reaching the top 20 on the U.K. singles chart. The single would go on to be covered by several bands, including SMASHING PUMPKINS, who covered the song over the years while touring.

"The Boys Are Back In Town" is probably the band's most well-known song. It was the first single off the band's "Jailbreak" album and was released in 1976. Pitchfork declared the track "a perfect rock n' roll song", while Rolling Stone considers it to be the band's best song, including it on their list of "500 Greatest Songs Of All Time". The song soared to the Top 20 on the Billboard Hot 100 chart, reached number one in Ireland, and went Top 10 in both Canada and the U.K. In 1976, "The Boys Are Back In Town" received the NME Award for "Best Single" from the U.K.'s New Musical Express.

Of the partnership, Lynott's estate said, "We are absolutely thrilled to be partnering Primary Wave and very much look forward to working together continuing the legacy of Philip Lynott."

Primary Wave's Robin Godfrey Cass added: "This partnership personally resonates with me as I am a huge fan, dating back to the early '70s. Phil was an unbelievable musician, songwriter, and poet. I am delighted and honored that the estate has entrusted Primary Wave Music to continue his legacy."

Philip Parris Lynott was born on August 20, 1949 in West Bromwich, near Birmingham. The son of Philomena Lynott, a white Irish Catholic, and Cecil Parris from Brazil, Phil was initially brought up in Moss Side, Manchester and moved to Ireland whilst still at school. He lived in Crumlin, Dublin with his grandparents. His teenage years saw him join his first band THE BLACK EAGLES as the lead vocalist. The drummer of the band was Phil's old school friend Brian Downey. Moving on, Phil then joined Brush Sheils's group SKID ROW during which time he also began learning to play the bass. In 1968, "Belfast kid" Gary Moore replaced the guitarist and a year later saw their first independently released single "New Faces, Old Places". When Brush Sheils decided to reform the band as a three-piece, Phil left to start his own group ORPHANAGE with Brian Downey on drums, Pat Quigley on bass and guitarist Joe Staunton. They were now also performing original material, and as Brian Downey said: "Quite a few of the melodies that ended up on the first LIZZY album were being thrown around in ORPHANAGE." By the end of 1969 they were approached by experienced musician Eric Bell who suggested forming a new band with Phil and Brian, and together with Eric Wrixon on keyboards, the first configuration of THIN LIZZY was created. What followed has been well documented with THIN LIZZY finding international success through a series of hit singles, albums, tours and varied lineups through the years. Phil remained the leading creative force behind the group and his mixture of poetry and rock proved to be as distinctive and original as the twin-guitar sound they pioneered to deliver their work. In 1979 he recorded a Christmas single, "A Merry Jingle", under the name THE GREEDIES (shortened from THE GREEDY BASTARDS). This featured other LIZZY members, along with Steve Jones and Paul Cook from the SEX PISTOLS. The early 1980s saw Phil produce two widely acclaimed solo albums, "Solo In Soho" and "The Philip Lynott Album", and when the band eventually broke up in 1983, Phil started up GRAND SLAM with Laurence Archer on guitars, Robbie Brennan on drums, Doish Nagle on rhythm guitar and Mark Stanway on keyboards. Debuting in London in June 1984, the band was well-received and continued to gig throughout that year ending with a show at the Marquee in London on December 4. Phil also worked with Gary Moore on Moore's tracks "Parisienne Walkways", which went to Number 8 in 1979, and "Out In The Fields", which reached Number 5 on release in May 1985. Although he had begun work on a new album, Phil finally succumbed to the excesses of his lifestyle and died on January 4, 1986. He left behind a legacy of work that continues to inspire and captivate audiences old and new, and carved out his well-deserved place among the greats of 20th century musicians.

THE DEAD DAISIES have announced the release of a powerful new live album and ambitious plans for the years ahead.

Following a highly successful run of U.K. dates earlier this year, the band's electrifying closing performance at the Stonedead festival on August 23, 2025 is now immortalized. Today, November 14, 2025, the raw, high-voltage energy of that night is unleashed with the digital release of "Live At Stonedead". The album captures THE DEAD DAISIES in full flight, with frontman John Corabi commanding the stage, Doug Aldrich tearing into his guitar solos, David Lowy's driving riffs, Michael Devin with his thunderous bass and Tommy Clufetos pounding those skins along with the kind of crowd energy only Stonedead can deliver.

"We were pumped to wrap up a great U.K. tour at the Stonedead festival in Newark," Aldrich said. "It turned out to be such a great show we decided to release it for you guys. The audience was fired up and it was an awesome night of rock! Hope you enjoy this and see ya again as soon as possible."

