	METALLICA Announces 'Load' Deluxe Box Featuring Pr... 46
	See AC/DC's Entire Arlington, Texas Concert During Spri... 31
	Would GARY HOLT Have Joined METALLICA If He Had Gotten The C... 28
	ROB HALFORD Says K.K. DOWNING's 'Place In JUDAS PR... 24
	TOBIAS FORGE On GHOST's Phone 'Ban' For 2025 ... 23

все новости группы

Avenged Sevenfold

США

Alternative Metal
Heavy Metal
Metal Core

http://avengedsevenfold.com
Myspace: http://www.myspace.com/avengedsevenfold
Facebook: https://www.facebook.com/AvengedSevenfold

15 апр 2025 :	AVENGED SEVENFOLD's M. SHADOWS 'Couldn't Care Less' About Your Opinion Of His Band's Music: 'We're Not Making Art By Committee'
22 фев 2025 :	M. SHADOWS Says 'It's Incredibly Hard' For AVENGED SEVENFOLD To Make Money On Tour Right Now
14 янв 2025 :	AVENGED SEVENFOLD's M. SHADOWS: 'The Day I Realized God Was Not A Feasible Option For Me, My Whole Body Shook In Fear'
22 дек 2024 :	SYNYSTER GATES On AVENGED SEVENFOLD Playing Full Albums On Anniversary Tours: 'It Doesn't Really Interest Us'
16 ноя 2024 :	AVENGED SEVENFOLD Shares Video Recap Of Club Show Celebrating 'Waking The Fallen' And 'City Of Evil' Albums
31 окт 2024 :	AVENGED SEVENFOLD's M. SHADOWS No Longer Regrets 'The Stage''s Surprise Release: 'I'm So Proud Of The Way It Was Released'
30 окт 2024 :
29 окт 2024 :	Watch: AVENGED SEVENFOLD Plays Special Club Show Celebrating 'Waking The Fallen' And 'City Of Evil' Albums
25 окт 2024 :	AVENGED SEVENFOLD Shares Cover Of MISFITS' 'Skulls'
22 окт 2024 :	M. SHADOWS Explains Why AVENGED SEVENFOLD Isn't Interested In Performing Entire Old Albums On Tour
20 окт 2024 :	AVENGED SEVENFOLD Launches Virtual 'Museum'
14 авг 2024 :	AVENGED SEVENFOLD Announces Club Show Celebrating 'Waking The Fallen' And 'City Of Evil' Albums
8 авг 2024 :	M. SHADOWS On AVENGED SEVENFOLD's Success: 'We're Extremely Lucky'
19 июл 2024 :	AVENGED SEVENFOLD Share Europe / UK Life Is But A Dream... Tour 2024 Recap Video
29 июн 2024 :	AVENGED SEVENFOLD Share Germany 2024 Recap Video
19 июн 2024 :	AVENGED SEVENFOLD's JOHNNY CHRIST On Stage Production For 'Life Is But A Dream…': We Were Able To Take It To Another Level'
12 июн 2024 :	AVENGED SEVENFOLD's M. SHADOWS Says Metal 'Should Have No Rules': 'Just Do Whatever You Want'
11 июн 2024 :	Why AVENGED SEVENFOLD Performed 'Dear God' Live For First Time In 15 Years During Jakarta Concert
8 май 2024 :	JOHNNY CHRIST: 'It Would Be A Huge Honor' For AVENGED SEVENFOLD To Get Inducted Into ROCK AND ROLL HALL OF FAME
3 апр 2024 :	Watch: AVENGED SEVENFOLD Closes Out 2024 Leg Of North American Tour In Newark
20 мар 2024 :	AVENGED SEVENFOLD Shares Music Video For 'Cosmic'
10 мар 2024 :	AVENGED SEVENFOLD Kicks Off 2024 Leg Of 'Life Is But A Dream…' North American Tour In Buffalo
4 мар 2024 :	AVENGED SEVENFOLD Releases Immersive Concert 'Looking Inside' With AmazeVR
13 фев 2024 :	AVENGED SEVENFOLD's M. SHADOWS Explains Why He Prefers Headlining Arenas Over Performing At Festivals
6 фев 2024 :	AVENGED SEVENFOLD's JOHNNY CHRIST On Making 'Life Is But A Dream…' Album: 'We Approached It Very Differently'
4 фев 2024 :	AVENGED SEVENFOLD's Immersive Interactive Concert To Be Released This Month

