Former GUNS N' ROSES manager Alan Niven has filed a lawsuit against the band to prevent them from blocking the release of his new memoir, "Sound N' Fury: Rock N' Roll Stories".

Originally scheduled for a July 5 release, the book has been delayed a couple of times and is presently available for pre-order via Amazon, with a March 31, 2026 release date listed.

In a lawsuit filed on November 3 in the United States District Court for the District of Arizona, Niven claims that GUNS N' ROSES has "blocked publication of the book through repeated threats to Niven and contact with" publisher ECW Press.

According to the lawsuit, which was supplied to BLABBERMOUTH.NET by Niven's publicist, GUNS N' ROSES wrote a letter in May 2025 "invok[ing] the confidentiality clause in its 1991 buyout agreement with Niven… despite the [fact that] the agreement was not signed by all of its members; GN'R's members have commented publicly on Niven; one member encouraged him to write the book; and he has been speaking about his time in GN'R for over a decade."

Niven's attorney writes in the complaint that "Sound N' Fury"'s "publication has been delayed for months, even though it received a favorable review from the Los Angeles Times, and has received many preorders."

The New Zealand-born Niven, who managed GUNS N' ROSES from 1985 through 1991, is suing for declaratory judgment of non-enforceability of contract; declaratory judgment of non-breach of contract; and tortious interference with contract or business expectancy.

Niven's long career in the music industry started in the early 1970s with Virgin Records in England and continued to the 1980s in California, where he "signed MÖTLEY CRÜE, managed, produced and cowrote for GREAT WHITE, broke popular groups such as BERLIN and DOKKEN, and later produced an acclaimed record with Clarence Clemmons," according to the lawsuit.

"Sound N' Fury: Rock N' Roll Stories" is said to consist of "anecdotes about [Niven's] career, including distributing the first SEX PISTOLS singles in the U.S., cooking a dinner for guitarist Robert Fripp, going to bat for a scruffy musician named Frank Ferranna (later known as Nikki Sixx),and reinventing GREAT WHITE twice. It also includes stories involving the members GN'R, while he represented the five individuals who made up the classic lineup of the band."

In 1991, a buyout agreement was entered into between Niven and his company, and GUNS N' ROSES and various companies affiliated with the band. Broadly, the agreement laid out the terms for a parting of the ways between GUNS N' ROSES and Niven. The agreement contained mutual privacy/confidentiality provisions. In broad strokes, GUNS N' ROSES and Niven agreed that efforts would be made to maintain the confidentiality of information concerning each other learned during their mutual association, absent certain conditions best characterized as waivers or written permission. The agreement "said nothing about things learned after the parties went their separate ways," Niven's attorney wrote in the complaint. "Finally, the agreement provided that it must be signed by all parties to be effective."

According to the lawsuit, the buyout agreement between Niven and GUNS N' ROSES was signed 34 years ago. "At the time, Niven was under severe personal distress because he had been betrayed by his former employee, the band's lawyer, and his band," the lawsuit claims. "He was forced to take a buyout that was far less than he would have received had he stayed with GN'R, and he was forbidden forever from talking about his time with GN'R."

With all live performances concluded for 2025, Grammy-winning, progressive music titans DREAM THEATER are giving fans the chance to see their upcoming live release "Quarantième: Live À Paris" the way it was intended — on the big screen. Partnering with AMC Theatres, the full-length concert will run in select markets on November 17 at 7:00 p.m. local time. AMC Theatres in markets like Boston, Chicago, Los Angeles, New York and San Francisco, to name a few, will be showing "Quarantième: Live À Paris". The feature — with a runtime of 175 minutes — will be presented in 4k Ultra High-Definition Video and Immersive Atmos Audio. Attendees will have access to purchase exclusive color vinyl variants and event specific merchandise via a QR code on display inside participating theaters.

Tickets for the screening are $18.00 and can be purchased via the AMC web site at www.amactheatres.com.

"Quarantième: Live À Paris" documents DREAM THEATER's November 23, 2024 concert at Adidas Arena in Paris, France during the band's 40th-anniversary headlining tour of Europe, and it features the lineup of James LaBrie (vocals),John Petrucci (guitar),John Myung (bass),Jordan Rudess (keyboards) and Mike Portnoy (drums). The effort contains a setlist that spans the band's entire career with classics like "Metropolis Pt. 1", "Panic Attack", "Octavarium" and "Pull Me Under" represented among other fan favorites.

Petrucci comments: "From the moment we announced our 40th-anniversary tour, we knew it would be a very special event for both the band and our fans and must be captured. With this release, our performance in Paris is presented so beautifully in both stunning audio and video and really encapsulates this momentous occasion for all to enjoy."

Adds Portnoy: "We always knew this tour would be unforgettable because not only were we celebrating four decades since forming the band, but also the reunion of the band's classic lineup. The excitement and emotions between us and our fans at each and every show were palpable and totally off the charts! The night captured here in Paris was an epic evening that we can now share with the whole world to celebrate this incredible tour."

Presented in several formats, with artwork by longtime collaborator Hugh Syme, "Quarantième: Live À Paris" will be available as a limited deluxe 3CD+3Blu-ray artbook, including 68 pages of photos and artwork as well as an additional Blu-ray of bonus material. It will also be available as a special edition 3CD+2Blu-ray Digipak, limited deluxe 180g 4LP boxset and digitally. The Blu-ray includes the full show with Dolby Atmos, 5.1 Surround Sound and high-resolution stereo audio.

The track listing for "Quarantième: Live À Paris" is as follows:

CD1:

01. Metropolis Pt. 1
02. Overture 1928
03. Strange Déjà Vu
04. The Mirror
05. Panic Attack
06. Barstool Warrior
07. Hollow Years
08. Constant Motion
09. As I Am

CD2:

01. Orchestral Overture
02. Night Terror
03. Under A Glass Moon
04. This Is The Life
05. Vacant
06. Stream of Consciousness
07. Octavarium

CD3:

01. Home
02. The Spirit Carries On
03. Pull Me Under

Blu-ray 1:

01. Metropolis Pt. 1
02. Overture 1928
03. Strange Déjà Vu
04. The Mirror
05. Panic Attack
06. Barstool Warrior
07. Hollow Years
08. Constant Motion
09. As I Am

Blu-ray 2:

01. Orchestral Overture
02. Night Terror
03. Under A Glass Moon
04. This Is The Life
05. Vacant
06. Stream of Consciousness
07. Octavarium
08. Home
09. The Spirit Carries On
10. Pull Me Under

During an August 6 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Portnoy spoke about what it has been like for him to be touring with DREAM THEATER once again after a 13-year absence. The progressive metal legends played their first concert with Portnoy in 14 years on October 20, 2024 at the O2 Arena in London, United Kingdom. The drummer, who co-founded DREAM THEATER, played on 10 of the band's albums over a 20-year period, from 1989's "When Dream And Day Unite" through 2009's "Black Clouds & Silver Linings", before exiting the group in 2010. Portnoy returned to DREAM THEATER in October 2023 after being replaced by Mike Mangini, who played with DREAM THEATER across five studio albums and accompanying world tours. Portnoy told "Trunk Nation With Eddie Trunk""It's been incredible — the biggest tour the band has ever done. We started at the O2 in London, which was incredibly emotional, and then we wrapped the U.S. tour at Radio City Music Hall… There's so many highlights. It's been incredible."

After Trunk noted that a lot of the emotions surrounding DREAM THEATER's current tour are based on the fact that Portnoy is back in the band after such a long time away, Mike said: "I'm so thankful that it's come back full circle. It would've been really sad if we never did reunite. I've seen other bands, like PINK FLOYD with Roger Waters, or GENESIS with Peter Gabriel, certain bands that never do reunite. And as a fan, it's a shame. I would love to see those lineups together again before it all ends. So for us to be back together again and celebrating the 40th anniversary of the band and riding off into the sunset together, it's poetic. It's the way it should be, really. And I'm so glad that we're here together again."

DREAM THEATER's summer/fall 2025 "An Evening With Dream Theater" U.S. tour hit 30 cities across the United States, kicking off September 5 in Reading, Pennsylvania and running through October 25, when it wrapped in Long Island, New York. The tour made stops in Orlando, Floria; Detroit, Michigan; Kansas City, Missouri and Providence, Rhode Island, among others. DREAM THEATER performed its latest album in its entirety as well as classics and fan favorites from the band's catalog.

"Parasomnia" came out on February 7, 2025 via InsideOut Music. The LP marked DREAM THEATER's first release with Portnoy since 2009's "Black Clouds & Silver Linings".

"Parasomnia" was produced by guitarist John Petrucci, engineered by James "Jimmy T" Meslin, and mixed by Andy Sneap. Hugh Syme returned once again to lend his creative vision to the cover art.

"Parasomnia" is an eight-song, 71-minute set which was recorded at DREAM THEATER's DTHQ studio on Long Island, New York. It is the follow-up to 2021's "A View From The Top Of The World", which debuted at in the top 10 of Billboard's Top Hard Rock Albums, Top Rock Albums and Independent Albums charts. Six songs on "Parasomnia" are over seven minutes and the closing epic "The Shadow Man Incident" clocks in at nearly 20 minutes.

The North American leg of DREAM THEATER's 40th-anniversary tour kicked off on February 7 at The Met in Philadelphia, Pennsylvania. The trek was "An Evening With Dream Theater" and was the first tour of North America since Portnoy's return to the lineup. The tour concluded on March 22 in New York City.

Portnoy, Petrucci and Myung started DREAM THEATER as MAJESTY in 1985, after meeting at the Berklee College Of Music in Boston. LaBrie came on board in 1991, while Rudess joined in 1999.

Prior to Portnoy's return to DREAM THEATER, the drummer and Petrucci worked together on the latter's 2020 solo album, "Terminal Velocity", and toured together. Portnoy and Petrucci also joined Rudess and bassist Tony Levin for a third studio album as LIQUID TENSION EXPERIMENT in 2021.

