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2 àïð 2025
HEART – Mobile Fidelity To Release 50th Anniversary Edition Of Dreamboat Annie On Numbered, Limited Edition 180g 45rpm 2LP
 Mobile Fidelity is set to release Heart’s Dreamboat Annie album on numbered, limited edition 45rpm 180g 2LP vinyl. The official release date is yet to be announced, but you can pre-order the release at Elusive Disc.
Heart’s breakthrough debut, Dreamboat Annie, has often been framed in the context of a female-led band successfully matching the moves of its male counterparts during an era when women weren’t associated with rocking out — particularly on a mainstream level. While that take is true — Ann and Nancy Wilson practically stood alone amid a commercial age dominated by testosterone — it undersells the appeal, scope, and craftsmanship of an album that deserves to be revered strictly because of its merit, not because of the gender of the group’s principal members.
Mastered at MoFi’s California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g 45RPM LP puts the record’s artistic significance in proper perspective. Presented in definitive sound, it invites you to hear with stellar clarity the diverse architecture, passionate playing, and fervent emotions that help make Dreamboat Annie an all-time classic. This 50th anniversary edition also marks the first time Heart’s opening salvo has been available in audiophile quality on vinyl in more than four decades.
Drop the needle and experience the textures of the guitars, full range of Ann Wilson’s voice, spacious backdrops of the arrangements, and rhythmic momentum — crucial components of Heart’s songs — free of veiled tones and artificial ceilings. Ample separation between instruments and black backgrounds bring the music into detailed focus, whether it’s the full decay of percussive accents, layered stacking of group harmonies, or depth of the bass lines. Helmed by Mike Flicker, Dreamboat Annie features advanced production that belies that of most independent releases of the time. The dynamics alone on this pressing confirm that fact.
Although the passage of time, as well as Heart’s Hall of Fame career, have nearly caused the historical tidbit to fade into obscurity, Dreamboat Annie was originally issued by the tiny label Mushroom Records after major imprints inexplicably took a flyer on the album. Released in Canada in September ’75, it hit shelves in the States in February of the following year. By the fall of 1976, Heart had a platinum LP and three hit singles. As well as an upcoming battle with Mushroom Records that, while another story entirely, further underlined the Wilson sisters’ toughness and determination.
Those traits resonate throughout Dreamboat Annie, which kicks off with the spellbinding “Magic Man.” Released in advance of the LP as the quartet’s second single, the Wilson sisters’ anthem partially doubles as an autobiographical tale based on Ann Wilson’s then-relationship with band manager Michael Fisher. His brother, Roger, turns in memorable lead-guitar passages that connect with the song’s funk-laden structures and Ann Wilson’s commanding singing. Mystical, rugged, sensual, persuasive, steady, edgy, well-composed: “Magic Man” possesses a majority of the elements that would define Heart’s finest songs and, fittingly, stands as the ensemble’s first Top 10 smash.
While the record’s debut Stateside single, “Crazy on You” didn’t climb quite as high, it cracked the Top 40 and demonstrated the authoritative momentum, melodic build, and contagious crunch that the group was capable of summoning without seemingly breaking a sweat. Heart’s now-trademark acoustic-electric frameworks, Ann Wilson’s ravishing power, and ace timing are all here in spades. Not to be overlooked, the declarative “Sing Child” and strutting “White Lightning & Wine” contain similarly aggressive elements, with the latter combining boogie riffs, cowbell-driven beats, and blustery vocals to remind anyone paying attention that Heart means business.
The band further separated itself from its rock contemporaries via a trove of lighter material. Eclipsing the six-minute mark, “Soul of the Sea” depicts Heart’s ambitious interest in psychedelia, blues, and folk. Heart’s tender side also emerges on the misty ballad “How Deep It Goes,” a prime example of Ann Wilson’s penchant to deliver softness with the same penchant she does heaviness — and a standout for Nancy Wilson’s prowess on guitar. Both sisters similarly shine on the crossover “(Love Me Like Music) I’ll Be Your Song,” whose mix of vulnerability, strings, and handclaps signal the extraordinary vision Heart had from the start. Decades later, it all sounds better than ever.
Features:
– Numbered, Limited Edition
– 180g Vinyl
– Double LP
– 45rpm
– Mastered from the 1/4″ / 15 IPS Dolby A Analog Copy to DSD256 to Analog Console to Lathe
– Pressed at Fidelity Record Pressing
– Stoughton Gatefold Jacket
Tracklisting:
Side A:
“Magic Man”
“Dreamboat Annie (Fantasy Child)”
“Crazy On You”
Side B:
“Soul Of The Sea”
“Dreamboat Annie”
Side C:
“White Lightning & Wine”
“(Love Me Like Music) I’ll Be Your Song”
“Sing Child”
Side D:
“How Deep It Goes”
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2 àïð 2025
DARK ANGEL Reveals Cover Artwork Of New Album, 'Extinction Level Event'
 Reunited California thrash metal pioneers DARK ANGEL will release the title track of their upcoming album, "Extinction Level Event", on Friday, April 11. The cover artwork for the LP can be seen below. Also available is a short teaser for the effort.
DARK ANGEL's first new album in 34 years, "Extinction Level Event", is due to be released later in 2025 via Reversed Records.
Fan-filmed video of DARK ANGEL performing two new songs, "Extinction Level Event" and "Circular Firing Squad", on March 23 at the Metal Beer Open Air festival at Hipódromo Chile in Santiago, Chile can be seen below.
Last month, DARK ANGEL drummer Gene Hoglan was asked by Chile's PowerOfMetal.cl about the progress of the songwriting sessions for the band's long-awaited new album. He said: " Well, we are going to be debuting a couple of new songs, some new material, at these upcoming couple of South American shows that we have. I know we are playing Buenos Aires [on March 21], and that's two nights before the Metal Beer [Open Air] fest. So, at both of those shows we are debuting some new material, and we're really excited to be able to play some new stuff after all this time. And hey, man, hopefully that's gonna lead to a whole bunch more stuff. And we're very excited to be unleashing some new material on the metal world."
Regarding the possibility of a new DARK ANGEL album being released this year, Gene said: "Boy, you never know. We're working and trying to make things happen. And so hopefully at some point — I've said this many times in the past — hopefully at some point we'll be able to give some kind of exciting update on progress of anything. And so hopefully we'll be able to do that somewhere in the near future. And everybody, keep your eyes peeled to DARK ANGEL. We'll see what happens."
DARK ANGEL was originally scheduled to play new music for the first time since 1991 during its January 29 concert at the Whisky A Go Go in West Hollywood, California. However, that show ended up getting postponed due to the wildfires in the state.
In July 2024, DARK ANGEL officially entered the studio to begin recording its new LP. Two months earlier, Hoglan told Rocking With Jam Man that he had "been working diligently for the last couple of years on some projects that are gonna make DARK ANGEL fans really happy, I think. So, everybody, just sit tight," he said. "I just don't wanna nebulously announce something and then have circumstances beyond my control come along and make things delayed. I just wanna be able to be able to say, 'Yes, this is gonna be a solid date that we can announce for people, and we're gonna be able to stick to that date.' That's what I'm all about. So, keep your eyes and ears peeled, everybody."