22 фев 2025

M. SHADOWS Says 'It's Incredibly Hard' For AVENGED SEVENFOLD To Make Money On Tour Right Now

In a new interview with Bradley Hall, AVENGED SEVENFOLD frontman M. Shadows spoke about the realities of post-pandemic touring, including increased travel expenses — gas, tour buses, hotels and flight costs. The singer, whose real name is Matt Sanders, said in part (as transcribed by BLABBERMOUTH.NET): "It's really crazy because when you get to our kind of level, everybody on the crew is 'A list' and they're all being pulled in different directions, so they all make high-end amounts of money. More trucks, more drivers, more gasoline, more travel. And we've already seen a lot of bands canceling tours. You're gonna see a lot more. 'Cause I know where we're at. I know what we make. And I know that it's incredibly hard for us even. Unless you can really put something together that keeps you in one city and not a lot of movement and keeps you in places where you can play multiple nights somewhere, you really are doing some of these things… Like, for instance, a big reason we're going to all these different countries is because we can go to the same countries and make very little to no money, or we can go to new countries and make very little to no money. And so the idea has been, 'Let's go build the band out.'

"Back in the day, we were starting out in Indonesia, which is our second-biggest market now," he continued. "It was our biggest market when we went there in May; it actually had more listeners than America. But we've grown something in Indonesia that has been incredible. Back in the day, we would go there and nobody at the label would support it, really, or care because they couldn't sell CDs. They didn't have the money to buy CDs or they didn't have the production or people just didn't collect physical music. With the change in getting paid by streaming services, the kind of hack is, like, you can grow all these Third World countries, Second World countries, places that traditionally couldn't afford to buy from your webstore or buy a CD, because one stream in Indonesia is the same as one stream in Los Angeles. And the more you grow the worldwide kind of coalition and get to these places that maybe aren't introduced to Western music as much — I would say India, a place where it's just so disconnected from what we're all doing over in Europe and America. There are fans, but it's just not a thing because bands aren't going there and it's just that whole thing hasn't been developed yet. It reminds me of Indonesia 10 years ago or 15 years ago. My belief is that if you keep going to these places and opening up new markets and kind of putting a flag there, that if you can get the whole world streaming, it's gonna kind of supplement this sort of gap that we were missing in the '90s and the early 2000s when the labels and no one would pay attention to these places 'cause there was no money to be made.

"So, yeah, it's one of those things where, again, going back to touring, touring is very hard right now for bands," M. Shadows added. "It's almost impossible. And you're also having a big downturn in ticket sales right now. People have been blown out by ticket prices, because of the touring, because of the inflation, so every single thing stacks on top. And then you've got people that are very upset about what ticket prices are, which I get. It's kind of crazy to go see a couple of bands and it's gonna cost you five, six hundred bucks, or if it's country artists, it's a thousand dollars if it's Taylor Swift, it's $3,200, or whatever it is. And there's a whole argument there — there's a whole argument of people not understanding how the ticketing works in the music business, people blaming and pointing fingers, but what really is happening is there's inflation, there's higher costs, it's much harder to get around, and if you think about every aspect of a touring band's life, it's making it increasingly impossible. And you've gotta think, if there's not gonna be CDs coming in to the record label, there's no tour support. They're not making that kind of money anymore. So you've got this whole situation that is kind of dire, when you, when you think about it that way. That's why you've gotta kind of pick and choose what you're doing."

M. Shadows also talked about the concept of dynamic pricing as it relates to concerts, where prices are adjusted to maximize profit and to shape consumer behavior. Ticketmaster, which is owned by the U.S. entertainment giant Live Nation, has defended its dynamic pricing model — similar to that used by hotels and airlines — and said it is designed to discourage ticket touts by setting prices closer to market value. It says the "in demand" fees are agreed in advance with artists and their management.