SEPULTURA's current touring drummer Greyson Nekrutman, who officially replaced SEPULTURA's longtime drummer Eloy Casagrande in February 2024, has shared video of him performing separate medleys of songs from the band's classic "Roots" and "Chaos A.D." albums. Check out the footage below.

Greyson has been making huge waves in the drumming world and has become a fresh inspiration for drummers worldwide. Greyson completed sold-out clinic tours in the USA and Canada, made highly viewed appearances on Drumeo, on top of appearances at major drum festivals around the world, while also touring with SEPULTURA and SUICIDAL TENDENCIES. Greyson also worked with ALICE IN CHAINS vocalist William Duvall by appearing on Duvall's second solo album, "11.12.21 Live-In-Studio Nashville", recorded live direct-to-disc at the famed Welcome To 1979 studio in Nashville on November 12, 2021.

During a recent appearance on "The David Ellefson Show" podcast, SEPULTURA bassist Paulo Xisto Pinto Jr. praised Nekrutman, saying: "Greyson, he is a great guy. He has a very jazzy, totally different approach. I'm still adapting, learning with him day by day. Eloy was in the band for 13 years. It took me a while to really lock up with him. The easiest one, of course, was Igor [Cavalera, original SEPULTURA drummer], 'cause we grew up together. And then the other ones, I had to readapt, and even the way of playing, just to make SEPULTURA sound right. Each one is very unique and has their own particularities. That's why it's so nice.

"We've done some new recording with Greyson, and it sounds amazing," Paulo revealed. "[It's a] totally different approach, and it was, like, 'Don't try to be that much metal. Just be yourself. Be a jazz player. Try to bring into the metal your own style and you're gonna fly high, dude.' 'Cause he's amazing."

Asked by podcast co-host Joshua Toomey what it's like to have such a young bandmate in SEPULTURA, Paulo said: "Well, it's great, 'cause, it gave us new energy. And it's a way to exchange experience. Even though he's so young, he has his own experience that he can share with us. And to have the chance to be every day on stage, you learn more and more every day. So it's a great exchange, actually. It's beautiful. [I] love it."

SEPULTURA announced Casagrande's departure on February 27, 2024, explaining in a statement that he was leaving to join "another project", with Eloy later confirming that he is the new drummer of SLIPKNOT.

The news of Eloy's exit from SEPULTURA came just two months after the band announced it would celebrate its 40th anniversary in 2024 by embarking on a "farewell tour" which will cover the entire globe.

In SEPULTURA's statement, the remaining bandmembers expressed their shock over Casagrande's departure, saying they were "taken by surprise" that their now-former drummer would "abandon everything related to SEPULTURA" less than a month prior to the start of the tour.

SEPULTURA is putting together a live album commemorating its last run of shows. The band is recording 40 songs in 40 different cities for what will be a "massive compilation of our best, most energetic moments on stage," according to a statement released by SEPULTURA in December 2023.

NEFARIOUS has parted ways with singer Katon W. De Pena (HIRAX) and has replaced him with Sean Rivera (COFFIN HUNTERS). The band's new lineup, which also includes Rick Hunolt (EXODUS, DIEHUMANE) and Doug Piercy (HEATHEN, ANVIL CHORUS) on guitar, Tom Gears (BLIND ILLUSION, ANCIENT MARINER) on bass and Will Carroll (DEATH ANGEL) on drums, will make its live debut on January 3, 2026 at the DNA Lounge in San Francisco, California.

Carroll discussed the NEFARIOUS singer switch during an appearance on Zetro's Toxic Vault, the YouTube channel of former EXODUS frontman Steve "Zetro" Souza. He said in part (as transcribed by BLABBERMOUTH.NET): "Things didn't work out [with Katon]… HIRAX is touring, and they're pretty busy. So that played a part in it. But it was a communication thing that was really the problem. He would not talk to us for months at a time… He just broke off communication with us. So we took that as he didn't wanna be in the band… And we did waste some time waiting and sitting around… But we had to move on. And that's where Sean comes in."

Regarding NEFARIOUS's new vocalist, Will said: "His name is Sean Rivera. And he sings for a band, or he's in a band called COFFIN HUNTERS. Not to be confused with the [side band of EXODUS bassist] Jack Gibson, COFFIN HUNTER. This one's plural, COFFIN HUNTERS, and they're more of a traditional heavy metal band. They play a lot in Santa Rosa. Rick discovered him. Rick went to one of their shows and saw him sing. And we knew things were kind of going south with Katon."

In a social media post, Carroll stated about his appearance on Zetro's Toxic Vault: "I didn't say anything out of line or untrue. In fact, I gave a very vanilla version of the whole Katon thing."

The Katon-fronted version of NEFARIOUS played its first — and only — show on July 19 at the DNA Lounge in San Francisco. Fan-filmed video of the concert can be seen below.

NEFARIOUS's debut album, "Addicted To Power", came out on July 18 via Relentless "Metal" Records, with the collector vinyl available through Hectic/Bleeding Priest Records.

Regarding how NEFARIOUS came together, Katon told The Metal Crypt: "I think it was going to be a solo record for Doug Piercy at first. We had all run into each other from years of playing in the same scene. It seemed like the timing was really what it was. I did a couple of benefits. I did one for Tom Hunting from EXODUS where we raised money for his hospital bills. We did another one for Sean Killian, the singer from VIO-LENCE. At those benefits, I saw a lot of these musicians. We talked to each other and obviously talked about music. Then it came around to where we played some shows together. I think that's what made us all notice each other a little bit more, like, 'Hey, I wonder what it would be like to play with those guys.' Even though I live in Los Angeles, I go up to San Francisco quite often. It's been working out pretty well. We're just going to keep writing music. The one thing that we all have in common is we love writing music. I think that's what keeps us so motivated to do this."

On the topic of NEFARIOUS's musical influences, Katon said: "We all listen to a lot of music. Some of it would surprise people. Obviously, there's going to be heavy metal influences in there because we all grew up on DEEP PURPLE and early SCORPIONS. We love Uli John Roth, obviously, BLACK SABBATH and THIN LIZZY, bands like that. You can't help it. When you play music for as long as we have, other styles of music are going to come into play, whether it's classical music or jazz. Myself, I love stuff like Luciano Pavarotti. There's going to be those things. It also helps the songwriting because you take from some of your heroes, like Jimi Hendrix or, like I said, back to opera music or classical music, you can't help but intertwine some of that in the music. That is in the roots of the music. Then, obviously, thrash metal plays a very big part of it, because we all came from a lot of the early bands. There's going to be some of those influences. People will hear a little bit of the EXODUS thing; they will hear a little bit of the HIRAX thing. Even with Doug, he's just a well-rounded guitar player, and his songwriting skills are majorly off the charts. This guy's got a big brain, and he really has a great way of looking at music. People are going to hear the stuff that we grew up on, whether it's BUDGIE or any of that kind of stuff. They're also going to hear thrash metal mixed in with elements of classical music."

Describing NEFARIOUS's sound, Katon said: "I think we're a cross between, obviously, early thrash metal, but also a lot of the heavy metal influence is there as well. You will hear some harmonies, bands like [IRON] MAIDEN and THIN LIZZY. We'd be lying if we said that wasn't there, because we grew up on that stuff. DEEP PURPLE's a big influence. RAINBOW. Obviously, Ritchie Blackmore, stuff like that. It's going to be in there. I think we also have a different way of looking at it, because we've been doing it for so long. We're not trying to be like a lot of the other bands, and we're not trying to be modern. There are modern sounds, because we're recording in modern studios. The music's definitely coming from the right place. I think that people hear that when they listen to this new song 'One Nation Enslaved', you can hear that we definitely have stuck to our guns. We're not trying to do commercial music, but we also are writing songs that are memorable."

This past July, NEFARIOUS released the official music video for the "Addicted To Power" title track. The clip is a raw performance piece filmed at Soundwave Studios in Oakland, California.

"Addicted To Power" followed previously released, critically praised tracks "Master Plan" and "One Nation Enslaved", which were made available earlier this spring.

The music for "Addicted To Power" was recorded at Subterranean Studio in Oakland, California and Pyramid Studio in San Francisco, California. It was mixed by Damien Rasmussen of Smoke And Mirrors Productions.

De Pena previously stated about NEFARIOUS: "We're not a band. We are a gang ready to crush skulls and make eardrums bleed ... Necks will be sore ...!!"

Press photo courtesy of Freeman Promotions

For centuries, sailors’ tales have told of purification in the face of the storm. The sea is not just a backdrop but a proving ground: when danger and ruin loom, greed gives way to reflection. Crew and captain alike recognize their own vulnerability and put their trust in higher powers—a classic motif between adventure, morality, and spirituality that still resonates today and is continually reinterpreted. Into this tradition sails “Coming Home,” the new clip by the German power/folk-metal formation Minotaurus. As an advance signal for the seventh studio album, Memories In The Haze, slated for November, the piece presents itself as a short music film—directed by Kevin Ehrl (E(h)rlebnisfilm).

As the pre-release clip for the upcoming full-length Memories In The Haze, “Coming Home” marks the most elaborate music video the Aschaffenburg outfit has produced to date. At its center is a duet between frontman Oliver Klump and vocalist Clarissa Hobeck, musically situated between power and folk metal. Lyrically, the film draws on the lore of 15th- to 17th-century privateers who are caught in an inescapable storm—fully aware there is no way out.



Memories In The Haze, the new full-length by Bavarian folk & power metal band Minotaurus arrives on November 28 via NRT-Records and sets a wide thematic compass: from myths and legends to subjects firmly rooted in the present.

