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*BATTLE BEAST Announces New Album 'Steelbound' 168
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Foreigner

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15 июн 2025 : 
FOREIGNER Records Special Version Of 'I Want To Know What Love Is' With Members Of Inland Master Chorale

5 июн 2025 : 
LOU GRAMM 'Would Love To' Continue Touring With FOREIGNER As A Guest Singer: 'I'm Enjoying It Immensely'

1 июн 2025 : 
KELLY HANSEN On 'Emotion' Of His Upcoming Final Concert With FOREIGNER: 'Hopefully I Can Hold It Together And Do It'

24 май 2025 : 
KELLY HANSEN On Decision To Leave FOREIGNER: 'It's Time For Me To Do Other Things In My Life While I Still Can'

24 май 2025 : 
LOU GRAMM On FOREIGNER's 'I Want To Know What Love Is': 'We Were Worried' Releasing A Song Like That Would 'Damage Our Rock Reputation'

22 май 2025 : 
KELLY HANSEN Says He Still Has 'A Lot Of Rocking To Do' With FOREIGNER

21 май 2025 : 
KELLY HANSEN Announces He Will Leave FOREIGNER At End Of Summer 2025 Tour

19 май 2025 : 
FOREIGNER And Mexican Singer JOY HUERTA Share Music Video For Spanish Version Of 'I Want To Know What Love Is'

14 май 2025 : 
Watch: FOREIGNER Performs With LOU GRAMM In Santiago, Chile During Spring 2025 Latin American Tour

3 май 2025 : 
FOREIGNER Releases Spanish-Language Version Of 'Urgent'

2 май 2025 : 
LOU GRAMM Says He Will Continue Performing With FOREIGNER 'For Another Year Or So'

30 апр 2025 : 
Watch: FOREIGNER Joined By Original Singer LOU GRAMM For Four Songs At Mexico City Concert

23 апр 2025 : 
FOREIGNER's MICK JONES Releases New Song 'Shelter From The Storm' In Honor Of Parkinson's Awareness Month

22 апр 2025 : 
FOREIGNER To Perform With Orchestra In Las Vegas In March 2026

14 апр 2025 : 
Newly Finished FOREIGNER Song 'Fool If You Love Him', With LOU GRAMM On Vocals, To Be Released In September

29 мар 2025 : 
FOREIGNER Singer KELLY HANSEN Explains His Absence From Upcoming Latin American And Canadian Tours

29 мар 2025 : 
KELLY HANSEN To Sit Out FOREIGNER's Latin American Tour Due To 'Some Issues'; LOU GRAMM To Step In As 'Guest' Singer

26 мар 2025 : 
FOREIGNER To Tour Canada Without Vocalist KELLY HANSEN; Singer-Actor GEORDIE BROWN To Step In

17 мар 2025 : 
Watch: LOU GRAMM Joins FOREIGNER On Stage In Clearwater, Florida

11 мар 2025 : 
Watch: FOREIGNER Performs At 'KLOS Helpful Honda Rock Room' In Los Angeles

5 мар 2025 : 
Watch: FOREIGNER Performs Acoustic Mini-Set On KTLA 5 Weekend Morning News

1 фев 2025 : 
FOREIGNER Joins SPOTIFY's Exclusive Billions Club With 'I Want To Know What Love Is'

24 ноя 2024 : 
LOU GRAMM Is 'Not Sure' He Wants To Make Any Guest Appearances With FOREIGNER In 2025

14 ноя 2024 : 
JEFF PILSON 'Would Not Be Surprised' If FOREIGNER Farewell Tour Continued 'Well Past 2025'

28 окт 2024 : 
LOU GRAMM Reflects On FOREIGNER's ROCK AND ROLL HALL OF FAME Induction: It 'Was Just Unbelievable'

24 окт 2024 : 
FOREIGNER Extends Farewell Tour; Original Members To Join Band At Select Shows
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|||| 21 фев 2024

JEFF PILSON Says 'Ridiculously Bad' Royalty Rate For Music Streaming Is 'Unsustainable'



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In a new interview with the "Arroe Collins View From The Writing Instrument" podcast, former DOKKEN and current FOREIGNER bassist Jeff Pilson spoke about the importance of streaming in supporting music industry revenues. He said (as transcribed by BLABBERMOUTH.NET): "Well, streaming is a big part of our consideration right now because it's the primary source of where people listen to music, is through streaming services. And that's rough on the artist, because the royalty rate for streaming is ridiculously bad. So, for us, it really comes down to — you do your best. We still sell physical CDs, so that's a good thing. Our audience still does buy physical CDs, so they get to see that album cover and everything, but that's an increasingly rare thing. So, streaming becomes a consideration because the revenue stream is so much lower.

"I think what's gonna have to happen here one of these days is musicians are gonna need to do what the actors and writers just did in Hollywood and either come up with a strike or something to renegotiate what streaming revenue is, because it's really, really poor," he continued. "And it's unsustainable. You're not gonna get people being able to make a living making music pretty soon, and that's gonna be dangerous. Then the standards of music are gonna go way down — something we are dead set to avoid."

During the chat, Pilson also criticized the method of using artificial intelligence to write music, saying: "Unfortunately, computers can write music now, which is crazy — it's a crazy thought. But, yeah, that's another big reason why there needs to be renegotiating happening because there's probably gonna be a lot of people unemployed now that write elevator music and that kind of stuff, because a computer can do it. So why not? And that's dangerous."

For years, Spotify has been criticized for offering paltry payouts to musicians and songwriters, with some claiming that the service gives major-label artists an unfair advantage via playlist placement and other promotional avenues.

In recent years, Spotify CEO Daniel Ek has been trying to defend Spotify's payouts, telling CBS News in early 2023: "We don't pay artists directly. [Artists] have their deals with their record companies and their deals with their publishers, et cetera. And what Spotify does is we pay out to those record companies and these publishers, and don't know what individual deals these artists may have."

Three years ago, Spotify created a web site called Loud&Clear to clarify exactly who receives payments.

According to Forbes, "Spotify has been paying back nearly 70% of every dollar generated from music as royalties to rights holders who represent artists and songwriters. These organizations, which include independent distributors, publishers, performance rights organizations, record labels, and collecting societies, then pay the artists and songwriters based on their agreed terms."

Spotify boasted 574 million monthly active users as of last September. The number of people paying for Spotify Premium stood at 226 million.

In the third quarter of 2023, Spotify posted a rare quarterly profit of $33.88 million, a stark contrast to the 2022 loss of $249.73 million.




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22 фев 2024
ну что он говорит об этом то это хорошо. басисту новому в Форинере конечно об этом нужно думать, а вот сама группа и так небедная.
бизнес съедает музыку.
просмотров: 1858

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