M. Shadows said: "If I was to get into numbers right now and show you what we make at a show and what it costs, I think you would just go, 'Are you kidding me? How can you bring in that much money and then no bandmembers make anything?' And you'd be, like, 'There's gotta be somewhere in there that you have someone that's just messing up.' But it's a true thing. It wouldn't even be appropriate to get into that; it just doesn't make sense. But just know that there are crazy amounts to get 38 people on a crew that need to be there… To headline Rock In Rio, you've gotta have a show. You've gotta have the show, and everyone's got to fly in, and they don't have the right pyro and you've gotta bring it in from Germany because they don't have the right things in Brazil. And there's four or five days of pre-production and hotels. It just becomes insane. And then I also think that people, they want to ignore that we live in a capitalist society where there's two things going on. Artists want to be compensated for whatever the fair market value is for their work. So what that means is if there's two thousand seats in a venue, the artist could be really nice and charge 50 bucks and not make any money or go do it because they just wanna do it. And then you could have a reseller that could sell a few hundred of those tickets for up to a thousand dollars because there's fans that will pay a thousand dollars. Now, the reason dynamic pricing even ever got introduced is because the artist and the management said, 'Why is the reseller making 10 [times] what the artist that's on stage is making? There's this many tickets that will sell for this much. Why aren't we charging that much?' And so what Ticketmaster did is they created a tool that allows artists to opt into this dynamic pricing. Now it's very clear Ticketmaster created a tool to allow artists to opt into this. It's not Ticketmaster just taking all the top end. It's the artists. And artists love to hide behind Live Nation and Ticketmaster and go, 'Oh. We had no clue. Can't believe it.'"

He continued: "The reality is if you ask most people and you say, 'If someone's buying a ticket for a thousand dollars, do you want it going to a reseller or the artist?', most people will say, 'We want it going to the artist.' But they also don't want the ticket to be that highly priced. And then they also don't want you to take away their ability to resell the ticket, because that's very un-American. You don't buy a Range Rover and they tell you you can't resell it. You don't buy a house and they tell you, 'Oh, can't resell it. Sorry. Housing market's getting too high. You're not allowed to resell your house.' So, the ticketing kind of falls under that same thing of, like, we're giving you something that you've purchased. Now, if we tell you you can't resell it, it's almost unethical in a way. So you have all these little arguments and there's macro and micro arguments about all of it. And that's really what's happening. So, at the end of the day, ticket prices go up when somebody in the queue sees … there's too many people in there, [and] they raise the prices until people stop buying. And that is what the music industry calls fair market value.

"Now, I don't think people would disagree with the premise," M. Shadows added. "They just don't like when it's happening to them. And so that's the situation we're in. And I'm not here to make a statement on whether they should be mad or not. It's just that's what's really happening… And if people can afford it, the artist would rather see that upside than the guy that bought 20 front-row tickets and now he's selling them to all your biggest fans."

Asked if he sees the situation getting better or worse for touring bands in the future or if it's impossible to say, M. Shadows replied: "It's hard to say, because right now it just seems like it's on a complete runaway. It feels like, what brings us back in? Is it regulations on pricing? Is it bringing down inflation? And bringing down inflation is hard because then do you get people to bring their prices back down? And that goes for so many things in the economy and not just the bands. Because for the bands to bring their prices down, you're gonna have to have hotels go down, flights go down, gasoline go down, workforce go down. So, so many things have to happen for the band to get their costs down. Rental gear, lighting, staging, venue, rental… So many things have to happen for their costs to go down for that to happen. And maybe people just need to stop going to concerts, and then it resets everything.

