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Opeth

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17 фев 2024 : 
JETHRO TULL's IAN ANDERSON To Guest On OPETH's Next Album

6 янв 2024 : 
OPETH Founder DAVID ISBERG To Release Second Poetry Book

17 ноя 2023 : 
OPETH Release "Windowpane" (The Lost Tape); Video Streaming

19 окт 2023 : 
OPETH Announce 20th Anniversary Vinyl Edition Of Damnation Album

25 янв 2023 : 
OPETH's MIKAEL ÅKERFELDT Pays Tribute To DAVID CROSBY: 'He Crafted So Much Fantastic Music, It's Incredible'

20 сен 2022 : 
Watch: OPETH Plays First Concert With New Drummer WALTTERI VÄYRYNEN

10 сен 2022 : 
OPETH Enlists Ex-PARADISE LOST Drummer WALTTERI VÄYRYNEN

9 авг 2022 : 
MARTIN 'AXE' AXENROT's Vaccination Status Led To His Exit From OPETH, Says His BLOODBATH Bandmate

27 июн 2022 : 

6 май 2022 : 
OPETH's MIKAEL ÅKERFELDT Releases Soundtrack From NETFLIX Series 'Clark'

28 мар 2022 : 
OPETH Drops Previously Unreleased Song 'Width Of A Circle', Announces 'In Cauda Venenum (Extended Edition)'

27 ноя 2021 : 
Watch OPETH's Entire Atlanta Concert

17 ноя 2021 : 
OPETH Plays First Show With Drummer SAMI KARPPINEN (Video)

17 ноя 2021 : 
OPETH Parts Ways With Longtime Drummer MARTIN 'AXE' AXENROT

27 июл 2021 : 
OPETH's MIKAEL ÅKERFELDT Says He Has Been Working On Score For NETFLIX Series 'Clark' Since March 2020

16 июл 2021 : 
OPETH Premier Official Lyric Video For "Harvest"

15 июл 2021 : 
OPETH Frontman MIKAEL ÅKERFELDT Looks Back On Writing Blackwater Park Album - "Our Future Looked Bleak, Just Like The Song"

11 июл 2021 : 
MIKAEL ÅKERFELDT Reflects On OPETH Classic Blackwater Park - "A Cross Between Death Metal, Black Metal And Jazz Chords"

20 апр 2021 : 
OPETH Celebrating Blackwater Park Album's 20th Anniversary With Special Edition Vinyl And Merchandise; Now Available For Pre-Order

9 окт 2020 : 
OPETH: Paperback Version Of 'Book Of Opeth' Includes Extra Text And Photographs

23 июл 2020 : 
OPETH Live At Hellfest 2017; Pro-Shot Video Of Full Performance Streaming

10 июл 2020 : 
OPETH Announce European Tour Dates For March 2021; THE VINTAGE CARAVAN Confirmed As Support

14 май 2020 : 
OPETH's MIKAEL ÅKERFELDT To Score NETFLIX Series 'Clark'

18 фев 2020 : 
OPETH's MIKAEL ÅKERFELDT Suffering From 'Acute Laryngitis'; Band Cancels Three Shows On North American Tour

28 янв 2020 : 
OPETH's MIKAEL ÅKERFELDT Pays Tribute To SEAN REINERT And NEIL PEART

25 янв 2020 : 
OPETH Keyboardist Understands Fans' Frustration Over Lack Of Death Metal Vocals On Band's Recent Albums
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|||| 27 апр 2012

OPETH Frontman: 'I Haven't Been Listening To Death Metal Since The Early '90s'



zoom
Dave Pehling of KTVU.com recently conducted an interview with vocalist/guitarist Mikael Åkerfeldt of Swedish progressive metallers OPETH. A couple of excerpts from the chat follow below.

KTVU.com: "Heritage" seems the biggest departure sonically for OPETH since "Damnation". Was the absence of death metal elements — specifically the brutal guitar riffs and your trademark growl — a conscious aim to step away from that at the outset, or did you find your songwriting moving naturally in that direction?

Mikael: More or less naturally. I felt that we couldn't really do more with that sound. I felt as a songwriter I had kind of perfected that formula and couldn't really take it anywhere else. And I didn't really want to. I tried a little bit, but it didn't really work out. I was just gravitating towards something else when I was writing this record and ended up with an album that was a bit more rootsy. I'm tired of contemporary metal production. It sounds so fucking slick and there's a lack of dynamics. I wanted to record in a different way too. So having that in mind, I guess the songs took shape in a different way than they have before. It's also a matter of me not listening to death metal. I haven't been listening to death metal since the early '90s, you know? Even when we did the first record ["Orchid" in 1994], I was more or less done with listening to metal. I didn't anything interesting was coming out. Yet we were just finding our feet and starting a career of our own, and we were a part of the whole genre. But ever since that basically, I've been gravitating towards liking this type of stuff more and more.

KTVU.com: Given the intricacy of OPETH's music, do you generally stick with a specific, rehearsed setlist for a whole tour, or do the songs change from night to night?