Asked what it has been like making new DARK ANGEL music more than 30 years after the release of the band's last album, 1991's "Time Does Not Heal", Gene responded: "Well, that's one thing. It's like we had a choice. I had an entire DARK ANGEL album written that was ready to start getting recorded after the 'Time Does Not Heal' record, and circumstances occurred where the band just had to dissolve. So, I had a bunch of material written. And when [DARK ANGEL guitarist] Jim Durkin and myself — Jim is no longer with us, but when we put DARK ANGEL back together and we started talking about, like, 'What do we wanna do for the future? Do we wanna write some new material?' And 'I've got some ideas, Gene, and you probably have some ideas.' And I have a number of songs that I sent to Jim. And when Jim heard that — I sent it to him on a CD — he freaked out and he was, like, 'My God, here's our new album. This is gonna be our next record. Hell yeah.' And he got really excited about that material. But I was, like, 'Hey, Jim, tell you what. I feel really strongly about my writing chops, and the songs I'm hearing from you right now are crushing. So how about we just write new stuff, get together and start writing new material?' And so we kind of went that route."
He continued: "For my elements of what I wanted DARK ANGEL to sound like, Jim Durkin is a huge influence on my writing style. So I wanted this to have a lot of the Jim Durkin influence on it. In terms of riffs, there's not as many from Jim as we were hoping for, but Jim's entire presence is all over the new DARK ANGEL material that I've been working on. And he's a huge guitar influence on me, as well as a lot of people. So, there's definitely gonna be a pretty hardy Jim Durkin influence. And I just wanna write a kick-ass metal album. So what I've tried to do is not go back 35 years or 37 years or whatever, 'Darkness Descends' or even 'We Have Arrived', those early albums, or 'Leave Scars' or 'Time Does Not Heal', I've not tried to duplicate anything from any of those albums, but I tried to put myself in the mindset of what if DARK ANGEL just kept writing albums for the last 30-whatever years, 32, 33 years, where would we be at now? And so that has been my approach on the new DARK ANGEL material."
Durkin died on March 8, 2023 at the age of 58. An original member of DARK ANGEL, Durkin played on the band's first three albums — 1985's "We Have Arrived", 1986's "Darkness Descends" and 1989's "Leave Scars" — before departing the group in 1989. He was part of DARK ANGEL's lineup when the band reformed in 2013, and had been playing with them, on and off, ever since.
Prior to his death, Durkin had been sitting out some of DARK ANGEL's gigs. He was replaced at the shows by Hoglan's wife Laura Christine, who has since joined DARK ANGEL as a permanent member.
DARK ANGEL released two albums with Don Doty on vocals — the aforementioned "We Have Arrived" and "Darkness Descends" — before he exited the group and was replaced by Ron Rinehart (after a brief stint with Jim Drabos in 1987). The band issued two more studio LPs — "Leave Scars" and "Time Does Not Heal" — before calling it quits in 1992.
Hoglan previously talked about DARK ANGEL's upcoming LP in May 2023 in an interview with Friday 13th. He said at the time: "Jim and I, we had gotten together a number of times to write some new material for DARK ANGEL. And we weren't able to get it down on tape too much. If DARK ANGELhas any new material, there's a song that he's got on there that is pretty darn DARK ANGEL-esque.
"In tribute to Jim, DARK ANGEL's new material will have a ton of his spirit all over it — his feel. Whether he actually wrote stuff on the new stuff or not, his spirit is very there. His imprint is felt throughout thrash metal, I feel. Even before I was in DARK ANGEL, I'd see Jim's influence on bands. Absolutely. So his legacy will live forevermore in the realm of extreme metal. His style will always be a part of DARK ANGEL, absolutely, big time."
Asked how the next DARK ANGEL album will compare to the band's previous efforts, Hoglan said: "Well, I can't really even comment on the fact that there might or might not be an album yet. But put it this way — if I were to have any new DARK ANGEL material, I would want it to be an extension of where the band is at now and where I'm at now. And I would probably approach the writing of it in a way as if DARK ANGEL never disappeared for a decade, two decades, three decades, or whatever it's been. It's just like we just kept doing what we do, and this would be where we're at right now. Which I would want to be putting out the most savage, heaviest material that DARK ANGEL could. And I'm no slouch with writing psychotic, heavy material. So I would be very, very excited with where DARK ANGEL's new material would be if that would be able to confirm."
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2 àïð 2025
CANDLEMASS Unveils Title Track Of Upcoming EP 'Black Star'
 Grammy-nominated doom pioneers CANDLEMASS have unveiled the title track of their upcoming EP, "Black Star", out May 9 via Napalm Records. The EP impressively marks the 40th anniversary of the legendary band.
"Black Star" seamlessly merges haunting melodies with deeply introspective lyrics, brought to life by the inimitable voice of Johan Längqvist. Written by mastermind Leif Edling, it delves into themes of existential struggle, temptation, and the allure of darkness — an intense atmosphere imbued with CANDLEMASS's signature sound. The single arrives with a dark, atmospheric music video, which can be seen below.
CANDLEMASS comments: "'Black Star' is the big heavy track. Contains a bit of everything, Melodic verse, monolithic riff, up-tempo SABBATHy mid part, grand ending a la RAINBOW!"
With "Black Star", the genre-defying band unveils two brand-new songs alongside two cover versions of timeless classics. The EP will be available in various formats, including a strictly limited vinyl edition featuring a 12-page vinyl booklet, an A3 poster, and a tote bag.
Edling commented: "Not all bands get to see their 40th birthday and it certainly hasn't been an easy ride. But many ups and downs later, we stand here as survivors, veterans even… a bit scarred perhaps? Still ready though to unleash another piece of doom-laden metal upon an unsuspecting world. You have to do something when you turn 40, right? Anyway, as always, it's been fun recording some new stuff as well as covering a couple of old favorites."
Following the title track, the second new song, "Corridors Of Chaos", marks a true old-school instrumental containing both classic metal riffing and stunning guitar playing by Lars Johansson, showcasing the band's mastery of dynamics. Adding to this tribute, CANDLEMASS delivers a cover of BLACK SABBATH's iconic "Sabbath Bloody Sabbath", taking listeners back to 1973. This is followed by their rendition of PENTAGRAM's classic "Forever My Queen", further cementing CANDLEMASS's remarkable contribution to shaping the genre into what it is today.
"Black Star" track listing:
01. Black Star (new song)
02. Corridors Of Chaos (new song)
03. Sabbath Bloody Sabbath (BLACK SABBATH cover)
04. Forever My Queen (PENTAGRAM cover)
As previously reported, a one-off world-exclusive performance of CANDLEMASS featuring the band's former vocalist Messiah Marcolin will take place at this year's edition of the Rock Hard Festival Greece, slated for September 12-13, 2025 in Athens, Greece.
Back in October 2022, Messiah and longtime CANDLEMASS guitarist Mats "Mappe" Björkman joined Canadian metallers ANVIL on stage at the Slaktkyrkan venue in Stockholm, Sweden to perform the classic ANVIL song "Metal On Metal". The event marked the first time in 16 years that the two musicians performed together.
Marcolin exited CANDLEMASS for the presumably final time in 2006, one year after the release of the band's self-titled album. He was later replaced by Robert Lowe (SOLITUDE AETURNUS),who sang on the band's "King Of The Grey Islands" (2007),"Death Magic Doom" (2009) and "Psalms For The Dead" (2012) LPs. CANDLEMASS's frontman between 2012 and 2018 was Mats Levén, who previously recorded and toured with YNGWIE MALMSTEEN and THERION. Seven years ago, CANDLEMASS fired Levén and rehired Johan Längqvist. Längqvist sang on CANDLEMASS's debut album, 1986's "Epicus Doomicus Metallicus", before exiting the group and being replaced by Marcolin.
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See SUM 41's 'Final' Music Video, 'Radio Silence'
 Canadian rockers SUM 41 have shared the official music video for their song "Radio Silence". The track is taken from the group's last-ever album, "Heaven :x: Hell", which came out in March 2024.
SUM 41 says: "As the SUM quietly set Sunday night, we wanted to leave you with something special to show our appreciation for all of the love that you have shown us over the years. We present you with the final SUM 41 music video. Watch 'Radio Silence' now."