Memories In The Haze weaves myth and reality into a panorama of doubt, solace, and hope. The power-metal-leaning title track “Memories In The Haze” sketches the portrait of a battlefield survivor and doubles as a metaphor for the band’s own path through highs, losses, and new beginnings. “Master Of The Universe” depicts an omnipotent entity striving for control through “divide and conquer.” “Coming Home” turns its gaze to pirates on the brink of doom who find strength in faith—carried by an intense duet. With “Der Jüngling am Bache” and “Sehnsucht,” classical poetry meets metallic force; heartbreak, wanderlust, and existential searching receive a contemporary reading. “D.R.I.P.” concludes the “Lonely Dwarf” saga as a pathway of trials between trust in God and the promised land. “Heroes” examines the costs of power, “Lonely Prisoner” gives voice to a condemned man. “Proud Kings Of Avalon” reflects the escape into virtual worlds, while “Tears Of A Hero” (new interpretation) lays bare inner wounds. “Goodbye” opens the view to the next chapter.



Memories In The Haze tracklisting:

“Master Of The Universe”
“Memories In The Haze”
“Coming Home”
“Der Jüngling Am Bache”
“D.R.I.P.”
“Heroes”
“Lonely Prisoner”
“Proud Kings Of Avalon”
“Sehnsucht”
“Tears Of A Hero”
“Goodbye”

Grammy Award-winning country band SHENANDOAH and multi-platinum, diamond-certified rock group NICKELBACK are headed for a nostalgic trip down the Cumberland Road. Today, genres collide as the two bands join forces on a dynamic new rendition of SHENANDOAH's classic hit "The Church On Cumberland Road" (8 Track Entertainment).

Over the past few months, SHENANDOAH and NICKELBACK performed together on multiple major country music festivals. After meeting on the tour trail, the collab was spawned, and the rest is history.

"First, let me say that it's always a great opportunity to befriend those in the music industry, regardless of the genre," shares SHENANDOAH lead singer Marty Raybon. "NICKELBACK's Chad Kroeger and I had the chance to talk about their music and ours and the parallels of some of the tunes that could be swapped out on the setlists. The idea came up, and after a few text messages, we were off and running with what is one of the coolest things we've ever done. SHENANDOAH and NICKELBACK. Who would have thunk it."

"We've always had a deep respect for the artists who came before us, and SHENANDOAH is one of those bands that helped define an era," says Chad Kroeger of NICKELBACK. "Getting the chance to collaborate with them on 'The Church On Cumberland Road' was an absolute blast. It's a song that feels as vibrant today as it did when it first came out."

An animated music video, created by Cartuna, accompanies today's arrival of the single. The video recreates SHENANDOAH's original 1989 version and adds Kroeger into the mix. Watch it below.

With a legacy spanning decades, SHENANDOAH remains one of country music's most enduring and influential bands. Known for their rich harmonies and heartfelt storytelling, the Grammy-, CMA- and ACM Award-winning group has delivered timeless hits like "Two Dozen Roses", "The Church On Cumberland Road", "Next To You, Next To Me", "Sunday In The South", "I Want To Be Loved Like That" and "Somewhere In The Vicinity Of The Heart". A multi-platinum-selling powerhouse with over a billion career streams, SHENANDOAH's music continues to resonate across generations. The band's recent collaborations have reignited fan excitement — "Two Dozen Roses" featuring Luke Combs and "Sunday In The South" featuring Jason Aldean and Luke Bryan both soared to No. 1 on the iTunes all-genre chart, proving the band's influence is as strong as ever.

2023 Canadian Music Hall Of Fame recipients, and diamond-certified selling group NICKELBACK were named the "most successful rock band of the decade" by Billboard in 2009. Globally celebrated for their career defining and award-winning hits "How You Remind Me", "Photograph", "Far Away", "Rockstar" and more, the four-piece comprised of Chad Kroeger, Ryan Peake, Mike Kroeger and Daniel Adair is one of the most commercially viable and important acts of the past two decades. Their success includes worldwide sales of more than 50 million units, solidifying their status as one of the top-selling acts of all time and the second best-selling foreign act in the U.S., in the 2000s decade, behind only THE BEATLES. Their inescapable and irresistible smash "How You Remind Me" was named Billboard's "Top Rock Song Of The Decade" and was the most played song on U.S. radio (any format) in the 2000s, according to Nielsen Soundscan, with over 1.2 million spins. Amongst all of these accolades, they've also been named Billboard's "Top Rock Group Of The Decade" and received nine Grammy Award nominations, three American Music Awards, a World Music Award, a People's Choice Award, twelve Juno Awards, seven MuchMusic Video Awards and have been inducted into Canada's Walk Of Fame (2007) and the Canadian Music Hall Of Fame (2023). With more than 23 chart-topping singles and fans spanning the globe, NICKELBACK boasts more than twelve consecutive sold-out world tours, playing to well over 10 million diehard and adoring fans.

San Francisco Bay Area thrash metal legends SADUS have released the official music video for the song "Pain". The track is taken from the band's first album in 16 years, "The Shadow Inside", which came out in November 2023 via Nuclear Blast Records.

SADUS vocalist/guitarist Darren Travis comments: "Pain is validation. Pain is the ultimate proof of existence. It's not just a symptom — it's a signal that we're alive, feeling and fighting. In a world that often numbs or denies emotion, pain becomes the most honest expression. Our inner demons evoke a sense of willingly confronting torment. This isn't passive suffering — it's active engagement with darkness. The fire symbolizes both destruction and purification. Defiance against anguish.

"Despite the overwhelming presence of suffering, I refuse to be ruled by it," he adds. "Pain is acknowledged, but not allowed to dominate. Pain... though sharp and dangerous, can be a source of creativity. Artists, thinkers, and survivors often channel their suffering into something transformative.

"'Pain' isn't just about hurting — it's about what hurting reveals, what it demands, and what it can become."

Reunited in 2017, SADUS spent several years writing "The Shadow Inside" at their own pace, impervious to outside trends and influences, and finished recording with Juan Urteaga (EXODUS, TESTAMENT, MACHINE HEAD) at Trident Studios.

Featuring ominous artwork by accomplished artist Travis Smith (FLESHGOD APOCALPYSE, OPETH),"The Shadow Inside" is a contemporary thrash classic with colossal, groove-laden riffs at break-neck rhythm and blistering solos.

SADUS unleashed the first single from "The Shadow Inside", a song called "It's The Sickness", in late 2022. The record's next track, "Ride The Knife", came out in September 2023.

"The Shadow Inside" track listing:

01. First Blood
02. Scorched And Burnt
03. It's The Sickness
04. Ride The Knife
05. Anarchy
06. The Devil In Me
07. Pain
08. No Peace
09. New Beginnings
10. The Shadow Inside

Regarding why "The Shadow Inside" was completed as a duo, with Travis and SADUS's founding drummer Jon Allen, Darren told Chad Bowar of Heavy Music HQ: "It is a huge undertaking to write a whole SADUS album, and with me, I have been playing guitar on and off with my schedule. I believe that it is frustrating for Steve [DiGiorgio, longtime SADUS bassist] because of my on-and-off schedule of practicing. And he is extremely busy with all of his endeavors. We just couldn't get it together time wise. Jon, on the other hand, moved into my house for a year or so, so we had plenty of time together to write music, which was a total blessing looking back. When it came time to record, Steve said he was not available, so we pushed on without him. We did not bring anyone into the mix out of respect for Steve. We couldn't have used the name of SADUS if we have new people, so just two Mohicans left as of now."

On the topic of what led to the reactivation of SADUS, Darren said: "I had a new app on my phone that really helped me get going on writing new riffs and playing guitar again on my phone. It got me reinspired to bust out some really good goodnessess. No one in the house had to listen to me riffing out on an amp; it's all digital — awesome."

The official music video for "It's Only Love", the powerhouse new single from Militia Vox and Corey Glover (of LIVING COLOUR),with guest appearances by Vernon Reid (LIVING COLOUR) and Nuno Bettencourt (EXTREME),can be seen below. Set in a surreal, futuristic stadium concert, the musicians shred their instruments so hard it turns them into badass, undead skeletons.

Militia Vox comments: "Corey and I initially shot footage with green screen, but the reality of getting all four of us in a room to do this video was not feasible — LIVING COLOUR and EXTREME tour a lot, I perform a lot, Nuno and Vernon played Ozzy's [Osbourne] farewell concert, etc. Everyone has been crazy busy. So, the best solution was to use A.I. to create something otherworldly. I worked with an A.I. creator and together we fulfilled my concept and created something unique and cool."

She added: "A.I. can be used to deceive or to achieve. Here, we achieved. It's A.I. used for good"

"It's Only Love" was first made available last month via Golden Robot Records.

"It's Only Love" is a high-energy, hard-hitting rock duet that explodes with empowerment and passion. Originally made famous in the '80s by Bryan Adams and Tina Turner, this modern reimagining sees Vox and Glover deliver a searing vocal performance, rich with chemistry and intensity. Their voices intertwine with fiery grit and soulful depth, giving the classic an electrifying new edge. The track also features an all-star guitar showdown between Reid and Bettencourt, whose dueling lead guitar parts bring both raw power and intricate flair. Reid's inventive, razor-sharp style collides with Bettencourt's explosive, virtuosic shredding — creating a blistering sonic clash that pushes the track into overdrive.

With its cutting-edge electronic/industrial rock production, "It's Only Love" updates the timeless anthem for a new generation while paying homage to its original spirit. The result is a bold, modern rock collaboration that celebrates resilience, strength, and the sheer force of love.

Militia Vox is an alt-rock/metal artist, singer, songwriter, composer, actress, host, fire performer, visual artist and AR/XR/XR immersive creator. Her music is a unique and rebellious blend of metal, rock, goth/industrial, prog and cinematic soundscapes. Known for her four-octave range, raw presence and serious vocal power, this award-winning heavy music trailblazer has worked with Cyndi Lauper, TWISTED SISTER, LIVING COLOUR, Nancy Sinatra, CANDLEBOX, L7, Kathleen Hanna (BIKINI KILL, LETIGRE),Doug Pinnick (KING'S X),John Petrucci (DREAM THEATER),Nuno Bettencourt (EXTREME, Rihanna),24-7 SPYZ, Paul Schaffer and the CBS Orchestra and members of GUNS 'N' ROSES, BAD WOLVES, KITTIE, THE ROOTS and more.