"I really don't know what the solution is, but I do know with the runaway pricing, it's just gonna bring ticket prices up for the fans, which is just gonna supplement what the costs are already for the artists," he added. "And then the artists are gonna stop going on tour, which you've already seen. You already see artists put tickets on sale and they cancel. And that's kind of the biggest trick in music right now is throw out a crazy price, throw out a festival, and if it doesn't sell out within the first day or two, you cancel the festival, because that money coming in is what's paying for all the artists on the back end and being able to get that thing set up. It's better just to cut your losses right away. And we've been seeing that recently. And so that's kind of the M.O. of what people are doing. And the whole thing is just not healthy. And that's why, again, the best mindset has to be a completely different mindset of not getting in the weeds of all this and just kind of going where you wanna go. Am I gonna be happy going there? Do we wanna hit fans that have never seen us? Cool. Are we gonna make any money? No. But what are we gonna get from it? Well, we're gonna get in front of people that never got to see us, never thought they were gonnta get to see us, and hopefully that kind of spreads in the streaming world and it just plants a flag that maybe in five years we'll come back and maybe it'll be a little bigger. You've kind of just gotta think macro… And don't make yourself miserable. Don't go grind in Europe for six weeks, be away from your family, make no money, maybe lose money, and basically play the same places you played 25 years. You've just gotta change the mindset. You've gotta free yourself from that and just go, 'Well, we don't need that. I don't care. We're not doing that.'"

As previously reported, AVENGED SEVENFOLD will embark on a European tour in June 2025. The 12-date trek will consist of appearances at some of the continent's biggest rock festivals, including Norway's Tons Of Rock, Czech Republic's Rock For People and Greece's Release.

AVENGED SEVENFOLD launched the 2024 leg of the "Life Is But A Dream…" North American tour on March 6 at KeyBank Center in Buffalo, New York. The band's 2024 run included AVENGED SEVENFOLD's first-ever performances in Manchester, New Hampshire; Raleigh, North Carolina; and Newark. The group performed in Des Moines, Iowa for the first time in 18 years; Cleveland, Ohio; Indianapolis, Indiana; and Pittsburgh, Pennsylvania for the first time in 15 years.

AVENGED SEVENFOLD has been touring in support of its latest album, "Life Is But A Dream…", which sold 36,000 equivalent album units in the U.S. in its first week of release to land at position No. 13 on the Billboard 200 chart.

AVENGED SEVENFOLD made its first festival appearance in five years on May 19, 2023 at Welcome To Rockville at Daytona International Speedway in Daytona Beach, Florida.

AVENGED SEVENFOLD's first concert since June 2018 took place on May 12, 2023 at AREA15 in Las Vegas, Nevada.

To date, AVENGED SEVENFOLD has sold over 10 million albums worldwide and earned two consecutive No. 1 albums on Billboard's Top 200 Albums chart (2010's "Nightmare" and 2013's "Hail To The King") to go along with over a billion video views and a billion-plus Spotify streams, as well as multiple No. 1 singles on rock radio.

-4


	( 10 )

Комментарии могут добавлять только зарегистрированные пользователи.
Вы можете зарегистрироваться на сайте или залогиниться через социальные сети (иконки вверху сайта).

22 фев 2025

LU---

Чувак...завязывай с Музыкой :-)
Хотя ....кто это вообще?...нытик
Ни одной песни и альбома этой группы странной не заинтересовало
номинант на Шляпу Года не иначе :-)

22 фев 2025

Lord Iscariah

Хватит ныть! Ебашь на завод! Производи тухлятину или строй дома! там всегда доход есть!

23 фев 2025

father

Вообще есть у него интересные мысли на самом деле.
Глянул я цены на билеты на 40-летие Арии и дичайше охуел, но если так подумать и оценить, насколько дороже стало вообще всё, то удивительного ничего нет.

