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29 апр 2025 : 
ACCEPT Recruits Producer CHRIS 'ZEUSS' HARRIS For Upcoming 50th-Anniversary Album

23 фев 2025 : 
WOLF HOFFMANN On ACCEPT's 50th Anniversary: 'Not Every Band Is Lucky Enough To Be Around For This Long'

7 янв 2025 : 
ACCEPT's MARK TORNILLO Isn't Thinking About Retirement: 'I Don't See Any Reason To Stop'

30 дек 2024 : 
ACCEPT Singer MARK TORNILLO On Turning 70: 'I Wear It Like A Badge At This Point'

22 дек 2024 : 
Former ACCEPT Bassist PETER BALTES: How I Became A Born-Again Christian

13 дек 2024 : 
Ex-ACCEPT Bassist PETER BALTES On His Long-Awaited Solo Album: 'I've Been Working On It'

9 дек 2024 : 
ACCEPT's WOLF HOFFMANN: 'I Hope That Live Music Will Never Be Replaced' By Artificial Intelligence

26 ноя 2024 : 
ACCEPT Live At Wacken Open Air 2024; Pro-Shot Video Released

24 ноя 2024 : 
WOLF HOFFMANN On ACCEPT's 50th-Anniversary Tour: 'It's Gonna Be A Completely Different Show With A Lot Of Surprises'

27 сен 2024 : 
ACCEPT's MARK TORNILLO Says His Statement That U.S. Is 'Not Metal Territory Anymore' Was 'Just A Passing Comment'

17 сен 2024 : 
TIM 'RIPPER' OWENS Celebrates 57th Birthday By Joining ACCEPT For 'Balls To The Wall' Performance In New York City

11 сен 2024 : 
ACCEPT's WOLF HOFFMANN On 'The True Meaning Of Happiness'

5 сен 2024 : 
ACCEPT's WOLF HOFFMANN Marries Violinist AVA-REBEKAH RAHMAN; Photos

3 сен 2024 : 
Watch: ACCEPT Kicks Off North American Tour With KK'S PRIEST At Whisky A Go Go

31 авг 2024 : 
ACCEPT's MARK TORNILLO Clarifies His Comment That U.S. Is 'Not Metal Territory Anymore': 'I Didn't Mean It In A Derogatory Way'

7 авг 2024 : 
ACCEPT's WOLF HOFFMANN Recalls Photographing And Spending Time With LES PAUL

6 авг 2024 : 
ACCEPT's WOLF HOFFMANN Says UDO DIRKSCHNEIDER And PETER BALTES Are 'Welcome' To Take Part In 50th-Anniversary Tour

4 авг 2024 : 
Watch: TIM 'RIPPER' OWENS Joins ACCEPT For 'Balls To The Wall' Performance At WACKEN OPEN AIR

22 июл 2024 : 
ACCEPT Joined By JUDAS PRIEST’s ANDY SNEAP For “Balls To The Walls” In Athens; Video

14 июл 2024 : 
ACCEPT's WOLF HOFFMANN: 'The Experience Of A Live Show Has As Much Value As, Or Maybe Even More Value Than, It Ever Did'

2 июл 2024 : 
ACCEPT To Celebrate 50th Anniversary With Tour And Album Of Re-Recorded Classics

23 июн 2024 : 
ACCEPT's WOLF HOFFMANN Describes His Experience As A German Immigrant Living In America

1 июн 2024 : 
HERMAN FRANK On ACCEPT: 'Nowadays They Need Three Or Four Guitar Players To Do What I've Done With WOLF'

26 май 2024 : 
ACCEPT's WOLF HOFFMANN Explains Why He Didn't Use His Flying V Guitars In The Studio

16 май 2024 : 
UDO DIRKSCHNEIDER And PETER BALTES To Celebrate 40th Anniversary Of ACCEPT's 'Balls To The Wall' On 2025 European Tour

15 май 2024 : 
WOLF HOFFMANN Responds To PETER BALTES's Comment That ACCEPT Albums 'Started To Sound The Same'
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|||| 26 июн 2017

ACCEPT Guitarist: 'My Goal Is Always To Write Songs That I Could Have Written 30 Years Ago, Just Never Did'



zoom
On June 19, Finland's Kaaos TV conducted an interview with guitarist Wolf Hoffmann of veteran German/American metallers ACCEPT at The Riff in Helsinki. You can watch the chat below. A few excerpts follow (transcribed by BLABBERMOUTH.NET).

On whether the addition of guitarist Uwe Lulis (GRAVE DIGGER, REBELLION) and drummer Christopher Williams changed the writing process for the band's new "The Rise Of Chaos" studio album:

Wolf: "That makes a little bit of difference, but really, we have a machine that's been rolling for the last eight years. It's very well in place. It always starts the same way. Peter [Baltes, bass] and I are really responsible for most, all of the music, really. He and I, we get together first and we trade licks and we play each other ideas that we have collected over time. Then we start making some first demos between the two of us. When we feel like we have something that's actually worth for the other guys to listen to, then we'll send it to Mark [Tornillo, vocals], and he'll put the final lyrics on it. Once all that is done, we call [British producer/engineer] Andy Sneap in, then we get to the recording process, which at that point, in this case, we had Christopher Williams playing the drums. Really, a whole lot has not changed. We really worked that way ever since. We haven't been to some exotic island. We didn't do anything crazy like that. We just work at home in Nashville."