SUM 41 announced its retirement in May 2023 and revealed plans to tour the world one more time.
The band's final tour concluded with a show in SUM 41's original hometown of Toronto at Scotiabank Arena on January 30, 2025.
Earlier this week, SUM 41 was inducted into the Canadian Music Hall Of Fame at the Juno Awards in Vancouver, British Columbia. In his acceptance speech, SUM 41 frontman Deryck Whibley said: "Thank you to our families for all the love and support throughout the years and, of course, thank you to all the SUM 41 fans for sticking with us through all the ups and all the downs. All the struggles had made all the successes feel that much greater. We're proud of this journey. It's been exciting, it's been dangerous, but most of all, it's been honest."
"Heaven :x: Hell" received rave reviews from the likes of Kerrang!, Dork, NME and more. The band's hit singles off the record "Dopamine" and "Landmines" made waves in radio airplay, reaching No. 1 on Mediabase Alternative charts.
Looking back at the band's storied 29-year career, SUM 41 has firmly cemented their place in history with over 15 million records sold worldwide, multiple Billboard-charting releases and No. 1 hits, a Grammy nomination, two Juno Awards (seven nominations),a Kerrang! Award in 2002, multiple Alternative Press Music Awards, sold-out tours and packed venues everywhere, and countless other accolades. | +2 | |
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EPICA's SIMONE SIMONS Says Supporting METALLICA Was One Of Her Band's Career 'Highlights': 'It Was Amazing'
 In a new interview with Canada's The Metal Voice, EPICA singer Simone Simons reflected on her band's support slot with METALLICA for three shows on the latter group's "M72" tour in Paris, France; Hamburg, Germany; and Gothenburg, Sweden. She said (as transcribed by BLABBERMOUTH.NET): "That was one of our highlights. It was [May and June] 2023 [when] we played with METALLICA. It was amazing. I mean, it was a matter of seconds where we had to immediately jump in and confirm that we could do the gigs. And we couldn't believe it ourselves, but we were very grateful for it. It was lovely to play on that round stage — very different from what we're normally used to. But I decided to not think of the magnitude of that show, but just have a good time, run around on the stage. Luckily I was going to the gym a lot, so my stamina was pretty good so I could run, jump and sing and entertain the crowd."
Asked if she got to meet the METALLICA guys when EPICA played with the iconic San Francisco Bay Area-based act, Simone said: "Yes. Yeah, we met the whole band. And they were very lovely. And they were also very hospitable. They had welcome gifts in the backstage. There was a cake and there were cards — and, yeah, really nice. And we got a warm welcome from the guys."
Back in July 2023, Simons told Balkanrock about what it was like to share the stage with METALLICA: "It was amazing, mind-blowing. First we got the call if we could do shows with METALLICA and if everyone had time, because it was like in a couple of days. Magically we all had time and could not believe it. It still feels surreal. Even though we done three shows, they were all beautiful in their own way — Paris, Hamburg and Gothenburg. The METALLICA family was so nice to us. We met them in person and that was one of the highlights of my career. Still thinking about it."
Two years ago, EPICA guitarist Isaac Delahaye told Bring The Noise UK about how he found out that his band was going to open for METALLICA: "It was funny as my manager gave me an urgent call. I was in my home studio working on a new song and he kept calling me and eventually I answered and asked, 'What the fuck?', all agitated. He told me to check my WhatsApp and there was details of three European shows. I just checked dates and overlooked the words 'supporting METALLICA' and just said, 'Yeah, that's fine,' and then went back to work on my song. And it took a good five minutes for me to suddenly realize and go back to read it and sink in that it was METALLICA."
He continued: "It was a very last-minute thing, as FIVE FINGER DEATH PUNCH had to drop out, but we got the call to do three European shows with them which was very cool. The guys all came to say hi to us and the whole crew and band were very welcoming. Having now played a couple of shows with them to those huge crowds, it makes everything from now on easier."
Asked if EPICA were to cover any METALLICA song, which would it be, and at the same time, which of EPICA's own tracks he would like METALLICA to reimagine, Isaac said: "Oh, that's a hard question and something I've never thought about before. I'd probably choose 'Master Of Puppets' as the song maybe we would cover, and for them I'd get them to cover 'Consign To Oblivion'. It is a long song, but they could do a lot with it and maybe shorten it to two minutes and tell us this is the good parts and this is what we would do with it."
EPICA's new album, "Aspiral", will see the light of day on April 11 via Nuclear Blast.
To celebrate the "Aspiral" release, EPICA will play three exclusive shows in the United States in early May: in New York City, Atlanta, and Los Angeles.
The "Aspiral" LP title is derived from the eponymous bronze sculpture made by Polish sculptor and painter Stanisław Szukalski back in 1965 and stands for renewal and inspiration — key words that define EPICA in 2025. In Szukalski's work every detail is a piece of art in its own right, and there's always more to the story than you initially think. The band saw this as the perfect analogy for the creation of this ninth album: each song stands on its own with a distinctive vibe and meaning, while together they enforce each other into a monumental effort.
The album, featuring stunning cover artwork by Hedi Xandt (RAMMSTEIN, GHOST, PARKWAY DRIVE),is now available for pre-order. The special editions even include the Blu-ray and audio recordings of the full monumental "Symphonic Synergy" performance in Amsterdam that the band recorded in 2024 with an orchestra and choir.
Recorded once again at Sandlane Studios and expertly mixed and produced by Joost Van Den Broek, "Aspiral" boasts 11 new tracks.
Released last November, "Aspiral"'s lead single, "Arcana", marked EPICA's first new release since "Omega" and the collaboration EP "The Alchemy Project".
The "Arcana" single also included "The Ghost In Me (Danse Macabre)", EPICA's collaboration with Europe's second-most visited theme park, Netherlands's magical De Efteling, and their new attraction, Danse Macabre.
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2 àïð 2025
METALLICA's KIRK HAMMETT On BLACK SABBATH: 'My Life Would Be Extremely Different If They Didn't Do What They Did'
 In a new interview with Heavy Consequence, METALLICA guitarist Kirk Hammett spoke about the fact that his band will appear at the upcoming "Back To The Beginning" charity show on July 5 at Villa Park in Birmingham, United Kingdom. The concert will mark the original lineup of BLACK SABBATH's last-ever performance and Ozzy Osbourne's final appearance as a solo artist. Kirk said: "It's a real opportunity to say thank you to Ozzy and Tony [Iommi] and Geezer [Butler] and Bill [Ward], 'cause they fricking wrote the book on the genre. They developed it, they fleshed it out so that we can use what they did as a stepping stone to other ways to do this."
Hammett continued: "If it wasn't for those four guys, man, we might still be just kind of like wandering around in the dark. But the fact that they created a genre — not only created it, but then developed it and, and, and then turned it into like a few different things over the course of their career — is completely awe inspiring to me and my peers musically. I mean, how do you thank someone like that? … I feel lucky and blessed that I'm in a situation where I can actually say thank you to the progenitors of a fricking genre. I love those guys. I have love for them for what they did. And I just want them to know that I'm just extremely thankful, 'cause my life would be extremely different if they didn't do what they did."
Nearly two decades ago, METALLICA frontman James Hetfield told Rolling Stone magazine that he was surprised at how choked up he had gotten while honoring BLACK SABBATH at the Rock And Roll Hall Of Fame induction ceremony in March 2006 at the Waldorf-Astoria Hotel in New York City. Hetfield — dressed in black jeans and a black shirt amid a sea of tuxedos — fought back tears as he recalled a young James, nine years old, stealing SABBATH records from his older brother. "Those monstrous riffs lived inside of him and spoke the feelings he could never put into words, sending chills of inspiration through him," Hetfield said. "They helped crack the shell he was stuck in. Also, scaring his mom and sister was an extra bonus. And now, as the former nine-year-old speaks to you here, as an adult musician — I know those two words really don't go together — I realize that without their defining sound, there would be no METALLICA, especially with one James Hetfield. Never have I known a more timeless and influential band. They have spread their wonderful disease through generations of musicians. They are always listed as an influence by heavy bands to this day. They are loved and highly respected as the fathers of heavy music."
