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17 фев 2025
GUNS N' ROSES, TOOL And RIVAL SONS Added To BLACK SABBATH's Final Show In Birmingham
 GUNS N' ROSES, TOOL and RIVAL SONS have been added to Ozzy Osbourne's farewell concert in Birmingham, United Kingdon.
Taking place on July 5 at Villa Park, the all-star event — billed as "Back To The Beginning" — sold out in less than 10 minutes last week.
The concert will mark the first time that the original lineup of BLACK SABBATH — Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward — have played together in 20 years.
Also set to appear at the event are METALLICA, SLAYER, PANTERA, GOJIRA, ALICE IN CHAINS, HALESTORM, LAMB OF GOD, ANTHRAX and MASTODON.
In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE),Wolfgang Van Halen (VAN HALEN, MAMMOTH WVH),Tom Morello (RAGE AGAINST THE MACHINE),Andrew Watt, Chad Smith (RED HOT CHILI PEPPERS),David Ellefson (MEGADETH),Vernon Reid (LIVING COLOUR),Whitfield Crane (UGLY KID JOE),David Draiman (DISTURBED),Frank Bello (ANTHRAX),Jonathan Davis (KORN),Lzzy Hale (HALESTORM),Mike Bordin (FAITH NO MORE),Rudy Sarzo (OZZY OSBOURNE, QUIET RIOT),Sammy Hagar, Scott Ian (ANTHRAX),Sleep Token II (SLEEP TOKEN) and Papa V Perpetua (GHOST).
Ozzy — who hasn't played a full show since late 2018 — announced his last-ever performance on February 5.
Proceeds from the "Back To The Beginning" show will support Cure Parkinson's, the Birmingham Children's Hospital and Acorn Children's Hospice, a Children's Hospice supported by Aston Villa.
The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.
The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.
Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.
While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.
Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.
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17 фев 2025
SHINEDOWN's BRENT SMITH: 'I Haven't Heard A Song Created By A.I. That's Made The Hair On The Back Of My Neck Stand Up'
 In a new interview with Popdust, SHINEDOWN singer Brent Smith weighed in on a debate about people using an A.I. (artificial intelligence) music generator as a tool to create melodies, harmonies and rhymes based on artificial intelligence (AI) algorithms and machine learning (ML) models. Brent said (as transcribed by BLABBERMOUTH.NET): "The interesting thing about A.I. is you have to look at exactly what it stands for: artificial intelligence. One of the things about A.I. is that it's learning off of servers from inundated information that ultimately was created by a living human being. So every bit of knowledge it has, it's pulling from what somebody already documented. So that's an interesting thought process.
"When it comes to the health care community and it comes to A.I. being used to figure out how to cure diseases or how to fundamentally create treatments for the betterment of human beings and their physical health, that's a different animal. So, when you're looking at that, and it's hard because people have a process of going, 'Okay, well, when is the line when you're creating art and a machine is creating art or a computer is creating art and you're giving that computer….' Who owns the rights to that? And that's where people get a little nervous to talk about this, but the reality, how I look at A.I. as far as for the arts, and when I take a step back and look at it with a very wide lens, I think that human beings are connected to each other."
Smith continued: "Music is a very powerful part of our existence. There's a great quote by a philosopher in the 1800s, and the quote was, 'Without music, life would be a mistake.' It was actually said by Friedrich Nietzsche, which is probably one of the most profound quotes ever, 'cause we are connected to sound, we are connected to hearing a human voice or the pattern of a chord progression and how it lifts and how it like makes the hair on your arm stand up. There's a very real thing that's happening there. I haven't heard a song created by A.I. that's made the hair on the back of my neck stand up.
"When you think about books like '1984' and you think about 'Ender's Game' and you think about 'Terminator' — we made movies about artificial intelligence, 'I, Robot', and it did not turn out very well. So it is weird to kind of see like this ideology of these robots actually becoming a real thing. And I will tell people, 'Go watch 'Terminator' and tell me how you feel afterwards.'"
SHINEDOWN released two singles, "Three Six Five" and "Dance, Kid, Dance", on January 24 via Atlantic Records.
Last month, Brent addressed the fact that "Three Six Five" and "Dance, Kid, Dance" are musically completely different from each other, telling Audacy Check In: "I think it definitely had a bit more tempo than maybe the last song that people were familiar with on maybe the more mainstream-leaning, pop-leaning-type songs. So we kind of bumped up the BPMs a little bit on that. And 'Dance, Kid, Dance', we just went to the wall with that."
He continued: "It's interesting. I had a friend of mine the other day say to me, 'Are you a rock band? Are you a metal band? Are you an alternative band? Are you a pop [band]? What are you?' And I'm, like, 'We're just SHINEDOWN.' We play in a big sandbox.
"We've always been a genre-bending band because we're inspired by a lot of different styles and we're constantly evolving," Brent said. "So we felt like the right move, with the first new material that people would hear from us, that we gave them kind of two sides of us."
Elaborating on SHINEDOWN's need to explore a variety of different styles on each album, Brent said: "I think along the way, people started to get pigeonholed or they started using boxes or 'stay in your lane' or 'you're only this genre'.
"When you expand your palette sonically or what have you, you're just trying to reach as much of the audience as you can. Some days you feel like you wanna throw down and rock, some days you're a little bit more emotional. But that's the beauty of music, man. It constantly evolves. And the only thing that we've ever done in this band is anybody from anywhere at any time, we wanted them to be able to know that SHINEDOWN has a lot of peaks and valleys, kind of like a rollercoaster ride. But there's something for everyone."
The two new singles embody the many multifaceted talents of the SHINEDOWN: One part rock 'n' roll dynamism and one part incredible songwriting and passion. "Dance, Kid, Dance" hits hard right out of the gate with incredibly heavy guitars and a tempo that just doesn't quit. It's part social commentary and part "don't overthink it, let's just rock out and LET'S DANCE!" The song pushes boundaries and is a reminder of why SHINEDOWN hold the record for the most No. 1 songs at Active Rock Radio of all time with "Dance, Kid, Dance".
"Three Six Five" is an example of the band's ability to tackle the tough subjects through impeccable songwriting. Anyone who has ever experienced loss knows that every day we draw breath is an opportunity to live out loud — to live for those we have lost. At its core, "Three Six Five" is a reminder to stop wasting time and focus on the moments we have right now and treasure time with the ones you love the most. The song honors the people in our lives who aren't with us anymore. It reminds us to stop taking time for granted, because it's not promised. Take chances, be bold, and don't sweat the small stuff, because as the song says: a lot can happen in a year. "Even though I said all the things that mattered most, while I held on tight to the end of the rope, I could keep you close, but I couldn't keep you here, a lot can happen in a year."
Smith and SHINEDOWN bassist and producer Bass co-wrote "Three Six Five", and "Dance, Kid, Dance" was co-written by Smith, Bass and Dave Bassett. The songs were produced by Bass at his own Big Animal Studio in Charleston, South Carolina.
When "Three Six Five" and "Dance, Kid, Dance" were first released, Smith said: "We needed to approach everything different this time… The last two albums were both conceptual so it was important for us to really ask ourselves creatively where do we want to go. The answer to that was we want to go everywhere so there was no specific direction. We just started writing, and let the new songs guide us. I also think we stopped saying 'why?' and started saying 'why not?'"
In celebration of the new songs for 2025, the "Dance, Kid, Dance" tour kicks off on April 25 in Des Moines, Iowa and will be one of the band's largest U.S. tours ever. The 35-date run will hit some of the country's most iconic venues, including New York's Madison Square Garden (July 20),Boston's TD Garden (July 19) and Nashville's Bridgestone Arena (May 10) and more! Joining them on the tour are BEARTOOTH and BUSH (on select dates),as well as Morgan Wade on all shows.
For the tour SHINEDOWN has teamed up with Musicians On Call (MOC) and will be donating $1 for every ticket sold for the tour. As the nation's leading provider of live music in hospitals, Musicians On Call has delivered the healing power of music to patients, families and caregivers in healthcare environments for 25 years. More than one million people across all 50 states have experienced the joys of live music in the hospital setting through MOC's bedside, virtual and streaming programs. MOC Volunteers perform live for children and adults facing any health challenge, including Veterans recovering in VA facilities, family members supporting loved ones in need and healthcare workers caring for patients. The collaboration is just one of the many charities SHINEDOWN supports as they frequently give back to organizations in need.
SHINEDOWN continues to demonstrate that they are one of the most forward-thinking powerhouses in music, forever pushing the boundaries of what it means to be a modern-day rock band. The tour and new music not only kick off a new era for SHINEDOWN but continues to celebrate the momentous acclaim the band received from their juggernaut song "A Symptom Of Being Human" off their seventh studio album "Planet Zero" (Atlantic Records). The song, which has reached over 100 million streams and counting, crossed over not only to Alternative but Top 40 radio and resonated with fans across the globe for the unifying message of its lyrics: that it is our human connections that matter the most.
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17 фев 2025
TOOL To Dedicate Three Months This Spring To 'Organizing Ideas' For Next Studio Album
 In a new interview with Mexico's Summa Inferno, TOOL bassist Justin Chancellor was asked about a possible follow-up to the band's 2019 album "Fear Inoculum". He said (as transcribed by BLABBERMOUTH.NET): " When we get back from [our] trip [to Mexico and South America in March] — I think it's only three weeks we're gonna be [there] — but we have already shared with each other a lot of these new ideas, but when we get back, we're actually gonna dedicate the next three months after that in the studio to organizing our ideas.
"There's a lot of stages in the process," Justin explained. "And much of it is just every day — we all have ideas and when they're good, when we like them, we kind of save them or memorize them. But then the really difficult process is when you actually get together and make decisions about how it's going to end up. And that becomes a little more mathematical, a little more like in the classroom — there's a blackboard and there's numbers and you have to make decisions. So that's the stage we haven't completely pulled off yet, but we're committed to do that when we get back. Before the summer, we're gonna spend those few months really organizing our ideas. We already know what we like. We've all shared our individual ideas with each other, and we have a really good pile of stuff. You have to make those decisions, and you have to kind of wrestle with each other a bit to get to that next stage. And then you have to record it, which is a whole another thing as well. You go into the studio, and you have to — it's like a pregnancy almost. When you go to the studio, you have to make this final decision of how it's gonna sound and how you're gonna play it, and it's gonna live like that forever. So it's a real delicate thing to be able to pull off. And I don't think it's unreasonable that we take a long time at all. I think that's only natural, and that's why I'm proud of it, because it was worked on really hard."
Asked if it is fair to say that there will be new TOOL music in the next two years, Justin said: "Yeah, well, the other thing is the climate of releasing music has completely changed, especially when you take a long time to make new music. It's always a bit different when it comes out. So, we've talked about releasing a single, just one song— we could do that. We could also release an EP. And I think because we have such a dedicated fan base, everyone's gonna be up for it. They'll all be interested, whatever the way it comes out. So we might not necessarily have to really wrestle out a whole album. We talked about the option of just maybe doing it a little differently and doing a song at a time. Or you could release a single and then another single, another single, and then after a year of releasing singles, you could put them all together on a record and make that an album.
"I'm not really answering your question fully, but it doesn't really have any rules when you're making music," he explained. "We're just kind of making it up. But I can tell you that we absolutely have to write new music to continue doing what we're doing. We wouldn't be happy just to just sit on our laurels and play the same stuff over and over again. We really want to create new music to be able to continue doing what we love. So it's coming. Trust me."