On whether ACCEPT's goal is to continue writing music as if it sounded like it was created 30 years ago:

Wolf: "Absolutely, and if you want it to sound like it sounded back then, you've gotta use what you know worked back then. That's how we've been doing it back then, so we're doing it still the exact same way. My goal is always to write songs that I could have written 30 years ago, just never did. I want it to sound somewhat old-school and '80s, only with a modern touch and modern sound, fresh ideas and all of that. But, really, the core of the music should be like back in the '80s."

On the importance of ACCEPT's production team understanding the band's aim of staying true to their '80s sound:

Wolf: "It's super important. The role of a producer is one of the big mysteries in the music business because, on one hand, you have producers who come in and go, 'Oh, no, everything you're doing, no, no, we have to take it all apart and put it back together.' They question everything. Some other producers just let you do your thing and they make it sound good. Then there's a million ways in between where you can just say, 'He's just stepping out of the way when it's necessary and stepping in when it's necessary.' That's how I would see Andy, really. For the first time we worked with him was for 'Blood Of The Nations' when we regrouped with Mark. He was very instrumental then because we didn't really know what exact direction to go. What should ACCEPT sound like in 2010? So he was really the one who picked through all the song ideas and picked the ones that he felt would be right for us from a fan perspective. He was a fan when he was a teenager and, to a certain degree, I guess he still is. He was really, really helpful then and ever since, we sort of know more and more what we're all going for. We kind of have our marching orders and we have a clear direction even when we start writing the songs, so we don't even bring stuff to the table that we know is not right. Nowadays, he's much more of the guy who comes in and makes it happen. Once we have all the ideas demoed out, he comes in and records proper drums with us, proper guitars, just makes sure it's all up to his specs."

On whether he prefers a "hands-off" type of producer:

Wolf: "We've had that experience back in the '80s with [German producer] Dieter Dierks when we produced 'Metal Heart'. I mean, we learned a lot and it was probably very necessary back then, but right now, I feel we're secure enough, we know what we're going for that we don't think that will be very helpful, but who knows, maybe one day in the future, we want that. Right now is where we stand and we're totally happy with the way it works with Andy, so we're not wanting to change anything."

On whether ACCEPT would consider making slight changes to their sound:

Wolf: "No, we don't, and I don't think we need to and we shouldn't. It sounds incredibly easy to stay true to yourself, just get better, but you already are doing [it]. That's the challenge. That brings a band forward. It's always easy to do something that you haven't done before. If we make, I don't know, a bunch of ballads now or something super heavy, fast that nobody would expect from us… that's easy because we haven't done that. It's a lot of fun sometimes because it's sort of new territory for everybody, but is that really what we should be doing or what the fans want us to do? I don't think so. I think they like us for a certain reason and we want to give them more and better stuff of exactly what it is of who we are."

"The Rise Of Chaos" will be released August 4 via Nuclear Blast. The cover artwork for the disc was created by the Hungarian artist Gyula Havancsák and can be seen below.

ACCEPT parted ways with guitarist Herman Frank and drummer Stefan Schwarzmann in December 2014.

ACCEPT Guitarist:










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26 июн 2017
Вот и согласен с одной стороны, вроде фирменное звучание и всё такое ... Но и не согласен с другой. Всё делать как того от тебя ждут фанаты неправильно. Музыку надо писать для себя, а далее уже показывать другим. Кому то понравится, кому то нет. Иначе будет застой в творчестве, а оно должно развиваться.
26 июн 2017
Как ни крути,а Accept уровня 80-х уже не вернёшь(
26 июн 2017
Rus
26 июн 2017, 15:34

Если они будут писать для себя, то подохнут от голода. Всё т.н. "искусство" на 99,9% создаётся для зарабатывания бабла и ни для чего иного. А то, что он запишет "для себя", может понравиться ещё полсотне людей, кроме него. И на это вряд ли прокормишься. И ни хрена оно не должно развиваться, творчество. Зачем, если и так покупают.
30 июн 2017
Astashonok, в точку, не вернёшь. Теперь время лишь для спекуляций на имени.
30 июн 2017
Чем почти 30 лет и занимается Диркшнайдер,зарабатыва на материале 80-х с случайными людьми.Хотя ради справедливости отмечу,что имеет в своей дискографии воистинну шедевральные альбомы и кучу боевиков с хитами.
1 июл 2017
Если бы группа записала что-то "невероятно быстрое", то вряд ли бы поклонники оказались разочарованными. Быстрые песни не любят только совсем клинические зануды, коих статистически мало.
2 июл 2017
Клиническим занудам логотип АССЕРТ на любую посредственную дрянь прилепи, хоть на быструю, хоть на медленную, они и её схавают.
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