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29 апр 2025 : 
ACCEPT Recruits Producer CHRIS 'ZEUSS' HARRIS For Upcoming 50th-Anniversary Album

23 фев 2025 : 
WOLF HOFFMANN On ACCEPT's 50th Anniversary: 'Not Every Band Is Lucky Enough To Be Around For This Long'

7 янв 2025 : 
ACCEPT's MARK TORNILLO Isn't Thinking About Retirement: 'I Don't See Any Reason To Stop'

30 дек 2024 : 
ACCEPT Singer MARK TORNILLO On Turning 70: 'I Wear It Like A Badge At This Point'

22 дек 2024 : 
Former ACCEPT Bassist PETER BALTES: How I Became A Born-Again Christian

13 дек 2024 : 
Ex-ACCEPT Bassist PETER BALTES On His Long-Awaited Solo Album: 'I've Been Working On It'

9 дек 2024 : 
ACCEPT's WOLF HOFFMANN: 'I Hope That Live Music Will Never Be Replaced' By Artificial Intelligence

26 ноя 2024 : 
ACCEPT Live At Wacken Open Air 2024; Pro-Shot Video Released

24 ноя 2024 : 
WOLF HOFFMANN On ACCEPT's 50th-Anniversary Tour: 'It's Gonna Be A Completely Different Show With A Lot Of Surprises'

27 сен 2024 : 
ACCEPT's MARK TORNILLO Says His Statement That U.S. Is 'Not Metal Territory Anymore' Was 'Just A Passing Comment'

17 сен 2024 : 
TIM 'RIPPER' OWENS Celebrates 57th Birthday By Joining ACCEPT For 'Balls To The Wall' Performance In New York City

11 сен 2024 : 
ACCEPT's WOLF HOFFMANN On 'The True Meaning Of Happiness'

5 сен 2024 : 
ACCEPT's WOLF HOFFMANN Marries Violinist AVA-REBEKAH RAHMAN; Photos

3 сен 2024 : 
Watch: ACCEPT Kicks Off North American Tour With KK'S PRIEST At Whisky A Go Go

31 авг 2024 : 
ACCEPT's MARK TORNILLO Clarifies His Comment That U.S. Is 'Not Metal Territory Anymore': 'I Didn't Mean It In A Derogatory Way'

7 авг 2024 : 
ACCEPT's WOLF HOFFMANN Recalls Photographing And Spending Time With LES PAUL

6 авг 2024 : 
ACCEPT's WOLF HOFFMANN Says UDO DIRKSCHNEIDER And PETER BALTES Are 'Welcome' To Take Part In 50th-Anniversary Tour

4 авг 2024 : 
Watch: TIM 'RIPPER' OWENS Joins ACCEPT For 'Balls To The Wall' Performance At WACKEN OPEN AIR

22 июл 2024 : 
ACCEPT Joined By JUDAS PRIEST’s ANDY SNEAP For “Balls To The Walls” In Athens; Video

14 июл 2024 : 
ACCEPT's WOLF HOFFMANN: 'The Experience Of A Live Show Has As Much Value As, Or Maybe Even More Value Than, It Ever Did'

2 июл 2024 : 
ACCEPT To Celebrate 50th Anniversary With Tour And Album Of Re-Recorded Classics

23 июн 2024 : 
ACCEPT's WOLF HOFFMANN Describes His Experience As A German Immigrant Living In America

1 июн 2024 : 
HERMAN FRANK On ACCEPT: 'Nowadays They Need Three Or Four Guitar Players To Do What I've Done With WOLF'

26 май 2024 : 
ACCEPT's WOLF HOFFMANN Explains Why He Didn't Use His Flying V Guitars In The Studio

16 май 2024 : 
UDO DIRKSCHNEIDER And PETER BALTES To Celebrate 40th Anniversary Of ACCEPT's 'Balls To The Wall' On 2025 European Tour

15 май 2024 : 
WOLF HOFFMANN Responds To PETER BALTES's Comment That ACCEPT Albums 'Started To Sound The Same'
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|||| 2 апр 2024

ACCEPT's WOLF HOFFMANN Admits He Tried Using A.I. For Lyrical Ideas: 'It's Scary Good'