Asked if he and his TOOL bandmates feel any kind of pressure to satisfy their fans when it comes to releasing new music, Justin said: "Um, not really. It's more of a pressure on ourselves to be proud of what we allow to go out into the world. And part of that is really working hard on it and creating something that you're proud of, not kind of being flippant about it, really taking it seriously as an art form. So the pressure really is on ourselves, I would say. And as far as everyone else, you can't really please everyone. So, there's always going to be people that don't like it, and there's gonna be people that do like it. There's songs that I don't like that Adam [Jones, TOOL guitarist] likes. And then sometimes that changes over time. There'll be a song that I don't like playing, but then, all of a sudden or over time, I start to be fond of it and see the beauty in it.
"It's art," Justin added. "Each to their own. And if you try to please everybody, it's not gonna work. So you really just have to be true to yourself."
A year ago, Justin told Metal Hammer that fans won't have to wait another 13 years to hear a new studio album from him and his TOOL bandmates, referencing the gap between 2006's "10,000 Days" and "Fear Inoculum".
"Danny [Carey, TOOL drummer] is [63] now, so there's no thought of taking 13 years if we're gonna do it," he explained. "We're gonna have to be more efficient, and we've been talking of ways that we can do that. Maybe taking a leaf out of how me and Peter [Mohamed, Justin's bandmate in side project MTVOID] work with MTVOID — instead of staring at each other going 'Come on! Get it out of ya!' maybe we could do a bit more at home. We'll see!"
In a separate interview with Revolver magazine, Chancellor and Carey talked about a possible follow-up to "Fear Inoculum". Addressing the fact that "Fear Inoculum" marked the band's first full-length effort in 13 years, due to creative, personal, and legal issues bandmembers encountered since the release of "10,000 Days", Justin said: "It'll be different this time. Everyone's life is different, and everyone's expectations are different. Time is precious now, so you try and look for ways to be more efficient with the process. We've had a lot of discussion about that and how we can bring a new record to fruition in a slightly different way."
Speaking about the TOOL songwriting process, Danny said: "Our filter system is pretty intense. If it gets by the four of us in the band, then we figure it's going to work. It's a really painstaking process that we go through to finish [an album], and get it where we are all completely convinced. It pays off in the long run because we never really get tired of performing our songs. It gives rise to a vehicle that we can all believe in."
As for a possible musical direction for TOOL's next LP, Carey said: "Who knows? It could flip-flop and we could just go back to doing an 'Undertow' [type of] record" of shorter songs. "That's kind of appealing to me. I always like change, whatever direction it goes."
Another possibility is a new EP rather a full-length release.
"We're free agents now," Carey said. "We aren't signed to a label anymore. We are free to do whatever we want."
Quite possibly the era's most highly anticipated album, "Fear Inoculum" arrived in August of 2019. Debuting at No. 1 on Billboard's Top 200, the album earned heaps of critical praise with NPR saying, "'Fear Inoculum' was worth the 13-year wait," Revolver proclaiming the album "a masterpiece to be dissected for years to come" and Consequence saying the release finds "TOOL in peak performance."
In 2022, TOOL released "Opiate2", a re-imagined and extended version of the 1992 EP's title track and an accompanying short film, marking the band's first new video in 15 years. The band also unveiled the first incarnation of "Fear Inoculum" vinyl, dubbed the Ultra Deluxe edition, the limited offering included five 180-gram vinyl discs emblazoned with a unique etching and accompanied by an elaborate pictorial booklet including never-before-seen artwork.
TOOL formed in 1990, releasing five studio albums: "Undertow" (1993),"Ænima" (1996),"Lateralus" (2001),"10,000 Days" (2006) and "Fear Inoculum" (2019); two EPs: "72826" (1991) and "Opiate" (1992),and the limited-edition boxset "Salival" (2000). The band has won four Grammy Awards: "Best Metal Performance" (1998, "Ænima"),"Best Metal Performance" (2002, "Schism"),"Best Recording Package" (2007, "10,000 Days") and "Best Metal Performance" (2020, "7empest").
TOOL is Danny Carey (drums),Justin Chancellor (bass),Adam Jones (guitar) and Maynard James Keenan (vocals).
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17 фев 2025
KEVIN CRONIN: Why I Can't Tour As REO SPEEDWAGON Anymore
 Kevin Cronin, the iconic voice and writer behind REO SPEEDWAGON's greatest hits, spoke to the "Let There Be Talk" podcast with rock and roll comedian Dean Delray about his upcoming "Brotherhood Of Rock" tour with STYX during which he will perform REO SPEEDWAGON's 1980 album "Hi Infidelity" in its entirety, while STYX will play 1977's "The Grand Illusion" from front to back. Kevin said (as transcribed by BLABBERMOUTH.NET): " Yeah, we're both doing the whole albums. Both REO and STYX have done several residencies at the Venetian theater in Vegas. And we did the 'Hi Infidelity' show three times, and we put together a whole new presentation for the residency, as did STYX for their 'Grand Illusion' residency. And so this summer we just thought, 'You know what? Those shows did so well and people reacted so well to them…' 'Cause you play the whole album and then you also do all the hits that people wanna do too. So it's a cool thing and it's unique because we've never done it — neither band has ever done it — anywhere else except in Vegas. And so we did it as REO SPEEDWAGON three times over the past year and a half, but that same band is gonna be touring this year as the KEVIN CRONIN BAND, because I'm not able to tour as REO SPEEDWAGON anymore."
Asked why is unable to tour as REO SPEEDWAGON anymore, Kevin said: "Well [laughs], that's a good question. And it's a complicated question. God, it's a tough one because our bass player, Bruce Hall, who, he and I worked together for almost 50 years. I was instrumental in getting him in the band. Any side project I ever did, Bruce was part of it. But over the past several years, things became a little bit of a struggle for us, just musically, personally and physically. And Bruce's had back problems for a long time and it finally just gave out on him. And we had a week before the first Las Vegas residency. So he had to go home and take care of his health. And we could have either canceled the residency and the gigs to follow, but I put so much of my heart and soul into that residency show. People plan their vacations. People come to Vegas from Europe and stuff. And I just was, like, 'If I can pull this off, I've gotta try to do it without Bruce.' We just got lucky that Elton John had retired, and our buddy Matt Bissonette, who had been with Elton for 12 years, was available. He came in with charts for every song, and within two days the charts were gone. He had the bass parts. Then he goes, 'Teach me the harmony, the vocal harmonies.' I'm, like, 'Okay.' I gave him all the harmony parts. And he's just an amazing bass player, great singer, good dude, and the chemistry between Dave [Amato, guitar] and Bryan [Hitt, drums], who have been with me in REO SPEEDWAGON for 35-plus years, and Derek Hilland, who took over when Neal Doughty retired in late 2022, the five of us just — something happened, something magical happened. But Matt was subbing for Bruce, and Bruce was… His doctors told him he'd be ready on March 1st of 2024. And he wasn't; he wasn't there. And then it got pushed back to June 1st. And meanwhile, I'm thinking by this time, I'm not sure what's gonna happen. Bruce, he had major back surgery and there were some other issues, musical issues, that popped up. He was supposed to be there March 1st — didn't do it. And I'm, like, 'I don't know what's gonna happen here.' So my thought was, let's keep Matt in the band so when Bruce joins, it'll just be a six-piece group. I was working on a setlist where Bruce and Matt could kind of switch off between bass and acoustic guitar. And it was gonna be a little awkward, but at least that we would have the insurance and Bruce would have the security that if, for whatever reason… Because the show is one thing — getting on and off the bus, packing your bags, getting out of hotel rooms, when you have major back surgery at 70 years old, that's tough. So I needed Matt as an insurance policy. And then, out of nowhere, I understand, through an attorney, that Bruce has decided to sit out the 2024 tour as long as he gets paid in full as if he were touring. And so we didn't have much choice. That's what we did, and that's what he accepted. And we went ahead and finished the 2024 tour with Matt Bissonette on bass, five-piece band. It was the most successful tour we've had in 35 years. The band was just on fire, the crowds were crazy and it became this just-good-vibes thing.
"My thing — I'm a lead singer of the band," Kevin added. "I didn't run for office, but I became the leader of the band. I'm the guy who pulls it together. And so I just felt that band lifting me up in a way that I hadn't felt in a long time. And it really felt good. And I felt like I was lifting them up and there was just this positive vibe going on."
Cronin went on to say that "Bruce was never fired. I don't have the right to fire him," he explained. "And it's funny because there was kind of a narrative, an inaccurate narrative that was kind of circulating online that put it in terms of that I somehow quit REO SPEEDWAGON to pursue a solo career. And that's bullshit. And then there was another narrative that I somehow prevented Bruce from touring with the group in 2024 when the truth is I was trying to find a way that he could tour with the band in 2024. And he — what I understood is that he decided to sit the tour out. So, I don't know exactly why. I can't tell you 'cause he never called and talked to me about it. But he did make some demands. He said that he'd be ready to come back in 2025. But he put these demands in place that — there were a number of demands, but two in particular.
"I've kind of stayed above the weeds here on this thing, 'cause I don't really feel like the fans care to know or need to know," Kevin continued. "If you've been in bands, you know — shit goes on, and it's a brotherly thing. And a lot of relationships are love-hate, and things get weird for awhile and then things get worked out. But there was a couple of demands that one of them it would have been irresponsible for me to go along with, and the other one, it was impossible for me to go along with. And so we just hit a stalemate. And the way our band is set up, Neal, Bruce and I are the three kind of heritage members. Even though Dave and Bryan have been with us for 35 years, they weren't there when the records were recorded. So it was a special relationship between the three of us. And there was a kind of a retirement situation that was built in so that if anyone left the band for whatever reason, they were well taken care of, as long as the band continues touring. So, it was a sweet deal, but Bruce, he just feels like if he's not in the band, then the band, it can't be REO SPEEDWAGON. And to me, it's, like, if there's two guys in a band who can't work together anymore and one of them has the ability to keep the band going and keep the legacy going and keep playing the songs for the fans who we've nurtured over a 50-year period and the other guy can't do that, well, then it's incumbent on the other guy to go, 'All right, maybe my time's up. Go ahead.' I mean, that's what [original CHEAP TRICK drummer] Bun E. Carlos did. When Bun E. and Robin [Zander, CHEAP TRICK singer] couldn't work together anymore, one or the other of them was gonna leave the band, Bun E. stepped down gracefully. Yeah, 'cause if Robin steps down, what are they gonna do? Robin is the face and the voice of the band. And for whatever reason, Bruce was listening to people that were giving him advice, I guess, to, like, 'If you're not in the band, then burn the whole thing down.'
"And at any rate, I'm not gonna stop," Cronin added. "Nobody can stop me from singing these songs, playing these songs and giving the fans what they want. And if you want the REO SPEEDWAGON experience, there's only one place you're gonna get it, and that's the KEVIN CRONIN BAND. It's the same band. I'm not going out there and singing a solo album worth of songs. I'm singing the songs that I wrote for REO SPEEDWAGON and the songs that Gary [Richrath] and I worked on together with REO SPEEDWAGON."
Last December, Kevin told Billboard that he "never quit" REO SPEEDWAGON. He added: "I never will quit the band. I just got outvoted and…have to stop calling it REO SPEEDWAGON." The vote Cronin referred to was a 2-1 decision with Doughty and Hall regarding the use of the REO SPEEDWAGON name.