Militia Vox's duet with heavy metal icon Rob Halford (JUDAS PRIEST),"Push Comes To Shove" by BAD PENNY, reached No. 23 on iTunes. She is also frontwoman of all-female heavy metal sensation JUDAS PRIESTESS — and the only artist to have a duet with the person they've tributed! Her cover of LED ZEPPELIN's "Friends" by PATRIARCHS IN BLACK (with Johnny Kelly of TYPE O NEGATIVE, DANZIG and QUIET RIOT) was named No. 10 in the "Top 10 Best Of" on SiriusXM's Liquid Metal.

Militia made her Lincoln Center debut in 2025, her Carnegie Hall debut in 2022 and has performed in Broadway shows and musicals such as "Everything Bad And Beautiful", "Chix 6", regional productions/tours of "Rock Of Ages", "The Rocky Horror Show" and the European tour of "Jesus Christ Superstar". She also starred in the national tours of Dee Snider's horror orchestra "Van Helsing's Curse" and Black Women Rock / Daughters Of Betty.

Militia hosted Fuse TV's "Heavy Metal Makeover" and VJed on MTV2, VH1 and MuchMusic USA. Militia is in books and films, including the documentary "Betty: They Say I'm Different" about the life of funk-rock legend Betty Davis (Amazon Prime).

TWISTED SISTER has announced its first reunion concerts as part of the band's 50th-anniversary tour. The Dee Snider-fronted act will perform at a number of European festivals next spring and summer, including at Sweden Rock, Copenhell and Graspop Metal Meeting.

TWISTED SISTER's 2026 shows will feature the band's three core members: Snider, founding guitarist Jay Jay French and longtime lead guitarist Eddie Ojeda. Bassist Mark "The Animal" Mendoza won't be joining the celebration. Russell Pzütto, who has toured with Snider's solo projects, will replace Mendoza on bass. Joe Franco, who briefly played with the group in the mid-1980s, will sit behind the drum kit, stepping in for A.J. Pero, who passed away in 2015 at the age of 55.

Confirmed TWISTED SISTER 2026 shows so far:

June 3-6 - Sweden Rock - Sweden
June 10 - Mind Live Arena - Milan, Italy
June 19 - Graspop Metal Meeting - Dessel, Belgium
June 26 - Copenhell - Copenhagen, Denmark
June 27 - Tons Of Rock - Oslo, Norway
July 3 - Barcelona Rock Fest - Barcelona, Spain
July 10 - Midalidare Rock In The Wine Valley - Mogilovo, Bulgaria
July 24-26 - Steelhouse XV - Hafod-Y-Dafal Farm, Ebbw Vale, United Kingdom
August 23 - Riverside - Aarburg, Switzerland

In a recent interview with John "JP" Parise of Long Island, New York's 102.3 WBAB and Tampa, Florida's 102.5 The Bone radio stations, Snider stated about why he changed his mind about returning to the road, nine years after the completion of TWISTED SISTER's "40 And Fuck It!" farewell tour, and after he repeatedly slammed KISS and MÖTLEY CRÜE farewell tours and subsequent reunions as mere cash grabs: "First of all, I own [my previous] statements [about not wanting to stage a TWISTED SISTER reunion]. I said that and more. I singled out bands. I named names. I ranted and raved about this, and I expected to get excrements for this, but I'm getting hit hard.

"I'm not gonna lie, and I can only tell you so much, but this is the total truth," he continued. "I turned 70 this year and I had a health scare. And I'm okay… And it shook me up… I won't say [exactly what it was], and I'm okay. But it really made me re-evaluate a lot of things. [When I was] 40, 50, 60, I thought I was superhuman. TWISTED SISTER retired 10 years ago when I was ripped to shreds. And then [at] 70, something happened and it was a re-evaluation, quite honestly. And part of that re-evaluation was looking and saying… Am I ready to go? Well, you never know when you're gonna go quietly to the night. You never know when your time is up. And do I really wanna do that without rocking one more time. And I stopped doing solo stuff a few years back as well. I mean, I go out and I join [POISON frontman] Bret Michaels or Lita Ford on stage [during their shows] for a couple songs, but I don't go out and perform. And upon talking to my wife and re-evaluating, it was I, me, who called the [other] guys [in TWISTED SISTER]. I called them. They never called. I mean, we talk, but they never brought it up because I was, like, 'This is not happening, guys. It is done. It is over, just like I told everybody.' But, like I said, I had a life-changing experience and re-evaluation of a lot of things, and I reached out. I said, 'Guys, what do you think about doing it one more time?'"

According to Dee, Jay Jay and Eddie didn't immediately jump at the opportunity to return to playing live shows with TWISTED SISTER. "It was a conversation," Snider explained. "At this point, do we wanna take this, for lack of a better word, victory lap, so to speak? But it was a conversation. And then everybody goes, 'Well, how can you not, with Alice [Cooper] out there [at the age of 77]?' Alice told me... I said, 'Dude, when are you gonna retire?' He says, 'I'm looking forward to singing when I'm 80.' So he's got no plans. [Mick] Jagger's out there [playing shows at age 82]. Paul McCartney's doing three hours [at age 83]. Now I know he doesn't run around like I do, but the same time, you go, well, there's precedents. People are out there into — there are octogenarians out there [touring] now. So we decided to go for it and go out on a high note."

After JP criticized some of the media's coverage of TWISTED SISTER's return, particularly as it relates to reports of the band "touring" again, Dee said: "It doesn't say that in the press release. I checked. I'm seeing, 'Tour.' 'They're hitting the road again.' Wait a minute — who's hitting the road? We're flying first class on an air jet airplane. Private plane.

"I'm sorry, folks. People are saying, 'Come to this town, come to that town.' No, man," he clarified. "This is a handful of dates — I'm thinking it's about 20, 25 shows around the world, festivals almost exclusively. And it's not a full-blown tour or anything like that. It's a celebration for us, and I hope you're celebrating with us for the fact that 50 years ago, next year, we got together — me, Eddie and Jay Jay — and we, against all odds, we had success."

Asked by JP "how big the dump truck full of money" was "that showed up in [Dee's] driveway" that convinced the singer to reunite TWISTED SISTER for the band's 50th anniversary, Snider said: "I'm gonna be honest. The numbers are getting higher and higher and higher, but it wasn't really where I — I had this place in mind, and it wasn't there. But like I said, honestly, it wasn't about the money. Yeah, if there was no money, I'm not gonna do it. I'm not gonna lie about that. But it really was this sort of looking in the mirror going, 'Hey, man, that was scary. And I don't wanna go out like that.' I do not wanna go out quietly. Kicking and screaming, man — that's the way I wanna go."

Dee also talked about the challenges of preparing for TWISTED SISTER live performances, particularly as it relates to the physical demands of stepping on a stage for an hour and a half. He said: "I always had a mixed relationship with the concerts. I did so much prep and I got so into it, it was so intense, I made myself miserable. When I go out there, it's the greatest moment in my life for 90 minutes, and I get off the stage and I feel really good for about 15 minutes, half hour, and then I start [to think], 'Oh no. I've gotta do this again tomorrow.' And I start getting manic. And [my wife] Suzette would never come out the road with me. She said, 'You're miserable. You sit in the room, you obsess.' I sit there, and I'm not one of those people, but I sit there writing a list of the exact time I've gotta eat my protein and what time I've gotta do my neck stretches and a hot bath and vocalizing. I write it down on a sheet, and I check it off. I'm, like, manic. And so that's another reason why going back to it, there's a lot of discomfort in the whole — and being away from the family and being away from my wife, 'cause she doesn't wanna be anywhere near me, which I understand. So, this way of doing it, going out and doing a show on a weekend and going out, there'll still be that day of getting ready for the show because it's sort of my method. But at least after the show, Suzette will be out there and we'll go and we'll enjoy wherever we are for a few days and relax until the next one comes. So it'll be one day of intensity as opposed to just an endless day after day after day of obsessing and making myself crazy."

During a September 10 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", Dee stated about Mark's absence from the TWISTED SISTER 2026 tour: "I can only simply say irreconcilable differences and leave it at that. I can't get into the weeds and I can't go down that path. And I won't. But irreconcilable differences. People change, and however it is, and I'm not saying he changed; maybe we changed whatever it is. So in deciding who to use on bass, my bass player on the last two Dee Snider albums, 'For The Love Of Metal' and 'Leave A Scar', was Russ Pzütto. And he was Mark Mendoza's bass tech, and a great bass player… So, he did an amazing job on those two albums. He was a great guy to tour with. The band all knew him from years of working with TWISTED, and again, he seemed like a likely choice. As a matter of fact, one time he was Mark's choice to fill in for him. And one gig, it was in Belgium at Graspop, and Mark couldn't make it, and Russ stepped in and played with TWISTED. So he actually has performed with TWISTED once before."

Asked if he thinks the door is open for Mark to play with TWISTED SISTER again at some point during the reunion tour, Dee said: "I can't imagine it right now. I can't imagine it right now. I mean — I plead the fifth. I can't go beyond that. But things have happened that I don't see being reconciled, hence the term 'irreconcilable differences.'"

French previously addressed Mendoza's departure in a statement to Rolling Stone, explaining: "Me, Dee and Eddie have performed as TWISTED SISTER for nearly 50 years with 10 different bass players and drummers. The band has never discussed internal realignment before and has no intention of doing it now. Suffice to say that almost all bands with a 50-year history have gone through realignment as a byproduct of time. We wish Mark well in his future endeavors."

Franco played on TWISTED SISTER's 1987 album "Love Is For Suckers". Mike Portnoy, who took over for Pero after he died near the end of TWISTED SISTER's 2016 run, is busy touring with DREAM THEATER and is unable to participate in the upcoming TWISTED SISTER live activities.