Fans can experience the performance now with the live video for "Long Way To Go - Live At Stonedead", available for viewing below.

THE DEAD DAISIES aren't slowing down. Their immediate focus for 2026 will be returning to the studio to begin writing and recording their next album, expected to deliver another round of the band's signature hard-hitting rock. Then, in 2027, the group will hit the road for an extensive tour across Europe and the United States, bringing new music and fan favorites to stages worldwide. Further details, including confirmed tour dates and venues, will be announced in the coming months.

THE DEAD DAISIES are an Australian-American supergroup, founded by rhythm guitarist and businessman David Lowy, which boasts a powerhouse rotating lineup of rock stars.

For over a decade, THE DEAD DAISIES have been captivating audiences with their no-holds-barred rock sound, channeling the grit and soul of classic '70s rock into modern anthems. With seven studio albums, a live album, a covers album, and a best-of collection under their belt, the band has shared stages with rock royalty including KISS, GUNS N' ROSES, SCORPIONS, AEROSMITH, DEF LEPPARD and many more.

THE DEAD DAISIES' latest collection of original material, "Light 'Em Up", came out in September 2024 via Germany's SPV and Japan's Ward Records. The LP was helmed by Marti Frederiksen, who has previously collaborated with AEROSMITH, DEF LEPPARD, Jonny Lang and Sheryl Crow, among many others.

THE DEAD DAISIES were touring earlier this year in support of their first full-fledged blues album, "Lookin' For Trouble", out now via Fame / Malaco Records. Tracked live at FAME Studios, the album's singles — "Boom Boom", a take on the John Lee Hooker classic, and "Crossroads", a tribute to Robert Johnson — have earned praise for their energy and authenticity.

Legendary guitarist Steve Vai is the featured guest on the latest episode of "Metal Sticks", the podcast hosted by Nicko McBrain, the iconic drummer of IRON MAIDEN for 42 years, recently retired from touring, and Modern Drummer CEO David Frangioni. In this episode, Vai shares rare insights into his groundbreaking career, collaborations, deep connection with drummers, and what continues to drive his artistic evolution.

Asked about his early connection to the heavy metal genre, Vai said (as transcribed by BLABBERMOUTH.NET): "Yeah, it's an odd kind of a thing, 'cause when I was very young, I wanted to be a composer. I wanted to understand how to write. And I learned that; I learned that very young. But then when I was, like, 12 and I was being influenced by the music coming into the house, so my sister was getting [into] ALICE COOPER and KISS and LED ZEPPELIN and DEEP PURPLE and QUEEN. So that energy that's in metal, it was paramount; I was drawn to it. And on the other hand, I had all this quirky kind of musical sensibilities and oddballness, and my brain mixed it together. But it was definitely the energy and the intensity of heavy metal that had no real substitute. Other things that I really like are beautiful melody — I love playing long, beautiful melodies, songs on the guitar. But, yeah, I was a BLACK SABBATH head as a teenager, and I was always drawn tothe metal that was available at the time. And of course, [IRON MAIDEN] and all was for me more in the '80s. And once I got into the '80s, the whole scene changed. The '80s metal, there was two types — there was the English, British type [with] a lot of integrity to the metal, whereas a lot of the American pop '80s metal bands were more colorful, sort of more circus-like."

Referencing the fact that he joined David Lee Roth's post-VAN HALEN band four decades ago as lead guitarist, Steve continued: "Our shows were just complete over-the-top rock indulgence. So we'd have almost [a] glam-ish [vibe]; there was that kind of thing. And Roth kind of navigated more to almost a glammy kind of a circus kind of a show. And it was great, because you get to wear all these crazy clothes. You get a stage the size of a football field and you're running as fast as you can and you do crazy things. But we played our asses off. That was one of the things that [then-Roth bassist] Billy [Sheehan] and I and [then-Roth drummer] Gregg [Bissonette] — we were interested in shredding. At the time, shredding was becoming popular, and I was one of those guys that just practiced a lot. I loved playing slow, but I loved shredding. And Billy and I would just put together these wild kinds of duets with all this kinds of shredding, all in spandex pants."