The "Brotherhood Of Rock" tour, along with special guest Don Felder (a former lead guitarist of THE EAGLES),will kick off May 28 in Greenville, South Carolina at the Bon Secours Wellness Arena.
STYX and Kevin Cronin (as part of REO SPEEDWAGON) first toured together in 2000 and in 2001 after the 9/11 attacks, they came together to form the Rock To The Rescue 501(c)3 nonprofit organization, which still collects donations for local charities at every stop on STYX's ongoing tour.
General tickets for the trek, produced by Live Nation, are on sale now on LiveNation.com. STYX and the KEVIN CRONIN BAND are also offering VIP packages via their own StyxWorld.com and KevinCronin.com web sites, as well as on LiveNation.com. Citi is the official card of the "Brotherhood Of Rock" tour. | +1 | |
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17 фев 2025
ORIANTHI Discusses Injury Which Forced Her To Cancel Return To ALICE COOPER's Band
 During an appearance on the Guitar Hang podcast, Australian guitarist Orianthi spoke about the injury which forced her to pull out of her previously announced return to Alice Cooper's touring band for the legendary rocker's January and February 2025 dates. Taking her place in Cooper's group was former GUNS N' ROSES axeman Gilby Clarke. Orianthi said (as transcribed by BLABBERMOUTH.NET): "I'm recovering from a slightly torn hamstring and hip. And I had to cancel some Alice Cooper dates, which I felt terrible — really terrible about. But I felt this terrible pain and I was, like, 'I don't know, holding the guitar for two hours a night and not being able to move around.' And I called Alice, actually, when I was in Saudi Arabia, and I said, 'I'm in a lot of pain. I'm not too sure what's going on.' So I gave him a heads up, and I said, 'I don't know. I don't know what's happening.' Obviously I couldn't go see a doctor there. So when I got back, yeah, they were, like, 'Oh, you can't really do this.' So I was, like, 'Man.' I'd never canceled anything before. So it weighed heavy on me. But now I'm feeling better and all of that."
She continued: "So it's good. 'Cause I'm playing this show at the end of the month to raise some money for the fires, with Sammy Hagar and a bunch of people. And I really wanna be able to stand up and do that, 'cause playing the 40th anniversary for PRS sitting down on a chair, it was so bad. I was, like, 'Man, this is so embarrassing.' And I'm, like, in a tracksuit and playing with Dany [Daniela Villarreal] from THE WARNING; she's awesome. We played [AC/DC's] 'Back In Black'. You should never play 'Back In Black' sitting down. It was just weird because they didn't show me walking out. So my mother saw it. She goes, 'Did they wheel you out? You just appeared on a chair.' That was some weird shit. Whatever. Anyway. What can you do?"
Clarke was filling in for Cooper's longtime guitarist Nita Strauss, who was unable to make the shows due to a scheduling conflict with her solo tour.
Orianthi performed while seated at PRS Guitars' 40th-anniversary show on January 24. On January 26, she posted a picture from what appears to be a doctor's office where she was receiving treatment for her injury.
Orianthi toured with Alice from 2011 to 2014, along with longtime band members Chuck Garric, Glen Sobel, Tommy Henriksen and Ryan Roxie.
Orianthi (Orianthi Panagaris) looks as much like a rock star as she does a supermodel. But it's her extraordinary guitar chops that turn the most heads. She began playing professionally when she was thirteen years old before going on to perform and/or tour with Carlos Santana, Steve Vai, Alice Cooper, Richie Sambora and Dave Stewart. She was hired by Michael Jackson for his "This Is It" tour before his untimely death and performed with the supergroup HOLLYWOOD VAMPIRES (Cooper, Joe Perry, Johnny Depp and Tommy Henriksen). Orianthi's debut album, "Violet Journey", was released in 2005 and she has issued five solo albums to date. She was featured accompanying Carrie Underwood during a Grammy Awards telecast, performed on "American Idol" and appears in Jackson's documentary concert film "This Is It". Elle magazine named Orianthi one of the "12 Greatest Female Electric Guitarists" and she won the 2010 "Breakthrough Guitarist Of The Year" award from Guitar International magazine. | 0 | |
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17 фев 2025
DESTRUCTION's SCHMIER: 'Young Bands Cannot Afford To Record Anymore And To Distribute Their Music'
 In a new interview with the Brutally Delicious podcast, DESTRUCTION frontman Schmier blasted Spotify for the paltry payments the music streaming service pays out to music rightsholders. He said (as transcribed by BLABBERMOUTH.NET): "It's a new world. A couple of years ago, everybody was, like, 'Oh, streaming is bad.' Now everybody's streaming." Referencing METALLICA's decision to launch legal action against Napster in 2000, Schmier continued: "Lars [Ulrich, METALLICA drummer] got slaughtered for something that was actually a good idea. And he failed to get the government involved to control this bullshit. And now we're all suffering from it.
"At the end, I'm not against streaming. I'm just against the underpayment of streaming," Schmier explained. "And that's the true fact that those CEOs and those companies make far too much money and the artist gets just pennies. And many artists get nothing, because he doesn't pay out until a certain amount of money. And if you see, you only earn, like, 0.002 — two zeros behind the comma — cents a song, there's a lot of bands that don't make those one thousand dollars in the time period that you need to get your accounting…. Let's say there's one hundred thousand bands that don't make it to one thousand. He keeps one hundred times one thousand euros for himself. That's not a fucking fair model of distribution of music."
Asked if he thinks the current situation will discourage younger musicians from creating more metal and more art, Schmier said: "I think the problem is that young bands cannot afford to record anymore and to distribute their music. That means at one point, we're gonna have A.I. music and no more young bands, because it's easier. And that is a terrible dead end. So, we need to support real music, we need to support real art, and therefore it's important to go to concerts, to buy merchandise and support the bands.
"There's nothing evil about listening to Spotify — it's a new tool," Schmier clarified. "We have to use it. Sometimes people say, 'Yeah, go to Bandcamp. It's better paid,' which is true. But not everybody's using Bandcamp. And the Pandora's box is open. We've just gotta see how we deal with it best."
For years, Spotify has been criticized for offering paltry payouts to musicians and songwriters, with some claiming that the service gives major-label artists an unfair advantage via playlist placement and other promotional avenues.
In recent years, Spotify CEO Daniel Ek has been trying to defend Spotify's payouts, telling CBS News in early 2023: "We don't pay artists directly. [Artists] have their deals with their record companies and their deals with their publishers, et cetera. And what Spotify does is we pay out to those record companies and these publishers, and don't know what individual deals these artists may have."
Four years ago, Spotify created a web site called Loud&Clear to clarify exactly who receives payments.
According to Forbes, "Spotify has been paying back nearly 70% of every dollar generated from music as royalties to rights holders who represent artists and songwriters. These organizations, which include independent distributors, publishers, performance rights organizations, record labels, and collecting societies, then pay the artists and songwriters based on their agreed terms."
DESTRUCTION's 16th studio album, "Birth Of Malice", is due on March 7, 2025 via Napalm Records. The LP was recorded at Switzerland's Little Creek Studio by V.O. Pulver. Guitarist Martin Furia mixed and mastered the LP at The Black Mancave in Hannover, Germany. The cover artwork was designed by talented Hungarian artist Gyula Havancsák, known for his works for bands like ACCEPT, KREATOR and BLIND GUARDIAN.
DESTRUCTION, known as one of the "Teutonic Four", alongside KREATOR, SODOM and TANKARD, were reunited with the other three acts at the "Klash Of The Ruhrpott" concert on July 20, 2024 in Gelsenkirchen, Germany.
In August 2021, DESTRUCTION officially parted ways with guitarist Mike Sifringer and replaced him with Martin Furia. The Argentinian-born, Belgian-based Furia is best known for his work as sound engineer and producer for such bands as NERVOSA and EVIL INVADERS.
Prior to his exit, Sifringer was the only member of DESTRUCTION to have remained constant throughout the band's career. Schmier appeared on DESTRUCTION's first three albums before exiting the band and being replaced by POLTERGEIST vocalist André Grieder. André's sole recorded appearance with DESTRUCTION was on the "Cracked Brain" album, which came out in 1990. Schmier rejoined DESTRUCTION in 1999.
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17 фев 2025
RACHEL BOLAN Reflects On SKID ROW's 'Biggest Mistake'
 During an appearance on the "Going Off Track" podcast, SKID ROW bassist Rachel Bolan reflected on the more aggressive sound of the band's second album, 1991's "Slave To The Grind", compared to its predecessor, 1989's "Skid Row". He said (as transcribed by BLABBERMOUTH.NET): "It was very organic, the heaviness, just shifting to that heavier side. Our biggest mistake, and I'm saying 'our' — I disagreed with the decision, so I'm just putting that on record — was releasing 'Slave To The Grind' as a single, the song 'Slave To The Grind'. Radio didn't touch it. Our male fanbase went up. The female fanbase dried up. They all but disappeared. And then we took PANTERA on the road, and it was mainly guys at the show. But we lovePANTERA. But anyway, with 'Slave To The Grind', we came out with [the first single] 'Monkey Business'. It went breaker in two weeks, so we had a certified hit. We're on a fuckin roll now. Radio jumped on, before we even released the second single, or even thought of a second single, the radio jumped on 'Quicksand Jesus'. And I was, like, 'This is great. This is awesome.' I go, 'This is our 'Bohemian Rhapsody'.' I mean, the song is six minutes long. And I'm not saying it's as good as 'Bohemian'; you know what I mean. I'm, like, 'This is great.' Somebody — I think our manager at the time — said, 'We shouldn't release that song second.' And we had someone in the band that agreed with him. And I'm, like, 'But the radio's already playing it. Don't we see what's going on?' So someone came up with the fantastic idea — 'cause Snake [SKID ROW guitarist Dave Sabo] and I were the radio guys; we would do all the interviews; we did the rounds — 'why don't you and Snake start calling and ask them not to play it, until we decide on a single?' I'm, like, 'Are you serious?' 'Yeah.' So, I did as I was told and we called [and literally asked radio stations] to not play that song because we were coming with a different single. The responses we got were exactly what I thought. I had one guy yell at me, one PD [program director] yell at me. I forget which market it was, but it was a major market; I think it was out near Chicago. He goes, 'Are you out of your fucking mind?' And I go, 'Yeah, I think so.' And then we released 'Slave To The Grind' [as a single]. And radio wasn't only, 'We're not playing this. It's too heavy for our listenership.' They were also, like, 'We're not playing it. And fuck you.' And then we tried again with 'Quicksand Jesus'. Everyone was, like, 'Too late, too late.' And that was pretty much it for radio for that record. We had videos, we had 'Wasted Time' and 'Slave' and 'Monkey'. And what else did we have? Was that it for that record? I forget. But, yeah, that was a huge mistake. And I remember being in that hotel room [and saying], 'We can't release 'Slave To The Grind' as a single.' And I remember our manager at the time going, 'You guys can do whatever the fuck you want at this point.' Big mistake. Huge mistake. But, yeah, that that was our biggest mistake. I just remember seeing it in the room and seeing a few guys thinking it was a great idea, and I'm, like, 'It's not a great idea. This is not a great idea.' And I just got ignored, and that was it. And it was done. But I think that record would have sold a lot more had we stayed the course and let someone dictate for us, in a good way. But it is what it is."