Afterward, Hetfield told Rolling Stone, "It was like, 'Oh, no, I'm going to start crying,'" he said. "I'd never known it until I had to access all those emotions in front of that crowd, but it just goes to show how much SABBATH mean."
In addition to inducting SABBATH into the Rock Hall, METALLICA performed a medley of SABBATH songs ("Hole In The Sky" and "Iron Man") during the ceremony.
In his induction speech, METALLICA drummer Lars Ulrich said about BLACK SABBATH: "Bill, Geezer, Ozzy and Tony, if it weren't for you, we wouldn't be here. Obviously if there was no BLACK SABBATH, there would be no METALLICA. If there was no BLACK SABBATH, hard rock and heavy metal as we know it today would look, sound and be shaped very, very differently. So if there was no BLACK SABBATH, I could possibly still be a morning newspaper delivery boy — no fun, no fun. So thank you for meeting, thank you for knowing each other, and thank you for forming a band.
"As one who has fought labeling at any opportunity given, I hereby not only acknowledge but scream from every fucking rooftop that BLACK SABBATH is and always will be synonymous with the term 'heavy metal.'
"SABBATH join what I consider a very short list of artists who can claim to be synonymous with their specific genre of music — one being Bob Marley with reggae, Bob Dylan with folk, Johnny Cash with country, perhaps Bill Haley with rockabilly, but no matter how you fucking slice and dice it, when you say 'heavy metal,' the words BLACK SABBATH hover in the shadows fighting for pole position. On any given day, the heavy metal genre might as well be subtitled 'music derivative of BLACK SABBATH.' Sure, we're all respectful to BLUE CHEER, we're enamored with LED ZEPPELIN, we're in awe of DEEP PURPLE and of course admiring of STEPPENWOLF and John Kay's first uttering of the words 'heavy metal,' but when it comes to defining a genre within the world of heavy music, SABBATH stand alone. They took pre-existing elements of blues, rock and soul, threw in the right amount of darkness and street cred, and fused those elements with a previously undiscovered 'X' factor — whatever the fuck that was — creating something unheard, unexperienced, unique and utterly groundbreaking with their huge hymns of doom. BLACK SABBATH are an entity of their own — in my mind, the only word that fits is the word 'pioneer.' They were, and much more importantly, still are considered pioneers of all things heavy. All the metal bands and all the so-called subgenres of metal still trace their lineage to one place: four kids in their late teens from the black country of Birmingham who named their band after a 1963 Italian horror movie starring Boris Karloff. Subsequently they changed hard rock and by doing so the entire family tree of metal and everything that metal, for better or worse, stands for, was and will be forever both invigorated and elevated."
"Back To The Beginning" sold out in less than 10 minutes last month. The concert will mark the first time that the original lineup of BLACK SABBATH — Osbourne, Iommi, Butler and Ward — have played together in 20 years.
Also set to appear at the event are GUNS N' ROSES, TOOL, SLAYER, PANTERA, GOJIRA, ALICE IN CHAINS, HALESTORM, LAMB OF GOD, ANTHRAX and MASTODON.
In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE),Wolfgang Van Halen (VAN HALEN, MAMMOTH WVH),Tom Morello (RAGE AGAINST THE MACHINE),Andrew Watt, Chad Smith (RED HOT CHILI PEPPERS),David Ellefson (MEGADETH),Vernon Reid (LIVING COLOUR),Whitfield Crane (UGLY KID JOE),David Draiman (DISTURBED),Frank Bello (ANTHRAX),Jonathan Davis (KORN),Lzzy Hale (HALESTORM),Mike Bordin (FAITH NO MORE),Rudy Sarzo (OZZY OSBOURNE, QUIET RIOT),Sammy Hagar, Scott Ian (ANTHRAX),Sleep Token II (SLEEP TOKEN) and Papa V Perpetua (GHOST).
Ozzy — who hasn't played a full show since late 2018 — announced his last-ever performance on February 5.
Proceeds from the "Back To The Beginning" show will support Cure Parkinson's, the Birmingham Children's Hospital and Acorn Children's Hospice, a Children's Hospice supported by Aston Villa.
The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.
The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.
Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.
While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.
Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.
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Watch: UDO DIRKSCHNEIDER And PETER BALTES Perform Entire 'Balls To The Wall' Album In Pratteln, Switzerland
 DIRKSCHNEIDER, the band featuring former ACCEPT members Udo Dirkschneider (vocals) and Peter Baltes (bass),along with drummer Sven Dirkschneider (Udo's son) and the talented guitar duo of Andrey Smirnov and Fabian "Dee" Dammers, is celebrating the 40th anniversary of "Balls To The Wall" — originally released in late 1983 and the most commercially successful and best-known album by ACCEPT — by performing the LP in its entirety on a European tour which kicked off on February 26 in Vienna, Austria.
Fan-filmed video of DIRKSCHNEIDER's March 25 concert at Z7 in Pratteln, Switzerland is available below.
Featured songs:
Video 1
00:01 Love Child
03:49 Turn Me On
09:04 Fight It Back
12:43 Midnight Mover
16:02 Breaker
20:36 Living For Tonite
24:12 Losers And Winners
28:29 Head Over Heels
32:31 Balls To The Wall
40:44 Metal Heart
Video 2
0:01 Burning
7:02 Up To The Limit
In a recent interview with Andrew McKaysmith of the Scars And Guitars podcast, Udo and Sven spoke about the recently released reimagining of "Balls To The Wall" to celebrate the LP's 40th anniversary. The band's founding member and former frontman reinterpreted this classic with a fresh and star-studded twist. Far from a simple remake, this project was born out of countless conversations with prominent artists across the global rock and metal scene, who frequently asked: "Are you planning anything special for the 40th anniversary of 'Balls To The Wall'?" These discussions sparked the idea to re-record the album's legendary tracks alongside a stellar lineup of guest musicians, transforming the project into a heartfelt tribute.
Asked if there were any "complications" with ACCEPT guitarist Wolf Hoffmann and ACCEPT's management about releasing a reimagined version of "Balls To The Wall", Udo said: "No… Everybody can record [their own version of] the 'Balls' album, if they don't change arrangements or stuff like that. You can do that, my brother can do it, my sister, whatever — you don't have to ask."
He continued: "No, about this, there was no communication [with Wolf]. In a way, with Peter [Baltes, former ACCEPT bassist and current member of U.D.O. and DIRKSCHNEIDER] and with me singing and playing on this album, and, of course, a third member of ACCEPT, [former ACCEPT drummer] Stefan Kaufmann, was behind the scenes. He was very much involved in recording the drums and showed Sven how he had to play ACCEPT songs right. [Stefan] was [also] very much involved in guitar stuff — he was sitting together with the guitar players and told them, okay, how they had to play the rhythm guitars exactly, that it's getting nearly perfect. Stefan, he was a member of U.D.O. — I don't know — for a long time. And I know he's a really brilliant rhythm guitar player. He's a machine. And also Stefan is definitely a guy, he's really critical."