In a separate interview with Joe Rock of Long Island's rock station 102.3 WBAB, Jay Jay was asked if there is any chance of TWISTED SISTER releasing at least one new song to coincide with the group's upcoming shows in 2026. The last new track French and the rest of TWISTED SISTER recorded was "30", which TWISTED SISTER laid down for the 25th-anniversary reissue of the "Stay Hungry" album in 2009. Jay Jay said:
"We played ['30' live]. I love the track. We made a video. It's a great song. And Dee [Snider, TWISTED SISTER singer] predicted that nobody would care. We played it several times on the tour following the release, and Dee said, 'This is the bathroom song coming up, everybody.' People were looking around going, 'What's that bathroom song?' You know the point in the show where someone says, 'This is a new track,' and you all get up and go to the bathroom? He goes, 'We have a bathroom song that's coming up. I'll give you plenty of warning.' And so he made such a point of saying it that nobody would get up and go to the bathroom, 'cause now they were completely humiliated. So he'd say, 'Coming up in two songs is the bathroom song.' And we would play it, [and] everyone was there, everybody clapped."

French continued: "But I guess here's the important point. If you're gonna play 15 songs or 16 songs, whatever the amount songs are, and you laid them out on a grid and you said to a fan, a real fan, 'Okay, we're gonna play this, this, this, but we're gonna put this new track in and we're gonna take this track out.' How do you think the vote would go? You know the answer to that question would be 95-5 against or maybe 99-1 against. And that's the truth. That is simply the truth. I don't care how you wanna cut it, but when you're a classic band like us who's had a ton of product out there and we have five albums and everybody knows who they are, and with [returning TWISTED SISTER drummer] Joe Franco on drums, we're gonna play songs from the album that he played drums on, 'cause he was a bonafide member of the band, it becomes a situation where if we did, what are we taking out to put that in? And that becomes a Dee issue. I trust his vibe as a frontman to control the audience, 'cause he's great at it, have control of the ebb and flow of the night. Now, having said that, he wrote a song and he presented it to us and we're considering recording it. We're considering it, and if we do, then we may play it. But we haven't done it yet. It could happen. However, like I said, if you asked a hundred fans what they wanna hear, you would get a response of almost zero on a song they didn't know."

Two and a half years ago, TWISTED SISTER staged a one-off reunion at the Metal Hall Of Fame in Agoura Hills, California. On hand to be inducted into the Metal Hall Of Fame were Snider, French, Mendoza and Portnoy. Ojeda was absent from the event after contracting COVID-19; filling in for him was Keith Robert War. TWISTED SISTER played a highly charged three-song set consisting of the staples "You Can't Stop Rock 'N' Roll" and "Under The Blade", as well as the anthem "We're Not Gonna To Take It".

TWISTED SISTER's original run ended in the late '80s. After more than a decade, the band publicly reunited in November 2001 to top the bill of New York Steel, a hard-rock benefit concert to raise money for the New York Police And Fire Widows' And Children's Benefit Fund.

15 years of STEELHOUSE is worth celebrating in the biggest possible way...SO, lets do this with a legend that's marking...

Posted by Steelhouse Live on Friday, November 7, 2025

🇨🇭Get ready, Switzerland!

Posted by Twisted Sister on Friday, November 7, 2025

ALRIGHT ITALY🇮🇹

PRESALE (METALITALIA): Thursday, November 6th @ 11:00AM CET

ON-SALE: Friday, November 7th @ 11:00AM CET

https://www.ticketone.it/artist/twisted-sister/

Posted by Twisted Sister on Wednesday, November 5, 2025

During a November 6 appearance on SiriusXM's "Trunk Nation With Eddie Trunk", TESLA guitarist Frank Hannon confirmed that he and his bandmates are slowly working on a new covers project. Regarding their inspiration for making a covers album, Hannon told host Eddie Trunk (as transcribed by BLABBERMOUTH.NET): "Well, you were talking about [TESLA frontman] Jeff Keith being a singer who can still sing compared to a lot of our other comrades from our era. And so we're doing a collection of songs that showcase Jeff Keith's singing ability. And it's coming out really great, man. Some really obscure classic songs that you would not expect to hear from TESLA. And it's centered around his ability to sing and his soulfulness in his voice. [TESLA bassist] Brian Wheat has been working really hard at producing it. These guys were just in the studio for a week. I did some recording in [Las] Vegas in my hotel room with Jeff, and we're working on it. It's a work in progress."

Hannon went on to say that the upcoming covers project will include TESLA's version of SUPERTRAMP's "Give a Little Bit", which he and his bandmates have been performing live at some of their recent concerts. "That's one of the new ones we're doing," he said. "And we're doing another version of [CLIMAX BLUES BAND's] 'I Love You', which got millions of views on TESLA's Spotify, I think, or YouTube or something. So that's almost like one of our own hits, is the song 'I Love You'. But there's some really obscure tracks on this new batch of recordings — songs by THE TEMPTATIONS… Jeff picked most of 'em. And Brian, like I said, Brian's been spearheading this project."

Last month, TESLA completed a five-song Las Vegas residency at the House Of Blues Las Vegas inside Mandalay Bay Resort And Casino. During this exclusive run of shows, TESLA touched all sides of its unique discography, including the heavier edge of electric songs like "Modern Day Cowboy", "Hang Tough" and "Edison's Medicine", as well as the band's acoustic-driven songs such as "Signs" and "Love Song" (two Top 10 Billboard-charting hits).

TESLA previously held a residency at the House Of Blues in April 2024.

TESLA's latest six-song EP, "All About Love", was released in November 2024. The EP includes four versions of "All About Love" (acoustic, electric, hybrid, live); a live version of "Walk Away", a concert favorite from "Reel To Real, Vol. 1"; and another new song, "From The Heart", an instrumental track by Hannon.

Some fans criticized TESLA for adopting a 1980s-style polished production for its latest album, 2019's "Shock". The follow-up to June 2014's "Simplicity" was helmed by DEF LEPPARD guitarist Phil Collen, whose own group is no stranger to slicked-up, glossy-sounding recordings.

In September 2023, TESLA released the official music video for its cover of AEROSMITH's "S.O.S. (Too Bad)". The song is a bonus track on TESLA's live album, "Full Throttle Live!", which arrived in May 2023. The LP included the band's "Time To Rock!" single, plus other songs, all recorded in August 2022 at Full Throttle Saloon in Sturgis, South Dakota.

In September 2021, original TESLA drummer Troy Luccketta announced that he would "take a little time from the road" to spend with family and friends. He has since been replaced at TESLA's gigs and in the recording studio by Steve Brown, the younger brother of former DOKKEN drummer Mick Brown.

TESLA's debut album, 1986's "Mechanical Resonance", went platinum on the strength of the hits "Modern Day Cowboy" and "Little Suzi". The 1989 follow-up album, "The Great Radio Controversy", produced five hits, including "Heaven's Trail (No Way Out)" and "Love Song", which hit the pop Top Ten.

Press photo courtesy of O'Donnell Media Group

Texas rockers DANGEROUS TOYS, who achieved a short-but-sweet burst of success in the midst of the late 1980s glam metal boom, will release "Demolition" on December 12 on CD, vinyl and limited-edition cassette via Cleopatra Records.

They may not have released a new studio album in 30 years, but few who've seen DANGEROUS TOYS playing out recently would ever doubt that they remain one of the most exhilarating live bands on the circuit — albeit one that rations its appearances to just a handful at most a year. They've already played a few select shows in 2025, and there's still a couple to come, at the Rochester Opera House in Rochester, New York on November 14, and the Met Cafe in Pawtucket, Rhode Island the following evening. And next spring, they're playing the Monsters Of Rock cruise.

Amidst so much activity, and with the band's long-awaited fifth album still in a state of gestation, fans can look forward to the arrival of "Demolition", which features 10 tracks, all previously unreleased and recorded during the hiatus between the band's second and third albums, 1991's "Hellacious Acres" and 1994's "Pissed", as they continued refining their debut album's unique concoction of Southern rock and driving metal.

Hand selected by DANGEROUS TOYS, "these old songs… obviously didn't make the cut when choosing songs for official release," the band remarks in the liner notes. All will be completely new to all the ears that hear them.

But while it's easy to refer to the 10 tracks as "rejects" (even the TOYS do so!),it's also worth remembering the band wrote at least 70 new songs during this period, with most of them being recorded within days of the original idea being brought to the jam room, probably scribbled on a piece of scrap paper, or loosely worked out on a cassette tape. And so the recordings piled up and when it came time to piece "Pissed" together…

Quality had nothing to do with it!. There was just too many songs to release. Until now!

The countdown to "Demolition" begins today, with the first single from the album, "Rock Shock Cowboy", coming at you — as guitarist Scott Dalhover puts it — "straight out of the way back machine from deep within the DANGEROUS TOYS archives. It's a snapshot of what was going on in the D.T. songwriting process at that point in time."

"Demolition" track listing:

01. Rock Shock Cowboy
02. Come Out Swinging
03. Rattle My Cage
04. Rhapsody in Barbed Wire
05. One On One Live
06. Burning Bridges
07. Your Sister
08. Backstreet Girl
09. Shot To Hell
10. SNAFU

In a recent interview with Anthony Bryant of The Hair Metal Guru, DANGEROUS TOYS singer Jason McMaster spoke about how the rise of grunge in the early 1990s forced most hard rock bands off the radio and MTV, with album and tour sales plummeting. He said: "I was kind of living in my own bubble. And if someone says that grunge killed hair metal — I throw up in my mouth every time I say 'hair metal', but I'm trying to be crystal clear — I think that that's wrong. I think that hair metal killed hair metal. Too many bands got signed and there [were] too many terrible bands [that] got signed. And if you think that DANGEROUS TOYS is one of those terrible bands, I'm open to that. I'm cool with you thinking that. But it was ridiculous as to how far it got taken with the whole look and the whole feel of everything. I feel like it didn't have any balls anymore. And it was supposed to have some balls.