Bolan went on to say that he felt his opinions were listened to enough at the time considering that he was one of SKID ROW's main songwriters. "It's my song. Snake and I, it was our band," he said. "The dynamics within were really strange for me. Because, like I said, that manager was treating me like I was on a need-to-know basis. And that was not cool. That was not cool. And a few times I lost my shit. And then it is what it is. So Snake and I handle everything now — everything goes through us."
Released in June 1991, "Slave To The Grind" quickly soared to platinum status and became the first LP to debut at No. 1 on the Billboard 200 chart since it began using Nielsen Music data in May of 1991.
"Slave To The Grind" spent a week at No. 1 and sold more than two million copies in the U.S. alone.
Back in 2015, Bolan discussed the "Slave To The Grind" songwriting process with The Aquarian. "I think a lot of people expected us to become formulaic with the way we approached the first record and we had no interest in doing that," he said. "And I'm so proud of all of us for being on the same page with that. I'm not saying that it would have been easy from the creative standpoint to sort of go along the lines of the first record, because it had some pretty big songs as far as radio goes, but we were in a different mindset. We had gone from barely leaving the state of New Jersey to seeing the world that very few people are privileged with."
In a 2019 interview with Billboard, former SKID ROW singer Sebastian Bach stated about "Slave To The Grind"'s more aggressive approach: "The times were getting heavier. The bands that didn't get heavier in '91 really lost fans quick. Looking in hindsight, the whole scene was changing to a darker thing. If we had gotten lighter than the first SKID ROW record in '91, I don't think we'd be doing this interview right now."
Back in 2013, Bolan told Sweden's Metalshrine that "Slave To The Grind" was one of his favorite SKID ROW albums. "It was our only No. 1 album, but that doesn't come into play as far as being one of my favorites," he explained. "We did a completely 180 sound-wise. We were always a little heavier than the bands we got lumped in with, and when 'Slave To The Grind' came out, it was, like, 'Okay, these guys are more than a hair metal band. They're a hard rock band.'"
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17 фев 2025
MORGAN LANDER Says It Was 'Weird' Getting Back In Songwriting Mode For KITTIE After More Than A Decade
 In a new interview with the "Everblack" podcast, KITTIE guitarist/vocalist Morgan Lander was asked about the songwriting process for the band's latest album, "Fire", which came out last June via Sumerian Records. She said (as transcribed by BLABBERMOUTH.NET): "It was weird, let me tell you. [Laughs] So we basically started from scratch. And when all of this stuff started happening with the record label that we eventually signed to, Sumerian Records, we had no inkling of this happening. Writing new music and touring, creating a new album, creating new music as KITTIE was not on our bingo card at all. And so because it was such a surprise, it was, like, 'Oh, shit. Okay. I guess we have to put our writing hats on and sort of change gears' and things like that. And we had gone 13 years between albums. And so while all of us remained within the musical realm, either singing or writing or starting other bands or playing for other people and those types of things, we just didn't do any of this KITTIE stuff. And so we sort of had to get back into that mode. But it was interesting that we all brought some of the things that we've learned over that past decade and a bit to the KITTIE table. And I think it helped to really just sort of strengthen the songwriting and broaden things out a bit. It still sounds very much like KITTIE, but there are some sort of newer elements. The idea was to sort of take a lot of the classic sound, which is associated with — I mean, some of it is sort of 'nu metal'-ish, but also some of it is… I think a lot of people call us 'groove metal', I guess 'cause we have a lot of midtempo stuff. So mixing a lot of those ideas was sort of the thing that we wanted to sort of really hit home with the writing. But it was strange. We all live in different parts of the country, so we had to utilize a lot of technologies — Dropbox and Zoom and all of those things — to write instead of getting in a room together. We did that a few times and we were able to sort of to make the organic kind of thing happen. But a lot of the beginnings of songs start off with Mercedes [Lander, KITTIE drummer] and I. We live close enough that we can get together and sort of do it the way that we did back in mom and dad's basement back in the day."
Morgan also talked about how KITTIE's legacy grew in the past decade and a half as teenagers across the world discovered the band's music through platforms like TikTok, which has transformed the way music is consumed and shared. She said: "I think a lot of that distance and that time away really sort of underscored how much something can grow because of things like TikTok or other social media platforms and things like that. We have a whole other generation of people that have discovered our music through those kinds of platforms. That's where a lot of younger people are discovering music these days. And so the timing, I feel like, was right for it as well, because, for us, even just being away from KITTIE, we were still seeing a lot of that growth, a lot of people being, like, 'There's KITTIE' or asking for new music for years. And it was this slow buildup. And then being able to sort of release the music and do a lot of the shows that we were doing — we just did a handful of shows in North America last year — but it's amazing to me how young some of the people are, and then how there are fans that were, like, 'I saw you 25 years ago.' And it's just amazing to me that we can all share in this together, and it sort of jumps past the generational barriers and things like that, where you can have a 16-year-old goth girl in the front and a 50-year-old man screaming, and everybody is enjoying the music. It's amazing."
In November 2023, it was revealed that KITTIE was working on a new studio LP with producer Nick Raskulinecz at Nashville's Sienna Studios.
Raskulinecz, who moved to Nashville from Los Angeles around 17 years ago, had previously worked with such acts as RUSH, ALICE IN CHAINS, KORN, RISE AGAINST, HALESTORM, EVANESCENCE, SKID ROW and the DEFTONES.
In April 2024, KITTIE announced an exclusive run of North American headline dates. The long-awaited shows saw the band perform in five cities across the U.S. and Canada in July and August 2024, giving fans a very special and rare chance to see the band play a full headline set that will include their recently released singles "We Are Shadows" and "Eyes Wide Open" as well as classic hits and some deep cuts not played live since the band's early days.
KITTIE played its first concert in five years in September 2022 at the Blue Ridge Rock Festival at the Virginia International Raceway in Alton, Virginia.
Joining Morgan and Mercedes in KITTIE's current lineup are guitarist Tara McLeod and bassist Ivana "Ivy" Vujic.
Prior to Blue Ridge, KITTIE had not performed since its reunion show at London Music Hall in the band's native London, Ontario in 2017, celebrating the group's documentary "Kittie: Origins/Evolutions".
Vujic joined KITTIE in 2008 and appeared on the band's fifth studio CD, 2009's "In The Black". She also wrote and recorded bass for KITTIE's sixth album, 2011's "I've Failed You".
After KITTIE completed the touring cycle for "I've Failed You" album, the band entered a long period of inactivity during which Morgan focused on a marketing job for a chain of fitness clubs while Mercedes worked in real estate and more recently at a software company. The group also began work on a career-spanning documentary, "Origins/Evolutions", which finally saw the light of day in 2018 via Lightyear Entertainment in North America.
"I've Failed You" sold 3,000 copies in the United States in its first week of release to debut at position No. 178 on The Billboard 200 chart.
During a recent appearance on the "Artist Friendly With Joel Madden" podcast, Morgan discussed the overwhelmingly positive fan and media response to KITTIE's comeback. She said in part: "Right now we're in this weird second chapter where it feels like everything that we've done so far has just been like a win. And it's the wins that we never thought that we would have been able to achieve in any other period in our career. And it's just so weird to see that happening and unfolding in real time. And being able to enjoy it and experience it as the people that we are now, with the experience and the maturity and all of those things, sort of just heading headfirst into the unknown. Things are just lining up."
Asked if she and her KITTIE bandmates are excited to once again be part of the modern metal scene, Morgan said: "Yeah. Of course. I think that we wouldn't be back at it if it wasn't exciting, if it wasn't a challenge, if it wasn't something that we didn't think was important. And ultimately, if it's exciting and fun, that's where we wanna be. That's where we're at in our career. If it's not, we don't want a part of it. I think that's a beautiful thing… And I feel like all of that experience lends to what's happening right now. We certainly have a lot of experience. We feel like veterans."
Morgan also talked about the band's decision to put KITTIE on hiatus in 2013 after almost two decades in the industry, six studio albums and several lineup changes. She said: "The last few years that we were touring, things kind of kept getting more and more diminished. We had switched labels a few years prior and we put out what I think are two of some of our best albums, but we were touring in a van, the guarantees were getting smaller and smaller, the crowds were getting smaller and smaller, and that can also weigh heavily on your psyche, having to grind it out like that night after night, and feeling like you have to do it rather than you want to do it.
"We are all great friends. We were still at that time," she clarified. "There was no interpersonal drama or anything. It was just a case of just being tired and feeling the weight of almost defeat, just from putting in so much and sort of receiving so little. And for us, it wasn't really like a conscious thing. It just like kind of just drifted, just kind of fell through our fingers. We didn't sit down one day and were, like, 'Let's break up the band.' There was no announcement or anything. It was just kind of, like, we all just started to do our own things and find our own way and it sort of just naturally kind of drifted."
Morgan previously spoke about KITTIE's decision to put the band on hiatus last July in an interview with Primordial Radio. She said: "The industry was sort of in a weird flux position when we were doing those last tours and whatnot. And it was sort of like the transition period between like people buying CDs and people streaming music. And there certainly are a lot of elements that went into it, but I think a lot of it was just personal."
She continued: "The industry is hard, and [we were] slugging it out on the road, not really feeling as supported as I think we probably could have been by our former label. I thought at the time we were putting out some of the best music that we had written up to that point with very little return, and it got tiring. It can be a really, really tough business, and expensive as well. If you're just out there in a van not making tons of money, it's like one show after another. And it is physically and can be emotionally exhausting."
Asked if KITTIE's 2022 comeback, initially only as a live act, was rooted in the band's desire to return to having fun, Morgan said: "Yeah. I think ultimately if it's not fun, then there's no point in doing it. And that's not to say that it wasn't ever fun before and we stopped because it stopped being fun. But there were elements of touring back before we took our hiatus that were not very fun. And I think being able to step away from the situation and sort of re-evaluate, and then given this opportunity, we were able to enjoy some of the fruits of our previous labors in a way that we'd never been able to experience before. And that aspect is fun. These are big festivals. We were just shocked at how many people were excited to see the band. And for me, those things are back-to-basics, fun stuff, getting together, reconnecting, playing all of these songs that we've played together hundreds of times before. And sometimes just getting into a room together as musicians and friends and jamming and just laughing and having a blast, that's at the very core of what a band should be — people that are enjoying themselves together and making and creating together. Being creative together, I think, is one of the most fun and rewarding things that you can do in life. And being able to do it with a great group of girls, yeah, that's it. We love to play live. And, so that definitely was the main thing there."
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17 фев 2025
MICHAEL WILTON Doesn't Know When The Next QUEENSRŸCHE Album Will Be Released: 'We're Always Touring'
 In a new interview with The Joel Martin Mastery Podcast, QUEENSRŸCHE guitarist Michael Wilton spoke about a possible follow-up to the band's 2022 album "Digital Noise Alliance". He said (as transcribed by BLABBERMOUTH.NET): "We do have one record left with our contract with Century Media and Sony. And yeah, we're putting together demos right now. So, when will it get done? I don't know. QUEENSRŸCHE has a lot of touring to do, and you've gotta schedule with your producer. But yeah, we've started writing demos, and we've got a good bunch of tunes. And we're about ready to head to Europe, and then we do the Monsters Of Rock cruise and then we're [going] to South America, and then after that, maybe we can concentrate a little more on the next QUEENSRŸCHE record."