Mikael: Generally we are a little bit of both. Lately we've been going out on a limb a lot. We might not have practiced a song as much as we should have, but we'll be like, "Let's just play it tonight," just to get it over with. Because that's the best practice, just to play it live. But on this tour, we are sticking a little bit to the same setlist because there's such a strict time thing going on. We have to play exactly one hour and ten minutes. The first couple of shows we went over by five minutes every night and our tour manager was saying, "You have to do something! You have to change," because people are getting pissed or whatever. So now we have a set list that's perfect for the timing and it also happens to be perfect for us. We love playing these songs that we're playing and it really showcases all of the aspects of this band. It's a lot of new material and some very calm songs and in the end we play three rather heavier songs. By doing that, it kind of shows that we're quite versatile. It almost sounds like a different band. As a spectator, I think that would be interesting. I'd like to think that we come across as interesting at least.

KTVU.com: One aspect of your concerts I've always enjoyed is the contrast between these dark, brutal epics you play and your hilariously deadpan stage banter. I've had more laughs at OPETH shows than at all other metal bands' shows combined. Do you think much about what you are going to say? Is it all off the cuff? And is that a way to provide some comic relief to the intensity of the songs?

Mikael: Well, I don't really think about what I say. Sometimes I can say stupid things. People will kind of remind me afterwards, like "What the fuck did you say there?" and I'm like "Uh, I don't know. I can't remember." I have some type of sense of humor, but I think what makes it funny is that it's unexpected. People don't expect that ... well, now they do when they go to the shows. They're like "Tell a fucking joke, Mike!" and then I don't know what to say. But I think the fun thing about what I'm saying — if you write it down, it's not really funny — it's just that in that situation and because it's a bit unexpected, it becomes funny. People are more used to going to metal shows where the front man is doing the cliche type of talk, like, "Get your horns in the air!" or "You guys are the fucking best!" That kind of stuff. I can't really find that in myself. I can't do that and keep a straight face. I think it's fucking ridiculous, you know? So the way I am onstage when I talk between songs is a bit of a distorted and boosted version of me offstage I guess. And that's all it is. I'm not really funny like a comedian. But sometimes the vibe is right and it becomes a fun situation. I especially like to make fun of myself and the band members and metal in general.

Read the entire interview from KTVU.com.






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27 апр 2012
метааааааль. хеви метааааааль. гуд мьюзиииик (С) =)
27 апр 2012
Час десять?? И люди устают? Что у них, на хрен, за менеджер??? Заботливый такой!
27 апр 2012
Может это они сами устают играть дольше? Например барабанщик. Долго молотить в две бочки ногами утомительно ведь...
27 апр 2012
Ну да. Особенно Bloodbath такой не дэт метал
27 апр 2012
Мне интересно, кто переводит эти интервью. Ошибок просто куча. Переводящие, обратите внимание.

А час десять - это действительно мало)
27 апр 2012
и он от туда свалил
27 апр 2012
Бесит, когда люди во время нового порыва отрекаются и всячески отмахиваются от своих корней.
27 апр 2012
Это только последний тур 70 минут, так как выступают три группы.
27 апр 2012
А где это он отмахивается от корней? Просто надоелу человеку, и всё. И всё равно, мне кажется, какого-нибудь "тяжеляка" они ещё зададут)
27 апр 2012
прог юмор )
27 апр 2012
Velliurg, я перевожу. Какие ошибки?
27 апр 2012
*ушел слушать дэт-металл* :-D
27 апр 2012
Ну что значит "дэт мы не играем, потому что там ничего интересного не появилось"? Ну вот уже сколько-то лет существует тренд играть Горгатс-образную музыку. Вполне себе интересное дэт-музыкальное явление. Так что, надо Акерфельдту сотоварищи кидаться сочинять вторую Обскуру? Как играли свой прог семидесятых в метал обработке, так и будут. С вариациями. Дело-то не в скупом на идеи жанре, а в том, что Акерфельдт всё равно будет писать музыку, которую он всегда и писал. Так шо, Миша, не передёргивай.
27 апр 2012
>Горгатс-образную музыку
Реально? Например?!
27 апр 2012
Имеются ввиду атональные "неправильные" риффы, сложные, близкие к хаосу ударные, абстрактные тексты, тяга к неясным структурам композиции. Речь о группах вроде Gigan, Ulcerate, Baring Teeth, Portal.
27 апр 2012
>>Ulcerate
Шёл бы ты отсюда...
27 апр 2012
Чиво? Чаплин, не молчи. Я переживаю.
29 апр 2012
Капеллан, дурень. Ulcerate ня. Остальное, что ты там перечислил — ...ня. Доступно?
29 апр 2012
Gigan вполне себе. Да и кто говорил, что они там гении все? Я написал про интересный тренд в дэт-сцене, на ня и ню дели хоть до посинения.
29 апр 2012
"Ulcerate ня. Остальное, что ты там перечислил — ...ня. Доступно?"
О, а не тот ли это товарищ, что орал, мол, в сортах говна не разбирается? Врал, видимо.

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