"Me and all the TOYS guys really respected a lot of the bands that were sort of not at war against hairspray or whatever," Jason continued. "It was more like they felt real to me, and those are bands like JUNKYARD and RHINO BUCKET and RAGING SLAB and CIRCUS OF POWER, and there's a shit-ton of them. There's a bunch of that sort of movement that had more of a punk, dirty alleycat style of whatever — just rock and roll. It was coming more from maybe a southern rock attitude or an early AC/DC attitude where it wasn't about hair. I mean, I know people that call AC/DC a hair metal band. I know that [TWISTED SISTER's] Dee Snider doesn't like the term 'hair metal' because it doesn't really play in to what they were kind of about, because they were kind of a street rock band. And anyway, I think that DIRTY LOOKS was one of those bands as well. And like I said, I could keep going — there's a stack of them that didn't really play in to… And I won't mention — just whatever you think is hair metal might be quite different than what I think is hair metal."

McMaster added: "So I think hair metal killed hair metal. I think grunge was about to happen anyway. For those of you who might not know, SOUNDGARDEN and NIRVANA — I'll just stick with them — they were touring their first records in, like, '87. So, I don't know. It just took a minute [for those bands to break], just like it took a minute for GUNS [N' ROSES to have commercial success]. GUNS didn't break [right away], and that record, 'Appetite [For Destruction]' was out for a year, year and a half before it really had any numbers to speak of.

"It's interesting how music kind of has to sort of warm up and people have to discover it in the underground before someone can really make it stick," Jason concluded. "And that's usually radio and back then MTV. Now it's content."

Founded in 1987, DANGEROUS TOYS released four full-length albums and one live album before unofficially disbanding at the turn of the millennium.

DANGEROUS TOYS' self-titled debut album, which came out in 1989, eventually went gold (although it took until 1994),while the group's follow-up, 1991's "Hellacious Acres", failed to launch.

Although DANGEROUS TOYS continues to perform live, the band has not released any new material since 1995.

A few years ago, McMaster was asked by Metal Edge magazine why he thinks "Hellacious Acres" failed to reach the same levels of success as DANGEROUS TOYS' debut. He responded: "I think it had a lot to do with the whole Seattle movement. That record came out in '91, the same year NIRVANA and PEARL JAM dropped their first albums. But a lot of people got really into grunge, and that buried a band like DANGEROUS TOYS. It felt like the streets in cities like L.A. emptied, and everyone changed their wardrobes overnight. So, when I think of 'Hellacious Acres', I think about what could have been. It's an awesome record, and at the time, it boggled my mind that people weren't into it."

Asked if that is what led to DANGEROUS TOYS eventually being dropped from Columbia, McMaster said: "Absolutely. You had this new style of rock music that had all these people latching on to it, and it killed bands like us. The radio and MTV wanted nothing to do with us and refused to play our stuff. So, an album like 'Hellacious Acres' never had a chance. Couple that with the giant moguls and money-making machines throwing all their weight behind grunge and acts like DANGEROUS TOYS were essentially dead in the water. So, with Columbia, labels have to do whatever the trends say they must do for them to pay their giant rents or whatever. It wasn't a shock that Columbia jumped ship on us, just like all the other major labels did with other bands. I mean… I know they were trying their best to have some sort of ditch effort with Alice Cooper, JUDAS PRIEST, METAL CHURCH and MOTÖRHEAD around that time, but it didn't matter. If you played hard rock or metal, you were screwed. By '91, they cleaned the shelf of all that was popular in the '80s, which meant sleazy hard rock was dying, and our record and our deal died with it."

Image courtesy of Memnoch's Curse

In a new interview with NJ.com, Zakk Wylde said that Ozzy Osbourne had ideas for a new album in mind prior to his death, one that would hearken back to their work together in the early 1990s.

"He was texting me, 'Zakk, let's do another record. Because I really loved it when you were going through your ALLMAN BROTHERS, [LYNYRD] SKYNYRD phase when we did 'No More Tears'. It's heavy but it's more melodic. It's not pummeling heavy.'" Wylde said. "So I said, 'All right, Oz. Whatever you want.'"

The guitarist, who had been a member of Ozzy's solo band on and off for nearly four decades, was excluded from the legendary heavy metal singer's 2020 LP "Ordinary Man", which was the first Osbourne effort to be produced by Andrew Watt. The follow-up effort, 2022's "Patient Number 9", was also helmed by Watt and featured Wylde playing on the majority of the tracks. "Ordinary Man" was recorded with Watt playing guitar.

In a 2020 interview with Kerrang!, Ozzy said that there was a simple reason for Zakk's absence from the "Ordinary Man" record. According to the singer, strong musical ideas emerged so quickly during his early jam sessions with Andrew, GUNS N' ROSES bassist Duff McKagan and RED HOT CHILI PEPPERS drummer Chad Smith that the prospect of Zakk joining on guitar didn't come up, because, "we didn't know we were making an album".

Wylde became Osbourne's guitarist in 1987 after sending the singer a demo tape.

This past July, Zakk told Guitar World magazine that Ozzy was "almost like an older brother" to him. "There was almost a 20-year age gap between us," he told Guitar World. "With our relationship, there was the fun drinking — but if I ever needed advice, I could talk to him."

Ozzy died on July 22 of a heart attack, his death certificate revealed. The certificate filed in London also said Osbourne suffered from coronary artery disease and Parkinson's disease.

Back in 2012, Zakk told Rock Cellar Magazine that he felt welcomed into the heavy metal family when he first joined Ozzy's band. "Oh, totally," he said. "Even those very first shows, everyone was rooting for me because they knew I was on the team, and loved Randy Rhoads as much as they did. They could see I played Randy's stuff exactly his way, and had the highest respect for what he did. There's no way you can fill his shoes, so you just have to give respect to his music and play it accurately. You have to, because this is the house that Rhoads built. And without Randy Rhoads, there never would have been a Zakk Wylde."

On November 3, members of LAMB OF GOD, FEAR FACTORY, CROWBAR, CATEGORY 7, DEVILDRIVER, OBITUARY and NEKROGOBLIKON, among other bands, took part in a 10-song all-star tribute to Ozzy Osbourne during the 2025 Headbangers Boat cruise, which set sail aboard the Norwegian Jewel, departing Miami on October 31 and stopping in Cozumel, Mexico before returning to port on November 4. Fan-filmed video of the various performances can be seen below.

Ozzy died on July 22 of a heart attack, his death certificate revealed. The certificate filed in London also said Osbourne suffered from coronary artery disease and Parkinson's disease.

A private funeral service for Ozzy was held on July 31 on the 250-acre grounds of the house the legendary BLACK SABBATH singer and his wife bought in 1993 in Buckinghamshire, England. Only 110 of the singer's friends and family members attended the service, including his SABBATH bandmates, Robert Trujillo (METALLICA),Rob Zombie, Zakk Wylde, Marilyn Manson and Corey Taylor (SLIPKNOT).

The day before the private funeral, thousands of fans gathered in the streets of Birmingham to pay tribute to Ozzy. Sharon, along with their children Aimée, Kelly and Jack, joined mourners for the emotional tribute.

A little over four months ago, Ozzy reunited with the rest of the original BLACK SABBATH lineup — guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward — for what was his final performance at the "Back To The Beginning" charity concert in their original hometown of Birmingham, United Kingdom.

At "Back To The Beginning", Ozzy played a five-song set with his solo band — consisting of guitarist Zakk Wylde, bassist Mike Inez, keyboardist Adam Wakeman and drummer Tommy Clufetos — before being joined by Iommi, Butler and Ward for four classic SABBATH songs: "War Pigs", "Iron Man", "N.I.B." and "Paranoid".

Ozzy's solo set consisted of four songs from Osbourne's 1980 solo debut album "Blizzard Of Ozz" — "I Don't Know", "Mr. Crowley", "Suicide Solution" and "Crazy Train" — along with his 1991 "No More Tears" ballad "Mama, I'm Coming Home".

The 76-year-old heavy metal singer sang while seated on a black throne and appeared overcome with emotion at times. "You have no idea how I feel. Thank you from the bottom of my heart," he told the crowd.

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English professional football club West Ham United and IRON MAIDEN have proudly collaborated to launch a new football shirt that celebrates the commemorative 50th anniversaries of the Hammers' 1975 FA Cup triumph and the formation of the world-famous band IRON MAIDEN.

The new shirt, which is available to purchase now, is the latest product within the "Die With Your Boots On" football clothing range. The claret and blue shirt is the next milestone in the 50th-anniversary celebrations, which earlier this year saw IRON MAIDEN play an incredible sold-out concert at the Hammers' home, London Stadium.

Steve Harris, founder, bassist, and primary composer for the heavy metal band, is a lifelong Hammer and former youth player, and he was joined on stage by band mascot Eddie where both wore the shirt to the adoration of the 65,000 crowd in east London.

Modeled by current West Ham stars including talisman and captain Jarrod Bowen, the shirt features the iconic 1975 Cup Final badge and the classic claret and blue piping around the neck and arms. The shirt also features the IRON MAIDEN logo emblazoned across the front of the shirt and IMFC on the right breast.

It is made of hexagon polyester and comes with Steve's infamous No. 11 on the back and the collaborative hammer-and-bass-guitar logo with Est.1975 underneath it. The shirt encompasses the incredible connect West Ham United and IRON MAIDEN have through Harris's love for the club. Earlier this year following IRON MAIDEN's blockbuster show, the band took on a West Ham United staff XI at The Foundry, the home of the West Ham United Foundation, which serves as a community hub for 60,000 people each year.

The Hammers' triumph in the 1975 FA Cup Final was one that lives long in founder and bass player Harris's memory even though he wasn't actually there on the day. "I wasn't at the game but what great memories," he said. "Two goals from Alan Taylor and we won it! Frank Lampard and Pat Holland were in the team who used to coach me as a junior as well! Come On You Irons!"

A similarly joyous moment was in June of this year when Steve appeared on stage wearing this shirt for the three-song encore to the delight of the sold-out crowd — many of whom were wearing West Ham colors or the special art worked event shirt depicting Eddie and Steve at the Hammers' home.