Asked if he thinks the next QUEENSRŸCHE album won't arrive before 2026 at the earliest, Michael said: "We don't know. Just because it's harder to find pockets of time when we can develop this. We're always touring or on the road, doing weekend gigs or whatever. But we'll just see where this takes us."
Wilton also talked about whether the new QUEENSRŸCHE LP will be once again helmed by Chris "Zeuss" Harris, who previously worked with QUEENSRŸCHE on 2015's "Condition Hüman", 2019's "The Verdict" and "Digital Noise Alliance" LPs. He said: "Well, he's already committed to helping the demos getting written. So, yeah, he's back."
Elaborating on the QUEENSRŸCHE songwriting process, Wilton said: "Well, the last few albums we've kind of wanted to write fresh, so kind of on the spot. So I'm not looking at anything I've done in the past. I'm looking at just the inspiration of the day and getting something recorded and live with it for a couple of days and then come back and go, 'Okay, yeah, this is pretty cool,' or, 'Nah, I'm gonna delete this.' But I think it's something that is special to a group of guys that everything that you create is new or kind of new. We're probably ripping ourselves off blind with all the riffs and melodies, but that seems to be the fresh approach. I mean, the stuff that goes by the wayside, that's stuff that goes on solo albums. [Laughs]"
Wilton previously discussed the progress of the songwriting sessions for the follow-up to "Digital Noise Alliance" earlier in the month in an interview with Marko Syrjala of Metal-Rules.com. Michael said at the time: "We're currently working on demos for the next album, which is really important for us. After this [European tour], we have the Monsters Of Rock cruise, followed by the Monsters Of Rock festivals in South America. That brings us to May. Then we have some sporadic gigs here and there, but we're also planning to work with our producer, Chris 'Zeuss' Harris, and continue the writing sessions. Hopefully… But we're already getting offers for the end of the year, so I'm not sure when the album will be released. [Laughs]"
When Syrjala noted that the "schedule sounds a bit complicated," Michael explained: "You know, for the bands to make money, they have to tour. We get lots of offers — weekend gigs, two-week tours or even just a weekend here and there. You can't say no because if you do, someone else will take that opportunity and might not ask you again.
"The thing is, to do a proper QUEENSRŸCHE album, we need about six weeks of uninterrupted time. But it's harder now because we have to juggle these gigs — weekends here and there — before coming back to focus. Zeuss has had to adapt; he's very mobile now. He's learned to be because we’re not the only band that does this; all bands do. He works with Rob Zombie — 'Hey, come on over for the weekend. Let's work on some stuff.' Or with SHADOWS FALL — 'Let's work on some stuff.' So, he's used to it. It's just a matter of someone organizing it all."
Wilton went on to say that he and his QUEENSRŸCHE bandmates are "following the same process" this time around as they did for "Digital Noise Alliance". "With ['Digital Noise Alliance'], the recording and writing sessions were meant to feel fresh — nothing was e-mailed back and forth," he said. "Everything was built during the writing process. In that sense, it was about going back to the days when we'd be in a room writing the [debut QUEENSRŸCHE] EP in the morning. Back then, we didn't have technology like we do now. No cell phones, no computers — maybe, if you were lucky, you had a four-track recorder. The way we worked was simple: 'Hey, Chris [DeGarmo], you got a riff?' And I'd say, 'Okay, I like that. Let me add something to it.' It was a real band effort because everyone was in the room, giving input. That's exactly what we did with ['Digital Noise Alliance']. Everyone was involved — 'Oh, I like that,' 'Oh, I don't like that' — and the songs evolved a little more each day. Some songs we dissected and reworked completely. Take 'Tormentum', for example — that's like four songs merged into one! [Laughs]"
Asked if it's "correct to say" that recording the "Digital Noise Alliance" album was "a fresh start" for QUEENSRŸCHE, with drummer Casey Grillo becoming a permanent bandmember and guitarist Mike Stone returning to the fold for the studio sessions, Michael said: "Yeah, I think so. This next one will be even better because, with ['Digital Noise Alliance'], Mike didn't come in until the end of the process. But now, he's here from the beginning of the process. He's writing with me, and I'm writing with him, so it should be a bit more cohesive, I think… He knows the ways of the RŸCHE. He knows the guitar style and how to stay within that area. But, like I said, the stuff we've written so far sounds pretty cool."
QUEENSRŸCHE kicked off the European leg of "The Origins Tour" on January 31 at Kulttuuritalo in Helsinki, Finland.
Although QUEENSRŸCHE would score multi-platinum albums and hit singles over their career, their fans have developed an undeniable love for the group's early releases, the 1983 EP and 1984's "The Warning" album, when they helped trailblaze a style of rock that combined elements of metal and prog. And for the first time ever, QUEENSRŸCHE is performing both classic releases in their entirety as part of "The Origins Tour".
Two years ago, QUEENSRŸCHE completed its 2023 U.S. headlining tour with support from former MEGADETH guitarist Marty Friedman and TRAUMA. On that tour, QUEENSRŸCHE's 18-song set included no less than five songs from "Digital Noise Alliance", which came out in October 2022 via Century Media.
Stone, who rejoined QUEENSRŸCHE in 2021, contributed guitar solos to the band's latest studio album.
Since late May 2021, Stone has been handling second-guitar duties in QUEENSRŸCHE, which announced in July 2021 that longtime guitarist Parker Lundgren was exiting the group to focus on "other business ventures."
Stone originally joined QUEENSRŸCHE for the 2003 album "Tribe" and stayed with the band for six years before leaving the group.
For the past eight years, drummer Casey Grillo has been filling in for original QUEENSRŸCHE drummer Scott Rockenfield, who stepped away from the band's touring activities in early 2017 to spend time with his young son.
In October 2021, Rockenfield filed a lawsuit against Wilton and bassist Eddie Jackson, alleging, among other things, breach of contract, breach of fiduciary duty and wrongful discharge. A few months later, Wilton and Jackson filed a countersuit against Rockenfield, accusing him of abandoning his position as a member of the band and misappropriating the group's assets to his own personal benefit. That dispute has since been settled out of court.
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Watch: BRUCE DICKINSON Joins PANTERA For 'Walk' Performance In Paris
 IRON MAIDEN singer Bruce Dickinson joined PANTERA on stage earlier tonight (Saturday, February 15) at Adidas Arena in Paris, France to perform the Philip Anselmo-fronted band's classic song "Walk". Video of Bruce's appearance can be seen below.
Dickinson lives in Paris with his third wife, French fitness instructor Leana Dolci.
PANTERA kicked off its 2025 European headlining tour on January 21 at Helsingin Jäähalli (Ice Hall) in Helsinki, Finland. Joining the reformed band, consisting of classic-lineup members Philip Anselmo (vocals) and Rex Brown (bass),along with Zakk Wylde (guitar) and Charlie Benante (drums),on the trek are support acts CHILD BITE and POWER TRIP.
Drummer Vinnie Paul Abbott and guitarist "Dimebag" Darrell Abbott co-founded PANTERA. On December 8, 2004, while performing with DAMAGEPLAN at the Alrosa Villa in Columbus, Ohio, Dimebag was shot and killed onstage by a troubled schizophrenic who believed that the members of PANTERA were stealing his thoughts.
Up until his passing in June 2018, Vinnie remained on non-speaking terms with Anselmo, whom the drummer indirectly blamed for Dimebag's death.
Vinnie, who was Dimebag's brother, and Anselmo had not spoken since PANTERA split in 2003. But the relationship got even more acrimonious when Vinnie suggested that some remarks the vocalist had made about Dimebag in print just weeks earlier might have incited Dimebag's killer.
The new PANTERA played its first show in December 2022 as the headliner of Mexico's Hell & Heaven Metal Fest.
Wylde was a close friend of Dimebag and was widely considered to be the best option for the guitarist role in the reformed PANTERA. In addition to having jammed with PANTERA live when the classic lineup was still touring, he was a regular guest onstage with Dimebag and Vinnie Paul's post-PANTERA project DAMAGEPLAN. Zakk also provided a guitar solo on the DAMAGEPLAN track "Reborn", from the latter band's 2004 debut, "New Found Power".
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17 фев 2025
OZZY OSBOURNE Will Only Do 'Little Bits And Pieces' With BLACK SABBATH At Farewell Concert
 Ozzy Osbourne has confirmed that he will just be doing "little bits and pieces" with BLACK SABBATH during his final gig.
Ozzy announced his last-ever performance on February 5, revealing that the original members of BLACK SABBATH are reuniting for the first time in 20 years for the show. Joining them at the concert called "Back To The Beginning", which will take place on July 5 at at Villa Park in Birmingham, United Kingdom, will be a host of metal bands SABBATH inspired, including METALLICA, SLAYER, LAMB OF GOD, MASTODON, PANTERA and ANTHRAX.
Ozzy — who hasn't played a full show since late 2018 — said on his SiriusXM show "Ozzy Speaks": "I'm not planning on doing a set with BLACK SABBATH but I am doing little bits and pieces with them. I am doing what I can, where I feel comfortable."
The 76-year-old heavy metal singer, who revealed in 2020 that he had been diagnosed with Parkinson's disease, added that he is doing what he can to get ready for the Villa Park concert.
"I am trying to get back on my feet," he said. "When you get up in the morning, you just jump out of bed. I have to balance myself, but I'm not dead. I'm still actively doing things."
Earlier in the month, Ozzy's wife and manager Sharon Osbourne told The Sun that her husband is struggling to walk amid his battle with Parkinsons disease, but that his singing voice is "as good as ever". She said: "[Ozzy's] very happy to be coming back and very emotional about this.
"Parkinson's is a progressive disease. It's not something you can stabilize. It affects different parts of the body and it's affected his legs. But his voice is as good as it's ever been."
Ozzy talked in more detail about his condition on his SiriusXM radio show. He said: "I have made it to 2025. I can't walk, but you know what I was thinking over the holidays? For all my complaining, I'm still alive. I may be moaning that I can't walk but I look down the road and there's people that didn't do half as much as me and didn't make it."
Proceeds from the "Back To The Beginning" show will support Cure Parkinson's, the Birmingham Children's Hospital and Acorn Children's Hospice, a Children's Hospice supported by Aston Villa.
The concert will mark the first time that Osbourne, guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward have played together in 20 years.
Sharon told BBC News about Ozzy: "He's doing great. He's doing really great. He's so excited about this, about being with the guys again and all his friends. It's exciting for everyone."
According to Sharon, Ozzy, who paused touring "for now" in 2023 after extensive spinal surgery and rescheduled his "No More Tours 2" shows from going ahead several times because of illness, the pandemic and logistical issues, will not play any more shows after the Villa Park event.
"Ozzy didn't have a chance to say goodbye to his friends, to his fans, and he feels there's no been no full stop," she explained. "This is his full stop."
In addition, there will be a performance by a "supergroup of musicians" including Duff McKagan and Slash (GUNS 'N' ROSES),Billy Corgan (THE SMASHING PUMPKINS),Fred Durst (LIMP BIZKIT),K.K. Downing (JUDAS PRIEST),Jake E. Lee (OZZY OSBOURNE),Wolfgang Van Halen (VAN HALEN, MAMMOTH WVH) and Tom Morello (RAGE AGAINST THE MACHINE).
"It's an endless amount of people," said Sharon. "They're going to be doing some SABBATH songs, some Ozzy songs, and they'll all mix together. Different little groups will be coming on, but they're all icons."