Vai is a virtuoso guitarist, composer, and producer, considered by many as one of the greatest guitarists of all time. In over 40 years in the industry, Vai has sold over 15 million records, received three Grammy Awards, and recorded with music legends like Frank Zappa, David Lee Roth, WHITESNAKE and many more. Vai has also toured extensively and recorded live projects with "G3" (collaborating with different touring lineups, including Joe Satriani, John Petrucci, Eric Johnson, Yngwie Malmsteen and Steve Lukather) and "Generation Axe", a supergroup Vai formed with Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt and Tosin Abasi. Vai is the author of "Vaideology: Basic Music Theory For Guitar Players" (Hal Leonard),his inaugural music theory book designed to help both beginners and veteran guitar players. He toured North America in support of his most recent studio album "Inviolate" before embarking on the BEAT tour playing the music of 1980s KING CRIMSON.

Sharon Osbourne says that BLACK SABBATH's farewell concert raised $11 million — a far cry from the "ridiculous" initial reports that the event brought in nearly $200 million.

In the days after the July 5 event, dubbed "Back To The Beginning", the event's musical director, Tom Morello, shared an Instagram post stating that roughly $190 million (140 million British pounds) would be donated to charity from the concert. Billboard magazine later also reported that the event had raised $190 million, while The Guardian reported that the pay-per-view livestream of the event reached nearly six million fans, generating an estimated $150 million in revenue. At the time, it was expected that the funds would be distributed equally to Birmingham Children's Hospital, Acorn Children's Hospice and Cure Parkinson's — an organization dedicated to finding a cure for the disease Osbourne had lived with since 2019.

Sharon offered insight into the actual amount raised by "Back To The Beginning" while speaking to her children Jack and Kelly during the latest episode of "The Osbournes" podcast. Addressing the erroneous initial reports of the net amount of money generated by the concert, Sharon said: "If one show could have raised… I mean, [the articles were saying] it was up to, like 190 million. It's, like, any artist, just do one big show, film it and you can retire just on one show. No, it was nowhere near, and I wish that it was, but we are living in reality, in the real world."

Asked by Jack what "Back To The Beginning" actually raised, Sharon said: "It raised 11 [million]. But with the cost, 'cause we paid the cost of bringing everybody in, everybody out, accommodation, everything. [And] no one got paid. Nobody asked for a penny. They gave their time, their efforts, everything for free. People were just — oh God — so generous."

Sharon previously shot down the $190 million figure this past July while speaking to music industry trade publication Pollstar just five days before Ozzy's death.

"One of the things that's frightening me is all this false press about [how], we've made $140 million and all of this, and I'm like, God, I wish we could have, for one gig," Sharon said at the time. "It's just ridiculous, the different stories. I went on the internet the next morning and it was like, $140 million, $160 million. And I'm like, Where does this stuff come from?"

"It takes a really long time [to arrive at the final number that will be donated to charity], because we've had all of the bands that we had come in and their expenses, and it'll take a good six weeks to get the final number," she continued.

When Pollstar writer Ray Waddell noted that "these reports are not helpful for the Children's Hospital to see, waiting for their $190 million", Sharon responded: "Oh my God! It's the Children's Hospital, a children's hospice, and Parkinson's research. Everybody thinks that they're going to cure everything with this much money, but it's not the real world."

Sharon went on to say that the concert, which also featured a solo performance from Ozzy, as well as appearances by METALLICA, SLAYER, PANTERA, GUNS N' ROSES and TOOL, among many others, was "a huge success." She said: "It was a phenomenal event. It was the first time, I think, that anybody's gone into retirement and done it, where the show is streamed and it goes to charity. So it's the first time anybody has said goodnight like that, it's the perfect way, when you've had such a long career, to end it. I never wanted Ozzy to just disappear without some big event."

Billboard reported in July that the concert was watched by 40,000 ticketholders and 5.8 million individuals online, with each of the above-mentioned charities also raising tens of thousands of pounds in additional donations by raffling off tickets to the show, auctioning off iconic art and band photographs donated by BLACK SABBATH, and through individual contributions from fans as they streamed into the concert, which took place at Villa Park in Birmingham, England.

At "Back To The Beginning", Ozzy played a five-song set with his solo band — consisting of guitarist Zakk Wylde, bassist Mike Inez, keyboardist Adam Wakeman and drummer Tommy Clufetos — before being joined by fellow original BLACK SABBATH members Tony Iommi (guitar),Geezer Butler (bass) and Bill Ward (drums) for four classic SABBATH songs: "War Pigs", "Iron Man", "N.I.B." and "Paranoid".

Ozzy's solo set consisted of four songs from Osbourne's 1980 solo debut album "Blizzard Of Ozz" — "I Don't Know", "Mr. Crowley", "Suicide Solution" and "Crazy Train" — along with his 1991 "No More Tears" ballad "Mama, I'm Coming Home".