"The day really was something special and I didn't really take it all in until much later," recollects Steve. "We'd been wearing that shirt in all our football matches this season across Europe including the game at West Ham United's amazing, redeveloped community hub 'The Foundry', so it just felt like the right thing to do. There were so many of our previous football shirts in the crowd — I hope fans grab this one too to remind them of that day."

The day was complete when Eddie appeared wearing the shirt too. "I didn't know about that," laughs Steve, "but I should have guessed… it was so great how they replaced West Ham team stuff in the dressing room (it had been stripped for the off-season in preparation for the new 25/26 decorations),how they made the match day programme and how the after party in the Great Briton Suite was all dressed with IMFC stuff. It was a day I'll always remember."

The shirt is available for immediate shipping and available to purchase through both West Ham United's in-person and online stores, as well as via the MAIDENstore.

BAD COMPANY was inducted into the Rock And Roll Hall Of Fame on Saturday (November 8) at the Peacock Theater in Los Angeles, California.

Mick Fleetwood inducted the legendary hard rock band into the Rock Hall, telling the audience: "[BAD COMPANY singer] Paul [Rodgers] is the voice that every rock singer holds as their north star. To listen to a BAD COMPANY song is to hear a once-in-a-lifetime voice take rock music to new heights. ... BAD COMPANY was grounded in the blues, but also created uniform, unforgettable pop melodies. They helped define the musical path ahead for rock music."

Founding BAD COMPANY drummer Simon Kirke was then joined onstage by THE BLACK CROWES' Chris Robinson, HEART's Nancy Wilson and AEROSMITH's Joe Perry for a performance of "Feel Like Makin' Love", before Bryan Adams then took over the mic for "Can't Get Enough".

After the performance, Kirke gave an acceptance speech, joking, "I've never played 'Can't Get Enough' in a tuxedo" and acknowledging Rodgers, who opted out of attending the ceremony a week earlier due to health reasons. The drummer also paid tribute to late member Mick Ralphs, who died earlier this year, and Boz Burrell, who passed away in 2006.

In a video message, Rodgers dedicated the honor to the BAD COMPANY fans, ending with, "My prayer for us is that we all choose love."

Prior to BAD COMPANY's Rock Hall induction, the estate of the group's former singer Brian Howe issued a statement expressing disappointment over the fact that the Rock Hall chose not to induct Howe along with the rest of the bandmembers. Howe served as BAD COMPANY's vocalist from 1986 to 1994 and appeared on four of the band's studio albums.

The now-75-year-old Rodgers suffered his first major stroke in 2016 and a second in October 2019, which required him to undergo a major surgery to recover from. At the time, Rodgers underwent a carotid endarterectomy, a procedure to remove plaque from the arteries running through your neck to your brain, according to the Cleveland Clinic.

This past June, Ralphs died at the age of 81 due to complications from a stroke he suffered in 2016.

BAD COMPANY had been eligible for induction since 1999 and received its first nomination this year.

In a new interview with J.J. Caithcart of Different Stages Radio, QUEENSRŸCHE bassist Eddie Jackson spoke about the progress of the songwriting sessions for the band's upcoming follow-up to 2022's "Digital Noise Alliance" album. He said (as transcribed by BLABBERMOUTH.NET): "We're still in the writing process. We actually started it last January, beginning of this year, before we embarked on a month tour over in Europe. And then last summer we got together again. And we're just continuing to write now that we have [fall 2025 North American] tour with ACCEPT. We won't be able to get together as a band in one location. We will be on tour, but it's not like a studio. But we still kind of bring our little recording devices with us to come up with more ideas."

Jackson added: "We're hoping to get in the studio sometime, maybe beginning of spring next year, and hopefully we'll have a late fall release. And that would be nice."

Eddie also confirmed that the new QUEENSRŸCHE LP will once again be helmed by Chris "Zeuss" Harris, who previously worked with QUEENSRŸCHE on 2015's "Condition Hüman", 2019's "The Verdict" and "Digital Noise Alliance" LPs. He said: "Yeah, he's just awesome. He's great to work with and bounce ideas with. He's a great guy, and he's actually a good musician too; he plays guitar and all that. But if it's still working, why not continue working with him?"

As for QUEENSRŸCHE's touring plans for the coming months, Eddie said: "Well, that's an unknown, but I know for now we're locked in with [ACCEPT] for this fall tour. But there are some dates being scheduled for European festivals end of spring, early summer of next year. So there's actually some dates already scheduled, but that's kind of what the schedule is for now. Once the year is over, we're really gonna try to focus on the new album — get the songs ready to record, record them, get 'em mixed, released and follow it up with a tour."

This past April, QUEENSRŸCHE singer Todd La Torre was asked by Brazil's Monsters Of Rock which "unexplored musical directions" he would like to see the band go in on its next LP. He said: "[We're] kind of [doing] the same thing as what we've been doing. I mean, we don't go in writing a record with a preconceived idea. We just get in a room and [go], 'Hey, show me your guitar parts. What do you have in your mind?' And we kind of all get together in a room and just see what happens in real time. So as far as unexplored musical directions… Personally, I'd love to hear more clean guitar on the next record, maybe some more spacious stuff, some more clean guitar. Orchestration is always fun to work with. It's very huge and cinematic sounding. So those are fun things to play with. Maybe some different percussion things would be interesting to play around with again.

"But, gosh, after 40-plus years, I think without completely changing the band, the band's style of music, I don't know that there's really any too much unexplored musical directions," he continued. "I mean, QUEENSRŸCHE's kind of done a lot within the large space that QUEENSRŸCHE has to run around in. I mean, if we were to do something — we wouldn't write a hip-hop song, we wouldn't write a death metal song. So within the confines of what QUEENSRŸCHE kind of is, as diverse as it as it is, I don't know what kind of unexplored musical directions there would be. On the next one, I mean, I would love to, like I say, play around with some other clean guitar sounds, maybe some more interesting percussion things — like the song 'I Am I' had some really neat percussion things going on."

Guitarist Mike Stone, who rejoined QUEENSRŸCHE in 2021, contributed guitar solos to the band's latest studio album.

Since late May 2021, Stone has been handling second-guitar duties in QUEENSRŸCHE, which announced in July 2021 that longtime guitarist Parker Lundgren was exiting the group to focus on "other business ventures."

Stone originally joined QUEENSRŸCHE for the 2003 album "Tribe" and stayed with the band for six years before leaving the group.

For the past eight and a half years, drummer Casey Grillo has been filling in for original QUEENSRŸCHE drummer Scott Rockenfield, who stepped away from the band's touring activities in early 2017 to spend time with his young son.

In October 2021, Rockenfield filed a lawsuit against guitarist Michael Wilton and bassist Eddie Jackson, alleging, among other things, breach of contract, breach of fiduciary duty and wrongful discharge. A few months later, Jackson and guitarist Michael Wilton filed a countersuit against Rockenfield, accusing him of abandoning his position as a member of the band and misappropriating the group's assets to his own personal benefit. That dispute has since been settled out of court.

In a recent interview with The Joel Martin Mastery Podcast, Wilton stated about QUEENSRŸCHE's next studio album: "We do have one record left with our contract with Century Media and Sony. And yeah, we're putting together demos right now. So, when will it get done? I don't know. QUEENSRŸCHE has a lot of touring to do, and you've gotta schedule with your producer. But yeah, we've started writing demos, and we've got a good bunch of tunes."

Wilton also talked about the QUEENSRŸCHE songwriting process, explaining: "Well, the last few albums we've kind of wanted to write fresh, so kind of on the spot. So I'm not looking at anything I've done in the past. I'm looking at just the inspiration of the day and getting something recorded and live with it for a couple of days and then come back and go, 'Okay, yeah, this is pretty cool,' or, 'Nah, I'm gonna delete this.' But I think it's something that is special to a group of guys that everything that you create is new or kind of new. We're probably ripping ourselves off blind with all the riffs and melodies, but that seems to be the fresh approach. I mean, the stuff that goes by the wayside, that's stuff that goes on solo albums. [Laughs]"

Wilton previously discussed the progress of the songwriting sessions for the follow-up to "Digital Noise Alliance" in February in an interview with Marko Syrjala of Metal-Rules.com. Michael said at the time: "We're currently working on demos for the next album, which is really important for us.

"The thing is, to do a proper QUEENSRŸCHE album, we need about six weeks of uninterrupted time," he added. "But it's harder now because we have to juggle these gigs — weekends here and there — before coming back to focus. Zeuss has had to adapt; he's very mobile now. He's learned to be because we’re not the only band that does this; all bands do. He works with Rob Zombie — 'Hey, come on over for the weekend. Let's work on some stuff.' Or with SHADOWS FALL — 'Let's work on some stuff.' So, he's used to it. It's just a matter of someone organizing it all."

Wilton went on to say that he and his QUEENSRŸCHE bandmates are "following the same process" this time around as they did for "Digital Noise Alliance". "With ['Digital Noise Alliance'], the recording and writing sessions were meant to feel fresh — nothing was e-mailed back and forth," he said. "Everything was built during the writing process. In that sense, it was about going back to the days when we'd be in a room writing the [debut QUEENSRŸCHE] EP in the morning. Back then, we didn't have technology like we do now. No cell phones, no computers — maybe, if you were lucky, you had a four-track recorder. The way we worked was simple: 'Hey, Chris [DeGarmo], you got a riff?' And I'd say, 'Okay, I like that. Let me add something to it.' It was a real band effort because everyone was in the room, giving input. That's exactly what we did with ['Digital Noise Alliance']. Everyone was involved — 'Oh, I like that,' 'Oh, I don't like that' — and the songs evolved a little more each day. Some songs we dissected and reworked completely. Take 'Tormentum', for example — that's like four songs merged into one! [Laughs]"

Asked if it's "correct to say" that recording the "Digital Noise Alliance" album was "a fresh start" for QUEENSRŸCHE, with drummer Casey Grillo becoming a permanent bandmember and guitarist Mike Stone returning to the fold for the studio sessions, Michael said: "Yeah, I think so. This next one will be even better because, with ['Digital Noise Alliance'], Mike didn't come in until the end of the process. But now, he's here from the beginning of the process. He's writing with me, and I'm writing with him, so it should be a bit more cohesive, I think… He knows the ways of the RŸCHE. He knows the guitar style and how to stay within that area. But, like I said, the stuff we've written so far sounds pretty cool."