The original lineup of BLACK SABBATH last performed in 2005. Since then, SABBATH has played in partial reunions but never in its original lineup.
"For Ozzy right now, it's definitely: 'I love you and good night'," Sharon told Reuters.
She added that Ozzy was doing well and excited about the gig. "It's stimulated him," she said. "He's very, very excited and very thankful that he can do it."
The legendary BLACK SABBATH frontman was diagnosed in 2003 with Parkin 2 — a very rare genetic form of Parkinson's. During a TV appearance in January 2020, the singer disclosed that he was 'stricken" with the disease which occurs when the nerve cells of the body degenerate and levels of dopamine are reduced. Dopamine is an essential chemical that is produced by these nerve cells which send signals to different parts of the brain to control movements of the body.
Ozzy's health issues, including suffering a nasty fall and dislodging metal rods placed in his spine following a quad-bike accident in 2003, as well as catching COVID-19 three years ago, forced him to cancel some of his previously announced tours.
While Osbourne's health issues forced him to scrap most of his live appearances, the musician said he would return if his condition improved.
Osbourne's previously announced European tour with guests JUDAS PRIEST, originally set for 2019 and then rescheduled three times, was officially canceled in early February 2023.
Despite his health problems, Osbourne has performed a couple of times in the last three years, including at the Commonwealth Games in Birmingham in August 2022 and at the NFL halftime show at the season opener Los Angeles Rams and Buffalo Bills game in September 2022.
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16 фев 2025
CHRIS HOLMES 'Could Care Less' About W.A.S.P. Performing Entire First Album On 40th-Anniversary Tour
 In a new interview with Canada's The Metal Voice, former W.A.S.P. guitarist Chris Holmes was asked what it has been like for him to perform an all-W.A.S.P. setlist at some of his recent solo shows. He said (as transcribed by BLABBERMOUTH.NET): "Before, like years ago or whatever, last year and previous time, I hated it. I didn't like it. But now — I played, a few months ago, a place called the Patriot [in Crumlin, Wales], and it was sold out, and we played all W.A.S.P., and it was a kickass show."
He continued: "I had a part in writing every song that we play. I'm not playing something that I didn't help write. I know my name's not on a lot of the writing credits, but that's the way it is. I helped write them. I don't care what people say, blah blah blah. And I just want everybody to know I'm not out to try to sound better than W.A.S.P. or Blackie [Lawless, W.A.S.P. mainman] or whatever; I'm not out to try to do better. I'm just there to play Chris Holmes, what I do, and have people enjoy it. That's all. I'm not trying to be better.
"You get on the Internet, everybody's comparing everything… Hey, go eff yourself, whoever says that crap," Chris added. "I'm tired of it. I just like playing stuff that I play for me, for the people that enjoy it. I'm not trying to be better. But anyway, I enjoy playing the W.A.S.P. stuff. I enjoy it."
Asked what he thought Blackie and the rest of the current W.A.S.P. lineup going out and playing the band's first album in its entirety on a recent U.S. tour, Chris said: "I could care less what he does. I used to bitch about not getting my publishing [royalties for the early W.A.S.P. albums], this and that. Hey, I let it go. I don't care. I could care less. I don't even wanna hear his name. I don't care what he does. He's over. I don't deal with anybody with that crap. I'm playing Chris Holmes.
"Yeah, he goes out and plays that because he's got to," Chris added. "Nobody's gonna go see Blackie Lawless; they're gonna see W.A.S.P. If he went out as Blackie Lawless, you think people would go see it?
"Whatever," Holmes added. "I don't wanna even talk about the guy. I'd rather talk about what I'm doing. To me, that whole thing's a joke. A joke. It's show business. Show business. My thing's music. I like the music. Whatever I do, none of it's gonna be fake. It can't. I'm not a fake type of person. I hate it. I don't like — whatever they call, the sampling; some people call it backing tracks, karaoke sampling. I don't know."
In a September 2024 interview with Cassius Morris, Blackie was asked if he has seen former Chris's documentary film "Mean Man: The Story Of Chris Holmes", written and directed by French filmmakers Antoine De Montremy and Laurent Hart. The project, which was made available on Blu-ray, DVD and VOD in January 2021, was born in 2014 after De Montremy and Hart had an opportunity to meet and direct Holmes in a music video for the Holmes-penned song "Let It Roar" in Cannes. At that time, the now-66-year-old rocker had more or less disappeared from the music scene, leaving his home in the U.S. to seek a new beginning with his wife Sarah in France.
Blackie said about "Mean Man": "I have no desire to see anything that has to do with that. First of all, you wanna base anything you're gonna do in life on truth. And you know what? It may be his truth, but your truth doesn't necessarily make it fact. Anybody can have their own truth, but that doesn't make it real. And when somebody's spewing a bunch of hate because they can't create on their own… Listen, if the guy had genuine creativity, he wouldn't give two hoots about what I do. So, that's the yardstick on how you judge those things. And if somebody's coming from a perspective where they're not telling the truth, I'm not gonna waste my time on that."
Asked if that was the reason that he didn't participate in the documentary, Blackie said: "Well, I don't recall being invited, but if I would have, I wouldn't have done it. Like I said, I've got no desire to do something… I mean, if it's based on truth, then I might have taken a look at it. But for a guy to do a tutorial for an hour, or however long it was, to sit and give just their side of the story that's not based on truth, why do I wanna be part of that?"
Blackie also once again dismissed the possibility of a reunion of W.A.S.P.'s original lineup — Lawless, Holmes, guitarist Randy Piper and drummer Tony Richards — for the tour celebrating the 40th anniversary of the release of W.A.S.P.'s first album. He said: "Allow me to be unapologetic for just a moment. The band that I have now… Mike Duda is one of the best bass players in the world. Doug Blair is one of the best lead guitar players in the world. Aquiles Priester, his drumming speaks for itself. I'm fortunate enough to be in a band with world-class musicians, the guys that are way better than me. And I look around sometimes during the show at I think to myself, 'Wow, I get to play with these guys.' And I'm being honest here — they're far better than me. So why would I wanna go back to something that would be taking a step backwards?"
Lawless continued: "I understand that the hardcore fanbase likes to romance ideas in their heads. I totally get that. But when we started doing [W.A.S.P.'s fourth studio album, 1989's] '[The] Headless [Children]', I was moving in directions that required musicianship that the original band could not do. I don't mean to be overly hard. It's just, again, these are just facts. If you want to do stuff where the degree of difficulty is up there, then you're gonna have guys that can play it and play it consistently. And then by the time 'Headless' was done and I moved into [1992's] 'The Crimson Idol', forget it. I mean, look at who played on that record. Your average run-of-the-mill musician is not gonna be able to do that. And again, I was privileged to work with guys that were world-class musicians. So if you're gonna get that level of creativity, professionalism, it's almost impossible to duplicate in an original situation. If that band grows together, then yes, you could. But if the band does not grow together, then it's never gonna happen. And it doesn't matter whether it's us or what band it is, that's gonna be the same every time."
Lawless also addressed the perception that W.A.S.P. is essentially his solo project, with hired guns helping him achieve his vision. He said: "No man's an island — no man. And I have gone to great lengths to speak out about the guys that are in this band to make sure that the world knows who they are. At no point have I ever wanted this to be just my situation.
"I grew up playing sports," he explained. "To me, team is everything. And I'm much more happy and comfortable, relaxed, it's a much more enjoyable situation in a team surrounding. So that's always been the thing that I focused on the most. What the world sees is when they look at the records, they see me as the primary songwriter. So I think that that's a lot of where they get that from. But when it comes to making those records, you see that I don't play all those instruments. I do what I do, but those other guys, they're doing their fair share of contributing to making those records what they are."
Holmes joined W.A.S.P. in 1982 and remained with the group until 1990. In 1996, the guitarist returned to W.A.S.P. and stayed with the band until 2001. Chris has not played with W.A.S.P. since.
Back in January 2021, Holmes was asked by Cassius Morris if he had approached Lawless about participating in the making of "Mean Man: The Story Of Chris Holmes". Chris said: "I didn't, but Antoine did, and he said [Blackie] didn't have the time to do it."
Explaining that his relationship with Blackie is "over" and calling Lawless a "narcissist," Chris said: "When I left [W.A.S.P. for the final time] — or I really never left. [Blackie] just got another guitar player. They never even told me [I was out]. I found out that they were doing shows [without me]. So, I was, like, 'Wow. I must be out.' He never called me. Since then, I've dug in and found out some shitty stuff, what happened to me, and he knows that I know that, and he probably will never wanna talk to me ever again."
In October 2020, Chris said that he would never consider returning to W.A.S.P. unless Lawless agreed to pay him the publishing royalties that he allegedly owes him. He told Canada's The Metal Voice: "A lot of people think I made money from W.A.S.P. I've never gotten my royalties, or even my songwriting. All the stuff that I wrote, I've never gotten paid one penny. And you know whose fault it is? It's my my fault for not knowing the business, how it is. I trusted somebody.
"After every album, when the album is done, how they split up the publishing with the publishing contracts, the publishing companies — that's where the money comes from," he continued. "I was never told about when that meeting was. Because the other guys in the band never wrote — I was the only one [other than Blackie]. So I'm the only one that they have to screw over to get all the publishing. So I was never told. Then when I dug into it in about 2006 or [2007], I went into Sanctuary Music, had a lawyer go in to find out where all my publishing is, and I was written in as a session player into all the records. And if you don't know about it, and you're not told, and you don't see, you don't know. So I trusted Blackie Lawless about that. And when I found out, it really kind of yanked me wrong. It yanks me wrong — it makes me see he was sticking a knife in my back from the first day, from the first album, and not telling me, and being my best friend."
As far as Holmes is concerned, Lawless is solely to blame for him not getting his due from the W.A.S.P. records that he was involved with.
"If it wasn't for me, he wouldn't be where he's at — I guarantee you that," Chris said. "And then he screws me like that. It's all right. It's been a long time. It's something that I will never, never get over. I'll take that to the grave with me. I'm pissed thinking about it.
"Anyway, that's the kind of person he is. Everybody thinks, 'Wow! He's got the greatest…' Yeah, he's got an outrageous voice, Blackie, yeah, but he turns his back on his bandmembers real bad — he screws 'em. I'm the only guy in the band that ever came back to get screwed twice, which I did. I came back for 'Kill.Fuck.Die', and I was promised half publishing on that album. Didn't get crap. Knowing that I couldn't get in to see what was written in the contracts, of course. That's why I wrote the song 'Two Faced Mother Fucker'. It's about him. It's on 'Shitting Bricks'. And I've got one on the new album. It's called 'The Truth'. It says, 'You can't handle the truth.' It's on my new [album]. I'm gonna write a song about him on every album."
Addressing the possibility of his return to W.A.S.P., Holmes said: "Everybody asks me about a W.A.S.P. reunion. Sure, I'd love to play a W.A.S.P. reunion — if he pays me my publishing. If it doesn't, then he can have a reunion with Randy Piper, Johnny Rod and [Steve] Riley and everybody else. I'm not gonna play it. It's not worth it.
"I came back to W.A.S.P. in '95. I got screwed again," he added. "Screw me once, screw me twice — you're not gonna screw me a third time."