23 фев 2025

xRReth

Всё с конечном итоге сводится к тому, что надо заниматься оптимизацией процессов и умерить пыл, как минимум. И это как раз-таки не касается крупных пиротехнических шоу, потому что там именно за комплексное шоу с визуалом и постановкой люди деньги и платят, и к таким мероприятиям вопрос цены не так сильно применим (тут он всё более-менее правильно раскидал). Но! Тур с такими мероприятиями могут позволить себе далеко не все артисты и те, у которых такой подход оправдан с точки зрения имени, обычно
всё окупают, потому что на них банально люди идут. Типичный пример - ебанутые по размаху шоу Металлики.
...а вот группам поменьше уже давно пора задумываться об оптимизации и снижении понтов, как минимум. Потому что вот едет в тур средней руки банда, которая уже далеко не в трендах, но тащит с собой раздутую группу роуди, четырёх менеджеров по клинингу, сына подруги матери и по две проститутки на каждого, что уже взвинчивает конечный ценник на билет до небес. Приезжают они, например, в клуб "The Drochilo", где даже всю эту команду разместить некуда, и... на них никто не приходит, потому что в клубе пиво невкусное, билеты дорогие пиздец, а банда как-то вот так себе, не очень-то и хотелось. И народ идёт в соседний ангар, где за три копейки подняли сцену, смотреть на Nails, например.
Я тут максимально утрирую, конечно, но расклад так и выглядит.
Что мешает раскидать коллаб-тур на две банды с одной роад-крю, например? Тут и повышение интереса (в плане - не пойдут на одних - но зато могут сходить на других в рамках одного концерта) и колоссальное снижение расходов. Что мешает умерить понты и не выступать на неебейших площадках, которые пойдут в убыток, а заползти в клуб поменьше, сделать шоу покомпактнее, но сыграть ценой?
Стопудово, есть кучка решений, но их мало кто рассматривает из-за своей инерционности, а рыночек-то перестраивается.
ПыСы. И я прекрасно понимаю, что во многих вопросах решает лейбл, а группы сами по себе просто поющие рты без права голоса, но мне как потребителю, например, на это похуй)

23 фев 2025

olly71

если таким большим группам дорого то что говорить по мелкие ? я сам по концертам давно уже не хожу и даже нынешних цен не знаю последнее что помню когда Элеффсон сольно приезжал в соседний город билет на него стоил 25 долларов я ещё охренел не дороговато ли ? а тут вон оно как оказывается.

23 фев 2025

Rutger

Сквозь нытье проступают верные выводы. Не знаю, кто это, но посмотрел, сколько ему лет, 43. Не вьюнош, но и не глухой старпер. Уже успел, видимо, вкусить прелесть бабла, но при этом еще способен понять, что сверхдоходы, и вообще легкая жизнь безвозвратно уходят, и что в музыке главная награда - сама возможность ею заниматься. И что перекладывать все издержки на фэнов не получится. В отличии от 60-70 летних, которые уже не способны воспринять реальность и только тоскуют по временам, когда после выхода пластинки или тура покупали себе еще один особняк.

23 фев 2025

WahrandPhain

Так это творчество а не бизнес. хули они блядь стонут - они это искренне и от души делают, играют музыку, или чисто ради бабок? Если ради бабок - пусть стримят, это в десятки раз лучше окупится.

23 фев 2025

xRReth

WahrandPhain, Конечно ради бабок.
Какое там уже нахуй творчество, ты на их последние альбомы посмотри - коллаб из максимально продаваемых идей и ни капли интересности

23 фев 2025

ElectricRetard

xRReth, А ты точно слушал их последний альбом?)
Там по-моему полная противоположность продаваемых идей, сплошная эксперементальщина, пусть и убогая.

23 фев 2025

GlowoErzum

Тут дело, мне кажется, больше в том, что рок-музыка снова уходит в андерграунд. Не в последнюю очередь благодаря продюсерам, которые смекнули, что производство и тиражирование рэп-говнузыки обходится во много раз дешевле. Так что да, только оптимизация спасёт. Вон посмотрите на тех же Mastodon. Они даже собственную небольшую студию звукозаписи организовали, чтобы экономить на записи альбомов и иметь пусть и скромный, но пассивный доход. И в прошлом году ездили в тур с Lamb of God, реализовав схему, про которую xRReth в своём комментарии упомянул.

А самому Шэду я бы советовал выпускать своё концептуальное творчество под другой вывеской, а Avenged Sevenfold нужны хиты, чтобы интерес некогда преданных фанатов (мой, например) не угасал.