Added Sven, who plays drums in both U.D.O. and DIRKSCHNEIDER: "Stefan will always tell you if he doesn't like something. He will tell you right away. And he's very straightforward. So if he doesn't like something, when we record, he's very straightforward as well. So, that makes it more productive because you don't have to see what the guy's actually meaning, and is he telling me the truth? Is he just saying this is good, but he thinks it's bad or whatever? So it makes it easier in the studio, but also you have to face facts. If he doesn't like something, then you have to keep up with it and say, 'Okay, I will have to do it better.' So it was very productive working with Stefan. I was nervous when I recorded the drums because I had the original [ACCEPT drummer] sitting there on the mixing desk recording my tracks. But, yeah, it was really cool to have him and to hear his feedback on what he thinks and put my touches on it. He let me do that, which I really appreciate, and it's a big honor."
The reimagined "Balls To The Wall" was made available on February 28, 2025 via Reigning Phoenix Music.
In a separate interview with Jorge Botas of Portugal's Metal Global, Udo and Peter spoke about the new version of "Balls To The Wall". Asked what led to the decision to release a reimagined version of the LP, Udo said: "Normally it was not planned to do an album; it was only planned to do a tour about the 40-years anniversary of 'Balls'. And so on some festivals, a lot of singers [from other bands] came up [and asked], 'Oh, you do something special for the 40th anniversary.' And then we said, 'Yeah, touring, definitely.' And then they said, 'Oh, I would love to sing a song of the 'Balls' album.' And then the idea came up very slowly. We said, 'Yeah, it can be interesting.'"
Udo continued: "To re-record the 'Balls' album, it's like, 'Don't touch the holy cow.' But with the guest-singer thing now, what we did, I think it worked out very well. The reactions are very good so far. And so I think I'm happy with the result of everything."
Asked if he enjoyed the process of hearing different guests singing with Udo, Peter said: "I enjoyed it tremendously. I also was nervous touching the album again. But after we started recording, I felt really into it. And I played it the way I play live today, the songs. I decided not to copy the original, on my bass playing specifically, because these songs evolved over so many years to what I'm playing today. And that was one of the reasons. The other as much as the holy cow and iconic it is, it also sits on the shelf somewhere and everybody's behind you and it hasn't been moved in 20 years. So it is an honor for us to be able to reintroduce the album to a younger generation, to a whole new world today. And I think it gives the album a great honor that it deserves, where it stands."
Udo added: "I was quite nervous when I started recording the album, with vocals. I mean, I was not quite sure that I'd hit all the notes [laughs], the high notes and all that. But in the end, I think it works. So I'm lucky. And I think especially the whole atmosphere between the guest singers and my vocals, I think it gives the whole thing a new dimension, a new atmosphere. And yeah, I like it very much."
Speaking with The Brutally Delicious Podcast, Udo stated about "Balls To The Wall - Reloaded": "Let's say in the beginning it was just planned to do a tour [celebrating] the 40 years of 'Balls To The Wall'. But then on festivals, some musicians came up and said, 'Oh, you do something special for this 40-years anniversary of 'Balls'. And I said, 'Yeah, touring.' 'Yeah. You know I love this song. I would love to sing on this,' and blah, blah, blah, blah. And then I think it developed."
Sven added: "The idea came together. We had so many great vocalists that wanted to participate on this album. So we sat down and had a thought if we can — because it's very tough in managing all this. I mean, everyone is busy, everyone is doing their own records and whatnot. So it was quite challenging, but in the end it worked out. I think we got the last vocals in last minute to get this done. But yeah, we have really good people on this album and we appreciate that they wanted to do it. And I think they're great new versions of the legendary album."
Asked if they had certain vocalists in mind for certain songs, Sven said: "We had a very long list. And stuff like [SAXON's] Biff Byford on 'London Leatherboys' was kind of obvious, that we wanted to have him for this. And, yeah, we're going on tour with SAXON as well in November this year. So, it all makes perfect sense. And, yeah, [there are some] very, very good collaborations."
Udo continued: "All the singers, they did a great job on it. For example, Joakim [Brodén] from SABATON, 'Balls To The Wall', he did a great job. And also [TWISTED SISTER's] Dee Snider on 'Losers And Winners'. And also Biff on 'London Leatherboys'.
"The thing was we did not tell them, 'Okay, you have to sing this line and this line and this line and this line.' [We told them to] sing the whole song and then we can see which parts fit together with my vocals," Udo explained. "And then, when you listen, for example, to the vocals of Biff for 'London Leatherboys', it can be a SAXON song… I mean, Doro [Pesch] did a great job on 'Winter Dreams'. And also Mille [Petrozza] of KREATOR, 'Fight It Back'. And also Michael Kiske, from HELLOWEEN, he was singing 'Losing More Than You've Ever Had'. He did a great job. Also for me, especially, it was interesting to hear this. 'Wow, okay. Good.' Yeah, I think we are happy and I think also the guest singers, I think they really enjoyed to do this. And that was the most important thing. And also that they put their own character on each song, not trying to be Udo. That makes no sense."
Referencing the new version of "Balls To The Wall" featuring Brodén, Sven said: "We called [Joakim] up because we have a long relationship with SABATON. We played their festival multiple times and we've always had a good time with them. So that was kind of natural, and he was totally up for it. But it was also very interesting. He, for example, did the speaking part. And then he came back to us and said, 'No, use Udo's, because he does it better.' But it was super cool that, yeah, everyone put his character and his style of singing on to the songs. So that was great."
Sven also talked about the overall approach when it came to the production of "Balls To The Wall - Reloaded", saying: "'Especially with the drum sound, we tried to get as close as possible from this old-school vibe, but still, I mean, now we have modern technology recording stuff, so it definitely sounds up to date, but it's still with the old-school vibes. It's natural. I mean, when Peter [Baltes, former ACCEPT and current DIRKSCHNEIDER and U.D.O. bassist] plays bass, it's Peter playing bass. So it is that sound. And as soon as Udo's kicking in… And our guitar players, they're doing it for such a long time that they also are totally into the vibe of this kind of music. So it came along naturally, I would say, the sound of this album. But still, it's modern quality, which I think is awesome."
Ten years ago — in 2015 — Udo announced that he would embark on a special tour during which he would perform ACCEPT songs one last time under the DIRKSCHNEIDER banner before closing that chapter for good. Since then, the former ACCEPT frontman has continued to play ACCEPT material at select shows, including at the September 18, 2020 U.D.O. concert in Plovdiv, Bulgaria, which was released on DVD and Blu-ray.
When he first announced the original DIRKSCHNEIDER tour in 2015, Udo said that had "to make a clear break for myself — close the book and this is it. And I have the problem that people come to me and ask me to play more ACCEPT songs," he explained. "Other people ask me why I play ACCEPT songs at all, because there are [more than] fifteen U.D.O. records. I want to avoid such things and avoid the repeating questions concerning ACCEPT. I just can't stand that anymore. There is nothing more to be said. U.D.O. exists longer than ACCEPT. We have more records than ACCEPT."
While acknowledging that some ACCEPT fans want to hear the band's classic songs performed by the group's original singer, Dirkschneider explained that "you always have these comparisons [between how these songs are played by ACCEPT and U.D.O.]. I don't want this anymore either. [The current lineup of ACCEPT] also play 'Metal Heart', they play 'Balls To The Wall' and 'Princess Of The Dawn'. And then some people tell me, 'Oh, [current ACCEPT singer Mark Tornillo] is doing it better than you.' And I go, 'That's fine. Enjoy yourself.' But I don't want this anymore. And to avoid all of this in the future, I said, 'We are doing this one more time.'"
Dirkschneider said that his vow to never play ACCEPT material again came with one caveat. "If the band ACCEPT dissolves one day in the near future and I am still around with U.D.O., then there is a chance that I put ACCEPT songs back in the setlist," he said. "But currently there is ACCEPT, so go see them [if you want to see those songs performed live]. They are playing these songs."