The 76-year-old heavy metal singer sang while seated on a black throne and appeared overcome with emotion at times. "You have no idea how I feel. Thank you from the bottom of my heart," he told the crowd.

At the end of SABBATH's set, Ozzy said: "It's the last song ever. Your support has enabled us to live an amazing lifestyle, thank you from the bottom of our hearts." Osbourne was then presented with a cake, while fireworks lit up the stadium from overhead.

A message on screen then read, "Thank you for everything, you guys are fucking amazing. Birmingham Forever," before the sky lit up with fireworks.

Ozzy died on July 22 of a heart attack, his death certificate revealed. The certificate also reportedly said the musician suffered from coronary artery disease and Parkinson's disease.

Photo credit: Ross Halfin (courtesy of Premier)

Joel Hoekstra (WHITESNAKE, TRANS-SIBERIAN ORCHESTRA, REVOLUTION SAINTS) will release the fourth album of his solo project JOEL HOEKSTRA'S 13, "From The Fade", on February 27, 2026 via Frontiers Music Srl.

Once again, guitarist and composer Hoekstra is joined by an elite cast of rock veterans: powerhouse drummer Vinny Appice (BLACK SABBATH, DIO),legendary bassist Tony Franklin (THE FIRM, BLUE MURDER),virtuoso keyboardist Derek Sherinian (DREAM THEATER, SONS OF APOLLO) and rising vocal sensation Girish Pradhan (GIRISH AND THE CHRONICLES, THE NAIL).

"From The Fade" delivers a blend of classic hard rock and modern melodic metal, characterized by tight arrangements, technical precision, and emotionally charged performances. Each track reflects Hoekstra's signature songwriting — rooted in tradition but pushing the genre forward with a fresh and contemporary sound.

To give the audience a taste of what to expect from the record, Joel and company share the first single and official visualizer, "The Fall". Check it out below.

Hoekstra said: "'The Fall' is built on riffs and melodies that stem from two early influences that I often fail to mention in QUEENSRŸCHE and DOKKEN. It's a straight-ahead melodic, hard rock track with a powerful foundation laid out by Vinny Appice and Tony Franklin, a killer keyboard solo from Derek Sherinian, a stunning vocal performance from Girish Pradhan, and Jeff Scott Soto's tastefully executed backing vocals! Hope ya like it!"

Joel added: "The songs were built from the guitar riffs up. Most of the riffs were written during the time I was filling in with ACCEPT, so there is a heavier edge to this album overall. That being said, the album still would be more accurately described as melodic hard rock, not straight-up metal.

"As always with the JOEL HOEKSTRA'S 13 albums, I wrote the style of music that inspired me to pick up the guitar and tried to focus on SONGS for you to enjoy, not overly self-indulgent guitar solos", he continued. "HUGE thanks to Vinny Appice, Tony Franklin, Derek Sherinian, Girish Pradhan and Jeff Scott Soto for bringing the songs to life! I hope you all enjoy 'From The Fade' as much as I enjoyed making it!"

"From The Fade" track listing:

01. You Can Give
02. The Fall
03. Lifeline
04. Will You Remember Me
05. Misunderstood
06. Start to Fight
07. All I'd Do
08. Free To Be
09. The End Of Me
10. Quite The Ride

New York-based Hoekstra currently plays for WHITESNAKE and TRANS-SIBERIAN ORCHESTRA. Joel is also well-known for his work with Cher, NIGHT RANGER, the Broadway show "Rock Of Ages", his fill-in work with FOREIGNER, ACCEPT, his annual sets on the Monsters Of Rock cruise, recording projects like REVOLUTION SAINTS, ICONIC, viral collaboration videos with the likes of Dino Jelusick, Arnel Pineda, Mike Portnoy, Billy Sheehan and his acoustic shows with Brandon Gibbs.

Exhibiting a knack for music education, he has also been a frequent columnist for Guitar World magazine, taught at Musician's Institute, Rockstars Of Tomorrow, Guitar Workshop Plus, and has often been a counselor at Rock 'N' Roll Fantasy Camp.

Over the years, Joel has released three instrumental solo albums and three critically acclaimed albums with JOEL HOEKSTRA's 13. Most recently, he was the guest guitarist on "Dancing With The Stars" ("hair metal" episode) and played with Cher at her Rock And Roll Hall Of Fame induction and the "SNL 50" homecoming concert.

"From The Fade" recording lineup:

Joel Hoekstra - guitars
Girish Pradhan - lead vocals
Vinny Appice - drums
Tony Franklin - bass
Derek Sherinian - keyboards
Jeff Scott Soto - backing vocals

Photo credit: Mike Polito