During a November 2017 press conference in Moscow, Russia, Lawless was asked what he would say to those W.A.S.P. fans who continue to call for the band to reunite with Holmes. He responded: "People get divorced for certain reasons, and there's times when the kids want the parents to get back together, but sometimes it never happens. And this is one of those [times]. Sorry."
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16 фев 2025
QUEEN's 'Crazy Little Thing Called Love' Surpasses One Billion Streams On SPOTIFY
 QUEEN's classic track "Crazy Little Thing Called Love" has surpassed one billion streams on Spotify.
In celebration of the milestone, QUEEN took to social media to share the following message: "QUEEN's 'Crazy Little Thing Called Love' has hit 1 BILLION streams on @Spotify !
"Thank you for listening".
Written by QUEEN singer Freddie Mercury in 1979, "Crazy Little Thing Called Love" originally appeared on QUEEN's 1980 album "The Game". The also appeared on the band's compilation album "Greatest Hits" in 1981.
"Crazy Little Thing Called Love" peaked at No. 2 on the U.K. Singles chart in 1979 and became the group's first No. 1 single on the Billboard Hot 100 in the U.S. in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA chart for seven weeks.
QUEEN's biggest hit ever is "Bohemian Rhapsody", which has notched up over 2.6 billion plays on Spotify and 1.8 billion views on YouTube.
As of June 2024, QUEEN was the 43rd most-streamed act on Spotify, up from 49th place a year earlier and 44th place two years earlier. The band had 52.61 million monthly listeners, up from 48.45 million listeners a year earlier, and 40.3 million two years earlier.
In the U.K., the first volume of QUEEN's "Greatest Hits" is the most popular album of all time, with sales in excess of seven million copies. It was even the 20th-biggest seller of 2023, beating new releases by Ed Sheeran and THE ROLLING STONES.
💎 Queen's ‘Crazy Little Thing Called Love’ has hit 1 BILLION streams on @Spotify! 👑
Thank you for listening 👏 pic.twitter.com/dSJzXARzT5
— Queen (@QueenWillRock) February 11, 2025 | 0 | |
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16 фев 2025
Watch LINKIN PARK Perform In Tokyo During 2025 'From Zero' World Tour
 The Erynn Halvorson YouTube channel has uploaded video of LINKIN PARK's entire February 11 concert at Saitama Super Arena in Tokyo, Japan. Check out the clips in the playlist below.
LINKIN PARK kicked off the 2025 leg of its "From Zero" world tour on January 31 at Estadio GNP Seguros in Mexico City, Mexico.
Late last month, LINKIN PARK released an a cappella/vocals-only version of the band's latest album, "From Zero", dubbed "From Zero - A Cappellas".
The original version of "From Zero", issued last November, marked LINKIN PARK's first full-length effort since 2017's "One More Light", which was the last LINKIN PARK album before the death of lead vocalist Chester Bennington. "From Zero" features LINKIN PARK's new singer Emily Armstrong and drummer Colin Brittain, who have joined returning members co-vocalist and main producer Shinoda, guitarist Brad Delson, bassist Dave "Phoenix" Farrell and DJ/visual director Joe Hahnin the band's new lineup. Guitarist Alex Feder is filling in for Delson at all LINKIN PARK concerts for the foreseeable future.
Last fall, Shinoda told KROQ's Kevan Kenney about the emotions surrounding LINKIN PARK's return: "It's really complicated. For me, two years ago it was very overwhelming, and I think the best thing that we did was to just basically let things happen in the order and at the timeline that they were gonna happen, let things happen organically and not push too hard. And I feel like what ended up evolving was we just naturally kind of found each other, we found this new lineup, we found Emily and Colin in particular, and the music just kind of came into focus based on what we were having the most fun doing."
When Kenney suggested that "From Zero" "sounds almost like a return to [LINKIN PARK's] roots", Shinoda said: "I love that there's such a strong LINKIN PARK DNA in the record. It does really feel like LINKIN PARK, but I think there's a part of it that's the old sound and part of that's every era of the band, to me, on the record."
Farrell chimed in: "I don't know if I know well what the LINKIN PARK DNA is. It's kind of like when you're too close to something, you just do it and then other people tell you. They almost interpret it and then you kind of say, 'Okay, cool. I'm glad that came across.' But I think in any and all of that creation of an album or working on new music or new stuff or when there's — I don't know — interstitials or whatever you might wanna call it, for me those things are just like us doing us and figuring that out and moving forward. And in this process, one of the things that was so fun and rewarding and cool and energizing was just how when we started gradually integrating Emily and Colin, it felt like LINKIN PARK. It just felt like it fit for me and for us. And those were the coolest moments in the entire process, was just feeling like things were kind of jelling and coming together and we were having a blast doing it the whole time. So at this stage being ready to finally have the album out, having people be excited about it, that feels great."
LINKIN PARK announced its new lineup during a September 2024 one-hour global livestream of a concert in Los Angeles showcasing Armstrong and Brittain.
Last November, LINKIN PARK announced a massive world tour across North America, Europe, Asia and South America. The trek will launch in January with three dates in Mexico before heading to Japan and a one-off show in Jakarta, Indonesia. This spring and summer, LINKIN PARK will hit a number of cities the United States and end in November with a run throughout South America.
During LINKIN PARK's fall 2024 concert in São Paulo, Brazil, the band revealed that video of the performance, which was also livestreamed in full on Brazilian broadcast channel Multishow, will be central focus of a live documentary. A release date has yet to be announced. | 0 | |
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16 фев 2025
MR. BIG Is Back For Four More Shows: 'The BIG Finale'
 MR. BIG has scheduled the following four shows for later this month:
Feb. 14 - Bloomverse Festival - Meghālaya, India
Feb. 16 - Bloomverse Express - Bengaluru, India
Feb. 22 - Osaka Music Hall - Osaka, Japan
Feb. 25 - Nippon Budokan - Tokyo, Japan
On Monday (February 10),MR. BIG bassist Billy Sheehan shared a photo of his plane ticket from New Jersey to India, and he included the following message: "On board for flight to India—the last 4 MR BIG shows. 2 in India, then Osaka Castle Hall and Tokyo Budokan in Japan. Then Finito!"
In an October 2024 interview with Ruben Mosqueda of We Go To 11, Sheehan was asked if MR. BIG's "The BIG Finish" farewell tour was just the end of extensive touring for him and his bandmates, with plans to make special appearances from time to time, or if MR. BIG was going to become a studio-only project going forward. Billy responded: "The end is the end. It's finished. If some extenuating circumstances come up, we might do a show or two, maybe, but touring and recording… We kind of wanted to put a period at the end of the sentence. And as I've said many times, we wanted to run over the finish line, not crawl over it. And for us, a fully functional band is on tour playing live and doing the thing and writing recording, and then go out on after the record and do another tour, to do that, we've done that for 34 years, and it's been an amazing run. We have friends all over planet earth. It's fantastic. And it's probably our greatest asset, personally, for me, the amazing people that we've touched around the world. But we decided to really, 'Let's do it the right way,' and not to have some continual farewell thing that goes on for an eternity."
He continued: "Our last show was in Romania. Unusual. That's where the roulette ball fell into that as we spun the wheel. And we had a great time. And our last shows in Europe, we did a bunch of shows in Germany. Amazing. We have a lot of friends in Germany. We had big hits in Germany as well. And all over Europe and England. We got to play Ireland — Belfast and Dublin. And I'm an Irishman, so that was very nice. We played Liverpool, the Holy Ground. It was quite amazing. I had to put one little BEATLES melody in my solo at the end. Pretty cool. So it was a nice way to go out. I'm glad we did it. We did it with as much class as we're capable of. We did the final tour, and I'm very, very pleased about it."
In a separate interview with George Dionne of KNAC.COM, MR. BIG frontman Eric Martin once again admitted that he was second guessing the group's decision to stop touring after the completion of "The BIG Finish" farewell tour. Asked what "The BIG Finish" means to him, he said: "Yeah, I'm not pulling the wool over anybody's eyes. It means the touring is over. Which kind of bums me out, because I was there in the meeting a year and change ago going, 'Yep. I agree. It's time that we call it quits.'
"I didn't wanna quit for the longest time," he admitted. "I mean, this was brought up, like, five years ago. 'Should we do a farewell tour?' We've got other projects going, and it's kind of hard to keep the MR. BIG thing alive. And I was, like, 'No,' cheerleading, 'Please, no. We've gotta keep it going.' But yeah, a year and a few months ago, I was totally in agreement with everybody going, 'Yeah, this is it.' I even thought of the name 'BIG Finish'. So I put the nail in the coffin. But now I'm, like, oh, I wish I had a nice big hammer to unclog that nail. 'Cause the band's so good and so tight. The crowd's coming out. New album came out. The momentum is there. And the band just sounds so tight on stage.
Circling back to what "The BIG Finish" meant as far as the possibility of future MR. BIG live shows, Eric said: "What I mean by 'The BIG Finish' is there's no touring anymore. I would hope that we still leave the door open. I mean, I brought this up many times online. Even Nick D'Virgilio, our drummer, he goes, 'Man, we should do a residency in Indonesia or Japan or just anywhere,' like do a residency. And I go, 'Man, I just hope we can play in a few years, play four or five shows here and there, maybe play a festival with bands in our ilk.' It'd be great to keep that door open. And no response. I think also, a whole year and almost a half of touring, everybody just kind of wants to take a break. But I'm, like, 'Let's ride this wave, brother. Let's do this.' But yeah, no more touring. No more multiple dates. It's over. The big lady has sung."
In August 2024, Eric told Roppongi Rocks's Stefan Nilsson that there was no chance of him and his MR. BIG bandmates going back on their word that they would not tour ever again. "We're not the kind of band — when we say that we're gonna quit and it's over and we're not touring anymore… We may do a one-off here and there every couple of years or whatever, but we're not going to be like the MÖTLEY CRÜEs and the KISSes," he explained." And no offense to them, because the crowds keep coming to see 'em, but we're not gonna do it. We just maybe have too much pride in it."
Asked if there was a chance of MR. BIG making more studio albums in the future, Eric said: "I did an interview the other day with Billy, and… I'm not my brother's keeper. I don't know what he thinks. I know what I think, that I'd like to do albums. If we're not gonna tour anymore for different reasons — I mean, I just don't wanna tour lengthy…. This has been a year. I just can't do it. I'm too old to… Everybody goes, 'Oh, what about THE ROLLING STONES?' Yeah. What about THE ROLLING STONES? Flying in, playing one show and two weeks later playing another show. Yeah, this is back-to-back touring. Hardly any hotels. I mean, the bus will suffice, but it's like a big camping trip for older men. So, I would like to do other albums. But the interview went like this. The guy goes, 'You gonna do another album?' And I'm, like, 'I'd like to.' And Billy goes, 'No, that's it.' I'm, like, 'All right.' But he's the guy that always says, 'Never say never.'"
MR. BIG played the last show of its "The BIG Finish" farewell tour on August 23, 2024 at the Way Too Far Rock Festival in Bistrița, Romania.
After the concert, Sheehan took to his social media to share a picture from the gig and he included the following message: "Romania!!! Crowd was a little bit light, but they made up for it in enthusiasm! The last MR. BIG show (not MY last show, goddammit!!).
"What a great run we've had since 1988. We made Great memories and millions (literally) of friends all around the world. My unlimited love and respect to all who listened, watched, purchased records, tickets and T -shirts. — without you we would have been nothing. Fact. Moving on now to other adventures, but never forgetting this amazing experience."