Udo previously said the original plan was for DIRKSCHNEIDER to only "a few shows," and "then [the tour] got bigger and bigger [due to demand]." But, he added, "I don't want to complain about that."
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GEMINI SYNDROME Releases New Single 'Carousel'
 In the ever-turning wheel of existence, where past, present, and future blur into a singular, cyclical motion, GEMINI SYNDROME — whose current lineup includes COAL CHAMBER guitarist Miguel "Meegs" Rascón — has unveiled its latest offering, "Carousel", a haunting meditation on the cycles we trap ourselves in and the courage it takes to break free.
"I am my own worst enemy."
A confession. A revelation. A truth buried beneath layers of pretense. We sabotage ourselves in the shadows, hiding behind the illusion of control. The turmoil within is relentless, unseen yet omnipresent. "Carousel" rips the mask away, exposing this eternal conflict — the conscious self at war with the unconscious. The driver and the passenger. The master and the captive.
"We can often be our own worst enemies," says GEMINI SYNDROME drummer Brian Steele Medina. "There's this illusion of control, like we're holding the reins, but sometimes we don't realize we're just along for the ride. 'Carousel' captures that duality — the war between who we are and who we want to be."
To break the cycle requires an act of will — but true will is more than defiance; it is surrender. The courage to let go of the illusions that bind us. How can we evolve if we refuse to release the weight of our past? How can we ascend if we remain tethered to a wheel that never stops spinning?
"How can we become better than our present selves, when we live our lives like we're on a carousel?"
The question lingers like an incantation, a challenge to all who dare to listen. "Carousel" is not just a song — it is a rite of passage, a moment of reckoning for those willing to look into the mirror and confront the storm behind their own eyes.
"At some point, you have to face the mirror," GEMINI SYNDROME vocalist Aaron Nordstrom adds. "The song is about that reckoning — when you finally admit that you're the architect of your own suffering. But acknowledgment is the first step to change."
With towering riffs, hypnotic rhythms, and a chorus that lingers like a whispered truth, "Carousel" embodies the struggle between stagnation and self-awareness.
This is the journey of Origin: From Nothingness To Everything — the transmutation of the self through trial and tribulation. The endless fight to wake up, break free, and become more than the sum of our past mistakes.
The ride is not over. But the choice is yours: remain in endless repetition, or shatter the cycle and step beyond.
As GEMINI SYNDROME continues its journey of musical and philosophical alchemy, "Carousel" stands as a call to arms for those willing to step off the loop and forge a new path. | 0 | |
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Mikael Stanne to perform with IN FLAMES
 On the occasion of the 31st anniversary of the release of Lunar Strain, IN FLAMES is planning a special set at the two-day Borgholm Brinner festival. On the first day the band will play the entire material of this landmark work, with Mikael Stanne on vocals! Final negotiations and scheduling of all interested parties are currently underway. According to preliminary information, Oscar Dronjak from HAMMERFALL will also take part in the event and possibly Jesper Strömblad will appear on a couple of tracks.
Earlier in an interview with Total Rock in 2020, Mickael was asked what he thought about the possibility of getting on the same stage as IN FLAMES:
"[Laughs] That's a funny thought. Although... You know, it doesn't seem so absurd, because there is no enmity between us. We're all from the same town, big by Swedish standards but not so big by world standards, and when we started out we all hung out in the same places and kept in touch with each other, and we had nothing to share. The main issue in this matter will be the problem with the schedules of our performances and my ability to prepare for the concert. But I wouldn't mind if something like that happened in the future!"
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JOE BONAMASSA Releases New Single 'Still Walking With Me'
 Blues-rock trailblazer Joe Bonamassa is back with a brand-new single, "Still Walking With Me", out now via J&R Adventures. Following the introspective groove of "Shake This Ground", this latest release leans into a feel-good, classic vibe — buoyant and soulful, with a warm groove and an undeniable sense of gratitude.
Anchored by a warm groove and a classic feel, "Still Walking With Me" is an uplifting tribute to resilience, redemption, and the people who stick with us even when we don't deserve it. Bonamassa's lyrics walk the line between gratitude and humility — "You could've left a long time ago… I wouldn't blame ya" — while celebrating the kind of enduring partnership that weathers all storms. With its catchy refrain and unshakeable optimism, the song delivers a feel-good message wrapped in rich instrumentation and vintage tones.
Produced by longtime collaborator Kevin Shirley (IRON MAIDEN, THE BLACK CROWES, JOURNEY) and co-written with Tom Hambridge (Buddy Guy, ZZ TOP, LYNYRD SKYNYRD),"Still Walking With Me" is the second preview from Bonamassa's upcoming studio album, due out later this year. The new music expands his ever-evolving sound while remaining grounded in the blues-rock foundation that has made him one of the genre's most dynamic forces.
The single arrives on the heels of a monumental season for Bonamassa. Just this week, he wrapped the 10th-anniversary Keeping The Blues Alive At Sea X cruise, the sold-out floating blues festival that set sail from Miami with performances from BIG HEAD TODD AND THE MONSTERS, Larkin Poe, KINGFISH, Samantha Fish, Joanne Shaw Taylor and many more. The milestone event continued Bonamassa's commitment to building community and keeping the blues alive for future generations.
Next up, Bonamassa heads overseas for an extensive European spring tour, followed by a June run with his powerhouse supergroup BLACK COUNTRY COMMUNION (featuring Glenn Hughes, Jason Bonham and Derek Sherinian). After another round of summer dates across Europe — including sold-out shows in Ireland — he'll return stateside for his just-announced 2025 U.S. summer tour, a limited amphitheater run featuring stops at Greek Theatre, Red Rocks and more iconic venues.
With over 50 albums, 28 No. 1 Billboard blues albums and a relentless drive to evolve, Bonamassa shows no signs of slowing down. Whether on stage, in the studio, or at sea, he continues to find new ways to push the blues forward while honoring its legacy.
Joe is one of the most celebrated performing musicians of today. As a four-time Grammy-nominated artist and 15-times Blues Music Award nominee (four-time winner),he achieved his 28th No. 1 album on the Billboard Blues chart with his most recent live album and concert film, "Live At The Hollywood Bowl With Orchestra". Only in his mid-40s, Bonamassa has become a living legend with an astounding multi-genre catalog. He has released more than 50 albums, including studio and live recordings, as well as collaborative albums with his adventurous side projects: BLACK COUNTRY COMMUNION and ROCK CANDY FUNK PARTY.
A prolific writer who is always on the hunt to expand his eclectic musical horizons, Bonamassa has a limitless work ethic whether it's in the studio, on the road, or working with other artists to spur new music. In recent years, he has produced an immense number of albums, including Joanne Shaw Taylor, Marc Broussard, Larry McCray, Jimmy Hall and others for his independent labels Journeyman Records and KTBA Records, and has also launched Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide.
Joe Bonamassa photo by Peter Nicholson (courtesy of Noble PR)
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SKID ROW Announces Newly Mastered Reissue Edition Of 'Revolutions Per Minute'
 SKID ROW's fifth album, "Revolutions Per Minute", will be reissued on May 30 via earMUSIC. Originally released on October 24, 2006, the band's fifth LP marked SKID ROW's only release with drummer Dave Gara, the group's last full album with vocalist Johnny Solinger, and also SKID ROW's last studio album for 16 years until 2022's "The Gang's All Here".
SKID ROW exploded on to the music scene in the late '80s, becoming a predominant force in the hard rock and heavy metal genre. Known for their raw energy, melodic hooks, and a relentless edge, SKID ROW earned global success with hits such as "18 And Life", "Youth Gone Wild" and "I Remember You". The band became synonymous with the rebellious spirit of the late '80s and early '90s, selling millions of albums worldwide and solidifying their place in rock history.