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In a new interview with Appetite For Distortion, ACCEPT guitarist Wolf Hoffmann weighed in on a debate about people using an A.I. (artificial intelligence) music generator as a tool to create melodies, harmonies and rhymes based on artificial intelligence algorithms and machine learning (ML) models. Wolf said (as transcribed by BLABBERMOUTH.NET): "Well, the potential good is that, yeah, you can create sometimes… Like, for instance, I tried it for lyrical ideas, and it's scary good, to be honest. You can just say, 'Hey, write me a song lyric' or something, [and] it spits out some pretty amazing stuff. But, of course, you have to say, 'Is this really what I wanted to say? And is it me? Well, then how would I really say it?' So you still have to tweak it and stuff. And we ended up never using any of it, but for songwriting and demoing stuff, I was quite intrigued; I found it intriguing. It gives you a bunch of ideas that you hadn't thought about. And, of course, I've seen some images that were done with A.I. that I thought, 'Whoa.' A designer or a human would have to spend a lot of hours creating that thing, but it spits it out like that."

He continued: "The shadow and downside of this is, of course, that people might lose their jobs over it. And the downside is also that it's not really, truly original. A.I. doesn't really think of this stuff. It just looks at all the other stuff that was created by people and turns it into a different, new version. It uses, in the case of music, for instance, existing songs and creates a new version kind of like it, but it doesn't do it out of the blue sky; it looks at your stuff that somebody created. And there's all kinds of legal issues that come up. So I'm a little concerned about all that, yeah."

Asked if he and the rest of ACCEPT would consider using A.I. in the future to make a music video, Wolf said: "Actually, we are making one right now. It's gonna be released — I don't know — in about a month or so. But you'll see it, and it's interesting. I think it's fantastic just to see it. Of course, we thought, even the first video [for ACCEPT's upcoming album, 'Humanoid'] we made, [for the] 'Humanoid' [title track], has got, in the background — we're performing in front of a gigantic video wall, and the artwork that runs in the background, that was all created by A.I., just because here we are. That's what we're talking about on this album, 'Humanoid', so it seemed to be just a fitting tool to use."

Circling back to the idea that artificial intelligence poses some risks to humanity, Wolf said: "We still haven't quite figured out how this is gonna turn out, how this is gonna pan out in the future. How much of it is good, how much of it is bad. We're still at the infancy."

He added:  "This digital revolution, as they call it, I think it's bigger than the industrial revolution was, and I think it has more far-reaching consequences on society than anything… One thing is for certain: we can't stop it. It's gonna happen whether we want it to or not. It's out, and it's gonna get used. We just have to see how to deal with it. That's what we haven't figured out yet, 'cause technology is so fast. We can't keep up with how society deals with it."

Due on April 26 via Napalm Records, "Humanoid" was once again produced, recorded, mixed and mastered by critically acclaimed heavy metal producer Andy Sneap.

Fans can immerse themselves in the upcoming album on an interactive web site, where they can reprogram the robot that is featured on the album cover, and discover different parts of the album in the process. Pre-save "Humanoid" now to gain access to the web site here.

ACCEPT recently announced a massive European headline tour, with more than 20 shows across the continent for autumn 2024. This summer, ACCEPT will also return to some of the world’s most important rock and metal festivals, like Wacken Open Air, Hellfest and more, following their South American spring tour.

In February 2022, it was announced that ACCEPT had inked a worldwide deal with Napalm Records.

ACCEPT's latest album, "Too Mean To Die", came out in January 2021 via Nuclear Blast. The LP was the group's first without bassist Peter Baltes, who exited ACCEPT in November 2018. He has since been replaced by Martin Motnik. ACCEPT's lineup has also been expanded with the addition of a third guitarist, the aforementioned Philip Shouse, who originally filled in for Uwe Lulis during 2019's "Symphonic Terror" tour, before being asked to join the band permanently.

"Too Mean To Die" was recorded in Nashville with Sneap (JUDAS PRIEST, MEGADETH),who has been responsible for the studio sound of ACCEPT since 2010.

Mark Tornillo joined ACCEPT in 2009 as the replacement for the band's original lead singer, Udo Dirkscheider. He can be heard on ACCEPT's last five studio albums, "Blood Of The Nations" (2010),"Stalingrad" (2012),"Blind Rage" (2014),"The Rise Of Chaos" (2017) and "Too Mean To Die".




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