Guitarist Paul Gilbert added: "What an adventure! MR. BIG wraps up over a year of touring! Many thanks to ALL! I'll get home just in time for my son's 10th birthday. I hope he remembers who I am!"
D'Virgilio, who joined MR. BIG in 2023 as the replacement for the late Pat Torpey, commented: "It has been an amazing run with @billysheehanonbass @paulgilbert_official and @iamericmartin I've been able to rock n roll all over the world with the guys and I will be forever thankful. Big Love for MR. BIG!"
MR. BIG's tenth studio album, "Ten", was released on July 12, 2024 via Frontiers Music Srl. The LP features 11 new original tracks written by Martin and Gilbert, along with André Pessis and Tony Fanucchi. "Ten" was produced by Jay Ruston and MR. BIG.
D'Virgilio missed most of the final European leg of MR. BIG's "The BIG Finish" tour due to his commitments with his band BIG BIG TRAIN. He was temporarily replaced on the trek by Edu Cominato, an experienced drummer from São Paulo, Brazil who has previously played with Sheehan and Martin, Jeff Scott Soto and Geoff Tate (QUEENSRŸCHE),among others.
When MR. BIG announced "The BIG Finish" tour in 2023, the bandmembers said that it was "time to mark the end of this chapter of their legacy" after drummer Pat Torpey lost his battle with Parkinson's disease in 2018. The first leg kicked off in Japan and Southeast Asia in July and August 2023, where the band performed for hundreds of thousands of loyal fans at 11 sold-out shows including Budokan in Tokyo, Japan.
MR. BIG's last-ever live album release was "The BIG Finish Live", which came out on September 6, 2024 via the Evolution Music Group.
"The BIG Finish Live" was a brand-new live album and concert film of MR. BIG's "The BIG Finish" farewell tour, where the band played their million-selling "Lean Into It" album in its entirety, plus additional MR. BIG classics.
Photo credit: Joel Barrios / Photography That Rocks
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16 фев 2025
QUEENSRŸCHE's MICHAEL WILTON: 'We're Currently Working On Demos For The Next Album'
 In a new interview with Marko Syrjala of Metal-Rules.com, QUEENSRŸCHE guitarist Michael Wilton spoke about the progress of the songwriting sessions for the band's follow-up to 2022's "Digital Noise Alliance" album. He said: "We're currently working on demos for the next album, which is really important for us. After this [European tour], we have the Monsters Of Rock cruise, followed by the Monsters Of Rock festivals in South America. That brings us to May. Then we have some sporadic gigs here and there, but we're also planning to work with our producer, Chris 'Zeuss' Harris, and continue the writing sessions. Hopefully… But we're already getting offers for the end of the year, so I'm not sure when the album will be released. [Laughs]"
When Syrjala noted that the "schedule sounds a bit complicated," Michael explained: "You know, for the bands to make money, they have to tour. We get lots of offers — weekend gigs, two-week tours or even just a weekend here and there. You can't say no because if you do, someone else will take that opportunity and might not ask you again.
"The thing is, to do a proper QUEENSRŸCHE album, we need about six weeks of uninterrupted time. But it's harder now because we have to juggle these gigs — weekends here and there — before coming back to focus. Zeuss has had to adapt; he's very mobile now. He's learned to be because we’re not the only band that does this; all bands do. He works with Rob Zombie — 'Hey, come on over for the weekend. Let's work on some stuff.' Or with SHADOWS FALL — 'Let's work on some stuff.' So, he's used to it. It's just a matter of someone organizing it all."
Wilton went on to say that he and his QUEENSRŸCHE bandmates are "following the same process" this time around as they did for "Digital Noise Alliance". "With ['Digital Noise Alliance'], the recording and writing sessions were meant to feel fresh — nothing was e-mailed back and forth," he said. "Everything was built during the writing process. In that sense, it was about going back to the days when we'd be in a room writing the [debut QUEENSRŸCHE] EP in the morning. Back then, we didn't have technology like we do now. No cell phones, no computers — maybe, if you were lucky, you had a four-track recorder. The way we worked was simple: 'Hey, Chris [DeGarmo], you got a riff?' And I'd say, 'Okay, I like that. Let me add something to it.' It was a real band effort because everyone was in the room, giving input. That's exactly what we did with ['Digital Noise Alliance']. Everyone was involved — 'Oh, I like that,' 'Oh, I don’t like that' — and the songs evolved a little more each day. Some songs we dissected and reworked completely. Take 'Tormentum', for example — that's like four songs merged into one! [Laughs]"
Asked if it's "correct to say" that recording the "Digital Noise Alliance" album was "a fresh start" for QUEENSRŸCHE, with drummer Casey Grillo becoming a permanent bandmember and guitarist Mike Stone returning to the fold for the studio sessions, Michael said: "Yeah, I think so. This next one will be even better because, with ['Digital Noise Alliance'], Mike didn't come in until the end of the process. But now, he's here from the beginning of the process. He's writing with me, and I'm writing with him, so it should be a bit more cohesive, I think… He knows the ways of the RŸCHE. He knows the guitar style and how to stay within that area. But, like I said, the stuff we've written so far sounds pretty cool."
QUEENSRŸCHE kicked off the European leg of "The Origins Tour" on January 31 at Kulttuuritalo in Helsinki, Finland.
Although QUEENSRŸCHE would score multi-platinum albums and hit singles over their career, their fans have developed an undeniable love for the group's early releases, the 1983 EP and 1984's "The Warning" album, when they helped trailblaze a style of rock that combined elements of metal and prog. And for the first time ever, QUEENSRŸCHE is performing both classic releases in their entirety as part of "The Origins Tour".
Two years ago, QUEENSRŸCHE completed its 2023 U.S. headlining tour with support from former MEGADETH guitarist Marty Friedman and TRAUMA. On that tour, QUEENSRŸCHE's 18-song set included no less than five songs from "Digital Noise Alliance", which came out in October 2022 via Century Media. The record was once again helmed by Zeuss, who previously worked with QUEENSRŸCHE on 2015's "Condition Hüman" and 2019's "The Verdict" LPs.
Stone, who rejoined QUEENSRŸCHE in 2021, contributed guitar solos to the band's latest studio album.
Since late May 2021, Stone has been handling second-guitar duties in QUEENSRŸCHE, which announced in July 2021 that longtime guitarist Parker Lundgren was exiting the group to focus on "other business ventures."
Stone originally joined QUEENSRŸCHE for the 2003 album "Tribe" and stayed with the band for six years before leaving the group.
For the past eight years, drummer Casey Grillo has been filling in for original QUEENSRŸCHE drummer Scott Rockenfield, who stepped away from the band's touring activities in early 2017 to spend time with his young son.
In October 2021, Rockenfield filed a lawsuit against Wilton and bassist Eddie Jackson, alleging, among other things, breach of contract, breach of fiduciary duty and wrongful discharge. A few months later, Wilton and Jackson filed a countersuit against Rockenfield, accusing him of abandoning his position as a member of the band and misappropriating the group's assets to his own personal benefit. That dispute has since been settled out of court. | 0 | |
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16 фев 2025
ROBIN MCAULEY Shares 'Wonders Of The World' Single From Upcoming 'Soulbound' Album
 Legendary rock vocalist Robin McAuley will release his new solo album, "Soulbound", on February 28 via Frontiers Music Srl. The official visualizer video for the LP's third single, "Wonders Of The World", can be seen below.
About the single, Robin's co-writer Giancarlo Floridia states: "'Wonders Of The World' was a song presented to me by David Julian that I absolutely fell in love with and started working on together with Robin.
"I really feel as a writing team David, myself and Robin came up with something very special that I think you're all going to enjoy.
"TURN IT UP!!!!!"
"Soulbound" sees McAuley's voice continuing to defy time, sounding as inspired and powerful as ever. The new album is definitively more guitar-driven straight hard rock compared to his previous albums and is still wonderfully melodic, infectious, and fist-in-the-air uplifting.
McAuley previously stated about "Soulbound": "I can't wait to share record No. 3 with you all from Frontiers Music Srl. 'Soulbound' is a much edgier, harder guitar-driven record than my previous two for the label. In addition, I'm working with a new producer from the Frontiers label, Aldo Lonobile, who brought these songs to life with his kick-ass production."
"Soulbound" showcases the respected Irish rock singer's desire to make a strong musical statement in what is proving to be his most creative period.
To kick the announcement off, McAuley shared the album's first track, "'Til I Die", alongside a music video, available below.
About the single, McAuley said: "We had so much fun shooting this mini-movie with the great production team of Enzo Mazzeo and Eric Boadello. ''Til I Die' comes at you right out the gate with heavy drums and biting guitars as I race across the Western wasteland to escape the unknown demons and images haunting me and determined to track me down. It's a race for survival at all costs.
"Come join me and escape together!!!!"
After reemerging on the recording side of the music industry with guest spots on MICHAEL SCHENKER FEST albums and tours in addition to fronting the hard rock supergroup BLACK SWAN, McAuley was (and still is) feeling invigorated and ready to explore even more creative output to let the world see that his voice is still as powerful as ever.
Work for "Soulbound" began in early 2024, following an intense musical period in between tour dates and studio work. With a slightly different production approach compared to the previous album, Robin's vocal performance here is simply outstanding. Truly an iconic voice of the genre, "Soulbound" solidly delivers the more hard and heavy aspects of this respected artist.
Robin's backing band includes some of the previous artists who appeared with him on previous efforts, including guitarist Andrea Seveso, as well as some new talent such as guitarist Alessandro Mammola and drummer Alfonso Mocerino.
"Soulbound" track listing:
01. 'Til I Die
02. Soulbound
03. The Best Of Me
04. Crazy
05. Let It Go
06. Wonders Of The World
07. One Good Reason
08. Bloody Bruised And Beautiful
09. Paradise
10. Born To Die
11. There Was A Man
Credits:
Produced by: Aldo Lonobile
Studio: TMH Studio, Institute Of Noise LA
Recorded by: Aldo Lonobile, except vocals recorded by Andy Zuckerman
Mixed by: Aldo Lonobile
Mastered by: Aldo Lonobile
McAuley is widely recognized as one of the great singers of a golden period in hard rock music. His voice can be heard on albums from GRAND PRIX and FAR CORPORATION, and, of course, on the chart-topping MSG records "Perfect Timing", "Save Yourself" and "MSG". Through these releases, he was introduced to hard rock fans around the globe, who no doubt recognized the inherent talent and skill in his vocal abilities.
Once he departed MSG, McAuley released one solo record in 1999, then joined AOR legends SURVIVOR. He then re-teamed with Schenker in MICHAEL SCHENKER FEST on their recent records "Resurrection" and "Revelation". And, of course, in what was an absolute revelation to hard rock fans around the world, in 2020, he came out swingin' as the frontman of the supergroup BLACK SWAN, where he joined forces with Reb Beach (WHITESNAKE, WINGER),Jeff Pilson (FOREIGNER, ex-DOKKEN) and Matt Starr (ACE FREHLEY, MR BIG).
Recording lineup:
Robin McAuley - Vocals
Andrea Seveso, Alessandro Mammola - Guitars
Aldo Lonobile - Bass/additional guitars
Alfonso Mocerino - Drums
Additional keyboards: Antonio Agate
Photo credit: Enzo Mazzeo
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Black Sabbath