Following the success of their last studio album, "The Gang's All Here", it's easy to recognize the consistent quality that guitarists Dave "Snake" Sabo and Scotti Hill and bassist Rachel Bolan have brought to every chapter of their discography.
"Revolutions Per Minute" represented a pivotal moment in the band's career, with SKID ROW stepping outside of their comfort zone and bringing new ideas and influences into the fold. The album showcased the band's evolving style, combining their signature grit with a more modern, aggressive tone.
Newly mastered in 2025, this reissue edition of "Revolutions Per Minute" offers fans the opportunity to rediscover this classic album and appreciate its enduring impact.
"Revolutions Per Minute" track listing:
01. Disease
02. Another Dick In The System
03. Pulling My Heart out From Under Me
04. When God Can't Wait
05. Shut Up Baby, I Love You
06. Strength
07. White Trash
08. You Lie
09. Nothing
10. Love Is Dead
11. Let It Ride
12. You Lie (Corn Fed Mix)
"Revolutions Per Minute" 2006 recording lineup:
Johnny Solinger - Lead Vocals
Dave "Snake" Sabo - Guitar + Backing Vocals
Scotti Hill - Guitar + Backing Vocals
Rachel Bolan - Bass + Backing Vocals
Dave Gara - Drums + Backing Vocals
Solinger died in June 2021 at the age of 55. His passing came a little over a month after he announced he was suffering from liver failure.
Solinger, who was a member of SKID ROW from 1999 to 2015, appeared on the "Thickskin" and "Revolutions Per Minute" albums, as well as the "United World Rebellion" and "Rise Of The Damnation Army" EPs.
Solinger was fired by SKID ROW in April 2015 and replaced by TNT singer Tony Harnell. Tony quit the group only eight months later, and was succeeded by the South African-born, British-based singer ZP Theart, who previously fronted DRAGONFORCE, TANK and I AM I.
Bolan confirmed that Solinger was kicked out of the band, contradicting the singer's claim that he "decided to leave SKID ROW to pursue [his] solo career."
In late 2019, Solinger sustained injuries in a car crash and was forced to reschedule some of his solo shows.
Sebastian Bach fronted SKID ROW until 1996, when he was fired. Instead of throwing in the towel, the remaining members took a hiatus and went on to play briefly in a band called OZONE MONDAY. In 1999, SKID ROW reformed and, after a bit of shuffling over the years, featured a lineup consisting of Bolan, Sabo and Hill, alongside drummer Rob Hammersmith and Solinger.
Theart was fired from SKID ROW in February 2022 and was replaced by Erik Grönwall, who was previously a member of the Swedish hard rock band H.E.A.T.
Grönwall, who was diagnosed with acute lymphoblastic leukemia in March 2021, left SKID ROW in March 2024, saying that he wanted to focus on his "full recovery". SKID ROW has not yet announced a replacement for Erik. | 0 | |
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ICE NINE KILLS Frontman SPENCER CHARNAS Launches 'Pretty Evil' Personal Care And Cosmetics Venture
 Spencer Charnas, horror icon, creative mastermind and frontman of theatrical, horror-themed metal powerhouse ICE NINE KILLS, has announced the launch of Pretty Evil, a sinister new brand that redefines high-performance personal care and cosmetics for those who live for the limelight... or the moonlight. The brand makes its debut with a killer first collection inspired by the theatrical flair and horror-fused ethos of ICE NINE KILLS.
Developed with elite chemists in the USA, Pretty Evil is war paint for the wicked. Designed to hold up under stage lights, sweaty mosh pits, or moonlit murder sprees, the debut collection includes make-up and haircare products that promise durability, intensity and cruelty-free confidence.
Charnas comments: "The passion and care we put into ICE NINE KILLS is reflected back in the unwavering support from our beloved Psychos. We've launched Pretty Evil with careful strangulation consideration. I consulted with high-end industry pros, undertaking a meticulous dismemberment process to ensure this is built to last. Would I be caught dead in Pretty Evil? Absolutely. And so should you."
The debut collection from Pretty Evil includes:
Die-Liner - Define and accentuate eyes. Die-Liner in Raven is a rich, high-pigment black eyeliner designed to make a statement. This unisex eyeliner delivers intense, long-lasting colour that won't fade — a versatile product for everything from a natural look or while performing.
Liquid Lipstick - Full-pigment liquid lipstick for those that aren't afraid to standout. Formulated to last all day, this unisex formula delivers bold, saturated colour that lasts through every adventure or performance. Goes on as a smooth liquid, dries to a comfortable, matte finish.
Welcome To Horrorwood Eyeshadow Palette - Create limitless looks with this universal eyeshadow palette designed to break beauty rules. Welcome To Horrorwood contains fifteen versatile shades to create looks from wearable natural, smoky to vibrant eye-catching styles. Featuring high-pigment matte and shimmer shades.
Devil's 'Do - Grim Grip - You're going to have to give the Devil his 'Do with this high hold, high shine pomade. Its hybrid formula has the instant flexible forming of a wax, with the perfectly set look of a gel. Having a scent profile reminiscent of secluded woods by the sea, you're sure to raise more than just some eyebrows. The firm hold will keep you looking sharp through even the most violent of nights.
Each product has been rigorously tested and field-proven ensuring it meets the high standards of performers and fans alike. Pretty Evil is here to prove that beauty is indeed in the eye of the beheader. Get yours before it's gone from prettyevil.co.
Pretty Evil is a collection of high-performance essentials in haircare, cosmetics, and skincare, designed to withstand the spotlight's glare or the spine-tingling thrill of the unknown. More than just another "collab," Pretty Evil is developed with top industry formulators in the USA, meticulously tested, and built to last. Every Pretty Evil product is vegan, cruelty-free, and designed to keep up with you long after the sun sets. Look good and feel Pretty Evil.
Charnas is the creative architect and front man of ICE NINE KILLS and one of modern metal's most visionary and recognizable figures. A lifelong horror obsessive and pop culture alchemist, Charnas has transformed ICE NINE KILLS into a multi-dimensional empire where music, cinema, and theatrical storytelling collide.
Under his leadership, the band's horror-themed concept albums "The Silver Scream" and "The Silver Scream 2: Welcome To Horrorwood" redefined the genre, earning Top 20 Billboard chart placements, global streaming success, and cult-like fan devotion. As a songwriter, performer, and strategist, Charnas has elevated ICE NINE KILLS beyond the stage, launching the Silver Scream Convention, immersive fan clubs, graphic novels, and now the Pretty Evil cosmetics line.
Known for collaborations with horror icons like Ari Lehman and Tony Todd, and for bringing theatricality back to live performance, Charnas has become a mainstay in both the metal and horror communities. Whether fronting the band on tour with METALLICA or creating blood-soaked beauty campaigns, he continues to push the boundaries of what a modern frontman can be.
Photo at bottom of page by Alexander Bemis | 0 | |
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Watch: LZZY HALE, CRISTINA SCABBIA And COURTNEY LAPLANTE Take Part In SPOTIFY's 'Women Of Metal: Roundtable'
 Spotify has released a "Women Of Metal: Roundtable" episode featuring SPIRITBOX's Courtney LaPlante, HALESTORM's Lzzy Hale and LACUNA COIL's Cristina Scabbia.
They didn't wait for permission — they carved their own path. LaPlante, Hale and Scabbia open up about their journey in metal, breaking through barriers, and transforming the genre through their passion, talent, and unbreakable bond.
Watch the full discussion below.
SPIRITBOX's sophomore album, "Tsunami Sea", was released on March 7 via Pale Chord/Rise Records.