ALICE IN CHAINS will celebrate the 30th anniversary of the band's 1995 self-titled album by reissuing it as a deluxe version in early 2026.

The deluxe package will include the original record across two vinyl LPs, plus three seven-inch singles, posters, 10 custom art prints, a hardcover cover book, 12 tarot cards, a cassette, two double-sided 24x24" posters, a double-sided zoetrope slip mat and a 3D ballerina plus a zoetrope coin record topper.

You can preorder your copy now via the ALICE IN CHAINS webstore.

"Alice In Chains" debuted at No. 1 on the Billboard 200 chart and stayed on the chart for nearly a year. The tracks "Grind", "Heaven Beside You" and "Again" were released as singles. The album was certified double platinum by the RIAA and has sold over three million copies worldwide. The album was the band's last to feature singer Layne Staley, who died from a drug overdose in 2002.

Over the course of its remarkable career, ALICE IN CHAINS has sold more than 30 million albums worldwide, toured to sold-out audiences and earned multiple Grammy Award nominations. They have amassed a diehard international fanbase numbering in the millions and are a household name worldwide.

ALICE IN CHAINS' discography features some of the biggest and most important albums in rock history, including 1990's triple-platinum-certified "Facelift", 1992's quadruple-platinum-certified "Dirt", 1994's triple-platinum-certified EP "Jar Of Flies", which was the first EP in music history to debut at No. 1 on the Billboard 200, and the aforementioned self-titled LP.

ALICE IN CHAINS regrouped in 2006 with singer William DuVall joining the band and returned in grand style in 2009 with the critically acclaimed "Black Gives Way To Blue", which hit No. 1 across the rock and alternative charts, earned a Grammy nomination, was certified gold and hailed by Vice as "a record that’s as powerful as anything the band has done."

ALICE IN CHAINS' latest album released in 2018, "Rainier Fog", hit No. 1 across Billboard's Rock, Alternative and Hard Music charts and No. 1 on the iTunes Rock Album chart and earned them a Grammy nod for "Best Rock Album".

SOUNDGARDEN was inducted into the Rock And Roll Hall Of Fame Saturday (November 8) at the Peacock Theater in Los Angeles, California. The Seattle grunge legends were inducted by actor-comedian Jim Carrey, who told the crowd: "Spank you kindly, spank you all. You might ask why would SOUNDGARDEN — the heaviest of rock and roll royalty — want Jim Carrey to induct them into the Hall Of Fame? Is there some deep, cosmic connection between them, or was the 'Spoonman' not available?

"When the Seattle music scene exploded, it resurrected rock and roll for me," Carrey said. "When I heard SOUNDGARDEN for the first time, I wasn't just excited. I wanted to put a flannel shirt on and run into the streets screaming, 'My mother smoked during pregnancy!'"

He added: "I met the band in 1996 when I was hosting 'Saturday Night Live' for the very first time, and I insisted on SOUNDGARDEN as the musical guest. By then, the lineup was Chris [Cornell on vocals], Kim Thayil [on guitar], Matt Cameron on drums, and Ben Shepherd on bass. They launched into the dark, epic beauty of 'Pretty Noose'. I stood right in front of them, letting the waves of electricity wash over me, like an audio baptism. They pushed me under and when I came up I was free. After the show, they handed me what is to this day one of my most prized possessions, the Fender Telecaster [guitar] Chris played on the show, signed by the whole band."

Cornell's daughter Lily then took the stage, stating about her father: "I am just really, really happy that he got to make music with his friends. At the end of the day, that's what it's all about. I know how much purpose that gave him, and how much it's meant to people who have heard that music. That's what I'll be holding in my heart tonight."

The surviving members of SOUNDGARDEN — Cameron, Thayil and Shepherd, as well as original bassist Hiro Yamamoto, who left the group in 1989 — were joined by PEARL JAM guitarist Mike McCready and THE PRETTY RECKLESS frontwoman Taylor Momsen for a performance of "Rusty Cage", while Brandi Carlile and ALICE IN CHAINS' Jerry Cantrell came out for a rendition of "Black Hole Sun".

After SOUNDGARDEN acceptance speeches, Cornell's daughter Toni was joined by HEART's Nancy Wilson for an acoustic rendition of "Fell On Black Days".

Thayil, Cameron, Shepherd and Yamomoto all delivered induction speeches. "Chris Cornell, we are so missing you tonight on this stage," Yamomoto said. "We've heard so many stories of how the music we created became your own, and that is the greatest recognition of all. To everyone else out there — especially all you brown kids — let's rock!"

Thayil said: "If one of us ever hesitated in sharing an idea, Chris would be the first to say, 'Let's just try it out and see.' I miss him. I love him, and I love all my [SOUNDGARDEN] brothers."

Regarding the artists who were chosen to participate in SOUNDGARDEN's performance at the Rock Hall, Cameron told Seattle Times: "We wanted to keep it as Seattle-centric as possible and include some people that were there with us in the beginning." Thayil added: "To have our peers, friends and creative collaborators from here share that with us is very important. It's very important because it's part of our identity. We're not simply 'rock guys' in this band SOUNDGARDEN. We're rock guys in this band SOUNDGARDEN that helped establish the Seattle scene and the sound. The geography is very important to our identity. It's where we are. It's where we came from. It's who we are."

SOUNDGARDEN was first nominated for the Rock Hall in 2020 and again in 2023 before finally being inducted this year.

The band finished sixth in the fan vote with 233,205 votes.

This marked the second induction for Cameron, who previously got the nod with PEARL JAM in 2017.

Regarding being inducted twice, Cameron told Cleveland.com: "It's a huge honor. I haven't really wrapped my head around it, and it's not lost upon me that it's pretty rare to get in there two times. I'm feeling great about everything. It's just been really exciting to gather up all these people we worked with over the years that helped us create the band, create our legacy, and it's going to be a really great night."

Asked if one of his inductions means more than the other, Cameron said: "They're both huge honors, of course. For me, personally, I helped build SOUNDGARDEN from the ground up, and I helped create the sound, I think, a little bit more than I did with PEARL JAM, which was definitely more of an established thing that I came into. So in that sense [SOUNDGARDEN's induction] is a little more meaningful for me as an artist and musician and songwriter to go in with a band that I helped establish itself."

DREAM THEATER, GHOST, SLEEP TOKEN, SPIRITBOX and TURNSTILE have been announced as the "Best Metal Performance" nominees at the 68th annual Grammy Awards, which will broadcast live on February 1, 2026 from Crypto.com Arena in downtown Los Angeles on the CBS television network and streaming live and on demand on Paramount+.

A total of 95 categories were unveiled this morning. The Recording Academy enlisted a lineup of star presenters, including Sharon Osbourne and her children, who paid tribute to Ozzy Osbourne, the heavy metal singer and BLACK SABBATH frontman who died in July.

The Grammy Awards celebrate the best music released within the window of eligibility, which this year is August 31, 2024-August 30, 2025.

Winners will be determined by the Recording Academy's Voting Members — a peer group composed of music creators, including artists, songwriters, producers, engineers, and more. Their Grammy votes decide every Grammy nominee and Grammy winner revealed on Music's Biggest Night, reinforcing the Grammy Award as music's only industry-recognized, peer-voted honor.

Final-round voting runs from December 12 through January 5.

"Best Metal Performance" nominees:

* DREAM THEATER - "Night Terror"
* GHOST - "Lachryma"
* SLEEP TOKEN - "Emergence"
* SPIRITBOX - "Soft Spine"
* TURNSTILE - "Birds"

"Best Rock Album" nominees:

* DEFTONES - "Private Music"
* HAIM - "I Quit"
* LINKIN PARK - "From Zero"
* TURNSTILE - "Never Enough"
* YUNGBLUD - "Idols"

"Best Rock Performance" nominees:

* AMYL AND THE SNIFFERS - "U Should Not Be Doing That"
* LINKIN PARK - "The Emptiness Machine"
* TURNSTILE - "Never Enough"
* HAYLEY WILLIAMS - "Mirtazapine"
* YUNGBLUD featuring Nuno Bettencourt, Frank Bello, Adam Wakeman, II - "Changes" (Live From Villa Park)

"Best Rock Song" nominees:

* NINE INCH NAILS - "As Alive As You Need Me to Be"
* SLEEP TOKEN - "Caramel"
* HAYLEY WILLIAMS - "Glum"
* TURNSTILE - "Never Enough"
* YUNGBLUD - "Zombie"

GOJIRA was honored with a Grammy in the "Best Metal Performance" category in the pre-telecast ceremony at the 67th annual Grammy Awards, which was held on February 2, 2025 at the Crypto.com Arena (formerly the Staples Center) in Los Angeles, California. GOJIRA was nominated for "Mea Culpa (Ah! Ça Ira!)" — a version of the French Revolution-era standard "Ah! Ça Ira!" — which the band performed at last year's Olympic Games opening ceremony.

This year, the Grammys introduced two new categories: "Best Album Cover" and "Best Traditional Country Album"; the previously titled "Best Country Album" category has been changed to "Best Contemporary Country Album".

"Each year during our Awards & Nominations review, our focus is on refining our rules, uncovering anything that is no longer working, and ensuring we are celebrating our creative community in the most meaningful way," Recording Academy CEO Harvey Mason Jr. recently told Grammy.com. "I'm thrilled that many of this year's changes … allow us to honor even more creators. That's always a positive outcome for me. But even more importantly, these are much-needed updates that ensure those who are making significant contributions to the musical process are properly recognized and have the opportunity to be celebrated on Music's Biggest Night."