Ex-W.A.S.P. Guitarist CHRIS HOLMES Says BLACKIE LAWLESS Declined To Participate In Making Of 'Mean Man' Documentary
Former W.A.S.P. guitarist Chris Holmes spoke to Cassius Morris of WatchMojo's brand new music podcast "Innersleeve" about the documentary film "Mean Man: The Story Of Chris Holmes", written and directed by French filmmakers Antoine De Montremy and Laurent Hart. The project, which will be made available on Blu-ray, DVD and VOD on January 15. was born in 2014 after De Montremy and Hart had an opportunity to meet and direct Holmes in a music video for the Holmes-penned song "Let It Roar" in Cannes. At that time, the now-62-year-old rocker had more or less disappeared from the music scene, leaving his home in the U.S. to seek a new beginning with his wife Sarah in France.
Asked if he had appoached W.A.S.P. leader Blackie Lawless about participating in the making of "Mean Man: The Story Of Chris Holmes", Chris said: "I didn't, but Antoine did, and he said [Blackie] didn't have the time to do it."
Explaining that his relationship with Blackie is "over" and calling Lawless a "narcissist," Chris said: "When I left [W.A.S.P. for the final time] — or I really never left. [Blackie] just got another guitar player. They never even told me [I was out]. I found out that they were doing shows [without me]. So, I was, like, 'Wow. I must be out.' He never called me. Since then, I've dug in and found out some shitty stuff, what happened to me, and he knows that I know that, and he probably will never wanna talk to me ever again."
Holmes joined W.A.S.P. in 1982 and remained with the group until 1990. In 1996, the guitarist returned to W.A.S.P. and stayed with the band until 2001. Chris has not played with W.A.S.P. since.
Last October, Chris said that he would never consider returning to W.A.S.P. unless Lawless agreed to pay him the publishing royalties that he allegedly owes him. He told Canada's The Metal Voice: "A lot of people think I made money from W.A.S.P. I've never gotten my royalties, or even my songwriting. All the stuff that I wrote, I've never gotten paid one penny. And you know whose fault it is? It's my my fault for not knowing the business, how it is. I trusted somebody.
"After every album, when the album is done, how they split up the publishing with the publishing contracts, the publishing companies — that's where the money comes from," he continued. "I was never told about when that meeting was. Because the other guys in the band never wrote — I was the only one [other than Blackie]. So I'm the only one that they have to screw over to get all the publishing. So I was never told. Then when I dug into it in about 2006 or [2007], I went into Sanctuary Music, had a lawyer go in to find out where all my publishing is, and I was written in as a session player into all the records. And if you don't know about it, and you're not told, and you don't see, you don't know. So I trusted Blackie Lawless about that. And when I found out, it really kind of yanked me wrong. It yanks me wrong — it makes me see he was sticking a knife in my back from the first day, from the first album, and not telling me, and being my best friend."
As far as Holmes is concerned, Lawless is solely to blame for him not getting his due from the W.A.S.P. records that he was involved with.
"If it wasn't for me, he wouldn't be where he's at — I guarantee you that," Chris said. "And then he screws me like that. It's all right. It's been a long time. It's something that I will never, never get over. I'll take that to the grave with me. I'm pissed thinking about it.
"Anyway, that's the kind of person he is. Everybody thinks, 'Wow! He's got the greatest…' Yeah, he's got an outrageous voice, Blackie, yeah, but he turns his back on his bandmembers real bad — he screws 'em. I'm the only guy in the band that ever came back to get screwed twice, which I did. I came back for 'Kill.Fuck.Die', and I was promised half publishing on that album. Didn't get crap. Knowing that I couldn't get in to see what was written in the contracts, of course. That's why I wrote the song 'Two Faced Mother Fucker'. It's about him. It's on 'Shitting Bricks'. And I've got one on the new album. It's called 'The Truth'. It says, 'You can't handle the truth.' It's on my new [album]. I'm gonna write a song about him on every album."
Addressing the possibility of his return to W.A.S.P., Holmes said: "Everybody asks me about a W.A.S.P. reunion. Sure, I'd love to play a W.A.S.P. reunion — if he pays me my publishing. If it doesn't, then he can have a reunion with Randy Piper, Johnny Rod and [Steve] Riley and everybody else. I'm not gonna play it. It's not worth it.
"I came back to W.A.S.P. in '95. I got screwed again," he added. "Screw me once, screw me twice — you're not gonna screw me a third time."
During a November 2017 press conference in Moscow, Russia, Lawless was asked what he would say to those W.A.S.P. fans who continue to call for the band to reunite with Holmes. He responded: "People get divorced for certain reasons, and there's times when the kids want the parents to get back together, but sometimes it never happens. And this is one of those [times]. Sorry."
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Жалко, что Крис и Блэки разошлись, хорошо они дополняли друг друга. А Крис столько всего наговорил за последние годы про Блэки, что теперь Лоулесс на него время не найдет.
Ну во первых Блэки взял гораздо более лучшего гитариста( в смысле игры) для Crimson Idol ( B/Kulick
А во вторых эта история давно известна,что когда Крис женился на Лите Форд........Блэки во всех изданиях заявлял,что это Холмс ушёл,чтобы быть под крылышком жены,а не играть Рокенролл
США
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А во вторых эта история давно известна,что когда Крис женился на Лите Форд........Блэки во всех изданиях заявлял,что это Холмс ушёл,чтобы быть под крылышком жены,а не играть Рокенролл