SPIRITBOX recently completed a European tour, which included a February 13 concert at London's iconic Alexandra Palace, marking the band's largest headline show to date with 10,000 tickets sold.
SPIRITBOX will launch the "Tsunami Sea" North American tour on April 3 in Dallas, Texas. The 24-date trek — produced by Live Nation — brings LOATHE, DYING WISH and GEL along for the ride, tearing through cities across the U.S. and Canada.
This summer, SPIRITBOX will step onto even bigger stages, joining LINKIN PARK for select stadium dates in Italy, the Netherlands, and the U.K.
Formed in 2017 in the picturesque yet isolated region of Victoria, British Columbia, Canada by LaPlante and Courtney's husband Mike Stringer, SPIRITBOX cemented itself as a household name in hard rock circles in the summer of 2020 with the release of its blistering breakout single "Holy Roller", along with a host of other captivating singles shortly after, resulting in a media firestorm of hype.
Earlier this year, Lzzy and her HALESTORM bandmate Joe Hottinger completed "Halestorm's Lzzy And Joe: The Living Room Sessions" tour featuring the duo performing acoustic, stripped down versions of HALESTORM favorites and the music that inspired the band.
HALESTORM has spent the last few months recording the follow-up to 2022's "Back From The Dead" album with producer Dave Cobb.
Cobb has shared in nine Grammy wins, including four for "Best Americana Album" and three for "Best Country Album". He's also been named "Producer Of The Year" by the Country Music Awards, the Americana Music Association (twice) and the Music Row Awards, and has been a Grammy nominee in the category.
Last summer HALESTORM and I PREVAIL completed a co-headlining tour. Produced by Live Nation, the trek was also the catalyst and the creative spark for HALESTORM and I PREVAIL's collaborative track "Can U See Me In The Dark?", which was released last June.
"Back From The Dead" has tallied over 100 million streams worldwide. Rolling Stone called the title track "a biting but cathartic howler about overcoming all obstacles," and that song as well as "The Steeple" marked their fifth and sixth number ones at rock radio, respectively. Associated Press said the album "will definitely be in the running for best hard rock/metal album of the year." Their previous album, "Vicious", earned the band their second Grammy nomination, for "Best Hard Rock Performance" for the song "Uncomfortable", the band's fourth #1 at rock radio, and led Loudwire to name HALESTORM "Rock Artist Of The Decade" in 2019.
LACUNA COIL's latest album, "Sleepless Empire", was released on February 14, 2025 via Century Media Records.
Inspiration to create "Sleepless Empire" came during the sessions for "Comalies XX" (2022),the acclaimed remake of LACUNA COIL's breakthrough third record "Comalies". Writing and recording took place in northern Italy between Milano (the band's hometown) and Como, where SPVN Studios are located. As with their previous albums, production was done in house with LACUNA COIL bassist Marco "Maki" Coti Zelati at the helm, and artwork was hand curated by the talented Italian artist Roberto Toderico. Two other very special talents enrich the album, namely the guest vocalists: LAMB OF GOD's Randy Blythe on the song "Hosting The Shadow" and NEW YEARS DAY's Ash Costello on "In The Mean Time".
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ZAKK WYLDE Doesn't Know Which Songs He Will Perform At OZZY OSBOURNE's Final Concert
 Zakk Wylde says that he doesn't know which songs will be performing at Ozzy Osbourne's farewell concert in Birmingham, United Kingdom.
Taking place on July 5 at Villa Park, the all-star event — billed as "Back To The Beginning" — sold out in less than 10 minutes last month.
The concert will mark the first time that the original lineup of BLACK SABBATH — Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward — have played together in 20 years.
Also set to appear at the event are METALLICA, GUNS N' ROSES, TOOL, SLAYER, PANTERA, GOJIRA, ALICE IN CHAINS, HALESTORM, LAMB OF GOD, ANTHRAX and MASTODON.
In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE),Wolfgang Van Halen (VAN HALEN, MAMMOTH WVH),Tom Morello (RAGE AGAINST THE MACHINE),Andrew Watt, Chad Smith (RED HOT CHILI PEPPERS),David Ellefson (MEGADETH),Vernon Reid (LIVING COLOUR),Whitfield Crane (UGLY KID JOE),David Draiman (DISTURBED),Frank Bello (ANTHRAX),Jonathan Davis (KORN),Lzzy Hale (HALESTORM),Mike Bordin (FAITH NO MORE),Sammy Hagar, Scott Ian (ANTHRAX),Sleep Token II (SLEEP TOKEN),Rudy Sarzo (OZZY OSBOURNE, QUIET RIOT) and Papa V Perpetua (GHOST).
Speaking to "Chaz & AJ In The Morning" on 99.1 PLR, Zakk stated about his participation in "Back To The Beginning": "As far as the SABBATH [last-ever concert] goes, I found out about it when you guys found out. It was just, like, 'Oh, cool. I guess this is gonna be crazy.' But I don't know what we're playing yet… Barb's [Zakk's wife and manager, Barbaranne Wylde] spoken to Sharon [Osbourne, Ozzy's wife and manager] a bunch about it. And I texted Ozz and stuff like that because I'm always sending him goofy stuff. But we haven't figured out what we're gonna be playing yet. I mean, even with the PANTERA celebration thing, we haven't figured out what SABBATH song we're playing [at the event]. Like, what's on the list? You can't have everybody playing 'Paranoid'. And then you've gotta figure SABBATH, if they're gonna be doing songs, you can't be playing songs that the guys are gonna play at the end of the night. So everybody's gotta get a list of, what song do you want us to play? I'll just learn it… As far as I'm concerned, I'm a team player. Whatever you need me to do — whatever pass route you need me to run, I'll run it."
Earlier in the month, Zakk told Riff X's "Metal XS", Zakk about his expectations for "Back To The Beginning": "Well, yeah, it's gonna be awesome. The gameplan is — let's hope this is what happens. I mean, you always gotta stay on the bright side of life. [Laughs] 'Cause Ozz was singing at the Rock And Roll Hall Of Fame thing. He was doing 'Mama, I'm Coming Home', 'cause Jelly Roll wasn't there when we did the soundcheck the day before [Ozzy's induction into the Rock Hall last October]. And Ozz was just sitting at the chair and he was singing 'Mama, I'm Coming Home', and it sounded great. So hopefully we'll just do this, and then Ozz will go, 'Let's just fire up the machine again and we'll do another tour.' You know what I mean? With Ozz and his throne that just flies over the stadium or whatever — shoots out buckets of water and does everything like that. So, yeah, if Ozz has a great time, whatever, and it's just, like, 'I wanna go out on the road again,' it's just, like, 'Good. Let's do it again.' I mean, what else is he gonna do? It's like Keith Richards said. He [was asked], 'When are you going to retire?' He goes, 'Retire from what?' If you like reading a book and having a cup of coffee, it's, like, why am I retiring from this? I enjoy it. I play music. I mean, what am I retiring from? It's something I enjoy, something I love doing. So hopefully that's what happens."
He added: "Considering all the bands that are on that thing and everybody's gonna be playing SABBATH songs, it's gonna be pretty mindblowing. It's gonna be pretty awesome. And then to see Ozz get up there and do a song with 'em and then watch SABBATH play. I think for all the bands that are gonna be there, 'cause if it wasn't for SABBATH, none of us would exist. You know what I mean? So I think it's gonna be special for everybody."
Ozzy — who hasn't played a full show since late 2018 — announced his last-ever performance on February 5.
Proceeds from the "Back To The Beginning" show will support Cure Parkinson's, the Birmingham Children's Hospital and Acorn Children's Hospice, a Children's Hospice supported by Aston Villa.
The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.
The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.
Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.
While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.
Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.
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